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Samu Zsofia

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Schlitz Michael

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Seccombe Dolphin (Fin)

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Smith John

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Smith Penny

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Stephenson David

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Stronnach Paccy

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Stuart Tony

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Svoboda Jean

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Swann Heather B

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Tatton Marcus

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Taylor Peter

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Thomas Judith-Rose

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Todd Kevin

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Turner Jenny

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Vella John

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Walch Martin

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Walker Stephen

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Wastell Richard

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Whiting Dan

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Wilson Peter

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Wolfhagen Philip

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Woods Sharyn

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Wright Helen

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Young Jock

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Zika Paul

Reference: see Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Piguenit William Charles 1836-1914

Reference: William Charles Piguenit, monochrome oil paintings and gouache, watercolour, and ink drawings - a Catalogue Raisonne by Tony (A.V.) Brown. ["Over a period of at least 20 years (1877-96), and possibly longer, William Charles Piguenit (1836-1914) painted 72, and probably more, monochromatic works in oil, gouache, watercolour and indian and sepia ink. The works were produced for private and commercial commissions and used as illustrations in books and newspapers, as well as gifts for subscribers to art society's art union lotteries. They were also painted for family and friends, as a record of arduous field trip undertaken to the central highlands and west coast of Tasmania." Preface.]
Publishing details: Hobart, Tasmania : Tasmanian Museum and Art Gallery, 2012, online resource (81 unnumbered pages, illustrations. 
Hardcopy in Scheding Library.

Index to Imagery in Colonial Australian Illustrated Newspapers

Reference: Photocopied introduction to Index to Imagery in Colonial Australian Illustrated Newspapers. By Peter A. Dowling. Two volumes, v. 1. Subjects, v. 2. Creators. Two-volume publication indexes the approximative 12,000 images in nearly all colonial Australian illustrated newspapers, including those in the four major papers: Illustrated Australian News (1861-96), Illustrated Melbourne Post (1862-68), Illustrated Sydney News (1864-94) and Australasian Sketcher (1873-89). Volume two lists (under Australian states, plus NZ plus Pacific Islands) the names of artists, illustrators, cartoonists, engravers and other creators and each of these names has been listed in the Scheding Index. Refer to both volumes for detailed listings of the creators’ images.
Publishing details: The Author, 2012.foolscap folio, frontispieces, binder’s cloth. Hamilton, 1490 pages. A photocopy of the introduction is in the Scheding Library.
Ref: 140

National Gallery of Australia

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

National Gallery of Victoria

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Art Gallery of New South Wales

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Art Gallery of South Australia

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Ballarat Art Gallery of

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Art Gallery of Ballarat

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Queensland Art Gallery & Gallery of Modern Art

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Art Gallery of Western Australia

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Western Australia Art Gallery of

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Potter Ian - Ian Potter Museum of Art, Melbourne

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Ian Potter Museum of Art, Melbourne

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

McClelland Sculpture Park + Gallery, Melbourne

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Heide Museum of Modern Art, Melbourne

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Linden New Art, Melbourne

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Museum of Contemporary Art, Sydney

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

TarraWarra Museum of Art, Healesville

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Lyon Housemuseum, Melbourne

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Museum of Old and New Art, Hobart

Reference: see Art Museums in Australia by Katarzyna Jagodzinska.
Chapters:
• 1. An overview of art museums in Australia
• 2. Shifts in Australian museums : interview with Bernice Murphy
• 3. National Gallery of Australia, Canberra Studies, Jagiellonian University, Krakó
• 4. National Gallery of Victoria, Melbourne
• 5. Art Gallery of New South Wales, Sydney
• 6. Art Gallery of South Australia, Adelaide
• 7. Art Gallery of Ballarat
• 8. Queensland Art Gallery & Gallery of Modern Art, Brisbane
• 9. Art Gallery of Western Australia, Perth
• 10. McClelland Sculpture Park + Gallery, Melbourne
• 11. Ian Potter Museum of Art, Melbourne
• 12. Heide Museum of Modern Art, Melbourne
• 13. Linden New Art, Melbourne
• 14. Museum of Contemporary Art, Sydney
• 15. TarraWarra Museum of Art, Healesville
• 16. Lyon Housemuseum, Melbourne
• 17. Museum of Old and New Art, Hobart
• 18. Some thoughts about museums addressing their audiences : interview with Louise Ryan
• 19. Australian art exhibited abroad : the case of Great Britain.

Includes bibliographical references (pages [285]-290)
This publication is funded by the Faculty of International and Politicalw, from the funds earmarked for statutory activities.
Publishing details: Kraków, Poland : Jagiellonian University Press, 2017, 290 pages

Barak William

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Mamariki Minimini

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

McRae Tommy

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Mickey of Ulladulla

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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