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Grey Captain George

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Barnard George after Captain George Grey reference p29

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Port Jackson Painter

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

King Philip Gidley ref

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Watling Thomas

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Bauer Ferdinand

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Lesueur Charles-Alexander

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Lewin John William

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Browne Richard

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Laveter John Casper

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Lycett Joseph

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Earle Augustus

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Glover John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Martens Conrad

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Prout John Skinner

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Angas George French

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Fauchery Antoine or Richard Daintree

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Daintree Richard

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Strutt William

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Gill Samuel Thomas

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

von Guerard Eugene

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Summers Charles

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Chevalier Nicholas

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Piguinit William Charles

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Buvelot Louis Abraham

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Caire Nicholas

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Roberts Tom

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

McCubbin Frederick

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Conder Charles

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Streeton Arthur

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Henry Lucien

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

May Phil

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Young Blamire

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Long Sydney

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Lindsay Norman

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Richardson Charles Douglas

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Prenzel Robert

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Boyd Merric

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Russell John Peter

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Fox E Phillips

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Fox Ethel Carrick

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Bunny Rupert

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

O’Connor Kathleen

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Lambert George Washington

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Ramsay Hugh

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Mackennal Bertram

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Longstaff John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Goodsir Agnes

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Nicholas Hilda Rix

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Annear Harold Desbrowe and Bertram Mackennal

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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