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Friend Donald

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

O’Brien Justin

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Drysdale Russell

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Griffin Walter Burley

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Griffin Marion Mahony

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Seidler Harry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Romberg Frederick p327

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Utzon Jorn

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Boyd Arthur

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Vassilieff Danila

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Perceval John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Miller Godfrey

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Passmore John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Kemp Roger

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Fairweather Ian

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Pugh Clifton

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Dickerson Robert

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Blackman Charles

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Brack John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Molvig John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Olsen John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Rapotec Stanislaus

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Upward Peter

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Plate Carl

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Crothall Ross

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Lanceley Colin

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Brown Mike

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Johnson Michael

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

French Leonard

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Senbergs Jan

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Baldessin George

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Kossatz Les

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Sibley Andrew

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Fabian Erwin

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Hirschfeld-Mack Ludwig

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Salkauskas Henry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Maddock Bea

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Mitelman Allen

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Leti Bruno

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Sharp Martin

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Hanrahan Barbara

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Mackinolty Chips

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Whiteley Brett

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Callaghan Michael

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Gilbert Kevin

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Watson Judy

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Morgan Sally

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Nona Dennis

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Casey Karen

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Williams Fred

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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