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Dowling Julie

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Foley Fiona

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Henson Bill

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Moffatt Tracey

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Laing Rosemary

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Brassington Pat

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Gleeson James

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Daws Lawrence

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Smart Sally

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Hall Fiona and illustrated on cover

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

Not dead yet

Reference: Not dead yet : a retrospective exhibition / Therese Ritchie & Chips Mackinolty.
Not dead yet was part of the 2010 Darwin Festival.
Full contents • Truth before politics: together, sideways and apart / Anita Angel
• Maverick boundary riders / Hetti Perkins
• Busy little insects: working at Green Ant / Joanna Barrkman
• Wanted: dead or alive / Andrew McMillan
• Social fabric
• Not dead yet: the exhibition.
Publishing details: Nightcliff, N.T. : Black Dog Graphics, 2010, 72 p. : chiefly col. ill.
Ref: 1000

Ritchie Therese

Reference: see Not dead yet : a retrospective exhibition / Therese Ritchie & Chips Mackinolty.
Not dead yet was part of the 2010 Darwin Festival.
Full contents • Truth before politics: together, sideways and apart / Anita Angel
• Maverick boundary riders / Hetti Perkins
• Busy little insects: working at Green Ant / Joanna Barrkman
• Wanted: dead or alive / Andrew McMillan
• Social fabric
• Not dead yet: the exhibition.
Publishing details: Nightcliff, N.T. : Black Dog Graphics, 2010, 72 p. : chiefly col. ill.

Mackinolty Chips

Reference: see Not dead yet : a retrospective exhibition / Therese Ritchie & Chips Mackinolty.
Not dead yet was part of the 2010 Darwin Festival.
Full contents • Truth before politics: together, sideways and apart / Anita Angel
• Maverick boundary riders / Hetti Perkins
• Busy little insects: working at Green Ant / Joanna Barrkman
• Wanted: dead or alive / Andrew McMillan
• Social fabric
• Not dead yet: the exhibition.
Publishing details: Nightcliff, N.T. : Black Dog Graphics, 2010, 72 p. : chiefly col. ill.

Mackinolty Chips

Reference: The wealth of the land : an exhibition of prints / Chips Mackinolty, by Chips Mackinolty,

Publishing details: Bolongna, Italy : Grafiche dell'Artiere, [2016] , © 2016
Ref: 1000

Bass Tom

Reference: Tom Bass, edited by Genevieve Carson. Bibliography: p. 51-55.
Publishing details: Erskineville, N.S.W. : Tom Bass Sculpture Studio School Inc., 2006 
56 p. : col. ill., col. ports
Ref: 1009

Harris Brent

Reference: Brent Harris by Jane Devery
Publishing details: Melbourne, Vic. : National Gallery of Victoria, 2012 
31 p. : col. ill.
Ref: 1000

Fauchery Antoine

Reference: Letters from a miner in Australia / by Antoine Fauchery ; translated from the French by A.R. Chisholm ; with drawings by Ron Edwards. ‘Personal account describing Melbourne and the Victorian goldfields at the height of the goldrush in the 1850s ; occasional references to squatters' treatment of Aboriginal people.’ Original ed. published Paris: Poulet-Malassis et De Broise, 1857. Translation of: Lettres d'un mineur en Australie.
Publishing details: Melbourne : Georgian House, 1965, xxv, 105 p., [3] leaves of plates : ill., ports
Ref: 1000

Edwards Ron

Reference: Letters from a miner in Australia / by Antoine Fauchery ; translated from the French by A.R. Chisholm ; with drawings by Ron Edwards. ‘Personal account describing Melbourne and the Victorian goldfields at the height of the goldrush in the 1850s ; occasional references to squatters' treatment of Aboriginal people.’ Original ed. published Paris: Poulet-Malassis et De Broise, 1857. Translation of: Lettres d'un mineur en Australie.
Publishing details: Melbourne : Georgian House, 1965, xxv, 105 p., [3] leaves of plates : ill., ports

Accounting for tastes

Reference: Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow
Publishing details: Cambridge ; Melbourne : Cambridge University Press, 1999, xiv, 313 pages
Ref: 1000

fashion

Reference: see Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow
Publishing details: Cambridge ; Melbourne : Cambridge University Press, 1999, xiv, 313 pages

style

Reference: see Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow
Publishing details: Cambridge ; Melbourne : Cambridge University Press, 1999, xiv, 313 pages

taste

Reference: see Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow
Publishing details: Cambridge ; Melbourne : Cambridge University Press, 1999, xiv, 313 pages

Moments in time

Reference: Moments in time : dioramas at the Australian War Memorial / Laura Back, Laura Webster

Publishing details: New Holland, 2008 
96 p. : ill. (some col.)
Ref: 1000

war art - dioramas

Reference: see Moments in time : dioramas at the Australian War Memorial / Laura Back, Laura Webster

Publishing details: New Holland, 2008 
96 p. : ill. (some col.)

dioramas

Reference: see Moments in time : dioramas at the Australian War Memorial / Laura Back, Laura Webster

Publishing details: New Holland, 2008 
96 p. : ill. (some col.)

Australian art world The

Reference: The Australian art world : aesthetics in a global market / Annette Van den Bosch. Includes bibliographical references and index.

Publishing details: Allen & Unwin, 2005 
276 p. : ill., ports
Ref: 1000

market in art

Reference: see The Australian art world : aesthetics in a global market / Annette Van den Bosch. Includes bibliographical references and index.

Publishing details: Allen & Unwin, 2005 
276 p. : ill., ports

art market

Reference: see The Australian art world : aesthetics in a global market / Annette Van den Bosch. Includes bibliographical references and index.

Publishing details: Allen & Unwin, 2005 
276 p. : ill., ports

Sievers Wolfgang

Reference: The Photography of Wolfgang Sievers, 1933 - 1993
Publishing details: Lisbon, 2000
Ref: 1000

Buvelot Louis Abraham

Reference: see La Trobe Journal, No. 75, 2005, p62-72, ‘The migrant artist interpreting new worlds in Brazil and Australia.’ By Anne Colman.
Publishing details: La Trobe Journal, No. 75, 2005

Parr Mike

Reference: Mike Parr, the self portrait project / [text by Graham Coulter-Smith]. Includes index.
Bibliography: 197-200.
Publishing details: Schwartz City, 1994 
203 p
Ref: 1000

Museum of Art and Picture Gallery, Melbourne Public Library

Reference: see ‘For the love of art’ in The La Trobe Journal, no. 75, 2005.
Publishing details: La Trobe Journal, no. 75, 2005.

Melbourne Public Library - Museum of Art and Picture Gallery,

Reference: see ‘For the love of art’ in The La Trobe Journal, no. 75, 2005.
Publishing details: La Trobe Journal, no. 75, 2005.

uses of art The

Reference: The uses of art / Lisanne Gibson.
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Full contents • 1. Governing art and identity
• 2. Mechanics, gold and the uses of art
• 3. Art and national identity
• 4. A 'new deal' for art: war and reconstruction
• 5. The arts as industry
• 6. Cultural rights
• 7. Cultural development, cultural industries and youth.
Includes index.
Bibliography: p. [150]-165.
Publishing details: St Lucia, Qld. : University of Queensland Press in association with the Australian Key Centre for Cultural and Media Policy, Griffith University, 2001, viii, 173 p
Ref: 1000

art and identity

Reference: see The uses of art / Lisanne Gibson.
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Full contents • 1. Governing art and identity
• 2. Mechanics, gold and the uses of art
• 3. Art and national identity
• 4. A 'new deal' for art: war and reconstruction
• 5. The arts as industry
• 6. Cultural rights
• 7. Cultural development, cultural industries and youth.
Includes index.
Bibliography: p. [150]-165.
Publishing details: St Lucia, Qld. : University of Queensland Press in association with the Australian Key Centre for Cultural and Media Policy, Griffith University, 2001, viii, 173 p

culture

Reference: see The uses of art / Lisanne Gibson.
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Full contents • 1. Governing art and identity
• 2. Mechanics, gold and the uses of art
• 3. Art and national identity
• 4. A 'new deal' for art: war and reconstruction
• 5. The arts as industry
• 6. Cultural rights
• 7. Cultural development, cultural industries and youth.
Includes index.
Bibliography: p. [150]-165.
Publishing details: St Lucia, Qld. : University of Queensland Press in association with the Australian Key Centre for Cultural and Media Policy, Griffith University, 2001, viii, 173 p

arts the

Reference: see The uses of art / Lisanne Gibson.
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Full contents • 1. Governing art and identity
• 2. Mechanics, gold and the uses of art
• 3. Art and national identity
• 4. A 'new deal' for art: war and reconstruction
• 5. The arts as industry
• 6. Cultural rights
• 7. Cultural development, cultural industries and youth.
Includes index.
Bibliography: p. [150]-165.
Publishing details: St Lucia, Qld. : University of Queensland Press in association with the Australian Key Centre for Cultural and Media Policy, Griffith University, 2001, viii, 173 p

Grey George

Reference: Journals of two expeditions of discovery in North-west and Western Australia, during the years 1837, 38, and 39 ... / by George Grey. Facsim. of ed. published London : T. & W. Boone, 1841 ; previously published: Adelaide : Libraries Board of South Australia, 1964.
Publishing details: Victoria Park, W.A. : Hesperian Press, 1983-1984 
2 v. (xi, 412 ; vii, 482 p., [24] leaves of plates (2 folded)) : ill. (some col.), 3 maps
Ref: 1000

Gill S T

Reference: Dr. Doyle's sketches in Australia : a collection of prints from the original watercolour drawings in the Mitchell Library / S.T. Gill ; with notes on the drawings and an historical account of the association between S.T. Gill and Dr. J.T. Doyle by Sasha Grishin
Publishing details: Mitchell Library Press and Centaur Press, 1993 
127 p. : col. ill. One hundred numbered copies, signed by the author, Dr. Sasha Grishin, and five copies hors de commerce.
Ref: 1000

Hirschfeld-Mack Ludwig

Reference: The Bauhaus legacy at Geelong Grammar School, Corio : works designed, inspired or created by Ludwig Hirschfeld Mack (1893 - 1965) : art master 1942 - 1957 / by Felicity Renowden & Resi Schwarzbauer. Includes bibliographical references.
Publishing details: Kew East, Vic. : Felicity Renowden and Resi Schwarzbauer, 2008, 32 p. : ill.,
Ref: 1000

Hirschfeld-Mack Ludwig

Reference: Bauhaus Pedagogy in Exile [microform] : Ludwig Hirschfeld-Mack and Art Education,
by Peter Stasny.
Publishing details: [Washington, D.C.] : Distributed by ERIC Clearinghouse, 1999
Ref: 1000

Hirschfeld-Mack Ludwig

Reference: Ludwig Hirschfeld-Mack by Andreas Hapkemeyer & Peter Stasny
Publishing details: 2000
Ref: 1000

Creating a scene

Reference: Creating a scene - Australian artists as stage designers 1940-1965, by Leslie Harding
Publishing details: Melbourne Arts Centre, 2004
Ref: 1009

stage design

Reference: see Creating a scene - Australian artists as stage designers 1940-1965, by Leslie Harding
Publishing details: Melbourne Arts Centre, 2004

Australian Prints Today

Reference: Australian Prints Today
Publishing details: Smithsonian Institute, Washington DC, 1966
Ref: 1000

Prints

Reference: see Australian Prints Today
Publishing details: Smithsonian Institute, Washington DC, 1966

History of the S.A. Society of Arts

Reference: A history of the S.A. Society of Arts, Inc., 1856-1931 / compiled by Mary A. Overbury and H.E. Fuller ; and edited by Sir William Sowden. [To be indexed]
Publishing details: Hassell Press, 1933 
23 p.
Ref: 1000

South Australian art

Reference: see A history of the S.A. Society of Arts, Inc., 1856-1931 / compiled by Mary A. Overbury and H.E. Fuller ; and edited by Sir William Sowden
Publishing details: Hassell Press, 1933 
23 p.

Adelaide art

Reference: see A history of the S.A. Society of Arts, Inc., 1856-1931 / compiled by Mary A. Overbury and H.E. Fuller ; and edited by Sir William Sowden
Publishing details: Hassell Press, 1933 
23 p.

Society of Arts South Australia

Reference: see A history of the S.A. Society of Arts, Inc., 1856-1931 / compiled by Mary A. Overbury and H.E. Fuller ; and edited by Sir William Sowden
Publishing details: Hassell Press, 1933 
23 p.

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