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Centre of the periphery

Reference: Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,
Ref: 1000

art history

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

criticism

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Hoff Ursula

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Philipp Franz

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Burke Joseph

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Lindsay Daryl

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Smith Bernard

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Westbrook Eric

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Andrew Brook

Reference: Brook Andrew - Theme Park
Publishing details: Utrecht, The Netherlands, Museum of Contemporary Aboriginal Art, 2008
Ref: 1000

Muskett Alice

Reference: ‘Alice J. Muskett, a painter, a review of some of her work’, by D. H. Souter.
Publishing details: Art & Architecture, vol 6, no. 2, March - April, 1909, p32-6

Souter D H

Reference: ‘Alice J. Muskett, a painter, a review of some of her work’, by D. H. Souter.
Publishing details: Art & Architecture, vol 6, no. 2, March - April, 1909, p32-6

Making of a colonial culture

Reference: James Smith : the making of a colonial culture / Lurline Stuart. Includes index.
Bibliography: 211-216. [To be indexed]
Publishing details: Allen & Unwin, 1989 
xiii, 223 p
Ref: 1000

colonial culture

Reference: see James Smith : the making of a colonial culture / Lurline Stuart. Includes index.
Bibliography: 211-216.
Publishing details: Allen & Unwin, 1989 
xiii, 223 p

colonial art

Reference: see James Smith : the making of a colonial culture / Lurline Stuart. Includes index.
Bibliography: 211-216.
Publishing details: Allen & Unwin, 1989 
xiii, 223 p

Smith James

Reference: see James Smith : the making of a colonial culture / Lurline Stuart. Includes index.
Bibliography: 211-216.
Publishing details: Allen & Unwin, 1989 
xiii, 223 p

Baudin Nicholas

Reference: Baudin, Napoleon and the exploration of Australia / by Nicole Starbuck.

Publishing details: London : Pickering & Chatto, 2013 ,
Ref: 1000

Encounter The

Reference: The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,
Ref: 1009

Baudin Nicholas

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

Bauer Ferdinand

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

Westall William

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

Lesueur Charles-Alexandre

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

Petit Nicolas-Martin .

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

Mackennal Bertram

Reference: Bertram Mackennal : a career by R R Tranter. Catalogue of his work: p. 114-165.
Includes bibliographical references and index.
Publishing details: Robin Tranter, 2004 
177 p. : ill.
Ref: 1009

Dupain Max

Reference: A Sunlit Vision - photographs by Max Dupain
Publishing details: Monash Gallery of Art, 2000.
Ref: 1000

Wilson William Hardy

Reference: Collapse of civilization / by Hardy Wilson
Publishing details: Melbourne : H. Wilson, 1936, 19 leaves
Ref: 1000

Dupain Max

Reference: Max Dupain and the photography of Australian architecture, by Adrian Boddy
Publishing details: MA thesis, QUT, 1996
Ref: 1000

Shore Arnold

Reference: The Development of the Art of Arnold Shore, by Roger Dedman
Publishing details: PHD thesis, Melbourne University, 1984.
Ref: 1000

Drysdale Russell

Reference: Russell Drysdale to George Bell, letters, 1945-1965, introduction and annotation by June Helmer.
Publishing details: typescript, 1982, referred to in the bibliography of Australian Art - A History by Sasha Grishin
Ref: 1000

Buvelot Louis

Reference: Buvelot’s letters: Melbourne in the 1880s. Compiled by Thomas Shapcott, undated ttypescript
Publishing details: referred to in the bibliography of Australian Art - A History by Sasha Grishin
Ref: 1000

training of artists

Reference: The professional training of artists in Australia 1861-1963, by Neville Weston.
Publishing details: PHD theis , Adelaide University, 1991. referred to in the bibliography of Australian Art - A History by Sasha Grishin
Ref: 1000

art schools

Reference: see The professional training of artists in Australia 1861-1963, by Neville Weston.
Publishing details: PHD theis , Adelaide University, 1991. referred to in the bibliography of Australian Art - A History by Sasha Grishin

art education

Reference: see The professional training of artists in Australia 1861-1963, by Neville Weston.
Publishing details: PHD theis , Adelaide University, 1991. referred to in the bibliography of Australian Art - A History by Sasha Grishin

Miller Godfrey

Reference: The Life and Work of Godfrey Miller, by Ann Wookey
Publishing details: PHD theis, Melbourne University, 1994, referred to in the bibliography of Australian Art - A History by Sasha Grishin
Ref: 1000

public collections

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

art galleries

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

art insititutions

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Aarons Anita

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Abbott Harold Frederick

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

A Beckett Emma Minnie see Boyd Emmia Minnie

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Aboriginal art

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Abrahams Louis

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Absalom Jack

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Adams Tate

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Adolfsson Victor b1915

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Aland John

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Allan Micky

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Allen Davida

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Allen Geoffrey

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Allen George (Henry) 1900-1972

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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