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Zikaris Teisutis b1922

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Zofrea Salvatore

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Zusters Reinis

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

Ink in Her Veins

Reference: see Ink in Her Veins: The Troubled Life of Aileen Palmer. Includes details of Meldrum school artists particularly Madge Hodges who paiited Aileen Palmer’s portrait. Aileen Palmer was the daughter of Vance & Nettie Palmer, who served in the Spanish Civil War and World War II. She was post-war poet, writer, and political activist in Melbourne's post war literary & arts community.
Publishing details: UWA Publishing, 2016, 328pp,
Ref: 1000

Robertson-Swann Ron

Reference: see Sydney Morning Herald, Spectrum, January 2-3, 2021, article by Kerrie O’Brien, p2

Sullivan Andrew

Reference: Andrew Sullivan - Survey into the Cretaceous [see also review by John McDonald in Sydney Morning Herald, 9-10 January, 2021, Spectrum, p9].
Publishing details: Maitland Regional Art Gallery, 2021
Ref: 1000

Macpherson Norma

Reference: see Coral Gables Auction
January 14, 2021, 1:00 PM EST
Miami, FL, US, lot 57: Norma Macpherson Australian Painter. "Bathing Boxes Sorrento". Oil on Cardboard. Measure 11 1/4"in H x 19"in W and 18 1/2"in H x 26"in W with frame. Norma Macpherson was born in Australia and currently lives in Hastings on the Mornington Peninsula. She has been painting professionally in oils and watercolours for more than 15 years and specialises in working directly from the landscape painting Australian scenes and Gum trees. She also does extensive studio work. She has received and continues to receive many awards for her art work both in N.S.W. and Victoria and her work has been acquired by buyers and Collectors as far afield as New Zealand, U.S.A. England the Netherlands and Ireland.

Stout Stephen Montague Stout

Reference: see Douglas Stewart Fine Books, catalohue, January, 2021:
A note on early Western Australian photographic artist Stephen Montague Stout:
‘In 1863 he opened a photographic studio in Pakenham Street Fremantle with 61 year old ex-convict Robert Wilson, who had been Stout’s Drawing Master at his Fremantle Academy. By 1864 he had a studio on his own in Henry Street, Fremantle ‘opposite the late Castle Hotel’. Later he moved to High Street. He charged 7s 6d for three cartes-de-visite portraits and also sold ‘coloured photographs on glass by the new process, warranted not to fade.’ From Fremantle he visited Bunbury, Geraldton, or Guildford for a week or so to fulfil commissions.’ (John Dowson)
It is possible that the Haysoms commissioned Stout to take this carte de visite portrait on one of his visits to Guildford. As a travelling photographer, he is likely to have carried a piece of patterned carpet and a simple painted backdrop in his cart; note also the absence of any fragile or cumbersome studio props such as vases or architectural fixtures – neither ideal kinds of object for a photographer to take ‘on the road’.
See also the following article on Stout by his biographer, Irma Walter

Avago 1981-1982 postcard book

Reference: Avago 1981-1982 postcard book, designed and produced by T. Coleing and Shayne Higson ; photographs by Shane Higson. ‘From the early ’80s Sydney underground art scene featured the ‘Avago Art Gallery’ which, at 4 cubic feet, advertised itself as ‘the smallest gallery in the Southern Hemisphere’.
Publishing details: Paddington, N.S.W. : Avago, [1982?]. Folio, illustrated wrappers, spiral bound, 24 pp, illustrated (each page with four detachable photographic postcards).
Ref: 1000

Coleing Tony

Reference: Avago 1981-1982 postcard book, designed and produced by T. Coleing and Shayne Higson ; photographs by Shane Higson. ‘From the early ’80s Sydney underground art scene featured the ‘Avago Art Gallery’ which, at 4 cubic feet, advertised itself as ‘the smallest gallery in the Southern Hemisphere’.
Publishing details: Paddington, N.S.W. : Avago, [1982?]. Folio, illustrated wrappers, spiral bound, 24 pp, illustrated (each page with four detachable photographic postcards).

Higson Shayne

Reference: Avago 1981-1982 postcard book, designed and produced by T. Coleing and Shayne Higson ; photographs by Shane Higson. ‘From the early ’80s Sydney underground art scene featured the ‘Avago Art Gallery’ which, at 4 cubic feet, advertised itself as ‘the smallest gallery in the Southern Hemisphere’.
Publishing details: Paddington, N.S.W. : Avago, [1982?]. Folio, illustrated wrappers, spiral bound, 24 pp, illustrated (each page with four detachable photographic postcards).

Nolan Sidney

Reference: Sidney Nolan, illustrated, catalogue of 77 works - Nolan’s retrospective in Sweden featuring works from his Kelly, Burke and Wills, Antarctica, Mrs Fraser, Africa series.
Publishing details: Stockholm : Moderna Museet Stockholm, 1976. Quarto, illustrated wrappers (small ding upper margin), pp. 36,
Ref: 1000

Baines Robert

Reference: Bracelet Java-la-Grande : the jewellery space between the voyages of Vasco da Gama in 1498 and James Cook in 1770. [’Part of the ‘Closer’ exhibition at the Museu Nacional de Arte Antiga (MNAA), Lisbon, Portugal, an event that was part of the 10th International Symposium of Contemporary Jewellery, ‘Ars ornata Europeana’, in Lisbon in 2005.
In 2005, Robert Baines, an acclaimed Australian goldsmith known worldwide for his fine artistry – often incorporating ancient goldworking techniques – made an extraordinary gold bracelet that was exhibited in Lisbon’s Museu Nacional de Arte Antiga on the occasion of an international symposium. This unusual book, in some ways a fictionand journey of the imagination as alluring as the bracelet itselftells the story of the artefact’s imaginary origins to its complex technical fabrication. Above all the book demonstrates the importance of wit and playfulness within the creative art process.’]
Publishing details: Melbourne : Macmillan Art Publishing, 2006. Small quarto, gilt-lettered cloth with pictorial inlay, pp. 46; (2), illustrated.
Ref: 1000

Barberis Irene

Reference: Intersections : reading the space. Christianity, Judaism and Islam / Irene Barberis, Parastou Forouhar, Jane Logemann.‘Conceived and co-curated by the Australia-based artist Irene Barberis, this exhibition features the work of Barberis and two other artists: Parastou Forohaur, an Iranian exile living in Germany, and Jane Logemann, who lives in New York.
Publishing details: Melbourne : Jewish Museum of Australia, 2005. Quarto, illustrated wrappers, pp. 111. illustrated.
Ref: 1000

women’s art

Reference: see Sight Lines - Womens Art & Feminist Perspectives in Australia [’This book shows how Australian feminism led to groupings, activities, issues & ideas in the visual arts which have engaged female artists from the 70's. The chapters include: The Women's Art Movement -- Prelude to the 1970s -- 'All Art is Political' -- The Subject of Art & Craft -- In Sight. Numerous color and B&W plates.’]
Publishing details: Craftsman House & Gordon & Breach, 1992, hc

feminism

Reference: see Sight Lines - Womens Art & Feminist Perspectives in Australia [’This book shows how Australian feminism led to groupings, activities, issues & ideas in the visual arts which have engaged female artists from the 70's. The chapters include: The Women's Art Movement -- Prelude to the 1970s -- 'All Art is Political' -- The Subject of Art & Craft -- In Sight. Numerous color and B&W plates.’]
Publishing details: Craftsman House & Gordon & Breach, 1992, hc

artist as designer The

Reference: The artist as designer. Catalogue of an exhibition held at Ivan Dougherty Gallery, Nov. 9-30, 1985. Essay by Elisabeth Bastian. Focusses on Australian and international artists’ commercial design work, including stamps, posters and dustjackets for books.
Publishing details: Sydney : Sydney College of Advanced Education, 1985. Quarto, illustrated wrappers, pp. [28], illustrated.
Ref: 1000

designers

Reference: see The artist as designer. Catalogue of an exhibition held at Ivan Dougherty Gallery, Nov. 9-30, 1985. Essay by Elisabeth Bastian. Focusses on Australian and international artists’ commercial design work, including stamps, posters and dustjackets for books.
Publishing details: Sydney : Sydney College of Advanced Education, 1985. Quarto, illustrated wrappers, pp. [28], illustrated.

design

Reference: see The artist as designer. Catalogue of an exhibition held at Ivan Dougherty Gallery, Nov. 9-30, 1985. Essay by Elisabeth Bastian. Focusses on Australian and international artists’ commercial design work, including stamps, posters and dustjackets for books.
Publishing details: Sydney : Sydney College of Advanced Education, 1985. Quarto, illustrated wrappers, pp. [28], illustrated.

colour music

Reference: ‘A visionary space - Theosophy and an alternative modernism in Australia 1890-1934. A thesis submitted for the degree of Doctor of Philosophy of the Australian National University’ by Jenny McFarlane April, 2006. [partly indexed - to be indexed fully]
Table of contents
Acknowledgements, Abstract, List of figures Introduction:
1. The third eye: Towards an alternative modernism
2. Transcendental faiths and young democracies: Jane Price and a 46 vision for the young Australia
3. Unauthorised Visions: Florence Fuller
4. Theorising the visionary: Ferdinanda and Meldrum in Melbourne and the realisation of Fuller's promise in the work of Clarice Beckett
5. A question of balance: Ethel Carrick
6. Slippages and misfires: Leadbeater in Sydney
7. Science versus Spirit: colour-music in Sydney
8. The partial realisation of a great ideal: Axel Poignant 209
Conclusion: A visionary space
Appendices
Select Bibliography 250
Abstract:
‘In this thesis I argue that the Theosophical Society had a major influence on Australian visual artists during the early 20th century. The project is located within a larger wave of contemporary histories now focussing on the aberrant and discontinuous to rediscover actively forgotten pasts. The Theosophical Society supported those who were marginalised and disenchanted with the experience of modernity. It proved particularly attractive to women who as artists, activists and intellectuals drew on its conceptualisation of reality to engage with an uncertain present. The Society was especially productive for artists as it offered a radical alternative visuality in which women had a privileged role in an extended international network of like-minded individuals.
Theosophical teachings proposed a reality which was more profound than that available to the physical eye. The clairvoyant leadership of the Society communicated their encyclopaedic knowledge of the invisible and this would have a significant impact on Australian artists. Equally important was the influence of Indian art, specifically an interpretation of an Indian art tradition which privileged visualisation over optical sensation. The tension between a perceived invisible reality and the visible world unites these Theosophically inspired artists who directed their practice at passing beyond appearances- beyond the visible to truth. The practice of visualisation was deployed in combination with a variety of stylistic vocabularies. In this thesis a number of key case studies are proposed which together present a picture of Australian modernist artists as informed primary players in a movement which challenged Western reason and looked to the 'East' to revitalise its focus. Australian artists are reconceived as an active part of a larger international network in which women and their concerns are the primary point of focus.’

Publishing details: unpublished, 2006,

Theosophy and Australian art

Reference: see ‘A visionary space - Theosophy and an alternative modernism in Australia 1890-1934. A thesis submitted for the degree of Doctor of Philosophy of the Australian National University’ by Jenny McFarlane April, 2006. [partly indexed - to be indexed fully]
Table of contents
Acknowledgements, Abstract, List of figures Introduction:
1. The third eye: Towards an alternative modernism
2. Transcendental faiths and young democracies: Jane Price and a 46 vision for the young Australia
3. Unauthorised Visions: Florence Fuller
4. Theorising the visionary: Ferdinanda and Meldrum in Melbourne and the realisation of Fuller's promise in the work of Clarice Beckett
5. A question of balance: Ethel Carrick
6. Slippages and misfires: Leadbeater in Sydney
7. Science versus Spirit: colour-music in Sydney
8. The partial realisation of a great ideal: Axel Poignant 209
Conclusion: A visionary space
Appendices
Select Bibliography 250
Abstract:
‘In this thesis I argue that the Theosophical Society had a major influence on Australian visual artists during the early 20th century. The project is located within a larger wave of contemporary histories now focussing on the aberrant and discontinuous to rediscover actively forgotten pasts. The Theosophical Society supported those who were marginalised and disenchanted with the experience of modernity. It proved particularly attractive to women who as artists, activists and intellectuals drew on its conceptualisation of reality to engage with an uncertain present. The Society was especially productive for artists as it offered a radical alternative visuality in which women had a privileged role in an extended international network of like-minded individuals.
Theosophical teachings proposed a reality which was more profound than that available to the physical eye. The clairvoyant leadership of the Society communicated their encyclopaedic knowledge of the invisible and this would have a significant impact on Australian artists. Equally important was the influence of Indian art, specifically an interpretation of an Indian art tradition which privileged visualisation over optical sensation. The tension between a perceived invisible reality and the visible world unites these Theosophically inspired artists who directed their practice at passing beyond appearances- beyond the visible to truth. The practice of visualisation was deployed in combination with a variety of stylistic vocabularies. In this thesis a number of key case studies are proposed which together present a picture of Australian modernist artists as informed primary players in a movement which challenged Western reason and looked to the 'East' to revitalise its focus. Australian artists are reconceived as an active part of a larger international network in which women and their concerns are the primary point of focus.’

Publishing details: unpublished, 2006,

Mysticism in Australian art

Reference: see ‘A visionary space - Theosophy and an alternative modernism in Australia 1890-1934. A thesis submitted for the degree of Doctor of Philosophy of the Australian National University’ by Jenny McFarlane April, 2006. [partly indexed - to be indexed fully]
Table of contents
Acknowledgements, Abstract, List of figures Introduction:
1. The third eye: Towards an alternative modernism
2. Transcendental faiths and young democracies: Jane Price and a 46 vision for the young Australia
3. Unauthorised Visions: Florence Fuller
4. Theorising the visionary: Ferdinanda and Meldrum in Melbourne and the realisation of Fuller's promise in the work of Clarice Beckett
5. A question of balance: Ethel Carrick
6. Slippages and misfires: Leadbeater in Sydney
7. Science versus Spirit: colour-music in Sydney
8. The partial realisation of a great ideal: Axel Poignant 209
Conclusion: A visionary space
Appendices
Select Bibliography 250
Abstract:
‘In this thesis I argue that the Theosophical Society had a major influence on Australian visual artists during the early 20th century. The project is located within a larger wave of contemporary histories now focussing on the aberrant and discontinuous to rediscover actively forgotten pasts. The Theosophical Society supported those who were marginalised and disenchanted with the experience of modernity. It proved particularly attractive to women who as artists, activists and intellectuals drew on its conceptualisation of reality to engage with an uncertain present. The Society was especially productive for artists as it offered a radical alternative visuality in which women had a privileged role in an extended international network of like-minded individuals.
Theosophical teachings proposed a reality which was more profound than that available to the physical eye. The clairvoyant leadership of the Society communicated their encyclopaedic knowledge of the invisible and this would have a significant impact on Australian artists. Equally important was the influence of Indian art, specifically an interpretation of an Indian art tradition which privileged visualisation over optical sensation. The tension between a perceived invisible reality and the visible world unites these Theosophically inspired artists who directed their practice at passing beyond appearances- beyond the visible to truth. The practice of visualisation was deployed in combination with a variety of stylistic vocabularies. In this thesis a number of key case studies are proposed which together present a picture of Australian modernist artists as informed primary players in a movement which challenged Western reason and looked to the 'East' to revitalise its focus. Australian artists are reconceived as an active part of a larger international network in which women and their concerns are the primary point of focus.’

Publishing details: unpublished, 2006,

Collins David

Reference: see Defiance Gallery press release 14.1.21:
DEFIANCE GALLERY IS DELIGHTED TO ANNOUNCE THE REPRESENTATION OF DAVID COLLINS.
David Collins lives and works on Dangar Island on the Hawkesbury River in NSW. Collins moved to the island in 1987, the deep connection he feels with his environment culminates in his painting and drawing. Often sailing across the river in search of new outlooks, Collins chooses a location and works en plein air, studying and absorbing the surrounding landscape he lives in. His work references what he observes on a daily basis in the ever-changing waterway.

'Regular crossing of the river, from the island to the mainland, exposes one to its varied moods and colours. The play of light on the water surface, the ebb and flow of tides and currents, the calligraphic lines of bridges, hulls and rigging. These are among the experiences that continue to fascinate and influence my work.'

David Collins was one of five artists invited to be part of the Australian Wildlife Conservancy project at the Mount Zero sanctuary in far North Queensland. His body of work responding to this landscape can be seen in the upcoming AWC exhibition opening 14 February
 
Publishing details: DEFIANCE GALLERY MARY PLACE
12 Mary Place, Paddington, NSW 2021
Directors: Campbell Robertson-Swann and Lauren Harvey
Gallery hours Wed - Sat 11am - 5pm / Tel: (02) 9557 8483

Borough Graham b1952

Reference: see RoGallery, January 30, 2021, Long Island City, NY, US, lot 236: Artist: Graham Borough, Australian (1952 - )
Title: Woman With Flowers
Year: circa 1975
Medium: Lithograph, Signed and Numbered in Pencil
Edition: 250
Size: 40 in. x 26 in. (101.6 cm x 66.04 cm)
Reference:
Dimensions
40 in. x 26 in. (101.6 cm x 66.04 cm)
Artist or Maker
Graham Borough
Medium
Lithograph, Signed and Numbered in Pencil
Date
circa 1975

Anton (Beryl Antonia Botterill Yeoman) (Australian-British, 1907-1970)

Reference: see Sworders auction, UK, 26 Jan, 2021. lot 298: Anton (Beryl Antonia Botterill Yeoman) (Australian-British, 1907-1970)
'God Bless The Duke of Argyll'
signed 'Anton', pen and ink, with a green wash and bodycolour, on a Windsor and Newton 'Fashion plate board,
27 x 38cm
And 3 other lots.

Yeoman Beryl Antonia Botterill - see Anton

Reference: see Sworders auction, UK, 26 Jan, 2021. lot 298: Anton (Beryl Antonia Botterill Yeoman) (Australian-British, 1907-1970)
'God Bless The Duke of Argyll'
signed 'Anton', pen and ink, with a green wash and bodycolour, on a Windsor and Newton 'Fashion plate board,
27 x 38cm

Garner Joyce

Reference: see Joyce Garner, "The Walls of the Valley will glow (Australian)", oil on board, signed lower left, Keys Fine Art Auctioneers
Joyce Garner, "The Walls of the Valley will glow (Australian)", oil on board, signed lower left, 75 x 48cm, 29 Jan, 2021. [The painting appears to be c1900].

Who Let The Dogs Out

Reference: Who Let The Dogs Out: The Dog In Contemporary Australian Art. [’67 established artists pay homage to dogs and dog lovers where each work portrays the complex and lasting emotional and physical attachements we have with dogs.’] [to be indexed
Publishing details: Lake Macquarie City Art Gallery, Booragul, 2008, 28pp, colour illusts, very good+ stapled paperback 67 established artists pay homage to dogs and dog lovers where each work portrays the complex and lasting emotional and physical attachements we have with dogs.
Ref: 1009

Dogs in Australian art

Reference: see Who Let The Dogs Out: The Dog In Contemporary Australian Art. [’67 established artists pay homage to dogs and dog lovers where each work portrays the complex and lasting emotional and physical attachements we have with dogs.’] [to be indexed
Publishing details: Lake Macquarie City Art Gallery, Booragul, 2008, 28pp, colour illusts, very good+ stapled paperback 67 established artists pay homage to dogs and dog lovers where each work portrays the complex and lasting emotional and physical attachements we have with dogs.

Bagge Dorothy b1914

Reference: see Colville Auctions, February 22, 2021, Hobart, Australia, lot 49: Dorothy Bagge (c. 1914 ) Australian
RMS Medina in Sydney Harbour
Oil on canvas board
Signed lower left. Metal plaque afixed lower frame with artist and title .
Dimensions
79 x 55cm (sight) 95 x 72cm (fr)
Artist or Maker
Dorothy Bagge (c. 1914 ) Australia
Medium
Oil on canvas board
Date
1914
Condition Report
Excellent
Provenance
Christies Maritime Pictures, London 25 May 2006 #644

Bagge Dorothea (Dora) - possibly aka Dorothy Bagge?

Reference: see Heritage, The National Women’s Art Book - 500 works by 500 Women artists from Colonial Times to 1955 edited by Joan Kerr, G+B Arts International, Art & Australia and Craftsman House, 1995, hc, dw, 481pp.

Lunn W

Reference: see Colville Auctions, February 22, 2021, Hobart, Australia,
W Lunn Australian
The Price of Wheat
Etching
Signed, title, edition below plate.
Dimensions
15 x 14.5cm (plate) 30 x 23cm (mount)
Artist or Maker
W Lunn () Australia
Medium
Etching Ed 8/15
Condition Report
Excellent
Notes
Signed, title, edition below plate

Success and failure

Reference: Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Museum of Applied Arts and Sciences collection

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Broadhurst Florence peacocks wallpaper

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Henry Lucien bookplate design for tobacco jar

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Morgan Sally poster

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

McMahon Marie Poster

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Dombrovskis Peter

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Coburn John Billabong textile

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Billabong textile by John Coburn

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Collings Dahl and Geoffrey travel poster

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Collings Geoffrey and Dahl travel poster

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Industrial Design Centre - Sydney

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

James Richard Haughton Industrial Design Centre

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Plate Carl Alpine Rocks textile

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Alcorso Claudio Silk and Textiles Printery

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Silk and Textiles Printery - Claudio Alcorso

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Silk and Textiles Printery - Claudio Alcorso

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

Andrews Gordon - design archive

Reference: see Success and failure. ["Success and Failure delves into the Museum of Applied Arts and Sciences collection to find examples of research, design and development that have led to unconventional outcomes, disappointments, challenges and triumphs. Acclaimed Australian writers Bruce Pascoe and Delia Falconer as well as Museum authors have contributed essays sparked by more than 100 collection objects, along with archival material providing insight into the processes behind significant developments. Exploring the origins of porcelain and board games, and innovation in engineering, architecture and design, agriculture, medicine, weapons, sound technology, women's clothing and robotics to name a few, this publication reveals how, surprisingly, nearly every story of success also speaks of failure."--Back cover.
Notes Includes bibliographical references (pages 202-204)]
Publishing details: MAAS Media, Museum of Applied Arts and Sciences, 2020, 215 pages : illustrations (some colour)

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