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The Scheding Index of Australian Art & Artists

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Showing 105,894 records of 105,894 total. We are displaying fifty.

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McCahon Colin
Reference: There is Only One Direction, Vol. I 1919-1959, by Peter Simpson. [’Colin McCahon (1919-1987) was New Zealand's greatest twentieth-century artist. Through landscapes, biblical paintings and abstraction, the introduction of words and Maori motifs, McCahon's work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon's work has not been assessed as a whole for thirty-five years. In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon's birth, leading McCahon scholar, writer and curator Peter Simpson chronicles the evolution of McCahon's work over the artist's entire forty-five-year career. Simpson has enjoyed unprecedented access to McCahon's extensive correspondence with friends, family, dealers, patrons and others. This material enables us to begin to understand McCahon's work as the artist himself conceived it. Each volume includes over three hundred illustrations in colour, with a generous selection of reproductions of McCahon's work (many never previously published), plus photographs, catalogue covers, facsimiles and other illustrative material. This will be the definitive work on New Zealand's leading artist for many years to come.’]
Publishing details: 2019, 360pp
Ref: 1000
McCahon Colin
Reference: This the Promised Land?: Vol.2 1960-1987, by Peter Simpson. [’[’The second of an extraordinary two-volume work chronicling forty-five years of painting by our most important artist, Colin McCahon. Colin McCahon (1919-1987) was New Zealand's greatest twentieth-century artist. Through landscapes, biblical paintings and abstraction, the introduction of words and Maori motifs, McCahon's work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon's work has not been assessed as a whole for thirty-five years. In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon's birth, leading McCahon scholar, writer and curator Dr Peter Simpson chronicles the evolution of the artist's work over McCahon's entire forty-five-year career. Simpson has enjoyed unprecedented access to McCahon's extensive correspondence with friends, family, dealers, patrons and others. This material enables us to begin to understand McCahon's work as the artist himself conceived it. Each volume includes over three-hundred illustrations in colour, with a generous selection of reproductions of McCahon's work (many never previously published), plus photographs, catalogue covers, facsimiles and other illustrative material. These books will be the definitive work on New Zealand's leading artist for many years to come.’]
Publishing details: 2020, 400pp
Ref: 1000
Endeavour Voyage
Reference: Endeavour Voyage - The Untold Stories of Cook and the First Australians

Publishing details: National Museum of Australia, 2020, 200pp
Ref: 1000
Cook artists
Reference: see Endeavour Voyage - The Untold Stories of Cook and the First Australians

Publishing details: National Museum of Australia, 2020, 200pp
Nell
Reference: Nell / series editor: Natalie King. [’Mini Monographs series.
Summary Nell is one of the most in-demand artists of 2020. Inspired by rock'n'roll, buddhism and the edges of life and death, Nell's art dazzles and confronts at every level. This addition to the Mini Monographs series, celebrating Australian female artists, has an introduction by Robert Forster, of The Go-Betweens. Mini Monographs artists and works are selected with series editor Natalie King, curator and Enterprise Professor at the Victorian College of the Arts. They comprise 96 pages of the artist's favourite works - designed for optimum visual impact and to reach anyone who is inspired by art and beauty.The extra frisson for these titles comes in the introduction. For each monograph, one luminary from another field will write a personal, powerful essay of 1200 words. It could be an ode to one particular painting; it could be a parallel narrative inspired by themes in the artist's work.’]
Publishing details: Port Melbourne, Victoria : Thames & Hudson Australia, 2020, 95 pages : chiefly colour illustrations, portrait
Ref: 1000
Through Artists’ Eyes
Reference: Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Ref: 1000
Burton Cassandra
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Nafisa
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Hewitt Nigel
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Ciemitis Peteris
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Capistrano Kristone
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Stubbs Dawn
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Lewer Richard
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Dean Iain
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Callum Marcus
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Coad Rachel
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Vodesil-Baruffi Jana
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Barbouttis Antoinette
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Mansfield Marie
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Tweedie Mark
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Aitkin Benjamin
Reference: see Through the artists' eyes : the Lester Prize - the Black Swan years / text by Dr Shelley Craddock. The Black Swan Prize for Portraiture was born from humble beginnings in 2006 in a small tin shed in Western Australia. Through an incredible journey of passion and determination it is now one of Australia's richest portrait prizes, with thousands of people visiting the exhibition at the Art Gallery of Western Australia each year. In 2019 the Black Swan Prize was rechristened the Lester Prize and this book, Through The Artists' Eyes was created to document and showcase the pivotal Black Swan Prize years (2007-2018). This exquisite visual-arts book includes stunning photos of winning artworks, the artists' stories, and the self-doubt, rejection and inspiration behind many of Australia's finest artists.
Publishing details: The Lester Inc, 2019, 242 pages : illustrations (chiefly colour), portraits (chiefly colour)
Drew Peter
Reference: Poster boy : a memoir of art and politics / Peter Drew. [’'When you're sneaking around the city at night you feel like a kid again. The seriousness of the world is unmasked as a series of facades, dead objects just waiting to be painted. I was immediately hooked. Out on the street I could say anything I wanted. So what did I want to say?' Peter Drew's posters are a familiar sight across Australia - his 'Real Australians Say Welcome' and 'Aussie' campaigns took on lives of their own, attaining cult status and starting conversations all over the country. But who made them, and why? In this irresistible and unexpected memoir, Peter Drew searches for the answers to these questions. He traces the links between his creative and personal lives, and discovers surprising parallels between Australia's dark, unacknowledged past and the unspoken conflict at the core of his own family. Packed full of Peter Drew's memorable images, Poster Boy is an intelligent, funny and brutally honest dive into the stew of individual, family and national identity. It's about politics and art, and why we need them both. And it's about making a mark.’]
Publishing details: Black Inc., [2019] , 245 pages : illustrations, portraits
Ref: 1000
Bertoli Damiano
Reference: Continuous Moment by Damiano Bertoli. Continuous Moment by Damiano Bertoli is the first major book on the work of this Melbourne artist. It articulates an ongoing investigation into how artists negotiate the past, present, and future through their ideas and objects. Damiano Bertoli questions the nature of art-making itself by placing his own and others work in a continuum. The book contains essays by Justin Clemens, Helen Hughes, Helen Johnson, Chris Sharp, Nick Papas and Liza Vasiliou.
Damiano Bertoli is born and raised in Melbourne, Australia where he resides to this day.
Publishing details: Surpllus, 2018
Ref: 1000
Garifalakis Tony
Reference: Dirt / Tony Garifalakis
Publishing details: Fitzroy, Vic. : Gertrude Contemporary Art Spaces, [2003] 
[4] p. : ill.
Ref: 1000
Garifalakis Tony
Reference: Tony Garifalakis - Mutual Assured Destruction. Mutual Assured Destruction is the first major book on Australian artist Tony Garifalakis’s work. This volume gives a comprehensive insight into the artist’s practice, including his well-known ‘Cover Ups’ and ‘Mob Rule’ series, as well as important early photocopied works and wall paintings, and rarely seen works from the archives. The book features essays by Melbourne-based cultural studies scholar Nikos Papastergiadis and Mexico City–based curator Daniel Garza Usabiaga, and an extensive interview with the artist by Melbourne-based curator Mark Feary. Published by Surpllus (Melbourne). 
Publishing details: Surpllus, 2020? 236pp
Ref: 1000
Jomantas Vincas
Reference: Vincas Jomantas, sculpture : McClelland Gallery, 1st July-27th August 1990, Shepparton Art Gallery, 12th Sept.-15th Oct. 1990
Publishing details: McClelland Gallery, 1990,
Ref: 1000
Jomantas Vincas
Reference: Vincas Jomantas sculptor / Robert Lindsay, Kenneth Scarlett, with contributions by Jane Eckett and an interview with Laima Jomantas. "As an artist who settled in Australia after the Second World War, Vincas Jomantas created a body of over 100 works that directly engaged with both the twentieth century movement towards abstraction and the modernist art environment of Melbourne. He was a founding member of the Centre Five group that helped to nurture and advance appreciation in the community for the new forms of sculpture. At the same time his works articulated a personal symbolic sculptural language that acknowledged his European cultural heritage and in particular the mythology of his native Lithuania. Recognised for his originality, innovation and the meticulous professionalism of his craftsmanship, Jomantas worked with a variety of traditional and contemporary materials, ranging from bronze to polyester resins; however, his preferred medium was wood. He eschewed the preference for welded sheet metal that was the metier of choice for the period, in favour of wood that gave him creative freedom to endow his sculptures with seductive surfaces and intricate designs. Vincas Jomantas' oeuvre is a unique personal statement that was informed by contemporary international art while retaining a deeply personal iconography that has universal applicability."--Dust cover.
Publishing details: The Beagle Press, 2018 
180 pages : illustrations (some colour), portraits (some colour)
Ref: 1009
Haxton Elaine
Reference: Elaine Haxton A colourful artist and life, by Lorraine Penny McLoughlin. [’This book celebrates the extraordinary life of artist Elaine Haxton and illustrates with beautiful reproductions the range and quality of her work, asserting her rightful place as a significant twentieth century Australian artist.

From the time Haxton entered East Sydney Technical College aged 14, art became her passion and her livelihood, and she was always searching and learning. Although based in Sydney, at various times she studied in London, New York, Paris and Kyoto, and experiences in many countries continually expanded her approaches to art.

Through hard work, flair and endless energy, she produced fine work in many spheres, always seriously reviewed and respectfully acclaimed. At the same time, she lived in a social whirl, a darling of the press, but loved and rewarded in the top echelons of the Australian art world.

Lorraine Penny McLoughlin grew up on a farm in the South East of South Australia, an experience which shaped her interests and approaches to life. She began her working life as a teacher, both in Australia and overseas, before moving to a variety of public administration and political positions in Adelaide, mainly in education, the arts and economic development, often involving rural communities. Since retiring, she has taken a lead in the establishment of an arts festival and literary events in her new district of Yankalilla. In her previous biographies of Barbara Robertson, George Tetlow and the Pearses, all local residents at the time of writing, she reveals her love of art and her passion to honour the stories of creative people.’]
Publishing details: Wakefield Press, 2021, 192pp
Ref: 1009
McGregor Laith
Reference: Laith McGregor - Archipelago. [’Following on from his epic 2016 book for Perimeter Editions, S-O-M-E-O-N-E, Laith McGregor’s latest publication forges a somewhat unlikely dialogue between the artist’s often divergent processes and aesthetic outcomes. Drawing on two very different but interlinked bodies of work – McGregor’s long-running Island Drawings and more recent Island Collages – the book juxtaposes the Australian artist’s meticulously rendered, monochromatic drawings with his spontaneous, colour-rich and playfully formal collages.

Made in close collaboration with the artist – and published to coincide with a major exhibition at STATION Sydney, in late 2019 – Archipelago skirts a line between artist book and monograph, wrangling McGregor’s works in a loose, intuitive fashion, all the while affording them the critical attention they demand. Featuring an incisive text by prominent Brisbane-based curator and writer Hamish Sawyer, the book sees McGregor continue his at once lively, conceptual, idiosyncratic and methodical explorations of a wider premise that broaches travel, diarism, exoticism, representations of the Pacific and expanded notions of the portrait.

Like much of McGregor’s work, Archipelago feels measured and precise one moment, easy and breezy the next.]
Publishing details: Perimeter Editions, 2020? 72pp
Ref: 1000
Simmonds Brian
Reference: The Beach, by Brian Simmonds
[’For many Australians, the beach is the place where summer weekends begin and end, where meditative winter walks provide sanctuary from the hustle and bustle, and where families, friends and lovers gather to picnic, watch the sunset or walk the dog. In The Beach, award-winning artist Brian Simmonds explores the beauty and diversity of our coastline, and its role in Australian life. Simmonds’s evocative pastel and pencil illustrations, accompanied by poetry and prose from well-known Australian writers, makes for the perfect gift book for locals and tourists alike.’]

[’A stunning new book from artist Brian Simmonds exploring the variety of Australian beaches.

For many Australians, the beach is the place where summer weekends begin and end, where meditative winter walks provide sanctuary from the hustle and bustle, and where families, friends and lovers gather to picnic, watch the sunset or walk the dog.

In The Beach, award-winning artist Brian Simmonds explores the beauty and diversity of our coastline, and its role in Australian life. Simmonds's evocative pastel and pencil illustrations, accompanied by poetry and prose from well-known Australian writers, makes for the perfect gift book for locals and tourists alike.

About the Author

Brian Simmonds was born in Subiaco and worked for many years as a lithographer in the printing industry while studying art in the evenings. He has a Bachelor of Arts in Fine Art from Curtin University and worked for the Sunday Times, New Idea and an advertising agency before he became a professional artist in 1990. He has exhibited his work many times and won numerous prizes for drawing, oil painting and mixed media works. His work can be found in many private and public collections in Australia.’]
Publishing details: Fremantle Press, 2020, 104pp
Ref: 1000
Hinder Margel
Reference: Hemisphere magazine, article with illustration of a Hinder work on cover
Publishing details: Hemisphere, May, 1963
Ref: 1000
Victorian watercolours from the Art Gallery of NSW
Reference: Victorian watercolours : from the Art Gallery of New South Wales / Peter Raissis. A celebration of the glory of British watercolours from the Victorian period. This new book features over eighty artworks by more than seventy artists that represent the glory of British watercolours from the Victorian period. Artists include: Dante Gabriel Rossetti, Edward Burne-Jones, George John Pinwell and Myles Birket Foster. It is the second in a series on prints and drawings drawn from the collection of the Art Gallery of New South Wales. Peter Raissis explores the social, cultural and technical background to watercolour painting in 19th-century Victorian Britain, as well as the reception and appreciation of the medium both in Britain and Australia. Entries on each of the works give insights into the painters' lives and the differing subject matter, ranging from everyday life and landscape to the worlds of fantasy and imagination. Beautifully designed and luxuriously illustrated, this book will appeal to both specialists and a broader audience.
Notes Catalogue of an exhibition held at Art Gallery of New South Wales, Sydney, 2 June - 3 December 2017.
Includes bibliographical references and index.
Publishing details: Art Gallery of New South Wales, 2017,
203 pages : colour illustrations
Brierly Oswald p36-38
Reference: see Victorian watercolours : from the Art Gallery of New South Wales / Peter Raissis. A celebration of the glory of British watercolours from the Victorian period. This new book features over eighty artworks by more than seventy artists that represent the glory of British watercolours from the Victorian period. Artists include: Dante Gabriel Rossetti, Edward Burne-Jones, George John Pinwell and Myles Birket Foster. It is the second in a series on prints and drawings drawn from the collection of the Art Gallery of New South Wales. Peter Raissis explores the social, cultural and technical background to watercolour painting in 19th-century Victorian Britain, as well as the reception and appreciation of the medium both in Britain and Australia. Entries on each of the works give insights into the painters' lives and the differing subject matter, ranging from everyday life and landscape to the worlds of fantasy and imagination. Beautifully designed and luxuriously illustrated, this book will appeal to both specialists and a broader audience.
Notes Catalogue of an exhibition held at Art Gallery of New South Wales, Sydney, 2 June - 3 December 2017.
Includes bibliographical references and index.
Publishing details: Art Gallery of New South Wales, 2017,
203 pages : colour illustrations
Chevalier Nicholas p55-7
Reference: see Victorian watercolours : from the Art Gallery of New South Wales / Peter Raissis. A celebration of the glory of British watercolours from the Victorian period. This new book features over eighty artworks by more than seventy artists that represent the glory of British watercolours from the Victorian period. Artists include: Dante Gabriel Rossetti, Edward Burne-Jones, George John Pinwell and Myles Birket Foster. It is the second in a series on prints and drawings drawn from the collection of the Art Gallery of New South Wales. Peter Raissis explores the social, cultural and technical background to watercolour painting in 19th-century Victorian Britain, as well as the reception and appreciation of the medium both in Britain and Australia. Entries on each of the works give insights into the painters' lives and the differing subject matter, ranging from everyday life and landscape to the worlds of fantasy and imagination. Beautifully designed and luxuriously illustrated, this book will appeal to both specialists and a broader audience.
Notes Catalogue of an exhibition held at Art Gallery of New South Wales, Sydney, 2 June - 3 December 2017.
Includes bibliographical references and index.
Publishing details: Art Gallery of New South Wales, 2017,
203 pages : colour illustrations
Cook Ebenezer Wake p58-61
Reference: see Victorian watercolours : from the Art Gallery of New South Wales / Peter Raissis. A celebration of the glory of British watercolours from the Victorian period. This new book features over eighty artworks by more than seventy artists that represent the glory of British watercolours from the Victorian period. Artists include: Dante Gabriel Rossetti, Edward Burne-Jones, George John Pinwell and Myles Birket Foster. It is the second in a series on prints and drawings drawn from the collection of the Art Gallery of New South Wales. Peter Raissis explores the social, cultural and technical background to watercolour painting in 19th-century Victorian Britain, as well as the reception and appreciation of the medium both in Britain and Australia. Entries on each of the works give insights into the painters' lives and the differing subject matter, ranging from everyday life and landscape to the worlds of fantasy and imagination. Beautifully designed and luxuriously illustrated, this book will appeal to both specialists and a broader audience.
Notes Catalogue of an exhibition held at Art Gallery of New South Wales, Sydney, 2 June - 3 December 2017.
Includes bibliographical references and index.
Publishing details: Art Gallery of New South Wales, 2017,
203 pages : colour illustrations
Glover John p100-1
Reference: see Victorian watercolours : from the Art Gallery of New South Wales / Peter Raissis. A celebration of the glory of British watercolours from the Victorian period. This new book features over eighty artworks by more than seventy artists that represent the glory of British watercolours from the Victorian period. Artists include: Dante Gabriel Rossetti, Edward Burne-Jones, George John Pinwell and Myles Birket Foster. It is the second in a series on prints and drawings drawn from the collection of the Art Gallery of New South Wales. Peter Raissis explores the social, cultural and technical background to watercolour painting in 19th-century Victorian Britain, as well as the reception and appreciation of the medium both in Britain and Australia. Entries on each of the works give insights into the painters' lives and the differing subject matter, ranging from everyday life and landscape to the worlds of fantasy and imagination. Beautifully designed and luxuriously illustrated, this book will appeal to both specialists and a broader audience.
Notes Catalogue of an exhibition held at Art Gallery of New South Wales, Sydney, 2 June - 3 December 2017.
Includes bibliographical references and index.
Publishing details: Art Gallery of New South Wales, 2017,
203 pages : colour illustrations
Hinder Frank
Reference: see Margel Hinder : Modern in Motion. Edited by Lesley Harding and Denise Mimmocchi. [’Margel Hinder: Modern in Motion is the first dedicated retrospective of one of the most important and dynamic, yet underrated, Australian sculptors of the 20th century.
Margel Hinder (1906–95) initially worked in woodcarving in the 1930s but by the early 1950s she shifted to an abstract sculptural language that explored form, space, light and movement. She created commanding kinetic works whose slow rotations encapsulate a sense of the world in perpetual motion.
Hinder also created some of Australia’s most enduring outdoor monuments, incorporating the movement of water into her sculptural forms.
Presented by the Art Gallery of New South Wales and Heide Museum of Modern Art, Margel Hinder: Modern in Motion includes an immersive installation that reconstructs in lifescale several of her most significant works to convey their power and complexity to audiences.
Published to coincide with the exhibition at the Art Gallery of New South Wales, this beautifully presented publication is co-edited by Lesley Harding, artistic director at Heide Museum of Modern Art and Denise Mimmochi, senior curator of Australian art at the Art Gallery of NSW.’]

Publishing details: AGNSW, 2021, Hardcover, 204 pages.
Shadow Catchers
Reference: Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)
Ref: 1000
Avery Sid
Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)
Balla Ann
Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)
Barth Uta
Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)
Bayer Irene
Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)
Bing Ilse
Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)
Calle Sophie
Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)
Cauchi Ben
Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)
Cotton Olive
Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)
de Flaugergues Philiberte
Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)
Dodd Ian
Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)
Douglas Simone
Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)
Dupain Max
Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)


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