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Showing 105,894 records of 105,894 total. We are displaying fifty.

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Fairskye Merilyn

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Finch Spencer

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Frazier Latoya Ruby

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Gaica Branco

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Gale A W

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Goodes Henry

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Hasenpflug Hans

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Hermansson Alfred

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Herve Lucien

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Horst P Horst

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Jones Gerald

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Kauffman John

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Kertesz Andre

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Kleem Geoff

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Moffatt Tracy

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Molinier Pierre

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Moore David

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Morley Lewis

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Morton Callum

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Muholi Zanele

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Murray Alec

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Overbeck Arnold

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Pfeiffer Paul

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Phillips Emma

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Phillipse Ernest Grattan

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Plate Carl

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Pound Patrick

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Puyo Charles Emile Joachim Constant

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Raskopoulos Eugenia

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Redgate Jacky

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Reisberg Leonie

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Reutlinger Charles

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Rrap Julie

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Shmith Athol

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Silvy Camille

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Soda-Jerk

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Stezaker John

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Tuckerman F M

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

van Hout Ronnie

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Viola Bill

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

White Minor

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Williams John F

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Young Coen

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

photography

Reference: see Shadow catchers / Isobel Parker Philip (author) ; Faith Chisholm (editor). [’Shadow catchers, part of the Gallery’s Contemporary Collection Projects series, investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image.
'Shadow catchers' investigates the way shadows, body doubles and mirrors haunt our understanding of photography and the moving image through works by over fifty Australian and international artists from the Art Gallery of New South Wales collection, with a focus on new acquisitions.The exhibition and associated publication contend with the way images can both reflect and refract reality by presenting photographs that use the mirror as a means of duplication and distortion, groups of images that operate as pictorial echoes, studies of split selves, and tributes to the looped structure of cinematic time. The publication comprises an essay by Isobel Parker Philip and focus texts on artists Patrick Pound, Eugenia Raskopoulos, Soda_Jerk and John Stezeker.’]
Publishing details: Art Gallery of New South Wales, 2020 
48 pages : illustrations (some colour)

Here We Are

Reference: Here we are / curator Lisa Catt. Published in association with the exhibition Here we are AGNSW Contemporary collection project / 4, held at the Art Gallery of New South Wales 24 August - 13 October 2019.
Publishing details: Art Gallery of New South Wales, 2019, 
55 pages : colour illustrations, portraits
Ref: 1000

Crosby Njideka Akunyili

Reference: see Here we are / curator Lisa Catt. Published in association with the exhibition Here we are AGNSW Contemporary collection project / 4, held at the Art Gallery of New South Wales 24 August - 13 October 2019.
Publishing details: Art Gallery of New South Wales, 2019, 
55 pages : colour illustrations, portraits

Breitz Candice

Reference: see Here we are / curator Lisa Catt. Published in association with the exhibition Here we are AGNSW Contemporary collection project / 4, held at the Art Gallery of New South Wales 24 August - 13 October 2019.
Publishing details: Art Gallery of New South Wales, 2019, 
55 pages : colour illustrations, portraits

Bush Kushana

Reference: see Here we are / curator Lisa Catt. Published in association with the exhibition Here we are AGNSW Contemporary collection project / 4, held at the Art Gallery of New South Wales 24 August - 13 October 2019.
Publishing details: Art Gallery of New South Wales, 2019, 
55 pages : colour illustrations, portraits

Cavaliere Katthy

Reference: see Here we are / curator Lisa Catt. Published in association with the exhibition Here we are AGNSW Contemporary collection project / 4, held at the Art Gallery of New South Wales 24 August - 13 October 2019.
Publishing details: Art Gallery of New South Wales, 2019, 
55 pages : colour illustrations, portraits

Ford Sue

Reference: see Here we are / curator Lisa Catt. Published in association with the exhibition Here we are AGNSW Contemporary collection project / 4, held at the Art Gallery of New South Wales 24 August - 13 October 2019.
Publishing details: Art Gallery of New South Wales, 2019, 
55 pages : colour illustrations, portraits

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