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Gould John

Reference: Handbook to The birds of Australia / by John Gould. Includes index.
Green cloth binding with decorative gilt spines and lyrebird on the front covers.
National Library of Australia's NK1519 copy has a signed manuscript letter from 26 Charlotte Street, Bedford Square WC dated Dec 30, 1873 from the author to W. Buller, Esq. [possibly New Zealand lawyer and naturalist, Sir Walter Lawry Buller (1838–1906)] tipped in the front of volume 1, "My dear Sir, I do not know if I have the bird you wish to see ..."; bears the bookplate of Rex de C. Nan Kivell (no. 1865/3).
National Library of Australia's both SR copies inscribed to, “R. Adams esq. With the author’s compliments, April 6-1874” without a signature.
National Library of GMM 598.2994 GOU copy has a signed manuscript letter from 20 Broad Str, Golden Sq dated May 9 '42 on mourning paper from the author, to naturalist Sir Richard Owen (1804-1892) tipped in the front of volume 1, "Mr dear Owen, I send to you herewith the second part of a "Monograph of the Macropodidae" which you will oblige me by accepting ...", also the visiting card of "Mr Gould" inscribed in ink, "for Mr Meynell" [presumably ornithologist Mark Meynell]; bears the ex-libris bookplate of Gregory M. Mathews.
National Library of Australia's FER F10031 (FC) set carries 'G.G. Walmsley' bookseller (Liverpool) labels pasted inside the front covers of each volume (both different).
Publishing details: London : J. Gould, 1865, 2 volumes (636, 629 pages)
Ref: 1000

Gould Elizabeth

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. ‘Much more than an E’, article on Elizabeth Gould by David Hansen, p6-9
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Gould John

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. ‘Much more than an E’, article on Elizabeth Gould by David Hansen, p6-9
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Gould John

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. ‘The Goulds in Australia’, article by John Wade, p 10-12.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Gould Elizabeth

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. ‘The Goulds in Australia’, article by John Wade, p 10-12.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Williams Henry

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. ‘The Goulds in Australia’, article by John Wade, p 10-12. Article includes reference to the portrait of John Gould by Henry Williams, c1838-40 and biographical information on Williams provided by David Hansen who was Senior Curator at TMAG when the portait was purchased by the gallery.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Williams Henry

Reference: see DAAO: Colonial male oil painter, watercolourist and photographer from Hobart Town who painted children and hunters.
portrait painter and professional photographer, apparently worked as a painter in Hobart Town from the late 1830s. Several undated watercolours are known, including a copy of a Sir Joshua Reynolds’ portrait of a child (private collection), two separate portraits of the Waterhouse children (Joseph Brown), and a portrait of a shooter posed with a pile of Australian birds – reputedly John Gould (Tasmanian Museum and Art Gallery). John Jones has suggested that certain portraits attributed to Thomas Bock may be by Williams, whose style was extremely similar. Later he seems to have worked as a photographer – Davies and Stanbury list one Henry Williams at Hobart in 1859 – then again as a painter. An oil painting, The Butcher’s Shop, Wagga Wagga (1864? Deutscher Fine Art), the colonial workplace of the notorious Tichborne Claimant Arthur Orton (London, 1871-74), is signed 'H. Williams/ '64’. This entry is a stub.
Flourished fl. c.1835 - c.1864

Nevin Thomas James snr (1842-1923)

Reference: Professional photographer Thomas James Nevin snr (1842-1923) produced large numbers of stereographs and cartes-de-visite within his commercial practice, and prisoner identification photographs on government contract. His career spanned nearly three decades, from the early 1860s to the late 1880s. He was one of the first photographers to work with the police in Australia, along with Charles Nettleton (Victoria) and Frazer Crawford (South Australia). His Tasmanian prisoner mugshots are among the earliest to survive in public collections, viz. the Queen Victoria Museum and Art Gallery, Launceston; the Tasmanian Museum and Art Gallery, Hobart; the Tasmanian Heritage and Archives Office, Hobart; the Port Arthur Historic Site, Tasman Peninsula; the National Library of Australia, Canberra; and the Mitchell Library, State Library of NSW, Sydney. Thomas J. Nevin's stereographs and portraits are held in public and private collections in Australia, New Zealand, the USA,  the United Kingdom, the Netherlands, Denmark, France and Switzerland.
Publishing details: https://thomasnevin.com/tag/williams/

Young William 1875-1944 aka Sidney Goodwin

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. ‘The Invisible Man’, article by Stephen Marshall, p 16-33. Includes extensive biographical information on the artist William Young who was known as Sidney Goodwin. Includes 20 colour illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Goodwin Sidney 1875-1944 aka William Young

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. ‘The Invisible Man’, article by Stephen Marshall, p 16-33. Includes extensive biographical information on the artist William Young who was known as Sidney Goodwin. Includes 20 colour illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Hurley Frank

Reference: Photography, early cinema and colonial modernity : Frank Hurley's synchronized lecture entertainments, by Robert Dixon.
[’"Australian photographer and film maker Frank Hurley became an international celebrity through his reporting of the Mawson and Shackleton Antarctic Expeditions, the First and Second World Wars, the England-Australia air race of 1919, and his own expeditions to Papua in the 1920s. This book is an account of his stage and screen practice in the context of early twentieth-century mass media. 'Photography, Early Cinema and Colonial Modernity' is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker in the early twentieth century: the negatives, photographic prints, lantern slides, stereographs, films, diaries and newspaper articles. His stage and screen practices offer an insight into Australia's engagement with the romance and wonder of international modernity in the early years of the twentieth century. The level of description at which this volume works is not that of personality or the originary events of Hurley's life - the Mawson and Shackleton Antarctic Expeditions, and the First and Second World Wars - but the media events he worked so hard and so professionally to create. He called them his 'synchronized lecture entertainments'. [NP] These media events were at once national and international; they involved Hurley in an entire culture industry comprising many kinds of personnel, practices and texts that were constantly in movement along global lines of travel and communication, and in a variety of institutional locations around the world. This raises complex questions both about the authorship of Hurley's photographic and filmic texts - which were often produced and presented by other people - and about their ontology, since they were in a more or less constant state of re-assemblage in response to changing market opportunities. This unique study re-imagines, from inside the quiet and stillness of the archive, the prior social life of Hurley's creations as they were once accelerated through the complicated topography of the early twentieth century's rapidly internationalizing mass media landscape. As a way to conceive of that space and the social life of the people and things within it, this study uses the concept of 'colonial modernity'. "--
"'Photography, Early Cinema and Colonial Modernity' is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker in the early twentieth century: the negatives, photographic prints, lantern slides, stereographs, films, diaries and newspaper articles. His stage and screen practices offer an insight into Australia's engagement with the romance and wonder of international modernity in the early years of the twentieth century. The level of description at which this volume works is not that of personality or the originary events of Hurley's life - the Mawson and Shackleton Antarctic Expeditions, and the First and Second World Wars - but the media events he worked so hard and so professionally to create. He called them his 'synchronized lecture entertainments'"--
Full contents • Introduction: Australia's Embrace of Colonial Modernity
• 1. 'The Home of the Blizzard': Douglas Mawson's synchronized lecture entertainment
• 2. Guided spectatorship: exhibiting the Great War
• 3. Touring the nation: Shackleton's 'Marvellous Moving Pictures' and the Australian season of 'In the Grip of the Polar Pack-Ice'
• 4. Entr'acte: 'Sir Ross Smith's Flight', aerial vision and colonial modernity
• 5. Colonial modernity and its sthers: 'Pearls and Savages' as a multi-media project.

Publishing details: New York : Anthem Press, 2012 
xxxi, 256 p. : ill., map, with bibliographical references (p. 239-246) and index.
Ref: 1000

women artists

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

L’Exposition Universelle, Paris 1900 - Australian exhibitors

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Glasgow International Exhibition, 1902 - Australian exhibitors

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Anderson J S Mrs

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Cowan Dircksey Constance 1880-1954

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Creeth May 1854-1947

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Dorrington Annie 1866-1926 nee Whistler

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Finnerty Etta (Henrietta) 1863-1926

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Ford Gertrude E c1873-1909

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Gibbs May 1877-1969

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Hardey E Mrs of Geraldton or Hardy

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Thomas W C of Albany

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Creeth Helen

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Brockman Deborah Drake brief reference

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Hackett Lady later Deborah Drake Brockman brief reference

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Whistler Annie later Dorrington 1866-1926 nee

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Finnerty Etta

Reference: Glimpses of Western Australia, by Etta Finnerty,  

Publishing details: London : F. S. Weller, Lith, [1890?] 
[25]p. : (chiefly illus.)
Ref: 1000

Hardy E Mrs of Geraldton or Hardey

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Dorothy Erickson ‘Angels in the Studio’ in Western Australia, Part 2: Exhibitors at L’Exposition Universelle, Paris, 1900 and Glasgow International Exhibition, 1902,’ by Dorothy Erickson. Includes biographical information on the artists discussed, With 28 illustrations.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

merchants tokens

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Peter Lane titled ‘South Australian mid-19th century merchants’ tokens’, p44-54
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

tokens - merchants tokens

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Peter Lane titled ‘South Australian mid-19th century merchants’ tokens’, p44-54
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

medals - merchants tokens

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. article by Peter Lane titled ‘South Australian mid-19th century merchants’ tokens’, p44-54
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Grace-Cocks collection of Australian fobs & medals

Reference: The Grace-Cocks collection of Australian fobs & medals / editors: Deirdre Grace and Robin Nichols; photography: Jack Grace. The Australian fobs and medals in this publication were collected independently, over a period of more than 40 years, by Jack Grace and his good friend the late Graham Cocks. Most of them were purchases made in order to research marks for the book "Australian Jewellers makers and marks" which was published in 1992. Most of the collection ranges from the late nineteenth century to the early twentieth century and gives an interesting insight to the social history of Australia. Although most were mass produced, there are some which were designed and handcrafted by gifted Australian jewellers.

Includes bibliographical references and index.
Publishing details: Strawberry Hills, NSW : Momento
Description [Sydney, New South Wales] : Cheltain, 2020, 209 pages : illustrations (chiefly colour), portraits.
Ref: 1000

medals

Reference: see The Grace-Cocks collection of Australian fobs & medals / editors: Deirdre Grace and Robin Nichols; photography: Jack Grace. The Australian fobs and medals in this publication were collected independently, over a period of more than 40 years, by Jack Grace and his good friend the late Graham Cocks. Most of them were purchases made in order to research marks for the book "Australian Jewellers makers and marks" which was published in 1992. Most of the collection ranges from the late nineteenth century to the early twentieth century and gives an interesting insight to the social history of Australia. Although most were mass produced, there are some which were designed and handcrafted by gifted Australian jewellers.

Includes bibliographical references and index.
Publishing details: Strawberry Hills, NSW : Momento
Description [Sydney, New South Wales] : Cheltain, 2020, 209 pages : illustrations (chiefly colour), portraits.

fobs

Reference: see The Grace-Cocks collection of Australian fobs & medals / editors: Deirdre Grace and Robin Nichols; photography: Jack Grace. The Australian fobs and medals in this publication were collected independently, over a period of more than 40 years, by Jack Grace and his good friend the late Graham Cocks. Most of them were purchases made in order to research marks for the book "Australian Jewellers makers and marks" which was published in 1992. Most of the collection ranges from the late nineteenth century to the early twentieth century and gives an interesting insight to the social history of Australia. Although most were mass produced, there are some which were designed and handcrafted by gifted Australian jewellers.

Includes bibliographical references and index.
Publishing details: Strawberry Hills, NSW : Momento
Description [Sydney, New South Wales] : Cheltain, 2020, 209 pages : illustrations (chiefly colour), portraits.

Floate H H Ballarat

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. Advertisement for a c1925 hand-beaten copper basket being offered by Peter Walker Fine Art, p59
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Duggin Shappere & Co jewellers

Reference: see Australiana magazine, February, 2021, vol. 43, No. 1. Advertisement for a gold kookaburra brooch being offered by J. B. Hawkins Antiques, on back cover.
Publishing details: Australiana, February, 2021, vol. 43, No. 1.

Basing Charles 1865-1933

Reference: see lot 2482: Pook & Pook, Inc.
February 24, 2021, 10:00 AM EST
Downingtown, PA, US., Charles Basing (Australian 1865-1933) oil on canvas impressionist landscape signed lower right, 12" x 16".

Taylor Angus South African exh Australia

Reference: see lot 47, Aspire Art Auctions
March 4, 2021, 7:00 PM SAST
Cape Town, South Africa: Angus Taylor, b.1970 South Africa, Standing man
Dimensions
260 x 147 x 94 cm including base
Artist or Maker
Angus Taylor
Medium
Belfast granite on a steel ligature
Condition Report
The overall condition is good.
Exhibited
University of Johannesburg Art Gallery, Johannesburg, Deduct, 2006.
Notes
Throughout history stone has been the medium of monuments, from the colossal granite image of King Ramesses II to the Italian Renaissance’s David. The masters have appreciated the many qualities varying stones brought to the creative process, but not until recent times has the raw, unrefined character of stone been celebrated in the art canon. Angus Taylor does not deter from the inherent materiality of his mediums, he draws inspiration from them. In Standing man, granite appears unadulterated as if summoned from the earth rather than by the hand of Donatello; Taylor creates a figure from stone without employing the traditional method of mallet and chisel. Standing 2.6 metres tall, the heavy weight of granite rocks is strategically balanced, suspended and affixed by steel rods to form this striking monument of a figure. In keeping with South Africa’s great contemporary sculptors, Taylor continues to ambitiously push the use of traditional mediums in new refreshing ways. Standing man was exhibited at Angus Taylor’s solo exhibition Deduct at the University of Johannesburg Art Gallery in 2006. Since starting his career in the mid 90s, he has exhibited locally and internationally, notably in Australia and London. In 2017, Taylor was awarded the Helgaard Steyn Award for Sculpture. JKS

Ritchie Charles Edward 1863-1948

Reference: see CATHERINE SOUTHON AUCTIONEERS, 24 Feb 2021, Chislehurst , Kent. UK: Charles Edward Ritchie (Australian, 1863-1948)

'Profile portrait of a young lady', pastel, signed in pencil and dated March 1908, mounted, framed, bears 'The New Gallery, Summer Exhibition label',

within mount 47.5 cm. x 32.5 cm., overall 79 x 61 cm.

Weston Neville 1936-2017

Reference: see LYON & TURNBULL auction, 10 Mar 2021 , lot 84: NEVILLE WESTON (WELSH 1936-2017) PIAZZA DELLA ROTONDA Signed and dated '02, inscribed with title verso, oil on canvas

(76cm x 101.5cm (30in x 40in))

Footnote: Note: Neville Weston was a Welsh-born painter, academic, and writer, and was based in Australia for many years. Weston studied at Stourbridge School of Art 1952-1956, before attending the Slade School, University College, London, where he was awarded a University Diploma of Fine Art. At Slade, he was a student of William Coldstream, Claude Rogers, as well as Lucian Freud and Ernst Gombrich. Following on from his time at Slade, he studied under Anthony Blunt and Douglas Cooper at the Courtauld Institute of Art History. From 1961- 1965, he was principal Lecturer at Liverpool College of Art and a part of the W.E.B.A. Design group. From 1965-75, he lectured at Padgate College of Education, University of Manchester. His first association with Australia came about through a visiting Fellowship at the Humanities Research Centre, Australian National University, Canberra. In 1977, he relocated to Australia to teach Art History and Theory at the South Australian School of Art, University of South Australia. He later moved to Perth and became Dean of the School of Visual Arts at the Western Australian Academy of Performing Arts, 1991-2001, at the Edith Cowan University, Perth. Weston has written extensively on Australian Art and is the biographer of Leading Australian Artist Lawrence Daws. He continued to exhibit actively, with his works included in the Royal Academy Summer Show, 2006, and The Adam Street Club, 2007, London. His last major exhibition was for the Threadneedle Prize, at the Mall Galleries, London in 2010.

Allum Frank Ernest

Reference: see William Bunch Auctions & Appraisals,
Chadds Ford , PA, USA, 24.2.21, lot 4580: Frank Ernest Allum, 20th C Australian, landscape painting depicting a woman on a wooded path, oil on canvas, signed "F. Ernest Allum", 21-1/4" x 17", framed 28-1/2" x 24-1/2", very good condition, professionally restored and relined

Meldrum Max

Reference: see Parade magazine, no. 155, October 1963 , article titled ‘Max Meldrum - Controversial Australian Artist’, p8-10.
Publishing details: Parade, no. 155, October 1963.

Hunt Diana

Reference: see sign in Moore Park, Paddington, Sydney: ‘The sculpture and fountain in the middle of Kippax Lake was designed by Diana Hunt in 1967, the result of a competition held by Sydney City Council... it portrays a female athlete and is constructed in metal on a concrete base.’

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