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The Scheding Index of Australian Art & Artists

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Showing 158,397 records of 158,397 total. We are displaying one thousand.

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Dalwood Thomas C view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Dana Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kook Peter C Davey William Jenkinview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Davies L A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Davis George E view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Davis Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Davis Mary Janeview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Davison George Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Deardon Mrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Deland Mrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Desouza Albertview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
De Vatteview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sullivan And De Vatteview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Dickenson Mrsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Diederich Richard Rudolph Edmundview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Dimond Brosview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Dittrich Hermannview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Dobbie Alexander Williamsonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Dobson James R view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Dodgson Robertview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Dollman William P view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Doolette Abraham Sims (Doolette A S & Co )view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Draper Josephview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Draper Philipview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Drew Henry W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Dunden W C view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Dunn Bros Dunn J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ideal Photo Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Duryea Edwinview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Duryea Frankview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Duryea Brothers [Junior]view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Duryea Richardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Duryea Sanfordview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Duryea Townsend (Junior)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Duryea Townsend (Senior)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Duryea Brothersview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Duryea Sanfordview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Duryea Townsend (Senior)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Duryea Brothers (Junior)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Eaves F P view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Edwards Arthur R view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Edwards E view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Edwards W H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Edwards And Erringtonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Electric Picture Framing & Photographic Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Williams & Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Elite Portrait Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ellery Arthur M view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Elliott Joseph Williamview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
English & German Photographic Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hammer William Henry Errington Ernestview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Edwards And Erringtonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Evans Francis J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Everitt A G view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Farndell Edwardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Farndell Francis (Frank)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fawcett Mr R H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fawcett & Robertsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Feehan Patrick Jnrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Feganview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Thomas & Feganview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fegan James W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fieldview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
New York Photo Co Finch Joshuaview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Findleyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Bond Findley & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fine Art Photo Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fisher Alfredview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fisher S C view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Flegeltaub Aaronview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Florance Alfred Harrillview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Flynn J D view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Standard Enlarging Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Foelsche Paul Heinrich Matthiasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fooks Dr E V R view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Forgie M W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fox Edgarview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fox Thomas Moorhouseview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Francis Arthurview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Francis William Augustus (Francis W A & Co )view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Francis Brosview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fraser Robertview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Frautschy Rview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Freeman George Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Freeman William Hardyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Freeman & Belcherview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Town Hall Photographic Galleryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fidge Ernest Lewisview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fruhling & Co (Fritz Idea)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Furner Luke Lidiardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gabriel Franklinview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gall Davidview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gall Ernestview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Galvin J P view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Galvin Brosview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Garden John Hazenview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Garrood Charlesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gawler Camera Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gazard Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gellview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Caire & Gellview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Caire Nicholas Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
George And Walton (George Fred W )view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
German Photographic Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Larsen And Hirschview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gill Henry (Harry) Pellingview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gill Samuel Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gill Walterview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ginnings H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ginnings J T view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ginnings John W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Golding H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Goldsmith Mrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Good Josephview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Goodall & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Goode Bernardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Goode B & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Goodhart Missview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Goodman George Barronview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gordon C J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Government Photo-Lithographerview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gray Duncan K view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Greenview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Holden & Greenview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Green Joseph Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Greenfeld Maximilian Williamview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Greeve Johann Friedrich Gustav (Augustus)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gresham Portrait Roomsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Grewar & Stilling Grewar Brosview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Grewar Wilfredview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Griffiths R F view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Grutzmacher F L view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gurr Alexview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gurr & Middletonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Guy Lieutenant Michael Stewartview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Haehnel C W Haehnel & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hainesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Uren Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hake Charlesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hamilton Arthur Richardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Haldane Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hallview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hall & Edwardsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hall & Freeman Hall Mrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hall Richard John Alexanderview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hall 'Professor' Robertview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hall & Edwardsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hall & Freemanview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hall & Plushview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hallackview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Perry Brothers (Perry & Hallack)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Halliday Bros view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hambidge Miss Helenview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hamilton Arthur Richardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hamilton & Hakeview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hamilton Arthur Richardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hammer William Henry (Hammer & Coview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hammer & Ranck)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hanssen N G A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Harding Georgeview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Harringtons Ltdview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Harris Charles Hopeview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hartitzsch Otto Vonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hartitzsch & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hartitzsch Otto Vonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hartitzsch & Hanssenview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hartwig W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hasler F view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hawes George Alfredview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hawthorn Y M C A Camera Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hayley Edwinview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hayward Richardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Heairfield Jos view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Herrifield Hearfieldview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Heirfieldview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hearn J T view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Heseltine George Augustus Frederickview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hewitt Mrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Higgins David W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hilton W J R view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fine Art Photo Co Hirschview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Larsen And Hirschview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hoinville Frederickview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Holden William Georgeview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Holden & Greenview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Holdsworth Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Holmes W G view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hood Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hooper Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
HüBbe Martha Maryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hurst Brosview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Husbands Charles F view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ideal Photo Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Iheup Brianview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Illert Davidview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Illman Herbertview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Imperial Art Studiosview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hammer William Henry Inglis Mr J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Instanto Photo Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mitchell & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Jackson Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Jay Mrs Melvilleview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Jenkinson George Frederickview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Areas Photographic Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Jennings Brothers (Jennings Messrs)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Johnson A A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Jones Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Jones Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Joyner Frederick Allenview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Just E A & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Just Elizabeth Annview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Rushton & Justview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kadina Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Adcock Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kahlbaum Carlview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kappler Carl Gottliebview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kapunda Photograph Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Thwaites Hector Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kapunda Photographic Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kasper Adolfview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kauffmann Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kelly Mrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kent Town Portrait Roomsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Farndell Edwardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Key C view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
King R view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kingdon Mrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kingsborough Missview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kingsborough A (Alfred?) H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kingsley E H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kingsley Edwardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kleeman Bros view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
New York Photo Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Klose J E A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kluge E view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Knight G H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kodak (Australasia) Ltdview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Baker & Rouseview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Koerner Theo view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kook Peter C view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kopsch & Mayview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kora Photo Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kosminsky And Smith (Kosminsky M )view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Krantz Harryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kreisler Harryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kreusler H Kreuslerview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Teakle & Kreusler Kreusler H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Krichauff Friedrich Charlesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Krischock H L F (Harry)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
L'Amico Fritzview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fruhling & Co Lamb W H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Langhton Georgeview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Langsford H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Larsen And Hirschview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Lehmann E H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Letchford John R view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Lewis Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Lewis S L view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Lightning Photographersview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Chirnside And Wagstaff Lightning Photographic Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Milewsky Myer Lingwood-Smith W T view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Littleview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Perry Brothers (Perry & Little)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Little Mrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Little Williamview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Lloyd Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
London Picture & Photo Framing Co (London Photo & Framing Co )view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
London Photo Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
London Studiosview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
London Picture & Photo Framing Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Loser Jno Josephview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Lott Mrs Francesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Lott William Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Luke Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Lund & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Lyle A R view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Lyle Bros view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mcconnell D M view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Maccormac M view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mcdonald Mrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Elite Portrait Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mcgann Terenceview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Machan James (Machan Bros )view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Machray J R view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mclean J S view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mclennan Mrs G F view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mcmahon Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mcmillan S H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mcneill Frank A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mcneill Thomas H (Mcneill'S 'Superb' Studios)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mallyon C K view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Malvern Photo Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Adelaide Camera Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Manning & Pangview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Manning Charles Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Manning Mrs C H (Emma Louise)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mansell Samuel Dayview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Marchant Familyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Marchant Ebenezer Tasmanview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Marchant Edwin Walterview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Marchant George Lionelview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Marchant Philip Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Marchant Samuel Boweringview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Marchant'S Studio Gawlerview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Margetts Miss Florrieview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Marlor Robert Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Marlow C R view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Marshall Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Marshall Jos view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Martin T E view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Art Picture Framing Co Mason Charlesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mayview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kopsch & Mayview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
May Charles Williamview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Medwell George H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Melbourne And Expedition Portrait Galleryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wivell Edward James Melbourne Photographic Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Freeman George John Melbourne Portrait Galleryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Meller Gilbert I view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Melrose Camera Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mendelssohn & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Menkens H G view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Menpes Mortimer Luddingtonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Merlin Henry Beaufoyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Middleton Alfredview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Midget Photographic Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Milbourn Samuel Junior (Also Spelt Milbourne Or Milburn)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Milewsky Myerview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Miley Miss G view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Miller Mrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
American Gem Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Millicent Camera Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Millicent Photographic Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Florance Alfred Harrillview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mitchell Matthewview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mitchell & Co (Mitchell Brothers)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Moore Murrayview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Moore T J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mora Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Morcom Elizabeth Janeview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Morrow Miss T view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Morton Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Morton Thomas Juniorview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Morwell Photo Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Berkholz W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mount Gambier Photographic Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mount Gambier Photographic Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Norman Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mugg Mrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Muller Theodorview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Murray R L H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Standard Enlarging Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Neale C C view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Needham R J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Neilson J M view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Nesbit Vincent Edview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Doolette Abraham Simsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
New York Photo Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
New York Photographic Coy view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Newling Charlesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Newman Charlesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Art Picture Framing Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Newman Philipview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Newnham W H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Bosco Apparatus Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Nicholls F view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Nicolle Thomas Helier Sarreview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Niesche Charles Frederickview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Niesche Louis A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Niesche Charles Frederick Niesche & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Nissen Hansview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Nixon Miss Berylview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Nixon Charles Millingtonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Nixon Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Nixon Joseph Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Nixon Samuelview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Nixon Stephen Edwardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Nixon William Millingtonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Nixon Brothersview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Nock A W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Norman Abraham Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Norman F E view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Norman Harriett Anneview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Norman Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Norman Herbert Hayesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Norman Robert Hastingsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Norman William Chapmanview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Norman & Heseltineview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Norman Robert Hastingsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Norris F S view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
North-Eastern Photographic Galleryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Needham R J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Oats Sidney Albert Boristonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Oglesby S view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Olden J H P view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Oliver Thomas Benjaminview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Olsen Thomas P view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
O'Malley Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ortloff W F view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ortloff W & J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Owen Charles Arthur (Owen & Co )view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Packer E G view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Page Arthur J (Page & Co )view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Paltridge Faithview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Pang Changview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Panton Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Pappin T G view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Paris Photographic Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Paris Photographic Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Lott William Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Paterson & Goldsmithview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Paynter A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Pearce E A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Pearce Miss M view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Pearson Arthur Frederickview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Peirceview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Pell Henry W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Perry Brothers (Perry & Hallack Perry & Little Perry Frank Parr Perry Harry Roscola)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Petersen Chrisview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Petree J Ellisview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
London Picture & Photo Framing Co Petts Charles Alfredview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Petts Rawling & Wollastonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Pfund Mickview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Photographic Association Of South Australiaview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Photographic Company Of South Australiaview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Photographic Portrait Roomsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Photographic Societiesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Adelaide Camera Club Angaston Camera Club Balaklava Photographic Club Barossa Camera Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Cowell Camera Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Gawler Camera Club Hawthorn Y M C A Camera Club Kapunda Photographic Club Melrose Camera Club Millicent Camera Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Mount Gambier Photographic Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Port Pirie Photographic Societyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Semaphore Photographic Societyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
South Australian Photographic Societyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Photo-Lithographer Governmentview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Government Photo- Lithographerview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Piper Charles J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Piper Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Place H T Wview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Player W J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ponder Walter J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Poole W B view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Poore Charlesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Popular Picture Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Port Adelaide Photographic Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Pearce Miss M view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Port Pirie Photographic Societyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Portrait And Enlarging Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fruhling & Co Potter Norwoodview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Potter P view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Potter W J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Poulson Bros (Poulson Anders Poulson Poul Cview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
P C Poulson Bros)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Precht Juliusview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Premier Enlarging Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Yates A A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Professor Of Photographyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Prosser James Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Pryor Ernestview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Puddy H E view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Radcliffe Charlesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Radcliffe Ernestview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Radford Frederick T view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ragless T B view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ranckview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hammer & Ranck (Rank George)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Randall W D view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Rawling Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Record Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Davey William Jenkinview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Reeves W A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Reylin Williamview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Richards J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Riddle R view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Riddle W & Sonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Riddle R Riegert D (Or B?)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Rigbyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Russell & Rigbyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Rippin F view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Robe Photograph Roomview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Warren W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Robert W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Robertsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Fawcett & Robertsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Roberts J L view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Rodda Ro(W)Land Vounderview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Rogers George A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Rogers G F view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Rose A G view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ideal Photo Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Rose James Frederickview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ross Edwardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Rotchford Charlesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Row Allan And G T view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Rowe Walterview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Royal Picture Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Royal Princes Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Dobson James R Rushton & Just (Rushton John Charles)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Russell F T view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Russell & Rigbyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Russell Photo Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sands Edmund Lyne (Sands And Sullivan)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Scammell Lutherview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Scanlan Frederick Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Schmid Mrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Schohl Edward (Schohl & Heseltine)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Scholz Edwin A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Schourup Niels Peterview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Schrader Hermann Friedrichview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Schroder Alfredview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Scott Andrewview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Scott Charles P view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Scott Douglas G view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Scott & Teakleview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Scott-Barry Walterview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Scrymgour George Jnrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Secombe J H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sellwood Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Semaphore Photographic Societyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Seymour Mr J S view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Shackleford & Sonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Shaw Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sheedy R E view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Simmons Sview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Bauer & Simmonsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Simms Abrahamview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Simpson S J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sladdin George (Also Spelt Sladden In Some Directories)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sladdin John (Also Spelt Sladden In Some Directories)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sladdin Thomas (Also Spelt Sladden In Some Directories)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sladdin John And Thomas (Also Spelt Sladden In Some Directories)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Slaterview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ainsworth & Slater Small J W & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Smeaton Stirlingview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Smith Albert E view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Smith A P view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Kosminsky And Smithview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Smith Georgeview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Smith John S (Smith J )view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Smith W T Lingwoodview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Lingwood-Smith W T view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Smith William Sydneyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Smith William Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Solomon Saulview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Solomon And Justview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
South Australian Photographic Societyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
South Australian Photographic Warehouseview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Goode Bernardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Spence William Morrisonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Spencer C J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Spink Samuel G view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Spread H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stace Georgeview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stacy Robert Sheppard Snrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stacy Robert Sheppard Jnr (Stacy R S & Son)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stacy & Machanview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Standard Enlarging Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Steinthal George Gottfried (Godfrey)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stickyback Photo Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hoinville Frederick Stickyback Photo Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stilling Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stone J C M view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stone James Dovetonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stoward Tom H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Strangways Herbert Bull Templerview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Strathalbyn Photographic Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stacy Robert Sheppard Senrview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Strelitz Paulview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stringer F view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Strother Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stulley Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stutley Thomas Stump Alfred Augustusview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stump & Co )view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stump Stanley W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sturcke Mrs Augustusview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Stutley Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sullivan Thomas Of Sands & Sullivanview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sands Edmund Lyne Sullivan And De Vatteview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sutherland Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Swain G E view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Swain & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sweet Elizabethview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sweet Samuelview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Swift Wiltonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
American Photo Novelty Co Swiss Photo Studiosview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sydney Photographic Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Marlor Robert J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Sykes Harold F view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Symonds E A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Talma Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Puddy H E Tamblyn Frankview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Taylor Donald Robert Napierview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Taylor Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Taylor Mrs Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Taylor'S Photographic Roomsview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Taylor-Street Photographic Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Anson Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Teakle F A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Teakle & Kreuslerview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Tegetmeir G L view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Temple Charles F view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Temple Of Lightview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Dobson James R view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Tennent Robertview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Thomas & Feganview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Williams & Thomas Thomas Edwin C view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Thomas Josephview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Thomas Wm & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Williams & Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Thomas & Feganview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Thompson Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Thomson Murrayview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Thwaites Hector Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Thwaites Walter Williams (W W Senior)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Thwaites Walter William Mclean (W W Junior)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Tilbrook Henry Hammondview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Tilley Ernest H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Tilly Henry Lindsey (Lindsey)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Tims Edward Georgeview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Tims Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Tonge Herbert E view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Topp Friedrich (Fred)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Toska (First Name Unknown)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Tothill Geoffreyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Town Hall Photographic Galleryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Townsend Clarence Albani(A)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Tregoning Methuselah Priskview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Trescowthick Charlesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Tullett Charles H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Turnbull O S view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Turner Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Tuttle & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Underwood & Underwoodview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Union Photographic Company Of S A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Unverhau Frederickview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Upton John Alfredview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Uren Alexanderview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Uren Frederick Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Uren Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Vaughan Alfredview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Victorian Photo Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Schroder Alfredview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Victorian Photographic Companyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Vonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wagstaffview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Chirnside And Wagstaff Walker Gordonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wallace Georgeview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wallaroo Camera Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Walton Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
George And Waltonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ward A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ware Alfredview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Warner Miss Dorothyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Warner Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Warren Johnview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Warren W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Warren And Tullettview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Warren W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Tullett Charles H Washbourne T J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Watson D G view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Watson Georgeview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Watson Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Watson & Weddview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wear Francis Edwardview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Webber George G view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wedd Williamview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wehr Wilhelmview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Weir David Hugh Harrisonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Weston Henryview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wheeler Cecil R view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
White Jos view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
White R view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
White Reverend T Geddesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Whiteman Arthurview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Whitford P view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Whitham Charles Lawrenceview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wight H H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wigzell E W view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wilkins George Hubert (Sir)view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wilkinson Alfredview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wilkinson C H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wilkinson N view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Williams Alice Isabelview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Williams Rev Father George Michaelview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Williams Solomonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Williams W A L view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Williams & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Williams & Thomasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Willshire C view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wilson Mrs E J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wilson Silasview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Withers Alfredview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Withers And Wareview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wivell Edward Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wivell & Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wivell & O'Malleyview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wivell & Co Wollastonview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Petts Rawling And Wollaston Wollaston K H view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wood 'Professor' Georgeview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Woodbury A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Woodhouse Edwinview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Woodman A J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wooler J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Worth Walterview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wyatt Thomas J J view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Wyllie Frank S view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
YMCA Camera Club Hawthornview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Hawthorn Y M C A Camera Clubview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Yates A A view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
York Photo Studioview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Yorke's Peninsula Photographic Co view full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Young Jamesview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Ziegler Ernest Charles Victorview full entry
Reference: see biographical entry in Dictionary of South Australian Photography, by R. J. Noye. This dictionary is on a CD Rom at the back of A Century in Focus - South Australian Photography 1840s-1940s by Julie Robinson assisted by Maria Zagala. ‘R. J. Noye (1932–2002) was one of South Australia’s most prolific and respected historians... Bob amassed an impressive collection of over 5,000 nineteenth and early twentieth-century South Australian photographs and glass-plate negatives, undertook extensive research on a vast number of early South Australian photographers and created his website Photohistory SA. Now owned by the Art Gallery of South Australia, this vast archive, known as the R.J. Noye Collection, is a rich legacy for the people of South Australia, and indeed the nation.’ From A Century in Focus - South Australian Photography 1840s-1940s
Bosley Thomasview full entry
Reference: see SA Australiana Study Group 68th Meeting, 12 August 2021, notes: Slip-moulded model of a rabbit, by Bosley Pottery, Mitcham SA, mid-twentieth century.
Height 11.5 cm.
One of the range of modestly priced novelty animals and birds offered by this Adelaide suburban pottery, which had been founded in 1933 by Thomas Bosley (1867-1945). Having trained initially at the Hindmarsh Pottery, Thomas worked in brickworks until losing his job during the Depression. He turned his skills to art pottery, initially in his garage, working with his son Alfred before employing an assistant in 1935. With local clays and lead based glazes they produced low-fired vessels and models of various fauna which met a ready market. Their most ambitious products were a series of gnomes, while their advertising frogs branded for MacRobertson’s chocolates are now well sought after. The workforce built up to twelve in the late thirties but was greatly reduced by WW2, so that by 1941 only Thomas and his son remained. With the death of Thomas in 1945, strong competition, and storm damage to the pottery in 1948, the great days were over.

Publishing details: https://www.australiana.org.au/resources/Pictures/SA%20Report%2068%20-%20August%202021.pdf
Jericho Gordon view full entry
Reference: see SA Australiana Study Group 68th Meeting, 12 August 2021, notes: A plywood fretwork pen and ink stand depicting a map of Australia supported by a kangaroo and emu. Maker Gordon Jericho, 1937. Size of base 21.5 x 13 cm.
There were two different plywoods used; a light timber for the top and two legs, and a darker timber for the base and two legs, the initials have been stained red and below the fretwork base green. The underside in ink records the maker’s name and year created. As Gordon was still at school in 1937 the stand may have been a school project. The letters ‘MD’ may stand for ‘Mum and Dad’ or Meta his mother’s name and Daniel, his father’s second initial and possibly his known name. The ink stand was probably a school project.
The nib is a Melanyl nib, and came in a box with a small bottle of special ink for permanently marking garments. After marking, a garment was left for 48 hours then washed. The nib dates to the 1940’s, and is most likely a replacement.
The stand was acquired at Bob’s Antiques & Collectables at 99 Randell Street Mannum (SA) and the owner said it was made by Gordon Jericho, his wife Elizabeth’s father, and Bob was selling off unwanted items from the estate of his mother-in-law who died in 2011.
Gordon Heinrich Jericho was born in 1922 at Moonta, and his parents, Otto Daniel Jericho and Meta Elsa (nee) Heinrich (Gordon’s second name), were at the time wheat farmers at Tiparra, near Kadina. His father was a councillor for the District of Clinton. Gordon’s grandfather Friedrich Heinrich Jericho had established the farm in 1880, and was born at Lyndoch in 1855.
sometime between 1851 and 1855.
Gordon’s great-grand-parents, came from Saxony-Anhalt, Germany,
Little Kalkabury School
Gordon attended and the Kadina Memorial High School. In late 1937 his parents purchased a property at Coonalpyn in the Upper South East of South Australia and all the family moved there. Many descendants of Germans immigrants settled in the region and the town still has active Lutheran church. It appears the farm had Prisoners of War working there as in April 1944 the police at Tailem Bend supported the Jericho family to have POW’s working on their property.
In 1950 Gordon married Myrtle May Rosenzweig, at Redeemer Lutheran Church, Perponda, 57 kilometres north east of Murray Bridge. They lived at Coonalpyn for all or most of their married life and had two girls, Helen and Elizabeth. On 23 August 1975 Gordon died and was buried at Coonalpyn, where his parents are buried.
Publishing details: https://www.australiana.org.au/resources/Pictures/SA%20Report%2068%20-%20August%202021.pdf
Saracen Plate Company, Melbourne, 1952-1972view full entry
Reference: see SA Australiana Study Group 68th Meeting, 12 August 2021, notes: Six souvenir badged tea strainers, and another (boxed) of the same design, all produced by the Saracen Plate Company, Melbourne, 1952-1972. Diameter across handles 10cm.
The strainers, some chrome plated and some silver plated, were a popular line of the Saracen Plate Company, founded by Cypriot immigrant George Kyriakides (1921 - 2006) in 1952. One of them is engraved with an inscription for Ryde High School (NSW) 1966.
George had learned silver-smithing from his father in their home village on the south coast of the island, where bartering their work was a way of life. After service with the British Army during WW2, during which he was captured and escaped, he followed others from his village in migrating to Australia. In 1948 at the age of 26 he arrived in Australia and found work as a silversmith with the Melbourne silverware firm Pitcher Products, but before long set up his own firm, the Saracen Plate Company, in the garage of his home in Malvern. On outgrowing the garage, the business moved to a site in Lygon Street Carlton, where George had a workshop and living quarters built. The brand name of their products was “Sheffield Reproduction”, but many of the smaller wares carried no name, as Saracen was mainly a wholesale suppliers to department stores such as Myer, Dunkling and Prouds.
Saracen produced a wide range of salvers, jugs, trophies and serving wares in electroplate, and was frequently commissioned to make presentation pieces. Changes in the market and difficulties with the reliable supply of materials in the early 1970s led to the sale of the Saracen business in 1974. George then went on to establish a jewellery business (G. K. Jewellery) at which he worked until retirement, and became well known as a charitable benefactor.
Publishing details: https://www.australiana.org.au/resources/Pictures/SA%20Report%2068%20-%20August%202021.pdf
Goode Bernard photograph c1865view full entry
Reference: see SA Australiana Study Group 68th Meeting, 12 August 2021, notes: "Double exposure photograph of a mounted police constable", c1865, Bernard Goode, Adelaide, carte de visite photograph. 10 x 6 cm.
In January 1865 an American photographic journal outlined a procedure for producing multiple portraits of the same person on a single photograph. Within months this novelty was briefly taken up in Australia, particularly by a small group of Adelaide photographers. In this example, a South Australian constable is wearing the mounted police winter and summer uniforms (1854 - 81). The winter tunic is far from standard - featuring military style braiding to the lower sleeves (at a time when many police were also members of the popular Volunteer Defence Force) and fewer buttons. Such deviations were not uncommon. As late as 1884 the Police Commissioner wrote "I have again to call attention to the great want of uniformity in dress and equipment that prevails" and prescribed that uniforms could now only be made by nominated tailors.
The constable is not yet identified but the photograph came in an album of Mt Gambier related material.
The awkward attempt at hand-colouring is not likely the work of the studio. A triple exposure self-portrait by Goode is in the collection of the NGA.

and

"Self Portrait", c1866, Bernard Goode (1830 - 1897), Adelaide, carte de visite photograph. 10 x 6 cm
Bernard Goode (a carpenter from Hull, Yorkshire) arrived in Adelaide in 1855 as a government immigrant, with Sarah his 17 year old wife and a 1 year old child. How he converted from carpentry to photography is not known but from 1862 he became one of the few long-running Adelaide photographers - operating his studio and living in Rundle Street. One point of difference was that Goode also marketed himself as a wholesaler of photographic chemicals and apparatus - with catalogues and monthly imports from England.
The Goodes had eight children, with two dying in their infancy. Business seemed to be declining in the early 1870s and Sarah, through the courts, petitioned that Bernard pay her a weekly maintenance to support the household. Bernard countered this by submitting the studio's accounts to show that income was poor, and accused his wife of drunkenness and of gross immorality. Sarah denied the immorality. That same month (April 1874) the business was sold and the whole family left for Sydney. Goode continued there as a photographer until 1897 when he fell down a flight of steps as he left the back entrance of a hotel. Sarah died four years later, and they are buried at Waverley Cemetery.
Publishing details: https://www.australiana.org.au/resources/Pictures/SA%20Report%2068%20-%20August%202021.pdf
Kapociunas Vytas view full entry
Reference: see SA Australiana Study Group 68th Meeting, 12 August 2021, notes: Vytas Kapociunas, Two Donkeys, oil on masonite, signed bottom right VK 67.
24 x 19 cm.
The date 1967 indicates that it was painted while on his scholarship travels, probably in Spain.
Publishing details: https://www.australiana.org.au/resources/Pictures/SA%20Report%2068%20-%20August%202021.pdf
Sweet Captain Samuel (1825-1886)view full entry
Reference: see SA Australiana Study Group 68th Meeting, 12 August 2021, notes: Views on the Port Augusta and Government Gums Railway, South Australia: No. 1. Saltia township. Australasian Sketcher, 19 June 1880. Wood engraving on paper. 17.8 x 22.7cm
Three wood engravings made after photographs by Captain Samuel Sweet (1825-1886), South Australia’s preeminent colonial landscape photographer. Sweet travelled extensively in
12
regional South Australia, documenting structures and developments associated with the South Australian Railways. Saltia, located halfway between Port Augusta and Quorn in the Pichi Richi Pass, was an important stopover point during the pioneering period of settlement of the Southern Flinders Ranges. The Pass, forged by a large contingent of navvies stationed at Quorn, opened to rail traffic in 1879, forming the first stage of the Great Northern Railway connecting Port Augusta with The Government Gums (now known as Farina). The line was extended to Oodnadatta in 1891, and the link to Alice Springs was completed in 1929. Saltia Hotel, built in 1859, was associated with the Kite and later the Lyons/Hughes families in the 1860s and 70s. Today nothing remains of the building.
Another engraved variant view, also based on Sweet’s photograph Saltia, Pichi Richi Pass (c.1879) (Coll. SLSA), featured in Garran’s Picturesque Atlas of Australasia (Vol. II, 1886, p.460), rendered from an ink wash drawing by American illustrator Fredric Schell (1838- 1902), (Coll. AGSA). The engraved version made from Schell’s wash drawing was subsequently adapted for other publications, such as Cassell’s Picturesque Australasia, published in Melbourne in 1889 (Vol. IV, p141). Thus Sweet’s captivating birds-eye view, an image at once emblematic of colonial progress and remote charm, reached a wide audience.

and

Sketches on the Government Gums Railway, South Australia: No.2. Quorn. Australasian Sketcher, 3 July 1880. Wood engraving on paper.
17.6 x 22.7cm

and

Starting point of the Great Northern Railway, South Australia. [Port Augusta]. Australasian Sketcher, 22 October 1881, p.349. Wood engraving on paper 13.9 x 21.2cm

Armstrong Tokens Theview full entry
Reference: The Armstrong Tokens: The World’s Largest Private Issue. By Mike Carter & Ian Armstrong OAM. [’The authors are based in Queensland & Victoria respectively.
Publishing details: Second Edition, October 2021. This publication is in colour, 170 pages, copy inscribed by author and with a medal.
Tokens Australianview full entry
Reference: see The Armstrong Tokens: The World’s Largest Private Issue. By Mike Carter & Ian Armstrong OAM. [’The authors are based in Queensland & Victoria respectively. Ian Armstrong was a Victorian of the Year for his services to the community by lending his vast collection for exhibitions. He came from a background of shoe retailing and had a shop in Frankston. Ian issued tokens in fourteen metals and in all issued over 360 different examples. These tokens were given to customers who could redeem them for a dollar off their next purchase. Arguably his most famous tokens (nos. 55 to 58) were the moon landing series
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– ‘Armstrong’s shoes first on the moon’. Other tokens depict kangaroos & emus, penny farthing bikes, shoes, cars, royalty, yachts (America’s Cup), Halley’s Comet, the Pope, Ian’s family crest, his effigy as well as those of his ancestors, plus many others.
Mike Carter is a well-known authority on Australian checks and tokens and has written widely on these subjects.
The book also records details of Ian’s family from when they first arrived in Australia during the gold rush era.]
Publishing details: Second Edition, October 2021. This publication is in colour, 170 pages, 21 x15cm.
Hesling Bernard (1905-1987)view full entry
Reference: see SA Australiana Study Group 68th Meeting, 12 August 2021, notes: Small bowl and tray, vitreous enamel on steel, by Bernard Hesling (1905-1987), Adelaide, 1960s-70s, each signed lower left. Diameter: 20.7 cm and 47.0 cm. Hesling’s tray on its original black enamelled stand to serve as a table.
Best known now for his colourful vitreous enamel artworks and his equally colourful and cheerful books, Bernard Hesling was also an actor, artist, cartoonist, art director and art critic. Born in Wales, he came to Sydney in 1928 where he lived in Burdekin House, but with no
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work in the Depression returned to London. Returning to Sydney in 1938 he worked for the Daily Telegraph, which sent him to Canberra. He disliked it there, was fired, and moved back to Sydney where he exhibited his artwork while writing and illustrating for the Sydney Morning Herald. A spell as art critic for the Observer newspaper ended when Donald Horne fired him and hired the young Robert Hughes.
Bernard raised money for pet projects such as a swimming pool and his much-loved MG Magnette car by painting murals in pub lounges. He took up vitreous enamel painting in 1957, and impressed with the recognition of the arts in SA, moved there in the wake of the 1962 Adelaide Festival of the Arts. There he settled in North Adelaide, developed his enamel work, and having cultivated a friendship with the home appliance firm of Simpson’s was allowed to bake his artworks in their commercial ovens along with the fridges and stoves.
Hesling was awarded an OAM for his services to the arts in 1985, by which time he was living in retirement at the Helping Hand Centre. Even then the nearby Greenhill Galleries reserved a room for him to use as a studio. Deciding that he had no need for a funeral, and acting on his tongue-in-cheek ambition to attend university, he bequeathed his body to the Medical School at Adelaide University.
Marek Dušan ‘Coorong’ c 1971view full entry
Reference: see SA Australiana Study Group 68th Meeting, 12 August 2021, notes: Dušan Marek’s Coorong, c 1971 .
Art Gallery of South Australia:

Dušan and Voitre Marek: Surrealists at sea. 19 Jun – 12 Sep 2021
The Marek brothers migrated from Czechoslovakia to South Australia in 1948 and whilst little known had an important impact on Surrealism in Australia. A book on their work is available at the Gallery’s Store.
Harris Gwen Leitch view full entry
Reference: Gwen Leitch was born in Tasmania in 1931. Thanks to a travelling scholarship she attended the Central School of Arts and Craft in London from 1954 to 1956. There she was taught by Patrick Heron and Roger Hilton. In 1956 she moved to Cornwall and lived with Delia and Patrick Heron at 'Eagles Nest', where she had a small studio space. In 1957 she was the second woman to be awarded a Porthmeor Beach Studio, which she retained until leaving the UK in 1970. She exhibited her work in Cornwall and London, and was an active member of the St Ives arts community and Penwith Art Society. She was part-time curator for the Penwith Arts Society and the Fore Street Gallery between 1959 and 1961, and also managed Bernard Leach's Craftsman Shop.

In 1959 Gwen Leitch married an English painter, Jeffrey HARRIS. Her artistic career became secondary to her role as mother and teacher. Together with her husband and children she returned to Tasmania in 1970. The following year they moved to Australia, settling in Adelaide, where she was able to resume her career, achieving considerable recognition as a painter of landscapes, seascapes and still life. She is also known for her pastel work.’ Information provided in email to the Scheding Index by the artist’s daughter, Claire Harris, on 24.8.21.

Harris Jeffreyview full entry
Reference: ‘Jeffrey Harris was born in the UK in 1932 and was part of the St Ives, Cornwall, art scene. He has resided in Australia since 1970. He is now 88 and still painting and is often confused with the NZ painter of the same name and born in 1949...
Born in Leeds, Jeffrey Harris started painting as a boy while exploring the Yorkshire Dales. He studied at Leeds College of Art, majoring in painting, drawing and printmaking. An early influence on his work was visiting lecturer Victor Passmore.
In 1956 Harris moved to St Ives, marrying Tasmanian-born painter Gwen LEITCH two years later. The pair shared her studio (7 Porthmeor Studio) for fifteen years. His early paintings were abstract and semi-figurative, usually in oil on masonite or canvas. He also made constructions and wooden reliefs. His painting often plays with flat two-dimensional perspective. Elements of pattern and abstraction, colour and symbolism referenced his childhood in Yorkshire and his father's work as a tailor. During 1967 Jeff lived at the Monastery St Elias in Devon, where he studied iconography. From 1966 to 1969 he taught painting and drawing at Falmouth Art School.
In 1970 Harris and his wife Gwen emigrated to Australia with their four children. Gwen died in 2006. He remains an active painter in Australia.
In the UK, his work is held in collections such as the Arts Council, Southbank Centre, Cornwall County Council, Whitworth Art collection, Manchester University, Alston Hall, UK Education Department, Lancashire. It can also be found in private collections in the UK, Australia and USA.’
Information provided in email to the Scheding Index by the artist’s daughter, Claire Harris, on 24.8.21.

Linton Richardview full entry
Reference: ‘Richard Linton, ASMA, (born 1935) is an internationally renowned Australian artist. His paintings are primarily of maritime subjects... Linton was born in Melbourne in 1935.[1] From the age of 16, he apprenticed in the printing trade, and also trained in photolithography at the Melbourne School of Printing (now a part of RMIT).[1][2] He is primarily self-taught in painting.[1] His first professional work was in 1957.[2]
Works[edit]
Linton is one of a select number of artists to have their work reproduced by the Franklin Mint and Mourlot Studios.[1] His paintings have won numerous awards worldwide. He has twice won the prestigious Heidelberg Award.[1] His work is represented in many public and private collections worldwide.
His studio was first located in central Frankston, a bayside suburb of Melbourne. In 2005, he relocated his studio to the Morning Star Estate, a vineyard just outside Frankston.[3] His studio is housed in the old dairy on the estate.
His most recent works include The River Min and Spirit of the High Country.’
From Wikipedia

Bundanonview full entry
Reference: ‘see The Bridge’, article on Bundanon in Good weekend, Sydney Morning Herald, 28.8.2021, cover story, pages 14-17
Publishing details: SMH, 28.8.21 [copy inserted in The Art of Arthur Boyd by Ursula Hoff]
Bright Harryview full entry
Reference: see Graham Budd Auctions, September 7, 2021, lot 34: After Harry Bright (1846-1895) An English Team and an Australian Eleven, a cricket themed pair of colour prints portraying eleven native English and eleven native Australian birds, both uniformly mounted, glazed and framed, 33 by 65cm., in good condition with minor wear to framed, unsigned These prints were produced to commemorate England winning their fifth consecutive home series in 1893 and regaining the Ashes having lost them to Australia in 1891-92.
Hannah Eve 1942-2021view full entry
Reference: see BENTLEY'S AUCTION ROOMS, Kent, UK, 4 Sept, 2021, lot 536: Eva Hannah (Australian, 1942-2021) - 'Posing', watercolour, signed, titled, label verso, comes with original Eva Hanna Gallery (Sydney Australia, 2001) receipt, 26cm x 23cm, framed. Condition report: No issues. Estimated: £50-£80. and lot537: Eva Hannah (Australian, 1942-2021) - 'Olympics 2000' and ' Rainforest', two pencil signed limited edition colour prints (1000/1500 and 406/900), each approx 27cm x 30cm, both framed. Condition report: No issues. Estimated: £30-£50.
Boyd David essay The drawings of David Boydview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Lucy Beck interview withview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd David interview with and numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Phyllis interview withview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Arthur numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Arthur Merric numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Emma Minnie numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Dorris numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Guy numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Hermia numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Jamie 5 referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Martin numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Mary numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Penleigh numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Phyllis numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Polly numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Robin numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Boyd Yvonne nee Lennie numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Lennie (later Boyd) Yvonne numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
AMB Pottery numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Beck family numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Douglas Neil numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
McCulloch Alan 6 referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Murrumbeena artists numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Nolan Sidney 7 referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Perceval John numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Reed John and Sunday numerous referencesview full entry
Reference: see Merric Boyd and Murrumbeena - the life of an artist in a time and place, by Colin Smith. With essays and 52 interviews with ‘The Boyds and the Murrumbeena Community.’ With bibliography and index. [’... it's taken Colin Smith twenty five years and a lot of passion to finally get his book "Merric Boyd and Murrumbeena the life of an artist in a time and a place" finally published and we highly recommend it to those interested in Australian pottery and art.
A 450 page hardcover book it details the history of Murrumbeena and the
importance of the Merric Boyd family. Containing unique drawings done by David Boyd and many first person interviews of Boyd family members and friends, and those who knew them, it is an important historical document.’] [’In 1913 Murrumbeena was a village surrounded by market gardens, paddocks and large private estates. It was also the place where a young, creative and resourceful Merric Boyd came to live and establish a pottery. For almost half a century, he produced some of the finest and most original ceramics made in this country or any other and, with his wife Doris, raised five remarkably talented and artistic children.
Since 1988 Colin Smith has been recording the recollections of those who knew Merric Boyd and his family. Their stories provide a unique insight into his community and into Murrumbeena's most famous residents - the Boyds.’]
Publishing details: Melbourne, the author, 2013, Hardback, 460 pages, Copy signed by author.
Deco - Art Deco 1910-1939view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Sellhein Gert p285 ecview full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Griffin Walter Burleigh p257 etcview full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Griffin Marion Mahoney p257 etcview full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Commercial Photographic Company p244-5view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Waller Napier p263 269 etcview full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Roberts Hera p247 253 etcview full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Easton Alice p250 see list of exhibits p304 -6view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Feint Adrian p 253 view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Cazneaux Harold p267 etcview full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Wunderlich Limitedview full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Michael O'Connellview full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Hoff Rayner p265view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Steeth J W silversmith p273view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Preston Margaret rug p 275view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Cotton Olive p277view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Sainthill Loudon vase p 279view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Bakewell Brothers p281view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Lowe Allen 1907-2001 p283view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Pate Klytie p289 view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Cohn Ola see list of exhibits p304 -6view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Dellit C Bruce see list of exhibits p304 -6view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Hammond Stanley see list of exhibits p304 -6view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Meere Charles see list of exhibits p304 -6view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Nock Olive see list of exhibits p304 -6view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Simpson Jessie decorator see list of exhibits p304 -6view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Sodersten Emil architect see list of exhibits p304 -6view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Titchener Ron see list of exhibits p304 -6view full entry
Reference: see Art Deco 1910-1939. Exhibition curator Ghislaine Wood. Includes chapter ‘Deco Down Under - the influence of art deco in Australia.’
‘This publication will accompany an exhibition of the same name held at the National Gallery of Victoria from 28 June - 5 October 2008. The publication is intended to introduce the movement of Art Deco to our audiences commencing with the influences of previous periods titled Ancient to Exotic, then through to Moderne, Avant Garde, National Traditions, Travel & Transportation and then the development in other countries, namely America, Japan, China, New Zealand and Australia."--Provided by publisher.’ National Gallery of Victoria added chapters to the original V&A London exhibition catalogue. The chapters are: the style of the age: sources of art deco; the 1925 Paris Exposition; the exotic; the European moderne; travelling in style (travel posters); Manhattan - the skyscraper aesthetic: a worldwide movement: art deco in Japan, China & New Zealand, and ‘Deco Down Under - the influence of art deco in Australia.’
Publishing details: NGV, 2008, pb, 317 pp
Bendigoview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Becker Ludwig 2 worksview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Caire Nicholas 10 worksview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Chevalier Nicholas 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Darvall Charles George 1831-1924 6 worksview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Fox Alex photographer 9 worksview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Quist Christian photographer 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Gill S T 4 worksview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Ham Thomas 1821-1874 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
King Theodore 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Lacy George c1816-c1877 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Mauermann Emil 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Meadows James Edwin 1828-1887 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Nixon F R 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Northcote John Carter 1817-83 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Rowe George 1797-1864 5 worksview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Russell G J W 3 worksview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Schmalzing Fritz 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Short William Snr 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Stocqueler Edwin 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Stopps A J 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Stuart W E D 1839-73 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Wright Thomas 1830-1886 1 workview full entry
Reference: see Colonial Bendigo. Compiled by Doug Hall and Frank Cusack. Includes short biographies of artists in the exhibition at Bendigo Art Gallery, December 1984 - February, 1985. Published by Bendigo Art Gallery.
Publishing details: Bendigo Art Gallery, 1985, p24, Illustrated stapled wrappers,
Early Settler Artists of South Australia, 1836-1856view full entry
Reference: Early Settler Artists of South Australia, 1836-1856,
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Ref: 1009
Brown Maria Josepha c.1810–c1852view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz:
‘Former Art Gallery of South Australia director Ron Radford, writing in the Introduction for Jane Hylton’s
book Colonial Sisters Martha Berkeley & Theresa Walker (1994) outlines the earliest artists on our shores, identifying the amateurs Colonel Edward Charles
Frome (1801–1890, arr. 1839), the flower painter Maria Josepha Brown
(c.1810–c1852, arr.1836) (second
wife of Charles Mann, South Australia’s first advocate-general and crown solicitor)...’
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Frome Edward Charles
(1801–1890, arr. 1839view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz:
‘Former Art Gallery of South Australia director Ron Radford, writing in the Introduction for Jane Hylton’s
book Colonial Sisters Martha Berkeley & Theresa Walker (1994) outlines the earliest artists on our shores, identifying the amateurs Colonel Edward Charles
Frome (1801–1890, arr. 1839), the flower painter Maria Josepha Brown
(c.1810–c1852, arr.1836) (second
wife of Charles Mann, South Australia’s first advocate-general and crown solicitor)...’
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Berkeley Martha (1813–1899, arr. 1837) essayview full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz: ‘Hylton places the Chauncy sisters,
Martha Berkeley (1813–1899, arr. 1837) and Theresa Walker (1807–1876, arr. 1837), as the first dedicated professionals among the earliest settlers: older sister Theresa was especially recognised before she came, and exhibited her two miniature wax carvings of local Aboriginal residents Kertamaroo and Mocatta at the Royal Academy, London, in 1841, being the first resident Australian artist to do so. Martha Berkeley was a painter in watercolours, a portraitist and miniaturist, who provided some of the earliest depictions of the provincial landscape and settlers of South Australia.
...’
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Walker Theresa (1807–1876, arr. 1837) essayview full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz: ‘Hylton places the Chauncy sisters,
Martha Berkeley (1813–1899, arr. 1837) and Theresa Walker (1807–1876, arr. 1837), as the first dedicated professionals among the earliest settlers: older sister Theresa was especially recognised before she came, and exhibited her two miniature wax carvings of local Aboriginal residents Kertamaroo and Mocatta at the Royal Academy, London, in 1841, being the first resident Australian artist to do so. Martha Berkeley was a painter in watercolours, a portraitist and miniaturist, who provided some of the earliest depictions of the provincial landscape and settlers of South Australia.
...’
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Hindmarsh Mary essayview full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz: ‘Mary Hindmarsh (1817–1887, arr. 1836) was
Governor Hindmarsh’s youngest daughter. She married George Milner Stephen
(1812–1894, arr. 1838), her
former drawing teacher (and the Colonial Secretary) in 1840, and later that year the couple left for England. In 1842 Stephen became secretary to John Hindmarsh
as governor of Heligoland, an island off the coast of Schleswig-Holstein, and sketches made there by both
are now in the Mortlock Library. The couple had
thirteen children, so most of Mary’s artworks date before her marriage. In the 1847 Adelaide Exhibition of colonial artists & amateurs
she showed Ancona, and a collaboration with George, St Michael’s Mount, Cornwall, which was well received by the South Australian Register , whose critic said: “were it not attributed to two amateurs, we should certainly have supposed [it] the work of some great master”. Between 1846 and 1887 the couple and their children lived in South Australia, Victoria, England, Heligoland and Sydney. Her sketches of the harbour in Rio de Janiero in the Mitchell Library are dated from 1838, but seem likely to have been painted-in sketches from her voyage to Australia in 1836
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Thomas Robert George
(1820–1884, arr. 1836) essayview full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Skipper John Michael
(1815–1883, arr 1836) essayview full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Skipper Frances Amelia
(1818–1855, arr. 1836) essayview full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Hamilton George (1812–1883, arr. 1839) essayview full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Jackson John Alexander
(1809–1885, arr. 1839)view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Tolmer Alexander
(1815–1890),view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Burnard Robert (1800–c.1846, arr. 1840)
view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Cawthorne William Anderson
(c.1824–1897, arr. 1841) essay
view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Hall Robert (1821–1866, arr. c.1842) essay

view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Fewson Thomas (1797–c.1880?, arr. 1837),


view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Cole George (1792–1853, arr. 1839), essayview full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Light Col. William essay and
Excerpt from The Advertiser,
27 November 1906, p. 7view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Gill S T essay and
extract from A W Greig,
The Register, 18 September 1912, p. 11view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Nixon Frederick Robert essayview full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Angas George French (1822–1886, arr. 1844) essay and extensive informationview full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
OPIE EDWARD ANDREW (1809–1879) essayview full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
OPIE EDWARD ANDREW (1809–1879) essayview full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
HITCHINS JOHN BISHOP (1799 –1879) essayview full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
STEPHEN GEORGE MILNER (1812 ―1894, arr. 1838) essay
view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
WYATT WILLIAM 1804-1886, arr. 1837 essay
view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
SKIPPER MARY (1823-1881, arr. 1836) essay
view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
CROSSLAND JOHN MICHAEL (1800–1858, arr. 1851) essay

view full entry
Reference: see Early Settler Artists of South Australia, 1836-1856. Introduction: ‘Trailblazers’, by Adam Dutkiewicz.
The artists of note and covered in some detail include: William Light, Samuel Thomas Gill, Frederick Robert Nixon, Edward Andrew Opie, John Bishop Hitchins, Mary Hindmarsh, George Milner Stephen, William Wyatt, Robert George Thomas, Frances Amelia Skipper, John Michael Skipper, Martha Berkeley, Theresa Walker, Robert Hall, George Hamilton, William Anderson Cawthorne, George Cole, and John Michael Crossland.
Publishing details: https://rsasarts.com.au/about-rsasa
Hill Charles essayview full entry
Reference: see Historical Documents of the Royal South Australian Society of Arts, 1856–1872, compiled & edited by Adam Dutkiewicz, 
The Royal South Australian Society of Arts Inc






Publishing details: https://www.dropbox.com/s/7hvidtgkf922gk5/HistoricalDocuments-2020-FINAL-SQ.pdf?dl=0 - --published online in 2020 by the
Royal South Australian Society of Arts, Inc.
Level 1, Institute Building
cnr North Terrace & Kintore Avenue
Adelaide SA Australia 5000.
Schramm Alexander profile
view full entry
Reference: see Historical Documents of the Royal South Australian Society of Arts, 1856–1872, compiled & edited by Adam Dutkiewicz, 
The Royal South Australian Society of Arts Inc






Publishing details: https://www.dropbox.com/s/7hvidtgkf922gk5/HistoricalDocuments-2020-FINAL-SQ.pdf?dl=0 - --published online in 2020 by the
Royal South Australian Society of Arts, Inc.
Level 1, Institute Building
cnr North Terrace & Kintore Avenue
Adelaide SA Australia 5000.
Royal South Australian Society of Arts, 1856–1872view full entry
Reference: see Historical Documents of the Royal South Australian Society of Arts, 1856–1872, compiled & edited by Adam Dutkiewicz, 
The Royal South Australian Society of Arts Inc






Publishing details: https://www.dropbox.com/s/7hvidtgkf922gk5/HistoricalDocuments-2020-FINAL-SQ.pdf?dl=0 - --published online in 2020 by the
Royal South Australian Society of Arts, Inc.
Level 1, Institute Building
cnr North Terrace & Kintore Avenue
Adelaide SA Australia 5000.
South Australian artview full entry
Reference: see Historical Documents of the Royal South Australian Society of Arts, 1856–1872, compiled & edited by Adam Dutkiewicz, 
The Royal South Australian Society of Arts Inc






Publishing details: https://www.dropbox.com/s/7hvidtgkf922gk5/HistoricalDocuments-2020-FINAL-SQ.pdf?dl=0 - --published online in 2020 by the
Royal South Australian Society of Arts, Inc.
Level 1, Institute Building
cnr North Terrace & Kintore Avenue
Adelaide SA Australia 5000.
Stone James Doveton essay on artist

view full entry
Reference: see Historical Documents of the Royal South Australian Society of Arts, 1856–1872, compiled & edited by Adam Dutkiewicz, 
The Royal South Australian Society of Arts Inc






Publishing details: https://www.dropbox.com/s/7hvidtgkf922gk5/HistoricalDocuments-2020-FINAL-SQ.pdf?dl=0 - --published online in 2020 by the
Royal South Australian Society of Arts, Inc.
Level 1, Institute Building
cnr North Terrace & Kintore Avenue
Adelaide SA Australia 5000.
SHAW GEORGE BAIRD (1812-1883) essay on artist

view full entry
Reference: see Historical Documents of the Royal South Australian Society of Arts, 1856–1872, compiled & edited by Adam Dutkiewicz, 
The Royal South Australian Society of Arts Inc






Publishing details: https://www.dropbox.com/s/7hvidtgkf922gk5/HistoricalDocuments-2020-FINAL-SQ.pdf?dl=0 - --published online in 2020 by the
Royal South Australian Society of Arts, Inc.
Level 1, Institute Building
cnr North Terrace & Kintore Avenue
Adelaide SA Australia 5000.
APPLETON GEORGE A
(c.1840-c.1891)essay on artist

view full entry
Reference: see Historical Documents of the Royal South Australian Society of Arts, 1856–1872, compiled & edited by Adam Dutkiewicz, 
The Royal South Australian Society of Arts Inc






Publishing details: https://www.dropbox.com/s/7hvidtgkf922gk5/HistoricalDocuments-2020-FINAL-SQ.pdf?dl=0 - --published online in 2020 by the
Royal South Australian Society of Arts, Inc.
Level 1, Institute Building
cnr North Terrace & Kintore Avenue
Adelaide SA Australia 5000.
Hood John essay on artist

view full entry
Reference: see Historical Documents of the Royal South Australian Society of Arts, 1856–1872, compiled & edited by Adam Dutkiewicz, 
The Royal South Australian Society of Arts Inc






Publishing details: https://www.dropbox.com/s/7hvidtgkf922gk5/HistoricalDocuments-2020-FINAL-SQ.pdf?dl=0 - --published online in 2020 by the
Royal South Australian Society of Arts, Inc.
Level 1, Institute Building
cnr North Terrace & Kintore Avenue
Adelaide SA Australia 5000.
Biggs James Hesketh essay on artist

view full entry
Reference: see Historical Documents of the Royal South Australian Society of Arts, 1856–1872, compiled & edited by Adam Dutkiewicz, 
The Royal South Australian Society of Arts Inc






Publishing details: https://www.dropbox.com/s/7hvidtgkf922gk5/HistoricalDocuments-2020-FINAL-SQ.pdf?dl=0 - --published online in 2020 by the
Royal South Australian Society of Arts, Inc.
Level 1, Institute Building
cnr North Terrace & Kintore Avenue
Adelaide SA Australia 5000.
Darling Ida Amelia essay on artist
view full entry
Reference: see Historical Documents of the Royal South Australian Society of Arts, 1856–1872, compiled & edited by Adam Dutkiewicz, 
The Royal South Australian Society of Arts Inc






Publishing details: https://www.dropbox.com/s/7hvidtgkf922gk5/HistoricalDocuments-2020-FINAL-SQ.pdf?dl=0 - --published online in 2020 by the
Royal South Australian Society of Arts, Inc.
Level 1, Institute Building
cnr North Terrace & Kintore Avenue
Adelaide SA Australia 5000.
Sauer-Thompson Gary photographerview full entry
Reference: see artist’s website at https://thoughtfactory.com.au
Abstract Photography - view full entry
Reference: Abstract Photography - Re-evaluating Visual Poetics in Australian Modernism and Contemporary Practice, by Gary Sauer-Thompson and Adam Dutkiewicz. Includes authors' information. Includes bibliographical references.
Publishing details: Norwood, South Australia : Moon Arrow Press, 2016, 
98 pages : illustrations (some colour), portraits
Ref: 1000
Photography - view full entry
Reference: Abstract Photography - Re-evaluating Visual Poetics in Australian Modernism and Contemporary Practice, by Gary Sauer-Thompson and Adam Dutkiewicz. Includes authors' information. Includes bibliographical references.
Publishing details: Norwood, South Australia : Moon Arrow Press, 2016, 
98 pages : illustrations (some colour), portraits
Dutkiewicz Wladyslaw view full entry
Reference: see biography posted on June 30, 2018 by dutkiewiczarchive :
Wladyslaw Dutkiewicz (b. 1918 Stara Sol, Poland) was a painter, sculptor, writer, actor, stage designer and theatre director. After arriving in Adelaide in 1950 he was first noticed for his set designs for plays. He made a strong impact on art in South Australia with his forceful expressionist paintings and experimental and innovative modes of abstraction. In the 1950s and 1960s he was widely regarded as a leader of the lively modern art movement in Adelaide.

By the decade’s end he was included in publications on Australian art and international exhibitions in London and a little later Beverly Hills. After suffering head injuries in a car accident in 1956 he was forced to give up painting for a few years to recover his memory and colour vision. He formed the Art Studio Players, working with The Method from 1959-62 and producing several plays for the company, and directed two plays for the Adelaide University Theatre Guild, in 1959 and 1967. He later appeared as an actor in several Crawford Production television dramas in Melbourne.

He held over 40 solo exhibitions in Adelaide and other capital cities, and participated in over 100 exhibitions overall.  He continued painting until his death in Adelaide in 1999. Three survey exhibitions have been mounted since his death. A monograph was published in 2006 and a full biography in 2013, available through blurb.com; it was released in paperback in 2019.
Scott Thomas 1800-1855view full entry
Reference: see Thomas Scott Papers in Mitchell Library, SLNSW, 1821-1867, CALL NUMBERS MLMSS 2060 and D 332 , D 333, etc
Frankland Georgeview full entry
Reference: see Art in the Bush: Romanticist Painting
for Indigenous Audiences in Tasmania
and Newfoundland, by Fiona Polack, English Department, Memorial University
Publishing details: Nineteenth-Century Contexts
Vol. 33, No. 4, September 2011, pp. 333–351
view full entry
Reference:
Cross Stanview full entry
Reference: The third Wally and the Major annual. This copy being An Examiner Feature, issued by The Examiner, Tasmania.
Publishing details: Melbourne: Edgar H. Baillie, [1944].
First Edition.
18cm x 26.5cm. 52 pages, black and white illustrations. Illustrated saddle- stapled self-wrappers.

Ref: 1000
Cross Stanview full entry
Reference: The first Wally and the Major annual. This copy being An Examiner Feature, issued by The Examiner, Tasmania.

Publishing details: Melbourne: The Herald and Weekly Times, [1942].
First Edition.
18cm x 26.5cm. 48 pages, black and white illustrations. Illustrated saddle- stapled wrappers.
Ref: 1000
Cross Stanview full entry
Reference: The sixth Wally and the Major annual. This copy being An Examiner Feature, issued by The Examiner, Tasmania.
Publishing details: Edgar H. Baillie, [1947].
First Edition.
18cm x 26.5cm. 52 pages, black and white illustrations. Illustrated saddle- stapled wrappers.
Ref: 1000
Cross Stanview full entry
Reference: The seventh Wally and the Major annual. This copy being An Examiner Feature, issued by The Examiner, Tasmania.
Publishing details: Melbourne: Edgar H. Baillie, [1948].
First Edition.
18cm x 26.5cm. 52 pages, black and white illustrations. Illustrated saddle- stapled wrappers.
Ref: 1000
Cross Stanview full entry
Reference: The eighth Wally and the Major annual. This copy being An Examiner Feature, issued by The Examiner, Tasmania.
Publishing details: Melbourne: Edgar H. Baillie, [1948].
First Edition.
18cm x 26.5cm. 52 pages, black and white illustrations. Illustrated saddle- stapled wrappers.
Ref: 1000
Cross Stanview full entry
Reference: The ninth Wally and the Major annual. This copy being An Examiner Feature, issued by The Examiner, Tasmania.
Publishing details: Melbourne: Donald Ross Rankin, [1948].
First Edition.
18cm x 26.5cm. 52 pages, black and white illustrations. Illustrated saddle- stapled wrappers.
Ref: 1000
Mapsview full entry
Reference: SYDNEY TAKES SHAPE: A COLLECTION OF CONTEMPORARY MAPS FROM FOUNDATION TO FEDERATION, by Max Kelly; Ruth Crocker

Maps of Sydney from 1788-1893, with additional text and illustrations.
Publishing details: Sydney: The Maclaey Museum, University of Sydney, 1977.
First Edition.
42cm x 34cm. [vii], 49, [1] pages, black and white maps. Illustrated wrappers.
Ref: 1000
Hamori George view full entry
Reference: ADULLAM SOUVENIR ALBUM COMMEMORATING THE ESTABLISHMENT OF NAHLAT NEW SOUTH WALES IN ADULLAM, ISRAEL.
Adullam Commemorative Album in honour of the establishment of Nahlat, NSW in Israel. A 1961 reclamation project, being 25 acres of land claimed from Palestine and presented to the premier of New South Wales, R. J. Heffron [Robert James Heffron] organised by the Jewish National Fund of New South Wales. Each page is embossed with an ancient Israeli coin and details a contributor to the project ranging from private individuals to small businesses to well known organisations. These albums were presented to contributors and include the program from the presentation and reception at the David Jones Restaurant, Sydney, on June 12, 1961, short introductions, and photographic highlights from the evening. Cover illustration by Judy Cassab with other illustrations by George Hamori. Unrecorded in Trove or OCLC, the NLA holding an album from the previous year's project dedicated to Sir Eric Woodward.
Publishing details: Businessmen's Committee, 1961 Adulllam Project
Sydney: Z. Nosek & Co., 1961.
First Edition.
29cm x 37cm. [268] pages, printed recto only. Quarter cloth, illustrated papered boards, illustrated onlay.
Ref: 1000
Cassab Judyview full entry
Reference: Asee DULLAM SOUVENIR ALBUM COMMEMORATING THE ESTABLISHMENT OF NAHLAT NEW SOUTH WALES IN ADULLAM, ISRAEL.
Adullam Commemorative Album in honour of the establishment of Nahlat, NSW in Israel. A 1961 reclamation project, being 25 acres of land claimed from Palestine and presented to the premier of New South Wales, R. J. Heffron [Robert James Heffron] organised by the Jewish National Fund of New South Wales. Each page is embossed with an ancient Israeli coin and details a contributor to the project ranging from private individuals to small businesses to well known organisations. These albums were presented to contributors and include the program from the presentation and reception at the David Jones Restaurant, Sydney, on June 12, 1961, short introductions, and photographic highlights from the evening. Cover illustration by Judy Cassab with other illustrations by George Hamori. Unrecorded in Trove or OCLC, the NLA holding an album from the previous year's project dedicated to Sir Eric Woodward.
Publishing details: Businessmen's Committee, 1961 Adulllam Project
Sydney: Z. Nosek & Co., 1961.
First Edition.
29cm x 37cm. [268] pages, printed recto only. Quarter cloth, illustrated papered boards, illustrated onlay.
APT 2002: ASIA-PACIFIC TRIENNIAL OF CONTEMPORARY ARTview full entry
Reference: APT 2002: ASIA-PACIFIC TRIENNIAL OF CONTEMPORARY ART.
The fourth Asia Pacific Triennial of Contemporary Art. APT4 was a more focused exhibition. Unlike earlier Triennials which had over 50 artist the 2002 Triennial featured 16 artists and a performance collection allowing a more in depth representation of their work. List of artists: Montien Boonma, Eugene Carchesio, Heri Dono, Joan Grounds, Ralph Hotere, Yayoi Kusama, U-fan Lee, Jose Legaspi, Michael Ming Hong Lin, Nalini Malani, Nam June Paik, Lisa Reihana, Michael Riley, Dong Song, Do-Ho Suh, Howard Taylor, and Pasifika Divas.
Publishing details: Brisbane: Queensland Art Gallery, 2002.
First Edition.
31cm x 24cm. 160 pages, colour illustrations. Pictorial french fold wrappers.

Ref: 1000
Newton Helmutview full entry
Reference: Helmut Newton - Photofile, by Newton, Helmut. [’From his early work for "Vogue" to his portraits of the rich and famous, Helmut Newton (1920-2004) conveyed a unique vision of a wealthy and glamorous world that often shocks but never ceases to fascinate. This book presents about sixty of his instantly recognizable shots of haute couture and the beau monde.’]
Publishing details: Thames & Hudson, 2007, 144pp
Ref: 1000
Newton Helmutview full entry
Reference: Helmut Newtons Frauenbild, by Sandra Husch.
Publishing details: AV Akademikerverlag , 2012, 104pp
Ref: 1000
Collector’s Book of Sheet Music Covers Theview full entry
Reference: The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Sheet Music Coversview full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
MUSIC COVERSview full entry
Reference: see THE COLLECTOR'S BOOK OF SHEET MUSIC COVERS. By Robyn Holmes & Ruth Lee Martin.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Jarver Peterview full entry
Reference: A LIFE'S WORK 1953-2003. JARVER, Peter & DAVIES, Kerry. ‘Many of Jarver's splendid Colour photographic plates. A broad selection of Jarver's nature photography.’
Publishing details: Wamberal. Panographs Publishing. 2005. Oblong Folio. Or.bds. Dustjacket. 156pp.
Ref: 1000
Lewis Garyview full entry
Reference: LEWIS, Gary. (Photography.) A DINKUM AUSSIE DICTIONARY.
Publishing details: Melb. Peter Antill-Rose. 1990. Col.ill.bds. unpag. Many Col.ills.
Ref: 1000
Mort Eireenview full entry
Reference: see SULMAN, Florence. A POPULAR GUIDE TO THE WILD FLOWERS OF NEW SOUTH WALES. VOLS 1 & 2. With 51 full-page Plates by Eirene Mort and Dorothy M. Watkinson vol.1. and 72 plates by Eirene Mort in vol.2.. Vol.2. covers the wattles and orchids of NSW. Florence Sulman prepared this handy guide to the wild flowers of NSW for flora lovers & botany students after finding a lack of such a guide for handy reference in the field.
Publishing details: Syd. Angus & Robertson Ltd. 1913. Or.pictorial.cloth. xxxii,208;xxx,249,31pp. (sl foxing) Stamps on ffes. b/w ills. & two fold-out maps.
Watkinson Dorothy Mview full entry
Reference: see SULMAN, Florence. A POPULAR GUIDE TO THE WILD FLOWERS OF NEW SOUTH WALES. VOLS 1 & 2. With 51 full-page Plates by Eirene Mort and Dorothy M. Watkinson vol.1. and 72 plates by Eirene Mort in vol.2.. Vol.2. covers the wattles and orchids of NSW. Florence Sulman prepared this handy guide to the wild flowers of NSW for flora lovers & botany students after finding a lack of such a guide for handy reference in the field.
Publishing details: Syd. Angus & Robertson Ltd. 1913. Or.pictorial.cloth. xxxii,208;xxx,249,31pp. (sl foxing) Stamps on ffes. b/w ills. & two fold-out maps.
POPULAR GUIDE TO THE WILD FLOWERS OF NEW SOUTH WALESview full entry
Reference: see SULMAN, Florence. A POPULAR GUIDE TO THE WILD FLOWERS OF NEW SOUTH WALES. VOLS 1 & 2. With 51 full-page Plates by Eirene Mort and Dorothy M. Watkinson vol.1. and 72 plates by Eirene Mort in vol.2.. Vol.2. covers the wattles and orchids of NSW. Florence Sulman prepared this handy guide to the wild flowers of NSW for flora lovers & botany students after finding a lack of such a guide for handy reference in the field.
Publishing details: Syd. Angus & Robertson Ltd. 1913. Or.pictorial.cloth. xxxii,208;xxx,249,31pp. (sl foxing) Stamps on ffes. b/w ills. & two fold-out maps.
Newland J Wview full entry
Reference: see The Conversation, Friday essay: 10 photography exhibitions that defined Australia, September 3, 2021: ‘1. J. W. Newland’s ‘Daguerrean Gallery’, Sydney, 1848. Visitors to Australia’s first photography exhibition in 1848 climbed the steps above a wine and spirits store in the centre of Sydney to the studio of J. W. Newland. He had just arrived with 200 daguerreotypes made during an almost three-year journey from New Orleans, thorough Central and South America, across the Pacific to New Zealand, and finally to Sydney.
In delicate images formed on polished silver plates ranging from the size of an iPad to an iPhone, visitors saw “views” of other great Pacific ports such as Peru’s Callao, “specimens” of various Indigenous people, and “likenesses” of celebrities they had only read about in newspapers. These included Queen Pomare IV of Tahiti who had famously become caught up in French and British colonial rivalry.
Visitors could also have their own portrait taken for the gallery, joining the other daguerreotypes Newland advertised as covering “two thirds of the globe”.’
By Daniel Palmer ,Professor, School of Art, RMIT University
and Martyn Jolly Honorary Associate Professor, School of Art and Design, Research School of Humanities and the Arts, College of Arts and Social Sciences, Australian National University
Intercolonial Exhibition, Melbourne, 1866view full entry
Reference: see The Conversation, Friday essay: 10 photography exhibitions that defined Australia, September 3, 2021: ‘2. Australian Intercolonial Exhibition, Melbourne, 1866. In 1866, where Victoria’s State Library now stands, two purpose-built, timber exhibition halls were filled with commodities from ten Australasian colonies for the first Intercolonial Exhibition. The hundreds of photographs crammed between the profusion of the displays were such an important component they attracted their own review from the now defunct Australian Monthly Magazine.
This “wanderer amongst the photographic views” thought they exhibited “the high standard of taste to which we, as inhabitants of new colonies, have arrived”. Like the pyramidal “trophies” of canned foods and confectionery placed throughout the exhibition spaces, the photographs visualised and quantified colonial prosperity.
Scale and spectacle were everything. Many views of the new colonial buildings were contact printed from glass plate negatives 25 x 30 cm in size, and one multi-panelled panorama of Sydney stretched over a metre in length. Viewers could peer into the binocular lenses of a stereoscope, which enabled them to see a number of paired images taken from slightly different angles as a sequence of 3D views of Hobart.’
By Daniel Palmer ,Professor, School of Art, RMIT University
and Martyn Jolly Honorary Associate Professor, School of Art and Design, Research School of Humanities and the Arts, College of Arts and Social Sciences, Australian National University
photography exhibitionsview full entry
Reference: see The Conversation, Friday essay: 10 photography exhibitions that defined Australia, September 3, 2021: By Daniel Palmer ,Professor, School of Art, RMIT University and Martyn Jolly Honorary Associate Professor, School of Art and Design, Research School of Humanities and the Arts, College of Arts and Social Sciences, Australian National University
Sievers Wolfgang view full entry
Reference: see The Conversation, Friday essay: 10 photography exhibitions that defined Australia, September 3, 2021: ‘4. Wolfgang Sievers and Helmut Newton’s New Visions in Photography, Federal Hotel, Melbourne, 1953. Staged over five days at the Federal Hotel on Melbourne’s Collins Street in 1953, Wolfgang Sievers and Helmut Newton declared the bold aim of New Visions in Photography in an introductory wall panel. It was “to demonstrate … the potential of industrial and fashion photography as a means of better promotion and bigger sales”.
The two German émigrés embodied a dramatically new approach to the photograph. Sievers’ industrial and architectural studies and Newton’s fashion images both exploited radical vantage points and close-ups to produce bold, graphic compositions in sharp, high contrast black and white — reflecting Australia’s emergence as a modern nation.
The magazine-like display matched the formal qualities of the photographs. Instead of framed images in a row, enlarged unframed photographs were presented on white pegboard and suspended in the air by fine thread, sometimes at radical angles.
This dramatic sculpting of space in the old hotel underscored Sievers and Newton’s belief in photography’s potential to make the world anew.’
By Daniel Palmer ,Professor, School of Art, RMIT University and Martyn Jolly Honorary Associate Professor, School of Art and Design, Research School of Humanities and the Arts, College of Arts and Social Sciences, Australian National University
Newton Helmut view full entry
Reference: see The Conversation, Friday essay: 10 photography exhibitions that defined Australia, September 3, 2021: ‘4. Wolfgang Sievers and Helmut Newton’s New Visions in Photography, Federal Hotel, Melbourne, 1953. Staged over five days at the Federal Hotel on Melbourne’s Collins Street in 1953, Wolfgang Sievers and Helmut Newton declared the bold aim of New Visions in Photography in an introductory wall panel. It was “to demonstrate … the potential of industrial and fashion photography as a means of better promotion and bigger sales”.
The two German émigrés embodied a dramatically new approach to the photograph. Sievers’ industrial and architectural studies and Newton’s fashion images both exploited radical vantage points and close-ups to produce bold, graphic compositions in sharp, high contrast black and white — reflecting Australia’s emergence as a modern nation.
The magazine-like display matched the formal qualities of the photographs. Instead of framed images in a row, enlarged unframed photographs were presented on white pegboard and suspended in the air by fine thread, sometimes at radical angles.
This dramatic sculpting of space in the old hotel underscored Sievers and Newton’s belief in photography’s potential to make the world anew.’
By Daniel Palmer ,Professor, School of Art, RMIT University and Martyn Jolly Honorary Associate Professor, School of Art and Design, Research School of Humanities and the Arts, College of Arts and Social Sciences, Australian National University
Urban Woman, Melbourne Town Hall, 1963view full entry
Reference: see The Conversation, Friday essay: 10 photography exhibitions that defined Australia, September 3, 2021: ‘5. Urban Woman, Melbourne Town Hall, 1963. Urban Woman was the most ambitious and accessible exhibition by a collective of Melbourne-based amateur photographers including Albert Brown, George Bell, Roy McDonald and John Crook who called themselves Group M. Earnest teachers and chemists, they were inspired by the tradition of social documentary.
Urban Woman comprised over 200 mostly candid, long, focal length images by 13 photographers (all male), selected by designer Max Forbes. Inspired by the photographers’ observation of the “loneliness” of young suburban mothers, they aimed “to confront reality with an unprejudiced eye”.
The fact that an exhibition about women was made exclusively by men went unnoticed in the significant press coverage it attracted.
Conceived as a direct response to the international blockbuster The Family of Man, which toured to Australia in 1959, Urban Woman appealed to similar humanist sentiment. Its design featured purpose-built wooden structures to display huge, unframed prints, with subjects arranged from youth to old age.’
By Daniel Palmer ,Professor, School of Art, RMIT University and Martyn Jolly Honorary Associate Professor, School of Art and Design, Research School of Humanities and the Arts, College of Arts and Social Sciences, Australian National University
Frontiers, National Gallery of Victoria, 1971view full entry
Reference: see The Conversation, Friday essay: 10 photography exhibitions that defined Australia, September 3, 2021: ‘6. Frontiers, National Gallery of Victoria, 1971. The National Gallery of Victoria became the first Australian gallery to establish a department of photography in 1967, despite opposition from some trustees (one of whom referred to photography as a “cheat’s way of doing a painting”). At the time, it was one of only a handful of such departments in the world.
Frontiers featured the experimental and abstract photography of John Cato, Peter Medlen, Stanislaus Ostoja-Kotkowski, Mark Strizic and John Wilkins. All-male photography exhibitions remained common until the pioneering exhibitions of feminist photographers such as Sue Ford and Carol Jerrems in the mid-1970s.
The work in Frontiers was self-consciously contemporary, even psychedelic. Cato’s environmental protest work comprised 52 prints installed on crimson screens with strobe lighting. Ostoja-Kotkowski’s light transparencies, formed by laser beams and infra-red, were backlit from spotlights mounted on the ceiling. Strizic presented a 10-metre colour mural (later destroyed due to chronic fading).’
By Daniel Palmer ,Professor, School of Art, RMIT University and Martyn Jolly Honorary Associate Professor, School of Art and Design, Research School of Humanities and the Arts, College of Arts and Social Sciences, Australian National University
Yang William Sydneyphiles, Australian Centre for Photography, 1977view full entry
Reference: see The Conversation, Friday essay: 10 photography exhibitions that defined Australia, September 3, 2021: ‘7. William Yang, Sydneyphiles, Australian Centre for Photography, 1977. In 1977, William Yang used the walls of the new Australian Centre for Photography for a diaristic exhibition, Sydneyphiles. This was Yang’s first exhibition, in which his small scale colour and black and white photographs of Sydney’s gay community and its art, fashion and socialite scenes were hung closely alongside and above each other to cover the walls like a giant personal scrapbook.
Sydneyphiles is significant for reasons beyond its controversial sexual content. It was an early example of the Centre moving beyond a more conventional framed black and white modernist tradition.
It is likely the first exhibition by an Asian-Australian photographer, and it included its community as part of the event (the press release notes Yang “invited many of the subjects of his photography” to his exhibition). Yang later said the exhibition “launched me as a photographer”.’
By Daniel Palmer ,Professor, School of Art, RMIT University and Martyn Jolly Honorary Associate Professor, School of Art and Design, Research School of Humanities and the Arts, College of Arts and Social Sciences, Australian National University
National Aboriginal and Islander Photographers Exhibition, 1986view full entry
Reference: see The Conversation, Friday essay: 10 photography exhibitions that defined Australia, September 3, 2021: ‘8. National Aboriginal and Islander Photographers Exhibition, Aboriginal Artists Gallery, Sydney, 1986. The first exhibition in which Aboriginal people had control over their own photographs took place in 1986 during what is now known as NAIDOC week. On the raw brick walls of Sydney’s Aboriginal Artists Gallery, ten Indigenous photographers hung their exhibition.
They included Mervyn Bishop, Australia’s first Aboriginal press photographer, and others such as Brenda L. Croft, Michael Riley and Tracey Moffatt, who went on to become important figures in Australian art.
The show featured photographs that later became touchstones, such as Moffatt’s portrait of actor David Gulpilil relaxing at Bondi beach in board shorts and face paint.
It was an immediate success, as Moffatt ruefully commented: “To be honest, we got the kind of publicity which makes me want to vomit; e.g. ‘they’re Aborigines, they’re articulate, and gee whizz, they take good pictures’ sort of stuff. I guess I shouldn’t complain because we got a lot of people coming through looking at the show and buying work, which is what we do like!”’
By Daniel Palmer ,Professor, School of Art, RMIT University and Martyn Jolly Honorary Associate Professor, School of Art and Design, Research School of Humanities and the Arts, College of Arts and Social Sciences, Australian National University
Photography Is Dead! Long Live Photography!, 1996view full entry
Reference: see The Conversation, Friday essay: 10 photography exhibitions that defined Australia, September 3, 2021: ‘9. Photography Is Dead! Long Live Photography!, Museum of Contemporary Art, Sydney, 1996. In 1996, as the medium was being transformed by the impact of digital photography, the Museum of Contemporary Art mounted Photography Is Dead! Long Live Photography! For curator Linda Michael its 32 exhibitors were “artists using photography”, not photographers per se. They saw photographs not as transparent windows onto the world, but as a material within themselves.
Some large unframed prints were suspended to curl delicately out from the wall, others were bonded onto aluminium for an industrial look; some were expressionistically cut up, others were physically sculpted.
Some — such as Jane Eisemann’s surrealist imagery and Patricia Piccinini’s glossy advertising style portraits of a celebrity starlet holding a genetically modified pet — were digitally produced, with computer manipulation an intrinsic part of their meaning.’
By Daniel Palmer ,Professor, School of Art, RMIT University and Martyn Jolly Honorary Associate Professor, School of Art and Design, Research School of Humanities and the Arts, College of Arts and Social Sciences, Australian National University
Afshar Hoda Substation, 2019view full entry
Reference: see The Conversation, Friday essay: 10 photography exhibitions that defined Australia, September 3, 2021: ‘10. Hoda Afshar’s Remain, The Substation, Melbourne, 2019. Photographs have long appeared in public space in the form of corporate messaging. They can be projections or billboards. To offer different messages, Tehran-born, Melbourne-based artist Hoda Afshar is one of many who have taken advantage of inexpensive, large-scale printing to give voice to the experiences of marginalised people.
In 2019 Afshar presented her striking, collaboratively-produced portraits of asylum seekers incarcerated by the Australian Government on Manus Island on 2.4-metre-high billboards along the train line that skirts The Substation in the western Melbourne suburb of Newport.
The Christ-like image of the Iranian journalist Behrouz Boochani was already becoming iconic, having won a major photography prize and circulated in newspapers and Afshar’s Instagram account (arguably the most important site for photography today).
But the public display amplified the political potency of her ghostly black-and-white portraits to new audiences. As she has said, “When you make a socially and politically engaged work, the intention is to communicate with the people”.’
By Daniel Palmer ,Professor, School of Art, RMIT University and Martyn Jolly Honorary Associate Professor, School of Art and Design, Research School of Humanities and the Arts, College of Arts and Social Sciences, Australian National University
Davies Gerwyn view full entry
Reference: Gerwyn Davies - Utopia. [’Returning for his second solo exhibition at Michael Reid Berlin, and fresh off completing his PhD at the University of New South Wales (Art & Design), is GERWYN DAVIES.
Hailing from Queensland, Gerwyn is now based in Sydney, where last year he was invited to design the 2020 Tree at the Queen Victoria Building, an iconic reimagining of their famed Christmas Tree, “a symbol of joy and resilience for a time like no other”. A 5-time Finalist in the Josephine Ulrick and Win Schubert Photography Award and twice a Finalist for The William and Winifred Bowness Photography Prize, Gerwyn was also the recipient of the inaugural Australia Council residency at the Kyoto Arts Centre in Japan in 2018. We are thrilled to be welcoming back Gerwyn with works from his latest series, ‘Utopia’.
“The trope of Utopia is filled with the promise of unyielding pleasure and perfection. As a fictional construct Utopia is always out of reach and attempts to pin down a fantasy, an attempt commonly marked by failure.
In this way, I am interested in real world Utopias as places that exist on a precipice, navigating the edges of illusion and reality, decadence and decay, that juggle revealing and concealing themselves in complex ways in order to maintain the artifice of perfection” – Gerwyn Davies’]
Publishing details: Michael Reid Gallery, 2021,
Ref: 1000
Duterrau Benjaminview full entry
Reference: see Hobart Town Courier, 4 April 1834, p.2, col.5: We have to congratulate the colony on the progress that the fine arts are making amongst us. We had the pleasure the other day to see a very beautifully painted group by Mr. Duterrau of Mr. McLachlan's family, including Mrs. McLachlan and himself with their two most interesting little children. The finishing and taste displayed in the execution do much credit to the pencil of the artist. Besides, Mr. Duterrau, we must here mention a series of very successful and striking portraits from the hand of a friend, whose name we do not feel ourselves here at liberty to mention, as
also some very beautiful animated landscapess by a late arrival, Mr. Armstrong, two of whose productions are exhibited in our Reading room.


Armstrong Mr 1834view full entry
Reference: see Hobart Town Courier, 4 April 1834, p.2, col.5: We have to congratulate the colony on the progress that the fine arts are making amongst us. We had the pleasure the other day to see a very beautifully painted group by Mr. Duterrau of Mr. McLachlan's family, including Mrs. McLachlan and himself with their two most interesting little children. The finishing and taste displayed in the execution do much credit to the pencil of the artist. Besides, Mr. Duterrau, we must here mention a series of very successful and striking portraits from the hand of a friend, whose name we do not feel ourselves here at liberty to mention, as
also some very beautiful animated landscapess by a late arrival, Mr. Armstrong, two of whose productions are exhibited in our Reading room.


Billington Robertview full entry
Reference: Robert Billington - Rustic Paradise,
Publishing details: Dark Horse Studios, 1992, dust jacket,
Ref: 1000
Morgan Squireview full entry
Reference: see Theodore Bruce auction, Books & Ephemera, September 12, 2021, Leichhardt, Australia: lot 115 and 116: MORGAN, Squire, Collection of Photographs & Negatives,
includes scenes of the Australian bush that he reproduced in his artworks, images of his artworks, boxes marked 'Marulan shack', 'Bathurst Goulburn etc', 'Tingara & Scone' also images of cattle, sheep, Pittwater, glass & film negatives, sizes vary 16.5 x 12cm & 21 x 16.5cm, housed in four Kodak Photographic boxes & one Imperial plate box
Provenance: Collection of James R Jackson (1882-1975)
The Estate of Dora Toovey (1898-1986), thence by descent
MORGAN, Squire, Sydney & Pittwater c.1910 Large Collection of Glass Negatives,
Scenes of the city, ships, ferries, navy vessels, artists groups, bush picnics, portraits, camping, sailing, swimming, includes Mosman Bay H.N.Colley Boathouse, 'Joe Gardiner For Boots' picnic, Theatre Royal portico, GPO Sydney etc, many scenes in the Pittwater area and views of Sydney city streets. Glass plates by the Imperial Dry Plate Co Ltd., majority 8 x 10.5cm [approximately 400 plates]
Provenance: Collection of James R Jackson (1882-1975)
The Estate of Dora Toovey (1898-1986), thence by descent
Hanrahan Barbara view full entry
Reference: Bee-stung Lips - Barbara Hanrahan, works on paper 1960-1991, by Nic Brown, Jacqueline Millner, Elspeth Pitt. to coincide with exhibition ‘Bee-stung Lips: Barbara Hanrahan works on paper 1960-1991 [exhibition online and on display at FUMA Gallery until October 1, before touring nationally]. [’Barbara Hanrahan (1939-1991), who lived between Adelaide, London and Melbourne, was one of Australia's most distinctive artists. Characterised by playfully complex narratives that draw on both personal experience and fantasy, her works are fearlessly direct and unashamedly decorative.
Bee-stung Lips reproduces more than 100 of Hanrahan's works on paper, while new essays by Nic Brown, Jacqueline Millner and Elspeth Pitt delve into the artist's themes, motivations and motifs, affirming the singularity of Hanrahan's vision and its relevance to our times thirty years after the artist's death in her prime.’]
‘Barbara Hanrahan (1939-1991), who lived between Adelaide, London and Melbourne, was one of Australia's most distinctive artists. Characterised by playfully complex narratives that draw on both personal experience and fantasy, her works are fearlessly direct and unashamedly decorative. Bee-stung Lips reproduces more than 100 of Hanrahan's works on paper, while new essays by Nic Brown, Jacqueline Millner and Elspeth Pitt delve into the artist's themes, motivations and motifs, affirming the singularity of Hanrahan's vision and its relevance to our times thirty years after the artist's death in her prime.
Notes "A Flinders University Museum of Art exhibition 26 July - 1 October 2021".
Includes bibliographical references.’
Publishing details: Wakefield Press, 2021, paperback, 128 pages
Ref: 1000
George Wview full entry
Reference: see Douglas Stewart Fine Books, New Acquisitions, September, 2021: GEORGE, W.
Summer – Queensland
Circa 1920. Etching, 125 x 150 mm (plate line); 222 x 222 mm (paper), titled lower left, signed lower right, edition number 2 of 100, faint mount burn and light foxing. The original price of £1-1-0 inscribed lower right.
Wilson W Hardyview full entry
Reference: Building ‘Purulia’, designed and printed by Jim Walker at The Croft Press for the Guild of Craft Bookbinders. ‘Purulia, located at 16 Fox Valley Road, Warrawee, was Wilson’s own home, designed in Georgian Revival style and built in 1913. The text is reprinted from a 1919 special number of Art in Australia, entitled Domestic Architecture in Australia, and the sheets were commissioned by the NSW Guild of Craft Bookbinders for their annual binding competition. In “A history of the Croft Press,” (La Trobe Journal, no. 95, March 2015), Andrew Schuller notes that Jim Walker “struggled with the paper; not only was Alan Walker slow in making it, but he also laid a special watermark of a threaded needle as a symbol for the bookbinders. The paper was thinner where the watermark appeared and the printer could not adopt the usual trick of extra padding because of the slight irregularity in the deckled edge of all handmade paper.”’ – Trove

Publishing details: Cobargo, N.S.W., designed and printed by Jim Walker at The Croft Press for the Guild of Craft Bookbinders, 1982. Octavo, bound by Ron Eadie in full vellum over cards, decorative exposed cords, printed on a Furnival stop-cylinder and handset in 14 point Plantin monotype on paper handmade with the Guild watermark by Alan Walker at Bemboka. Printed in an edition of 200 numbered copies for private circulation to members of the Guild who each bound their own copies. Housed in a cloth solander box with vellum title label with manuscript inscription.
Ref: 1000
Lindsay Rubyview full entry
Reference: At the “Labour in vain”, being the recollections of an idle man by Harold Hansell author of “Dewdrop Danby”. With 12 illustrations by Ruby Lindsay.
Publishing details: London etc. : Gordon & Gotch, [1906]. Octavo, printed wrappers (spine chipped along joint), pp. 208, illustrated by Ruby Lindsay,
Ref: 1000
Millen Ronaldview full entry
Reference: Exhibition of paintings. Ronald Millen
7 to 19 October 1953.
Publishing details: Macquarie Galleries, 1953. Octavo, folded sheet, pp. 4, catalogue of sixteen works with prices,
Ref: 1000
Hardman Marionview full entry
Reference: Practical dreams by Marion Hardman. Essay by Jonathan Holmes. Self-produced photobook by the Tasmanian born photographer, represented in major collections including the National Gallery of Victoria.
,
Publishing details: M. Hardman : distributed by Lamella Distribution, 1981. Quarto, illustrated wrappers, marked, pp. 56, preliminaries foxed, illustrated.
Ref: 1000
Motoda Hisaharuview full entry
Reference: NEO RUINS: HISAHARU MOTODO ARTWORKS, 2004-2011 - Hisaharu Motoda.
First monograph of Japanese artist and printmaker Hisaharu Motoda (1973-). Monuments imagined ruined. Famous sites from Japan, China, Singapore, the United States, and Australia, including the Sydney Opera House and Bridge, Parliament House, the MCG, and Flinders Street Station presented as though left to decay. Unrecorded in Trove.
Book and jacket and slipcase
Publishing details: Tokyo: Editions Treville, 2011.
First Edition.
24cm x 26cm. 96 pages, colour illustrations. Lettered wrappers, lettered jacket, slipcase, obi.
Ref: 1000
Chatto Keith view full entry
Reference: ONE WAY TICKET (TRUE LIFE LIBRARY NO. 28) by Monica Blake.
1970s Australian pulp romance. Cover illustration by Keith Chatto, first Australian illustrator to draw a full-length episode of The Phantom.
also
SONG OF THE HEART (REAL LIFE LIBRARY NO. 43)
Evadine Price
Sydney: Page Publications, No date.
. 64 pages. Illustrated saddle-stapled wrappers.
1970s Australian pulp romance. Cover illustration by Keith Chatto,
also
AFTER THE SHOW (REAL LIFE LIBRARY NO. 44)
Anonymous
Sydney: Page Publications, No date.
64 pages. Illustrated saddle-stapled wrappers.
1970s Australian pulp romance. Cover illustration by Keith Chatto,
Publishing details: Sydney: Page Publications, No date. 64 pages. Illustrated saddle-stapled wrappers.
Ref: 1000
11TH TAMWORTH FIBRE/TEXTILE BIENNIALview full entry
Reference: 11TH TAMWORTH FIBRE/TEXTILE BIENNIAL, 1994 by Michael Rolfe
Catalogue for the eleventh Tamworth Fibre/Textile Biennial taking the form of a colour poster on one side with short artist biographies and statements on the verso with an introduction by Michael Rolfe. [to be indexed]

Publishing details: Tamworth: Tamworth City Gallery, 1994.
First Edition. Fold-out colour poster wrappers.
Ref: 1000
FIBRE/TEXTILE 11TH TAMWORTH BIENNIALview full entry
Reference: see 11TH TAMWORTH FIBRE/TEXTILE BIENNIAL, 1994 by Michael Rolfe
Catalogue for the eleventh Tamworth Fibre/Textile Biennial taking the form of a colour poster on one side with short artist biographies and statements on the verso with an introduction by Michael Rolfe.

Publishing details: Tamworth: Tamworth City Gallery, 1994.
First Edition. Fold-out colour poster wrappers.
TEXTILES 11TH TAMWORTH FIBRE/TEXTILE BIENNIALview full entry
Reference: see 11TH TAMWORTH FIBRE/TEXTILE BIENNIAL, 1994 by Michael Rolfe
Catalogue for the eleventh Tamworth Fibre/Textile Biennial taking the form of a colour poster on one side with short artist biographies and statements on the verso with an introduction by Michael Rolfe.

Publishing details: Tamworth: Tamworth City Gallery, 1994.
First Edition. Fold-out colour poster wrappers.
Road Showview full entry
Reference: THE ROAD SHOW: ATTITUDES TO THE CAR by Peter Timms
Catalogue for an exhibition prepared by Shepparton Art Gallery as an adjunct to the Shepparton Motor Show. Essay by Peter Timms with quotes by Jack Kerouac, D. H. Lawrence, Paul McCartney. Cover illustration by Margaret Dodd. Interior not illustrated. List of works by artists Clarice Beckett, Will Ashton, Jeffrey Bren, Norman Carter, Victor Cobb, Colin Colahan, Alexander Colquhoun, Amalie Colquhoun, John Davis, Russell Drysdale, G. Dunstan, Ivor Francis, J. C. Goodhart, Anne Graham, Ian Howard, Kenneth Jack, Warren Knight, Richard Larter, Bruce Latimer, Martin Lewis, Harry McDonald, Frank McNamara, Vivienne Penguilly, Geoffrey Proud, Tom Randa, Ken Reinhardt, Arnold Shore, Jeffrey Smart, Grace Cossington Smith, Cumbrae Stewart, Eric Thake, E. Warner, Percy Watson, Dora Wilson, and Gavin Wilson.
Publishing details: Shepparton: Shepparton Art Gallery, [1976].
[16] pages. Illustrated saddle-stapled wrappers.
Ref: 1000
Jack Kennethview full entry
Reference: THE KENNETH JACK VIEW, essay by Catherine Stocky
Publishing details: Melbourne: Bundoora Homestead Art Centre, 2010.
iv, 56 pages, colour illustrations. Illustrated wrappers.
Ref: 1000
Women at Workview full entry
Reference: WOMEN AT WORK '85, by Glen Betz
Catalogue for an exhibition, 'An Image of Herself' and performance 'Music and Me'. The third Women at Work exhibition at Perc Tucker. Full list of artists; Maria Rita Barbagallo, Ranna Hale, Anne M. Lord, Barbara Pierce, Anneke Silver, Judy Watson, Jane Wheatley, Margaret Wilson, and Grace Cochrane. Together with a list of watercolours by Harriet Jan Jeville-Rolfe from the collection of the Queensland Art Gallery.

Publishing details: Townsville: Perc Tucker Regional Gallery, 1985.
[17] leaves (printed recto only). Side-stapled.
Ref: 1000
D'OYLEY SHOW Theview full entry
Reference: THE D'OYLEY SHOW: AN EXHIBITION OF WOMEN'S DOMESTIC FANCYWORK
Womens Domestic Needlework Group
Exhibition of needlework by Frances Budden, Joan Grounds, Bernadette Krone, Kathy Letray, Patricia McDonald, Marie McMakon, Noela Taylor, and Loretta Vieceli. Contains introductory essays and illustrated catalogue of works.
Publishing details: Sydney: Womens Domestic Needlework Group, 1979. 68 pages, black and white illustrations. Illustrated saddle-stapled wrappers.
Ref: 1000
WORK FOR DAINTY FINGERSview full entry
Reference: WORK FOR DAINTY FINGERS
Womens Domestic Needlework Group
Patterns from the Womens Domestic Needlework Group (Frances Budden, Joan Grounds, Bernadette Krone, Kathy Letray, Patricia McDonald, Marie McMakon, Noela Taylor, and Loretta Vieceli).
Publishing details: Sydney: Womens Domestic Needlework Group, 1979. [ii], 14 pages, black and white illustrations. Side-stapled.
Ref: 1000
Dean Jimmy (artist?)view full entry
Reference: THE DOODLER'S DIARY
Jimmy Dean Enterprises.
1950s unused diary calendar with cheeky text and illustrations filling the margins.
Publishing details: Melbourne: Jimmy Dean Enterprises, No date.
First Edition.
20cm x 13cm. [64] pages, black and white illustrations. Illustrated saddle- stapled wrappers.
Ref: 1000
DOODLER'S DIARYview full entry
Reference: see THE DOODLER'S DIARY
Jimmy Dean Enterprises.
1950s unused diary calendar with cheeky text and illustrations filling the margins.
Publishing details: Melbourne: Jimmy Dean Enterprises, No date.
First Edition.
20cm x 13cm. [64] pages, black and white illustrations. Illustrated saddle- stapled wrappers.
Graves John Woodcock 1795–1886view full entry
Reference: see ADB: Graves, John Woodcock (1795–1886) by A. W. Campbell
This article was published: in the Australian Dictionary of Biography, Volume 4 , 1972
online in 2006.
John Woodcock Graves (1795-1886), composer, was born on 9 February 1795 at Wigton, Cumberland, England, son of Joseph Graves, plumber, glazier and ironmonger, and his wife Ann, née Matthews. His father died in 1803 leaving nothing but debts, and John had little schooling. At 14 in Cockermouth he was apprenticed to his uncle George, painter of coach signs. John learned to use brush and pen but attributed his best education to an old bachelor, Joseph Falder: 'He fixed in me a love of truth and bent my purpose to pursue it'. Fond of drawing and painting, Graves at one time hoped to study art; later he painted several portraits in oils. About 1815 he completed his apprenticeship, left Cockermouth and acquired interests in a carding mill at Caldbeck. Later he became interested in coal-mining in West Scotland and neglected the woollen mill. His connexion with it ended in blows and a lawsuit which he lost. At Caldbeck he had met the farmer, horse-dealer and huntsman, John Peel (1776-1854), with whom he spent much time. One evening in 1824 Graves wrote impromptu the five verses 'D'ye ken John Peel?' and sang them to the old Cumberland rant of 'Bonnie Annie'. The song quickly became famous and as its author Graves is best remembered. After Peel's death he wrote 'Monody on John Peel' and 'At the Grave of John Peel'.
In 1834 Graves left for Van Diemen's Land in the Strathfieldsay with his wife and six children as assisted immigrants and some £10 in cash. He tried various occupations, was granted 640 acres (259 ha) on Bruny Island and in September 1835 applied for the post of keeper of the proposed lighthouse on South Bruny. In May 1836 he advertised himself as willing to repair, paint and varnish carriages, paint portraits and heraldic devices and undertake japanning, plumbing and glazing. In 1837 he sought an official appointment to report on coal-mines at Port Arthur; in May he asked the lieutenant-governor for help in opening a slate quarry at Davey River and in June for employment as a lithographer. In 1842, after detention at the government asylum in New Norfolk for apparent insanity, he went to New Zealand where he studied flax-growing, invented a machine to improve the preparation of flax and attempted to evolve a better weaving loom. He returned to Hobart Town about 1845. Erratic and eccentric, he lived on Satellite Island with his son Joseph, with whom he carried on 'a very fierce war'. In 1856 he was described as 'a most violent and dangerous person and certainly unfitted to be at large'.
Graves married twice. His first wife, Jane Atkinson of Rosley, Cumberland, died within a year of marriage. Four years later he married Abigail Porthouse. Of their eight children, the eldest, John Woodcock, became a successful lawyer in Tasmania, and Joseph owned large timber mills at Southport. For some years Graves lived with John at Caldew in Cavell Street, West Hobart, but Joseph was his mainstay in later life. Graves died at Hobart on 17 August 1886 and was buried in the Queenborough cemetery. In 1958 a memorial was erected in St David's Park.
Select Bibliography
• H. Machell, John Peel (Lond, 1926)
• Hobart Town Courier, 30 Jan 1835, 20, 27 May 1836
• correspondence file under Graves (Archives Office of Tasmania).
Jorgenson Jorgen view full entry
Reference: see ADB, including: There are two known likenesses of Jorgenson. The first, an oil painting by C. W. Eckersberg, probably done in 1808, is in the National Historical Museum, Hilleröd, Denmark. The second, a small grotesque-humorous oil painting in the National Museum of Iceland, Reykjavik, is regarded as a self-portrait or self-caricature.
Mahony Frankview full entry
Reference: see Francis Prout MAHONY (1862 - 1916) "Won on the Post" a double-page from the July 15, 1887 "The Illustrated Sydney News", overall 39 x 52.5cm. At Leski Auctions Pty Ltd., September 20, 2021, Armadale, Australia. lot 689
KRAUTHAMMER ROBYN view full entry
Reference: see Sloans & Kenyon, September 17, 2021, Chevy Chase, MD, US, lot 1362: ROBYN KRAUTHAMMER (Australian / American; born 1952). Spring Storm, 1985, Oil on canvas / on board. Framed. - 8 x 10 in / frame: 12 x 14 in.
and lot 1361
Dawson Plums, 1987, Oil on Board. Framed. - 9 x 11.5 in. / frame 13 x 16 in.

Moore John Drummondview full entry
Reference: see GERRARDS AUCTION ROOMS, UK, 30,9,21-1.10.21, lot 922 John Drummond Moore (Australian - 1888 - 1958) x 2 Impressionist Views of Norway Oil on Wood Panel 1) Geirangerfjord - with trollstigen mountain and steamer in harbour. first signed J.D Moore and dated 18-06-1911 inscribed verso and dated again. 2) Odde (also known as Odda) inscribed 'Odde' and dated lower right - also inscribed verso and dated again 16-06-1911. Both approx 5 x 9 inches (image size) oil on panel in mahogany frames.
Claxton Marshallview full entry
Reference: see eBay listing 12.9.21: "Young Lovers, Rolling the Yarn", 59x49 cm, signed and dated 1848: ‘Marshall Claxton (12 May 1811 – 28 July 1881)
Born in Bolton, Lancashire, the son of a Wesleyan Methodist minister, the Rev. Marshall Claxton, and his wife Diana.
He studied under John Jackson, R.A., and at the Royal Academy school where he enrolled on 26 April 1831.
He had his first picture in the Royal Academy in 1832, a portrait of his father. In subsequent years about 30 of his pictures were shown at Academy exhibitions. In 1834 he was awarded the first medal in the painting school, and obtained the gold medal of the Society of Arts in 1835 for his portrait of Sir Astley Cooper. From 1837 to 1842 he worked in Italy and then returned to London, gaining a prize of £100 for his "Alfred the Great in the Camp of the Danes".
In 1850 Claxton went to Sydney, Australia, with a large collection of pictures, but had little success in selling them. While in Sydney he painted a large picture, "Suffer little children to come unto me", a commission from the Baroness Burdett-Coutts. This was described in Household Words as 'the first important picture' painted in Australia.[2]
In September 1854 Claxton left Sydney for Calcutta, where he sold several of his pictures. He returned to England in 1858 via Egypt, and died in London after a long illness on 28 July 1881.
He married and had two daughters, Adelaide and Florence Claxton, both of whom were artists and represented in Royal Academy exhibitions between 1859 and 1867.
Claxton's "General View of the Harbour and City of Sydney" is in the Royal collection in England, and there are two pictures by him in the Dickinson collection in the Art Gallery of New South Wales, Sydney. His portraits of Bishop William Broughton and Dean Cowper are at St. Paul's College, University of Sydney, and that of the Rev. Robert Forrest is exhibited at The King's School, Parramatta. His Godiva painting is in the Herbert Art Gallery and he also has work displayed at the Derby Art Gallery and the Victoria and Albert Museum.[1] He was also known for his depictions of Wesleyan and Methodist subjects, made popular as prints.’
and
Original Oil Painting on Canvas, Titled "Mrs Agnes Nelson, Wife of Rev Dr William Lambie Nelson" attributed to Well Listed British/Australian Colonial Painter Marshall Claxton (1811-1881)
This Portrait is an Important part of Australian Colonial History and Local History of Toowoomba and Ipswich, Queensland
The Sitter, Agnes Nelson nee Muir (1810-1885), Wife of Rev. Dr William Lambie Nelson (1808-1887), Mother of Sir Hugh Muir Nelson (1833-1906). The Nelson Family arrived in the colony in 1853, most likely this portrait was painted just after their arrival c1853-1954.
The Artist, Marshall Claxton arrived in Sydney in September 1850, bearing a reputation as a portrait artist. Encourage by Sir Charles Nicholson, he began painting portraits in the colony. He left Australia in 1854.
Please see biographies below for the artist and Rev. Dr William Lambie Nelson.
Rev Dr William Lambie Nelson (1808-1887)
 Born 20 Sep 1808 in Kilmarnock, Ayrshire, Scotland, United Kingdom, Died 3 Jun 1887 in Southport, Queensland, buried at the Southport General Cemetery
 
Married Agnes Nelson, Nee Muir, 27 Oct 1827 in Gorbals, Lanark, Scotland
 
He migrated to Queensland in 1853, was the oldest Presbyterian minister in Queensland
 
He was for many years stationed at Toowoomba, and was one of the most learned divines in the colony
 
William Nelson was elected to the Queensland Legislative Assembly in the three-member electorate of West Moreton on 3 May 1860 in the inaugural 1860 Queensland colonial election. However, Mr Chubb on behalf of one of the unsuccessful candidates, Pollett Cardew, protested against the election of the Reverend Nelson as he was a priest in holy orders and was therefore disqualified from being elected, but the Rev. Nelson claimed that he had resigned his religious role.[3] On 22 June 1860, the Committee on Elections ruled that the Rev. Nelson was disqualified and a new election must be called to replace him. Joseph Fleming won the resulting by-election on 9 July 1860
 
His son, Sir Hugh Muir Nelson (1833-1906) went on to be Premier of Queensland from 27 October 1893 to 13 April 1898
Heunert William 1847-1907view full entry
Reference: see eBay listing 12.9.21:
Colonial Original Oil Painting on Canvas, Titled "Traveller on Bulli Pass, Illawarra, South Coast of NSW" by Well Listed German/Australian Artist Wihelm (William) Frederick Adolf Heunert (1847-1907), 30x24.50 cm, Wihelm Frederick Adolf Heunert (1847-1907)
Known as William Heunert
Colonial Landscape Painter
Born 1847 in Dusseldorf, Germany, and died in 1907 Sydney
Kelly John view full entry
Reference: KELLY’S KELLYS - A Selection of Works from the Private Collection of John Kelly. The digital catalogue for the upcoming KELLY’S KELLYS: A Selection of Works from the Private Collection of John Kelly exhibition at Smith & Singer is now available to view online. 
Smith & Singer are delighted to present a bespoke exhibition of sculptures and works on paper from the private collection of internationally renowned Australian artist, John Kelly.  Kelly has enjoyed a wide and varied career, establishing a unique and distinguished style which has garnered significant acclaim throughout the world.
Kelly’s monumental sculptures have been featured on the Champs Elysées, Paris, in Les Champs de la Sculpture (1999), in Monte Carlo, at La Parade des Animaux (2002), and at The Goodenough Trust, Mecklenburgh Square, London (2005), Glastonbury Festival, Somerset (2005 and 2007), The Hague (2007) and in Melbourne Docklands (2001 to present).  Kelly’s three-dimensional work was also highlighted in the Guangzhou Triennale (2008), the Goteborg Biennale (2011) and in the Fleurieu Art Prize, Anne & Gordon Samstag Museum of Art, Adelaide (2016).  More recently, a 5.5 m public commission titled Man Lifting Cow 2016 was unveiled by Brimbank City Council in Sunshine to critical and public acclaim, while in 2019, the Yale Center for British Art (USA) acquired a major ‘Dobell’s Cows’ painting from 2000 for their permanent collection, following an exhibition that year.
KELLY’S KELLYS: A Selection of Works from the Private Collection of John Kelly features 21 compositions by the artist and will be available for purchase online from 14 September – 6 October 2021.
Publishing details: Smith & Singer, 2021, online catalogue
Ref: 1000
Fitzjames Michaelview full entry
Reference: see Australian Galleries website: Michael Fitzjames, b. 1948.
Illustrator and landscape painter Michael Fitzjames received a Diploma in Fine Arts from the University of Tasmania in 1976. He worked as an illustrator for The Guardian newspaper in London from 1978 to 1980, The Sydney Morning Herald from 1990 to 2000, and the Australian Financial Review from 2000 to 2012. His work has been included in exhibitions at Penrith Regional Art Gallery, Maitland Regional Art Gallery and the National Museum of Australia.
Michael Fitzjames has exhibited with Australian Galleries since 1996 and his work is held in the collection of many significant institutions such as the State Library of New South Wales, State Library of Victoria, Australian War Memorial, Tasmanian Museum and Art Gallery and the Lewers Bequest, Penrith, as well as several Australian universities and city councils. A monograph of Fitzjames’ work was published in 1986 titled ‘Michael Fitzjames: Drawings’ by Stained Wattle Press.
Johnson J C Fview full entry
Reference: To Mount Browne and Back, or Moses and Me, by J. C. F. Johnson. . Lithographed plates after Herbert Woodhouse or Arthur Esam. [From Hordern House catalogue 2021: ‘this delightful and rare illustrated work is an account of the author’s trip from Adelaide to Mount Browne. the introduction remarks that ‘interest has been evoked of late by the discovery of alluvial gold in a district lying near the South Australian border, but which is to two-thirds of the community an utterly unknown land’. Johnson, an Adelaide journalist, recounts with much humour his cross-country journey on his horse Mr Moses and provides a detailed and human view of country life en route and conditions on an Australian goldfield.
Mount Browne was named and first described by the explorer Charles Sturt who travelled in the region in 1845. Johnson crossed Sturt’s route at depot Glen ‘close to where gold was first found in the Grey Ranges... at the Glen there may yet be seen the fragments that remain of the boat the explorer carried with him, wherein to cross the mythical inland sea of Central Australia...’ (p. 16).
the eight full-page engravings together with the cover illustration are the work of two of the leading illustrators of the period, Herbert Woodhouse and Arthur esam. Herbert Woodhouse was a member of the most famous family of sporting artists in nineteenth-century Australia. He moved to South Australia in 1880 and regularly exhibited in exhibitions both overseas and interstate.’]
Publishing details: Octavo, [iv], 32, [iv] pp., eight lithographed plates after Herbert Woodhouse or Arthur Esam; original pink pictorial wrappers.
Adelaide, Advertiser Print, 1881.
Ref: 1000
Esam Arthurview full entry
Reference: see To Mount Browne and Back, or Moses and Me, by J. C. F. Johnson. . Lithographed plates after Herbert Woodhouse or Arthur Esam. [From Hordern House catalogue 2021: ‘this delightful and rare illustrated work is an account of the author’s trip from Adelaide to Mount Browne. the introduction remarks that ‘interest has been evoked of late by the discovery of alluvial gold in a district lying near the South Australian border, but which is to two-thirds of the community an utterly unknown land’. Johnson, an Adelaide journalist, recounts with much humour his cross-country journey on his horse Mr Moses and provides a detailed and human view of country life en route and conditions on an Australian goldfield.
Mount Browne was named and first described by the explorer Charles Sturt who travelled in the region in 1845. Johnson crossed Sturt’s route at depot Glen ‘close to where gold was first found in the Grey Ranges... at the Glen there may yet be seen the fragments that remain of the boat the explorer carried with him, wherein to cross the mythical inland sea of Central Australia...’ (p. 16).
the eight full-page engravings together with the cover illustration are the work of two of the leading illustrators of the period, Herbert Woodhouse and Arthur esam. Herbert Woodhouse was a member of the most famous family of sporting artists in nineteenth-century Australia. He moved to South Australia in 1880 and regularly exhibited in exhibitions both overseas and interstate.’]
Publishing details: Octavo, [iv], 32, [iv] pp., eight lithographed plates after Herbert Woodhouse or Arthur Esam; original pink pictorial wrappers.
Adelaide, Advertiser Print, 1881.
Woodhouse Herbertview full entry
Reference: see To Mount Browne and Back, or Moses and Me, by J. C. F. Johnson. . Lithographed plates after Herbert Woodhouse or Arthur Esam. [From Hordern House catalogue 2021: ‘this delightful and rare illustrated work is an account of the author’s trip from Adelaide to Mount Browne. the introduction remarks that ‘interest has been evoked of late by the discovery of alluvial gold in a district lying near the South Australian border, but which is to two-thirds of the community an utterly unknown land’. Johnson, an Adelaide journalist, recounts with much humour his cross-country journey on his horse Mr Moses and provides a detailed and human view of country life en route and conditions on an Australian goldfield.
Mount Browne was named and first described by the explorer Charles Sturt who travelled in the region in 1845. Johnson crossed Sturt’s route at depot Glen ‘close to where gold was first found in the Grey Ranges... at the Glen there may yet be seen the fragments that remain of the boat the explorer carried with him, wherein to cross the mythical inland sea of Central Australia...’ (p. 16).
the eight full-page engravings together with the cover illustration are the work of two of the leading illustrators of the period, Herbert Woodhouse and Arthur esam. Herbert Woodhouse was a member of the most famous family of sporting artists in nineteenth-century Australia. He moved to South Australia in 1880 and regularly exhibited in exhibitions both overseas and interstate.’]
Publishing details: Octavo, [iv], 32, [iv] pp., eight lithographed plates after Herbert Woodhouse or Arthur Esam; original pink pictorial wrappers.
Adelaide, Advertiser Print, 1881.
Eyre Johnview full entry
Reference: From Hordern House catalogue, September. 2021:
‘Botany Bay Harbour, in new South Wales: with a view of the Heads.
Engraving; paper size approx. 310 mm. x 450 mm.; printed lower right below image in black ink, ‘Engraved by W. Presston [sic]’; printed lower left below image
in black ink, ‘Drawn by J. Eyre’; printed lower centre below image in black ink, ‘Published Novr 30th 1812
by A. West Sydney’; printed, lower centre below image in black ink, ‘BOTANY BAY HARBOUR, In New South Wales with a View of the HEADS./ taken from cooks Point/ Dedicated to his Excellency Lachlan Macquarie, Esq. Governor of New South Wales. &c. &c. &c.’; printed upper left above image in black ink, ‘No.1’; mounted.
Sydney, Absalom West, 30 November 1812.’. Text on John Eyre: ‘the artist responsible for most of the original drawings from which West’s views were engraved was John eyre. Convicted of housebreaking, he had been sentenced to transportation for seven years, arriving in Sydney in 1801 on the Canada; by 1804 he had been granted a conditional pardon. in July of that year, he placed an advertisement in the Sydney Gazette that he wished to buy a box of watercolours; in 1810 he was an established though struggling artist. His best-known work, apart from the engraved West views, is the series of illustrations that he sent to London which were engraved for The Present Picture of New South Wales by d.d. Mann (London, 1811). in August 1812 Eyre advertised again in the Gazette, this time announcing his intention of leaving the colony for europe “at the earliest opportunity”; no record of this accomplished artist exists after this time. the other important figure in Absalom West’s ambitious project was the skilled engraver Walter Preston. Also a convict, Preston became an assigned servant to West.’
Angus George Frenchview full entry
Reference: George French Angas and the Creation of Colonial Knowledge in New Zealand
Catherine Falconer-Gray
A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in History
Victoria University of Wellington 2014
Publishing details: online at https://researcharchive.vuw.ac.nz
Ref: 1000
Palonen Valentina view full entry
Reference: VALENTINA PALONEN 
Everything In Its Right Place, 17 August - 25 September, 2021. Online exhibition.
Nature X 
By Ashley Crawford

“Now a strange mood took hold of me, as I walked silent and alone through the last of the pines and the cypress knees that seemed to float in the black water, the gray moss that coated everything. . . . I was no longer a biologist but somehow the crest of a wave building and building but never crashing to shore. I saw with such new eyes the subtleties of the transition to the marsh, the salt flats. As the trail became a raised berm, dull, algae-choked lakes spread out to the right and a canal flanked it to the left. Rough channels of water meandered out in a maze through a forest of reeds on the canal side, and islands, oases of wind-contorted trees, appeared in the distance like sudden revelations.”
 –  Jeff VanderMeer, Annihilation. 

Like many in lockdown, I turned to books to escape. The greatest escape turned out to be a trilogy packaged as Area X by an American author by the name of Jeff VanderMeer. At the time I’d never heard of Valentina Palonen.
Area X is a wild tale of a particularly strange zone of Florida that has been – quite literally – reclaimed by ‘nature.’ It tells the yarn of humans attempting to infiltrate this odd paradise of pollution-free environs. The air is clean, the once signs of human inhabitation covered in moss and fungus, the water is pristine… except there are anomalies… and plenty of them. (Annihilation, the first book of Area X, was adapted as a film starring Natalie Portman in 2018.)
 
And then, by pure coincidence, I received an e-mail from Valentina Palonen and she had, unintentionally perhaps, been illustrating the very text I’d been so avidly consuming.
 
For the explorers of Area X – four women - the area they visit is a realm of sparkling luminescence, at times hallucinogenic and borderline psychedelic, a nature almost violent in its potency and fecundity. Indeed, the intensity so well captured in Palonen’s paintings.
 
Many of Palonen’s works, such as The Dreamer (2021) and Private Universe 1 and 2 (2021) are eerie abstractions. The amoeba-like form of The Dreamer floats like a disembodied thought dancing in the ether while her two Private Universe canvases throb with orbs and spheres of electrified light. Like gargantuan sun motes or alien spermatozoa they suggest a life force in and of themselves, dripping, oozing and pulsing with potency.
When Palonen moves into more figurative realms, her work takes on a more strongly illustrative and purely romantic tone. In such paintings as Suncatcher (2020), Violet Rapture (2021) and The Flying Lesson (2021) one may be reminded of the psychedelic extremes of 1960s acid rock, or harking further back, hyper-colourised versions of the romanticised imagery of English illustrator and author Aubrey Beardsley (1872–1898) and the Art Nouveau style that was most popular between 1890 and 1910.
“I’ve decided to call the exhibition ‘Everything in its right place;’” Palonen says of this body of work. “A kind of reflection on my surrender to both colour and more subtle, mostly unconscious impulses, over any predetermined concept or theoretical framework.” Indeed, such academic jargon as ‘concept’ or ‘theory’ seem to be the true ‘alien life-forms’ when confronted with Palonen’s exotic sensuality.
 - Dr Ashley Crawford
Publishing details: Gould Creative, 2021
Younghusband Adele 1878 - 1979view full entry
Reference: see International Art Centre - The Silich Collection 12 October, 2021. lot
5. Adele Younghusband (1878 - 1979)
Still Life with Candle and Vase of Flowers
Oil on board
49.5 x 36.6 cm
Signed & dated 1951
PROVENANCE
John Leech Gallery, 1985 The Tim & Sherrah Francis Collection, Art+Object, 07/09/2016
Described by some as a New Zealand surrealist, Adele Younghusband was a highly spiritual woman who painted one mural for Hamilton's Anglican Chapel of St Anne, another for the Theosophical Society Building, and a much-loved depiction of Tane, God of the Forests for Mahinerangi at Turangawaewae in Ngāruawāhia.
Her mother's family came from Great Barrier Island - a sister was botanical artist Fanny Osborne - but Adela Mary Roche was born at Ngaroto in the Waikato where Hungerford Roche (1841-1914), her Dublin-born father, was the first Pākehā to farm. Learning her trade of photographic retouching from pictorialist Harry Gaze (1874-1953) in Hamilton, she studied painting with Horace Moore-Jones (1868-1922) before marrying Gisborne grocer Frank Younghusband in 1905 and bearing him three children.
Unmistakeably modern in her outlook, she divorced her husband in 1917 and moved to Whangārei to open her own photographic business, becoming famous there as the first woman to bob her hair. Daughter Joyce's death precipitated a move to Dargaville in 1927, but by 1930 she had returned to city life, opening a photographic studio in Devonport before returning to Hamilton in 1934 where she set up the Waikato Society of Arts. After studying with George Bell in Melbourne in 1937, she exhibited her paintings and prints there and in Sydney before returning to New Zealand.
Other Adele Younghusband works are held by the Auckland Art Gallery, Te Papa, the National Gallery of Australia, Art Gallery of New South Wales, Rotorua Museum of Art and History, Auckland War Memorial Museum, the Dowse and the Manawatu Art Gallery, with the largest collection of works being the gift she made to the Whangarei Art Museum in 1964, five years before her death.
LINDA TYLER

Page Evelynview full entry
Reference: see International Art Centre - The Silich Collection 12 October, 2021. lot 35. Evelyn Page (1899 - 1988)
Old Houses, Lyttelton
oil on canvas board
25 x 37.7 cm
Inscribed verso
Rowan Ellisview full entry
Reference: Marion Ellis Rowan - exhibition August 0 September, 2021, Lauraine Diggins Fine Art, 17 works illustrated, biograohy.
Publishing details: Lauraine Diggins Fine Art, 2021, 7pp
Ref: 140
Moyle T Gview full entry
Reference: see ABC News, 18.9.21: Research discovery suggests AFL pioneer Tom Wills participated in massacres of Indigenous people
By Russell Jackson, "The Wills Tragedy": A painting depicting the arrival of neighbouring men collecting and burying the dead, after the attack on Cullin-la-ringo.(8085 T.G. Moyle Wills Tragedy painting ca 1866. John Oxley Library, State Library of Queensland)
McComas Francis john 1875 - 1938view full entry
Reference: see Coral Gables Auction, US, 4.10,21, lots 28 and 244
Francis John McComas (1875 - 1938) Tasmania
Watercolor on Paper
Measure 6 1/2"in H x 9 1/2"in W and 15 3/4"in H x 18 1/2"in W with frame

Francis John McComas (1875 - 1938) Tasmania
Watercolor on Paper
Measure 5 1/4"in H x 8 3/4"in W and 13 1/4"in H x 16 3/4"in W with frame

Known for: Tree landscape, Indian scene, marine paintings
Biography: Francis McComas was born in Australia in 1875, and studied there at the Sydney Technical College. In 1898 McComas left Australia, working his way to San Francisco, where he studied at the Mark Hopkins Institute. Following further study in Paris, McComas returned to San Francisco to begin exhibiting his works. In 1912 he moved to Carmel, and a year later was one of only 3 California artists invited to exhibit at the pivotal New York Armory Show. McComas was a master watercolorist, whose works reflected to soft Tonal palette of the early northern California painters. McComas died at his home in Pebble Beach in 1938.
Jorgensen Jorgen view full entry
Reference: see THE HOBART TOWN ALMANACK, AND VAN DIEMEN'S LAND ANNUAL, FOR 1838. The Annual contains Part II of Jorgen Jorgensen's autobiography, "A shred of autobiography : containing various anecdotes, personal and historical, connected with these colonies". Trove 14022895 (1 copy) NLA. Jorgenson (1780 - 1841), was a Danish adventurer who joined the crew of Mathew Flinder's ship exploring the coasts of New Holland in 1803 and 1804 and helped found settlements in Van Diemen's Land. Jorgenson has been referred to as the founder of the city of Hobart Town and is still a local hero. Jorgenson was transported to Van Diemen's Land in 1826 for gambling debts incurred in England, where he eventually was named police constable. Much of inland Tasmania was explored and mapped by him. [Jorgenson published 'A Shred of Autobiography' in two installments, in 1835 in James Ross’ Hobart Town Almanack (pp. 115-80) and in 1838 in William Gore Elliston’s Hobart Town Almanack and Van Diemen’s Land Annual (pp. 35-155).’]
Publishing details: Hobart: William Gore Elliston, 1838. First edition. Hardcover.
Jorgensen Jorgen view full entry
Reference: A book by Jorgenson about the ‘Habits, Manners, and Customs of the Aborigines of Van Diemen’s Land’ was advertised in Hobart in 1837 but never appeared. His study of the ‘Aboriginal Languages of Tasmania’ was published posthumously in the Tasmanian Journal of Natural Science in 1842 (1.4, pp. 308-18). N. J. B. Plomley retrieved the manuscript of Jorgenson’s ‘A Narrative of the Habits, Manners, and Customs of the Aborigines of Van Diemen’s Land’ from the Braim papers in the Mitchell Library, NSW and edited it in a volume entitled Jorgen Jorgenson and the Aborigines of Van Diemen’s Land (1991). This narrative is of comparable importance to George Augustus Robinson’s journals.
Publishing details: https://www.ourtasmania.com.au/northwest/history-jorgensen.html
Jorgensen Jorgen view full entry
Reference: The Convict King: Being the Life and Adventures of Jorgen Jorgenson, Monarch of Iceland, Naval Captain, Revolutionist, British Diplomatic Agent, Author, Dramatist, Preacher, Political Prisoner, Gambler, Hospital Dispenser, Continental Traveller, Explorer, Editor, Expatriate Exile, and Colonial Constable. This version was translated into Danish in 1892, as Brudstykker af en selvbiografi, re-edited in 1973 and re-translated into Danish in 2006.
Publishing details: London
Ref: 1000
Prints 1800-1850view full entry
Reference: see Printmakers in colonial Sydney, 1800-1850 / by Richard Neville. Thesis (M.A.)--University of Sydney, 1989.

Publishing details: 1988 thesis.
2 v. (xii, 211; xii, [110] leaves) : ill.
includes Subjects,
Contents, v. 1. Text
v. 2. Illustrations.
Notes
Vol. 1 includes Appendix - Biographies.
Bibliography: leaves 203-211.

Print making 1800-1850view full entry
Reference: see Printmakers in colonial Sydney, 1800-1850 / by Richard Neville. Thesis (M.A.)--University of Sydney, 1989.

Publishing details: 1988 thesis.
2 v. (xii, 211; xii, [110] leaves) : ill.
includes Subjects,
Contents, v. 1. Text
v. 2. Illustrations.
Notes
Vol. 1 includes Appendix - Biographies.
Bibliography: leaves 203-211.

Colonial Prints 1800-1850view full entry
Reference: see Printmakers in colonial Sydney, 1800-1850 / by Richard Neville. Thesis (M.A.)--University of Sydney, 1989.

Publishing details: 1988 thesis.
2 v. (xii, 211; xii, [110] leaves) : ill.
includes Subjects,
Contents, v. 1. Text
v. 2. Illustrations.
Notes
Vol. 1 includes Appendix - Biographies.
Bibliography: leaves 203-211.

Angas George Frenchview full entry
Reference: George French Angas and the Creation of Colonial Knowledge in New Zealand, by
Catherine Falconer-Gray. A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in History
Victoria University of Wellington 2014.
Abstract

In 1844, George French Angas, the English traveller, artist, natural historian and ethnographer spent four months travelling in New Zealand. He sought out and met many of the most influential Maori leaders of the time, sketching and recording his observations as he went. His stated intention was to provide a ‘more correct idea’ of New Zealand and the New Zealanders. In Australia and then Britain he held exhibitions of his work and in 1847 he published two works based on this time in New Zealand: a large volume of full- colour lithographs, The New Zealanders Illustrated and a travel narrative based on his journal, Savage Life and Scenes in Australia and New Zealand. These exhibitions and publications comprised the nineteenth century’s largest collection of works about Maori and Maori culture.
This thesis is a study of the ‘more correct idea’ that Angas sought to provide: his creation of colonial knowledge about Maori. Angas is most commonly described in New Zealand as being an unremarkable artist but as providing a window onto New Zealand in the 1840s. This thesis opens the window wider by looking at Angas’s works as a record of a cultural encounter and the formation of a colonial identity. The works were shaped by numerous ideological and intellectual currents from Britain and the empire, including humanitarianism and the aesthetic of the picturesque. Ideas about gender and the body form a central part of the colonial knowledge created in Angas’s work. Particularly notable is what this thesis terms ‘sartorial colonisation’ – a process of colonisation through discourse and expectations around clothes.
Angas also travelled and worked in a dynamic middle ground in New Zealand and Maori played a vital role in the creation of his works. Angas represented Maori in a sympathetic light in many ways. Ultimately however, he believed in the superiority of the British culture, to the detriment of creating colonial knowledge that placed Maori as equal partners in the recently signed Treaty of Waitangi. This thesis also examines the ways in which Angas’s body of work has been engaged with by the New Zealand public through to the present. As a study of the products of a British traveller who spent time in other parts of the empire as well as in New Zealand, this thesis contributes to histories of New Zealand, and British imperial and transcolonial history.
Publishing details: available online
Ref: 1000
Davies Gerwyn view full entry
Reference: ‘Hidden’, article on Gerwyn Davies in The Good Weekend magazine, Sydney Morning Herald, by Jane Albert

Publishing details: SMH, September, 3, 2021.
Ref: 140
Kimble W photographer of the Daily Telegraph p31view full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Thomas Edmund portrait of Anna Bishop p56view full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Thomas Edmund Botanic Gardens p62 p56view full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Clarke J R publisher eg p62view full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Rigby Reginald illus p72view full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Rintoul Ida S illus and info p 76view full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Jolliffe Eric illus p78view full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Milliss David illus p82view full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Aldridge George illus p86view full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Campbell Vera E illus of Manley p110view full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Bancks Jimmy illus p116view full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
West ? illus p120view full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Augustine Geoff illus p146view full entry
Reference: see The Collector’s Book of Sheet Music Covers. By Robyn Holmes & Ruth Lee Martin. Approximately 80 illustrations but with few artists identified.
Publishing details: Canberra. National Library of Aust. 2001. Col.Ill.wrapps. 156pp. col & b/w ills.
Wainewright Thomas Griffithsview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. review of the Thomas Griffiths Wainewright exhibition at TMAG by Scott Carlin. pages 5-11 with 13 illustrations.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
potteryview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Victoria’s earliest potteries’, by Gregory Hill, pp12-17, with 13 illustrations.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Leak Jonathon 1777-1838view full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Victoria’s earliest potteries’, by Gregory Hill, pp12-17, with 13 illustrations.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Moreton John 1777-1847view full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Victoria’s earliest potteries’, by Gregory Hill, pp12-17, with 13 illustrations.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Sherwin Jamesview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Victoria’s earliest potteries’, by Gregory Hill, pp12-17, with 13 illustrations.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Porter and Sonsview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Victoria’s earliest potteries’, by Gregory Hill, pp12-17, with 13 illustrations.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Porter Christopherview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Victoria’s earliest potteries’, by Gregory Hill, pp12-17, with 13 illustrations.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Bendigo Potteryview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Victoria’s earliest potteries’, by Gregory Hill, pp12-17, with 13 illustrations.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Brunswick Potteryview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Victoria’s earliest potteries’, by Gregory Hill, pp12-17, with 13 illustrations.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Cornwell Alfredview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Victoria’s earliest potteries’, by Gregory Hill, pp12-17, with 13 illustrations.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Ransom Sampler 1829 Tasmaniaview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘The Ransom Sampler’, by Carol Baker, history of the sampler and context.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
von Steiglitz familyview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘The Ransom Sampler’, by Carol Baker, history of the sampler and context.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Mansfield James William b1824view full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘The Ransom Sampler’, by Carol Baker, history of the sampler and context.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Lloyd Henry Grant 1830-1904 illustration 1875view full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘The Ransom Sampler’, by Carol Baker, history of the sampler and context.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
le Breton Louis lithograph and commentview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘The Ransom Sampler’, by Carol Baker, history of the sampler and context.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Bowring Emily Stuart 1835-c1912 illus.view full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘The Ransom Sampler’, by Carol Baker, history of the sampler and context.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
cribbage boardsview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Cribbage Boards’ by David Bedford. pages 24-37. Numerous illustrations.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Midwood Thomas Claude Wade caricature c1890view full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Cribbage Boards’ by David Bedford. pages 24-37. Numerous illustrations.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Duckworth Allen woodworkerview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Allen Duckworth, woodworker, and native timber crusader’, by Yvonne Barber and John Wade, pages 38-45.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Owtram Elizabethview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Angels in the Studio - in Western Australia, part 4. Those who stayed’, by Dorothy Erickson, pages 46-56. With illustrations and biographical information on 6 artists.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Craig Jane (Janie)view full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Angels in the Studio - in Western Australia, part 4. Those who stayed’, by Dorothy Erickson, pages 46-56. With illustrations and biographical information on 6 artists.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Benham Louise (Loui)view full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Angels in the Studio - in Western Australia, part 4. Those who stayed’, by Dorothy Erickson, pages 46-56. With illustrations and biographical information on 6 artists.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Rossi Daisyview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Angels in the Studio - in Western Australia, part 4. Those who stayed’, by Dorothy Erickson, pages 46-56. With illustrations and biographical information on 6 artists.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Andrews Annie Louiseview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Angels in the Studio - in Western Australia, part 4. Those who stayed’, by Dorothy Erickson, pages 46-56. With illustrations and biographical information on 6 artists.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Armstrong Kittyview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. article ‘Angels in the Studio - in Western Australia, part 4. Those who stayed’, by Dorothy Erickson, pages 46-56. With illustrations and biographical information on 6 artists.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Havekes Gerardview full entry
Reference: Havekes, Painter, Sculptor, Ceramicist. By Gavin Fry. Foreword by John Olsen. With list of exhibitions, commissions, bibliography, chronoilogy, [’'Gerard Havekes was outrageously big in every way he was a mighty, creative force. A big, tall man, who commanded attention by his very presence, a man who embraced life with gusto. Wherever he went he would inevitably, naturally dominate the space, ruling over his domain at home or in his work space with authority, charming his clients or entertaining gatherings of friends, students, artists, architects, writers, academics. He was like a magnet, a true artist with a European heart, an impressive knowledgeable speaker, a mighty creative force. Arrogant, intelligent, opinionated, and always interesting, one certainly couldn't ignore his presence. His deep voice, with its heavy Dutch overtones would resonate, dominating the conversation, as he freely expressed his views on the unimpressive state of the arts in Australia, while delighting us with his extensive knowledge of the arts and literature world-wide, his political and historical awareness, and fascinated us with stories of his extraordinary war experience in Indonesia and Holland.' This is how Babette Hayes describes Gerard Havekes whom she met in 1968 and became a great friend. Havekes had already established himself in the Australian art world with some remarkable constructions. He arrived in Australia in 1950 from Indonesia and by 1953 he was exhibiting in the Blake and Archibald Prizes. He acquired many loyal friends from all parts of the world, including John Olsen who has written the foreword to this book. Gavin Fry's text places Havekes in exciting times, both for Australian art and the broader nation, in the boom years after World War Two. The evolution of this multi-talented artist, who was accorded a Retrospective in 1981 at the prestigious Philips Centre in Eindhoven, highlights the diversity and cultural richness that European migration brought to Australia. The book covers the many phases in Havekes' work, finishing with the masterly fountain he made in 1999 for a private house, his last and probably greatest work. AUTHOR: Gavin Fry is a writer, artist and art historian, the author of more than twenty books on Australian art and history. Recently retired after a lifetime working in Australian museums and educational institutions, he has specialised in the art of the twentieth century, maritime painting and the depiction of Australians at war. His books include monographs on Albert Tucker, Rick Amor and Margaret Woodward.’]
Publishing details: Beagle Press, 2020, hc, dw, 168pp
Havekes Gerardview full entry
Reference: see Australiana magazine, August, 2021, vol 43, no. 3. review by Anne-Marie van de Ven of Havekes, Painter, Sculptor, Ceramicist. By Gavin Fry.
Publishing details: Australiana, August, 2021, vol 43, no. 3.
Colonial Visionview full entry
Reference: Colonial Vision: Adelaide, Kingston and Light, by Donald Leslie Johnson , Justin Gare, Donald Langmead. [’"Essays herein present contemporary evidence that solves the mystery as to who designed Adelaide's town plan in 1837. They concentrate on people who have been suggested as the designer and expose what occurred 184 years ago. The authors' also examine G.S. Kingston's studies of gothic ornamnetas found in projects of a stone ornament to William Light and for two grand bookcases." -- Back cover.’]
Publishing details: Green Hill Publishing, 30 Mar 2021, 142 pages
Ref: 1009
Light William Colonel view full entry
Reference: see Colonial Vision: Adelaide, Kingston and Light, by Donald Leslie Johnson , Justin Gare, Donald Langmead. [’"Essays herein present contemporary evidence that solves the mystery as to who designed Adelaide's town plan in 1837. They concentrate on people who have been suggested as the designer and expose what occurred 184 years ago. The authors' also examine G.S. Kingston's studies of gothic ornamnetas found in projects of a stone ornament to William Light and for two grand bookcases." -- Back cover.’]
Publishing details: Green Hill Publishing, 30 Mar 2021, 142 pages
Kingston George Stricklandview full entry
Reference: see Colonial Vision: Adelaide, Kingston and Light, by Donald Leslie Johnson , Justin Gare, Donald Langmead. [’"Essays herein present contemporary evidence that solves the mystery as to who designed Adelaide's town plan in 1837. They concentrate on people who have been suggested as the designer and expose what occurred 184 years ago. The authors' also examine G.S. Kingston's studies of gothic ornamnetas found in projects of a stone ornament to William Light and for two grand bookcases." -- Back cover.’]
Publishing details: Green Hill Publishing, 30 Mar 2021, 142 pages
Cole E W essayview full entry
Reference: see The Armstrong Tokens: The World’s Largest Private Issue. By Mike Carter & Ian Armstrong OAM. [’The authors are based in Queensland & Victoria respectively.
Publishing details: Second Edition, October 2021. This publication is in colour, 170 pages, copy inscribed by author and with a medal.
Armstrong family retailersview full entry
Reference: see The Armstrong Tokens: The World’s Largest Private Issue. By Mike Carter & Ian Armstrong OAM. [’The authors are based in Queensland & Victoria respectively.
Publishing details: Second Edition, October 2021. This publication is in colour, 170 pages, copy inscribed by author and with a medal.
Armstrong Ian shoe tokensview full entry
Reference: see The Armstrong Tokens: The World’s Largest Private Issue. By Mike Carter & Ian Armstrong OAM. [’The authors are based in Queensland & Victoria respectively.
Publishing details: Second Edition, October 2021. This publication is in colour, 170 pages, copy inscribed by author and with a medal.
Waddle Greg art teacher p52view full entry
Reference: see The Armstrong Tokens: The World’s Largest Private Issue. By Mike Carter & Ian Armstrong OAM. [’The authors are based in Queensland & Victoria respectively.
Publishing details: Second Edition, October 2021. This publication is in colour, 170 pages, copy inscribed by author and with a medal.
Hafner Emil medallist p 63ffview full entry
Reference: see The Armstrong Tokens: The World’s Largest Private Issue. By Mike Carter & Ian Armstrong OAM. [’The authors are based in Queensland & Victoria respectively.
Publishing details: Second Edition, October 2021. This publication is in colour, 170 pages, copy inscribed by author and with a medal.
Downie P J p67 etcview full entry
Reference: see The Armstrong Tokens: The World’s Largest Private Issue. By Mike Carter & Ian Armstrong OAM. [’The authors are based in Queensland & Victoria respectively.
Publishing details: Second Edition, October 2021. This publication is in colour, 170 pages, copy inscribed by author and with a medal.
tokensview full entry
Reference: see The Armstrong Tokens: The World’s Largest Private Issue. By Mike Carter & Ian Armstrong OAM. [’The authors are based in Queensland & Victoria respectively.
Publishing details: Second Edition, October 2021. This publication is in colour, 170 pages, copy inscribed by author and with a medal.
McArthur Jamesview full entry
Reference: illiustration ‘View of Ben Nevis and Ben Lomond’ in P. E. De Strzelecki Physical Description of New South Wales and Van Diemen's Land, Accompanied by a geological map, sections and diagrams, and figures of the organic remains, LONDON:
LONGMAN, BROWN, GREEN, AND LONGMANS, 1845. Published by Hullmandel & Walton, lithographers
Law Benjaminview full entry
Reference: A biographical entry is provided in the ‘Persons referred to’ section in ‘Weep in Silence – A History of the Flinders Island Aboriginal Settlement, with the Flinders Island Journal of George Augustus Robinson 1835 - 1839’, by N. J. B. Plomley, Blubber Head Press, 1987, between pages 950-979.
Archer John Leeview full entry
Reference: A biographical entry is provided in the ‘Persons referred to’ section in ‘Weep in Silence – A History of the Flinders Island Aboriginal Settlement, with the Flinders Island Journal of George Augustus Robinson 1835 - 1839’, by N. J. B. Plomley, Blubber Head Press, 1987, between pages 950-979.
Boyes G T W Bview full entry
Reference: A biographical entry is provided in the ‘Persons referred to’ section in ‘Weep in Silence – A History of the Flinders Island Aboriginal Settlement, with the Flinders Island Journal of George Augustus Robinson 1835 - 1839’, by N. J. B. Plomley, Blubber Head Press, 1987, between pages 950-979.
Dowling Robert Hawker refs to familyview full entry
Reference: A biographical entry is provided in the ‘Persons referred to’ section in ‘Weep in Silence – A History of the Flinders Island Aboriginal Settlement, with the Flinders Island Journal of George Augustus Robinson 1835 - 1839’, by N. J. B. Plomley, Blubber Head Press, 1987, between pages 950-979.
Glover Johnview full entry
Reference: A biographical entry is provided in the ‘Persons referred to’ section in ‘Weep in Silence – A History of the Flinders Island Aboriginal Settlement, with the Flinders Island Journal of George Augustus Robinson 1835 - 1839’, by N. J. B. Plomley, Blubber Head Press, 1987, between pages 950-979.
Gould Johnview full entry
Reference: A biographical entry is provided in the ‘Persons referred to’ section in ‘Weep in Silence – A History of the Flinders Island Aboriginal Settlement, with the Flinders Island Journal of George Augustus Robinson 1835 - 1839’, by N. J. B. Plomley, Blubber Head Press, 1987, between pages 950-979.
Lempriere Thomas Jamesview full entry
Reference: A biographical entry is provided in the ‘Persons referred to’ section in ‘Weep in Silence – A History of the Flinders Island Aboriginal Settlement, with the Flinders Island Journal of George Augustus Robinson 1835 - 1839’, by N. J. B. Plomley, Blubber Head Press, 1987, between pages 950-979.
Meredith George father of Louisa Anne Meredith?view full entry
Reference: A biographical entry is provided in the ‘Persons referred to’ section in ‘Weep in Silence – A History of the Flinders Island Aboriginal Settlement, with the Flinders Island Journal of George Augustus Robinson 1835 - 1839’, by N. J. B. Plomley, Blubber Head Press, 1987, between pages 950-979.
Neill Robertview full entry
Reference: A biographical entry is provided in the ‘Persons referred to’ section in ‘Weep in Silence – A History of the Flinders Island Aboriginal Settlement, with the Flinders Island Journal of George Augustus Robinson 1835 - 1839’, by N. J. B. Plomley, Blubber Head Press, 1987, between pages 950-979.
Robinson George Augustusview full entry
Reference: A biographical entry is provided in the ‘Persons referred to’ section in ‘Weep in Silence – A History of the Flinders Island Aboriginal Settlement, with the Flinders Island Journal of George Augustus Robinson 1835 - 1839’, by N. J. B. Plomley, Blubber Head Press, 1987, between pages 950-979.
Woodward George surveyorview full entry
Reference: A biographical entry is provided in the ‘Persons referred to’ section in ‘Weep in Silence – A History of the Flinders Island Aboriginal Settlement, with the Flinders Island Journal of George Augustus Robinson 1835 - 1839’, by N. J. B. Plomley, Blubber Head Press, 1987, between pages 950-979.
Cook Michaelview full entry
Reference: Michael Cook. Exhibition catalogue. "Invasion places an imaginative eye in Australian colonial history and turns around the dominant view, taking alien creatures into iconic London-based cityscapes, with white urban residents their victims." (artist's statement)
Publishing details: Brisbane: Andrew Baker Art Dealer, 2018. 14 pages, colour illustrations. Pictorial saddle-stapled wrappers.
Ref: 1000
Schwarz George and Charlesview full entry
Reference: ‘Daring and devotion’, (the art of George and Charles Schwarz), article by Barnaby Smith in Open Book, magazine of the State Library of NSW, p46-51, illustrated.
Publishing details: State Library of NSW, Winter 2021.
Ref: 140
Schwarz Charles and Georgeview full entry
Reference: see ‘Daring and devotion’, (the art of George and Charles Schwarz), article by Barnaby Smith in Open Book, magazine of the State Library of NSW, p46-51, illustrated.
Publishing details: State Library of NSW, Winter 2021.


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