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Macarthur Family Album biography and referencesview full entry

Reference: see Refracted Vision - Nineteenth Century Photography in the Pacific, MA Thesis by Geoffrey Barker, University of Sydney, 2010.
Abstract: This thesis provides an overview of general trends in the development of photography in the Pacific over the nineteenth century. Its central premise is that research to date has focused on
small portions of the archive without the benefit of a more general appraisal. This thesis seeks to fill this gap and provide new insights into the uniqueness, or otherwise, of photographic engagement within this region over the course of the nineteenth century. Attempting a general work on this subject may be felt to be merely reiterating current knowledge but this thesis argues that an adoption of a broader time period, more collections, and a range of islands pulls together for the first time a range of disparate interpretations, events, and photographs. This work focuses attention on the technical constraints and the physical realities facing these photographers as they made their way through these islands. It does not seek to speak for the Pacific Islanders in the photographs, or attempt any in-depth theoretical analysis on the broader cultural machinations of colonialism. What it does attempt is to provide a general context from which to gain an understanding of how, and where, photography was introduced across the Pacific in the nineteenth century.
Publishing details: MA Thesis, University of Sydney, 2010.

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Macarthur Family Album biography and references

Reference: see Refracted Vision - Nineteenth Century Photography in the Pacific, MA Thesis by Geoffrey Barker, University of Sydney, 2010.
Abstract: This thesis provides an overview of general trends in the development of photography in the Pacific over the nineteenth century. Its central premise is that research to date has focused on
small portions of the archive without the benefit of a more general appraisal. This thesis seeks to fill this gap and provide new insights into the uniqueness, or otherwise, of photographic engagement within this region over the course of the nineteenth century. Attempting a general work on this subject may be felt to be merely reiterating current knowledge but this thesis argues that an adoption of a broader time period, more collections, and a range of islands pulls together for the first time a range of disparate interpretations, events, and photographs. This work focuses attention on the technical constraints and the physical realities facing these photographers as they made their way through these islands. It does not seek to speak for the Pacific Islanders in the photographs, or attempt any in-depth theoretical analysis on the broader cultural machinations of colonialism. What it does attempt is to provide a general context from which to gain an understanding of how, and where, photography was introduced across the Pacific in the nineteenth century.

Publishing details: MA Thesis, University of Sydney, 2010.

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Maritime Museum Album biography and referencesview full entry

Reference: see Refracted Vision - Nineteenth Century Photography in the Pacific, MA Thesis by Geoffrey Barker, University of Sydney, 2010.
Abstract: This thesis provides an overview of general trends in the development of photography in the Pacific over the nineteenth century. Its central premise is that research to date has focused on
small portions of the archive without the benefit of a more general appraisal. This thesis seeks to fill this gap and provide new insights into the uniqueness, or otherwise, of photographic engagement within this region over the course of the nineteenth century. Attempting a general work on this subject may be felt to be merely reiterating current knowledge but this thesis argues that an adoption of a broader time period, more collections, and a range of islands pulls together for the first time a range of disparate interpretations, events, and photographs. This work focuses attention on the technical constraints and the physical realities facing these photographers as they made their way through these islands. It does not seek to speak for the Pacific Islanders in the photographs, or attempt any in-depth theoretical analysis on the broader cultural machinations of colonialism. What it does attempt is to provide a general context from which to gain an understanding of how, and where, photography was introduced across the Pacific in the nineteenth century.
Publishing details: MA Thesis, University of Sydney, 2010.

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Maritime Museum Album biography and references

Reference: see Refracted Vision - Nineteenth Century Photography in the Pacific, MA Thesis by Geoffrey Barker, University of Sydney, 2010.
Abstract: This thesis provides an overview of general trends in the development of photography in the Pacific over the nineteenth century. Its central premise is that research to date has focused on
small portions of the archive without the benefit of a more general appraisal. This thesis seeks to fill this gap and provide new insights into the uniqueness, or otherwise, of photographic engagement within this region over the course of the nineteenth century. Attempting a general work on this subject may be felt to be merely reiterating current knowledge but this thesis argues that an adoption of a broader time period, more collections, and a range of islands pulls together for the first time a range of disparate interpretations, events, and photographs. This work focuses attention on the technical constraints and the physical realities facing these photographers as they made their way through these islands. It does not seek to speak for the Pacific Islanders in the photographs, or attempt any in-depth theoretical analysis on the broader cultural machinations of colonialism. What it does attempt is to provide a general context from which to gain an understanding of how, and where, photography was introduced across the Pacific in the nineteenth century.

Publishing details: MA Thesis, University of Sydney, 2010.

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Ross, Malcolm biography and referencesview full entry

Reference: see Refracted Vision - Nineteenth Century Photography in the Pacific, MA Thesis by Geoffrey Barker, University of Sydney, 2010.
Abstract: This thesis provides an overview of general trends in the development of photography in the Pacific over the nineteenth century. Its central premise is that research to date has focused on
small portions of the archive without the benefit of a more general appraisal. This thesis seeks to fill this gap and provide new insights into the uniqueness, or otherwise, of photographic engagement within this region over the course of the nineteenth century. Attempting a general work on this subject may be felt to be merely reiterating current knowledge but this thesis argues that an adoption of a broader time period, more collections, and a range of islands pulls together for the first time a range of disparate interpretations, events, and photographs. This work focuses attention on the technical constraints and the physical realities facing these photographers as they made their way through these islands. It does not seek to speak for the Pacific Islanders in the photographs, or attempt any in-depth theoretical analysis on the broader cultural machinations of colonialism. What it does attempt is to provide a general context from which to gain an understanding of how, and where, photography was introduced across the Pacific in the nineteenth century.
Publishing details: MA Thesis, University of Sydney, 2010.

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Ross, Malcolm biography and references

Reference: see Refracted Vision - Nineteenth Century Photography in the Pacific, MA Thesis by Geoffrey Barker, University of Sydney, 2010.
Abstract: This thesis provides an overview of general trends in the development of photography in the Pacific over the nineteenth century. Its central premise is that research to date has focused on
small portions of the archive without the benefit of a more general appraisal. This thesis seeks to fill this gap and provide new insights into the uniqueness, or otherwise, of photographic engagement within this region over the course of the nineteenth century. Attempting a general work on this subject may be felt to be merely reiterating current knowledge but this thesis argues that an adoption of a broader time period, more collections, and a range of islands pulls together for the first time a range of disparate interpretations, events, and photographs. This work focuses attention on the technical constraints and the physical realities facing these photographers as they made their way through these islands. It does not seek to speak for the Pacific Islanders in the photographs, or attempt any in-depth theoretical analysis on the broader cultural machinations of colonialism. What it does attempt is to provide a general context from which to gain an understanding of how, and where, photography was introduced across the Pacific in the nineteenth century.

Publishing details: MA Thesis, University of Sydney, 2010.

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Wawn, William, T. biography and referencesview full entry

Reference: see Refracted Vision - Nineteenth Century Photography in the Pacific, MA Thesis by Geoffrey Barker, University of Sydney, 2010.
Abstract: This thesis provides an overview of general trends in the development of photography in the Pacific over the nineteenth century. Its central premise is that research to date has focused on
small portions of the archive without the benefit of a more general appraisal. This thesis seeks to fill this gap and provide new insights into the uniqueness, or otherwise, of photographic engagement within this region over the course of the nineteenth century. Attempting a general work on this subject may be felt to be merely reiterating current knowledge but this thesis argues that an adoption of a broader time period, more collections, and a range of islands pulls together for the first time a range of disparate interpretations, events, and photographs. This work focuses attention on the technical constraints and the physical realities facing these photographers as they made their way through these islands. It does not seek to speak for the Pacific Islanders in the photographs, or attempt any in-depth theoretical analysis on the broader cultural machinations of colonialism. What it does attempt is to provide a general context from which to gain an understanding of how, and where, photography was introduced across the Pacific in the nineteenth century.
Publishing details: MA Thesis, University of Sydney, 2010.

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Wawn, William, T. biography and references

Reference: see Refracted Vision - Nineteenth Century Photography in the Pacific, MA Thesis by Geoffrey Barker, University of Sydney, 2010.
Abstract: This thesis provides an overview of general trends in the development of photography in the Pacific over the nineteenth century. Its central premise is that research to date has focused on
small portions of the archive without the benefit of a more general appraisal. This thesis seeks to fill this gap and provide new insights into the uniqueness, or otherwise, of photographic engagement within this region over the course of the nineteenth century. Attempting a general work on this subject may be felt to be merely reiterating current knowledge but this thesis argues that an adoption of a broader time period, more collections, and a range of islands pulls together for the first time a range of disparate interpretations, events, and photographs. This work focuses attention on the technical constraints and the physical realities facing these photographers as they made their way through these islands. It does not seek to speak for the Pacific Islanders in the photographs, or attempt any in-depth theoretical analysis on the broader cultural machinations of colonialism. What it does attempt is to provide a general context from which to gain an understanding of how, and where, photography was introduced across the Pacific in the nineteenth century.

Publishing details: MA Thesis, University of Sydney, 2010.

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Wood, C. F. biography and referencesview full entry

Reference: see Refracted Vision - Nineteenth Century Photography in the Pacific, MA Thesis by Geoffrey Barker, University of Sydney, 2010.
Abstract: This thesis provides an overview of general trends in the development of photography in the Pacific over the nineteenth century. Its central premise is that research to date has focused on
small portions of the archive without the benefit of a more general appraisal. This thesis seeks to fill this gap and provide new insights into the uniqueness, or otherwise, of photographic engagement within this region over the course of the nineteenth century. Attempting a general work on this subject may be felt to be merely reiterating current knowledge but this thesis argues that an adoption of a broader time period, more collections, and a range of islands pulls together for the first time a range of disparate interpretations, events, and photographs. This work focuses attention on the technical constraints and the physical realities facing these photographers as they made their way through these islands. It does not seek to speak for the Pacific Islanders in the photographs, or attempt any in-depth theoretical analysis on the broader cultural machinations of colonialism. What it does attempt is to provide a general context from which to gain an understanding of how, and where, photography was introduced across the Pacific in the nineteenth century.
Publishing details: MA Thesis, University of Sydney, 2010.

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Wood, C. F. biography and references

Reference: see Refracted Vision - Nineteenth Century Photography in the Pacific, MA Thesis by Geoffrey Barker, University of Sydney, 2010.
Abstract: This thesis provides an overview of general trends in the development of photography in the Pacific over the nineteenth century. Its central premise is that research to date has focused on
small portions of the archive without the benefit of a more general appraisal. This thesis seeks to fill this gap and provide new insights into the uniqueness, or otherwise, of photographic engagement within this region over the course of the nineteenth century. Attempting a general work on this subject may be felt to be merely reiterating current knowledge but this thesis argues that an adoption of a broader time period, more collections, and a range of islands pulls together for the first time a range of disparate interpretations, events, and photographs. This work focuses attention on the technical constraints and the physical realities facing these photographers as they made their way through these islands. It does not seek to speak for the Pacific Islanders in the photographs, or attempt any in-depth theoretical analysis on the broader cultural machinations of colonialism. What it does attempt is to provide a general context from which to gain an understanding of how, and where, photography was introduced across the Pacific in the nineteenth century.

Publishing details: MA Thesis, University of Sydney, 2010.

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Halloran Rodview full entry

Reference: see Theodore Bruce Auctions, July 13, 2023, lot 6525
Rod Halloran
Australia (20th Century)
Barrengarry, Kangaroo Valley, NSW, 2017
Oil on board
Signed lower left,
Titled & Inscribed verso,
20 x 50 cm Frame: 34.5 x 64 cm
Good condition, original frame.
Estimate: A$80 - A$120

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Halloran Rod

Reference: see Theodore Bruce Auctions, July 13, 2023, lot 6525
Rod Halloran
Australia (20th Century)
Barrengarry, Kangaroo Valley, NSW, 2017
Oil on board
Signed lower left,
Titled & Inscribed verso,
20 x 50 cm Frame: 34.5 x 64 cm
Good condition, original frame.
Estimate: A$80 - A$120

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Halloran Rodview full entry

Reference: see ‘Friends of the Campbeltown Art Gallery’ publication, 1983.
Publishing details: The City of Campbeltown Art Collection, 1983

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Halloran Rod

Reference: see ‘Friends of the Campbeltown Art Gallery’ publication, 1983.

Publishing details: The City of Campbeltown Art Collection, 1983

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Johnstone Caitlinview full entry

Reference: see fairobservor.co: Caitlin Johnstone is a reader-funded journalist, essayist, painter and poet based in Melbourne, Australia. She writes with her American husband, Tim Foley. She has published her writing in many outlets. She writes about politics, economics, media, feminism and the nature of consciousness. She is the author of the illustrated poetry book Woke: A Field Guide For Utopia Preppers.

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Johnstone Caitlin

Reference: see fairobservor.co: Caitlin Johnstone is a reader-funded journalist, essayist, painter and poet based in Melbourne, Australia. She writes with her American husband, Tim Foley. She has published her writing in many outlets. She writes about politics, economics, media, feminism and the nature of consciousness. She is the author of the illustrated poetry book Woke: A Field Guide For Utopia Preppers.

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Mills Rebecca view full entry

Reference: see Platypi: Celebrating The Best Australian And New Zealand Contemporary Illustration. Cover by Rebecca Mills. [’Platypi: Celebrating The Best Australian And New Zealand Contemporary Illustration is a collection of illustrations from various Australian and New Zealand illustrators. It was published by Illustrators Australia in 2018.’]
Publishing details: Illustrators Australia, 2018, pb.

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Mills Rebecca

Reference: see Platypi: Celebrating The Best Australian And New Zealand Contemporary Illustration. Cover by Rebecca Mills. [’Platypi: Celebrating The Best Australian And New Zealand Contemporary Illustration is a collection of illustrations from various Australian and New Zealand illustrators. It was published by Illustrators Australia in 2018.’]

Publishing details: Illustrators Australia, 2018, pb.

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Tyler Frank p 7 p35view full entry

Reference: see Australian Film Posters 1906 - 1960, by Judith Adamson.
Publishing details: Currency Press, 1978, Illustrated. Trade paperback Fine. No dust jacket as issued. 56 pp

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Tyler Frank p 7 p35

Reference: see Australian Film Posters 1906 - 1960, by Judith Adamson.

Publishing details: Currency Press, 1978, Illustrated. Trade paperback Fine. No dust jacket as issued. 56 pp

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Nicholls Syd p7 p16view full entry

Reference: see Australian Film Posters 1906 - 1960, by Judith Adamson.
Publishing details: Currency Press, 1978, Illustrated. Trade paperback Fine. No dust jacket as issued. 56 pp

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Nicholls Syd p7 p16

Reference: see Australian Film Posters 1906 - 1960, by Judith Adamson.

Publishing details: Currency Press, 1978, Illustrated. Trade paperback Fine. No dust jacket as issued. 56 pp

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Cathcart Bill p7view full entry

Reference: see Australian Film Posters 1906 - 1960, by Judith Adamson.
Publishing details: Currency Press, 1978, Illustrated. Trade paperback Fine. No dust jacket as issued. 56 pp

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Cathcart Bill p7

Reference: see Australian Film Posters 1906 - 1960, by Judith Adamson.

Publishing details: Currency Press, 1978, Illustrated. Trade paperback Fine. No dust jacket as issued. 56 pp

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postersview full entry

Reference: see Australian Film Posters 1906 - 1960, by Judith Adamson.
Publishing details: Currency Press, 1978, Illustrated. Trade paperback Fine. No dust jacket as issued. 56 pp

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posters

Reference: see Australian Film Posters 1906 - 1960, by Judith Adamson.

Publishing details: Currency Press, 1978, Illustrated. Trade paperback Fine. No dust jacket as issued. 56 pp

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Wall Dorothy p 30 Blinky Bill refview full entry

Reference: see Australian Film Posters 1906 - 1960, by Judith Adamson.
Publishing details: Currency Press, 1978, Illustrated. Trade paperback Fine. No dust jacket as issued. 56 pp

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Wall Dorothy p 30 Blinky Bill ref

Reference: see Australian Film Posters 1906 - 1960, by Judith Adamson.

Publishing details: Currency Press, 1978, Illustrated. Trade paperback Fine. No dust jacket as issued. 56 pp

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film postersview full entry

Reference: see Australian Film Posters 1906 - 1960, by Judith Adamson.
Publishing details: Currency Press, 1978, Illustrated. Trade paperback Fine. No dust jacket as issued. 56 pp

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film posters

Reference: see Australian Film Posters 1906 - 1960, by Judith Adamson.

Publishing details: Currency Press, 1978, Illustrated. Trade paperback Fine. No dust jacket as issued. 56 pp

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Webber Johnview full entry

Reference: Catalogue of drawings and portraits in oil by Mr Webber. [In a codicil to his will, dated 7th March 1820, Sir Joseph Banks left the care of his papers to Sir Edward Knatchbull, the nephew of Lady Banks. In 1828 Knatchbull passed over to the British Museum the bound volumes of foreign correspondence, but he retained the rest of the papers in the expectation that an official biography would be written. He died in 1849 and, following the death of Lady Knatchbull in 1882, the ownership of the papers passed to their son Edward Knatchbull Hugesson, 1st Baron Brabourne. In 1884 Lord Brabourne offered the papers for sale to the British Museum but, when no agreement could be reached on a price, he sold many of the Australian papers to the New South Wales Government. They are now held in the Mitchell Library at the State Library of New South Wales. Most of the remaining Banks Papers were sold on behalf of Lord Brabourne by Sotheby's on 11 March and 14 April 1886. One of the successful bidders at the sale on 14 April was E.A. Petherick, the London agent of the Melbourne bookseller George Robertson. He bought 20 lots, including a number of drafts of Banks' letters, his thoughts on the manners of the women of Otaheite, the hints of the Earl of Morton, and the catalogue of drawings and portraits by John Webber. It was unfortunate that Banks' correspondence was divided into several lots on an alphabetical basis. Petherick bought the four lots comprising letters of writers whose names started with C, F, K and P. In 1909 Petherick returned to Australia and later in the year he transferred title in his large collection of books, maps, manuscripts and pictures to the Commonwealth Parliamentary Library. Most of the Banks Papers held in the National Library at MS 9 were originally in the Petherick Collection. Banks was a prolific correspondent and throughout the twentieth century letters that he had written or received were sold at auctions in London and elsewhere or appeared in dealers' catalogues. The Library has bought a number of letters at different sales and assigned them distinct manuscript numbers. The collector Sir Rex Nan Kivell also bought several letters of Banks at London sales and gave them his own NK numbers. His collection was purchased by the Library in 1959. At a later date all the manuscripts in his collection were given manuscript numbers, as well as numbers within the MS 9 sequence. For instance, the letter of Mungo Park can be cited as MS 9/117 or MS 4004, while its original Nan Kivell number was NK 5837 On 23 July 1985 Sotheby's in London sold many of the papers of Banks' friend John Montagu, 4th Earl of Sandwich. Sandwich was First Lord of the Admiralty in 1771-82 and was closely associated with the second and third voyages of Cook. The National Library bought three lots at the sale and the collection was given the number MS 7218. It includes nine letters written by Banks to Sandwich in 1782-84.]
Publishing details: National Library of Australia, nlaobj-222963290, can be viewd online.

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Webber John

Reference: Catalogue of drawings and portraits in oil by Mr Webber. [In a codicil to his will, dated 7th March 1820, Sir Joseph Banks left the care of his papers to Sir Edward Knatchbull, the nephew of Lady Banks. In 1828 Knatchbull passed over to the British Museum the bound volumes of foreign correspondence, but he retained the rest of the papers in the expectation that an official biography would be written. He died in 1849 and, following the death of Lady Knatchbull in 1882, the ownership of the papers passed to their son Edward Knatchbull Hugesson, 1st Baron Brabourne. In 1884 Lord Brabourne offered the papers for sale to the British Museum but, when no agreement could be reached on a price, he sold many of the Australian papers to the New South Wales Government. They are now held in the Mitchell Library at the State Library of New South Wales. Most of the remaining Banks Papers were sold on behalf of Lord Brabourne by Sotheby's on 11 March and 14 April 1886. One of the successful bidders at the sale on 14 April was E.A. Petherick, the London agent of the Melbourne bookseller George Robertson. He bought 20 lots, including a number of drafts of Banks' letters, his thoughts on the manners of the women of Otaheite, the hints of the Earl of Morton, and the catalogue of drawings and portraits by John Webber. It was unfortunate that Banks' correspondence was divided into several lots on an alphabetical basis. Petherick bought the four lots comprising letters of writers whose names started with C, F, K and P. In 1909 Petherick returned to Australia and later in the year he transferred title in his large collection of books, maps, manuscripts and pictures to the Commonwealth Parliamentary Library. Most of the Banks Papers held in the National Library at MS 9 were originally in the Petherick Collection. Banks was a prolific correspondent and throughout the twentieth century letters that he had written or received were sold at auctions in London and elsewhere or appeared in dealers' catalogues. The Library has bought a number of letters at different sales and assigned them distinct manuscript numbers. The collector Sir Rex Nan Kivell also bought several letters of Banks at London sales and gave them his own NK numbers. His collection was purchased by the Library in 1959. At a later date all the manuscripts in his collection were given manuscript numbers, as well as numbers within the MS 9 sequence. For instance, the letter of Mungo Park can be cited as MS 9/117 or MS 4004, while its original Nan Kivell number was NK 5837 On 23 July 1985 Sotheby's in London sold many of the papers of Banks' friend John Montagu, 4th Earl of Sandwich. Sandwich was First Lord of the Admiralty in 1771-82 and was closely associated with the second and third voyages of Cook. The National Library bought three lots at the sale and the collection was given the number MS 7218. It includes nine letters written by Banks to Sandwich in 1782-84.]

Publishing details: National Library of Australia, nlaobj-222963290, can be viewd online.

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Jagger Marion Ferrierview full entry

Reference: see Aalders Auctions, March 12, 2023, lot 532, Untitled (Boats in Harbour) oil on board signed 'M Ferrier' lower right 27cm x 20cm, Est: $400 AUD - $600 AUD
Sold: $600 AUD

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Jagger Marion Ferrier

Reference: see Aalders Auctions, March 12, 2023, lot 532, Untitled (Boats in Harbour) oil on board signed 'M Ferrier' lower right 27cm x 20cm, Est: $400 AUD - $600 AUD
Sold: $600 AUD

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Jagger Marion Ferrierview full entry

Reference: see Lawsons, The Weekly Art Sale - Sale 9580 - Lot 5130, 14 December 2022: MARION FERRIER-JAGGER (1882 - 1977)
Still Life
oil on board
27.5 x 32 cm (frame: 42 x 47 cm)
artist monogram lower right
Estimate $80-120
Sold for $170

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Jagger Marion Ferrier

Reference: see Lawsons, The Weekly Art Sale - Sale 9580 - Lot 5130, 14 December 2022: MARION FERRIER-JAGGER (1882 - 1977)
Still Life
oil on board
27.5 x 32 cm (frame: 42 x 47 cm)
artist monogram lower right
Estimate $80-120
Sold for $170

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Jagger Marion Ferrierview full entry

Reference: in City of Albany Art Collection: Red Camellias, Oil on Canvas Laid on Board, 25.7 x 21.5 cm, Marion Ferrier-Jagger

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Jagger Marion Ferrier

Reference: in City of Albany Art Collection: Red Camellias, Oil on Canvas Laid on Board, 25.7 x 21.5 cm, Marion Ferrier-Jagger

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Jagger Marion Ferrier view full entry

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
Work by women artists has done much to
brighten the show. It is of great variety, touching extremes of modern technique as practised by the clever sculptor, Loma Latour, to more conservative styles of work which are nevertheless beautiful, such as perfect studies of flowers by Mrs. Marion Ferrier Jagger.

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Jagger Marion Ferrier

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
Work by women artists has done much to
brighten the show. It is of great variety, touching extremes of modern technique as practised by the clever sculptor, Loma Latour, to more conservative styles of work which are nevertheless beautiful, such as perfect studies of flowers by Mrs. Marion Ferrier Jagger.

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Latour Loma view full entry

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
Work by women artists has done much to
brighten the show. It is of great variety, touching extremes of modern technique as practised by the clever sculptor, Loma Latour, to more conservative styles of work which are nevertheless beautiful, such as perfect studies of flowers by Mrs. Marion Ferrier Jagger... LOMA LATOUR is of the younger school of artists. She studied with Rayner Hoff, and is now a disciple as well as an admirer of Epstein. She has never been abroad, but is anxious to go. Three is little scope for her class of art in Australia, though the demand is always improving.
Loma Latour is highly original. She loves to
experiment in new mediums. She used up more than £20 of silk not long ago, and oceans of time, to work out a design in needlework; an odd departure for a sculptor. She wants £70 for the finished job, and hopes some day to see it under glass used as a table top.
At the Royal Art Exhibition she is displaying
what is sedately called a brass inlay panel. It is a full-length figure of a woman, and, interest- ing us it is as a design, it is eminently more interesting as a new medium. It is an experiment she thought out herself, and is actually a kind
of enlarged cloisonne. She used 75 feet of brass strips. She thinks her new idea might be suitable for bathroom floors or walls.
Another good girl artist is Sheila Elvins, of
Mosman. Her two still-life water-colours, "Old Friends" and "Prawns," reveal what is so often neglected in fine art-a sense of humour. Her best picture for composition and technique is a
still-life study in which she has used beads and a small wood toy figure. Again there is a suggestion of humour in the way the figure is placed.

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Latour Loma

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
Work by women artists has done much to
brighten the show. It is of great variety, touching extremes of modern technique as practised by the clever sculptor, Loma Latour, to more conservative styles of work which are nevertheless beautiful, such as perfect studies of flowers by Mrs. Marion Ferrier Jagger... LOMA LATOUR is of the younger school of artists. She studied with Rayner Hoff, and is now a disciple as well as an admirer of Epstein. She has never been abroad, but is anxious to go. Three is little scope for her class of art in Australia, though the demand is always improving.
Loma Latour is highly original. She loves to
experiment in new mediums. She used up more than £20 of silk not long ago, and oceans of time, to work out a design in needlework; an odd departure for a sculptor. She wants £70 for the finished job, and hopes some day to see it under glass used as a table top.
At the Royal Art Exhibition she is displaying
what is sedately called a brass inlay panel. It is a full-length figure of a woman, and, interest- ing us it is as a design, it is eminently more interesting as a new medium. It is an experiment she thought out herself, and is actually a kind
of enlarged cloisonne. She used 75 feet of brass strips. She thinks her new idea might be suitable for bathroom floors or walls.
Another good girl artist is Sheila Elvins, of
Mosman. Her two still-life water-colours, "Old Friends" and "Prawns," reveal what is so often neglected in fine art-a sense of humour. Her best picture for composition and technique is a
still-life study in which she has used beads and a small wood toy figure. Again there is a suggestion of humour in the way the figure is placed.

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Toovey Doraview full entry

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
A Mother Who Paints.
DORA TOOVEY, wife of the well-known artist, Jimmy Jackson, shows a landscape in oil entitled "Back o' Barrington." It is a fine painting, and compares well with works of some of the well-known men landscape painters exhibiting woiks at the show, such as Lister Lister and Eric Langker.
Dora Toovey admits she has learnt a great deal about art from her husband. In a year or two she intends to devote more time to painting.
At present her hands are occupied looking after her two young children, a boy and a girl. The boy is still a baby.
She painted "Back o' Barrington" with the baby more or less in her arms. She thinks you cannot look after very young children and be a painter. You will either have badly brought-up children or poorly-executed paintings.
When the children are old enough to enter
into family life and do things for themselves, it is different.
Dora Toovey thinks artists make excellent husbands, for the reason that their art keeps them out of mischief, especially if they are good artists.

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Toovey Dora

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
A Mother Who Paints.
DORA TOOVEY, wife of the well-known artist, Jimmy Jackson, shows a landscape in oil entitled "Back o' Barrington." It is a fine painting, and compares well with works of some of the well-known men landscape painters exhibiting woiks at the show, such as Lister Lister and Eric Langker.
Dora Toovey admits she has learnt a great deal about art from her husband. In a year or two she intends to devote more time to painting.
At present her hands are occupied looking after her two young children, a boy and a girl. The boy is still a baby.
She painted "Back o' Barrington" with the baby more or less in her arms. She thinks you cannot look after very young children and be a painter. You will either have badly brought-up children or poorly-executed paintings.
When the children are old enough to enter
into family life and do things for themselves, it is different.
Dora Toovey thinks artists make excellent husbands, for the reason that their art keeps them out of mischief, especially if they are good artists.

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Flaxman Mollieview full entry

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
Encouraged as Schoolgirl.
MOLLIE FLAXMAN, attractive brunette protegee of Lister Lister, shows two little landscapes which, like so many paintings, are typical of the artist's personality. They are neat and well groomed. Miss Flaxman lives with her mother and father at Bondi Junction, and, when she is not painting, helps with the family business.
Her mother encouraged her to paint when she was a schoolgirl. It was with her mother she attended the opening of the show.
Miss Flaxman drives her own car into the
country in search of views to paint. She parks the car in a quiet road and then goes hiking up hills or down dales till a suitable view is located. With her goes her fiance, Mr. Douglas Thistlethwaite, analytical chemist. He carries her apparatus and acts the part of a sort of "art caddy." They will be married in a year's time, but Mollie Flaxman is not going to give up paintng. Her future husband is an enthusiast for her
work.

×

Flaxman Mollie

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
Encouraged as Schoolgirl.
MOLLIE FLAXMAN, attractive brunette protegee of Lister Lister, shows two little landscapes which, like so many paintings, are typical of the artist's personality. They are neat and well groomed. Miss Flaxman lives with her mother and father at Bondi Junction, and, when she is not painting, helps with the family business.
Her mother encouraged her to paint when she was a schoolgirl. It was with her mother she attended the opening of the show.
Miss Flaxman drives her own car into the
country in search of views to paint. She parks the car in a quiet road and then goes hiking up hills or down dales till a suitable view is located. With her goes her fiance, Mr. Douglas Thistlethwaite, analytical chemist. He carries her apparatus and acts the part of a sort of "art caddy." They will be married in a year's time, but Mollie Flaxman is not going to give up paintng. Her future husband is an enthusiast for her
work.

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O’Harris Pixieview full entry

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
Books of Fairy Tales.
AMONG the few women artists who earn their living from their art is Pixie O'Harris, who is Mrs. Bruce Pratt. It is only recently that this artist has started to exhibit her work. She held a private show recently in George Street, when people had an opportunity of seeing her exquisite
illustrations for books of fairy tales,
She is the daughter of the late Mr. G. F. Harris, a very fine English painter, and no doubt she inherits his talent. It is curious that she has never studied, yet her style is continuously improving, and there is little doubt she is only on the threshold of her artistic career. Her contiibutions to the show display an extraordinary variety of technique, and, for a self-taught artist,
an amazing intuitive knowledge of form. Study her little picture, "Big Sister." It was drawn, without models, straight out of the artist's mind, yet it is one of the most natural sketches in the exhibition.

×

O’Harris Pixie

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
Books of Fairy Tales.
AMONG the few women artists who earn their living from their art is Pixie O'Harris, who is Mrs. Bruce Pratt. It is only recently that this artist has started to exhibit her work. She held a private show recently in George Street, when people had an opportunity of seeing her exquisite
illustrations for books of fairy tales,
She is the daughter of the late Mr. G. F. Harris, a very fine English painter, and no doubt she inherits his talent. It is curious that she has never studied, yet her style is continuously improving, and there is little doubt she is only on the threshold of her artistic career. Her contiibutions to the show display an extraordinary variety of technique, and, for a self-taught artist,
an amazing intuitive knowledge of form. Study her little picture, "Big Sister." It was drawn, without models, straight out of the artist's mind, yet it is one of the most natural sketches in the exhibition.

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Esch F W L reviewer of exhibitionview full entry

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

×

Esch F W L reviewer of exhibition

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

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Arnold Marjorie
view full entry

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

×

Arnold Marjorie

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

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Manning Tempe view full entry

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

×

Manning Tempe

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

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Burgess Mrs. E. G. White view full entry

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

×

Burgess Mrs. E. G. White

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

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Booth Laura view full entry

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

×

Booth Laura

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

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Caddy Winifred view full entry

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

×

Caddy Winifred

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

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Cusack Edith view full entry

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

×

Cusack Edith

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

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White Mrs. H. M. view full entry

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

×

White Mrs. H. M.

Reference: see The Sydney Morning Herald, Tuesday 10 Aug 1937, Page 21, ‘ART SEASON NOW IN FULL SWING’:
From the Country.
... NEW SOUTH WALES country scenes and the work of country painters figure prominently in the exhibition, There is work by Marjorie Arnold and Tempe Manning, of Bowral, the latter showing an unusual view of Bowral under snow. Mrs. E. G. White Burgess exhibits two interestng figure studies in costume, the best being "The
Green Scarf." Laura Booth and Winifred Caddy display views of Bathurst. Two fine pictures are shown by Edith Cusack. One during a recent rip to England pictures Penzance, Cornwall, with all the frigid charm of an English summer. It is outdone in bleak realism by Mrs. H. M. White's
study of summer in Switzerland.
The women's auxiliary committee which worked successfully for the International Art Exhibition held at the National Art Gallery last year is re-forming, with Lady Street as president.
The committee's object is not only to show their own appreciation of the loan collection of British masters, now on view, but to draw the attention of the general public to this wonderful artistic treat, and to help to make the National Art Gallery a friendly and congenial meeting-place for the art-loving people of Sydney. F. W. L. Esch.

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Leunig Maryview full entry

Reference: A Piece of Cake, by Mary Leunig.
Publishing details: Penguin, 1986
Ref: 1000

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Leunig Mary

Reference: A Piece of Cake, by Mary Leunig.

Publishing details: Penguin, 1986

Location: 1000

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Leunig Maryview full entry

Reference: One Good Turn, by Mary Leunig.
Publishing details: The Lifted Brow(2018),
Ref: 1000

×

Leunig Mary

Reference: One Good Turn, by Mary Leunig.

Publishing details: The Lifted Brow(2018),

Location: 1000

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Leunig Maryview full entry

Reference: see Wikipedia: Mary Leunig (born 1950) is an Australian visual artist who has had work featured in such publications as The Age, Meanjin, Nation Review, Heat Magazine, AWU Magazine, Time, Penthouse, Der Rabe, and The Meatworkers Journal... Mary Leunig grew up in Maidstone, Melbourne where she attended Footscray North State School and Maribyrnong High School. Leunig has two sisters, and her brother, Michael Leunig (born 1945), is also a popular and accomplished cartoonist and poet. She began studying art at Prahran Institute of Technology, and later Preston Institute of Technology, where she completed her studies, majoring in drawing and printmaking.[1] Her future husband was also a student at Prahran.[4] Her cartoons are drawn in pen and watercolour with black lines and vibrant colours.[5] Her work often includes political and feminist themes and usually contains elements that are humorous or confronting.[6]... Leunig married Leon Norster (born 1950) and they have two children.[7] She lives and works in Merton in the Strathbogie Ranges of Victoria.[8][9][10]...

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Leunig Mary

Reference: see Wikipedia: Mary Leunig (born 1950) is an Australian visual artist who has had work featured in such publications as The Age, Meanjin, Nation Review, Heat Magazine, AWU Magazine, Time, Penthouse, Der Rabe, and The Meatworkers Journal... Mary Leunig grew up in Maidstone, Melbourne where she attended Footscray North State School and Maribyrnong High School. Leunig has two sisters, and her brother, Michael Leunig (born 1945), is also a popular and accomplished cartoonist and poet. She began studying art at Prahran Institute of Technology, and later Preston Institute of Technology, where she completed her studies, majoring in drawing and printmaking.[1] Her future husband was also a student at Prahran.[4] Her cartoons are drawn in pen and watercolour with black lines and vibrant colours.[5] Her work often includes political and feminist themes and usually contains elements that are humorous or confronting.[6]... Leunig married Leon Norster (born 1950) and they have two children.[7] She lives and works in Merton in the Strathbogie Ranges of Victoria.[8][9][10]...

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200 years of Australian works on paper from 1811 to 2011view full entry

Reference: 200 years of Australian works on paper : from 1811 to 2011. Exhibition at Philip Bacon Galleries. No biographical information on artists.
Publishing details: Philip Bacon Galleries, 2011, 19 p. : ill. (some col.) with price list.
Ref: 146

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200 years of Australian works on paper from 1811 to 2011

Reference: 200 years of Australian works on paper : from 1811 to 2011. Exhibition at Philip Bacon Galleries. No biographical information on artists.

Publishing details: Philip Bacon Galleries, 2011, 19 p. : ill. (some col.) with price list.

Location: 146

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Katte Frederick and Margaretview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Katte Frederick and Margaret

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Gauvin Dorothy portrait of Dr Elaine Katteview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

×

Gauvin Dorothy portrait of Dr Elaine Katte

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Barron Howard with brief biographyview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
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3E Innovative, hb, Published March 2015, Pages: 84

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Barron Howard with brief biography

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Esling Gordonview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Esling Gordon

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Salvana Johnview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Salvana John

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Wakelin Rolandview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Wakelin Roland

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Eldershaw Johnview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Eldershaw John

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Raglass Maxview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Raglass Max

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Nolan Sidneyview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Nolan Sidney

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Namatjira Albertview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Namatjira Albert

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Daws Lawrenceview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Daws Lawrence

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Pugh Cliftonview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Pugh Clifton

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Boyd Davidview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Boyd David

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Blackman Charlesview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Blackman Charles

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Inson Graemeview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Inson Graeme

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Baker Alan Dview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Baker Alan D

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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French Leonardview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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French Leonard

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Fullbrook Samview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Fullbrook Sam

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Frazer Neilview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Frazer Neil

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Proud Geoffreyview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Proud Geoffrey

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Sawrey Hughview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Sawrey Hugh

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Steinmann Heinzview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
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3E Innovative, hb, Published March 2015, Pages: 84

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Steinmann Heinz

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Stubbs Douglasview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Stubbs Douglas

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Lane Harold 1925-2012view full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Lane Harold 1925-2012

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Fairweather Ian watercolour c1921view full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Fairweather Ian watercolour c1921

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Crooke Rayview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Crooke Ray

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Rigby Johnview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Rigby John

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Parker Colinview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Parker Colin

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Gleghorn Tomview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Gleghorn Tom

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Paterson Nanview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Paterson Nan

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Churcher Peterview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Churcher Peter

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Dargie Williamview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Dargie William

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Katte Elaineview full entry

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]
Publishing details: Publisher
3E Innovative, hb, Published March 2015, Pages: 84

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Katte Elaine

Reference: see Katte Art Collection: Selected Aspects. A short essay on each work, with some biographical information. The collection of Frederick and Margaret Katte. [’Collection of works from the Katte Art Collections featuring Australian artists circa 1945 to 2009. The Katte Art Collection - Selected Aspects cover design featuring a work by Clifton Pugh. The book was over a year in the making and contains works by most of the great post-war Australian painters along with a good section of the Decorative Arts. Included is a forward by Philip Bacon AM and an Essay by Ross Searle. Due for release at the launch by Angela Goddard of Queensland Art Gallery of Modern Art on April 18th this was a major project and has been handled entirely by 3E Innovative.’] [to be indexed]

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3E Innovative, hb, Published March 2015, Pages: 84

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Alcorso Claudioview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

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Alcorso Claudio

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

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Annand Douglas 4 refsview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Annand Douglas 4 refs

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

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Bellette Jeanview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Bellette Jean

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

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Blakebrough Blakeview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Blakebrough Blake

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

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Byers Peterview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Byers Peter

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

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Smith Jack Carrington 5 refsview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Smith Jack Carrington 5 refs

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Constable William 1refview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Constable William 1ref

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Dalgarno Roy 1refview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Dalgarno Roy 1ref

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Giles Patricia 1refview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Giles Patricia 1ref

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Danciger Alice 5 refsview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Danciger Alice 5 refs

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Drysdale Russell 5 refsview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Drysdale Russell 5 refs

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Feint Adrien 2 refsview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Feint Adrien 2 refs

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Grounds Roy 6 refsview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Grounds Roy 6 refs

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Kaldor John 6 refsview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Kaldor John 6 refs

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Modernage exhibition numerous refsview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Modernage exhibition numerous refs

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Orban Desiderius 2 refsview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Orban Desiderius 2 refs

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Preston Margaret 4 refsview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Preston Margaret 4 refs

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Shillito Miss 2 refsview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Shillito Miss 2 refs

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

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Smith Syd Ure 3 refsview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Smith Syd Ure 3 refs

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Walker Stephen 2 refsview full entry

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

×

Walker Stephen 2 refs

Reference: Colour and Movement: The Life of Claudio Alcorso, by Stephanie Cahalan. With index. ‘Colour and movement: The life of Claudio Alcorso is a study of a humanist, entrepreneur, patron of the arts and conservationist.
After fleeing fascism in Italy and enduring incarceration in Australia in World War II, Alcorso became a champion of textiles and the arts, pioneer of Tasmania’s cool climate wine industry, and architect of Hobart’s cultural precinct. Alcorso was at the leading edge of Australia’s twentieth century multicultural and artistic awakening.
Claudio helped redraft the cultural blueprint of Tasmania during his journey from one of Rome’s elite, to the bankrupted tenant of his beloved Moorilla Estate in far-flung Hobart. There he watched the winery he created commence its transformation into MONA, the dissident private museum that has, in turn, reshaped contemporary Tasmania’s view of itself and its place in the world.
Painted through personal accounts, letters and rarely seen images, this portrait of Alcorso shows that his feats will forever dwarf his failures.’

Publishing details: Hobart: Forty South Publishing, 2019.
First Edition. Signed by Author

21cm x 24cm. xvi, 192 pages, illustrations, some colour. Illustrated french fold wrapper.

Location:

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Modernage - A New Approach to Textile Designing Aview full entry

Reference: see A New approach to textile designing / by a group of Aust From AGNSW website:ralian artists, with a foreword by Claudio Alcorso. [J T Burke writes on '100 Years of Industrial Design'; Sydney Ure Smith writes on 'Vision & Confidence In Art For Textiles'; C M Foley writes on 'Art In A Textile Printing Factory' and Desiderius Orban writes on 'How It Happened' (that he taught the workers at the Silk & Textile Printers). This booklet reproduces the designs of 33 artists with with the artists' statements for each pattern.] From AGNSW website, referring to the Drysdale example in their collection:
‘This fabric design resulted from a unique collaboration between Australian artists and the commercial textile industry during 1946-47. The enterprise was remarkable because it was then common practice to buy fabric designs from overseas for printing in Australia.
Claudio Alcorso director of Silk and Textile Printers, invited a large group of Australian artists to make designs for furnishings and fashion. After a trial run in 1946, the 'Modernage' range of fabrics was launched the following year and exhibited at Sydney's Hotel Australia, where girls dressed in some of the fabrics sold copies of the specially produced book 'A new approach to textile designing by a group of Australian artists', published by Sydney Ure Smith. The latter illustrated 46 designs by 33 artists with notes by each artist and essays by key figures in the enterprise, including Art Gallery of New South Wales director Hal Missingham. While some artists worked as though creating paintings, others like those shown here, gave greater consideration to the need for repetition of the design whilst preserving an overall unity of effect.
There was widespread publicity, with newspaper and magazine stories and displays in the windows of David Jones department store. The fabric range was displayed to similar acclaim in Melbourne, with subsequent tours to the USA and Canada. Despite both critical and popular acclaim however, it met with only limited commercial success, which Alcorso later attributed to a post-war climate of conservatism in Australia.’

see also:
see Barsby Auctions, Monthly Auction (Art lots only), Sydney, 18/02/2017, Lot No. 524
'Pearl Divers'
Fabric, 79 x 87 cm,
Manufactured for an exhibition in 1947 of Modernage fabrics. Desgned by Donald Friend. In 1947 Claudio Alcorso of Silk & Textiles Printers Pty Ltd (STP) organised the exhibition. Modernage Fabrics, which consisted of 46 fabric designs by 33 Australian artists. The fabrics printed by his company in the colours and materials selected by the artists were exhibited in Sydney and Melbourne. Alcorso hoped this textile exhibition would inspire Australian industries to commission Australian artists to design their products instead of copying overseas designs.
Publishing details: Ure Smith, 1947 
40 p. : ill. (some col.)

×

Modernage - A New Approach to Textile Designing A

Reference: see A New approach to textile designing / by a group of Aust From AGNSW website:ralian artists, with a foreword by Claudio Alcorso. [J T Burke writes on '100 Years of Industrial Design'; Sydney Ure Smith writes on 'Vision & Confidence In Art For Textiles'; C M Foley writes on 'Art In A Textile Printing Factory' and Desiderius Orban writes on 'How It Happened' (that he taught the workers at the Silk & Textile Printers). This booklet reproduces the designs of 33 artists with with the artists' statements for each pattern.] From AGNSW website, referring to the Drysdale example in their collection:
‘This fabric design resulted from a unique collaboration between Australian artists and the commercial textile industry during 1946-47. The enterprise was remarkable because it was then common practice to buy fabric designs from overseas for printing in Australia.
Claudio Alcorso director of Silk and Textile Printers, invited a large group of Australian artists to make designs for furnishings and fashion. After a trial run in 1946, the 'Modernage' range of fabrics was launched the following year and exhibited at Sydney's Hotel Australia, where girls dressed in some of the fabrics sold copies of the specially produced book 'A new approach to textile designing by a group of Australian artists', published by Sydney Ure Smith. The latter illustrated 46 designs by 33 artists with notes by each artist and essays by key figures in the enterprise, including Art Gallery of New South Wales director Hal Missingham. While some artists worked as though creating paintings, others like those shown here, gave greater consideration to the need for repetition of the design whilst preserving an overall unity of effect.
There was widespread publicity, with newspaper and magazine stories and displays in the windows of David Jones department store. The fabric range was displayed to similar acclaim in Melbourne, with subsequent tours to the USA and Canada. Despite both critical and popular acclaim however, it met with only limited commercial success, which Alcorso later attributed to a post-war climate of conservatism in Australia.’

see also:
see Barsby Auctions, Monthly Auction (Art lots only), Sydney, 18/02/2017, Lot No. 524
'Pearl Divers'
Fabric, 79 x 87 cm,
Manufactured for an exhibition in 1947 of Modernage fabrics. Desgned by Donald Friend. In 1947 Claudio Alcorso of Silk & Textiles Printers Pty Ltd (STP) organised the exhibition. Modernage Fabrics, which consisted of 46 fabric designs by 33 Australian artists. The fabrics printed by his company in the colours and materials selected by the artists were exhibited in Sydney and Melbourne. Alcorso hoped this textile exhibition would inspire Australian industries to commission Australian artists to design their products instead of copying overseas designs.

Publishing details: Ure Smith, 1947 
40 p. : ill. (some col.)

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Hanks Rewview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

×

Hanks Rew

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Brew Iainview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

×

Brew Iain

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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de Rosa Keiraview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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de Rosa Keira

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Bartlett Geoffreyview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

×

Bartlett Geoffrey

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Cassab Judyview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

×

Cassab Judy

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Blackman Charlesview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Blackman Charles

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Bancroft Bronwynview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Bancroft Bronwyn

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Djalparaview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Djalpara

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Eager Helenview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Eager Helen

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Fritz Helliview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Fritz Helli

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Namatjira Enosview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Namatjira Enos

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Spowers Ethelview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Spowers Ethel

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Children of Mia Miaview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Children of Mia Mia

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Mia Mia Children of view full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Mia Mia Children of

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Warren Guyview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Warren Guy

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Watters Maxview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Watters Max

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Alexakis Effy 4 worls view full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Alexakis Effy 4 worls

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Morley Lewisview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Morley Lewis

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Thompson Tomview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Thompson Tom

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Norris Barnablyview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Norris Barnably

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Tjapanangka Long Tomview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Tjapanangka Long Tom

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Gazzard Marea 3 wiorksview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Gazzard Marea 3 wiorks

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Hinder Margelview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Hinder Margel

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Adam Victorview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Adam Victor

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Doolin Jamesview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Doolin James

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Johnson Timview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Johnson Tim

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Lewers Margoview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Lewers Margo

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Maruview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Maru

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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McGillick Tonyview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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McGillick Tony

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Preston Margaretview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Preston Margaret

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Schlicht Rollinview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Schlicht Rollin

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Tuckson Tonyview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Tuckson Tony

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Oldfield Ron 6 worksview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Oldfield Ron 6 works

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Friedman Reneeview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Friedman Renee

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Brack Johnview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Brack John

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Jones Jana p116view full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Jones Jana p116

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Norman Jenny p116view full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Norman Jenny p116

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Moore Timothyview full entry

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.
Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Moore Timothy

Reference: see Affinities : 7 museums, 50 objects : Macquarie University Art Gallery 14 March - 25 May 2014 / Macquarie University Museums and Collections curatorial team.

Publishing details: Sydney : Macquarie University, 2014 
121 pages

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Horne G. M. , view full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Horne G. M. ,

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Hill Mview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Hill M

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Rowe F. K. , view full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Rowe F. K. ,

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Hardy C. J , view full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Hardy C. J ,

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Bleim J. view full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Bleim J.

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Vinter Johnview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Vinter John

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Longstaff John 3 worksview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Longstaff John 3 works

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Raglass Maxview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Raglass Max

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Buckmaster Ernestview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Buckmaster Ernest

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Bernaldo Allan Thomasview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Bernaldo Allan Thomas

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Bell George Henry Frederickview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Bell George Henry Frederick

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Herbert Harold Brocklebankview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Herbert Harold Brocklebank

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Rowell John Nightingaleview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Rowell John Nightingale

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Dargie william Alexanderview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Dargie william Alexander

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Quinn James Peter with biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Quinn James Peter with biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Shore Arnoldview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Shore Arnold

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Gurdon Norah with biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Gurdon Norah with biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Gurdon Norah with biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Gurdon Norah with biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Loxton John S with biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Loxton John S with biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Long Sydney with biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Long Sydney with biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Ramsay Hughview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Ramsay Hugh

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Pick John with biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Pick John with biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Annois Leonard Lloydview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Annois Leonard Lloyd

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Annois Lenview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Annois Len

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Johnson Robertview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Johnson Robert

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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McCubbin Frederickview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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McCubbin Frederick

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Paterson Betty with biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Paterson Betty with biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Watson James D with biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Watson James D with biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Young William Blamire with biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Young William Blamire with biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Coleman Alfred 1886-1948 with biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Coleman Alfred 1886-1948 with biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Moore Alan with biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Moore Alan with biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Currie A no biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Currie A no biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Hellier Dermont James John with biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Hellier Dermont James John with biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Hellier Dermont James John with biographyview full entry

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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Hellier Dermont James John with biography

Reference: see City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

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New Womanview full entry

Reference: New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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New Woman

Reference: New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Woman artistsview full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Woman artists

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Marcus Donna sculptor p 10 69 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Marcus Donna sculptor p 10 69 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Drew Marian p 10 84 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Drew Marian p 10 84 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Cuppaidge Virginia p 10 47 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Cuppaidge Virginia p 10 47 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Schoenheimer-Wagner Leigh p 10 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Schoenheimer-Wagner Leigh p 10 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Avery Eleanor p100 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Avery Eleanor p100 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Reynolds Genevieve Felix p 10view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Reynolds Genevieve Felix p 10

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Johnstone Gallery p 10view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Johnstone Gallery p 10

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Amos Irene 10 51view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Amos Irene 10 51

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Lahey Vida p11 24-5view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Lahey Vida p11 24-5

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Sheldon Jeanette p11 20view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Sheldon Jeanette p11 20

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Bott Sarah Ellen p11 18-19view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Bott Sarah Ellen p11 18-19

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Miya Studio p12view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Miya Studio p12

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Metcalfe Nona Waldie p12 40-1view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Metcalfe Nona Waldie p12 40-1

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Ryder Mona p12 76-7 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Ryder Mona p12 76-7 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Beetson Bianca p98 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Beetson Bianca p98 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Bell Catherine p114 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Bell Catherine p114 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Allen Davida p63 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Allen Davida p63 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Black Karen p89 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Black Karen p89 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Brock Bridgid p135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Brock Bridgid p135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Brooker Anne p135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Brooker Anne p135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Carmichael Elisa Jane p102-3 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Carmichael Elisa Jane p102-3 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Churcher Benjamin p135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Churcher Benjamin p135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Churcher Paul p135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Churcher Paul p135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Conrad Janet p135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Conrad Janet p135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Coombs Courtney p120 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Coombs Courtney p120 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Coulter Emma p105 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Coulter Emma p105 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Cope Megan p97 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Cope Megan p97 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Cummings Elizabeth p60 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Cummings Elizabeth p60 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Dauber Christine p135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Dauber Christine p135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Fragar Julie p119 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Fragar Julie p119 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Eisler Simone p127 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Eisler Simone p127 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Foley Fiona p10 90-1 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Foley Fiona p10 90-1 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Georgetti Diena p113 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Georgetti Diena p113 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Grant John and Susan p135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Grant John and Susan p135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Haynes Rachel p125 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Haynes Rachel p125 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Heath Barbara p70 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Heath Barbara p70 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Henderson Glen p110 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Henderson Glen p110 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Herd Jennifer p115 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Herd Jennifer p115 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Higgins Andrea p121 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Higgins Andrea p121 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Hinwood Rhyl p64 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Hinwood Rhyl p64 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Hoffie Patricia p122-3 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Hoffie Patricia p122-3 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Hogan Annie p80 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Hogan Annie p80 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Hollie p74 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Hollie p74 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Hughes Natalie p108 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Hughes Natalie p108 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Jorgensen Jan p112 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Jorgensen Jan p112 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Kelly Madelaine p96 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Kelly Madelaine p96 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Kentish Judith p66 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Kentish Judith p66 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Lang Alice p104 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Lang Alice p104 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Lawrie Dana p106 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Lawrie Dana p106 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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MacFarlane Ingereth p135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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MacFarlane Ingereth p135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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McCowan Bronwyn p135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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McCowan Bronwyn p135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Maslen Geoffrey p135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Maslen Geoffrey p135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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McGregor Carol p107 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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McGregor Carol p107 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Milani Lyndall p81 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Milani Lyndall p81 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Mills Wendy p75 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Mills Wendy p75 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Moffatt Tracey p85 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Moffatt Tracey p85 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Morrow Christine p65 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Morrow Christine p65 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Orr Glenda p126 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Orr Glenda p126 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Paton Nat p87 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Paton Nat p87 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Peach Dianne p73 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Peach Dianne p73 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Rohan Monica p93 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Rohan Monica p93 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Schoenheimer Joy p 10 49 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Schoenheimer Joy p 10 49 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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See Pamela p128-9 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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See Pamela p128-9 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Selig Sandra p118 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Selig Sandra p118 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Shillam Kathleen p55-6 59 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Shillam Kathleen p55-6 59 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Simpson Sancintya p94-5 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Simpson Sancintya p94-5 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Slater Annie p 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Slater Annie p 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Smith Gemma p92 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Smith Gemma p92 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Staunton Madonna p50 124 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Staunton Madonna p50 124 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Target Simon p 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Target Simon p 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Teeland Elizabeth p 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Teeland Elizabeth p 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Thompson Nicholas p 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Thompson Nicholas p 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Tupicoff June p72 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Tupicoff June p72 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Walker Petrina p 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Walker Petrina p 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Wallace Anna p82-3 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Wallace Anna p82-3 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Watson Jenny p12 52-3 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Watson Jenny p12 52-3 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Watson Judy p111 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Watson Judy p111 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Watson Lilla p79 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Watson Lilla p79 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Were Ian p 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Were Ian p 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Wight Normana p86 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Wight Normana p86 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Woods Elizabeth p101 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Woods Elizabeth p101 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Wright Judith p67 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Wright Judith p67 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Wyman Jemima p109 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Wyman Jemima p109 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Yeates Andrews p 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Yeates Andrews p 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Yeates Michael p 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Yeates Michael p 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Younger Jay p68 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Younger Jay p68 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Zatorska Beata p 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Zatorska Beata p 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Barth James p117 135view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Barth James p117 135

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Barker Caroline portrait c1925 p17 and p71view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Barker Caroline portrait c1925 p17 and p71

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Mayo Daphne p21-3view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Mayo Daphne p21-3

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Grant Gwendolyn p26-7view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Grant Gwendolyn p26-7

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Greene Annie Alison p28view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Greene Annie Alison p28

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Gibson Bessie p29view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Gibson Bessie p29

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Churcher Betty p31view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Churcher Betty p31

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Olley Margaret p32view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Olley Margaret p32

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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McCausland Lola p33view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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McCausland Lola p33

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Prentice Patricia p34view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Prentice Patricia p34

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Cilento Margaret p35 43view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Cilento Margaret p35 43

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Ashworth Olive p36-7view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Ashworth Olive p36-7

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Quelhurst Betty p 38-9view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

×

Quelhurst Betty p 38-9

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Noonunccal Oodgeroo p42view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Noonunccal Oodgeroo p42

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Robinson Conty p45view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Robinson Conty p45

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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MacFarlane Pamela p44view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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MacFarlane Pamela p44

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Yeates Bronwyn p 48view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Yeates Bronwyn p 48

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Schneider Phyllis p54view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Schneider Phyllis p54

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Ricketts Joan p57view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Ricketts Joan p57

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Norrie Mary p58view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Norrie Mary p58

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Roggenkamp Joy p61view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Roggenkamp Joy p61

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Pigott Gwyn Hanssen p78view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Pigott Gwyn Hanssen p78

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Porch Debra p99view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Porch Debra p99

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Blacklock Naomi p 116view full entry

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.
Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Blacklock Naomi p 116

Reference: see New Woman. A catalogue to accompany the exhibition New Woman at Museum of Brisbane, on display between 13 September 2019 - 15 March 2020. New Woman reveals the art, personal stories and enduring legacies of Brisbane's most significant and ground-breaking female artists of the past 100 years. Authors: Sallyanne Atkinson, Paul Spiro, Renai Grace, Louise Martin-Chew, Miranda Hine.

Publishing details: Museum of Brisbane, 2019, 136pp, hc.

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Beckett Clariceview full entry

Reference: see essay in Inside Story, ‘An exact illusion of reality. In search of the artist behind the Art Gallery of South Australia’s widely praised exhibition,’ by Tim Colebatch, former economics editor and columnist for the Age, 1 May, 2021. Includes thformation on Rosalind Holingrake finding Clarice Beckett’s paintings in shed.
Publishing details: https://insidestory.org.au/an-exact-illusion-of-reality/

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Beckett Clarice

Reference: see essay in Inside Story, ‘An exact illusion of reality. In search of the artist behind the Art Gallery of South Australia’s widely praised exhibition,’ by Tim Colebatch, former economics editor and columnist for the Age, 1 May, 2021. Includes thformation on Rosalind Holingrake finding Clarice Beckett’s paintings in shed.

Publishing details: https://insidestory.org.au/an-exact-illusion-of-reality/

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Museum and Gallery Services Queensland view full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Museum and Gallery Services Queensland

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Martin Mandyview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Martin Mandy

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Gela Anne Abednegoview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Gela Anne Abednego

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Bunny Rupert The Harem c1913view full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Bunny Rupert The Harem c1913

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Boles Bernard in Perc Gucker Regional Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Boles Bernard in Perc Gucker Regional Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Yaxley William in Ipswiich Art Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Yaxley William in Ipswiich Art Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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King-Smith Leahview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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King-Smith Leah

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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King-Smith Leah in QUT collectionview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

×

King-Smith Leah in QUT collection

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Perc Gucker Regional Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

×

Perc Gucker Regional Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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QUT Art Collectionview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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QUT Art Collection

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Ipswiich Art Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

×

Ipswiich Art Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Drew Marian in Griffith University Art Collectionview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Drew Marian in Griffith University Art Collection

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Griffith University Art Collectionview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Griffith University Art Collection

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Burn Ian in University of Queensland Art Collectionview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Burn Ian in University of Queensland Art Collection

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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University of Queensland Art Collectionview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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University of Queensland Art Collection

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Dowling Robert Hawker in University of Queensland Art Collectionview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Dowling Robert Hawker in University of Queensland Art Collection

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Watson Judy in Toowoomba Regional Art Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Watson Judy in Toowoomba Regional Art Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Toowoomba Regional Art Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Toowoomba Regional Art Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Thaiday Ken Snr in Ipswich Art Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Thaiday Ken Snr in Ipswich Art Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Wei Guan in Gold Coast City Art Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Wei Guan in Gold Coast City Art Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Gold Coast City Art Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Gold Coast City Art Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Nona Dennis in Griffith University Art Collectionview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Nona Dennis in Griffith University Art Collection

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Li Wei HanRosanna in Logan Art Collectionview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Li Wei HanRosanna in Logan Art Collection

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Logan Art Collectionview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Logan Art Collection

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Shen Jaiwei in University of Queensland Art Collectionview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Shen Jaiwei in University of Queensland Art Collection

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Delessert Eugene in Toowoomba Regional Art Gallery 5 illustrationsview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Delessert Eugene in Toowoomba Regional Art Gallery 5 illustrations

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Hirata Mari in Gold Coast City Art Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Hirata Mari in Gold Coast City Art Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Siune John in Perc Gucker Regional Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Siune John in Perc Gucker Regional Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Robinson Brian in Cairns Regional Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Robinson Brian in Cairns Regional Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Cairns Regional Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Cairns Regional Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Dupain Max in University of Queensland Art Collectionview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Dupain Max in University of Queensland Art Collection

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Artspace Mackayview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Artspace Mackay

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Mackay Artspace view full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Mackay Artspace

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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McBurney Maria Emma in Artspace Mackayview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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McBurney Maria Emma in Artspace Mackay

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Outteridge Adele in Artspace Mackayview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Outteridge Adele in Artspace Mackay

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Carchesion Eugene in Artspace Mackayview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Carchesion Eugene in Artspace Mackay

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Skien Glen in Artspace Mackayview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Skien Glen in Artspace Mackay

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Ahad Farhana in Artspace Mackayview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Ahad Farhana in Artspace Mackay

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Hitti Deanna in Artspace Mackayview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Hitti Deanna in Artspace Mackay

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Marten Annie Pring 1873 in Artspace Mackayview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Marten Annie Pring 1873 in Artspace Mackay

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Marten Annie Pring 1870s in Artspace Mackay 2 illustrationsview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Marten Annie Pring 1870s in Artspace Mackay 2 illustrations

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Bustard William 1894-1973 in Bundaberg Regional Art Gallery 3 works illustratedview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Bustard William 1894-1973 in Bundaberg Regional Art Gallery 3 works illustrated

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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Bundaberg Regional Art Galleryview full entry

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.
Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

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Bundaberg Regional Art Gallery

Reference: see Twelve Degrees of Latitude: Regional Gallery and University Art Collections in Queensland, by Bettina MacAulay, Brett Adlington. An exhibition for the sesquicentenary of Queensland. Catalogue includes information about the galleries represented and works from their collections.

Publishing details: Brisbane: Museum and Gallery Services Queensland, 2009, 102 pages, colour illustrations.

Location:

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