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Bunny Rupertview full entry

Reference: Rupert Bunny by David Thomas - Landscapes of the South of France
Publishing details: Bendigo and Castlemaine Art Galleries, 1991
Ref: 1000

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Bunny Rupert

Reference: Rupert Bunny by David Thomas - Landscapes of the South of France

Publishing details: Bendigo and Castlemaine Art Galleries, 1991

Location: 1000

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marine artview full entry

Reference: see photography with a paintbrush - understanding Australian Maritime Art
Publishing details: Australian Antique Collector, no 55, 1998

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marine art

Reference: see photography with a paintbrush - understanding Australian Maritime Art

Publishing details: Australian Antique Collector, no 55, 1998

Location:

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Roberts Tomview full entry

Reference: Tom Roberts - Father of Australian Landscape Painting by R. H. Croll. Includes letters by Roberts, letters by Streeton, ‘recollections by Tom Roberts of the painting of the big picture’ (Opening of Parliament’), list of Roberts’ works in public galleries. Unfortunately no index.
Publishing details: Robertson and Mullins, 1935, hc, 231pp. bookplate of Frank McDonald on flyleaf. Some waterstaining on cover, spine repaired.

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Roberts Tom

Reference: Tom Roberts - Father of Australian Landscape Painting by R. H. Croll. Includes letters by Roberts, letters by Streeton, ‘recollections by Tom Roberts of the painting of the big picture’ (Opening of Parliament’), list of Roberts’ works in public galleries. Unfortunately no index.

Publishing details: Robertson and Mullins, 1935, hc, 231pp. bookplate of Frank McDonald on flyleaf. Some waterstaining on cover, spine repaired.

Location: 0

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Roberts Tomview full entry

Reference: see Croll R H - Smike to Bulldog, Letters from Sir Arthur Streeton to Tom Roberts
Publishing details: Ure Smith, 1946, ex Bank of NSW Library

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Roberts Tom

Reference: see Croll R H - Smike to Bulldog, Letters from Sir Arthur Streeton to Tom Roberts

Publishing details: Ure Smith, 1946, ex Bank of NSW Library

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Streeton Arthurview full entry

Reference: see Croll R H - Smike to Bulldog, Letters from Sir Arthur Streeton to Tom Roberts
Publishing details: Ure Smith, 1946, ex Bank of NSW Library

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Streeton Arthur

Reference: see Croll R H - Smike to Bulldog, Letters from Sir Arthur Streeton to Tom Roberts

Publishing details: Ure Smith, 1946, ex Bank of NSW Library

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Australian Impressionistsview full entry

Reference: see Croll R H - Smike to Bulldog, Letters from Sir Arthur Streeton to Tom Roberts
Publishing details: Ure Smith, 1946, ex Bank of NSW Library

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Australian Impressionists

Reference: see Croll R H - Smike to Bulldog, Letters from Sir Arthur Streeton to Tom Roberts

Publishing details: Ure Smith, 1946, ex Bank of NSW Library

Location:

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Ateyo Samview full entry

Reference: WATERCOLOURS 1930-1962, EXHIBITION CATALOGUE;
27 NIAGARA LANE GALLERIES, 1982.
EXHIBITION CATALOGUE OF THE WORKS OF THE AUSTRALIAN SAM ATYEO.

INCLUDES BLACK & WHITE ILLUSTRATIONS OF ATYEO'S NO.4 - RED DINGO (C.1930) ON COVER. CONTAINS CATALOGUE LISTING OF WORKS EXHIBITED.

Publishing details: 1982, folding card, 4pp
Ref: 1000

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Ateyo Sam

Reference: WATERCOLOURS 1930-1962, EXHIBITION CATALOGUE;
27 NIAGARA LANE GALLERIES, 1982.
EXHIBITION CATALOGUE OF THE WORKS OF THE AUSTRALIAN SAM ATYEO.

INCLUDES BLACK & WHITE ILLUSTRATIONS OF ATYEO'S NO.4 - RED DINGO (C.1930) ON COVER. CONTAINS CATALOGUE LISTING OF WORKS EXHIBITED.

Publishing details: 1982, folding card, 4pp

Location: 1000

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Vassilieff Danilaview full entry

Reference: MILDURA ARTS CENTRE
VASSILIEF SCULPTURE
1947-1953, CATALOGUE,
CONTAINS APPROX 20 BLACK & WHITE REPRODUCTIONS OF THE SCULPTURES EXHIBITED. ALSO CONTAINS SCHOLARLY ESSAY ON VASSILIEFF AND HIS SCULPTURED WORKS, BY ALAN MCCULLOCH
Publishing details: VICTORIA: MILDURA ARTS CENTRE, 1985
Ref: 5

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Vassilieff Danila

Reference: MILDURA ARTS CENTRE
VASSILIEF SCULPTURE
1947-1953, CATALOGUE,
CONTAINS APPROX 20 BLACK & WHITE REPRODUCTIONS OF THE SCULPTURES EXHIBITED. ALSO CONTAINS SCHOLARLY ESSAY ON VASSILIEFF AND HIS SCULPTURED WORKS, BY ALAN MCCULLOCH

Publishing details: VICTORIA: MILDURA ARTS CENTRE, 1985

Location: 5

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Viscount Collectionview full entry

Reference: Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.
Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.
Ref: 123

×

Viscount Collection

Reference: Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.

Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

Location: 123

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Drysdale Russell photographic portrait and biogview full entry

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.
Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

×

Drysdale Russell photographic portrait and biog

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.

Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

Location:

Close

Nolan Sidney photographic portrait and biogview full entry

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.
Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

×

Nolan Sidney photographic portrait and biog

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.

Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

Location:

Close

Olsen John photographic portrait and biogview full entry

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.
Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

×

Olsen John photographic portrait and biog

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.

Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

Location:

Close

Wigley James photographic portrait and biogview full entry

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.
Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

×

Wigley James photographic portrait and biog

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.

Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

Location:

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Tucker Albert photographic portrait and biogview full entry

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.
Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

×

Tucker Albert photographic portrait and biog

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.

Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

Location:

Close

Williams Fred photographic portrait and biogview full entry

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.
Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

×

Williams Fred photographic portrait and biog

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.

Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

Location:

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Boyd Arthur photographic portrait and biogview full entry

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.
Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

×

Boyd Arthur photographic portrait and biog

Reference: see Viscount collection : ‘The Australian Scene’
Arthur Boyd, Russell Drysdale, Sydney [sic] Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams. [Melbourne? : Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin (corner creased, a small amount of silverfishing), pp. [16], illustrated.
The Viscount collection was assembled by Australian Galleries for tobacco manufacturers Godfrey Phillips International Pty. Ltd. The exhibition of paintings opened at Australian Galleries, Melbourne, on 19 Nov 1963 and travelled to Clune Galleries, Sydney on 4 Dec 1963, and then Farmer’s Blaxland Gallery, Adelaide, 1 Apr 1964.
‘This small exhibition catalogue is a fine example of Australian designer, Arthur Leydin’s crisp clean graphic design style. It features an abstract modernist design which stands in stark contrast to the modern figurative, and abstract expressionist, paintings of Arthur Boyd, Russell Drysdale, Sidney Nolan, John Olsen, Albert Tucker, James Wigley, Frederick Williams, illustrated within. Leydin’s bold minimalist graphic design style gives the booklet a strong presence and it’s own identity.
Abstract geometric modernism was popular in Australian architecture, fashion and design during the 1950s and 1960s (eg Harry Seidler Rose Seidler house 1948-1950 and Simona dress in Bruno Benini fashion photo 1966 – Powerhouse Museum collection 2009/43/1-1/27). The booklet uses plain white or coloured surfaces generously, and text and images sparingly. This minimalist design is communicated throughout – from the red and black front cover with white square ‘frame’ motif through the spacious page layouts, and plain red back cover featuring 3 tiny words, ‘Design: Arthur Leydin’.
The Museum holds the design archive of Arthur Leydin (1932-2010) . This booklet, which was collected and held onto for decades by another Sydney-based graphic designer, John Spatchurst, is not included in this archive.
Leydin developed his modern graphic style while working in Melbourne, the USA and Canada in the 1950s. When Leydin was initiated into the Australian Graphic Design Hall of Fame in 2000, colleague and friend Max Robinson, penned a few words in an endeavour to sum up Leydin’s impact and design legacy:
“Arthur Leydin careered through the graphic design world like a rogue comet. Once you thought you had him firmly in your sights, he was gone again to another distant galaxy, leaving in his wake a trail of sublime work sprinkled over two continents.” ‘ – Museum of Applied Arts and Sciences website, Anne-Marie Van de Ven, Curator, 2014.
CATALOGUE CONTAINS INFORMATIVE TEXT ON EACH ARTIST AND THEIR WORK. CONTAINS BLACK & WHITE ILLUSTRATIONS IN THROUGHOUT OF THE ARTISTS' WORKS AND A PHOTOGRAPH OF EACH ARTIST.

Publishing details: Godfrey Phillips International Pty. Ltd., circa 1963]. Quarto, colour wrappers designed by Arthur Leydin pp. [16], illustrated.

Location:

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The Contemporary Groupview full entry

Reference: THE CONTEMPORARY GROUP
TWENTY-FOURTH ANNUAL EXHIBITION OF PAINTINGS IN FARMER'S BLAXLAND GALLERIES, APRIL, 1951. [to be indexed]
BI-FOLD CATALOGUE, CONTAINING A LIST OF WORKS EXHIBITED IN THE 24TH ANNUAL EXHIBITION OF PAINTINGS BY THE CONTEMPORARY GROUP.
INCLUDED WORKS BY GREAT ARTISTS; ROLAND WAKELIN, GEORGE LAWRENCE, THEA PROCTOR, DESIDERIUS ORBAN, GRACE COSSINGTON-SMITH, GEORGE BELL, DONALD FRIEND, LLOYD REES, SALI HERMAN, DORRIT BLACK, DARYL LINDSAY, ARNOLD SHORE AND MANY OTHERS.
CATALOGUE IS IN AVERAGE CONDITION WITH CREASE DOWN THE MIDDLE AND WRITING ON THE COVER. YET THIS IS STILL AN IMPORTANT CATALOGUE FEATURING MANY GREAT AUSTRALIN ARTISTS.
Publishing details: 1951
Ref: 1000

×

The Contemporary Group

Reference: THE CONTEMPORARY GROUP
TWENTY-FOURTH ANNUAL EXHIBITION OF PAINTINGS IN FARMER'S BLAXLAND GALLERIES, APRIL, 1951. [to be indexed]
BI-FOLD CATALOGUE, CONTAINING A LIST OF WORKS EXHIBITED IN THE 24TH ANNUAL EXHIBITION OF PAINTINGS BY THE CONTEMPORARY GROUP.
INCLUDED WORKS BY GREAT ARTISTS; ROLAND WAKELIN, GEORGE LAWRENCE, THEA PROCTOR, DESIDERIUS ORBAN, GRACE COSSINGTON-SMITH, GEORGE BELL, DONALD FRIEND, LLOYD REES, SALI HERMAN, DORRIT BLACK, DARYL LINDSAY, ARNOLD SHORE AND MANY OTHERS.
CATALOGUE IS IN AVERAGE CONDITION WITH CREASE DOWN THE MIDDLE AND WRITING ON THE COVER. YET THIS IS STILL AN IMPORTANT CATALOGUE FEATURING MANY GREAT AUSTRALIN ARTISTS.

Publishing details: 1951

Location: 1000

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Australians in Franceview full entry

Reference: AUSTRALIANS IN FRANCE
EXHIBITION CATALOGUE: MCCLELLAND GALLERY, 1974

CATALOGUE CONTAINS LIST OF WORKS EXHIBITED, INCLUDING THOSE BY GREAT ARTISTS, JOHN PETER RUSSELL, DAVID DAVIES, JOHN LONGSTAFF, RUPERT BUNNY, E. PHILLIPS FOX, ARTHUR STREETON, CHARLES CONDER, GEORGE BELL, HILDA RIX NICHOLAS, LEN ANNOIS, ROY DE MAISTRE, WILLIAM DARGIE, FRED WILLIAMS AND MANY OTHERS.
UNI-FOLD CATALOGUE (4 PANELS).
Ref: 1000

×

Australians in France

Reference: AUSTRALIANS IN FRANCE
EXHIBITION CATALOGUE: MCCLELLAND GALLERY, 1974

CATALOGUE CONTAINS LIST OF WORKS EXHIBITED, INCLUDING THOSE BY GREAT ARTISTS, JOHN PETER RUSSELL, DAVID DAVIES, JOHN LONGSTAFF, RUPERT BUNNY, E. PHILLIPS FOX, ARTHUR STREETON, CHARLES CONDER, GEORGE BELL, HILDA RIX NICHOLAS, LEN ANNOIS, ROY DE MAISTRE, WILLIAM DARGIE, FRED WILLIAMS AND MANY OTHERS.
UNI-FOLD CATALOGUE (4 PANELS).

Publishing details:

Location: 1000

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Annand Douglasview full entry

Reference: Douglas Annand- Published by Sydney Ure Smith
Publishing details: Ure Smith, 1944

×

Annand Douglas

Reference: Douglas Annand- Published by Sydney Ure Smith

Publishing details: Ure Smith, 1944

Location: 0

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Bennett Gordonview full entry

Reference: Shadow Reflections
Publishing details: Milano Gallery, 2008, pb, 24pp
Ref: 1000

×

Bennett Gordon

Reference: Shadow Reflections

Publishing details: Milano Gallery, 2008, pb, 24pp

Location: 1000

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Australians The - Three Generations of Drawingview full entry

Reference: THE AUSTRALIANS
THREE GENERATIONS OF DRAWING.
EXHIBITION CATALOGUE, CDS GALLERY, 1984.

THIS IS THE CATALOGUE FROM THE 1984 EXHIBITION THE AUSTRALIANS, AT CDS GALLERY, NEW YORK. CONTAINS TEXT ON THE EXHIBITION BY CURATOR, MEMORY HALLOWAY.

EXHIBITION INCLUDED WORKS FROM GREAT AUSTRALIAN ARTISTS; HOWARD ARKLEY, SYDNEY BALL, PETER BOOTH, ARTHUR BOYD, RICHARD DUNN, PHILIP HUNTER, ROGER KEMP, MARY MACQUEEN, JEFFREY MAKIN, JAN MURRAY, JOHN OLSEN, STEIG PERSSON, JAN SENBERGS, TONY TUCKSON, KEN WHISSON AND FRED WILLIAMS.

THIS PUBLICATION IS ILLUSTRATED THROUGHOUT WITH BLACK & WHITE IMAGES OF SELECTED WORKS FROM THE EXHIBITION. 12 PAGES.
Ref: 1000

×

Australians The - Three Generations of Drawing

Reference: THE AUSTRALIANS
THREE GENERATIONS OF DRAWING.
EXHIBITION CATALOGUE, CDS GALLERY, 1984.

THIS IS THE CATALOGUE FROM THE 1984 EXHIBITION THE AUSTRALIANS, AT CDS GALLERY, NEW YORK. CONTAINS TEXT ON THE EXHIBITION BY CURATOR, MEMORY HALLOWAY.

EXHIBITION INCLUDED WORKS FROM GREAT AUSTRALIAN ARTISTS; HOWARD ARKLEY, SYDNEY BALL, PETER BOOTH, ARTHUR BOYD, RICHARD DUNN, PHILIP HUNTER, ROGER KEMP, MARY MACQUEEN, JEFFREY MAKIN, JAN MURRAY, JOHN OLSEN, STEIG PERSSON, JAN SENBERGS, TONY TUCKSON, KEN WHISSON AND FRED WILLIAMS.

THIS PUBLICATION IS ILLUSTRATED THROUGHOUT WITH BLACK & WHITE IMAGES OF SELECTED WORKS FROM THE EXHIBITION. 12 PAGES.

Publishing details:

Location: 1000

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Bateman Robertview full entry

Reference: AN ARTIST IN NATURE by ROBERT BATEMAN with text by RICK ARCHBOLD

Publishing details: VIKING STUDIO BOOKS, 1990, hc, dw
Ref: 1000

×

Bateman Robert

Reference: AN ARTIST IN NATURE by ROBERT BATEMAN with text by RICK ARCHBOLD

Publishing details: VIKING STUDIO BOOKS, 1990, hc, dw

Location: 1000

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Hopwood Grahamview full entry

Reference: The History & Appreciation of Art - A concise treatise dealing with the study of Architecture & Fine Arts from the earliest times to the present day by Graham Hopwood with b&w photos and illustrations
Publishing details: published by author, Melbourne ,1952, pb, 66pp plus 14 page supplement
Ref: 1000

×

Hopwood Graham

Reference: The History & Appreciation of Art - A concise treatise dealing with the study of Architecture & Fine Arts from the earliest times to the present day by Graham Hopwood with b&w photos and illustrations

Publishing details: published by author, Melbourne ,1952, pb, 66pp plus 14 page supplement

Location: 1000

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King H Jview full entry

Reference: Tasmania Remembered - Early Photographs of H J King

Publishing details: The Mary Fisher Bookshop, Launceston 1974 1st ed
hardback/dcover,
161 pages with b&w photos
Ref: 1000

×

King H J

Reference: Tasmania Remembered - Early Photographs of H J King

Publishing details: The Mary Fisher Bookshop, Launceston 1974 1st ed
hardback/dcover,
161 pages with b&w photos

Location: 1000

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Tuckson Tonyview full entry

Reference: Tony Tuckson - Woman
Publishing details: Watters Gallery. 2005. Softcover. 16 pages plus price list
Ref: 1002

×

Tuckson Tony

Reference: Tony Tuckson - Woman

Publishing details: Watters Gallery. 2005. Softcover. 16 pages plus price list

Location: 1002

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Year Book of Victorian Artview full entry

Reference: THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - EDITED BY A. COLQUHOUN, FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. INCLUDES ADDRESSES OF ARTISTS. [Artists’ addresses to be indexed urgently]
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES, Perry’s bookplate is in this copy
Ref: 44

×

Year Book of Victorian Art

Reference: THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - EDITED BY A. COLQUHOUN, FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. INCLUDES ADDRESSES OF ARTISTS. [Artists’ addresses to be indexed urgently]

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES, Perry’s bookplate is in this copy

Location: 44

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Art Gallery of Western Australiaview full entry

Reference: Illustrated Catalogue of the Art Gallery of Western Australia, Perth, 1929. Includes 1937 suplement

Publishing details: AGWA,
Soft cover; 21 x 13.5 cm; 42 pp; b/w plates. with index

×

Art Gallery of Western Australia

Reference: Illustrated Catalogue of the Art Gallery of Western Australia, Perth, 1929. Includes 1937 suplement

Publishing details: AGWA,
Soft cover; 21 x 13.5 cm; 42 pp; b/w plates. with index

Location: 0

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Bergner Yoslview full entry

Reference: Yosl Bergner. Drawings to Franz Kafka. Scarce early monograph.
Publishing details: Jerusalem, Israel: Tarshish Books, 1959. Quarto, illustrated boards, 40 black and white plates of Bergner drawings.
Ref: 1009

×

Bergner Yosl

Reference: Yosl Bergner. Drawings to Franz Kafka. Scarce early monograph.

Publishing details: Jerusalem, Israel: Tarshish Books, 1959. Quarto, illustrated boards, 40 black and white plates of Bergner drawings.

Location: 1009

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Annois Lenview full entry

Reference: Len Annois. A retrospective exhibition Dec. 1974 – May 1975.
Publishing details: Melbourne: McClelland Gallery, 1974. Folio, illustrated card wrappers, 4pp. catalogue and essay.
Ref: 1000

×

Annois Len

Reference: Len Annois. A retrospective exhibition Dec. 1974 – May 1975.

Publishing details: Melbourne: McClelland Gallery, 1974. Folio, illustrated card wrappers, 4pp. catalogue and essay.

Location: 1000

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Bateman Piersview full entry

Reference: Piers Bateman : Journey to the edge and back with illustrations, biographical notes and artist’s comments.


Publishing details: Delshan Art Gallery, circa 1996. Quarto, illustrated self wrappers, [pp. 8],
Ref: 1000

×

Bateman Piers

Reference: Piers Bateman : Journey to the edge and back with illustrations, biographical notes and artist’s comments.

Publishing details: Delshan Art Gallery, circa 1996. Quarto, illustrated self wrappers, [pp. 8],

Location: 1000

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Women in Artview full entry

Reference: WOMAN IN ART - ANNUAL INVITATION EXHIBITION CATALOGUE: 7-16 NOVEMBER 1975

CONTAINS THE WORKS OF GREAT ARTISTS; NORA ANSON, GEORGE BALDESSIN, JOHN BRACK, CHARLES BLACKMAN, KEVIN CONNOR, JUDY CASSAB, ROBERT DICKERSON, NOEL COUNIHAN, DONALD FRIEND, ELAINE HAXTON, COLIN LANCELEY, BEA MADDOCK, MARGARET OLLEY, MIRKA MORA, CLIFTON PUGH, GARRY SHEAD, CONSTANCE STOKES, BRETT WHITELEY AND MANY OTHERS.

40 PAGES
Publishing details: WESTERN AUSTRALIAN INSTITUTE OF TECHNOLOGY, 1975, 40pp
Ref: 1000

×

Women in Art

Reference: WOMAN IN ART - ANNUAL INVITATION EXHIBITION CATALOGUE: 7-16 NOVEMBER 1975

CONTAINS THE WORKS OF GREAT ARTISTS; NORA ANSON, GEORGE BALDESSIN, JOHN BRACK, CHARLES BLACKMAN, KEVIN CONNOR, JUDY CASSAB, ROBERT DICKERSON, NOEL COUNIHAN, DONALD FRIEND, ELAINE HAXTON, COLIN LANCELEY, BEA MADDOCK, MARGARET OLLEY, MIRKA MORA, CLIFTON PUGH, GARRY SHEAD, CONSTANCE STOKES, BRETT WHITELEY AND MANY OTHERS.

40 PAGES

Publishing details: WESTERN AUSTRALIAN INSTITUTE OF TECHNOLOGY, 1975, 40pp

Location: 1000

Close

Artists’ Objectsview full entry

Reference: Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross. Biographies included
Publishing details: Heide Park and Art Gallery, 1988
Ref: 123

×

Artists’ Objects

Reference: Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross. Biographies included

Publishing details: Heide Park and Art Gallery, 1988

Location: 123

Close

Baldessin Georgeview full entry

Reference: see Artists’ Objects - Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross
Publishing details: Heide Park and Art Gallery, 1988

×

Baldessin George

Reference: see Artists’ Objects - Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross

Publishing details: Heide Park and Art Gallery, 1988

Location:

Close

Herel Petrview full entry

Reference: see Artists’ Objects - Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross
Publishing details: Heide Park and Art Gallery, 1988

×

Herel Petr

Reference: see Artists’ Objects - Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross

Publishing details: Heide Park and Art Gallery, 1988

Location:

Close

Croft Christopherview full entry

Reference: see Artists’ Objects - Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross
Publishing details: Heide Park and Art Gallery, 1988

×

Croft Christopher

Reference: see Artists’ Objects - Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross

Publishing details: Heide Park and Art Gallery, 1988

Location:

Close

Gleeson Jamesview full entry

Reference: see Artists’ Objects - Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross
Publishing details: Heide Park and Art Gallery, 1988

×

Gleeson James

Reference: see Artists’ Objects - Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross

Publishing details: Heide Park and Art Gallery, 1988

Location:

Close

Mourtzakis Nickview full entry

Reference: see Artists’ Objects - Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross
Publishing details: Heide Park and Art Gallery, 1988

×

Mourtzakis Nick

Reference: see Artists’ Objects - Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross

Publishing details: Heide Park and Art Gallery, 1988

Location:

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Mora Mirkaview full entry

Reference: see Artists’ Objects - Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross
Publishing details: Heide Park and Art Gallery, 1988

×

Mora Mirka

Reference: see Artists’ Objects - Heide Exhibition - Baldessin, Herel, Mora, Croft, Gleeson and Mourtzakis. Author: Elizabeth Cross

Publishing details: Heide Park and Art Gallery, 1988

Location:

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Bateman Piersview full entry

Reference: Melbourne Art Exchange
Publishing details: 1987, softcover, 1000 copies
Ref: 1000

×

Bateman Piers

Reference: Melbourne Art Exchange

Publishing details: 1987, softcover, 1000 copies

Location: 1000

Close

May Philview full entry

Reference: Phil May in Australia
Publishing details: The Bulletin Newspaper, 1904, hc, the smaller folio, edition, with some different illustrations and plus advertisements. spine in poor conditon

×

May Phil

Reference: Phil May in Australia

Publishing details: The Bulletin Newspaper, 1904, hc, the smaller folio, edition, with some different illustrations and plus advertisements. spine in poor conditon

Location: 0

Close

Drysdale Russellview full entry

Reference: see LOOK July 2010 - Sunday Evening the new cover for Klepac’s book

×

Drysdale Russell

Reference: see LOOK July 2010 - Sunday Evening the new cover for Klepac’s book

Publishing details:

Location:

Close

Fox Ethel Carrickview full entry

Reference: see LOOK July 2010 - High Tide at St Malo restoration

×

Fox Ethel Carrick

Reference: see LOOK July 2010 - High Tide at St Malo restoration

Publishing details:

Location:

Close

Morrison G Pitt brief biog.view full entry

Reference: see Art Gallery of Western Australia - Illustrated Catalogue of the Art Gallery of Western Australia, Perth, 1929. Includes 1937 suplement

Publishing details: AGWA,
Soft cover; 21 x 13.5 cm; 42 pp; b/w plates. with index

×

Morrison G Pitt brief biog.

Reference: see Art Gallery of Western Australia - Illustrated Catalogue of the Art Gallery of Western Australia, Perth, 1929. Includes 1937 suplement

Publishing details: AGWA,
Soft cover; 21 x 13.5 cm; 42 pp; b/w plates. with index

Location:

Close

Gibbs H W brief biog.view full entry

Reference: see Art Gallery of Western Australia - Illustrated Catalogue of the Art Gallery of Western Australia, Perth, 1929. Includes 1937 suplement

Publishing details: AGWA,
Soft cover; 21 x 13.5 cm; 42 pp; b/w plates. with index

×

Gibbs H W brief biog.

Reference: see Art Gallery of Western Australia - Illustrated Catalogue of the Art Gallery of Western Australia, Perth, 1929. Includes 1937 suplement

Publishing details: AGWA,
Soft cover; 21 x 13.5 cm; 42 pp; b/w plates. with index

Location:

Close

Annand Douglasview full entry

Reference: Douglas Annand - essay by Jean Campbell. Biographical details,
Publishing details: Perc Tucker Regional Gallery, 1988, 17pp

×

Annand Douglas

Reference: Douglas Annand - essay by Jean Campbell. Biographical details,

Publishing details: Perc Tucker Regional Gallery, 1988, 17pp

Location: 0

Close

Francis Dorothea and Margaretview full entry

Reference: Jim Alexander Gallery catalogue, biographical details and 75 exhibits listed
Publishing details: Jim Alexander , 1987, card covers, 8pp, signed by Margaret Francis, newspaper article from The Age inserted
Ref: 123

×

Francis Dorothea and Margaret

Reference: Jim Alexander Gallery catalogue, biographical details and 75 exhibits listed

Publishing details: Jim Alexander , 1987, card covers, 8pp, signed by Margaret Francis, newspaper article from The Age inserted

Location: 123

Close

Francis Margaretview full entry

Reference: Jim Alexander Gallery catalogue.
Publishing details: Jim Alexander , 1987, card covers, 8pp, signed by Margaret Francis, newspaper article from The Age 11 March 1987, inserted
Ref: 123

×

Francis Margaret

Reference: Jim Alexander Gallery catalogue.

Publishing details: Jim Alexander , 1987, card covers, 8pp, signed by Margaret Francis, newspaper article from The Age 11 March 1987, inserted

Location: 123

Close

Perry Nancy Kentview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Perry Nancy Kent

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Meldrum Max - Remarks on Paintingview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Meldrum Max - Remarks on Painting

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Colquhoun A ‘Cafe Canton’view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Colquhoun A ‘Cafe Canton’

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Cobb Victor ‘The Art of the Painter Etcher’view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Cobb Victor ‘The Art of the Painter Etcher’

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Nuttall Charles ‘Black & White’view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Nuttall Charles ‘Black & White’

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Montgomery W ‘Painted Glass Windows’view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Montgomery W ‘Painted Glass Windows’

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Gill L ‘Art in Victoria’view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Gill L ‘Art in Victoria’

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Provincial Galleries in 1923view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Provincial Galleries in 1923

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Art Societies in 1923view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Art Societies in 1923

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Australian Art Assocation in 1923view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Australian Art Assocation in 1923

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Society of Twenty Melbourne Painters in 1923view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Society of Twenty Melbourne Painters in 1923

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Women’s Art Club in 1923view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Women’s Art Club in 1923

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Arts and Crafts Society of Victoria in 1923view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Arts and Crafts Society of Victoria in 1923

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Australian Institute of Arts and Literature in 1923view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Australian Institute of Arts and Literature in 1923

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Melbourne National Gallery Past Students Club in 1923view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Melbourne National Gallery Past Students Club in 1923

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Bendigo Arts Society in 1923view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Bendigo Arts Society in 1923

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Society of Artists in 1923view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Society of Artists in 1923

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Society of Artists in 1923 brief referenceview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Society of Artists in 1923 brief reference

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Royal Art Society of NSW in 1923 brief referenceview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Royal Art Society of NSW in 1923 brief reference

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Society of Women Painters in 1923 brief referenceview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Society of Women Painters in 1923 brief reference

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

South Australian Society of Art in 1923 brief referenceview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

South Australian Society of Art in 1923 brief reference

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Society of Artists, Brisbane in 1923 brief referenceview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Society of Artists, Brisbane in 1923 brief reference

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Queensland Art Society in 1923 brief referenceview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Queensland Art Society in 1923 brief reference

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Western Australian Society of Art in 1923 brief referenceview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Western Australian Society of Art in 1923 brief reference

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Art Society of Tasmania in 1923 brief referenceview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Art Society of Tasmania in 1923 brief reference

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Launceston Art Society in 1923 brief referenceview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Launceston Art Society in 1923 brief reference

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Melbourne National Gallery School - an outlineview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Melbourne National Gallery School - an outline

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Meldrum School of Paintingview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Meldrum School of Painting

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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University of Melbourne Architectural Artelierview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

University of Melbourne Architectural Artelier

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Rhodda S M - Working Men’s Collegeview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Rhodda S M - Working Men’s College

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Hampel Carl exhibition review 1922-3view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Hampel Carl exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Lowcay Rose (Mrs H L Sheard) exhibition review 1922-3view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Lowcay Rose (Mrs H L Sheard) exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Jackson Carlyle exhibition review 1922-3view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Jackson Carlyle exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Lindsay Lionel exhibition review 1922-3view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Lindsay Lionel exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Herbert Harold and M J MacNally exhibition review 1922-3view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Herbert Harold and M J MacNally exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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James C S exhibition review 1922-3view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

James C S exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Colville George exhibition review 1922-3 at Miss Maragret McLean’s Roomsview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Colville George exhibition review 1922-3 at Miss Maragret McLean’s Rooms

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Barlow Elsie exhibition review 1922-3 at the Blue Triangle Club Room Roomsview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Barlow Elsie exhibition review 1922-3 at the Blue Triangle Club Room Rooms

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Connell M W exhibition review 1922-3 view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Connell M W exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Jackson James R exhibition review 1922-3 view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Jackson James R exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Withers Walter the late exhibition review 1922-3 view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Withers Walter the late exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Fisher A H exhibition review 1922-3 view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Fisher A H exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Knox W D exhibition review 1922-3 view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Knox W D exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Boyd Merric exhibition review 1922-3 view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Boyd Merric exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Sweatman Jo exhibition review 1922-3 view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Sweatman Jo exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Wheeler Charles exhibition review 1922-3 view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Wheeler Charles exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Sturgess R W exhibition review 1922-3 view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Sturgess R W exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Paterson Esther and Betty exhibition review 1922-3 at the Queens Hall view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Paterson Esther and Betty exhibition review 1922-3 at the Queens Hall

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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McClintock Alexander exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

McClintock Alexander exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Twenty Melbourne Painters exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Twenty Melbourne Painters exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Tristram J W and Millet G F (Nillet?) exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Tristram J W and Millet G F (Nillet?) exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Crozier F R exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Crozier F R exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Thomas Farnie exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Thomas Farnie exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Nicholas Hilda Rix exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Nicholas Hilda Rix exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Boyd Penleigh exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Boyd Penleigh exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Meldrum Max exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Meldrum Max exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Shirlow John exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Shirlow John exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Newbury A E exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Newbury A E exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Rowell John exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Rowell John exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Dent Aileen and Swanson Harold R exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Dent Aileen and Swanson Harold R exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Lloyd Norman exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Lloyd Norman exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Lindsay Norman exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Lindsay Norman exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Hooton E F exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Hooton E F exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Boyd Merric exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Boyd Merric exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Latimer F exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Latimer F exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Sennett H exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Sennett H exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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Vale May (Mrs Gilfillan) exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Vale May (Mrs Gilfillan) exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Lindsay Lionel exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Lindsay Lionel exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Bunny Rupert exhibition review 1922-3
view full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Bunny Rupert exhibition review 1922-3

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Victorian artists’ adressesview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Victorian artists’ adresses

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

Close

Melbourne artists’ addressesview full entry

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy.
Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

×

Melbourne artists’ addresses

Reference: see Year Book of Victorian Art - THE YEAR BOOK OF VICTORIAN ART 1922-23 VOL.1 - FOCUSING ON THE YEAR OF ART FROM 1922 TO 1923 IN VICTORIA. CONTAINS REMARKS ON THE AUSTRALIAN LANDSCAPE IN PRINTMAKING BY MAX MELDRUM, ESSAYS BY CHARLES NUTTALL, W. MONTGOMERY AND L. GILL.
NUMEROUS BLACK AND WHITE ILLUSTRATIONS OF THE WORKS THROUGHOUT, PLUS MANY TIPPED IN COLOUR PLATES. Perry’s bookplate is in this copy.

Publishing details: MELBOURNE: ALEXANDER MCCUBBIN, 1923,
LIMITED EDITION OF 1000 COPIES. Nancy Kent Perry’s bookplate is in this copy

Location:

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McCubbin Frederickview full entry

Reference: The Art of Frderick McCubbin, essay by James McDonald and some remarks on Australian art by the artist
Publishing details: Lothian Book Publishing Co., 1916, hc, no 890 of edition limited to 1000, signed by McCubbin,

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McCubbin Frederick

Reference: The Art of Frderick McCubbin, essay by James McDonald and some remarks on Australian art by the artist

Publishing details: Lothian Book Publishing Co., 1916, hc, no 890 of edition limited to 1000, signed by McCubbin,

Location: 0

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Art Educationview full entry

Reference: see Francis Ivor - Appreciation of Art - Painting Parts 1&2 and Architecture Parts 1 & 2
Publishing details: Army Edn Services

×

Art Education

Reference: see Francis Ivor - Appreciation of Art - Painting Parts 1&2 and Architecture Parts 1 & 2

Publishing details: Army Edn Services

Location:

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Bulletin The - Clotted Rotview full entry

Reference: Clotted Rot for Clots and Rotters - Jokes, Cartoons, Stories, Verse - Best and Brightest of the Early Bulletin [to be indexed]
Publishing details: Wildcat Press, 1980, pb, 192pp

×

Bulletin The - Clotted Rot

Reference: Clotted Rot for Clots and Rotters - Jokes, Cartoons, Stories, Verse - Best and Brightest of the Early Bulletin [to be indexed]

Publishing details: Wildcat Press, 1980, pb, 192pp

Location: 0

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Australia Beautifulview full entry

Reference: The Home Easter Pictorial 1929 (magazine
Publishing details: Art in Australia, 1929
Ref: 44

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Australia Beautiful

Reference: The Home Easter Pictorial 1929 (magazine

Publishing details: Art in Australia, 1929

Location: 44

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Home Annual The 1939view full entry

Reference: A Sydney Morning Herald Publication
Publishing details: SMH 1939, 93pp
Ref: 44

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Home Annual The 1939

Reference: A Sydney Morning Herald Publication

Publishing details: SMH 1939, 93pp

Location: 44

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Home Annual The 1934view full entry

Reference: The Home Annual (Australia Beautiful) 1934 - A Sydney Morning Herald Publication
Publishing details: SMH 1939, 93pp
Ref: 44

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Home Annual The 1934

Reference: The Home Annual (Australia Beautiful) 1934 - A Sydney Morning Herald Publication

Publishing details: SMH 1939, 93pp

Location: 44

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Australia Beautiful 1934view full entry

Reference: see Home Annual The 1934 - The Home Annual (Australia Beautiful) 1934 - A Sydney Morning Herald Publication
Publishing details: SMH 1939, 93pp

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Australia Beautiful 1934

Reference: see Home Annual The 1934 - The Home Annual (Australia Beautiful) 1934 - A Sydney Morning Herald Publication

Publishing details: SMH 1939, 93pp

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Irvin Ericview full entry

Reference: Sydney as it Might Have Been - Dreams that died on the drawing board
Publishing details: Alpha Books, 1974, hc, original plastic cover, 157pp, with index

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Irvin Eric

Reference: Sydney as it Might Have Been - Dreams that died on the drawing board

Publishing details: Alpha Books, 1974, hc, original plastic cover, 157pp, with index

Location: 0

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Sydney Architectureview full entry

Reference: see Irvin Eric - Sydney as it Might Have Been - Dreams that died on the drawing board
Publishing details: Alpha Books, 1974, hc, original plastic cover, 157pp, with index

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Sydney Architecture

Reference: see Irvin Eric - Sydney as it Might Have Been - Dreams that died on the drawing board

Publishing details: Alpha Books, 1974, hc, original plastic cover, 157pp, with index

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town planning - Sydneyview full entry

Reference: see Irvin Eric - Sydney as it Might Have Been - Dreams that died on the drawing board
Publishing details: Alpha Books, 1974, hc, original plastic cover, 157pp, with index

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town planning - Sydney

Reference: see Irvin Eric - Sydney as it Might Have Been - Dreams that died on the drawing board

Publishing details: Alpha Books, 1974, hc, original plastic cover, 157pp, with index

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Broken Hillview full entry

Reference: The Fabulous Hill - The front cover has a painting by Frank Eidlitz. The book was probably published by the company as it is all about the Broken Hill mining company. Promo piece for the Broken Hill Base Metal industry. Begins with story of the original mine in New South Wales
Publishing details: Alfred Heintz, nd [1960?] np, soft cover, folio size

×

Broken Hill

Reference: The Fabulous Hill - The front cover has a painting by Frank Eidlitz. The book was probably published by the company as it is all about the Broken Hill mining company. Promo piece for the Broken Hill Base Metal industry. Begins with story of the original mine in New South Wales

Publishing details: Alfred Heintz, nd [1960?] np, soft cover, folio size

Location: 0

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Eidlitz Frank view full entry

Reference: see Broken Hill - The Fabulous Hill - The front cover has a painting by Frank Eidlitz. The book was probably published by the company as it is all about the Broken Hill mining company. Promo piece for the Broken Hill Base Metal industry. Begins with story of the original mine in New South Wales
Publishing details: Alfred Heintz, nd [1960?] np, soft cover, folio size

×

Eidlitz Frank

Reference: see Broken Hill - The Fabulous Hill - The front cover has a painting by Frank Eidlitz. The book was probably published by the company as it is all about the Broken Hill mining company. Promo piece for the Broken Hill Base Metal industry. Begins with story of the original mine in New South Wales

Publishing details: Alfred Heintz, nd [1960?] np, soft cover, folio size

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Leonard David (art provided by)view full entry

Reference: see Broken Hill - The Fabulous Hill - The front cover has a painting by Frank Eidlitz. The book was probably published by the company as it is all about the Broken Hill mining company. Promo piece for the Broken Hill Base Metal industry. Begins with story of the original mine in New South Wales
Publishing details: Alfred Heintz, nd [1960?] np, soft cover, folio size

×

Leonard David (art provided by)

Reference: see Broken Hill - The Fabulous Hill - The front cover has a painting by Frank Eidlitz. The book was probably published by the company as it is all about the Broken Hill mining company. Promo piece for the Broken Hill Base Metal industry. Begins with story of the original mine in New South Wales

Publishing details: Alfred Heintz, nd [1960?] np, soft cover, folio size

Location:

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Santos George(art provided by)view full entry

Reference: see Broken Hill - The Fabulous Hill - The front cover has a painting by Frank Eidlitz. The book was probably published by the company as it is all about the Broken Hill mining company. Promo piece for the Broken Hill Base Metal industry. Begins with story of the original mine in New South Wales
Publishing details: Alfred Heintz, nd [1960?] np, soft cover, folio size

×

Santos George(art provided by)

Reference: see Broken Hill - The Fabulous Hill - The front cover has a painting by Frank Eidlitz. The book was probably published by the company as it is all about the Broken Hill mining company. Promo piece for the Broken Hill Base Metal industry. Begins with story of the original mine in New South Wales

Publishing details: Alfred Heintz, nd [1960?] np, soft cover, folio size

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Royal British Colonial Society of Artistsview full entry

Reference: Third Australian Exhibition at Farmers gallery [check how many exhibitions in all were held after 1923, 1924, 1925]
Publishing details: Farmers, 1925
Ref: 1000

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Royal British Colonial Society of Artists

Reference: Third Australian Exhibition at Farmers gallery [check how many exhibitions in all were held after 1923, 1924, 1925]

Publishing details: Farmers, 1925

Location: 1000

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Various Artists Ltdview full entry

Reference: Various Artists Ltd - 1985-86 exhibitions, with essay by Rex Butler, 17 artists included in exhibition.
Publishing details: Potts Point, N.S.W. : Various Artists Ltd. (Publications), 1986.1986, 40pp approx, Limited ed. of 400 copies.
Ref: 148

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Various Artists Ltd

Reference: Various Artists Ltd - 1985-86 exhibitions, with essay by Rex Butler, 17 artists included in exhibition.

Publishing details: Potts Point, N.S.W. : Various Artists Ltd. (Publications), 1986.1986, 40pp approx, Limited ed. of 400 copies.

Location: 148

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Contemporary Australian Artview full entry

Reference: Contemporary Australian Art
Publishing details: Auckland Society of Arts. Softcover, 28pp, 1948
Ref: 1000

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Contemporary Australian Art

Reference: Contemporary Australian Art

Publishing details: Auckland Society of Arts. Softcover, 28pp, 1948

Location: 1000

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Notes towards Mathesist Artview full entry

Reference: Notes towards Mathesist Art by John Clegg
Ref: 1000

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Notes towards Mathesist Art

Reference: Notes towards Mathesist Art by John Clegg

Publishing details:

Location: 1000

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Art Like Never Before (Ian Potter Centre.)view full entry

Reference: Art Like Never Before - the Ian Potter Centre. Exhibition catalogue.
Publishing details: NGV, 2002, pb, 33pp

×

Art Like Never Before (Ian Potter Centre.)

Reference: Art Like Never Before - the Ian Potter Centre. Exhibition catalogue.

Publishing details: NGV, 2002, pb, 33pp

Location: 0

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Larter Richardview full entry

Reference: Paintings - Watters Gallery catalogue, 13 exhibits (illustrated in colour)
Publishing details: 2002
Ref: 45

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Larter Richard

Reference: Paintings - Watters Gallery catalogue, 13 exhibits (illustrated in colour)

Publishing details: 2002

Location: 45

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Colour Powerview full entry

Reference: Colour Power - Aboriginal Art post 1984, by Judith Ryan [to be indexed]
Publishing details: NGV, 2004, folded card covers, 160pp

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Colour Power

Reference: Colour Power - Aboriginal Art post 1984, by Judith Ryan [to be indexed]

Publishing details: NGV, 2004, folded card covers, 160pp

Location: 0

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National Australia Journalview full entry

Reference: published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists [to be indexed]
Ref: 1009

×

National Australia Journal

Reference: published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists [to be indexed]

Publishing details:

Location: 1009

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National Australia Journalview full entry

Reference: Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists [to be indexed]
Publishing details: June 1946, 82pp, stapled octavo-sized magazine
Ref: 45

×

National Australia Journal

Reference: Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists [to be indexed]

Publishing details: June 1946, 82pp, stapled octavo-sized magazine

Location: 45

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Bowen Stella article pp33 and 77view full entry

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists [to be indexed]
Publishing details: June 1946, 82pp, stapled octavo-sized magazine

×

Bowen Stella article pp33 and 77

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists [to be indexed]

Publishing details: June 1946, 82pp, stapled octavo-sized magazine

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Beadle Paul ‘Driftwood’view full entry

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists [to be indexed]
Publishing details: June 1946, 82pp, stapled octavo-sized magazine

×

Beadle Paul ‘Driftwood’

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists [to be indexed]

Publishing details: June 1946, 82pp, stapled octavo-sized magazine

Location:

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Hinder Frank cartoonview full entry

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists [to be indexed]
Publishing details: June 1946, 82pp, stapled octavo-sized magazine

×

Hinder Frank cartoon

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists [to be indexed]

Publishing details: June 1946, 82pp, stapled octavo-sized magazine

Location:

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Andrews Gordon cartoonview full entry

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists [to be indexed]
Publishing details: June 1946, 82pp, stapled octavo-sized magazine

×

Andrews Gordon cartoon

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists [to be indexed]

Publishing details: June 1946, 82pp, stapled octavo-sized magazine

Location:

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Strasser Roland articleview full entry

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists.
Publishing details: June 1946, 82pp, stapled octavo-sized magazine

×

Strasser Roland article

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists.

Publishing details: June 1946, 82pp, stapled octavo-sized magazine

Location:

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Dobell William ‘The Guitar Player’ for Eugene Ormandyview full entry

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists.
Publishing details: June 1946, 82pp, stapled octavo-sized magazine

×

Dobell William ‘The Guitar Player’ for Eugene Ormandy

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists.

Publishing details: June 1946, 82pp, stapled octavo-sized magazine

Location:

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Murray Alec photographs of personalitiesview full entry

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists.
Publishing details: June 1946, 82pp, stapled octavo-sized magazine

×

Murray Alec photographs of personalities

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists.

Publishing details: June 1946, 82pp, stapled octavo-sized magazine

Location:

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Murray Alec photographs of Casey family with revolverview full entry

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists.
Publishing details: June 1946, 82pp, stapled octavo-sized magazine

×

Murray Alec photographs of Casey family with revolver

Reference: see National Australia Journal Vol 7, no. 7. The National Australia Journal was published monthly from c1942 to c1947 (eg vol 9, no. 7 was published in October 1947. This have essays and reproductions relating to Australian art and artists.

Publishing details: June 1946, 82pp, stapled octavo-sized magazine

Location:

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See Here Nowview full entry

Reference: See Here Now - Vizard Foundation Art Collection of the 1990s , McAuliffe, Chris and Sue Harvey (editors). Illustrated. Includes artists’ biographies.
Publishing details: Thames & Hudson, 2003. Soft Cover, 175pp

×

See Here Now

Reference: See Here Now - Vizard Foundation Art Collection of the 1990s , McAuliffe, Chris and Sue Harvey (editors). Illustrated. Includes artists’ biographies.

Publishing details: Thames & Hudson, 2003. Soft Cover, 175pp

Location: 0

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Cattapan Jonview full entry

Reference: Jon Cattapan, Possible Histories by Chris McAuliffe
Publishing details: 230 pages paperback colour illustrations
Ref: 1000

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Cattapan Jon

Reference: Jon Cattapan, Possible Histories by Chris McAuliffe

Publishing details: 230 pages paperback colour illustrations

Location: 1000

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Woolley Ken and Anchor Mortlock Woolleyview full entry

Reference: Ken Woolley and Ancher Mortlock & Woolley : selected and current works.
Ancher Mortlock and Woolley - The Master Architects Series IV
Publishing details: Mulgrave, Vic. : Images Publishing Group : Craftsman House, 1999. 256 p. : illustrations, (some colour), plans
Ref: 1000

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Woolley Ken and Anchor Mortlock Woolley

Reference: Ken Woolley and Ancher Mortlock & Woolley : selected and current works.
Ancher Mortlock and Woolley - The Master Architects Series IV

Publishing details: Mulgrave, Vic. : Images Publishing Group : Craftsman House, 1999. 256 p. : illustrations, (some colour), plans

Location: 1000

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Hunter Johnview full entry

Reference: The Life of John Hunter - Navigator, Governor, Admiral by Arthur Hoyle. Icludes chronology, bibliography and index
Publishing details: Mulini Press, (2001). Original laminated boards. viii, 192pages. With colour. portrait, 6 full-page colour. plates, and 3 full-page b/w maps.

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Hunter John

Reference: The Life of John Hunter - Navigator, Governor, Admiral by Arthur Hoyle. Icludes chronology, bibliography and index

Publishing details: Mulini Press, (2001). Original laminated boards. viii, 192pages. With colour. portrait, 6 full-page colour. plates, and 3 full-page b/w maps.

Location: 0

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Booth Lauraview full entry

Reference: see Joels catalogue 25.7.10 lot 151 and 217 and various others

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Booth Laura

Reference: see Joels catalogue 25.7.10 lot 151 and 217 and various others

Publishing details:

Location:

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Barnett P Nevilleview full entry

Reference: Australian Bookplates and Bookplates of Interest to Australians
Publishing details: Beacon Press, 1950, ltd edition of 86
Ref: 1000

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Barnett P Neville

Reference: Australian Bookplates and Bookplates of Interest to Australians

Publishing details: Beacon Press, 1950, ltd edition of 86

Location: 1000

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Barnett P Nevilleview full entry

Reference: Armorial Book-Plates. Their romantic origin and artistic development
Ref: 1000

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Barnett P Neville

Reference: Armorial Book-Plates. Their romantic origin and artistic development

Publishing details:

Location: 1000

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Barnett P Nevilleview full entry

Reference: Pictorial Book-Plates Their Origin and Use in Australia. Pictorial book-plates : their origin and their use in Australia by P. Neville Barnett


Publishing details: Sydney: The Beacon Press, 1931. Quarto, gilt-lettered decorative cloth, 144pp., with numerous original and reproduced bookplates by notable Australian artists including Sydney Long (signed etching), Sydney ure Smith,  Adrian Feint, John Godson, Gayfield Shaw, Tom Roberts, Lionel Lindsay, Norman Lindsay, Perrotet, etc. The deluxe edition, printed on larger paper than the standard edition, with additional original etched bookplates, limited to 100 signed copies
Ref: 1000

×

Barnett P Neville

Reference: Pictorial Book-Plates Their Origin and Use in Australia. Pictorial book-plates : their origin and their use in Australia by P. Neville Barnett

Publishing details: Sydney: The Beacon Press, 1931. Quarto, gilt-lettered decorative cloth, 144pp., with numerous original and reproduced bookplates by notable Australian artists including Sydney Long (signed etching), Sydney ure Smith,  Adrian Feint, John Godson, Gayfield Shaw, Tom Roberts, Lionel Lindsay, Norman Lindsay, Perrotet, etc. The deluxe edition, printed on larger paper than the standard edition, with additional original etched bookplates, limited to 100 signed copies

Location: 1000

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Muir Auld Jamesview full entry

Reference: National Art Gallery of NSW - Loan Exhibition of Pictures by the late James Muir Auld, 1st to 31st December, 1942. 66 exhibits. Includes essay on the artist
Publishing details: AGNSW, 1942, stapled booklet, 16pp, 3 b & w illustrations
Ref: 27

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Muir Auld James

Reference: National Art Gallery of NSW - Loan Exhibition of Pictures by the late James Muir Auld, 1st to 31st December, 1942. 66 exhibits. Includes essay on the artist

Publishing details: AGNSW, 1942, stapled booklet, 16pp, 3 b & w illustrations

Location: 27

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This Was The Futureview full entry

Reference: This Was The Future - Australian Sculpture of the 1950s, 60s 70s + today. Essays by John Stringer and Zara Stanhope. Includes biographies of about 70 sculptors and illustrations.
Publishing details: Heide, 2003, folding card covers, 88pp

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This Was The Future

Reference: This Was The Future - Australian Sculpture of the 1950s, 60s 70s + today. Essays by John Stringer and Zara Stanhope. Includes biographies of about 70 sculptors and illustrations.

Publishing details: Heide, 2003, folding card covers, 88pp

Location: 0

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Australian Sculpture 50s - 70sview full entry

Reference: see This was the Future - Australian Sculpture of the 1950s, 60s 70s + today
Publishing details: Heide, 2003, folding card covers, 88pp

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Australian Sculpture 50s - 70s

Reference: see This was the Future - Australian Sculpture of the 1950s, 60s 70s + today

Publishing details: Heide, 2003, folding card covers, 88pp

Location:

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Boyd Arthurview full entry

Reference: see This was the Future - Australian Sculpture of the 1950s, 60s 70s + today
Publishing details: Heide, 2003, folding card covers, 88pp

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Boyd Arthur

Reference: see This was the Future - Australian Sculpture of the 1950s, 60s 70s + today

Publishing details: Heide, 2003, folding card covers, 88pp

Location:

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Kendall Henryview full entry

Reference: Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including John Gully, Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.
Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.
Ref: 1000

×

Kendall Henry

Reference: Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including John Gully, Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.

Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

Location: 1000

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Roberts Tomview full entry

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.
Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

×

Roberts Tom

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.

Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

Location:

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Richardson C Dview full entry

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.
Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

×

Richardson C D

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.

Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

Location:

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Campbell Malcolmview full entry

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.
Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

×

Campbell Malcolm

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.

Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

Location:

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Earles Chesterview full entry

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.
Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

×

Earles Chester

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.

Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

Location:

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Parsons Elizaview full entry

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.
Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

×

Parsons Eliza

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.

Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

Location:

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Ashton Julian Rossiview full entry

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.
Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

×

Ashton Julian Rossi

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.

Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

Location:

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Curtis James Walthamview full entry

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.
Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

×

Curtis James Waltham

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.

Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

Location:

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Reilly Henryview full entry

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.
Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

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Reilly Henry

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.

Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

Location:

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Gully Johnview full entry

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.
Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

×

Gully John

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.

Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

Location:

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Ford Williamview full entry

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.
Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

×

Ford William

Reference: see Kendall Henry - Orara - An Illustrated Poem by Henry Kendall. Thirteen engraved plates with tissue guards. The plates are by leading artists of the time including Tom Robets, Elizabeth Parsons, Malcolm Campbell, J. W. Curtis, Henry Reilly, W. Ford, C. D. Richardson, Chester Earles and Julian Ashton.

Publishing details: Art Union of Victoria, 1881
[vi], 11, [11]p., 13 leaves of plates. First edition and the superior issue in the publisher's half morocco. Half red morocco and green cloth boards, Folio.

Location:

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Waden Robertview full entry

Reference: summary of Exhibition details from cataloloues of the Royal Australian Society of Arts 1914 - 1931 from Jin Wittington AGSA Library April 2010
Publishing details: 1914 - 1931
Ref: 123

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Waden Robert

Reference: summary of Exhibition details from cataloloues of the Royal Australian Society of Arts 1914 - 1931 from Jin Wittington AGSA Library April 2010

Publishing details: 1914 - 1931

Location: 123

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Waden Robertview full entry

Reference: Exhibition of Paintings by Robert Waden, Society of Arts gallery North Terrace Adelaide - 40 exhibits
Publishing details: 1941 (photocopy)
Ref: 123

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Waden Robert

Reference: Exhibition of Paintings by Robert Waden, Society of Arts gallery North Terrace Adelaide - 40 exhibits

Publishing details: 1941 (photocopy)

Location: 123

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Waden Robertview full entry

Reference: details of the 4 paintings in the Art Galler of South Australia
Publishing details: compiled in 2010 by Jin Wittington
Ref: 123

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Waden Robert

Reference: details of the 4 paintings in the Art Galler of South Australia

Publishing details: compiled in 2010 by Jin Wittington

Location: 123

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Waden Robertview full entry

Reference: Robert Waden and Australian Artists Exhibition - Society of Arts Galeries, Adelaide - 15 exhibits by Waden and about 70 exhibits by other artists [to be indexed]
Publishing details: 1928 photocopy (includes advertisement for Waden’s sketching classes.
Ref: 123

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Waden Robert

Reference: Robert Waden and Australian Artists Exhibition - Society of Arts Galeries, Adelaide - 15 exhibits by Waden and about 70 exhibits by other artists [to be indexed]

Publishing details: 1928 photocopy (includes advertisement for Waden’s sketching classes.

Location: 123

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Flinders University Art Museumview full entry

Reference: AN EXHIBITION OF AUSTRALIAN ART
EXHIBITION CATALOGUE: FLINDERS UNIVERSITY ART MUSEUM, C.1980
Publishing details: c1980
Ref: 1000

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Flinders University Art Museum

Reference: AN EXHIBITION OF AUSTRALIAN ART
EXHIBITION CATALOGUE: FLINDERS UNIVERSITY ART MUSEUM, C.1980

Publishing details: c1980

Location: 1000

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6 AUSTRALIAN PAINTERS
view full entry

Reference: EXHIBITION CATALOGUE FEATURING SIX GREAT AUSTRALIAN ARTISTS: FREDERICK MCCUBBIN, RUPERT BUNNY, ARNOLD SHORE, LLOYD REES, RUSSELL DRYSDALE AND JOHN ROWELL. - CONTAINS BLACK & WHITE REPRODUCTIONS OF SELF-PORTRAITS BY EACH ARTIST (EXCEPT RUSSELL DRYSDALE WHO HAS A BLACK AND WHITE PHOTOGRAPH).
INTRODUCTION TO THE CATALOGUE BY ERIC WESTBROOK.

THE CATALOGUE CONTAINS INFORMATION ABOUT EACH IMAGE DOCUMENTED (I.E. DETAILS OF THE WAY IN WHICH THE NATIONAL GALLERY ACQUIRED EACH WORK).
Publishing details: NGA, nd
Ref: 1000

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6 AUSTRALIAN PAINTERS

Reference: EXHIBITION CATALOGUE FEATURING SIX GREAT AUSTRALIAN ARTISTS: FREDERICK MCCUBBIN, RUPERT BUNNY, ARNOLD SHORE, LLOYD REES, RUSSELL DRYSDALE AND JOHN ROWELL. - CONTAINS BLACK & WHITE REPRODUCTIONS OF SELF-PORTRAITS BY EACH ARTIST (EXCEPT RUSSELL DRYSDALE WHO HAS A BLACK AND WHITE PHOTOGRAPH).
INTRODUCTION TO THE CATALOGUE BY ERIC WESTBROOK.

THE CATALOGUE CONTAINS INFORMATION ABOUT EACH IMAGE DOCUMENTED (I.E. DETAILS OF THE WAY IN WHICH THE NATIONAL GALLERY ACQUIRED EACH WORK).

Publishing details: NGA, nd

Location: 1000

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Eltham Art Show, 1962view full entry

Reference: CATALOGUE FROM THE 1962 ELTHAM ART SHOW. FULL CATALOGUE LISTINGS OF ALL WORKS EXHIBITED. INCLUDES SECTIONS ON OIL PAINTINGS, WATERCOLOURS, DRAWING, PRINTMAKING, SCULPTURE, JEWELLERY, POTTERY AND CHILDREN'S ART.
CONTAINS WORKS BY NOTABLE AUSTRALIAN ARTISTS NOEL COUNIHAN AND CLIFTON PUGH.
Publishing details: 1962, 10pp

Ref: 1000

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Eltham Art Show, 1962

Reference: CATALOGUE FROM THE 1962 ELTHAM ART SHOW. FULL CATALOGUE LISTINGS OF ALL WORKS EXHIBITED. INCLUDES SECTIONS ON OIL PAINTINGS, WATERCOLOURS, DRAWING, PRINTMAKING, SCULPTURE, JEWELLERY, POTTERY AND CHILDREN'S ART.
CONTAINS WORKS BY NOTABLE AUSTRALIAN ARTISTS NOEL COUNIHAN AND CLIFTON PUGH.

Publishing details: 1962, 10pp

Location: 1000

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Six New Zealand Expatriates [artists]view full entry

Reference: CATALOGUE FROM THE 1962 EXHIBITION OF SIX EXPATRIATE ARTISTS - FEATURING THEIR WORKS FROM NEW ZEALAND AND ABROAD.

ARTISTS EXHIBITED: GRACE JOEL, RHONA HASZARD, FRANCES HODGKINS, FRANCIS MCCRACKEN, RAYMOND MCINTYRE AND OWEN MERTON. CONTAINS INTRODUCTION BY COLIN MCCAHON, FULL CATALOGUE LISTING OF THE WORKS EXHIBITED AND BLACK & WHITE ILLUSTRATIONS OF SELECTED WORKS
Publishing details: Auckland City Art Gallery, April, 1962
Ref: 25

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Six New Zealand Expatriates [artists]

Reference: CATALOGUE FROM THE 1962 EXHIBITION OF SIX EXPATRIATE ARTISTS - FEATURING THEIR WORKS FROM NEW ZEALAND AND ABROAD.

ARTISTS EXHIBITED: GRACE JOEL, RHONA HASZARD, FRANCES HODGKINS, FRANCIS MCCRACKEN, RAYMOND MCINTYRE AND OWEN MERTON. CONTAINS INTRODUCTION BY COLIN MCCAHON, FULL CATALOGUE LISTING OF THE WORKS EXHIBITED AND BLACK & WHITE ILLUSTRATIONS OF SELECTED WORKS

Publishing details: Auckland City Art Gallery, April, 1962

Location: 25

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Carnegie Mr and Mrs Douglas .view full entry

Reference: Paintings from the collection of Mr and Mrs Douglas Carnegie. 87 works listed, Brief essay on the collection. No biographical information on artists.
Publishing details: NGV, 1966, bi-fold card
Ref: 138

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Carnegie Mr and Mrs Douglas .

Reference: Paintings from the collection of Mr and Mrs Douglas Carnegie. 87 works listed, Brief essay on the collection. No biographical information on artists.

Publishing details: NGV, 1966, bi-fold card

Location: 138

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Ku-ring-gai Municipality art exhibition 1951 view full entry

Reference: CATALOGUE FROM THE 1951 JUBILEE EXHIBITION OF ART. FEATURES CATALOGUE LISTING OF THE WORKS EXHIBITED AS WELL AS THE WINNING ENTRIES. IN OIL PAINTING FIRST PLACE WAS AWARDED TO LLOYD REES, SECOND TO SALI HERMAN. OTHER GREAT ARTISTS THAT WERE IN THE EXHIBITION INCLUDED MICHAEL KMIT, ADRIAN FEINT, ELAINE HAXTON, CHARLES BUSH, GRACE COSSINGTON SMITH, THEA PROCTOR, FRANCIS C. HINDER AND MANY OTHERS.
Publishing details: KMunicipality of Ku-ring-gai,1951
Ref: 1000

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Ku-ring-gai Municipality art exhibition 1951

Reference: CATALOGUE FROM THE 1951 JUBILEE EXHIBITION OF ART. FEATURES CATALOGUE LISTING OF THE WORKS EXHIBITED AS WELL AS THE WINNING ENTRIES. IN OIL PAINTING FIRST PLACE WAS AWARDED TO LLOYD REES, SECOND TO SALI HERMAN. OTHER GREAT ARTISTS THAT WERE IN THE EXHIBITION INCLUDED MICHAEL KMIT, ADRIAN FEINT, ELAINE HAXTON, CHARLES BUSH, GRACE COSSINGTON SMITH, THEA PROCTOR, FRANCIS C. HINDER AND MANY OTHERS.

Publishing details: KMunicipality of Ku-ring-gai,1951

Location: 1000

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FELLOWSHIP OF AUSTRALIAN ARTISTS
ROYAL TOUR EXHIBITIONview full entry

Reference: THIS EXHIBITION FEATURED GREAT AUSTRALIAN ARTISTS SUCH AS, HOWARD ASHTON, REX BATTERBY, ARTHUR BOYD, NORMA BULL, ROBERT CAMPBELL, AMBROSE GRIFFIN, NOEL COUNIHAN, WILLIAM DARGIE, SYBIL CRAIG, JAMES GLEESON, NORA HEYSEN, HANS HEYSEN, KENNETH JACK, DARYL LINDSAY, ALBERT NAMATJIRA, AND MANY OTHERS.

PAGE ONE FEATURES A BLACK & WHITE REPRODUCTION OF A PHOTOGRAPH OF THE ROYAL VISIT.
Publishing details: Town Hall, Melbourne, 1954, 8pp
Ref: 1000

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FELLOWSHIP OF AUSTRALIAN ARTISTS
ROYAL TOUR EXHIBITION

Reference: THIS EXHIBITION FEATURED GREAT AUSTRALIAN ARTISTS SUCH AS, HOWARD ASHTON, REX BATTERBY, ARTHUR BOYD, NORMA BULL, ROBERT CAMPBELL, AMBROSE GRIFFIN, NOEL COUNIHAN, WILLIAM DARGIE, SYBIL CRAIG, JAMES GLEESON, NORA HEYSEN, HANS HEYSEN, KENNETH JACK, DARYL LINDSAY, ALBERT NAMATJIRA, AND MANY OTHERS.

PAGE ONE FEATURES A BLACK & WHITE REPRODUCTION OF A PHOTOGRAPH OF THE ROYAL VISIT.

Publishing details: Town Hall, Melbourne, 1954, 8pp

Location: 1000

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AUSTRALIAN CONTEMPORARY PAINTINGSview full entry

Reference: AN EXHIBITION ARRANGED BY THE STATE NATIONAL GALLERIES OF AUSTRALIA IN COLLABORATION WITH THE NATIONAL GALLERY SOCIETY OF VICTORIA - FOREWORD BY DARYL LINDSAY AND FULL CATALOGUE LISTING OF WORKS EXHIBITED. [DESIDERIUS ORBAN, CHARLES BUSH, ARTHUR BOYD, SIDNEY NOLAN, SALI HERMAN, ELAINE HAXTON, STANISLAV RAPOTEC, RUSSELL DRYSDALE, DONALD FRIEND, MICHAEL KMIT AND MANY OTHERS.]
Publishing details: NGV, 1955,
Ref: 1000

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AUSTRALIAN CONTEMPORARY PAINTINGS

Reference: AN EXHIBITION ARRANGED BY THE STATE NATIONAL GALLERIES OF AUSTRALIA IN COLLABORATION WITH THE NATIONAL GALLERY SOCIETY OF VICTORIA - FOREWORD BY DARYL LINDSAY AND FULL CATALOGUE LISTING OF WORKS EXHIBITED. [DESIDERIUS ORBAN, CHARLES BUSH, ARTHUR BOYD, SIDNEY NOLAN, SALI HERMAN, ELAINE HAXTON, STANISLAV RAPOTEC, RUSSELL DRYSDALE, DONALD FRIEND, MICHAEL KMIT AND MANY OTHERS.]

Publishing details: NGV, 1955,

Location: 1000

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AUSTRALIAN CONTEMPORARY PAINTINGS
view full entry

Reference: AN EXHIBITION OF RECENT ACQUISITIONS ARRANGED BY THE STATE ART GALLERIES FOR SHOWING IN PERTH, ADELAIDE, MELBOURNE, HOBART, SYDNEY AND BRISBANE, THIS EXHIBITION FEATURED GREAT AUSTRALIAN ARTISTS SUCH AS JOHN OLSEN, IAN FAIRWEATHER, ARNOLD SHORE, JOHN PERCEVAL, JOHN BRACK, LLOYD REES, CLIFTON PUGH, MARGARE OLLEY, JOHN COBURN, ELWYN LYNN AND MANY OTHERS.

FOLDED-CARD STYLE CATALOGUE. FEATURES A FOREWORD AND FULL CATALOGUE LISTING OF WORKS EXHIBITED.


Publishing details: State Art Galleries, 1958/59
Ref: 1000

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AUSTRALIAN CONTEMPORARY PAINTINGS

Reference: AN EXHIBITION OF RECENT ACQUISITIONS ARRANGED BY THE STATE ART GALLERIES FOR SHOWING IN PERTH, ADELAIDE, MELBOURNE, HOBART, SYDNEY AND BRISBANE, THIS EXHIBITION FEATURED GREAT AUSTRALIAN ARTISTS SUCH AS JOHN OLSEN, IAN FAIRWEATHER, ARNOLD SHORE, JOHN PERCEVAL, JOHN BRACK, LLOYD REES, CLIFTON PUGH, MARGARE OLLEY, JOHN COBURN, ELWYN LYNN AND MANY OTHERS.

FOLDED-CARD STYLE CATALOGUE. FEATURES A FOREWORD AND FULL CATALOGUE LISTING OF WORKS EXHIBITED.

Publishing details: State Art Galleries, 1958/59

Location: 1000

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MODERN SYDNEY PAINTINGSview full entry

Reference: THIS IS THE CATALOGUE FROM THE SYDNEY EXHIBITION OF MODERN PAINTING. THE FOLDED CATALOGUE CONTAINS A LIST OF ARTISTS AND THEIR WORKS THAT WERE EXHIBITED.

GREAT AUSTRALIAN ARTISTS JOHN COBURN, SALI HERMAN, DESIDERIUS ORBAN, JAMES GLEESON, JUDY CASSAB, RALPH BALSON, GRACE CROWLEY, FRANK HINDER, JOHN OLSEN, STANISLAV RAPOTEC, WILLIAM ROSE AND MANY OTHERS WERE EXHIBITED.
Publishing details: Marrickville Town Hall, August [year not given - 1960s?]
Ref: 1000

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MODERN SYDNEY PAINTINGS

Reference: THIS IS THE CATALOGUE FROM THE SYDNEY EXHIBITION OF MODERN PAINTING. THE FOLDED CATALOGUE CONTAINS A LIST OF ARTISTS AND THEIR WORKS THAT WERE EXHIBITED.

GREAT AUSTRALIAN ARTISTS JOHN COBURN, SALI HERMAN, DESIDERIUS ORBAN, JAMES GLEESON, JUDY CASSAB, RALPH BALSON, GRACE CROWLEY, FRANK HINDER, JOHN OLSEN, STANISLAV RAPOTEC, WILLIAM ROSE AND MANY OTHERS WERE EXHIBITED.

Publishing details: Marrickville Town Hall, August [year not given - 1960s?]

Location: 1000

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Hanrahan Barbaraview full entry

Reference: Barbara Hanrahan - a biography. ‘This authoritative biography illuminates the life of a great Australian writer and artist. The story starts with Barbara Hanrahan's childhood in Adelaide, travels with her to 'swinging London' of the 1960s, and recounts her remarkable achievements in Britain and Australia in the following decades. Like the artists she most admired - among them, William Blake, Frida Kahlo and D.H. Lawrence - Barbara Hanrahan dedicated herself uncompromisingly to the life of the mind and spirit, producing a body of work that remains challenging and rewarding.

Annette Stewart has drawn on a wealth of unpublished material, including the artist's letters, photographs, prints and diaries, as well as interviews with her friends and her partner, the sculptor Jo Steele. Barbara Hanrahan is beautifully illustrated with a number of Hanrahan's artworks, some of which have not been published before, and many photographs from her life.’
Publishing details: Wakefield Press Adelaide 2010, Annette Stewart, Softcover 303 pages,
Ref: 1000

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Hanrahan Barbara

Reference: Barbara Hanrahan - a biography. ‘This authoritative biography illuminates the life of a great Australian writer and artist. The story starts with Barbara Hanrahan's childhood in Adelaide, travels with her to 'swinging London' of the 1960s, and recounts her remarkable achievements in Britain and Australia in the following decades. Like the artists she most admired - among them, William Blake, Frida Kahlo and D.H. Lawrence - Barbara Hanrahan dedicated herself uncompromisingly to the life of the mind and spirit, producing a body of work that remains challenging and rewarding.

Annette Stewart has drawn on a wealth of unpublished material, including the artist's letters, photographs, prints and diaries, as well as interviews with her friends and her partner, the sculptor Jo Steele. Barbara Hanrahan is beautifully illustrated with a number of Hanrahan's artworks, some of which have not been published before, and many photographs from her life.’

Publishing details: Wakefield Press Adelaide 2010, Annette Stewart, Softcover 303 pages,

Location: 1000

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May Philview full entry

Reference: THE PHIL MAY FOLIO - Of Caricature Drawings and Sketches in Line Block Half-Tone and Photogravure with a Biography


Publishing details: W. Thacker & Co.,
[circa 1906], 245pp
Ref: 1006

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May Phil

Reference: THE PHIL MAY FOLIO - Of Caricature Drawings and Sketches in Line Block Half-Tone and Photogravure with a Biography

Publishing details: W. Thacker & Co.,
[circa 1906], 245pp

Location: 1006

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Jardine Walter (Australia United States 1884-1970)view full entry

Reference: THE ILLUSTRATION OF ADVERTISING - This book is a representation of the advertising art of Walter Jardine. It includes some of his travel posters, military recruiting and more commercial work. Numerous full page colour plates by Walter Jardine



.
Publishing details: Alex Cowan & Co. Ltd., W.T. Baker & Co. Pty. Ltd., & Walter Jardine, 1946
Ref: 1006

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Jardine Walter (Australia United States 1884-1970)

Reference: THE ILLUSTRATION OF ADVERTISING - This book is a representation of the advertising art of Walter Jardine. It includes some of his travel posters, military recruiting and more commercial work. Numerous full page colour plates by Walter Jardine



.

Publishing details: Alex Cowan & Co. Ltd., W.T. Baker & Co. Pty. Ltd., & Walter Jardine, 1946

Location: 1006

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Light Sensitive view full entry

Reference: Light Sensitive - Contemporary Australian Photography from the Loti Smorgon Fund. Brook Andrew, Narelle Autio, Donna Bailey, Adam Bunny, Peter Callas, Anne Ferran, Trent Parke, Patricia Piccinini, Matthew Sleeth..and many more [to be indexed]
Publishing details: National Gallery of Victoria, 2006. Quarto, boards in dustjacket, illustrated with a photograph by Petrina Hicks, pp. 112.
Ref: 1000

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Light Sensitive

Reference: Light Sensitive - Contemporary Australian Photography from the Loti Smorgon Fund. Brook Andrew, Narelle Autio, Donna Bailey, Adam Bunny, Peter Callas, Anne Ferran, Trent Parke, Patricia Piccinini, Matthew Sleeth..and many more [to be indexed]

Publishing details: National Gallery of Victoria, 2006. Quarto, boards in dustjacket, illustrated with a photograph by Petrina Hicks, pp. 112.

Location: 1000

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Layton Robertview full entry

Reference: Australian Rock Art: A New Synthesis
Publishing details: Cambridge University Press, 1992, 302 pp
Ref: 1000

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Layton Robert

Reference: Australian Rock Art: A New Synthesis

Publishing details: Cambridge University Press, 1992, 302 pp

Location: 1000

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Aboriginal Rock Artview full entry

Reference: see Layton Robert - Australian Rock Art: A New Synthesis
Publishing details: Cambridge University Press, 1992, 302 pp

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Aboriginal Rock Art

Reference: see Layton Robert - Australian Rock Art: A New Synthesis

Publishing details: Cambridge University Press, 1992, 302 pp

Location:

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Westcott Kimview full entry

Reference: Kim Westcott by Roger Taylor. “Since becoming a Master Printer, Kim Westcott has continually used her collaborations with other printmakers and artists to push her facility as a printmaker and artist in her own right. As a printmaker working with artists, her role is as much about using the correct printing technique to achieve maximum results for a particular work: The ambitions for the subject dictate the technique. For her own art, however, Westcott will test the boundaries.”
Publishing details: Craftsman House. 1998.Hardcover, dust jacket. 132pp
Ref: 1006

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Westcott Kim

Reference: Kim Westcott by Roger Taylor. “Since becoming a Master Printer, Kim Westcott has continually used her collaborations with other printmakers and artists to push her facility as a printmaker and artist in her own right. As a printmaker working with artists, her role is as much about using the correct printing technique to achieve maximum results for a particular work: The ambitions for the subject dictate the technique. For her own art, however, Westcott will test the boundaries.”

Publishing details: Craftsman House. 1998.Hardcover, dust jacket. 132pp

Location: 1006

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Rosen Robertview full entry

Reference: Siblings
Ref: 1000

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Rosen Robert

Reference: Siblings

Publishing details:

Location: 1000

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Australian and International Photographyview full entry

Reference: Josef Lebovic Gallery catalogue - 146 ehibits all illustrated
Publishing details: Josef Lebovic, 2010, 28pp,
Ref: 57

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Australian and International Photography

Reference: Josef Lebovic Gallery catalogue - 146 ehibits all illustrated

Publishing details: Josef Lebovic, 2010, 28pp,

Location: 57

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Lanceley Colinview full entry

Reference: Australian Galleries Exhibition - The Gaudi Quartet and other lyrical digressions, with essay by Sasha Grishin
Publishing details: Australian Galleries, 2010, 8 colour illustrations, 6pp. With price list
Ref: 123

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Lanceley Colin

Reference: Australian Galleries Exhibition - The Gaudi Quartet and other lyrical digressions, with essay by Sasha Grishin

Publishing details: Australian Galleries, 2010, 8 colour illustrations, 6pp. With price list

Location: 123

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Lanceley Colinview full entry

Reference: article on Australian Galleries Exhibition - The Gaudi Quartet and other lyrical digressions, by Joyce Morgan
Publishing details: SMH, 19 July, 2010 p12
Ref: 123

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Lanceley Colin

Reference: article on Australian Galleries Exhibition - The Gaudi Quartet and other lyrical digressions, by Joyce Morgan

Publishing details: SMH, 19 July, 2010 p12

Location: 123

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Ellenden Bill auctioneer obitview full entry

Reference: Obituary by Terry Ingram
Publishing details: SMH 17-18 July 2010 p10 in News Review
Ref: 123

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Ellenden Bill auctioneer obit

Reference: Obituary by Terry Ingram

Publishing details: SMH 17-18 July 2010 p10 in News Review

Location: 123

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Harvey Rolandview full entry

Reference: Roland Harvey’s Drawing Book
Publishing details: Scholastic, 1996, 64pp, spiral bound

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Harvey Roland

Reference: Roland Harvey’s Drawing Book

Publishing details: Scholastic, 1996, 64pp, spiral bound

Location: 0

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White Ronview full entry

Reference: obituary by Mark McGinnis
Publishing details: SMH 24 June 2010 p22
Ref: 123

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White Ron

Reference: obituary by Mark McGinnis

Publishing details: SMH 24 June 2010 p22

Location: 123

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Pantera Pressview full entry

Reference: details of publishing company (publisher known to Vin Plant Glenda Korporal)
Publishing details: 2010
Ref: 123

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Pantera Press

Reference: details of publishing company (publisher known to Vin Plant Glenda Korporal)

Publishing details: 2010

Location: 123

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Cooper Ashleyview full entry

Reference: Ashley Cooper 1889-1970 - dedicated to the memory of Anthony Cooper. 85 works catalogued, 9 illustrations. Biographical information.
Publishing details: Orange Regional Gallery, 1988, pb, 16pp
Ref: 123

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Cooper Ashley

Reference: Ashley Cooper 1889-1970 - dedicated to the memory of Anthony Cooper. 85 works catalogued, 9 illustrations. Biographical information.

Publishing details: Orange Regional Gallery, 1988, pb, 16pp

Location: 123

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Bergin Kateview full entry

Reference: Mossgreen Gallery catalogue
Publishing details: Mossgreen, 2010, 8pp with price list
Ref: 212

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Bergin Kate

Reference: Mossgreen Gallery catalogue

Publishing details: Mossgreen, 2010, 8pp with price list

Location: 212

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Sansom Garethview full entry

Reference: New Paintings, exhibition flier - 1 colour illustration
Publishing details: Ros Oxley9 Gallery, 2010
Ref: 123

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Sansom Gareth

Reference: New Paintings, exhibition flier - 1 colour illustration

Publishing details: Ros Oxley9 Gallery, 2010

Location: 123

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Elder Fine Artview full entry

Reference: auction catalogue 2 May, 2010
Publishing details: 2010
Ref: 113

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Elder Fine Art

Reference: auction catalogue 2 May, 2010

Publishing details: 2010

Location: 113

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Gowans Auctions Hobart Tasview full entry

Reference: copy of catalogue which included portrait by Frederick Strange
Publishing details: 15.5.10
Ref: 113

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Gowans Auctions Hobart Tas

Reference: copy of catalogue which included portrait by Frederick Strange

Publishing details: 15.5.10

Location: 113

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Davidson’s Auctionview full entry

Reference: included works by John Llewellyn Jones
Publishing details: 5.6.2010
Ref: 113

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Davidson’s Auction

Reference: included works by John Llewellyn Jones

Publishing details: 5.6.2010

Location: 113

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Jones John Llewelyn view full entry

Reference: see Davidson’s Auction included works by John Llewellyn Jones
Publishing details: 5.6.2010

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Jones John Llewelyn

Reference: see Davidson’s Auction included works by John Llewellyn Jones

Publishing details: 5.6.2010

Location:

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Black Lisaview full entry

Reference: jewelley exhibition at Annandale gallery - includes biography (wife of Robert Bleakley)
Publishing details: Annandale Gallery, 2010, 4pp
Ref: 212

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Black Lisa

Reference: jewelley exhibition at Annandale gallery - includes biography (wife of Robert Bleakley)

Publishing details: Annandale Gallery, 2010, 4pp

Location: 212

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Cummings Elisabethview full entry

Reference: Paper Trail: 30 Years. Extensively illustrated with biographical information
Publishing details: King Street Gallery, 2010, 48pp
Ref: 123

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Cummings Elisabeth

Reference: Paper Trail: 30 Years. Extensively illustrated with biographical information

Publishing details: King Street Gallery, 2010, 48pp

Location: 123

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Cummings Elisabethview full entry

Reference: Monotypes. Extensively illustrated with biographical information
Publishing details: King Street Gallery, 2005, 39pp
Ref: 123

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Cummings Elisabeth

Reference: Monotypes. Extensively illustrated with biographical information

Publishing details: King Street Gallery, 2005, 39pp

Location: 123

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Cummings Elisabethview full entry

Reference: King Street gallery exhibition
Publishing details: King Street Gallery, 2010, 1-page list of exhibits and prices
Ref: 123

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Cummings Elisabeth

Reference: King Street gallery exhibition

Publishing details: King Street Gallery, 2010, 1-page list of exhibits and prices

Location: 123

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Strong Simonview full entry

Reference: The Green Wood - chromgenic prints
Publishing details: Martin Browne Fine Art, 2010, 10pp fold out card, with price list
Ref: 212

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Strong Simon

Reference: The Green Wood - chromgenic prints

Publishing details: Martin Browne Fine Art, 2010, 10pp fold out card, with price list

Location: 212

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Twenty Melbourne Painters Societyview full entry

Reference: 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery [to be indexed fully urgently] The current members have been indexed.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp
Ref: 28

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Twenty Melbourne Painters Society

Reference: 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery [to be indexed fully urgently] The current members have been indexed.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

Location: 28

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Abbott Angelaview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Abbott Angela

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Allen Gregview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Allen Greg

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Barnett Juneview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Barnett June

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Caldwell Billview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Caldwell Bill

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Cowling Margaretview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Cowling Margaret

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Dudley Johnview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Dudley John

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Fowler Jacquelineview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Fowler Jacqueline

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Hyatt Amandaview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Hyatt Amanda

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Machalek Leeview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Machalek Lee

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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McCallum Barbaraview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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McCallum Barbara

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Smith Paul McDonaldview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Smith Paul McDonald

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Paterson Rossview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Paterson Ross

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Pekel Hermanview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Pekel Herman

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Sinclair Cliveview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Sinclair Clive

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Smales Peterview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Smales Peter

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Taylor Davidview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Taylor David

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Wilks Maxwellview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Wilks Maxwell

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Wills Judithview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Wills Judith

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Zbukvic Josephview full entry

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.
Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Zbukvic Joseph

Reference: see Twenty Melbourne Painters Society - 90 Years of the Twenty Melbourne Painters Society - exhibition at the Glen Eira Gallery.

Publishing details: Glen Eira Gallery, 2008, pb, 49pp

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Sharp Martin Pop Art Iconview full entry

Reference: see World of Antiques & Art, see box 90c
Publishing details: August 2006 - February 2007

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Sharp Martin Pop Art Icon

Reference: see World of Antiques & Art, see box 90c

Publishing details: August 2006 - February 2007

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Tillers Imants one world many visionsview full entry

Reference: see World of Antiques & Art, see box 90c
Publishing details: August 2006 - February 2007

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Tillers Imants one world many visions

Reference: see World of Antiques & Art, see box 90c

Publishing details: August 2006 - February 2007

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Mackennal Bertram article by Deborah Edwardsview full entry

Reference: see World of Antiques & Art, article on Bertram Mackennal by Deborah Edwards
Publishing details: August 2006 - February 2007

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Mackennal Bertram article by Deborah Edwards

Reference: see World of Antiques & Art, article on Bertram Mackennal by Deborah Edwards

Publishing details: August 2006 - February 2007

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Reynell Gladys AGSA exhibitionview full entry

Reference: see World of Antiques & Art, see box 90c
Publishing details: August 2006 - February 2007

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Reynell Gladys AGSA exhibition

Reference: see World of Antiques & Art, see box 90c

Publishing details: August 2006 - February 2007

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Hunter John two first fleet collections unitedview full entry

Reference: see World of Antiques & Art, see box 90c
Publishing details: August 2006 - February 2007

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Hunter John two first fleet collections united

Reference: see World of Antiques & Art, see box 90c

Publishing details: August 2006 - February 2007

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Raper George two first fleet collections unitedview full entry

Reference: see World of Antiques & Art, see box 90c
Publishing details: August 2006 - February 2007

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Raper George two first fleet collections united

Reference: see World of Antiques & Art, see box 90c

Publishing details: August 2006 - February 2007

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Anderson Ethel Louiseview full entry

Reference: see World of Antiques & Art, see box 90c re a painting of roses in Government House Sydney. informative essay by Scott Carlin
Publishing details: August 2006 - February 2007

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Anderson Ethel Louise

Reference: see World of Antiques & Art, see box 90c re a painting of roses in Government House Sydney. informative essay by Scott Carlin

Publishing details: August 2006 - February 2007

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Gill S T ‘O’Flaherty’s Cattle Ford on the Loddon’view full entry

Reference: see World of Antiques & Art, see box 90c
Publishing details: August 2006 - February 2007

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Gill S T ‘O’Flaherty’s Cattle Ford on the Loddon’

Reference: see World of Antiques & Art, see box 90c

Publishing details: August 2006 - February 2007

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Chinese export Punchbowl in ANMMview full entry

Reference: see World of Antiques & Art, see box 90c
Publishing details: August 2006 - February 2007

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Chinese export Punchbowl in ANMM

Reference: see World of Antiques & Art, see box 90c

Publishing details: August 2006 - February 2007

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Godfrey Lewis carvingsview full entry

Reference: see World of Antiques & Art, see box 90c
Publishing details: August 2006 - February 2007

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Godfrey Lewis carvings

Reference: see World of Antiques & Art, see box 90c

Publishing details: August 2006 - February 2007

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von Guerard E ‘Scenery in the Mount Lofty Ranges’view full entry

Reference: see World of Antiques & Art, see box 90c
Publishing details: August 2006 - February 2007

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von Guerard E ‘Scenery in the Mount Lofty Ranges’

Reference: see World of Antiques & Art, see box 90c

Publishing details: August 2006 - February 2007

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painted panoramas in Hobart and Sydneyview full entry

Reference: see World of Antiques & Art, see box 90c - essay by Georgia Rouette
Publishing details: August 2006 - February 2007

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painted panoramas in Hobart and Sydney

Reference: see World of Antiques & Art, see box 90c - essay by Georgia Rouette

Publishing details: August 2006 - February 2007

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panoramic landscapes 1820s 1830sview full entry

Reference: see World of Antiques & Art, see box 90c - essay by Georgia Rouette
Publishing details: August 2006 - February 2007

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panoramic landscapes 1820s 1830s

Reference: see World of Antiques & Art, see box 90c - essay by Georgia Rouette

Publishing details: August 2006 - February 2007

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Jones Hview full entry

Reference: see Christie’s sale number 6 5 October, 1975 lot 66, yacht racing Sydney Harbour 1891, illustrated

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Jones H

Reference: see Christie’s sale number 6 5 October, 1975 lot 66, yacht racing Sydney Harbour 1891, illustrated

Publishing details:

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Jessup Frederickview full entry

Reference: ‘Jessup married Clytie Lloyd Jones. I think there was a recent story on him in Look. Magazine. There is also a reference to him in either the Friend diaries / letters or the Cardamatis interview I did that suggested that his sexual interests were wide-ranging.’ from Scott Carlin to Stephen Scheding July 2010

×

Jessup Frederick

Reference: ‘Jessup married Clytie Lloyd Jones. I think there was a recent story on him in Look. Magazine. There is also a reference to him in either the Friend diaries / letters or the Cardamatis interview I did that suggested that his sexual interests were wide-ranging.’ from Scott Carlin to Stephen Scheding July 2010

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Incubateview full entry

Reference: Incubate - ideas + Art + Design - issue 5
Publishing details: COFA, 2010
Ref: 146

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Incubate

Reference: Incubate - ideas + Art + Design - issue 5

Publishing details: COFA, 2010

Location: 146

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Beynon Kateview full entry

Reference: Auspicious Charms for Transcultural Living
Publishing details: AGNSW Contemporary Projects, 2008, 6pp
Ref: 212

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Beynon Kate

Reference: Auspicious Charms for Transcultural Living

Publishing details: AGNSW Contemporary Projects, 2008, 6pp

Location: 212

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Zimiles Murrayview full entry

Reference: The Fire Paintings - The Book of Fire, essay by Giles Auty
Publishing details: BMG ART, 1998, 25pp
Ref: 212

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Zimiles Murray

Reference: The Fire Paintings - The Book of Fire, essay by Giles Auty

Publishing details: BMG ART, 1998, 25pp

Location: 212

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Eye to Eyeview full entry

Reference: Dubbo Regional Gallery - the Armati Bequest
Publishing details: Dubbo Regional Gallery, 2007, 28pp
Ref: 212

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Eye to Eye

Reference: Dubbo Regional Gallery - the Armati Bequest

Publishing details: Dubbo Regional Gallery, 2007, 28pp

Location: 212

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Dover Barbaraview full entry

Reference: see Eye to Eye - Dubbo Regional Gallery - the Armati Bequest
Publishing details: Dubbo Regional Gallery, 2007, 28pp

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Dover Barbara

Reference: see Eye to Eye - Dubbo Regional Gallery - the Armati Bequest

Publishing details: Dubbo Regional Gallery, 2007, 28pp

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Watt Yvetteview full entry

Reference: see Eye to Eye - Dubbo Regional Gallery - the Armati Bequest
Publishing details: Dubbo Regional Gallery, 2007, 28pp

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Watt Yvette

Reference: see Eye to Eye - Dubbo Regional Gallery - the Armati Bequest

Publishing details: Dubbo Regional Gallery, 2007, 28pp

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Roet Lisaview full entry

Reference: see Eye to Eye - Dubbo Regional Gallery - the Armati Bequest
Publishing details: Dubbo Regional Gallery, 2007, 28pp

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Roet Lisa

Reference: see Eye to Eye - Dubbo Regional Gallery - the Armati Bequest

Publishing details: Dubbo Regional Gallery, 2007, 28pp

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Roberts-Goodwin Lynneview full entry

Reference: see Eye to Eye - Dubbo Regional Gallery - the Armati Bequest
Publishing details: Dubbo Regional Gallery, 2007, 28pp

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Roberts-Goodwin Lynne

Reference: see Eye to Eye - Dubbo Regional Gallery - the Armati Bequest

Publishing details: Dubbo Regional Gallery, 2007, 28pp

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James Kateview full entry

Reference: see Eye to Eye - Dubbo Regional Gallery - the Armati Bequest
Publishing details: Dubbo Regional Gallery, 2007, 28pp

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James Kate

Reference: see Eye to Eye - Dubbo Regional Gallery - the Armati Bequest

Publishing details: Dubbo Regional Gallery, 2007, 28pp

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Fowler Haydenview full entry

Reference: see Eye to Eye - Dubbo Regional Gallery - the Armati Bequest
Publishing details: Dubbo Regional Gallery, 2007, 28pp

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Fowler Hayden

Reference: see Eye to Eye - Dubbo Regional Gallery - the Armati Bequest

Publishing details: Dubbo Regional Gallery, 2007, 28pp

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Kendall Yvonneview full entry

Reference: The Mysteries of Trees
Publishing details: Niagara Galleries, 2010
Ref: 212

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Kendall Yvonne

Reference: The Mysteries of Trees

Publishing details: Niagara Galleries, 2010

Location: 212

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Mckenna noelview full entry

Reference: animal works 1977-2003
Publishing details: Dubbo Regional Gallery, 2003
Ref: 212

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Mckenna noel

Reference: animal works 1977-2003

Publishing details: Dubbo Regional Gallery, 2003

Location: 212

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Marti Daniview full entry

Reference: Variations in a serious Black Dress
Publishing details: Canberra Contempoary Art Space, 2004, 44pp
Ref: 212

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Marti Dani

Reference: Variations in a serious Black Dress

Publishing details: Canberra Contempoary Art Space, 2004, 44pp

Location: 212

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Peart Johnview full entry

Reference: Mainly Painting. 41 exhibits - all illustrated
Publishing details: 2009, unidentified gallery catalogue, with price list
Ref: 123

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Peart John

Reference: Mainly Painting. 41 exhibits - all illustrated

Publishing details: 2009, unidentified gallery catalogue, with price list

Location: 123

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Lindsay Percyview full entry

Reference: Victorian Artists Society exhibits 1904-5
Ref: 123

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Lindsay Percy

Reference: Victorian Artists Society exhibits 1904-5

Publishing details:

Location: 123

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Day Haroldview full entry

Reference: I, Harold - Diary of an Artist by Harold Day, (Father of Sydney art dealer Christopher Day)
Publishing details: Book Guild, 1988, hc, dw, 135pp, inscribed by author

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Day Harold

Reference: I, Harold - Diary of an Artist by Harold Day, (Father of Sydney art dealer Christopher Day)

Publishing details: Book Guild, 1988, hc, dw, 135pp, inscribed by author

Location: 0

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Willoughby Howardview full entry

Reference: Australian Pictures Drawn with Pen and Pencil by Howard Willoughby of the Melbourne Argus, with a map and 107 illustrations from sketches and photographs engraved by E. Whymper and others. lithographic illustrations throughout, folding colour map. Chapters are devoted to each of the Colonies; Aborigines; flora and fauna; heroes of exploration, and squatters and settlers.
Publishing details: originally published by Religious Tract Society, 1886, hc, no dw as issued, 224pp, this is a facsimile edition published in 1978, no 328 of an edition of 600

×

Willoughby Howard

Reference: Australian Pictures Drawn with Pen and Pencil by Howard Willoughby of the Melbourne Argus, with a map and 107 illustrations from sketches and photographs engraved by E. Whymper and others. lithographic illustrations throughout, folding colour map. Chapters are devoted to each of the Colonies; Aborigines; flora and fauna; heroes of exploration, and squatters and settlers.

Publishing details: originally published by Religious Tract Society, 1886, hc, no dw as issued, 224pp, this is a facsimile edition published in 1978, no 328 of an edition of 600

Location: 0

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Dutkiewicz Michalview full entry

Reference: The Art of Michal Dutkiewicz art Fantastix
Publishing details: 2004
Ref: 1003

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Dutkiewicz Michal

Reference: The Art of Michal Dutkiewicz art Fantastix

Publishing details: 2004

Location: 1003

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Patterson Ambrose.view full entry

Reference: Ambrose Patterson Retrospective Exhibition - Seattle Art Museum, Seattle, Washington, 1961. Ambrose Patterson (illustrator). A thin 8 page catalog (including wraps), 8 pages, 3 illustrations of his oil painting work, essay, and then a catalog listing (with sale prices) of about 90 oil and watercolor paintings by the artist in the exhibit. Patterson was born in Daylesford, Victoria; he studied in Melbourne and Paris, where he exhibited in some of the early Salon d'Automne exhibitions. He left Australia for Hawaii in 1916, eventually settling in Seattle, where he became one of the leading modernist painters in the Northwest.
Publishing details: Seattle Art Museum, 1961, 8pp, First Edition. 8vo - over 7¾" - 9¾" tall. Softcover;

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Patterson Ambrose.

Reference: Ambrose Patterson Retrospective Exhibition - Seattle Art Museum, Seattle, Washington, 1961. Ambrose Patterson (illustrator). A thin 8 page catalog (including wraps), 8 pages, 3 illustrations of his oil painting work, essay, and then a catalog listing (with sale prices) of about 90 oil and watercolor paintings by the artist in the exhibit. Patterson was born in Daylesford, Victoria; he studied in Melbourne and Paris, where he exhibited in some of the early Salon d'Automne exhibitions. He left Australia for Hawaii in 1916, eventually settling in Seattle, where he became one of the leading modernist painters in the Northwest.

Publishing details: Seattle Art Museum, 1961, 8pp, First Edition. 8vo - over 7¾" - 9¾" tall. Softcover;

Location: 0

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Olgilvie Helenview full entry

Reference: Helen Ogilvie. Retrospective Exhibition curated by Sheridan Palmer
Publishing details: Ballarat Fine Art Gallery, 1995. Folio, 26pp. 21 plates in colour and black and white.
Ref: 1001

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Olgilvie Helen

Reference: Helen Ogilvie. Retrospective Exhibition curated by Sheridan Palmer

Publishing details: Ballarat Fine Art Gallery, 1995. Folio, 26pp. 21 plates in colour and black and white.

Location: 1001

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Baines Thomasview full entry

Reference: The Northern Goldfields Diaries of Thomas Baines. 3 volumes. J. P. R. Wallis, ed.

Publishing details: Chatto and Windus, 1946, General African Archives, Oppenheimer Series, Number Three. Cloth, large octavo, xxxviii 855 pp. 32 plates (7 in color) 5 fold-out maps.
Ref: 1000

×

Baines Thomas

Reference: The Northern Goldfields Diaries of Thomas Baines. 3 volumes. J. P. R. Wallis, ed.

Publishing details: Chatto and Windus, 1946, General African Archives, Oppenheimer Series, Number Three. Cloth, large octavo, xxxviii 855 pp. 32 plates (7 in color) 5 fold-out maps.

Location: 1000

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La Trobe Charles Josephview full entry

Reference: Charles Joseph La Trobe, Superintendent of the Port Phillip District 1839-1851, Lieutenant Governor of Victoria 1851-1854 by Alan Gross
Publishing details: MUP 1956
Ref: 1000

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La Trobe Charles Joseph

Reference: Charles Joseph La Trobe, Superintendent of the Port Phillip District 1839-1851, Lieutenant Governor of Victoria 1851-1854 by Alan Gross

Publishing details: MUP 1956

Location: 1000

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La Trobe Charles Josephview full entry

Reference: Letters of Charles Joseph La Trobe. Illustrated with works by La Trobe. Includes index.Includes ‘Sources and references’. [’Published in the centenary of his death, this collection of the correspondence of Charles La Trobe (1801-1875), who was from 1839 Superintendent of Port Phillip District and from 1851 the first Lieutenant-Governor of Victoria, is absorbing and illuminating reading for anyone interested in the early colonial history of Victoria. La Trobe’s encouragement of and support for religious, cultural and educational institutions ensured that he became a hugely influential figure in the development of Melbourne, in particular.’]
Publishing details: Government printer, 1975. Series: Victoriana series no. 1. Royal octavo pale blue cloth over boards, in pictorial dust jacket pp ix, 96; illustrated with numerous plates (some colour)

×

La Trobe Charles Joseph

Reference: Letters of Charles Joseph La Trobe. Illustrated with works by La Trobe. Includes index.Includes ‘Sources and references’. [’Published in the centenary of his death, this collection of the correspondence of Charles La Trobe (1801-1875), who was from 1839 Superintendent of Port Phillip District and from 1851 the first Lieutenant-Governor of Victoria, is absorbing and illuminating reading for anyone interested in the early colonial history of Victoria. La Trobe’s encouragement of and support for religious, cultural and educational institutions ensured that he became a hugely influential figure in the development of Melbourne, in particular.’]

Publishing details: Government printer, 1975. Series: Victoriana series no. 1. Royal octavo pale blue cloth over boards, in pictorial dust jacket pp ix, 96; illustrated with numerous plates (some colour)

Location: 0

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Thorne Rossview full entry

Reference: Theatres in Australia - An Historical Perspective of Significant Buildings
Ref: 1000

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Thorne Ross

Reference: Theatres in Australia - An Historical Perspective of Significant Buildings

Publishing details:

Location: 1000

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Wedgewood - An Australian Heritageview full entry

Reference: Grace Bros - Sydney exhibition [to be indexed]
Publishing details: 1987
Ref: 123

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Wedgewood - An Australian Heritage

Reference: Grace Bros - Sydney exhibition [to be indexed]

Publishing details: 1987

Location: 123

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Smith Bernardview full entry

Reference: Art as Information (Reflections on the Art of Captain Cook) [to be indexed]
Publishing details: Sydney University Press, 1978
Ref: 3

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Smith Bernard

Reference: Art as Information (Reflections on the Art of Captain Cook) [to be indexed]

Publishing details: Sydney University Press, 1978

Location: 3

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The Presence of Thingsview full entry

Reference: Sense Veneer and Guise
Publishing details: The Embroiderers Guild, Monash University, 2006
Ref: 1000

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The Presence of Things

Reference: Sense Veneer and Guise

Publishing details: The Embroiderers Guild, Monash University, 2006

Location: 1000

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Pastoral Era Theview full entry

Reference: Australia 1810 - 1850 - Australia’s Heritage in Stamps
Ref: 1000

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Pastoral Era The

Reference: Australia 1810 - 1850 - Australia’s Heritage in Stamps

Publishing details:

Location: 1000

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Sherman Albertview full entry

Reference: Albert John Sherman - Cornish Australian Artist by William F J Cammack
Publishing details: Mini Publishing, 2005, hc, dw, 178pp. Inscribed by author

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Sherman Albert

Reference: Albert John Sherman - Cornish Australian Artist by William F J Cammack

Publishing details: Mini Publishing, 2005, hc, dw, 178pp. Inscribed by author

Location: 0

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Out of Lineview full entry

Reference: 25 Years of Women’s Posters [to be indexed]
Publishing details: State Library of NSW, 1995, 8pp
Ref: 124

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Out of Line

Reference: 25 Years of Women’s Posters [to be indexed]

Publishing details: State Library of NSW, 1995, 8pp

Location: 124

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Syllogismsview full entry

Reference: Drawing upon fantasy and function [to be indexed]
Publishing details: University of Tasmania 1987
Ref: 1000

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Syllogisms

Reference: Drawing upon fantasy and function [to be indexed]

Publishing details: University of Tasmania 1987

Location: 1000

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Smith Bernardview full entry

Reference: Australian Painting Today - The John Murtagh Macrossan Lectures
Publishing details: UQP, 1961, pb, 32pp

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Smith Bernard

Reference: Australian Painting Today - The John Murtagh Macrossan Lectures

Publishing details: UQP, 1961, pb, 32pp

Location: 0

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In our own imageview full entry

Reference: In our own image - figurative sculpture from the NGA
Publishing details: NGA travelling exhibition
Ref: 1000

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In our own image

Reference: In our own image - figurative sculpture from the NGA

Publishing details: NGA travelling exhibition

Location: 1000

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Artists & Unionsview full entry

Reference: A Critical Tradition by Sandy Kirby - A report on the Art and Working Life Program, by Sandy Kirby, foreword by Ian Burn [to be indexed?]
Publishing details: Australia Council, 1991, pb, 36pp, ex library copy

×

Artists & Unions

Reference: A Critical Tradition by Sandy Kirby - A report on the Art and Working Life Program, by Sandy Kirby, foreword by Ian Burn [to be indexed?]

Publishing details: Australia Council, 1991, pb, 36pp, ex library copy

Location: 0

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Storrier Timview full entry

Reference: Tim Storrier by Ken McGregor and Jenny Zimmer
Publishing details: Macmillan mini art series, 2007, hc, dw, octavo
Ref: 1000

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Storrier Tim

Reference: Tim Storrier by Ken McGregor and Jenny Zimmer

Publishing details: Macmillan mini art series, 2007, hc, dw, octavo

Location: 1000

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Olsen Johnview full entry

Reference: John Olsen by Ken McGregor and Jenny Zimmer
Publishing details: Macmillan mini art series, 2009, hc, dw, octavo
Ref: 1000

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Olsen John

Reference: John Olsen by Ken McGregor and Jenny Zimmer

Publishing details: Macmillan mini art series, 2009, hc, dw, octavo

Location: 1000

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Call of the Wildview full entry

Reference: Call of the Wild, Beasts and Birds from the Parliament House Art Collection, curated by Deborah Hart, 2 March - 4 April, 1996,

Publishing details: Parliament House, 1996, stapled catalogue, 16pp

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Call of the Wild

Reference: Call of the Wild, Beasts and Birds from the Parliament House Art Collection, curated by Deborah Hart, 2 March - 4 April, 1996,

Publishing details: Parliament House, 1996, stapled catalogue, 16pp

Location: 0

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Why the Tree? view full entry

Reference: Why the Tree? - [images of trees in Australian art]

Publishing details: Ballarat Fine Art Gallery catalogue, 2007, card covers, 41pp

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Why the Tree?

Reference: Why the Tree? - [images of trees in Australian art]

Publishing details: Ballarat Fine Art Gallery catalogue, 2007, card covers, 41pp

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Pets Prey and Predatorsview full entry

Reference: Introduced Animals in Recent Australian Art, curated by Vicki Hammond
Publishing details: Dubbo Regional Gallery, touring exhibition, 1999

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Pets Prey and Predators

Reference: Introduced Animals in Recent Australian Art, curated by Vicki Hammond

Publishing details: Dubbo Regional Gallery, touring exhibition, 1999

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Bloodlinesview full entry

Reference: Bloodlines - art and the horse, [in Australian Art]

Publishing details: Hawkesbury Regional Gallery exhibition catalogue, curated by Peter Fay, 2007, card covers, 64pp

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Bloodlines

Reference: Bloodlines - art and the horse, [in Australian Art]

Publishing details: Hawkesbury Regional Gallery exhibition catalogue, curated by Peter Fay, 2007, card covers, 64pp

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How Now Cowview full entry

Reference: How Now Cow, [images of cows in Australian art] [to be indexed]

Publishing details: Ballarat Fine Art Gallery catalogue, 2007, card covers, 41pp

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How Now Cow

Reference: How Now Cow, [images of cows in Australian art] [to be indexed]

Publishing details: Ballarat Fine Art Gallery catalogue, 2007, card covers, 41pp

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Women Artists from the Collectionview full entry

Reference: Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]
Publishing details: Lewers Bequest , 1995, pb,

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Women Artists from the Collection

Reference: Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]

Publishing details: Lewers Bequest , 1995, pb,

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Zander Alleyne Cview full entry

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]
Publishing details: Lewers Bequest , 1995, pb,

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Zander Alleyne C

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]

Publishing details: Lewers Bequest , 1995, pb,

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Appleton Jeanview full entry

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]
Publishing details: Lewers Bequest , 1995, pb,

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Appleton Jean

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]

Publishing details: Lewers Bequest , 1995, pb,

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Audette Yvonneview full entry

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]
Publishing details: Lewers Bequest , 1995, pb,

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Audette Yvonne

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]

Publishing details: Lewers Bequest , 1995, pb,

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Cassab Judyview full entry

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]
Publishing details: Lewers Bequest , 1995, pb,

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Cassab Judy

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]

Publishing details: Lewers Bequest , 1995, pb,

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Hinder Margelview full entry

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]
Publishing details: Lewers Bequest , 1995, pb,

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Hinder Margel

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]

Publishing details: Lewers Bequest , 1995, pb,

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Gazzard Mariaview full entry

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]
Publishing details: Lewers Bequest , 1995, pb,

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Gazzard Maria

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]

Publishing details: Lewers Bequest , 1995, pb,

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Jaksik-Berger Mimiview full entry

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]
Publishing details: Lewers Bequest , 1995, pb,

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Jaksik-Berger Mimi

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]

Publishing details: Lewers Bequest , 1995, pb,

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King Ingeview full entry

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]
Publishing details: Lewers Bequest , 1995, pb,

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King Inge

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]

Publishing details: Lewers Bequest , 1995, pb,

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Kubbos Evaview full entry

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [[extensive biographies of selected women artists]
Publishing details: Lewers Bequest , 1995, pb,

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Kubbos Eva

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [[extensive biographies of selected women artists]

Publishing details: Lewers Bequest , 1995, pb,

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Lempriere Helenview full entry

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]
Publishing details: Lewers Bequest , 1995, pb,

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Lempriere Helen

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]

Publishing details: Lewers Bequest , 1995, pb,

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Lewers Margotview full entry

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]
Publishing details: Lewers Bequest , 1995, pb,

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Lewers Margot

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]

Publishing details: Lewers Bequest , 1995, pb,

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McDonald Sheilaview full entry

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]
Publishing details: Lewers Bequest , 1995, pb,

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McDonald Sheila

Reference: see Women Artists from the Collection - Lewers Bequest and Penrith Regional Art Gallery exhibition 1995 [extensive biographies of selected women artists]

Publishing details: Lewers Bequest , 1995, pb,

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Caire Nicholas Johnview full entry

Reference: Nicholas John Caire - Photographer 1837 - 1918 Monograph on Australian PhotographicHistory, No. 2. Essay by David P,Millar
Publishing details: AGNSW, 1980, large format catalogue, 6 b & w illustrations including cover

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Caire Nicholas John

Reference: Nicholas John Caire - Photographer 1837 - 1918 Monograph on Australian PhotographicHistory, No. 2. Essay by David P,Millar

Publishing details: AGNSW, 1980, large format catalogue, 6 b & w illustrations including cover

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Andrew Brookview full entry

Reference: The Cell - A Guide to the Ordinary Function of the Cell and the Affiliated Creation
Publishing details: Sherman Contemporary Art Foundation, 2010, 88pp
Ref: 212

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Andrew Brook

Reference: The Cell - A Guide to the Ordinary Function of the Cell and the Affiliated Creation

Publishing details: Sherman Contemporary Art Foundation, 2010, 88pp

Location: 212

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Brooker Williamview full entry

Reference: see Meszaros Andor - William Brooker/Andor Meszaros/Michael Meszaros - exhibition at Villiers Fine Art, Paddington, in 1971, catalogue no. 57 'Andor Meszaros' N.F.S. (The exhibition was titled 'William Brooker/Andor Meszaros/Michael Meszaros'. There was a note in catalogue that the bronze casting (for all ronze exhibits) was C. F. Burnell and the moulder was Mr Harry Steele.
Publishing details: 1971

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Brooker William

Reference: see Meszaros Andor - William Brooker/Andor Meszaros/Michael Meszaros - exhibition at Villiers Fine Art, Paddington, in 1971, catalogue no. 57 'Andor Meszaros' N.F.S. (The exhibition was titled 'William Brooker/Andor Meszaros/Michael Meszaros'. There was a note in catalogue that the bronze casting (for all ronze exhibits) was C. F. Burnell and the moulder was Mr Harry Steele.

Publishing details: 1971

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Meszaros Andorview full entry

Reference: William Brooker/Andor Meszaros/Michael Meszaros - exhibition at Villiers Fine Art, Paddington, in 1971, catalogue no. 57 'Andor Meszaros' N.F.S. (The exhibition was titled 'William Brooker/Andor Meszaros/Michael Meszaros'. There was a note in catalogue that the bronze casting (for all ronze exhibits) was C. F. Burnell and the moulder was Mr Harry Steele.
Publishing details: 1971

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Meszaros Andor

Reference: William Brooker/Andor Meszaros/Michael Meszaros - exhibition at Villiers Fine Art, Paddington, in 1971, catalogue no. 57 'Andor Meszaros' N.F.S. (The exhibition was titled 'William Brooker/Andor Meszaros/Michael Meszaros'. There was a note in catalogue that the bronze casting (for all ronze exhibits) was C. F. Burnell and the moulder was Mr Harry Steele.

Publishing details: 1971

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Meszaros Michaelview full entry

Reference: see Meszaros Andor - William Brooker/Andor Meszaros/Michael Meszaros - exhibition at Villiers Fine Art, Paddington, in 1971, catalogue no. 57 'Andor Meszaros' N.F.S. (The exhibition was titled 'William Brooker/Andor Meszaros/Michael Meszaros'. There was a note in catalogue that the bronze casting (for all ronze exhibits) was C. F. Burnell and the moulder was Mr Harry Steele.
Publishing details: 1971

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Meszaros Michael

Reference: see Meszaros Andor - William Brooker/Andor Meszaros/Michael Meszaros - exhibition at Villiers Fine Art, Paddington, in 1971, catalogue no. 57 'Andor Meszaros' N.F.S. (The exhibition was titled 'William Brooker/Andor Meszaros/Michael Meszaros'. There was a note in catalogue that the bronze casting (for all ronze exhibits) was C. F. Burnell and the moulder was Mr Harry Steele.

Publishing details: 1971

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Shillam Leonard and Kathleenview full entry

Reference: Forms Entwined - The Life Story of sculptors Leonard and Kathleen Shillam by Dorothy Hartnett,
Publishing details: Pangenza Studio, 1996, card covers, 177pp, signed by both artists and the author

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Shillam Leonard and Kathleen

Reference: Forms Entwined - The Life Story of sculptors Leonard and Kathleen Shillam by Dorothy Hartnett,

Publishing details: Pangenza Studio, 1996, card covers, 177pp, signed by both artists and the author

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Christmann Gunter view full entry

Reference: Kozmix - Niagara Gallery catalogue
Publishing details: 2010
Ref: 212

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Christmann Gunter

Reference: Kozmix - Niagara Gallery catalogue

Publishing details: 2010

Location: 212

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