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The Scheding Index of Australian Art & Artists

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Showing 158,396 records of 158,396 total. We are displaying one thousand.

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Webb Philippa 1933-view full entry
Reference: see Bookplate Artists and Their Bookplates by Andrew G Peake. About 80 Australian bookplate artists are listed with illustrated examples of their work, together with biographies.
Publishing details: Tudor Australia Press, 2012, pb, quarto, 104pp, limited edition of 130 of which this is number 51. Index.Signed copy (on last page)
Fellows James 1943-view full entry
Reference: see Bookplate Artists and Their Bookplates by Andrew G Peake. About 80 Australian bookplate artists are listed with illustrated examples of their work, together with biographies.
Publishing details: Tudor Australia Press, 2012, pb, quarto, 104pp, limited edition of 130 of which this is number 51. Index.Signed copy (on last page)
Sibley Justina Irena 1943-2009view full entry
Reference: see Bookplate Artists and Their Bookplates by Andrew G Peake. About 80 Australian bookplate artists are listed with illustrated examples of their work, together with biographies.
Publishing details: Tudor Australia Press, 2012, pb, quarto, 104pp, limited edition of 130 of which this is number 51. Index.Signed copy (on last page)
Rogers Jennifer 1945-view full entry
Reference: see Bookplate Artists and Their Bookplates by Andrew G Peake. About 80 Australian bookplate artists are listed with illustrated examples of their work, together with biographies.
Publishing details: Tudor Australia Press, 2012, pb, quarto, 104pp, limited edition of 130 of which this is number 51. Index.Signed copy (on last page)
Morrison Tessa 1954-view full entry
Reference: see Bookplate Artists and Their Bookplates by Andrew G Peake. About 80 Australian bookplate artists are listed with illustrated examples of their work, together with biographies.
Publishing details: Tudor Australia Press, 2012, pb, quarto, 104pp, limited edition of 130 of which this is number 51. Index.Signed copy (on last page)
Ferson Mark Julian 1956-view full entry
Reference: see Bookplate Artists and Their Bookplates by Andrew G Peake. About 80 Australian bookplate artists are listed with illustrated examples of their work, together with biographies.
Publishing details: Tudor Australia Press, 2012, pb, quarto, 104pp, limited edition of 130 of which this is number 51. Index.Signed copy (on last page)
Keep Mary 1958-view full entry
Reference: see Bookplate Artists and Their Bookplates by Andrew G Peake. About 80 Australian bookplate artists are listed with illustrated examples of their work, together with biographies.
Publishing details: Tudor Australia Press, 2012, pb, quarto, 104pp, limited edition of 130 of which this is number 51. Index.Signed copy (on last page)
Jones Tim 1962-view full entry
Reference: see Bookplate Artists and Their Bookplates by Andrew G Peake. About 80 Australian bookplate artists are listed with illustrated examples of their work, together with biographies.
Publishing details: Tudor Australia Press, 2012, pb, quarto, 104pp, limited edition of 130 of which this is number 51. Index.Signed copy (on last page)
Fraser David 1966-view full entry
Reference: see Bookplate Artists and Their Bookplates by Andrew G Peake. About 80 Australian bookplate artists are listed with illustrated examples of their work, together with biographies.
Publishing details: Tudor Australia Press, 2012, pb, quarto, 104pp, limited edition of 130 of which this is number 51. Index.Signed copy (on last page)
Jacks Robert bookplate forview full entry
Reference: see Bookplate Artists and Their Bookplates by Andrew G Peake. About 80 Australian bookplate artists are listed with illustrated examples of their work, together with biographies.
Publishing details: Tudor Australia Press, 2012, pb, quarto, 104pp, limited edition of 130 of which this is number 51. Index.Signed copy (on last page)
Lovejoy Kathryn Elisabeth 1967-view full entry
Reference: see Bookplate Artists and Their Bookplates by Andrew G Peake. About 80 Australian bookplate artists are listed with illustrated examples of their work, together with biographies.
Publishing details: Tudor Australia Press, 2012, pb, quarto, 104pp, limited edition of 130 of which this is number 51. Index.Signed copy (on last page)
Lovejoy Kathryn Elisabeth 1967-view full entry
Reference: see Bookplate Artists and Their Bookplates by Andrew G Peake. About 80 Australian bookplate artists are listed with illustrated examples of their work, together with biographies.
Publishing details: Tudor Australia Press, 2012, pb, quarto, 104pp, limited edition of 130 of which this is number 51. Index.Signed copy (on last page)
Thoms Albie film maker and curatorview full entry
Reference: obituary Sydney Morning Herald 5 December 2012 p18
Ref: 130
Leunig Maryview full entry
Reference: One Big Happy Family, by Mary Leunig, (paperback collection of full-colour cartoons)
Publishing details: Penguin Books. 1995


Ref: 1005
Watson Yannima Tommyview full entry
Reference: Yannima Tommy Watson, By Ken McGregor & Jenny Zimmer


Publishing details: Macmillan Mini Art Series #11, 2010, hc, dw


Ref: 1000
MacDonald Angus 1919-2005view full entry
Reference: Lot 349 at Shapiro Auctions, Sydney, 9.12.12, LOT 349: Angus MacDonald (1919-2005. Nocturne, oil on canvas on board, signed l.r.c. 'Angus.', titled and inscribed on verso in pen 'NOCTURNE by ANGUS'. This work was a still life which was very similar to the work of Adrian Feint.
Aly Augustusview full entry
Reference: see Edwards Zeny - Six of the Best Architects of Ku-Ring-Gai by Zeny Edwards [Examines the architectural Designs of John Sulman, Richard Joseland, Walter Vernon, Hugh Vernon, Augustus Aly and Keith McCredie
Publishing details: The Author, 1998, 141pp
Meldrum Maxview full entry
Reference: The Science of Appearances, as formulated and taught by Max Meldrum. Arranged and edited by Russell R. Foreman
Publishing details: Shepherd Press, 1950, 298pp publisghed in two editions incuding deluxe edition limited to 100 numbered and signed copies. Each has filters and folding chart in sleves inside back cover.
Ref: 1009
Carney Cliveview full entry
Reference: Impact of Design by Clive Carney. [An overview of late-1950s international interior design by one of Sydney’s most outstanding interior designers].
Publishing details: LAWSON PRESS, 1959, HC, DW.
Ref: 1000
Interior designview full entry
Reference: see Carney Clive - Impact of Design by Clive Carney. [An overview of late-1950s international interior design by one of Sydney’s most outstanding interior designers].
Publishing details: LAWSON PRESS, 1959, HC, DW.
Smith Grayview full entry
Reference: Gray Smith (1919-1990) was an epileptic who suffered 'grand mal' seizures from the time of his mid teens. The epilepsy formed and toned his life; he no longer perceived control and destiny over his life. The epilepsy controlled him. He became an observer of 'man'. He was a man outside, silently forbidden to become the socially constructed 'Aussie bloke'. Gray through his isolation of self and personal rejection of the illness developed a strong sense of irony in his artwork and poetry.


His artwork throughout the 1950's evolved the romanticized 'Aussie bloke'. This man too, was isolated and at odds with the landscape. The theme of isolation and dislocation from either landscape or society was a reoccurring theme and developed many forms throughout his life.


Joy Hester was young, given 9 months to live, a child at her helm, an often absent (working war artist), husband (Albert Tucker), her artwork, poetry and poverty. She was a woman needing to escape. Gray was young, working in a picture framing business at the back of his mothers' shop, with a wife and small child, frequent seizures and no time to really paint and live. Joy and Gray were drawn to each other, drawn to escape. They cared and nurtured each other for 13 years. They drew strength from each other and developed their own sense of self. They both developed their own unique styles of art practice. This period 1947-1960 culminated into two solo exhibitions at the Gallery of Contemporary Art, Tavistock Place and Melbourne.


The Reeds were wealthy, prominent art patrons who encouraged and financially supported many artists, throughout their lives. They, with many others, forged the development of the Modern Art Movement in Melbourne. Gray had a precarious relationship with the Reeds, who paid him a stipend until they died in the 1980's. Their relationship was clouded with the Reeds adopting Joy's first son, Joy and Gray wished to live at Heidi to be closer to the Reeds, this was not to be. However, the myth of their torrid relationship does not equate with their correspondence, which shows both affection, and care, Gray corresponded with the Reeds until they died.


After Joy died, Gray and Joan Davis married with 2 children each. They left Melbourne, Gray's home, and moved to Canberra, a then developing public service town, and the seat of the Federal Government of Australia.
They were a collaborative team, Joan assisting in research and Gray painting. This is perceived as the height of his career, 1961-1975. With his developed sense of 'man' formulating during the 1950's, the threads of history came into play to give this ironic man a context and a backdrop.

The first research project was the outback New South Wales. The family went to the outback where Joan's family came from. Grays' paintings developed a colour that had been absent which enriched the landscape and developed its vastness. "Outback Paintings" Leverson Street Gallery, Melbourne and Gallery A, Canberra. Gray and Joan worked as a team on many more projects. The Canberra Paintings, some of which were reproduced in a book by Samuel Shumack, 'Tales and Legends of Canberra Pioneers. Other series included The 'Eurimburra Legends' and 'Captain Cook' series and The 'Daisy Bates' series, as shown on the ABC. The Daisy Bates series was researched and developed by Professor Tulip. Gray painted his interpretations of Tulips research.


Through ill health, Gray retired from the hectic life of promoting his art work, yet he continued to paint for his own pleasure. His last exhibition was in 1975 at Solander Gallery in Canberra and his last painting in 1990 the year he died.
By Fern Smith 2004-7
Source
State Library of Victoria - Australian manuscripts
Dear Sun - J. Bourke
Joy Hester - J. Bourke
Tapes collected 1993-5
Smith Estate
Smith Grayview full entry
Reference: in a copy of The Science of Appearances, as formulated and taught by Max Meldrum, offered on eBay 12.12, there was a letter dated 12 Nov 1950 from 24 Belmont Ave Kew in the back cover sleeve from Max Meldrum (signed) to Gray asking him for his term lesson fees of Eight pound eight shillings
What is Aboriginal Art?view full entry
Reference: What is Aboriginal Art? by Margo Birnberg
[Over 100 Ilustrations]




Publishing details: 2011, Reprinted in October 2012.
36 Page, Softcover

Ref: 1000
Moran Patriciaview full entry
Reference: Painting the beauty of flowers with oils by Patricia Moran [’Author, tutor and internationally successful artist, Patricia’s paintings have been selling in London for over fourteen years.

Patricia Moran knew she loved paintings and that’s about all! Totally absorbed in her quest to paint, she began her journey to artistic excellence through trial and error. But that was then! She went on to write and teach her skills. In 1982 she won the Alice Bale Overseas Study Scholarship and in 1985 was asked by the Victorian Artists Society to give a six-week workshop, which continued for many years. Patricia has been the recipient of many awards over the years.

Patricia has filmed her own DVD’s “Learn Classic Oil Painting with Patricia Moran” collection. Parts 5 & 6 (People, Plums and Places) of this series will be available mid 2012.
The entire series parts 1 - 6 of Learn Classic Oil Painting will also be released mid 2012 - "The Complete Collection" in a 3 CD set.’


To say that Patricia Moran paints flowers is an understatement akin to saying music is what happens if you pluck a guitar string. Patricia Moran’s paintings are the full symphony orchestra. They are generous in size and concept, gracious and enriching to behold. They are every joy and delight an interior still life can hold, speaking in mellow tones of all that is good in life, of abundance, of beauty. From ‘country-style’ to the ‘manner born’, Patricia’s paintings show apparent casual collections of exquisite drapery, pottery, porcelain and masses of flowers in informal groupings. She is able to impart a sense of bounty; of great beauty waiting to be ‘arranged’, looking perfect is its casual disarray.

Patricia Moran paints strictly according to her own impeccable, ethical standards. ‘Painting flowers’ or ‘Flowerscapes’ to her may mean planning up to a year ahead, planting particular colour combinations of certain blooms, finding a special piece of fine china for a once only use. It means beginning to paint only when everything is as she wants, then painting the flowers exactly as she sees them without stopping so that se can capture their ‘truth’ before they wilt. It is marathon work.

Her work is timeless, elegant and beyond fashion. It is beautiful forever.
Publishing details: North Light Books, 1991, hc
Ref: 1000
King's Way: The Beginnings of Australian Graffiti - Melbourne 1983-1993view full entry
Reference: King's Way: The Beginnings of Australian Graffiti - Melbourne 1983-1993 by Duro Cubrilo, Karl Stamer, Martin Harvey [’A comprehensive account of the first decade of the graffiti writing subculture in Melbourne, and the story of the development of a hardcore underground scene of local 'writers' and their commitment to 'getting up'. Using the city's walls and trains as their canvas, they pioneered the elaborate spray-paint murals that now dominate the cityscape.
‘]
Publishing details: MUP, 2010
Ref: 1000
Cato Jackview full entry
Reference: MELBOURNE - PICTURED BY JACK CATO. F.R.P.S [’99 FULL PAGE PHOTOS BY THIS FAMOUS AUSTRALIAN PHOTOGRAPHER’]
Publishing details: GEORGIAN HOUSE, 1949,
Ref: 1000
Merton Owenview full entry
Reference: NZ-born expatriate painter who visited a string of Australian ports as he travelled to and from England, and even exhibited works with Australian titles. He crossed paths with Hayley Lever at Saint Ives in 1910, and later they were exhibited in some of the same New York galleries…. the part of Merton’s life I’ve got to this week involves him rubbing shoulders with some Australian women artists in Paris from September 1910 on. They were all working at Colarossi’s at the time, but two he does not name in his letters, so chances of identifying them are close to zilch. The third however is named, although I have problems deciphering her name or something close to that? She was married to a violinist, they had a big apartement close to the river, they were clearly settled in Paris for an extended stay (she even had spare furniture to lend Merton) and they had a baby! She was also a large person – he starts by calling her 'the big Australian’. - From DAAO

Hayley Lever Richardview full entry
Reference: Hayley Lever Selected Works 1900-1933 (with 43 b & w ills.) The Bernard Black Gallery also held exhibitions of Hayley Lever’s work in 1961 and 1962.
Publishing details: Bernard Black Gallery US, 1960s, pb, c1967
Hayley Lever Richardview full entry
Reference: American Impressionism in Georgia Collections - Georgia Museum of Art, University of Georgia, Athens - September 11 - November 14, 1993 (R.Hayley Lever, Ernest Lawson, J. H. Twachtman, W. M. Chase, and others)
Publishing details: Univ of Georgia Georgia Museum, 1993, Athens, Georgia, U.S.A. New. 1993. Paperback. 60 works catalogued and illustrated in color.
Ref: 1009
Hayley Lever Richard (1876-1958)view full entry
Reference: Hayley Lever, 1876-1958, February 20-April 5, 2003 by Carol Lowrey. Organized by Carol Lowrey. Preface by Marte Previti. With illustrations and descriptive annotations. [This 112-page exhibition catalogue presents the art of Hayley Lever (1876-1958). [An Australian-born artist who painted in England, on the Cornish coast, before immigrating to New York in 1911. For the rest of his career, Lever painted harbor and littoral scenes]
Publishing details: Spanierman Gallery, New York, New York, U.S.A., 2003
Pictorial boards. 112 pp. 40 color plates. Hardcover. With inscription on title page ‘To Amy Ernst’ - grand-daughter of Max Ernst.
Hayley Lever Richardview full entry
Reference: Jane Peterson (1876-1965) [and] Hayley Lever (1876-1958) - One page of commentary for each artist by Franklin Riehlman and Glenn C. Peck. Checklist includes 7 oils and 3 gouaches for Peterson and 6 oils for Lever. Beautiful color plates.

Publishing details: Allison (H.V.) Galleries, NY: April, 1990, White wraps. [12] pp. 11 colour plates.
Ref: 1009
Hayley Lever Richardview full entry
Reference: HAYLEY LEVER WATERCOLORS JUNE 14 TO JULY 15, 1983
Publishing details: Kennedy Galleries, NY, 1983, PAPER, WITH 12 ILLS, 5 IN COLOR.
Ref: 1009
Hayley Lever Richardview full entry
Reference: Hayley Lever
Publishing details: Wickersham Gallery no date given, New York, NY. Softcover. Book Condition: VG. From the exhibition held April 4 - May 2 at Wickersham Gallery in New York; No date given, possibly 1960s?; Short essay about the artist; 26 works listed, illus. stapled wraps; Unpaginated, 4 pp.; 3 bw plates.
Ref: 1009
Hayley Lever Richardview full entry
Reference: From Vose Galleries, US, - The Australian-born artist Richard Hayley Lever traveled abroad in 1893 to study art in Paris and London. He eventually settled in the artist colony of St. Ives in Cornwall, and his impressionist paintings of the coast brought him sub- stantial recognition throughout Europe. In 1911 Lever relocated to New York City, reportedly at the suggestion of American painter Ernest Lawson. Both artists developed spontaneous, bold painting styles, and Lever was accepted into Lawson’s circle, befriending Robert Henri, William Glackens, John Sloan and George Bellows. He exhibited with this group regularly, but eventually left New York to settle on the North Shore of Massachusetts. Even during his lifetime, major institutions began collecting Lever’s work as he became a distinguished artist and contributor to major national exhibitions.
Hayley Lever Richard (1876-1958)view full entry
Reference: Hayley Lever and the Modern Spirit by Carol Lowrey
Publishing details: Spanierman Gallery, New York, New York, U.S.A., 2010, 47pp
Hayley Lever Richardview full entry
Reference: From NY Times March 21, 2003 - Spanierman Gallery

45 East 58th Street, Manhattan

Through April 5

Admired in his time but hardly known today, the Australian-born painter Hayley Lever (1876-1958) made a reputation in England as a painter of robust marinescapes, particularly those done in or near the Cornish fishing port and artists' colony of St. Ives.

By 1912 he had won a following in the United States and emigrated here. Affected, but not too deeply, by the modernist ideas that he saw at the 1913 Armory Show, he became a versatile if not overly original painter of the American scene, working in a style cued by Impressionism and post-Impressionism, with vigorous brushwork that produced a lively sense of movement.

He conjured up still lifes, landscapes, urban views and seascapes -- he had an admirable ability to capture the various tones and turbulences of water -- in a profusion that is reflected in this too-inclusive show of some 60 oils and works on paper.

He could be perfectly banal, as in ''Spring Landscape,'' a 1930's view of an old house, barn and trees; and he could be positively scintillating, as in ''Flags'' (1917), a wonderful painting that shows Fifth Avenue bedecked with celebratory banners commemorating the newly formed alliance among the United States, England and France (a subject also favored by Childe Hassam, among others). In Lever's hands, the street is alive with exuberant throngs, well-outlined buildings and a subtle but animated orchestration of colors. If he was not in top form all of the time, the some-of-the-time that he was makes this show worthwhile. GRACE GLUECK
Binney Muriel Mary Sutherlandview full entry
Reference: Christmas card from Kevin Sumption, Director, Australian National Maritime Museum, Dec., 2012 to Stephen Scheding, with illustration of Binney’s Sydney Harbour Foreshore at Sunset 1907 (detail)
Publishing details: ANMM, 2012, 8 page folding card, signed by Kevin Sumption
Ref: 130
Curious Minds - The Discoveries of Australian Naturalistsview full entry
Reference: Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Australian natural history paintersview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Dampier William essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Vlamingh Willem de essay on view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
La Billardiere Jaques essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Riche Claude essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Redoute Pierre Josephview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Redoute Pierre Joseph p21-2view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Rowan Ellis various referencesview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Lesueur Charles-Alexander essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Peron Francois essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Pillement Victor p27view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Cloquet Jean Baptiste Antoine p27view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Tesyard Francois Martin p27view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Canu Jean-Dominique-Etienne p27view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Banks John essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Parkinson Sydney essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Darwin Charles essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Bauer Ferdinand essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Brown Robert essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Flinders Matthew essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Dietrich Amalie essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Molloy Georgiana essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Ellis William ‘View of Adventure Bay’ 1777 p41view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Westmacott Robert Marsh ‘View of Sydney’ p43view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Wedgewood medallion 1789view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Westall William self portrait p49 and at least 5 othersview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Bennett George essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
White John and Thomas Watling essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Huxley Thomas Henry essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Macgillivray John essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Raper George 5 works illustratedview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Angas George French numerous referencesview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Hunter John various illustrationsview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Huxley T H self portraitview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Cunningham Alan essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Cunningham Richard essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Leichhardt Ludwig and John Gilbert essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Mitchell Sir Thomas essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Blandowski William essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Krefft Gerard essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Melville Harden Sidney (active 1837 - 1881) engraving of Port Essendenview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Cooper William Thomas 1 illustration of cockatoosview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Govett William Romaine 1807-1948 ‘Wellinton, NSW’view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Earle Augustus 1793 - 1838)3 illustrationsview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Gunther Albert Carl Ludwig Gotthilf 1830-1914 p114view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
von Mueller Ferdinand essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
von Mueller Ferdinand essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Meredith Louisa Anne 1812-1895 essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Scott Harriet 1830-1907 and Helena Scott 1832-1910 essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Atkinson Louisa 1834-1872 essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Rowan Ellis 1848-1922 essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Macleay William Sharp essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Baines Thomas 1820-1875 p120view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Walker Anna Frances 1830-1913 1 illustration p127view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Forde Helena (Helena Scott)view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Hovell William p149-50view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Martens Conrad 8 works illustratedview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Lewin John 1770-1819 essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Gould John 1804-1881, Elizabeth Gould 1804-1841 essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Angas George French 1822-1886 essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Caldwell William Hay 1859-1941 essay onview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Richter H C p166 and 169view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Gostelow Ebenezer Edward 1866-1944 i work illustratedview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Baugniet Charles ‘Portrait of George French Angas’ 1848view full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Wing William active 1844-1868 illustration of South Australian Butterfliesview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Giles James William 1801-1870 3 works illustratedview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
Mason Walter G 1820-1866 illustration of an echidnaview full entry
Reference: see Curious Minds - The Discoveries of Australian Naturalists by Peter Macinnis
Publishing details: NLA, 2012, card covers, 214pp with index
100 Stories from the Australian National Maritime Museumview full entry
Reference: 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers.
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Australian National Maritime Museumview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
maritime historyview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Charlotte Medal 1788 made by Thomas Barrett, convictview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
surfing in Australiaview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
nawi Aboriginal and Torres Strait Islander watercraftview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Yirrkala paintings of the Saltwater Collectionview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Tiwi Pukumani burial polesview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Tiwi Pukumani burial polesview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Greeno Lola jewellery p12view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Bulun Bulun Johnview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Abdulla Ian W short essay p16-17view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Pambegan Jr Arthur Koo’ekka ‘Fish on Poles’view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Thaiday Snr Kenview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Warusum Charlesview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Tuffery Michelview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Missi Billyview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Batavia - illustrations relating toview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Batavia - illustrations relating toview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Omai relicsview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Parkinson Sydney 1745-1771 view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Alaux Gustave (French painter’s 1930 view of the Bougainville at Tahitiview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Holman Francis ‘Three Views of First Fleet ship ‘Borrowdale’ view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Elyard Samuel 1817-1910, ‘Burning of the Barque India of Greenock’ c1841view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Sinozich Gina 3 works illustrated and biographical informationview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Bailey Claire b1960, three sculpturesview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Nguyen Thi b1975 three scupturesview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Morgan Glen b1955 sculpture ‘Siev X Affair 2008’view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Bush R G W travel posterview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Garling Frederick 1806-1873, ‘The Alexander off Macquarie Fort’view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Fowles Joseph major work of Sydney Harbourview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Gregory A V ‘SS Oonah’view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Adams Denis 2 works illustrated with some biographical informationview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Elliott Frederick attributed, large oil portrait of Andrew McIlwraith and Malcolm Donald McEacharn 1910view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Hilder Brett 1911-1981 ‘MV Tulagai at Sydney Island 1959’ with some biographical detailsview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Whitbread Edgar (d1958) trade union banner 1903view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Shaw Rod, Harry McDonald, Evelyn Walters (Healy), Vi Campbell (Collings), Sonny Glynn, Pat Graham, Clem Millward, Harry Reed and Ralph Sawyer - painters of the Sydney Wharfies mural 1953 65view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Ziegler H designer of the SMS Emden Von Muller medallion c1918view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Conder James 1872-1954, 2 shipping works illustrated with biographical details and photographic portraitview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Gritten Henry 1818-1873, Hobart Town, 1856view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Chinese punchbowl with view of Sydney c1820view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Drayton Joseph 1795-1856, ‘A fish from Honden Island’ 1839view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Dougall William H, ‘A fish from Honden Island’ 1839view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Carter Norman, attributed, ‘The Great White Fleet Entering Sydney Harbour’ c1908 (previously attributed to Rupert Bunny)view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Robertson Thomas 1819-1873 ‘The Red Jacket in Hobson’s Bay’ 1856-7view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Beaumont Arthur 1890-1978 the ‘USS Canberra’. Some biographical informationview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Downes Henry William illustrations in log book 1846-7view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Brierly Oswald Walter 1817-1894 ‘Amateur Whaling or a Tail of the Pacific’, 1847view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Wood C H active 1840-65 scrimshaw nautilus shellview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Hunt Charles Henry 1857-1938 and James William Reed 1856-1931, ‘Elliot’s & Australian Drug Limited’, large oil of Sydney Harbourview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Binney Muriel 1873-1949 watercolour of Sydney Harbour Foreshore, 1907, over 4 metres in lengthview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Hood Sam studio - ANMM holds 9000 imagesview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Moore David ANMM holds 67 of Moore’s images with maritime themeview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Potts David photographerview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Carter Jeff 1928-2010 photographerview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Sellheim Gert 1901-1970 posters ‘For sun and Surf’, ‘Sea and Sunshine’ and ‘Australia Surf Club’view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Henderson J ‘Picnic at Mrs Macquarie’s Chair in 1852’ 1870s lithographview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
d’Albert Charles Louis Napolean ‘The Regatta Waltzes’ sheet music 1855, published by Woolcott & Clark, Sydneyview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Trompf Percy 1902-1964, poster ‘Tropical North Queensland Australia’view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Northfield James 1887-1973 poster ‘Try Wangaratta’view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
O’Sullivan Peter 1904-1977 design of swimsuit 1930sview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Hall William James 1877-1951 photographerview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Milton Kent Studio (photographers 1920s - 1930sview full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
George Phillip surfboard design 2008view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
George Phillip surfboard design 2008view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Dodd James surfboard design 2008view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Sharpe Wendy b1960 ‘The Life of Annette Kellerman in 8 episodes’ 1998view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Earle Jack view full entry
Reference: see 100 Stories from the Australian National Maritime Museum. Chapter titles: First Mariners; Explorers and Settlers; Migrants and refugees; Sail and steam; Serving Austyralia; Linked by the sea; Industry and environment; Sport and play; Adventurers
Publishing details: New South Publishing, 2012, folding laminated card covers, 258pp, with index, this copy inscribed ‘To Stephen [Scheding] many thanks for all your help this year, Kevin [Sumption, Director] 17.12.12’
Nicholas Michael illustrated byview full entry
Reference: I love a sunburnt country, poetry by Dorothea Mackellar, paintings by Michael Nicholas
Publishing details: Herron Books, 1995.
58 p. : chiefly col. ill.
Ref: 1000
Addison George Henry Maleview full entry
Reference: see biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Alder Aview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Allkins Horace Fview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Austin Williamview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Bowles William Leslieview full entry
Reference: see biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Carseldine Georgeview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Chauvel Lillianview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Clarke Joseph Augustusview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Colclough Edwardview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Day Victorview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Dods Robert Smith (Robin)view full entry
Reference: see biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Elliott Fred (sometimes Elliot)view full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Ewart Williamview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Fristrom Claus Edwardview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Fristrom Carl Magnus Oscarview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Gasking John Cecilview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Gibson Bessieview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Grant William Gregoryview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Harvey Lewis Jarvisview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Hingston Arthur Jamesview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Hobday James Mayallview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Hobday Percy Stanhopeview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Jenner Isaac Walterview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Jones M Eview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Lahey Frances Vidaview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
McFadyen J Findlayview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Mayo Lilian Daphneview full entry
Reference: see biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Mohr Ottoview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Muntz-Adams Josephine Mview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Parker Haroldview full entry
Reference: see biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Payne Frances Mallalieu (Frankie)view full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Presa Signor O )sometimes Presta)view full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Randall Richard Johnview full entry
Reference: see biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Rayment Robert Sview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Reilly Henry (sometimes Rielly)view full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Rivers Richard Godfreyview full entry
Reference: see biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Roberts Frederick James Martynview full entry
Reference: see biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Salvana Johnview full entry
Reference: see biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Stanley Gwendolyn Muriel (Grant)view full entry
Reference: see biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Stodart Georgina Louise Ninaview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Thistlethwayte D Sview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Watts James Laurenceview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Wirth Louis Wilhelm Karlview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Wishart William georgeview full entry
Reference: see short biography at the end of Maynard Margaret & Brown Julie, Fine Art Exhibitions in Brisbane 1884-1916, Fryer Memorial Library Occasional Publication No. 1. Fryer Memorial Library, Brisbane.
Publishing details: Fryer Memorial Library, Brisbane, 1980. pb, 227pp, with an index to artists.
Collingridge Georgeview full entry
Reference: Plein Airs and Graces - The life and times of George Collingridge, by Adrian Mitchell [’Plein Airs and Graces examines the extraordinary life of George Collingridge de Tourcey, a landscape painter of the late nineteenth century, just ahead of the Australian impressionists. When he emigrated from France to Australia he grew passionate about the possibilities of his new country, and worked tirelessly to contribute to it - not least for his Discovery of Australia (1895), in which on the evidence of ancient maps he argued controversially for Portuguese and Hispanic pre-discovery of Australia.

Includes 28 full-colour illustrations.

'As well as a well written biography and art journal, this is an excellent history book dealing with such diverse subjects as town planning, exploration, religious growth in Australia, politics, immigration and economics. The story carries the reader along painlessly. Excerpts from Collingridge’s own writing, himself a prolific self-publisher, are also an enticing read.' – Heather Stone, Bonzer

Adrian Mitchell has had a long career at the University of Sydney, where he is now an Honorary Research Associate in the Department of English. Among many projects, he edited Bards in the Wilderness: Australian Colonial Poetry to 1920 together with Brian Elliott, and with Leonie Kramer edited the Oxford Anthology of Australian Literature. He is the author of Drawing the Crow, a book of essays about what it meant to be South Australian in the 50s and 60s, and of Dampier's Monkey: The South Seas Voyages of William Dampier.’]

Publishing details: Wakefield Press, 2012, pb, 264pp with index
Collingridge Arthurview full entry
Reference: see Collingridge George - Plein Airs and Graces - The life and times of George Collingridge, by Adrian Mitchell [Plein Airs and Graces examines the extraordinary life of George Collingridge de Tourcey, a landscape painter of the late nineteenth century, just ahead of the Australian impressionists. When he emigrated from France to Australia he grew passionate about the possibilities of his new country, and worked tirelessly to contribute to it - not least for his Discovery of Australia (1895), in which on the evidence of ancient maps he argued controversially for Portuguese and Hispanic pre-discovery of Australia.

Includes 28 full-colour illustrations.

'As well as a well written biography and art journal, this is an excellent history book dealing with such diverse subjects as town planning, exploration, religious growth in Australia, politics, immigration and economics. The story carries the reader along painlessly. Excerpts from Collingridge’s own writing, himself a prolific self-publisher, are also an enticing read.' – Heather Stone, Bonzer

Adrian Mitchell has had a long career at the University of Sydney, where he is now an Honorary Research Associate in the Department of English. Among many projects, he edited Bards in the Wilderness: Australian Colonial Poetry to 1920 together with Brian Elliott, and with Leonie Kramer edited the Oxford Anthology of Australian Literature. He is the author of Drawing the Crow, a book of essays about what it meant to be South Australian in the 50s and 60s, and of Dampier's Monkey: The South Seas Voyages of William Dampier.]

Publishing details: Wakefield Press, 2012, pb, 264pp with index
Ashton Julian numerous referencesview full entry
Reference: see Collingridge George - Plein Airs and Graces - The life and times of George Collingridge, by Adrian Mitchell [Plein Airs and Graces examines the extraordinary life of George Collingridge de Tourcey, a landscape painter of the late nineteenth century, just ahead of the Australian impressionists. When he emigrated from France to Australia he grew passionate about the possibilities of his new country, and worked tirelessly to contribute to it - not least for his Discovery of Australia (1895), in which on the evidence of ancient maps he argued controversially for Portuguese and Hispanic pre-discovery of Australia.

Includes 28 full-colour illustrations.

'As well as a well written biography and art journal, this is an excellent history book dealing with such diverse subjects as town planning, exploration, religious growth in Australia, politics, immigration and economics. The story carries the reader along painlessly. Excerpts from Collingridge’s own writing, himself a prolific self-publisher, are also an enticing read.' – Heather Stone, Bonzer

Adrian Mitchell has had a long career at the University of Sydney, where he is now an Honorary Research Associate in the Department of English. Among many projects, he edited Bards in the Wilderness: Australian Colonial Poetry to 1920 together with Brian Elliott, and with Leonie Kramer edited the Oxford Anthology of Australian Literature. He is the author of Drawing the Crow, a book of essays about what it meant to be South Australian in the 50s and 60s, and of Dampier's Monkey: The South Seas Voyages of William Dampier.]

Publishing details: Wakefield Press, 2012, pb, 264pp with index
Berowra in artview full entry
Reference: see Collingridge George - Plein Airs and Graces - The life and times of George Collingridge, by Adrian Mitchell [Plein Airs and Graces examines the extraordinary life of George Collingridge de Tourcey, a landscape painter of the late nineteenth century, just ahead of the Australian impressionists. When he emigrated from France to Australia he grew passionate about the possibilities of his new country, and worked tirelessly to contribute to it - not least for his Discovery of Australia (1895), in which on the evidence of ancient maps he argued controversially for Portuguese and Hispanic pre-discovery of Australia.

Includes 28 full-colour illustrations.

'As well as a well written biography and art journal, this is an excellent history book dealing with such diverse subjects as town planning, exploration, religious growth in Australia, politics, immigration and economics. The story carries the reader along painlessly. Excerpts from Collingridge’s own writing, himself a prolific self-publisher, are also an enticing read.' – Heather Stone, Bonzer

Adrian Mitchell has had a long career at the University of Sydney, where he is now an Honorary Research Associate in the Department of English. Among many projects, he edited Bards in the Wilderness: Australian Colonial Poetry to 1920 together with Brian Elliott, and with Leonie Kramer edited the Oxford Anthology of Australian Literature. He is the author of Drawing the Crow, a book of essays about what it meant to be South Australian in the 50s and 60s, and of Dampier's Monkey: The South Seas Voyages of William Dampier.]

Publishing details: Wakefield Press, 2012, pb, 264pp with index
Henry Lucien various referencesview full entry
Reference: see Collingridge George - Plein Airs and Graces - The life and times of George Collingridge, by Adrian Mitchell [Plein Airs and Graces examines the extraordinary life of George Collingridge de Tourcey, a landscape painter of the late nineteenth century, just ahead of the Australian impressionists. When he emigrated from France to Australia he grew passionate about the possibilities of his new country, and worked tirelessly to contribute to it - not least for his Discovery of Australia (1895), in which on the evidence of ancient maps he argued controversially for Portuguese and Hispanic pre-discovery of Australia.

Includes 28 full-colour illustrations.

'As well as a well written biography and art journal, this is an excellent history book dealing with such diverse subjects as town planning, exploration, religious growth in Australia, politics, immigration and economics. The story carries the reader along painlessly. Excerpts from Collingridge’s own writing, himself a prolific self-publisher, are also an enticing read.' – Heather Stone, Bonzer

Adrian Mitchell has had a long career at the University of Sydney, where he is now an Honorary Research Associate in the Department of English. Among many projects, he edited Bards in the Wilderness: Australian Colonial Poetry to 1920 together with Brian Elliott, and with Leonie Kramer edited the Oxford Anthology of Australian Literature. He is the author of Drawing the Crow, a book of essays about what it meant to be South Australian in the 50s and 60s, and of Dampier's Monkey: The South Seas Voyages of William Dampier.]

Publishing details: Wakefield Press, 2012, pb, 264pp with index
Daplyn A J various referencesview full entry
Reference: see Collingridge George - Plein Airs and Graces - The life and times of George Collingridge, by Adrian Mitchell [Plein Airs and Graces examines the extraordinary life of George Collingridge de Tourcey, a landscape painter of the late nineteenth century, just ahead of the Australian impressionists. When he emigrated from France to Australia he grew passionate about the possibilities of his new country, and worked tirelessly to contribute to it - not least for his Discovery of Australia (1895), in which on the evidence of ancient maps he argued controversially for Portuguese and Hispanic pre-discovery of Australia.

Includes 28 full-colour illustrations.

'As well as a well written biography and art journal, this is an excellent history book dealing with such diverse subjects as town planning, exploration, religious growth in Australia, politics, immigration and economics. The story carries the reader along painlessly. Excerpts from Collingridge’s own writing, himself a prolific self-publisher, are also an enticing read.' – Heather Stone, Bonzer

Adrian Mitchell has had a long career at the University of Sydney, where he is now an Honorary Research Associate in the Department of English. Among many projects, he edited Bards in the Wilderness: Australian Colonial Poetry to 1920 together with Brian Elliott, and with Leonie Kramer edited the Oxford Anthology of Australian Literature. He is the author of Drawing the Crow, a book of essays about what it meant to be South Australian in the 50s and 60s, and of Dampier's Monkey: The South Seas Voyages of William Dampier.]

Publishing details: Wakefield Press, 2012, pb, 264pp with index
Nicholas Hilda Rixview full entry
Reference: In Search of Beauty: Hilda Rix Nicholas' Sketchbook Art by Karen Johnson [’Like so many Australian women artists of her era, Hilda Rix Nicholas (1884–1961) has been rediscovered by contemporary art historians. For the first time, In Search of Beauty showcases her two sketchbooks held by the National Library of Australia.

The child of a creative Melbourne household, Hilda was always with pencil in hand, persuading obliging cousins and neighbours to pose for her. Travelling to Europe in 1907, she trained at some of the finest studios in London and Paris. The experience would not only help the young student to develop her artistic skills but would also nurture a lifetime love of capturing the essence of Australia on canvas. Studies from her early years in Melbourne and in Europe provide glimpses into Hilda’s coming of age.

In Search of Beauty features page after page of glorious, full-colour works of art, introduced by a thoughtful biography of the artist.

Karen Johnson is a Manuscripts Librarian at the National Library of Australia, where she enjoys working with collections of papers of prominent Australians.’]
Publishing details: National Library of Australia, 2012, hc, dw, 160pp
Goerg Edouard Joseph (b. Sydney 1893 - France 1968)view full entry
Reference: ‘Edouard Joseph Goerg ‘Edouard Goerg’: Born of French parents Edouard Joseph Goerg left Australia for Paris at a young age. Mainly self-taught he created his first etchings and paintings at the age of twenty-two. Several years later he also produced his first original lithographs. Serving in the French Army during World War One (1914-1918), Edouard Goerg was profoundly affected by the horrors he witnessed.

By 1920, Edouard Joseph Goerg had established himself as a major French Expressionist artist. Some critics drew comparisons between his work and that of George Grosz, but within several years Goerg’s art was strong elements of surrealism that made scholars establish affinities between his lithographs and etchings and those of Odilon Redon. Quite Simply, however, Edouard Goerg’s art forged its own individual path.

During his career, many of Edouard Goerg’s finest original prints were created for illustrative sets upon the works of Baudelaire, Pol and others. This original lithograph was created for his series illustrating the Apocalypse. It was published in Paris in 1945 in a sole, limited edition of 198 impressions.

Edouard Goerg was the President of the Peintres-Graveurs Francais. He was also a professor at the Ecole des Beaux Arts and was awarded the Chevalier of the Legion d’honneur from the French government. Museums that today include his lithographs and etchings in their permanent collections are, the Art Institute of Chicago, the Museum of Modern Art, Paris and the Art Museum of Copenhagen.’
Flight Claude schoolview full entry
Reference: see Japan in Sydney - Professor Sadler and Modernism 1920 - 30s, curated by Ajioka Chiaki and Maria (Connie) Tornatore-Loong, ewith contributions by Catriona Moore, Nishiyama Junko, Kuwahara Noriko, Margaret Hordern and Silas Clifford-Smith
Publishing details: University of Sydney, 2011, pb, 148pp
Australia and America 1776-1976view full entry
Reference: Australia and America through 200 years 1776-1976 by Norman Bartlett, forward by Malcolm Fraser. Topics include convicts, whaling, gold digging, politics and personalities. Compares images of Australian life with similar images of American life. No biographical information on the artists.
Publishing details: Sam Ure Smith at Fine Arts Press, 1976, hc, no dw, 258pp. ex library copy.
Fitzgerald Mirabelview full entry
Reference: from Amanda Adams auction catalogue January 2013: Mirabel Fitzgerald (Australian 1945-) "Symbols1" colour screen print signed and dated 1964 lower right, number 1/10, 34 x 44 cm. Educated at Byam Shaw School of Art London 1965 and master of fine art Sydney U.N.S.W, 1997, now associate professor Sydney Collage of Fine Art, exhibited in numerous exhibitions throughout Asia And Australia
Starting Bid $80.00
Hayley Lever Richardview full entry
Reference: Hayley Lever Selected Works 1900-1933 (with 43 b & w ills.) The Bernard Black Gallery also held exhibitions of Hayley Lever’s work in 1961 and 1962. [’Paintings and watercolors from artist's estate, with brief unsigned introduction. Lever was born in Adelaide, South Australia, and was part of the early twentieth century Cornwall art colony in England before settling in the U.S.]
Publishing details: Bernard Black Gallery US, 1960s, pb, c1967
Lever Richard Hayley Leverview full entry
Reference: see Dryads Green Gallery, US: We think Lever created a truly American Fauvism by capturing the deep childlike essence hinted at in the work of Vlaminck, Duffy and Matisse (the last-named in his early 1904-05 mode). Born in Adelaide, Australia, Lever (supported by his wealthy tanner grandfather) studied painting in Paris and London. He settled in Cornwall’s artist colony of St. Ives (also the home of Pennsylvania expatriate Walter Elmer Schofield) in the mid 1890s, but then came to the U.S. for good in 1911. (This was at the urging of Ernest Lawson—one of the Eight and a close friend of the Pennsylvania Gang). But Lever rose far above the early Fauvist naïf style, by seeing and expressing its connection with the American innocence of the between the wars period and its roaring 1920’s speed-driven culture.

Nowhere is this better expressed than in his New York harbor scenes, and especially so in the small yet masterful Gowanus Canal (which we are very proud to offer). Lever has put all of Brooklyn’s powerful industrial expansion into a brilliant single image that portrays the Williamsburg Bank building (the borough’s tallest) and the St. George hotel (once New York’s largest) poised alongside the industrial canal with its bascule bridges raised for a freighter being tugged out to the open harbor. The elements are monumental, but Lever has captured them with a fascinating and magnetic simplicity. The Gowanus canal, named after a Chief of the Canarsee Indians, was an engineering wonder, completed in 1868 and followed by George “Skyscraper” Post’s bank building finished in 1875 and then by Augustus Hatfield's 1885 massive St. George. This is an extremely important American work where using a contrived perspective Lever sets down Brooklyn's three biggest symbols as though they were children's blocks, to capture the magnificent innocence and energy of pre-Depression American industrial society. Lever’s work dates to the early 1920s, and certainly prior to his post-1930 withdrawal and the construction of the (view blocking) Gowanus Expressway soon after WWII.

Lever was little seen after 1931, owing to alcoholism-related illness and physical decline. Some say he painted on shirt cardboards because that was all he could get in hospital, others claim he turned out these works for the price of a drink. He loved painting, and when arthritis took his right hand, Lever taught himself to paint with his left. While it is true that Lever left behind a large cache of unseen works painted during his more than twenty-five years of isolation lasting until his death at his Mount Vernon home, we note that the State of New York has recently indicted one art dealer for forgeries that included works supposedly signed by this artist. We tend to favor his landmark New York harbor scenes and earlier St. Ives canvases, both rendered in flatter, earthier tones, and we are wary of what appear to us to be more and more China-painting-factory forgeries of late-period works. Collectors must be extremely careful, please contact us for a professional opinion.
Australian Albumview full entry
Reference: Australian Album - The Way We Were, Australia in Photographs 1860-1920. An exceptional assembly of photographs but without source details or index. Grouped under headings such as carte-de-visite, home, wedding bells, war, city life, bush life, interiors, sport, beach, etc
Publishing details: Daniel O’Keefe, 1982, hc, dw, 224pp
Australia in photographsview full entry
Reference: Australian Album - The Way We Were, Australia in Photographs 1860-1920. An exceptional assembly of photographs but without source details or index. Grouped under headings such as carte-de-visite, home, wedding bells, war, city life, bush life, interiors, sport, beach, etc
Publishing details: Daniel O’Keefe, 1982, hc, dw, 224pp
Australian photographyview full entry
Reference: Australian Album - The Way We Were, Australia in Photographs 1860-1920. An exceptional assembly of photographs but without source details or index. Grouped under headings such as carte-de-visite, home, wedding bells, war, city life, bush life, interiors, sport, beach, etc
Publishing details: Daniel O’Keefe, 1982, hc, dw, 224pp
images of Australian lifeview full entry
Reference: Australian Album - The Way We Were, Australia in Photographs 1860-1920. An exceptional assembly of photographs but without source details or index. Grouped under headings such as carte-de-visite, home, wedding bells, war, city life, bush life, interiors, sport, beach, etc
Publishing details: Daniel O’Keefe, 1982, hc, dw, 224pp
Kirby Eview full entry
Reference: see Australian Album - The Way We Were, Australia in Photographs 1860-1920. Australian Album - The Way We Were, Australia in Photographs 1860-1920. An exceptional assembly of photographs but without source details or index. Grouped under headings such as carte-de-visite, home, wedding bells, war, city life, bush life, interiors, sport, beach, etcFrontispiece is a photograph of a Tamanian sea captain and family on deck of a ship c1890. Inscribed E Kirby NS132/10
Publishing details: Daniel O’Keefe, 1982, hc, dw, 224pp
Roarty Photographic Studio p14view full entry
Reference: Australian Album - The Way We Were, Australia in Photographs 1860-1920. An exceptional assembly of photographs but without source details or index. Grouped under headings such as carte-de-visite, home, wedding bells, war, city life, bush life, interiors, sport, beach, etc
Publishing details: Daniel O’Keefe, 1982, hc, dw, 224pp
Australia - Spirit of a Nationview full entry
Reference: Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Dampier William by W. Dobson, p14view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Luny Thomas - Endeavour Leaving Whitby Harbour p11view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Fox E Phiilps (1865-1915) Cook’s landing at Botany Bayview full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Phillips T portrait of Joseph Banksview full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Wheatley Francis portrait of Gov. Arthur Phillipview full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Bennett William miniature portrait of Captain John Hunterview full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Lancashire J W ‘Sydney from the Rocks’ 1803 p21view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Smart John portrait of Captain William Blighview full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Read Richard portraits of Lachlan Macquarie and Mrs Macquarie p29view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Lindsay Raymond ‘The arrest of Governor Bligh’ p18view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Greenway Francis self portrait (?)view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Peacock G E ‘Hume and Hovell’ 1824 p35view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Burtt Wesley ‘Batman signs ‘treaty’’ p35 (oil)view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
MacFarlane J ‘Eyre being rescued by Captain Rossiter’ p39view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Hele Ivor ‘Sturt’ p38 (history painting)view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Longstaff John ‘Burke and Wills’ p43view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Lacy George (good examples p46 and 64)view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Buckner Richard portrait of W. C. Wentworth p55view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Eyre Gladstone portrait of Edward Smith Hallview full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Strutt William card for Anti-Transportation League 1851 p57view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Solomon Abraham ‘Second Class - the parting’ - good reproduction p59view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
goldfields images pages 62ffview full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Balcombe Thomas ‘Mr E H Hargraves the gold discoverer of Australia’ (litho?) p 62view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Strutt William ‘Ballarat’ (gold diggings) in 1851 p62 wcview full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Henderson J B ‘British troops attack miners at Eureka Stockade’ p66-7view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Strutt William ‘Victoria’s Legislative Council’ and ‘Victorian Volunteer Cavalry’ p70-1view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Collingridge Arthur ‘Departure of Australian Contingent for the Sudan in 1885’view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Burn Henry ‘First International Cricket Match, MCG, 1 January, 1862’ p79view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Herman Sali ‘Without Bounderies’ 1955, p84-5view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Allam W J ‘A Battery of the NSW Volunteer Artillery leaving Sydney Harbour for the Boer War in 1899’ - an impressive oil painting p89view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Robert Tom ‘Opening of Parliament’ (the ‘big picture’) p92-3 large reproductionview full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Waterhouse Phyl portrait of Vida Goldstein p102view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Dent Eileen portrait of King O’Malley p111view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Burgess Arthur ‘’Emden’ beached and done for’, p116-7view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Bowles Leslie bronze of Simpson and donkey, p[122view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Coates George ‘Wandsworth Hospital, London’ 1915, p125view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Ewers Ray - Anzac statue. Canberra, p130view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Ewers Ray - Anzac statue. Canberra, p130view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Lambert George ‘Light Horse Memorial Group’ p133 good reproductionview full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Watkins J S recruitment poster p137view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Gilbert C Web ‘’Over the Top’, bronze, good reproductionview full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Benson George ‘lone Australian mustering his prisoners’ 1918, p140view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
John Augustus portrait of W M Hughes p142view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Thake Eric ‘Archaeopteryx’ 144view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
McInnes W B ‘Opening of Parliament’ 1927view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Drysdale Russell ‘Industrial Landscape’ 1937, (Modernist oil) p147view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Leist Fred portrait of J T Langview full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Derham Frances ‘Sydney Harbour Bridge Under Construction’ 1929 p154view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Davies Wynn W poster for Woman’s Weekly p159view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Fearnley Alan portrait of Don Bradman in action p158view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Brodzky Horace ‘Waterside Workers’ p161view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Reilly Virgil colour cover for Woman’s Weekly 1939 p165view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Norton Frank ‘HMAS Sydney’ 1940, p169view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Adams Dennis ‘Bomb Dive’ Sculpture, p169view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Hele Ivor ‘Australian Troops attack Rommel’s forces’ p173 and other war paintings p181 & 194view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Swain Keith ‘Japanese air raid on Darwin’ (oil painting) p176-7view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Bush Charles ‘guerrilla fighters’ Timor p181view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Dobell William ‘Emergency Landing at Night’ WW2, p180view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Pidgeon Bill (WEP) cover of FEDERATION JUBILEE ISSUE OF WOMAN’S WEEKLY, 1951, p188view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Mendoza June portrait of John Gorton p195view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Counihan Noel ‘Boy’ linocut 1967 p196view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Pugh Clifton - 2 portraits of Gough Whitlam pp 198-9view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Brusewiz G watercolour for Parick White’s Nobel Prize p203view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Digby Desmond portrait of Patrick White p203view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Whiteley Brett ‘Sydney Opera House’ p207view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Dargie William portrait of Albert Namatjira p206view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Agache D A design for Canberra, 1912, watercolour, p209view full entry
Reference: see Australia - Spirit of a Nation, A Bicentenary Album by Michael Cannon, Picture Researcher Debby Cramer. Extensively illustrated. Themed chapters include Occupation, Convicts, Nationhood, War, etc, etc. Provides source material and other information for illustrations.
Publishing details: Viking O’neil, Special Edition published in 1988 for ‘The Australian Collection’. Hc, no dw, 224pp with index
Garling Frederick HMS Galatea and HMS Challenger in Sydney Harbourview full entry
Reference: see Painted Ships Painted Oceans (ANMM exhibition catalogue [to be indexed fully])
Publishing details: S H Ervin Gallery, 1990
Castle John Downs 2 marine watercolours c1901view full entry
Reference: see Painted Ships Painted Oceans (ANMM exhibition catalogue [to be indexed fully])
Publishing details: S H Ervin Gallery, 1990
Duffield R N 1922 watercolour of ‘Orient Liner’view full entry
Reference: see Painted Ships Painted Oceans (ANMM exhibition catalogue [to be indexed fully])
Publishing details: S H Ervin Gallery, 1990
Australian Shipwrecksview full entry
Reference: see Painted Ships Painted Oceans (ANMM exhibition catalogue [to be indexed fully])
Publishing details: S H Ervin Gallery, 1990
Australian travel postersview full entry
Reference: see Painted Ships Painted Oceans (ANMM exhibition catalogue [to be indexed fully])
Publishing details: S H Ervin Gallery, 1990
Australian ship paintersview full entry
Reference: see Painted Ships Painted Oceans (ANMM exhibition catalogue [to be indexed fully])
Publishing details: S H Ervin Gallery, 1990
whalingview full entry
Reference: see Painted Ships Painted Oceans (ANMM exhibition catalogue [to be indexed fully])
Publishing details: S H Ervin Gallery, 1990
Bell David Cview full entry
Reference: A Nautical Odyssey: An Illustrated Maritime History from Cook to Shackleton Bell
Publishing details: Quiller Pub Ltd.,
Publication, 2010
Ref: 1000
Maritime Historyview full entry
Reference: see A Nautical Odyssey: An Illustrated Maritime History from Cook to Shackleton Bell
Publishing details: Quiller Pub Ltd.,
Publication, 2010
Longhurst Peter illustratorview full entry
Reference: THE CAMELLIA by T.J. Savige - with 53 attractive full page color plates from paintings of Peter Longhurst. a work of much merit, with text covering such diverse subjects as camellias in art, in Europe, in America, in the Orient, in the Antipodes, and camellia nomenclature
Publishing details: Bay Books, 1982. folio, a.e.g., 158 pp., bibliography
Ref: 1000
Rowan Marion Ellisview full entry
Reference: Wildflower - The Life and Art of Ellis Rowan by Cassy Liberman (a picture book with short essay)
Publishing details: Brolly Books, 2011, laminated hard cover, no dw as issued, 44pp
Long Sydneyview full entry
Reference: Sydney Long - The Spirit of the Land by Anne Gray
Publishing details: NGA, 2012, card covers, 208pp, with index
Lambert Georgeview full entry
Reference: see Sydney Long - The Spirit of the Land by Anne Gray
Publishing details: NGA, 2012, card covers, 208pp, with index
Lovett Mildredview full entry
Reference: see Sydney Long - The Spirit of the Land by Anne Gray
Publishing details: NGA, 2012, card covers, 208pp, with index
Smith Peterview full entry
Reference: see Rosebery's, UK auction house Saturday Antique's and Collectors Auction 1(upstairs saleroom)
19.1.13, Lot 592
Peter Smith, British b.1936- "Bungendore, A.C.T.",1978; oil on board, signed with initial, 45.5x56cm (may be subject to Droit de Suite) Provenance: with Carlyle Gallery, London, according to label attached to the reverse of the frame. Note: Bungendore is a town in New South Wales, Australian Capital Territory (ACT), Australia
Halpernview full entry
Reference: see Brightwells Auction UK
Fine Art and Antiques
23.1.13
Lot 457 HALPERN. Bobbin Head, NSW (Australia), colour aquatint, signed, and numbered 3/25, Pl. 9 1/4 x 12 1/2 in; and a small selection of thirteen unframed prints of Australian interest by H. Smeed and others (14). Very attractive image of Bobbin Head showing an iron bridge.
Working Men’s Educational Unionview full entry
Reference: see Bloomsbury Auctions
Maps & Atlases, Drawings and Prints
Lot 394 - Working Men`s Educational Union. Sheep farming instructive wall-hanging, number 124, original hand-coloured lithograph on cotton, Union stamp to lower left corner, lacking upper left brass eye, some creasing and slight surface dirt, c.1860, 890 x 1190mm. (35 x 46 3/4 in), unframed ***The Working Men`s Educational Union produced a series of instructive posters or wall-hangings from the 1850s, thought to have been printed on cotton to avoid paper duty, but possibly for greater durability for their repeated use in lectures in various venues. The large rock formation in the background of this scene is reminiscent of Ayres Rock in Australia, but this was only properly known to westerners from the 1870s, so may well represent a scene in North America, in line with the series` interest in subjects from around the world..
Meere Charles - copy after by Martin Fletcherview full entry
Reference: see Sotheby’s Australia - October 31, 2012 - FLETCHER MARTIN
1904-1979
AUSTRALIAN BEACH PATTERN (AFTER CHARLES MEERE)
oil on canvas
95.3 X 127CM

PROVENANCE
Adolph Loewi, Los Angeles
Private Collection, Rome, circa 1950
By descent
Private Collection, Rome

OTHER NOTES
Charles Meere's Australian Beach Pattern (1938-
1940, Art Gallery of New South Wales, Sydney) is
a masterpiece of Australian Art Deco classicism;
a sonorous hymn to sun, sand and surf and to the
bronzed, athletic, Australian body. First shown in
the 1940 Wynne Prize exhibition, seen again in
the artist's 1952 retrospective and purchased by
the AGNSW in 1965, the painting nevertheless
remained somewhat neglected until featured in
the Gallery's 1982 On the Beach exhibition, and
again a few years later in the Bicentennial touring
show Creating Australia. Since then it has become
one of the Gallery's most celebrated modern
pictures, regularly featured in scholarly and popular
publications and exhibitions. (1) In turn, this
new-found 'iconic' status has led to the discovery
in Europe and Australia of a number of previously
unknown but closely-related works: a variant by
Meere's studio assistant Freda Robertshaw (sold
Sotheby's Australia , 25 August 1998, lot 31), and four
smaller facsimile renderings by the artist and/or from
his studio. (2)

The present work emerged recently in the United
States, a signed copy by the American painter,
teacher and illustrator Fletcher Martin. Largely
self-taught, Martin served in the U.S. Navy as a
young man before working as a printer, a métier
which segued in the mid-1930s into painting.
During the Depression he undertook a number of
commissions for the Work Projects Administration
(WPA), painting murals for government buildings
in California, Texas and Idaho, while establishing
himself as a book and magazine illustrator. In this
latter role he served as an artist-war correspondent
for Life magazine in North Africa and Europe during
World War II, and after the war his work appeared
regularly in Life, Esquire, Fortune and other American
periodicals. He exhibited widely – with more than
two dozen solo museum shows across America to
his credit – and held artist-in-residence or teaching
positions at a number of universities. His work is
represented in many prestigious public collections,
including the Metropolitan Museum, New York, the
Museum of Modern Art, New York and the Whitney
Museum of American Art.

While it is not known when, where or how Martin
might have encountered Meere's painting, his
decision to make a copy of the work is not surprising.
Both artists had trained as mural painters – Meere
under William Rothenstein in London, Martin under
David Sequeiros in California – and the complex
array of figures, the tightly-balanced armature
of angled limbs and beach equipment, displays
a kind of horror vacui not uncommon in public
works of art. Moreover, Australian Beach Pattern's
provincially-inflected classicism is very much in keeping with Martin's early style, which shows the
influence both of the Mexican muralists and of the
American Regionalists.

A large-scale, (3) vintage, faithful transcription of
an important Australian painting, this version of
Australian Beach Pattern is an art-historical discovery
as impressive as it is intriguing.

Dr David Hansen

(1) See Linda Slutzkin, 'Spartans in Speedos', in
Daniel Thomas (ed.), Creating Australia: 200 Years
of Art 1788-1988, International Cultural Corporation
of Australia, Sydney, 1988, p. 176-177; Jackie Strecker,
Charles Meere's 'Australian Beach Pattern': From
Origin to Icon, Fine Arts IV thesis, Power Institute,
University of Sydney, 1988

(2) Australian Beach Pattern, 1940, oil on canvas,
75 x 98cm, signed lower right 'Charles Meere',
Modern Australian Painting 1920s-1980s, Deutscher
Fine Art, Melbourne, 9-20 September 1997, no. 7;
Australian Beach Pattern, oil and wax on cardboard,
73 x 102.5cm, Fine Australian and European Paintings,
Sotheby's Australia, Sydney, 16 August 1999, lot 39;
Australian Beach Pattern, oil on canvas, 65 x 88cm,
signed lower right 'CM MELBOURNE', Australian &
International Paintings, Deutscher-Menzies, Sydney ,
4 March 2003, lot 29; Australian Beach Pattern, oil on
canvas, 65 x 85.5cm, signed lower right 'CHARLES
MEERE', Fine Art Auction, Deutscher & Hackett,
Melbourne, 26 November 2008, lot 18

(3) At 95.3 x 127cm, the work is in fact slightly larger
than Meere's original in the Art Gallery of New
South Wales, which measures 91.5 x 122cm.Estimated Price: AUD20,000 - AUD30,000
Garden of Ideas Theview full entry
Reference: The Garden of Ideas - Four Centuries of Australian Style by Richard Aitken [The Garden of Ideas tells an inspiring and engaging story of Australian garden design. From the imaginings of emigrant garden-makers of the late-eighteenth century to the concerns of twenty-first century gardeners, this book charts its way across four centuries through a handsome and satisfying fusion of images and text. The many paintings, drawings, prints, plans and photographs are richly evocative of their time. Unearthed from around Australia, these images carry the story of Australian garden style down the years, in the process crisscrossing social and cultural history across the wide extremes of our continent.]
Publishing details: Miegunyah Press, 2010, laminated card covers, 243pp with index
Australian styleview full entry
Reference: see The Garden of Ideas - Four Centuries of Australian Style by Richard Aitken [The Garden of Ideas tells an inspiring and engaging story of Australian garden design. From the imaginings of emigrant garden-makers of the late-eighteenth century to the concerns of twenty-first century gardeners, this book charts its way across four centuries through a handsome and satisfying fusion of images and text. The many paintings, drawings, prints, plans and photographs are richly evocative of their time. Unearthed from around Australia, these images carry the story of Australian garden style down the years, in the process crisscrossing social and cultural history across the wide extremes of our continent.] [to be indexed fully]
Publishing details: Miegunyah Press, 2010, laminated card covers, 243pp with index
Australian gardensview full entry
Reference: see The Garden of Ideas - Four Centuries of Australian Style by Richard Aitken [The Garden of Ideas tells an inspiring and engaging story of Australian garden design. From the imaginings of emigrant garden-makers of the late-eighteenth century to the concerns of twenty-first century gardeners, this book charts its way across four centuries through a handsome and satisfying fusion of images and text. The many paintings, drawings, prints, plans and photographs are richly evocative of their time. Unearthed from around Australia, these images carry the story of Australian garden style down the years, in the process crisscrossing social and cultural history across the wide extremes of our continent.]
Publishing details: Miegunyah Press, 2010, laminated card covers, 243pp with index
Banks Sir Joseph p13ffview full entry
Reference: see The Garden of Ideas - Four Centuries of Australian Style by Richard Aitken [The Garden of Ideas tells an inspiring and engaging story of Australian garden design. From the imaginings of emigrant garden-makers of the late-eighteenth century to the concerns of twenty-first century gardeners, this book charts its way across four centuries through a handsome and satisfying fusion of images and text. The many paintings, drawings, prints, plans and photographs are richly evocative of their time. Unearthed from around Australia, these images carry the story of Australian garden style down the years, in the process crisscrossing social and cultural history across the wide extremes of our continent.]
Publishing details: Miegunyah Press, 2010, laminated card covers, 243pp with index
Hudspeth Elizabeth sketch in VDLview full entry
Reference: see The Garden of Ideas - Four Centuries of Australian Style by Richard Aitken [The Garden of Ideas tells an inspiring and engaging story of Australian garden design. From the imaginings of emigrant garden-makers of the late-eighteenth century to the concerns of twenty-first century gardeners, this book charts its way across four centuries through a handsome and satisfying fusion of images and text. The many paintings, drawings, prints, plans and photographs are richly evocative of their time. Unearthed from around Australia, these images carry the story of Australian garden style down the years, in the process crisscrossing social and cultural history across the wide extremes of our continent.]
Publishing details: Miegunyah Press, 2010, laminated card covers, 243pp with index
Lyttleton William Thomas ‘Panshanger’ Tasmania engraving 1835view full entry
Reference: see The Garden of Ideas - Four Centuries of Australian Style by Richard Aitken [The Garden of Ideas tells an inspiring and engaging story of Australian garden design. From the imaginings of emigrant garden-makers of the late-eighteenth century to the concerns of twenty-first century gardeners, this book charts its way across four centuries through a handsome and satisfying fusion of images and text. The many paintings, drawings, prints, plans and photographs are richly evocative of their time. Unearthed from around Australia, these images carry the story of Australian garden style down the years, in the process crisscrossing social and cultural history across the wide extremes of our continent.]
Publishing details: Miegunyah Press, 2010, laminated card covers, 243pp with index
Images of the Pacific Rimview full entry
Reference: Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Esau Erikaview full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Australian artists in Californiaview full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index.
Australian arts & crafts movementview full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Ashton Julian pp 107, 116, 121, 125, 147view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Artists’ coloniesview full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Chevalier Nicholas p51, 69, 228view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Esam Arthur p69, 98view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Woodhouse H Jview full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Johnson H J in America p 69ffview full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Johnson J C F illustrator Australian Sketcher, etc, numerous referencesview full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Picturesque Atlas of Australia - extensive referencesview full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Schell Smedley and Fitler, Picturesque Atlas of Australia view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Smedley William T p120-127view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Fitler W C p120-127view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Schell Frederick B p120-127view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Conder Charles p124-6view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Conder Charles p124-6view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Flintoff Thomas pp39-40, 63view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Griffin Marion Mahony p183, 185-6, 238view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Griffin Marion Mahony p183, 185-6, 238view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Griffin Walter Burley p182-3, 185-6, 238view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Hopkins Livingstone p111, 117-9, 148-9view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Hoppe E O p186, 302view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Hoppe E O p186, 302view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Macleod William p116-7, 119, 147-8view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Mahony Frank p121, 138view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
May Phil p118-9view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
McComas Francis p175, 237, 247view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Moore John D p191, 207, 241, 297-9, 300, 318, 325view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
von Mueller Ferdinand p252, 255, 286view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Peddle Thorpe and Walker architectsview full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Roberts Tom p26, 124-6view full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Taylor George and Florence extensive referencesview full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
Wilkinson Leslie extensive referencesview full entry
Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index
South Australia Illustratedview full entry
Reference: South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Hylton Janeview full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Gouldsmith Edmund p11, 220-1, 227view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Berkeley Martha p12, 57-60, 69f, 112-3view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Westall William p18-19, 23, 24ffview full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Maslen T J p20-21view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Maslen T J p20-21view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Leigh W H p31view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Light William 1786-1839 p34ff 43ff 52ffview full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Skipper J M 1815-1883 p38ff, p56, 118, 145-7, 161view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Opie E A 1809-1879 p49view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Gill S T p62ff, 72ff, 88-9, 106-11, 124-5, 158-60view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Wilson E ‘Rambles at the Antipodes’ sketches, p69view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Angas G F p78-9, 82-7, 98-101, 133view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Cawthorne W A p80-81, 103view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Penman & Co after S T Gill p90view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Frome E C p90-7view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Giles J W after G F Angasview full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Lush John 1807-1884 p103 (Aboriginal burial)view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Hamilton George 1812-1883 p114-7, 166-7, 174-5, 255, 269view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Glover Henry Heath 1810-1858 p119view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Ball A G 1821-1882 ‘Kangaroo Hunt’ c1870 p121view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Schramm Alexander 1813-1864 p126-131, 135-7view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Minchin R E 1831-1893 p132, 195view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Schrader H F c1813-1863 p139 (Aboriginal portraits)view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Crossland J M 1800-1858 p140-144view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Crossland J M 1800-1858 p140-144view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Gilfillan J A 1793-1864 p150, 152-3view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Shaw James 1815-1881 p151, 169, 176-7, 195, 196-201view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
von Guerard Eugene 1811-1901 p154-7view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Hill Charles 1824-1915 p164-5, 168, 189-193, 213view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
de Mole Fanny 1835-1866 p171 flower study, watercolourview full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Biggs J H c1825-1901? p172-173 4 watercolours view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Irvine John 1805-1888 p180-1 two portraitsview full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Bull Knud 1811-1889 view of Adelaide c1875 p182view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
MacCormack Andrew 1826-1918 self portrait 1859 p183 and 4 other portraits, another on p207view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Upton John 1850- after 1886 twp portraois p186-7view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Stone J D 1831-1908 p200view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Thomas W R 1822-1880 p202-5view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Ball A G 1821-1882 p206view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Tannert Louis 1831-1915 p210-212, 214, 230view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Fristrom Oscar 1856-1918 p215-6view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Johnstone H J 1835-1907 p217-9view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Turner J A 1850-1907 p219view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Kay Sarah 1830-1906 p223 botanical drawingview full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Fiveash Rosa 1854-1938 p225 botanical drawings, and p245view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Needham F M 1840-1910 p226view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Hill H P 1855-1916 p231-235view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Reynolds George 1854-1939 p236view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Heysen Hans 1877-1968 p239view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
White John 1854-1943 p240-1view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Hambidge Alice 1869-1947 p242view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Hambidge Helen 1857-1937 p243-4view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Scott Margaret watercolours in album p244view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Ashton James 1859-1935 p246-7view full entry
Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp
Drysdale Russellview full entry
Reference: see Hill End - An Historic Australian Goldfield’s Landscape by Alan Mayne
Publishing details: MUP, 2003, pb, 173 pp with index
Art of the Mount Alexander Goldfields view full entry
Reference: "Art of the Mount Alexander Goldfields 1851-1872", Castlemaine Art Gallery, 28 March - 3 May 2009.
Publishing details: Castlemaine Art Gallery, 2009
Ref: 1009
Simpson Peterview full entry
Reference: Peter Simpson - Cliffs, exhibition invite
Publishing details: Arthouse Gallery, 2012, 4pp, 3 illustrations
Ref: 219
Audette Yvonneview full entry
Reference: Yvonne Audette - New Works & Unseen Works from the Studio, essay by David Thomas. 12 works, each illustrated in colour.
Publishing details: Mossgreen Gallery, nd [2012], pb, 24pp
Ref: 85
New Worlds From Oldview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Becker Ludwigview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Bull Knutview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Blandowski Williamview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Buvelot Louisview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Carse James Howeview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Chevalier Nicholasview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Davies Davidview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Earle Augustusview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Ford Williamview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Glover Johnview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Johnstone H Jview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Martens Conradview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
McCubbin Frederickview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Piguenit W Cview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Prout John Skinnerview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Roberts Tomview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Southern Claraview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Streeton Arthurview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
von Guerard Eugeneview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Westall Williamview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Whitehead Isaacview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Withers Walterview full entry
Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb
Australian art marketview full entry
Reference: article by Max Harris, ‘Portrait of the artist as a commodity’ published in ‘The Australian’. Artists referred to include Namatjira, Janet Cumbrae Stewart, Rupert Bunny, Vasilieff, Rapotec, Dutkiewicz and dealers include Rudy Komon, Georges Mora
Publishing details: September 23-4, 1989
Ref: 129
Karskens Graceview full entry
Reference: The Colony: A History of Early Sydney by Grace Karskens (The Colony is the story of the marvellously contrary, endlessly energetic early years of Sydney. It is an intimate account of the transformation of a campsite in a beautiful cove to the town that later became Australia's largest and best-known city. From the sparkling beaches to the foothills of the Blue Mountains, Grace Karskens skilfully reveals how landscape shaped the lives of the original Aboriginal inhabitants and newcomers alike. She traces the ways in which relationships between the colonial authorities and ordinary men and women broke with old patterns, and the ways that settler and Aboriginal histories became entwined. She uncovers the ties between the burgeoning township and its rural hinterland expanding along the river systems of the Cumberland Plain. This is a landmark account of the birthplace of modern Australia, and a fascinating and richly textured narrative of people and place.).
Publishing details: Allen & Unwin, 2011. Paperback, 680 pages.
May Philview full entry
Reference: Phil May’s Sketch Book: Fifty Cartoons. Popular edition. 50 pages of illustrations [All appear to be for British publications].Includes 2-page essay: Mr. Phil May on Himself. With biographical information.
Publishing details: London, Chatto & Windus, 1903. Bound in red cloth. Spine separating, endpaper loose,
Fleischmann Arthurview full entry
Reference: Arthur Fleischmann exhibition at David Jones Gallery (at the age of 90, for which he revisited Sydney from London)
Publishing details: David Jones Gallery, c1986
Ref: 1000
Bronze & Stoneview full entry
Reference: Bronze & Stone - Messum’s Gallery, London, in Association with Mossgreen Gallery present Laurence Edwards & Dominic Welch (British artists exhibiting in Australia)
Publishing details: <ossgreen Gallery, January, 2012, pb, 36pp
Ref: 219
101 Contemporary Australian Artistsview full entry
Reference: 101 Contemporary Australian Artists
Publishing details: NGV, 2012, hc, 270pp
Ref: 1000
Sayer James Whitley 1847–1914view full entry
Reference: Geelong Art Gallery exhhibition: James Whitley Sayer 1847–1914, 8 December 2012 to 28 January 2013

This exhibition celebrates the artistic talents of James W Sayer, one of the founders of the Geelong Art Gallery and a notable figure of the local community in the late 19th century. Works from the Gallery's permanent collection are complemented by rarely-seen examples on loan from private and public collections in this exhibition of paintings, drawings, book illustrations and a rare illuminated address.
Publishing details: Geelong Art Gallery, 2012
Ref: 1009
Anderson Tomview full entry
Reference: Tom Andersen: Tasmanian Design Story: No. 1 (’This volume examines the creative calling of Tom Andersen, designer, sculptor and artist, and is a catalogue for an exhibition of objects, images, and photos relating to Tom's work and creative life’)
Publishing details: Gary Cleveland, Launceston in 2007., 76pp
Ref: 1000
Barton Del Kathrynview full entry
Reference: Del Kathryn Barton, The Whole of Everything
Publishing details: Katherine Woodbury Gallery, 2008. Quarto, black boards with metallic inlaid text, pp 40, illustrated throughout with full colour plates and photographs.
Perkins Hettiview full entry
Reference: Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). [’A journey into the world of Aboriginal art
Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp
Aboriginal artview full entry
Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp
Nowlan Frankview full entry
Reference: Frank Nowlan - Man of the Series, Hawkesbury Regional Gallery, curated by Peter Fray. Includes biography.
Publishing details: Hawkesbury Regional Gallery, 2011, pb, 61pp
Versatile Clints Theview full entry
Reference: The Versatile Clints - Four Generations of Artists, Hawkesbury Regional Art Gallery exhibition catalgue. 8 works listed. Essay by Michael Ginnings which includes biographical information on George Clint, Alfred T. Clint, Sydney Raphael Clint and George Edward Clint,
Publishing details: Hawkesbury Regional Art Gallery , 2012, 8-page foldout card, 9 illustrations
Ref: 3
Clint Alfred Tview full entry
Reference: see Versatile Clints The - The Versatile Clints - Four Generations of Artists, Hawkesbury Regional Art Gallery exhibition catalogue. 8 works listed. Essay by Michael Ginnings which includes biographical information on George Clint, Alfred T. Clint, Sydney Raphael Clint and George Edward Clint,
Publishing details: Hawkesbury Regional Art Gallery , 2012, 8-page foldout card, 9 illustrations
Clint Georgeview full entry
Reference: see Versatile Clints The - The Versatile Clints - Four Generations of Artists, Hawkesbury Regional Art Gallery exhibition catalogue. 8 works listed. Essay by Michael Ginnings which includes biographical information on George Clint, Alfred T. Clint, Sydney Raphael Clint and George Edward Clint,
Publishing details: Hawkesbury Regional Art Gallery , 2012, 8-page foldout card, 9 illustrations
Clint Sydney Raphael view full entry
Reference: see Versatile Clints The - The Versatile Clints - Four Generations of Artists, Hawkesbury Regional Art Gallery exhibition catalogue. 8 works listed. Essay by Michael Ginnings which includes biographical information on George Clint, Alfred T. Clint, Sydney Raphael Clint and George Edward Clint,
Publishing details: Hawkesbury Regional Art Gallery , 2012, 8-page foldout card, 9 illustrations
Clint George Edward view full entry
Reference: see Versatile Clints The - The Versatile Clints - Four Generations of Artists, Hawkesbury Regional Art Gallery exhibition catalogue. 8 works listed. Essay by Michael Ginnings which includes biographical information on George Clint, Alfred T. Clint, Sydney Raphael Clint and George Edward Clint,
Publishing details: Hawkesbury Regional Art Gallery , 2012, 8-page foldout card, 9 illustrations
Parliament of New South Wales Indigenous Art Prize 2005view full entry
Reference: Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details. [Note: annual prize 2005-8. And onwards?]
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Ref: 219
Adams Margaretview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Ah-See Douglas Keithview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Allen Terrenceview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Amos Shirleyview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Andrew Brookview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Bancroft Bronwynview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Bartman Thelmaview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Barker Roy Jnrview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Bates Badger (WB)view full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Binge Leonieview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Croft Belinda Lview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Davis Mandyview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Duncan Joyview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Ferguson Geoffreyview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Hill Adamview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Hinch Beverley (Aunty May)view full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Irving Brianview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Isaacs Colinview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Keen Warwickview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Kelley Gusview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Kennedy Anthonyview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Kennedy Roy Dview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Kennedy Soniaview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
King Graham Davisview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
King Beverly Lview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Mate Danielleview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
McGrady Nevilleview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
McKenzie Nevilleview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Murdoch Leslie Johnview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Naden Gailview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Parker Brettview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Parker Frances Belleview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Priestley Matthew Tview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Roach Kellyview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Russell Elaineview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Samuels Jeffreyview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Saunders Brendaview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Saunders Regina (r e a) Mview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Simon Jamesview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Smith Reneeview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Smith Rossview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Soewardie Jakeview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
South Barrinaview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
South Jeanview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
South Jeanview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Syron Gordonview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Timbery (Russell) Esmeview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Tobin Leeanneview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Wallace Daphneview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Waters Donellaview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Wightman Colinview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Williams Alisonview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Williams Shaneview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Winston Rexview full entry
Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Wilson Stephanieview full entry
Reference: Inside Voices and Other Social Norms, exhibition brochure with price list inserted, 6 illustrations
Publishing details: Martin Browne Contemporary, 2013
Ref: 219
Taylor Simonview full entry
Reference: Alkipi - exhibition brochure with price list inserted, 9 illustrations
Publishing details: Martin Browne Contemporary, 2013
Ref: 219
French Floral and Femaleview full entry
Reference: French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Ref: 129
Butler Rex and A. D. S. Donaldsonview full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Australian women artistsview full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Australian artists in Parisview full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Patterson Ambrose p23fview full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Goodsir Agnesview full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Bunny Rupert p6-8view full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Loureiro Arthur p9view full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Russell John Peter p11-12view full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Hallen Ambrose p13view full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Ramsay Hughview full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Nicholas Hilda Rix p15view full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Davidson Bessie p14-5view full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Gibson Bessie p15view full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Preston Maragret p15-6view full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
O’Connor Kateview full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Lewis Martin p21view full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Evergood Miles p21-2view full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Lever Richard Hayley p22-3view full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Brodzky Horace p24view full entry
Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
On the Beachview full entry
Reference: On the Beach - Gems from the Manly Swimwear Collection, curated by Sarah Johnson with Lorraine Foster
Publishing details: Manly Art Gallery, 2012, 8-page folding card
Ref: 129
Australian swimsuitsview full entry
Reference: see On the Beach - Gems from the Manly Swimwear Collection, curated by Sarah Johnson with Lorraine Foster
Publishing details: Manly Art Gallery, 2012, 8-page folding card
Spence Percy ‘Manly Beach’, watercolourview full entry
Reference: see On the Beach - Gems from the Manly Swimwear Collection, curated by Sarah Johnson with Lorraine Foster
Publishing details: Manly Art Gallery, 2012, 8-page folding card
Goold Bruce linocutview full entry
Reference: see On the Beach - Gems from the Manly Swimwear Collection, curated by Sarah Johnson with Lorraine Foster
Publishing details: Manly Art Gallery, 2012, 8-page folding card
Leist Fred ‘Bathers’ illustrated on coverview full entry
Reference: see On the Beach - Gems from the Manly Swimwear Collection, curated by Sarah Johnson with Lorraine Foster
Publishing details: Manly Art Gallery, 2012, 8-page folding card
Public Art in Manlyview full entry
Reference: Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Ref: 129
Langley Warrenview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Snape Michaelview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Downes Ruthview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Fraser Louiview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Hodges Christopherview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Fairskye Merilynview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Glassborrow Stephenview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Urban Art Projectsview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Buki Ishi Sandstone Sculptors and Renee Moniqueview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Johnman Timview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Sargant Francis Williamview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists. Sargant was born in England and worked as a stonemason in Sydney c1940 as well as being a sculptor
Publishing details: Manly Art Gallery , 2006, 24pp,
Hoff Rayner ‘Arthur Phillip statue’view full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Clamp Burchamview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Parr Lentonview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Pickering Charles Percy photographer and carverview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Youll c1856 sculptorview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Axelson Cliffview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Somerville Alanview full entry
Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Saltwater Country - Sally Mayman and Dale Kentwellview full entry
Reference: Saltwater Country - Sally Mayman and Dale Kentwell. 8 illustrations. Biographical information
Publishing details: Manly Art Gallery, 2010, 6pp folding card
Ref: 129
Mayman Sally view full entry
Reference: see Saltwater Country - Sally Mayman and Dale Kentwell. 8 illustrations. Biographical information
Publishing details: Manly Art Gallery, 2010, 6pp folding card
Kentwell Daleview full entry
Reference: see Saltwater Country - Sally Mayman and Dale Kentwell. 8 illustrations. Biographical information
Publishing details: Manly Art Gallery, 2010, 6pp folding card
Pratt Halview full entry
Reference: Hal Pratt - Metamorphosis. 3 illustrations, biography
Publishing details: Manly Art Gallery 2006, 6-page folding card
Ref: 129
Varga Emmaview full entry
Reference: Long Reef, catalogue with 11 illustrations, biographical details, essay by Eva Czernis-Ryl, curator, Decorative Arts & Design, Powerhouse Museum
Publishing details: Manly Art Gallery, 2011, 8-page folding card
Ref: 129
Murray-White Clive view full entry
Reference: Museum - a dialogue between artist and muse... By Iris Benedek & Clive Murray-White
Publishing details: 2013
Ref: 1000
Offshore - Artists of Scotland Islandview full entry
Reference: Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Ref: 129
Atkins Claireview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Ball Michelleview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Bohorquez Gloriaview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Bradley Chuckview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Collins Emmieview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Corrie Caroleview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Hawke Ingridview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Haythornwaite Sophieview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Holmes a Court Julietview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Lahm Juneview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Lihachov Dimitriview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Lodge Nettieview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Mcallister Euniceview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Melville Janview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Mills Andrewview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Molloy Mikeview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Rouge -Renate Hoffmanview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Rushforth Susanview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Shore Ellieview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Sindel-Hand Janview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Smith Paulview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Smith Tracyview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Van Den Driesschen Marionview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Wardman Davidview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Westley Gilesview full entry
Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Multiple Visions view full entry
Reference: Multiple Visions - Charles Arnot, Michael Kempson & Paul Smith (artists and printers)
Publishing details: Manly Art Gallery, 2009, 6-page folding card
Ref: 129
Arnot Charlesview full entry
Reference: Multiple Visions - Charles Arnot, Michael Kempson & Paul Smith (artists and printers)
Publishing details: Manly Art Gallery, 2009, 6-page folding card
Kempson Michaelview full entry
Reference: Multiple Visions - Charles Arnot, Michael Kempson & Paul Smith (artists and printers)
Publishing details: Manly Art Gallery, 2009, 6-page folding card
Smith Paulview full entry
Reference: Multiple Visions - Charles Arnot, Michael Kempson & Paul Smith (artists and printers)
Publishing details: Manly Art Gallery, 2009, 6-page folding card
New Quilt 2010 The view full entry
Reference: The New Quilt 2010, Contemporary Quilt Textiles (about 25 quiltmakers) [to be indexed]
Publishing details: Manly Art Gallery, 2010, 6-page folding card
Ref: 129
Narrative Knot The - Stories in ceramicsview full entry
Reference: The Narrative Knot - Stories in ceramics (26 artists)
Publishing details: Manly Art Gallery, 2012, 16pp
Ref: 129
Celebration - the use of ceramics in commemorationview full entry
Reference: Celebration - the use of ceramics in the commemoration of Important events (16 ceramic artists [to be indexed]
Publishing details: Manly Art Gallery, 2012, 16pp
Ref: 129
Regeneration - contemporary quilt textilesview full entry
Reference: Regeneration - contemporary quilt textiles - 19 artists [to be indexed]
Publishing details: Manly Art Gallery, 2012, 24pp
Ref: 129
State of art - Peace Theview full entry
Reference: The State of Art - Peace. Travelling exhibition organised by the Manly Art Gallery ["The State of Art: Peace, is one of the most significant state-wide exhibitions in the 100 years of regional galleries in New South Wales. It has involved the collaboration of 37 regional and public galleries in an exhibition project that highlights the wealth and diversity of artists and collections throughout NSW. Essentially, it tells the story of a vital network of galleries which plays a key role in both stimulating and reflecting the cultural life of this state" -- p. 5. Catalogue essay by: Katherine Roberts, coordinating curator.] [to be indexed]
Publishing details: Manly Art Gallery, 2004, pb, 32pp
Ref: 129
White Heat - Australia Ceramics Association’s Biennial Exhibition 2009view full entry
Reference: White Heat - Australia Ceramics Association’s Biennial Exhibition 2009 ‘Social Political Cultural Issues’, essay by Dr Julie Bartholomew [to be indexed]
Publishing details: Manly Art Gallery, 2009,
Ref: 129
Art & Soulview full entry
Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp
Barton Del Kathrynview full entry
Reference: ‘Oyster’, issue 43 Dec/Jan 2003 edition
Del Kathrn Barton 'Basic Instinct' by Clare Barker - 6 page full colour essay and images of her early artworks.
Ref: 1000
posters in Australiaview full entry
Reference: see The Australian Poster Album
Publishing details: Sun Books. 1974, spiral bound, large format
ABC of SHOWCARD &
TICKETWRITING The view full entry
Reference: ABC of SHOWCARD & TICKETWRITING The by C Milnes [ 'How-to' book of showcard writing as practised particularly by the big stores in the 1930s. Contains several pages of fine examples of the craft by leading-store writers of the day from Farmers, Sydney, and Beville's, Buckley & Nunn's, Melbourne. Show card writing was one of the early steps in a sign writer’s career (or THE step for many) and the basic tenets of layout and letter formation were taught vocationally throughout the early twentieth century. To get computer-perfect consistency decades before computers were made meant a steady hand, an exacting eye and hours and hours of rote drilling and diligent practice.]
Publishing details: Spiral Bound Soft Cover with 78 pages.
Henderson Edmund (1821-1896)view full entry
Reference: see Dominic Winter Book Auctions (UK)
Sale Date: 06 Feb 2013 11am
07 Feb 2013 11am - Henderson (Edmund, 1821-1896). A collection of eight watercolour landscape studies, including three Australian landscape views, c. 1860s, watercolour on paper, unsigned, 177 x 254mm (7 x 10ins) and similar, loosely contained in later cloth album, one view entitled ‘South of the Medway’ framed and glazed. Includes three photocopies of similar watercolour views of Australia by the same artist which appear to have been formerly part of the same group. A similar view was sold by Sotheby’s Melbourne on 26th August 2008 (lot 129). Edmund Henderson was educated at the Royal Military Academy, Woolwich and became comptroller of convicts in Western Australia, returning to England in 1886. (8)
Silas Ellis 1883-1972view full entry
Reference: see Peter Wilson Fine Art Auctioneers (UK) Ellis Silas (British, 1883-1972), Portrait of the artist`s wife, half length, seated in riding clothes, signed on verso, oil on canvas, 74. 5 x 62cm.; 29. 5 x 24. 5in. * Exhibited at the Royal Academy, Royal Institute of Painters in Watercolours, Royal Institute of Oil Painters. He was a war artist for the Australian Government 1914 - 1918 and spent three years in Papua painting and collecting curios which he described in his book `A Primitive Arcadia`. President of the London Sketch Club 1930. Artists` Resale Right ("droit de suite") may apply to this lot.
Cato Jackview full entry
Reference: I Can Take It (The Autobiography of a photographer)
Publishing details: Georgian House, Melbourne. 1947. First printing., 1947. 8vo, 322pp. With many black and white illustrations. Hardback, dw.
Woodhouse Herbert Jview full entry
Reference: Wattle blossom : an Australian annual : for holiday readers, bush fireside and the home circle / by "Per Se" (Percy F. Sinnett) ; illustrated by Herbert J. Woodhouse
Publishing details: Adelaide : H.J. Woodhouse, [1881]
47 p., [8] leaves of plates : ill. ; 21 cm.
Ref: 1000
Woodhouse Herbert Jview full entry
Reference: Southern sunbeams : an Australian annual for the field, the river and the home circle / by Chas. P. Williams ; profusely illustrated by Herbert J. Woodhouse
Publishing details: (Melbourne? : s.n.), 1879 printing
50 p., (12) leaves of ill. ; 22 cm.
Ref: 1000
Woodhouse Herbert Jview full entry
Reference: Hine-ra ; or, the Maori scout ; a romance of the New Zealand war / by Robt. P. Whitworth ; portrait of author, and five illustrations by Herbert J. Woodhouse
Publishing details: Melbourne : W. H. Williams, 1887.
[6], 132, [10] p. : ill. ; 22 cm.
Ref: 1000
Woodhouse Herbert Jview full entry
Reference: see Melbourne life : numerous beautiful full page illustrations by popular artists
Publishing details: Melbourne : Herbert Woodhouse, [ca. 1896]
[32] p. : ill., ports. ; 14 x 23 m.
Woodhouse Herbert Jview full entry
Reference: To Mount Browne and back, or, Moses and me / by J.C.F. Johnson ; illustrated by H. J. Woodhouse and A. Esam
Publishing details: Adelaide : [s.n.], 1881
32 p., [8] leaves of plates : ill. ; 22 cm.
Ref: 1000
Esam Arthurview full entry
Reference: see Woodhouse H J - To Mount Browne and back, or, Moses and me / by J.C.F. Johnson ; illustrated by H. J. Woodhouse and A. Esam
Publishing details: Adelaide : [s.n.], 1881
32 p., [8] leaves of plates : ill. ; 22 cm.
Woodhouse Herbert Jview full entry
Reference: in State Library of NSW:
In SLNSW:
Woodhouse, Herbert J.
[Collection of drawings by Herbert J. Woodhouse]
ca. 1875
PXE 657
Drawings : 8 wash drawings ; 1 watercolour drawing ; 6 pencil drawings on 13 sheets ; 42.3 x 30 cm largest ; 19.2 x 13.6 cm smallest
Contents
1. Peter Potters' Bull
2. The Blue Boy -- "HJ Woodhouse 1875" lower left [copy of Thomas Gainsborough portrait]
3. Gameseller -- "HJW" lower left
4. Gamesellers
5. [Two hunters and a retriever dog] -- "HJW" lower left
6. [Unidentified landscape]
7. [Unidentified landscape]
7v. [Portrait sketch of a woman]
8. McQuarie Harbor H.J.W./75 Sydney
9. Piermons & Balmain Points ; Head of Woollomooloo Harbour ; Oak walk in the Domain ; Lady Macquarie's chair -- "HJW 1874" at lower right. Four vignettes on single sheet. Titled underneath "Sketches round Sydney"
10. On Ovens River near Wangaratta -- titled on reverse
11. [Bush horseman ; couple in a gig in town]
11v. [Horse]
12. Bush Hawker -- "HJW" lower right
13. The settlers first meeting with Buckley -- "HJ Woodhouse" lower left
Source
Presented under Taxation Incentive for the Arts Scheme, 1993
Signatures / Inscriptions
Seven of the drawings are signed or initialled
General Note
Two drawings are dated 1875, one 1874
For notes about H.J. Woodhouse see Australian Colonial sporting painters : Frederick Woodhouse and sons / Colin Laverty. Sydney : David Ell Press, 1980.

Silas Ellis 1883-1972view full entry
Reference: A Primitive Arcadia by Ellis Silas F.R.G.S., being the impressions of an artist in Papua. With 29 plates anmd numerous black and white illustrations. A map of Papua inside rear cover.
Publishing details: Little, Brown & Company, 1926, hc, no dw, 230pp. Front cover stained.
Grunstein Binemview full entry
Reference: Obituary from Sydney Morning Herald (the artist survived 14 concentration camps in WW2. Became member of Royal Art Society in 1968 and exhibited at the Holdsworth Gallery. Works held by Sydney Opera House).
Publishing details: 5 February, 2013, p14
Ref: 129
Bishop Walter Follen view full entry
Reference: see Mossgreen auction catalogue 19 February, 2013, lot 657 for a large watercolour titled Hawthorn Blossom, Brownhill Creek, 1917. Catalogue includes biographical information.
Fletcher Henry Hview full entry
Reference: Henry S. Fletcher. Born in England in 1829. Fletcher lived in Australia from 1855 until sailing to San Francisco in 1868. While there, he worked as a pattern designer, taught drawing in the public schools, and painted floral still life's in his leisure. See Show translation options
Louis J. Dianni, LLC - 4th Annual Palm Beach Auction - Day 3 of 3
February 18, 2013 for numerous lots by Fletcher
Clarke Mview full entry
Reference: see Hordern House (Sydney) online catalogue for ‘CLARKE, M.
The Wreck of 'The Hereward' Maroubra Bay, circa, 1898. Watercolour, 18.2 x 54 cms. mounted and framed.This watercolour is signed lower left, M Clarke and was painted as the clipper ship Hereward lay on its side wrecked at Maroubra Beach NSW.’

*

The Wreck of 'The Hereward' Maroubra Beach, Sydney.
CLARKE, M.
circa 1898.
Watercolour, 18.2 x 54 cms. mounted and framed.
The Maroubra Beach shipwreck

This watercolour is signed lower left, M Clarke and was painted as the clipper ship Hereward lay on its side wrecked at Maroubra Beach. The Hereward had blown onto soft sand at the northern end of Maroubra Beach, luckily avoiding two rocky reefs. The crew of 25 was brought safely ashore, and a party of seamen made their way to the nearby Maroubra wool scouring works to make known the accident. 'The Hereward was a 1513 ton full rigged iron clipper built in Glasgow in 1877. It had a length of 254 feet, beam of 39 feet, and depth of 23 feet. The Hereward was a trader to the colonies making frequent trips from London to Sydney with general cargo. The fateful trip began in the Dutch East Indies port of Sourabaya, bound for Newcastle to load coal for South America.
On 5 May 1898 the Hereward was battling up the New South Wales coast in appalling weather, with wind velocities recorded up to 47 miles per hour. The Hereward was flung towards the shore by the winds, and with sails torn to shreds the captain, Captain Gore, was helpless to keep the vessel from the shore.
The ship was insured for 6000 pounds, and was sold a few months after being stranded for 550 pounds to a Mr Cowlishaw who bought the wreck for salvage. Despite several enthusiastic attempts to refloat her the Hereward ended up once more stranded on the beach, with the waves finally managing to break her in two on 9 December 1898.
The wreck of the Hereward lay on Maroubra Beach for many years and by 1937 the only visible signs of her was a triangular dorsel fin above the water line. In 1950 Randwick Council feared injury to surfers from the wreck and began blasting the remnants. Further blasting in 1965, and by Navy divers in 1966/7 has removed all trace of the Hereward.
As with other wrecks on this part of the coast, thousands of sightseers made the long trek to the then remote south of Sydney to view the wreck.' (Randwick City Council records).
The inscription on verso reads - This sketch of the Hereward wrecked on Maroubra Beach 1898.
Borstel Reginal Arnold 1875-1922view full entry
Reference: see auction by Louis J. Dianni, LLC
4th Annual Palm Beach Auction - Day 3 of 3
February 18, 2013 | Sunrise, FL, USA View Map, Lot 1512. Artist Biography: Reginald Arnold Borstel was born in Newtown, Sydney, Australia in 1875, the son of a master mariner. In his early years he was himself a sailor, serving for a time as chief mate aboard the full-rigged ship RABOETEL. Later he became one of several artists employed by the Adelaide Photo Company of Sydney to work from photographs of ships and create oil paintings showing them in brisk winds and white capped seas. Borstel worked on his own in later years and is recognized as one of the last Australian marine artists to be commissioned directly by ship captains and owners to document the last days of the great age of sail. He successfully bridged the gap from sail to steam, but most often he painted the last surviving windjammers, the great steel barques and barkentines engaged in the waning pacific trade. From his studio on King Street in Newtown, R.A. Borstel produced numerous ship portraits that became post cards, advertisements and sailing posters. Although little is known of his personal life, he left the world a strong legacy of ship portraiture before his death at age 46 in 1922. Most of Borstel's work resides in private collections throughout the world.
Meta: Painting,Nautical, Maritime,Marine.
Prout John Skinnerview full entry
Reference: Views of Melbourne and Geelong
Publishing details: 6 plates, 1847
Ref: 1000
Go Figureview full entry
Reference: Go Figure
Publishing details: National Portrait Gallery,
Ref: 1000
Mueck Ronview full entry
Reference: Ron Mueck by David Hurlston and Lisa Baldissera, Nicholas Chambers, James Fox, Kelly Gellatly, Ted Gott, Susanah Greeves.Philip Long, Angus Trumble and others [’Using fibreglass resin as his preferred material, Mueck creates what's known as 'hyperrealist' human sculptures, astonishing human-like creations, both gigantic and miniature in scale. His work is now firmly on the international stage where he continues to surprise, shock, delight and inspire of figurative sculpture.’]
Publishing details: NGV, 2010, pb, 190pp, this copy ex AGNSW Library
Mueck Ronview full entry
Reference: Ron Mueck by Heiner Bastian,
Publishing details: Hatje Cantz, 2005. Hardback.
Ref: 1000
Mueck Ronview full entry
Reference: Ron Mueck by Keith Hartley.

[’“Ron Mueck’s sculptures are all of the human figure, some smaller than life-size, some larger. They portray us, members of the human race, as we progress from birth towards death: as babies, children, adolescents, adults, and as old people. He shocks us into reassessing ourselves in our existential nakedness with the uncanny realism of his figures. This short book, written by Keith Hartley, examines the psychological impact that Mueck’s sculptures have on their viewers and illustrates all the new works that Mueck has made over the last couple of years.” – cover
“Published by the Trustees of the National Galleries of Scotland 2006 for the exhibition: Ron Mueck, held at the Royal Scottish Academy Building, Edinburgh from 5 August to 1 October” – colophon.
‘]
Publishing details: National Galleries of Scotland, 2006. Paperback.
Ref: 1000
Gregson Flanagan auctionview full entry
Reference: Summer 2012 Art Auction, Perth
Publishing details: 2012
Ref: 110
Ateier Paris: The Power Studioview full entry
Reference: exhibition curated by Ann Stephen at University Art Gallery, University of Sydney. artists: Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Scwenson. Catalogue provides information about the studio.
Publishing details: University Art Gallery, University of Sydney, 2013, 16pp
Ref: 129
Bartlett Geoffreyview full entry
Reference: Geoff Bartlett by David Hurlston and Kenneth Wach
Publishing details: NGV, 2007, pb, 80pp, his copy ex AGNSW Library
Bartlett Geoffreyview full entry
Reference: Geoffrey Bartlett: Volume & Sensuality by Elena Taylor & John Buckley (texts) [’This exhibition featured the work that Bartlett did after he returned from Europe. They focus on the details and material elements of art’]
Publishing details: Drill Hall Gallery, Canberra 2004, 2004, signed by the artist, his copy ex AGNSW Library
Bartlett Geoffreyview full entry
Reference: Silver Cloud by Caroline Field & Ken Wach (text) Geoffrey Bartlett (sculpture)
Publishing details: Stonington Stables Museum Of Art, Melbourne 2001, 60pp, colour illusts, paperback, his copy ex AGNSW Library
Kelly Johnview full entry
Reference: John Kelly - Australian Cultural Product. Well illustrated, biographical information
Publishing details: Niagara Galleries and Liverpool Street Galleries, 2005,
Ref: 219
Nolan Sidneyview full entry
Reference: Rudy Komon Gallery, 1981, 15 works listed, Introduction by Elwyn Lynn
Publishing details: Rudy Komon, 1981, 4pp
Ref: 106
Nolan Sidneyview full entry
Reference: Rudy Komon Gallery, 1980, 28 works listed,
Publishing details: Rudy Komon, 1980, 4pp
Ref: 106
Laing Rosemaryview full entry
Reference: Unquiet Landcapes of Rosemary Laing - Accompanied the exhibition of the same name; Includes essays by Abigail Solomon-Godeau and Vivienne Webb, as well as biographical information about the artist. Profusely illustrated in colour.
Publishing details: Museum of Contemporary Art, Sydney, 2005
Color illus. wraps; 79 pp.;
Elliott Stuartview full entry
Reference: Fakeology - The Work of Stuart Elliott 1964-2004 by David Bromfield[ Born in Midland, Western Australia, Stuart Elliott studied Fine Art at Claremont School of Art and Curtin University.
Elliott has had 16 solo exhibitions and numerous group shows - including 'Silver' (PICA, 2008), 'Cross Currents' (Museum of Contemporary Art, 2007), 'Perspecta' (S.H. Irvin Gallery, 1997), 'Bravo 469' (Singapore National Museum, 1992), 'First Sculpture Triennial' (National Gallery of Victoria, 1984) and numerous 'Surveys' and related events. His work is represented in most major collections in Western Australia, including the Art Gallery of WA.
Stuart Elliott has lectured at a number of institutions (currently at Swan College), curated, undertaken art residencies, conducted major public and private commissions.
A major monograph about his work written by Dr David Bromfield, was published in 2004 under the title ¨Fakeology: The Work of Stuart Elliott 1964 -2004¨.
While originally known as a sculptor, Elliott has tended to work in more open-ended ways in terms of material and format, experimenting with digital/photographic/collage and text-based works over the last 5 years as a means of investigating the core study of Fakeology].
Publishing details: David Bromfield, Brown Art Consultants, 2004, pb, 184pp, this copy ex AGNSW Library
Kings of the Road - Currency Lads & Flash Covesview full entry
Reference: see Kings of the Road - Currency Lads & Flash Coves by Geoff Hocking [covers bushrangers, sons of convict parents, etc)
Publishing details: Moondrake, 2004,laminated boards, 32pp, his copy ex AGNSW Library
bushrangersview full entry
Reference: see Kings of the Road - Currency Lads & Flash Coves by Geoff Hocking [covers bushrangers, sons of convict parents, etc)
Publishing details: Moondrake, 2004,laminated boards, 32pp, his copy ex AGNSW Library
Marony P W - several major works illustrated, c1890sview full entry
Reference: see Kings of the Road - Currency Lads & Flash Coves by Geoff Hocking [covers bushrangers, sons of convict parents, etc)
Publishing details: Moondrake, 2004,laminated boards, 32pp, his copy ex AGNSW Library
Cubitt F p8 (engraving)view full entry
Reference: see Kings of the Road - Currency Lads & Flash Coves by Geoff Hocking [covers bushrangers, sons of convict parents, etc)
Publishing details: Moondrake, 2004,laminated boards, 32pp, his copy ex AGNSW Library
Marony William - several major works illustrated c1890sview full entry
Reference: see Kings of the Road - Currency Lads & Flash Coves by Geoff Hocking [covers bushrangers, sons of convict parents, etc)
Publishing details: Moondrake, 2004,laminated boards, 32pp, his copy ex AGNSW Library
Adams Tateview full entry
Reference: Tate Adams by Frances Thomson and Jenny Zimmer
Publishing details: Macmillan Mini Art Series, 2010, hc, dw, 144pp
Pavlidis Jimview full entry
Reference: Jim Pavlidis (Macmillan Mini Art)
Megan Backhouse [During a visit to Greece artist Jim Pavlidis and writer Megan Backhouse decided to explore in words and images the ambivalence of Greeks who migrated to Australia between 1954 and 1990, with some deciding to return permanently to their homeland. Interviews reveal that these people returned because they always intended to do so, or because they craved the simplicity of village or island life. However, they always missed the lifestyle of where they were not! These stories succinctly encapsulate the universal human experience of migration. Jim Pavlidis's sensitive portraits of these people, appear alongside their stories.]
Publishing details: Macmillan Mini Art Series,
Ref: 1000
Lister Anthonyview full entry
Reference: Anthony Lister (Macmillan Mini Art)
Ken McGregor and Jenny Zimmer
Publishing details: Macmillan Mini Art Series, 2010, 144pp
Ref: 1000
Cullen Adamview full entry
Reference: Adam Cullen (Macmillan Mini Art)
Ken McGregor
Publishing details: Macmillan Mini Art Series,
Ref: 1000
Jacks Robertview full entry
Reference: Robert Jacks (Macmillan Mini Art)
Ken McGregor


Publishing details: Macmillan Mini Art Series,
Ref: 1000
Quilty Benview full entry
Reference: Ben Quilty (Macmillan Mini Art)
Ken McGregor and Jenny Zimmerr


Publishing details: Macmillan Mini Art Series,
Ref: 1000
Tjapaltjarri Bill Whiskeyview full entry
Reference: Bill Whiskey Tjapaltjarri (Macmillan Mini Art)
Ken McGregor

Publishing details: Macmillan Mini Art Series,
Ref: 1000
Harper Melindaview full entry
Reference: Melinda Harper (Macmillan Mini Art)
Ken McGregor
Publishing details: Macmillan Mini Art Series,
Ref: 1000
Blackman Charlesview full entry
Reference: Charles Blackman (Macmillan Mini Art)
Ken McGregor


Publishing details: Macmillan Mini Art Series,
Ref: 1000
AES + F: The Revolution Starts Nowview full entry
Reference: AES + F: The Revolution Starts Now - University of Queensland Art Museum exhibition catalogue (Russian artist collective)
Publishing details: University of Queensland Art Museum , 2010, card covers, 94pp
Ref: 220
Veranda - Embracing Placeview full entry
Reference: Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.
Wilson W Hardy p71ffview full entry
Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.
Fogg Sarah Ann p123view full entry
Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.
Hinder Frank set for play Te Shifting Heart 1957view full entry
Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.
Salmon William - illustration p167view full entry
Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.
Henry Lucien p200-1view full entry
Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.
Kemp W E stonemason p202-3view full entry
Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.
Griffin Walter Burleigh p206view full entry
Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.
Griffin Marion Mahony p206view full entry
Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.
Nolan Sidneyview full entry
Reference: Exhibition of paintings of the Eureka Stockade. Sidney Nolan ... 8 June until ... 20 June, 1949. NOLAN, Sidney (1917-1992); A scarce catalogue listing sixty-six works from Nolan’s Eureka Stockade series, with printed prices.
Publishing details: Macquarie Galleries, Sydney.
Sydney : Macquarie Galleries, 1949. Single sheet, folded into 6 pp octavo.
Ref: 1000
Barnard Edwardview full entry
Reference: Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panoramic photography in Australiaview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panoramasview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
photographyview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Griffith Pamelaview full entry
Reference: Lord Howe Island Miniature Etchings
Publishing details: boxed set
Ref: 1000
Walters Wesview full entry
Reference: Wes Walters: Art of Realism & Abstraction by David Thomas. [Wes Walters is one of Australia’s most prominent and celebrated portrait artists. However, his image as a strict portrait artist should not preclude his other artistic talents – illustration, abstract landscapes, collage and commercial art. Wes Walters: Art of Realism & Abstraction is successful in illustrating the artistic genius of Wes Walters and highlighting all of his artistic talents – ‘commercial’ and ‘fine’.

David Thomas has provided an informative and fascinating insight into Wes Walters, which is accompanied by beautiful reproductions.] Notes Includes bibliography (p. 170-172) and index
Publishing details: Macmillan Art, c2009.,176 pages hardcover colour illustrations. Ex library copy.

Simpson Alisterview full entry
Reference: A Brush with Horses by Alister Simpson
[’This high-quality, exquisitely produced book is a celebration of the work of acclaimed equine artist Alister Simpson. Presenting a cross-section of his work, from sketches to watercolours and oils, it reveals the depth of his talent and the breadth of his style. Racehorses featured include Phar Lap, Makybe Diva, Brew, Mahogany, Octagonal and Sunline, to name just a few, while all the excitement of race day is also captured in scenes painted trackside. But Alister is not just at home on the racetrack. A Brush with Horses also includes artworks of mares and foals, horses galloping through streams and across fields, and on the polo field. This is a collection that will appeal to all who love this most noble of animals.

About the author

Alister Simpson has been recognised for three decades as the leading equine artist in Australia and is an invited participating member in the prestigious American Academy of Equine Art. His oil and watercolour paintings are keenly sought after and feature in collections throughout the world. He has received royal commissions for Queen Elizabeth II and also painted Sindabele, one of the late Queen Mother’s horses. Other commissions include: the Australian Jockey Club Australian Derby Winners since 1983; the Sydney Turf Club Golden Slipper Winners since 1987; the Victoria Racing Club Australia’s Champion Racehorse for nine years; as well as paintings for Gai Waterhouse, Alan Jones, Sir Patrick Hogan and Sheik Rashid bin Hamdan Al-Nahyan.


Publishing details: Exisle, 285 x 320mm | cased with jacket | 96pp
Ref: 1000
Out of Australiaview full entry
Reference: Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
photographyview full entry
Reference: see Cato Jack - I Can Take It (The Autobiography of a photographer)
Publishing details: Georgian House, Melbourne. 1947. First printing., 1947. 8vo, 322pp. With many black and white illustrations. Hardback, dw in poor condition.
Beattie John p28ffview full entry
Reference: see Cato Jack - I Can Take It (The Autobiography of a photographer)
Publishing details: Georgian House, Melbourne. 1947. First printing., 1947. 8vo, 322pp. With many black and white illustrations. Hardback, dw in poor condition.
Dechaineux Lucien p28ffview full entry
Reference: see Cato Jack - I Can Take It (The Autobiography of a photographer)
Publishing details: Georgian House, Melbourne. 1947. First printing., 1947. 8vo, 322pp. With many black and white illustrations. Hardback, dw in poor condition.
Atelier Paris: The Power Studioview full entry
Reference: Atelier Paris: The Power Studio - Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Schwenson - curated by Ann Stephen. Has list of recipient artists 1967-2013 and details of the studio as well as brief essays on the artists in this exhibition
Publishing details: University Art Gallery, University of Sydney, 2013
Ref: 129
Donaldson A. D. S. view full entry
Reference: see Atelier Paris: The Power Studio - Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Schwenson - curated by Ann Stephen. Has list of recipient artists 1967-2013 and details of the studio as well as brief essays on the artists in this exhibition
Publishing details: University Art Gallery, University of Sydney, 2013
Campbell Barbara view full entry
Reference: see Atelier Paris: The Power Studio - Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Schwenson - curated by Ann Stephen. Has list of recipient artists 1967-2013 and details of the studio as well as brief essays on the artists in this exhibition
Publishing details: University Art Gallery, University of Sydney, 2013
Gawronski Alexview full entry
Reference: see Atelier Paris: The Power Studio - Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Schwenson - curated by Ann Stephen. Has list of recipient artists 1967-2013 and details of the studio as well as brief essays on the artists in this exhibition
Publishing details: University Art Gallery, University of Sydney, 2013
Nikou Michelle view full entry
Reference: see Atelier Paris: The Power Studio - Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Schwenson - curated by Ann Stephen. Has list of recipient artists 1967-2013 and details of the studio as well as brief essays on the artists in this exhibition
Publishing details: University Art Gallery, University of Sydney, 2013
Schwenson Tony view full entry
Reference: see Atelier Paris: The Power Studio - Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Schwenson - curated by Ann Stephen. Has list of recipient artists 1967-2013 and details of the studio as well as brief essays on the artists in this exhibition
Publishing details: University Art Gallery, University of Sydney, 2013
Tucker Albertview full entry
Reference: Albert Tucker - The Lucky Country, Selling Exhibition, Sotheby’s, Sydney, 11-23 March 2013. 16 exhibits 1956-87
Publishing details: Sotheby’s, Sydney, 11-23 March 2013. Price list inserted.
Australiana exhibition at Josef Lebovic Galleryview full entry
Reference: Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp
Ref: 57
Read Richard Jnr portrait of Miss E Roberts 1830view full entry
Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp
Taylor R A ‘Coursing in Australia’view full entry
Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp
Davis Blanche B hand-painted platesview full entry
Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp
Weekes Ralph painting of HMAS Sydney 1915view full entry
Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp
O’Shea Molly bookplateview full entry
Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp
Gray Alexander colour stencilsview full entry
Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp
Moore May watercolour portraitview full entry
Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp
Kerr William silversmithview full entry
Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp
Jones E A wallpaper designview full entry
Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp
Culley F A folk artistview full entry
Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp
Manners Erna ceramicistview full entry
Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp
Capturing Time by Barnard Edwardview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Sydney 1820view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Newcastle 1821view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Hobart 1825view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Sydney 1827view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - King George Sound 1832view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Fremantle 1832view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Melbourne 1841view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Challicum 1852view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Melbourne 1863view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Adelaide 1866view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Brisbane 1862view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Sydney 1880view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Perth 1880view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Launceston 1890view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Palmerston, Darwin, 1870-97view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Canberra 1911, 1920s & 1930sview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama - Sydney, Katoomba and Newnes 1920s & 1930sview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
panorama, cycloramas and Dioramas view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Close Lieutenant Edward - Newcastle panoramaview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Taylor James - Sydney panoramaview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Earle Augustus - Hobart and Sydney panoramasview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Earle Augustus - Hobart and Sydney panoramasview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Dale Robert panorama King George Soundview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Currie Jane panorama Fremantleview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Jackson Samuel panorama Melbourneview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Cooper Duncan panorama Challicumview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
DeGruchy and Leigh panorama Melbourneview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Duryea’s Townsend photographer panorama Adelaide view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Maclure & Macdonald colour lithograph panorama Brisbaneview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Rogers Frederick photographer panorama Brisbaneview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
International Exhibition Sydney 1879-80 lithographview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
International Exhibition Sydney 1879-80 lithograph fireview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Rusden Amelia 1834 p122view full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Spurling Stephen panorama Launcestonview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
Griffin Walter Burley Canberra panoramaview full entry
Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB
McGrath Raymond 1903-1977view full entry
Reference: Raymond McGrath, Josef Lebovic Gallery Collector’s List no 162. 49 exhibits, all illustrated with prices
Publishing details: Josef Lebovic Gallery , 2013, pb, 12pp
Ref: 57
Pinkus Luluview full entry
Reference: Transfiguration, invite with 3 illustrations
Publishing details: Arthouse Gallery, 2013
Ref: 219
Captivating & Curiousview full entry
Reference: Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index
Cobb Victor anatomical drawingsview full entry
Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index
MacKenzie Colin collector portrait by W B McInnesview full entry
Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index
Phar Lap’s heartview full entry
Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index
Maroney Patrick Williamview full entry
Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index
Oscar (Aboriginal artist, c1890)view full entry
Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index
Aboriginal breastplatesview full entry
Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index
Trade Union bannersview full entry
Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index
Chalcraft Patricia p66 folk artistview full entry
Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index
children’s drawingsview full entry
Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index
Australian Prints and drawingsview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Australian Prints and drawingsview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Allen Mickyview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Amor Rickview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Baldessin Georgeview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Banggala Englandview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Blackman Charlesview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Bot G Wview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Boyd Arthurview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Brack Johnview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Cherel Janangoo Butcherview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Coburn Johnview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Cole Robert Ambroseview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Counihan Noelview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Fabian Erwinview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Friedeberger Klausview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Gleeson Jamesview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Graham Peter Sview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Hanrahan Barbaraview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Harris Brentview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Hester Joyview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Mack Ludwig Hirschfeldview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Mack Ludwig Hirschfeldview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Jacks Robertview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Joseph Jenniferview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Kahan Louisview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Kantilla Kittyview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Kemp Rogerview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Kennedy Lucy Napaljarriview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Klippel Robertview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
McDiarmid Davidview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Lanceley Colinview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
McKenzie Queenieview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Maddock Beaview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Marika Bandukview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Mungatopi Maryanneview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Murray Janiceview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Nadjamerrek Lofty Bardayalview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Namponan Garryview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Napangardi Dorothy (aka Dorothy Napangardi Robinson)view full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Newmarch Annview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Nolan Sidneyview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Parr Mikeview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Petyarre Gloria Tamerreview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Reed Sweenyview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Senbergs Jan view full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Sims Paddy Japaljarriview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Swallow Rickyview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Thake Ericview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Thomas Roverview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Tomescu Aidaview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Tucker Albertview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Tuckson Tonyview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Walker Murrayview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Warlapinni Fredaview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Watkins Dickview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Watson Judyview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Whisson Kenview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Whiteley Brettview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Williams Fredview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Wilson Regina Pilawukview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Wolseley Johnview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Wonaeamirra Pedroview full entry
Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages
Behan Legacy Theview full entry
Reference: The Behan Legacy - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Ashton Julianview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Bell Georgeview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Boyd Penleighview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Bunny Rupertview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Buvelot Louisview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Conder Charlesview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Dargie Williamview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Davies Davidview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Dobell Williamview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Feint Adrianview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Fox E Phillipsview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Frater Williamview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Gibson Bessieview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Gill S Tview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Glover Johnview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Gruner Eliothview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Hampson Catharinaview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Heysen Hansview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Hilder J Jview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Hoff Raynerview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Kmit Michaelview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Lambert George Wview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Lambert Mauriceview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Lawrence Georgeview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Lindsay Lionelview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Long Sydneyview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
McCubbin Frederickview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Longstaff Johnview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
McInnes W Bview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Martens Conradview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Mather Johnview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Meldrum Maxview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Murch Arthurview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Molvig Jonview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Nerli Girolamoview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Newbury A Eview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Parker Haroldview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Pendelbury Scottview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Piguenit W Cview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Power Septimusview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Prout John Skinnerview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Quinn Jamesview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Read Arthur Evanview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Rees Lloydview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Roberts Tomview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Russell John Peterview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Shillam Leonardview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Streeton Arthurview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Wainewright Thomas Griffithsview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Wakelin Rolandview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Withers Walterview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Young Blamireview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
Young Blamireview full entry
Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,
To Look Within - Self Portraits in Australia view full entry
Reference: To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Christison Mary self portrait c1870s with brief biography view full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Duterrau Benjamin self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Walker Theresa self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Ironside Adelaide self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Angas George French self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Earle Augustus self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Ramsay Hugh self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Lambert George W self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Preston Margaret self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Streeton Arthur self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Roberts Tom self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Whiteley Brett self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Robinson William self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Dobell William self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Heysen Nora self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Bowan Stella self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Williams Fred self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Nolan Sidney self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Thake Eric self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Bennett Gordon self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Smart Jeffrey self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Parr Mike self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Hope Laurence self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Allen Davida self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Olley Margaret self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Crooke Ray self portraitview full entry
Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp
Hilder J Jview full entry
Reference: see Look Magazine March 2013 for essay by Hendrik Kolenberg on purchase of Hilder’s ‘Deviation Work’ c1913 ‘a modern Australian materpiece enters the collection’
Publishing details: AGNSW, 2013
Wakelin Rolandview full entry
Reference: see Look Magazine March 2013 for essay by Paula Dredge on restoration of Down the Hill’s to Berry’s Bay
Publishing details: AGNSW, 2013
Walters Mariilynview full entry
Reference: First Principle. Exhibition invite, 2008, 5 illustrations in colour, artist’s statement about work
Publishing details: Studio 13, Russell Lea, 2008
Ref: 219
Marshall Jenniferview full entry
Reference: Beach Comber, artist Jennifer Marshall and curator Akky Van Ogtrop in conversation
Publishing details: Manly Art Gallery and Museum, 2012, 6-page fold-out card, 9 illustrations
Ref: 129
Kentwell Daleview full entry
Reference: Mum... speaking Latin with a singlet tan
Publishing details: Manly Art Gallery and Museum, 2007, 6-page fold-out card,22 illustrations
Ref: 129
Thalben-Ball Pamelaview full entry
Reference: Pamela Thalben-Ball - a colourful life
Publishing details: Manly Art Gallery and Museum, 2007, 6-page fold-out card,8 illustrations
Ref: 129
McFarlane Robertview full entry
Reference: Robert McFarlane - Received Moments - photography 1961 - 2009 [catalogue for travelling exhibition]
Publishing details: Manly Art Gallery and Museum, 2010, 68p, illustrated
Ref: 129
Ollis Bernardview full entry
Reference: Modern Living - Bernard Ollis, exhibition catalogue, essay by Alex Sutcliffe
Publishing details: Manly Art Gallery and Museum, 2012, 35 pp, well illustrated
Ref: 129
Eustace Alfred William view full entry
Reference: see Australiana Magazine, February 2013, vol 35, no 1 for advertisement by Simpson Antiques showing example of gumleaf painting and framing etc.
Cayley Alice Rochfortview full entry
Reference: see Australiana Magazine February 2013 vol 35, no 1, article on Alice Rochfort Cayley and John Castle Harris, part II
Cayley Nevilleview full entry
Reference: see Australiana Magazine February 2013 vol 35, no 1, article on Alice Rochfort Cayley and John Castle Harris, part II
Cayley Nevilleview full entry
Reference: see Australiana Magazine February 2013 vol 35, no 1, article on Alice Rochfort Cayley and John Castle Harris, part II
Cayley family of bird paintersview full entry
Reference: see Australiana Magazine February 2013 vol 35, no 1, article on Alice Rochfort Cayley and John Castle Harris, part II. See also Australiana Magazine Nov 2012, vol 34, no 4, article on Alice Rochfort Cayley and John Castle Harris - the article is second part, the first part is in previous edition. Covers whole Cayley family, Is 16 pages with illustrations.
Harris John Castleview full entry
Reference: see Australiana Magazine February 2013 vol 35, no 1, article on Alice Rochfort Cayley and John Castle Harris, part II. See also Australiana Magazine Nov 2012, vol 34, no 4, article on Alice Rochfort Cayley and John Castle Harris - the article is second part, the first part is in previous edition. Covers whole Cayley family, Is 16 pages with illustrations.
Somme Louis medalist etcview full entry
Reference: see Australiana Magazine February 2013 vol 35, no 1, article on ‘Louis Somme - an intriguing migrant craftsman’
Qwist Christian Ludwig jewellerview full entry
Reference: see Australiana Magazine February 2013 vol 35, no 1,

Frith Henry Albert photographerview full entry
Reference: see Australiana Magazine February 2013 vol 35, no 1, article by Jane Lennon on three versions of Frith’s photographic portrait ‘The Last of the Tasmanians’
Mourning dress in colonial Australiaview full entry
Reference: see Australiana Magazine February 2013 vol 35, no 1, article by Kellee Uhr
Smith Charles F Hview full entry
Reference: see Australiana Magazine February 2013 vol 35, no 1, for advertisement by Peter Walker Fine Art on a watercolour c 1835 of the Whitsundays
Frith Frederick, artist brother of photographer Henryview full entry
Reference: see Australiana Magazine February 2013 vol 35, no 1, article by Jane Lennon on three versions of Frith’s photographic portrait ‘The Last of the Tasmanians’
Hermans The - Art in the family (of Sali Herman)view full entry
Reference: Hermans The - Art in the family (of Sali Herman). Works by Sali Herman, Nada Herman, Ted Herman, essay by Katherine Roberts, Curator
Publishing details: Manly Art Gallery, 2010, 6-page fold-out card, 7 illustrations
Ref: 129
Herman Saliview full entry
Reference: Hermans The - Art in the family (of Sali Herman). Works by Sali Herman, Nada Herman, Ted Herman, essay by Katherine Roberts, Curator
Publishing details: Manly Art Gallery, 2010, 6-page fold-out card, 7 illustrations
Herman Nadaview full entry
Reference: Hermans The - Art in the family (of Sali Herman). Works by Sali Herman, Nada Herman, Ted Herman, essay by Katherine Roberts, Curator
Publishing details: Manly Art Gallery, 2010, 6-page fold-out card, 7 illustrations
Herman Tedview full entry
Reference: Hermans The - Art in the family (of Sali Herman). Works by Sali Herman, Nada Herman, Ted Herman, essay by Katherine Roberts, Curator
Publishing details: Manly Art Gallery, 2010, 6-page fold-out card, 7 illustrations
Williams Robert Francisview full entry
Reference: Robert Francis Williams - A Survey. Essay by Brian Mahoney, curated by Deborah Good. With artist’s curriculum vitae
Publishing details: Manly Art Gallery, 2008, 6-page fold out card, 8 illustrations
Ref: 129
Fairweather Ianview full entry
Reference: Ian Fairweather - Late Works 1953-74, essay by Angela Goddard, 35 exhibits listed
Publishing details: Queensland Art Gallery, 2012, 108pp, 60 illustrations
Browne Thomas Henry Johnson (aka ‘Satan’)view full entry
Reference: see McKenzie Auctions March 2-13 (Perth) lot 71 - "The Congregational Chapel and Pastors Residence, Bunbury, Western Australia", Watercolour and gouache on paper, Inscribed "Thos. H.J. Browne, Deln November 1868". The building behind is understood to be the Rose Hotel (which still exists – although the back has been extended.) Another depiction of the Rose Hotel was painted by Browne, “Rose Hotel, Bunbury” 1865, and is currently held in the National Gallery of Canberra’s collection. A recent acquisition from a major private collection, Perth. Thomas Henry Johnson Browne was was born in London in 1818 and
trained as an architect and a civil engineer. In 1862 he
was charged with forging money orders (he claimed
years later that he was shielding his wife of the time).
He was sentenced to ten years transportation to
Western Australia and arrived on the Lord Dalhousie
in 1863. For 18 months he worked on the new
Fremantle Lunatic Asylum (now Fremantle Arts Centre) in the Office of Works Department of the Convict Establishment at Fremantle. In 1866 he painted a watercolour of the completed building, "The New Lunatic Asylum, and Invalid Depot , Fremantle, Western Australia," which is currently held in the State Library of New South Wales collection. After receiving his ticket of leave in 1865 he was self-employed and produced a small number of watercolours, a few of which, remain today. One, an attributed view of houses on High Street Fremantle (WA Museum) another, Ravenswood Hall, Murray River (Royal Western
Australian Historical Society). It was during this time that due to the number of Tom Brown(e)s working in the area that he acquired the dubious nickname of 'Satan', a reference to his sallow complexion, black hair and lean body.
His sentence expired in 1872 and as his first wife (who had remained in London) was now deceased he chose to remain in Western Australia where he worked as an
architect and land agent. He remarried in 1875 and had a young child who sadly died of sunstroke at six months of age. His new wife took to heavy drinking and their marriage was strained. Five years later it seemed his luck had turned when he opened a grand hotel around a disused mill in South Perth – the Alta Gardens Hotel. Despite it being Perth's most fashionable social centre the venture was always in debt. In 1882 he was found guilty of criminal activities over a land transaction in connection with the hotel and he was taken into custody. That night as he awaited his sentencing he committed suicide by drinking strychnine rather than face prison again.

Scrivener Nelly view full entry
Reference: see McKenzie Auctions March 2-13 (Perth) lot 92. Verso: Inscribed “Painted by Miss Nelly Scrivener 1899”. Possibly Nelly or Eleanor, as is often the formal version, was a relation to Henry Ambrose Scrivener,
1842 – 1906, who was a British naval officer. Various artworks and sketches of Auckland and Sydney Harbour have been attributed to him.

Walkley Thomasview full entry
Reference: Joels Art auction14.3.2013 lot 123 THOMAS WALKLEY (19TH CENTURY)
Boating on the River Yarra, At Richmond, Near Burnley 1894 - illustrated in catalogue
watercolour , signed and dated 'T. WALKLEY AUG 1894' lower right 38.5 x 64.5cm -Estimate $ 1,000-2,000
Douglas Stewart Fine Booksview full entry
Reference: Ballarat 2013 - items relating to Ballarat, gold mining, photographs, etc
Publishing details: Douglas Stewart Fine Books, 9-11 March 2013
Ref: 142
Ballarat imagesview full entry
Reference: see Douglas Stewart Fine Books - Ballarat 2013 - items relating to Ballarat, gold mining, photographs, etc
Publishing details: Douglas Stewart Fine Books, 9-11 March 2013
Baird Johnview full entry
Reference: Spectacular Behaviour, exhibition invite, 3 illustrations with note on the artist
Publishing details: Arthouse gallery 2013, 4pp
Ref: 219
Bennett Craigview full entry
Reference: Second Time Around, exhibition invite, 3 illustrations with note on the artist
Publishing details: Arthouse gallery 2013, 4pp
Ref: 219
Australian Art in the Sixtiesview full entry
Reference: Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: J. Feldheim, Melbourne, 1915. 8vo (ca 9x11.5in), card wrap-around cover, tied at spine. 26pp + prelims + adverts. Good condition. With print of map of Victoria loose at rear (ca 1873, tinted, drawn by W. Hughes
Ref: 1009
Georgiusview full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: J. Feldheim, Melbourne, 1915. 8vo (ca 9x11.5in), card wrap-around cover, tied at spine. 26pp + prelims + adverts. Good condition. With print of map of Victoria loose at rear (ca 1873, tinted, drawn by W. Hughes
Graham Lesview full entry
Reference: Les Graham: Selected Drawings, edited by Lorraine Graham
Publishing details: Tonatiuh Press, New South Wales, 1977. Limited signed edition of 500 copies, of which this is No. 480 (? the '0' has been written over). Small folio (hc, dw, prelims + Introduction + 59 b&w plates.

Keeling Daidview full entry
Reference: David Keeling by David Hansen
A Tasmanian Monograph.
Publishing details:
Quintus, Hobart, 2007. Hardback, 8vo, 64pp. Very good condition, in very good dustwrapper. Light wear only. ISBN: 9780977557240.
Ref: 1000
An Approach to the Landscapeview full entry
Reference: An Approach to the Landscape,
Joanna Kitas, Alexander McKenzie, Idris Murphy, Yaeli Ohana, Maureen O'Shaugnessy, Kim Westcott

Publishing details: Axia Modern Art, Melbourne, 2003 8vo, 8 page folded card (8.25x8.5in).
Ref: 1000
Ingpen Robertview full entry
Reference: INGPEN, ROBERT. - THE UNCHOSEN LAND.INGPEN, ROBERT.
AUSTRALIAN GNOMES.
Rigby, Adelaide, 1979. 110 pp, 22 x 25cm, tinted end-papers, coloured plates

Publishing details: Rigby Opal Books, Adelaide, 1981. 72 pp, quarto, tinted end-papers, coloured and b&w plates, fine copy in like, illustrated d/j.
Third book in the 'Australian Gnomes' trilogy.
Ref: 1000
Ingpen Robertview full entry
Reference: INGPEN, ROBERT. - AUSTRALIAN GNOMES.

Publishing details: Rigby, Adelaide, 1979. 110 pp, 22 x 25cm, tinted end-papers, coloured plates
Ref: 1000
ART IN EDUCATION - A SURVEY OF ART EDUCATION IN AUSTRALIA.view full entry
Reference: MACKRELL, R. J. and M. E. (editors).
ART IN EDUCATION - A SURVEY OF ART EDUCATION IN AUSTRALIA.
Publishing details: Curriculum Development Centre Canberra, 1978. 80 pp, quarto, limp wrappers, black and white plates
Ref: 1000
Australian Art in the Sixtiesview full entry
Reference: Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. Preface by J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
Shepparton Art Galleryview full entry
Reference: City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter, 

Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.
Yibiyungview full entry
Reference: Yibiyung.. The artist was born in 1944 in Gnowangerup WA. The artist is also known under the names Roma Winmar, Roma Woods and Roma Penny. Works for sale eBay 2013
Roma Winmar, Roma Woods and Roma Penny.view full entry
Reference: Yibiyung.. The artist was born in 1944 in Gnowangerup WA. The artist is also known under the names Roma Winmar, Roma Woods and Roma Penny. Works for sale eBay 2013
Georgiusview full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
McLeod W
view full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
Brierly Oswaldview full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
Prout John Skinnerview full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
Calvert Samuelview full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
Armytage J Cview full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
Carr J (J H Carse)view full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
Baines Thomasview full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
Gill S Tview full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
Forrest Captain Hview full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
Chevalier Nicholasview full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
Feldheim Jview full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
Feldheim Jview full entry
Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.
Rogers Andrewview full entry
Reference: Rhythms of Life - The Art of Andrew Rogers, essays by Ken Scarlett
Publishing details: Macmillan Art Publishing, South Yarra, VIC, Australia, 2003, hc, dw, 284pp, ex AGNSW library copy
Brierly Oswaldview full entry
Reference: Sir Oswald Walters Brierly - Sailing Ships and Ports of the Seven Seas. Exhibition at Hunter Museum of Ary, Chattanooga, Tennessee, 1982. 75 exhibits listed, 13 works illustrated
Publishing details: Hunter Museum of Art, 1982, pb, 20pp, copy ex AGNSW Library
Ref: 48
Tuckson Tonyview full entry
Reference: Tony Tuckson - Small Figurative Drawings, Watters Gallery Exhibition, January, 2013
Publishing details: Watters Gallery, 2013, pb, 106pp, invite inserted
Fraser Leahview full entry
Reference: Leah Fraser - Valley of the Silver Moon, invite, 3 illustrations
Publishing details: Arthouse Gallery 2013, 4pp
Ref: 219
Ettelson Jamesview full entry
Reference: James Ettelson - Still the Love, invite, 3 illustrations
Publishing details: Arthouse Gallery 2013, 4pp
Ref: 219
Jacks Robertview full entry
Reference: Robert Jacks - on Paper 1958 - 1990 by Simeon Kronenberg [This catalogue celebrates Jacks's commitment to abstraction as well as his works' 'authority and formal quality, suggestive colours and sensitivity'.]
Publishing details: University of Melbourne Melbourne, 1990. Fine Roy 4to, 32pp, b/w & Colour Illusts Fine Soft Cover Exhibition Catalogue
Brown Mikeview full entry
Reference: Lies and Other Fabrications - paintings and computer prints by Mike Brown and Darryl Tilson
Publishing details: Charles Nodrum Gallery, 1996, 4pp with essay.
Ref: 129
Tilson Darrylview full entry
Reference: see Brown Mike Lies and Other Fabrications - paintings and computer prints by Mike Brown and Darryl Tilson
Publishing details: Charles Nodrum Gallery, 1996, 4pp with essay.
Walmerview full entry
Reference: Walmer - exhibition of photographic collages and photo-posterisations by Mike Brown and Bronwyn Silver
Publishing details: Charles Nodrum Gallery, 1989, 4pp with essay.
Ref: 129
Brown Mikeview full entry
Reference: see Walmer - exhibition of photographic collages and photo-posterisations by Mike Brown and Bronwyn Silver
Publishing details: Charles Nodrum Gallery, 1989, 4pp with essay.
Silver Bronwynview full entry
Reference: see Walmer - exhibition of photographic collages and photo-posterisations by Mike Brown and Bronwyn Silver
Publishing details: Charles Nodrum Gallery, 1989, 4pp with essay.
Brown Mikeview full entry
Reference: Collaborators and Conspirators - the view from the bush - Mike Brown’s Gippsland Years. With essay by Richard Haese. About 50 exhibits by Brown and Colin Lanceley and Darryl Tilson, etc
Publishing details: Gippsland Art Gallery, Sale, 2000, 8-page fold out card, 4 illustrations
Ref: 129
Butler Jenview full entry
Reference: Australian Landscape - an installation, 10 illustrations, biographical details.
Publishing details: CRIA Gallery (?) Canberra, 1990 (?) 12pp
Ref: 129
Bush Stephenview full entry
Reference: Stephen Bush - The Lure of Paris, 4 illustrations, essay by Chris McCauliffe, biographical details
Publishing details: Robert Lindsay Gallery, 1994, 4pp,
Ref: 129
Blackman Charlesview full entry
Reference: Bonython Art Gallery exhibition catalogue, 38 exhibits, biographical information, photographic portrait
Publishing details: Bonython Art Gallery , 1970, 8pp
Ref: 36
Blackman Charlesview full entry
Reference: Philip Bacon Gallery exhibition catalogue, 58 exhibits with prices, brief essay
Publishing details: Philip Bacon Gallery, 1980,8pp
Ref: 36
Bishop Tonyview full entry
Reference: Sculpture - Tony Bishop. Adelaide Fesival Centre exhibition catalogue. Introduction by Neville Watson. Biographical details. 12 illustrations in b & w.
Publishing details: Adelaide Festival, 1980, pb, 17pp
Ref: 129
Ford Sueview full entry
Reference: Sue Ford - A Survey 1995, essay by Helen Ennis. Biographical details. Numerous illustrations.
Publishing details: Monash University Gallery, 1995, pb, 28pp
Ref: 129
Scully Seanview full entry
Reference: Sean Scully - paintings 1989 - 90. McKee Gallery catalogue, New York. 9 works all illustrted in colour
Publishing details: McKee Gallery, New York, 1990, ex library copy (AGNSW)
Ball Sydneyview full entry
Reference: Vermeer’s Mirror, Robert Lindsay Gallery exhibition catalogue, essay by Christopher, biographical details Coventry
Publishing details: Robert Lindsay Gallery , 1994,
Ref: 129
Anderson Lisaview full entry
Reference: The archeology of Memory XV; an open journal - Lisa Anderson, essay by McKenzie Wark. Biographical details
Publishing details: Ipswich Regional Gallery, 1995, 8pp
Ref: 129
Stacey - Redgateview full entry
Reference: Robyn Stacey and Jack Redgate exhibition at National Art Gallery, Wellington, NZ. Biographical details on both artists.
Publishing details: National Art Gallery, Wellington, NZ, 1991, pb, 16pp
Ref: 129
Stacey Robynview full entry
Reference: see Stacey - Redgate, Robyn Stacey and Jack Redgate exhibition at National Art Gallery, Wellington, NZ. Biographical details on both artists.
Publishing details: National Art Gallery, Wellington, NZ, 1991, pb, 16pp
Redgate Jackieview full entry
Reference: see Stacey - Redgate, Robyn Stacey and Jack Redgate exhibition at National Art Gallery, Wellington, NZ. Biographical details on both artists. Curated by Robert Leonard
Publishing details: National Art Gallery, Wellington, NZ, 1991, pb, 16pp
Kennedy Peterview full entry
Reference: Light Years 1970-1. Essay ‘Engaging the Avant-garde’ by Stephen Jones. Illustrated in colour
Publishing details: Institute of Modern Art, Brisbane, 2011, 32pp
Ref: 129
Dredge Margaretview full entry
Reference: Margaret Dredge - Retrospective 1960 - 2001. Approximately 120 exhibits all illustrated, some in thumbnails. Essays by Max Dingle and Rhonda Dredge. Biographical details
Publishing details: Shoalhaven City Arts Centre, 2012, pb, 61pp
Out of the Squareview full entry
Reference: Out of the Square - Beach Architecture on the Mornington Peninsula. [To be indexed]
Publishing details: Mornington Peninsula Regional Gallery, 2008
(?) 96pp
Inland - corresponding placesview full entry
Reference: Inland -corresponding places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included, of artists: George Alexander, Suzannah Barta, Terri Bird, Joan Brassil, Paul Carter, Tony Clark, Aleks Danko, Neil Emmerson, Rosalie Gascoigne, Joan D. Grounds, Graeme Hare, Tim Johnson, Penelope Lee, John Lethbridge, Geoff Lowe, Robert MacPherson, John Nixon, Robert Owen, Mike Parr, Stieg Persson, Marie Sierra-Hughes, John de Silentio, Imants Tillers, Jennifer Turpin, Wendy Webb.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Ref: 129
Alexander Georgeview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Barta Suzannahview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Bird Terriview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Brassil Joanview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Carter Paulview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Clark Tonyview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Danko Aleksview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Emmerson Neilview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Grounds Joan Dview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Gascoigne Rosalieview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Hare Graemeview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Johnson Timview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Lee Penelopeview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Lethbridge Johnview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
MacPherson Robertview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Nixon Johnview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Owen Robertview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Parr Mikeview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Persson Steig view full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Sierra-Hughes Marieview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
de Silentio Johnview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Tillers Imantsview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Turpin Jenniferview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Webb Wendyview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Webb Wendyview full entry
Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Baines Thomasview full entry
Reference: Thomas Baines an Artist in the Service of Science in Southern Africa
Publishing details: Christies, 1999. An exhibition catalogue. Illustrated in colour. Large format, pp.211, softcover;
Ref: 1008


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