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The Scheding Index of Australian Art & Artists

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Showing 158,397 records of 158,397 total. We are displaying one thousand.

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Yeldham Joshuaview full entry
Reference: Surrender Tree. Exhibition catalogue. Over 50 illustrations
Publishing details: Arthouse Gallery, 2013, pb, 58pp, price list, invitation inserted. (Providence. Arthouse Gallery exhibition invite also inserted)
McCulloch Alanview full entry
Reference: Patrolling the Frontiers: The art criticism of Alan McCulloch 1951-1963
Publishing details: privately printed BA Hons thesis, 1995, hc, 89pp
Australian art criticism view full entry
Reference: see McCulloch Alan - Patrolling the Frontiers: The art criticism of Alan McCulloch 1951-1963
Publishing details: privately printed BA Hons thesis, 1995, hc, 89pp
Misses Hookey - Murphy - Oldham - Swanview full entry
Reference: The Misses Hookey - Murphy - Oldham - Swan, by Christa E. Johannes and Sue Backhouse - with extensive biographies on each artist [Mabel Hookey, Blanche Murphy, Isobel Oldham and Louisa Swan)
Publishing details: TMAG, 1991, pb, 40pp
Ref: 131
Hookey Mabelview full entry
Reference: see Misses Hookey - Murphy - Oldham - Swan The Misses Hookey - Murphy - Oldham - Swan, by Christa E. Johannes and Sue Backhouse - with extensive biographies on each artist [Mabel Hookey, Blanche Murphy, Isobel Oldham and Louisa Swan)
Publishing details: TMAG, 1991, pb, 40pp
Murphy Blancheview full entry
Reference: see Misses Hookey - Murphy - Oldham - Swan The Misses Hookey - Murphy - Oldham - Swan, by Christa E. Johannes and Sue Backhouse - with extensive biographies on each artist [Mabel Hookey, Blanche Murphy, Isobel Oldham and Louisa Swan)
Publishing details: TMAG, 1991, pb, 40pp
Oldham Isobelview full entry
Reference: see Misses Hookey - Murphy - Oldham - Swan The Misses Hookey - Murphy - Oldham - Swan, by Christa E. Johannes and Sue Backhouse - with extensive biographies on each artist [Mabel Hookey, Blanche Murphy, Isobel Oldham and Louisa Swan)
Publishing details: TMAG, 1991, pb, 40pp
Swan Louisaview full entry
Reference: see Misses Hookey - Murphy - Oldham - Swan The Misses Hookey - Murphy - Oldham - Swan, by Christa E. Johannes and Sue Backhouse - with extensive biographies on each artist [Mabel Hookey, Blanche Murphy, Isobel Oldham and Louisa Swan)
Publishing details: TMAG, 1991, pb, 40pp
Boyd Guyview full entry
Reference: fitness and figure (a brochure produced by Milk Board Victoria) with about 13 illustrations of Guy Boyd’s bronzes
Publishing details: Milk Board Victoria, 1972 (revised edition), pb, 24pp (cover has small piece cut)
Ref: 131
Waller Ruthview full entry
Reference: Ruth Waller: A 30 Year Survey
Publishing details: Canberra Museum and Gallery, 2010. 47pp. Exhibition Publication. Soft Cover, No Jacket as Issued
Wilson Shonaview full entry
Reference: Plastiscenic
Publishing details: Mossgreen Gallery invitation, 2013, 4pp 4 illustrations
Ref: 220
Lindsay Normanview full entry
Reference: The Scribblings Of An Idle Mind by Norman Lindsay
Publishing details: Lansdowne, Sydney, 1966. Soft Cover. No DJ, 154pp.
Emery Troyview full entry
Reference: Paradise (catalogue with 8 illustrations)
Publishing details: Martin Browne Contemporary, 2013, 8-page folding card catalogue with price list and invitaion inserted.
Ref: 220
Lincoln Kevinview full entry
Reference: Kevin Lincoln - Selected Paintings 1994-99, short essay by Jeffrey Makin, biographical notes
Publishing details: Australian Galleries, 1999, 6-page folding card, 12 illustrations
Ref: 129
Streeton Arthurview full entry
Reference: Arthur Streeton - selected works from the National Collection (travelling exhibition), compiled by Ron Ramsay from the text written by Mary Eagle. About 20 works illustrated.
Publishing details: NGA, 1994, pb, 20pp
Gleeson Jamesview full entry
Reference: James Gleeson - Agapitos/Wilson Annual, Maitland Regional Gallery exhibition catalogue. 14 works reproduced. Essay by Lou Klepac.
Publishing details: Maitland Regional Gallery, 2012, pb, 32pp
Sydney Cove Medallion Theview full entry
Reference: The Sydney Cove Medallion by L Richard Smith. Includes story of original issue, surviving examples of original issue, later editions of the medallion, interesting examples of the medallion, chronology and references. 6 illustrations.
Publishing details: Wedgewood Press, Sydney, 1987, third edition, pb, 34pp.
Jackson Royview full entry
Reference: Roy Jackson - Retrospective 1963-2013. Essay by Terence Maloon
Publishing details: Drill Hall Gallery, ANU, 2013, pb, 56pp. Includes inserted review by John McDonald from SMH November 2, 2013, p12
Robinson George Augustusview full entry
Reference: Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Addison Jonview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Adkins Yvonneview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Bartlett Amyview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Burgess Jeffview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Davis Markview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Dimmack Kayeview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Edwards Michaelview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Flood Chrisview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Goossens Koenraadview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Gordon Markview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Greeno Rexview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Haertel Ralfview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Jmaes Louiseview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
King Glendaview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Leeming Johnview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Marshall Tonyview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Mathers Royview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Mitchell Tonyview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Norman Pat and Rayview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Rea Jemmaview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Robinson Denise Avaview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Singline Reneeview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Walker Charlotteview full entry
Reference: see Robinson George Augustus - Robinson’s Cup - an exhibition catalogue of works relating to the silver cup presented to George Augustus Robinson in 1835
Publishing details: Queen Victoria Museum and Art Gallery, 2011, pb, 21pp.
Lincoln Kevinview full entry
Reference: Kevin Lincoln - Paintings and Drawings from the Eighties. Essay by Diane Dunbar. With a personal appreciation by Chester Eagle. 68 works listed. Biographical information.
Publishing details: Queen Victoria Museum and Art Gallery, 1990, pb, 20pp
Ref: 129
Doudiet Charles Aview full entry
Reference: Australian sketches 1852-1855 / Charles A. Doudiet, introduction by Margaret Rich.
Publishing details: Ballarat Fine Art Gallery Association, with the assistance of the Ferry Foundation, 1997,
[44] p. : col. ill. Limited edition of 200 numbered copies.

Clark Thomasview full entry
Reference: Exposing Thomas Clark - a colonial artist in Western Victoria, by Dr Peter Dowling and Daniel McOwab. Catalogue by Daniel McOwan.
Publishing details: Hamilton Art Gallery, 2013, pb, 99 pages : colour illustrations
Kemsley Jamesview full entry
Reference: The Cartoon Book - Hints on drawing cartoons, caricatures and comic strips by James Kemsley
Publishing details: Ashton Scholastic, 1990, pb, spiral bound, 64pp
Kempf Franzview full entry
Reference: Days of Masks and Riddles [’n this powerful new book renowned artist Franz Kempf takes aim at the world's warmongering, especially in the Middle East.

Kempf is an 84-year-old, much respected Australian Jewish artist. What he has to say, and show, will cause much controversy, and not only among the Jewish right-wingers he excoriates.’] ["A Fellow of the Royal Society (London) and the Graphic Society (USA), in 2003 he was awarded the Order of Australia for his services to the arts."]
Publishing details: Wakefield Press, 2010, pb, 62pp
Fleurieu Heritage Aview full entry
Reference: A Fleurieu Heritage - Kathleen Sauerbier and Horace Trenerry by Betty Snowden
Publishing details: Chapel Hill Winery, 1998, pb, 44pp
Sauerbier Kathleenview full entry
Reference: see A Fleurieu Heritage - Kathleen Sauerbier and Horace Trenerry by Betty Snowden
Publishing details: Chapel Hill Winery, 1998, pb, 44pp
Trenerry Horaceview full entry
Reference: see A Fleurieu Heritage - Kathleen Sauerbier and Horace Trenerry by Betty Snowden
Publishing details: Chapel Hill Winery, 1998, pb, 44pp
Lovett Mildredview full entry
Reference: Mildred Lovett 1880 - 1955 - A Survey. Curated by Jonathan Holmes and Elizabeth Lada. Includes chronology and bibliography
Publishing details: University of Tasmania, 1989, pb, 28pp (covers slightly water damaged)
Parer Damienview full entry
Reference: Still Action - The War Photography of Damien Parer
Publishing details: Orange Regional Gallery and the Australian War Memorial, nd [1996?]
Parer Damienview full entry
Reference: War Cameraman - the story of Damien Parer
Publishing details: Lothian Press, 1994.
Ref: 1000
Crooke Rayview full entry
Reference: Ray Crooke - Island Dreams & Timeless Landscapes. 28 exhibits
Publishing details: Savill Galleries, 2013, 24pp, pricelist insered,
Ref: 34
Boyd Arthurview full entry
Reference: Arthur Boyd - A Pictorial Journey: works dating from 1938. 32 exhibits.
Publishing details: Savill Galleries, September to October, 2008, pb,
Ref: 101
Storrier Timview full entry
Reference: Tim Storrier - Burning of the Gifts. Text by Deborah Hart.
Publishing details: Australian Galleries, Sydney, 1989, pb, 54pp
Tomescu Aidaview full entry
Reference: Aida Tomescu - Milky Way. Extensive biographical information. Well illustrated in colour.
Publishing details: Liverpool Street Gallery, 2012, pb, 36pp, inscribed by artist
Olley Margaretview full entry
Reference: Olley - Adelaide Festival 1990 - Greenhill Galleries Collector Series. 8 illustrations, 25 exhibits
Publishing details: Greenhill Galleries, 1990, pb, 12pp
Ref: 131
Olley Margaretview full entry
Reference: Margaret Olley - Brian Moore Fine Art and Philip Bacon at Sotheby’s Gallery. 8 illustrations
Publishing details: Brian Moore Fine Art and Philip Bacon at Sotheby’s Gallery, 2000, 8-page folding card
Ref: 131
Olley Margaretview full entry
Reference: Margaret Olley - Philip Bacon at Sotheby’s Galleries. 9 illustrations. Essay by Bettina MacAulay
Publishing details: Brian Moore Fine Art and Philip Bacon at Sotheby’s Gallery, 1993, 8-page folding card
Ref: 131
Olley Margaretview full entry
Reference: Margaret Olley - Philip Bacon at Sotheby’s Galleries. 9 illustrations. Essay by Bettina MacAulay
Publishing details: Philip Bacon Galleries, 1993, 12pp.
Ref: 131
Olley Margaretview full entry
Reference: Margaret Olley - Savill Galleries, Melbourne, 13 illustrations
Publishing details: Savill Galleries, 2002,
Ref: 131
Paterson Reubenview full entry
Reference: Reuben Paterson - Thanks Darkness. 13 exhibits all illustrated.
Publishing details: Martin Browne Gallery, 2013, with price list and invite.
Ref: 220
Ryan Sueview full entry
Reference: Sue Ryan - Mongrel, 10 exhibits all illustrated.
Publishing details: Martin Browne Gallery, 2013, with price list and invite.
Ref: 220
Bergstrom Danelleview full entry
Reference: Whisper, catalogue with essay by John McDonald. 4 illustartions
Publishing details: Arthouse Gallery, 2013, 6pp
Ref: 220
Drendel Graemeview full entry
Reference: Graeme Drendel - Tourists. Australian Galleries exhibition catalogue
Publishing details: Australian Galleries, 2000, 6pp, 15 illustrations.
Ref: 220
Dupain Rexview full entry
Reference: Rex Dupain - Lovers and Soldiers, 16 exhibits all illustrated
Publishing details: Josef Lebovic Gallery at the Depot Gallery, 2013,
Ref: 57
Lock Christianview full entry
Reference: Christian Lock at Greenaway Gallery
Publishing details: Greenaway Gallery, 2013, 8pp with price list
Ref: 220
Bergin Kateview full entry
Reference: Tabletop performances and other balancing acts
Publishing details: Mossgreen, 2013, 6pp, 5 illustrations
Ref: 220
Home Deanview full entry
Reference: Dean Home at Arthouse Gallery
Publishing details: Arthouse Gallery, 2013, 6pp, 4 illustrations
Ref: 220
Spode David 1936-2013view full entry
Reference: Funeral notes. David Spode was an architect, designer, art critic (eg on The Australian) and antiquarian bookseller. Designed interiors for The Lodge and Kirribilli House as well as BBC sets for Doctor Who.
Ref: 131
Dickins Alecview full entry
Reference: obituary from Sydney Morning Herald - Alec Dickins was an antiquarian bookseller and collector
Ref: 131
Life on the Australian Goldfieldsview full entry
Reference: Life on the Australian Goldfields by Derrick I. Stone and Sue Mackinnon. Extensively illustrated with nineteenth century photographs.
Publishing details: Popular Books, 1982 (reprint), hc, no dw as issued. 224pp with index
Australian miningview full entry
Reference: see Life on the Australian Goldfields by Derrick I. Stone and Sue Mackinnon. Extensively illustrated with nineteenth century photographs.
Publishing details: Popular Books, 1982 (reprint), hc, no dw as issued. 224pp with index
Maritime Collection of Desmond Adcockview full entry
Reference: Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Australian marine paintingview full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
West Frederick Temple p35view full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
marine painting and photography p35view full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Dufty Alfred marine artist and photographer (did not paint)view full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Edgar William ship painterview full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Woolston & Barrattview full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Borstel Reginald Arthur several examples and notesview full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Tindall C E S 1863-1951 brief biographyview full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Gregory George Frederick several examples and notesview full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Gregory Arthur Victor several examples and notesview full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Adelaide Photo Company, Sydneyview full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Barnes Frankview full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Forster William James brief biographyview full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Grimanes Theodore (possibly pseudonym for John Allcot)view full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Allcot Johnview full entry
Reference: see Maritime Collection of Desmond Adcock - Mossgreen Auctions 22 October, 2013
Publishing details: Mossgreen Auctions 22 October, 2013
Lyon & Turnbull Auction Edinburghview full entry
Reference: Lyon & Turnbull Auction Edinburgh - Sale 392, 4th October, 2013 - included works by Australian artists William Rose, Stanislav Rapotec, Andrew Sibley, Gunter Christmann and Sidney Nolan from the collection of Professor Doeker-Mach and Alice Tay
Publishing details: Lyon & Turnbull Auction Edinburgh - Sale 392, 4th October, 2013
Ref: 131
Rose William 8 works and biographyview full entry
Reference: see Lyon & Turnbull Auction Edinburgh - Sale 392, 4th October, 2013 - included works by Australian artists William Rose, Stanislav Rapotec, Andrew Sibley, Gunter Christmann and Sidney Nolan from the collection of Professor Doeker-Mach and Alice Tay
Publishing details: Lyon & Turnbull Auction Edinburgh - Sale 392, 4th October, 2013
Rapotec Stanislav 6 works and biographyview full entry
Reference: see Lyon & Turnbull Auction Edinburgh - Sale 392, 4th October, 2013 - included works by Australian artists William Rose, Stanislav Rapotec, Andrew Sibley, Gunter Christmann and Sidney Nolan from the collection of Professor Doeker-Mach and Alice Tay
Publishing details: Lyon & Turnbull Auction Edinburgh - Sale 392, 4th October, 2013
Nolan Sidney 3 works and biographyview full entry
Reference: see Lyon & Turnbull Auction Edinburgh - Sale 392, 4th October, 2013 - included works by Australian artists William Rose, Stanislav Rapotec, Andrew Sibley, Gunter Christmann and Sidney Nolan from the collection of Professor Doeker-Mach and Alice Tay
Publishing details: Lyon & Turnbull Auction Edinburgh - Sale 392, 4th October, 2013
Christmann Gunter 5 works and biographyview full entry
Reference: see Lyon & Turnbull Auction Edinburgh - Sale 392, 4th October, 2013 - included works by Australian artists William Rose, Stanislav Rapotec, Andrew Sibley, Gunter Christmann and Sidney Nolan from the collection of Professor Doeker-Mach and Alice Tay
Publishing details: Lyon & Turnbull Auction Edinburgh - Sale 392, 4th October, 2013
Sibley Andrew 5 works and biographyview full entry
Reference: see Lyon & Turnbull Auction Edinburgh - Sale 392, 4th October, 2013 - included works by Australian artists William Rose, Stanislav Rapotec, Andrew Sibley, Gunter Christmann and Sidney Nolan from the collection of Professor Doeker-Mach and Alice Tay
Publishing details: Lyon & Turnbull Auction Edinburgh - Sale 392, 4th October, 2013
Australian Impressionists in Franceview full entry
Reference: Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Ashton Will 1 workview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Bunny Rupert 1 workview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Carrick Ethel 8 worksview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Conder Charles 11 worksview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Davidson Bessie 1 workview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Fox E Phillips 20 worksview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Fuller Florence 1 workview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Gibson Bessie 1 workview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Heysen Hans 1 workview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Hodgkins Frances 2 worksview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Longstaff John 3 worksview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
McCubbin Frederick 1 workview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Meyer Mary self portraitview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Morison George Pitt 3 worksview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Nicholas Hilda Rix 4 worksview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
O’Connor Kathleen 2 worksview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Officer Edward 1 workview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Patterson Ambrose 7 worksview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Preston Margaret The Studio Window 1906view full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Rae Iso 2 worksview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Ramsay Hugh 1 workview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Russell John Peter 26 worksview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Sutherland Jane 1 workview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Tucker Tudor St George 7 worksview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Withers Walter 3 worksview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Barnett H Walter 1 photographview full entry
Reference: see Australian Impressionists in France by Elena Taylor, National Galery of Victoria exhibition catalogue.
Publishing details: NGV, 2013, pb, 178pp, with index
Rowan Ellisview full entry
Reference: National Library of Australia News vol XIII Number 3 Dec 2002 - article by Patricia Fullerton to celebrate the NLA exhibition on Rowan. 7 illustrations.
Publishing details: NLA 2002
Ref: 131
Bradshaw figuresview full entry
Reference: see Sotheby’s Australia, 29 Oct, 2013. various (7) works from the estate of the late Margaret Cameron Dykes - lot 255
Byrne Sam 14 worksview full entry
Reference: see Sotheby’s Australia, 29 Oct, 2013. 14 works from the collection of the late Mr Irvin Rockman CBE, Melbourne
Curious Colonyview full entry
Reference: Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Read Richard Snr portrait of John Bucklandview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Browne T R (Richard)view full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Lycett Joseph (at least 10 works)view full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Wolfhagen Philipview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
cabinetmakingview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Butler Laurence cabinet makerview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Lewin John Williamview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Mellor Danieview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Macquarie Chestview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Newcastle Chest 2010view full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Cardoso Maria Fernandaview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Weaver Louiseview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Timbery Esmeview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Bawden Lionelview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Clark John Heavesideview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Earle Augustusview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Tillers Imantsview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Jubelin Narelleview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
McDonald Fionaview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Rhode Kateview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Stacey Robynview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Gould W Bview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Gould W Bview full entry
Reference: see Curious colony - a twenty first century Wunderkammer /​ [Lisa Slade, Danie Mellor, Ian McLean ; foreword Ron Ramsey ; catalogue editor, Jennifer Blunden]. [’A major exhibition of colonial oil paintings, drawings, engravings and artifacts juxtaposed with contemporary photography, sculpture, new media and installation from a large group of both colonial and contemporary artists.’]
Publishing details: Newcastle, N.S.W. : Newcastle Region Art Gallery, 2010.
95 p. : col. ill
Valuing Art, Respecting Cultureview full entry
Reference: Valuing Art, Respecting Culture - protocols for working with the Indiginenous Visual Arts and Crafts Sector
Publishing details: National Association for the Visual Arts, 2001, pb, 110pp
Yirrkala drawings theview full entry
Reference: see Look Magazine Nov 2013, article by Cara Pinchbeck
Tram as art theview full entry
Reference: see Look Magazine Oct 2013, article by Renee Free - three works by Frank Hinder discussed
Hinder Frankview full entry
Reference: see Look Magazine Oct 2013, ‘Tram as art the’, article by Renee Free - three works by Frank Hinder discussed
Smart Jeffery 1921-2013view full entry
Reference: see Look Magazine Oct 2013, ‘obituary by Jill Sykes
Laverty Peterview full entry
Reference: see Look Magazine Oct 2013, ‘obituary by Peter Pinson
Still lifeview full entry
Reference: see Look Magazine Sept 2013, ‘article by Jade Williamson
Britton Fred Cview full entry
Reference: see Josef Lebovic Gallery Collectors’ List 166 - 5 works with biography
Publishing details: Josef Lebovic Gallery, 2013,
Coffey Alfred 5 etchingsview full entry
Reference: see Josef Lebovic Gallery Collectors’ List 166
Publishing details: Josef Lebovic Gallery, 2013,
Hays Bette brief biographyview full entry
Reference: see Josef Lebovic Gallery Collectors’ List 166 with brief biography
Publishing details: Josef Lebovic Gallery, 2013,
Lindsay Lionel 18 works mainly printsview full entry
Reference: see Josef Lebovic Gallery Collectors’ List 166
Publishing details: Josef Lebovic Gallery, 2013,
Mattison G A 3 colour printsview full entry
Reference: see Josef Lebovic Gallery Collectors’ List 166
Publishing details: Josef Lebovic Gallery, 2013,
Muskett Alice 1 work, brief biographyview full entry
Reference: see Josef Lebovic Gallery Collectors’ List 166
Publishing details: Josef Lebovic Gallery, 2013,
Typically Australian -Porcelain Art in Australia Today Book 2view full entry
Reference: Typically Australian -Porcelain Art in Australia Today Book 2 by Tricia Bradford [To be indexed]
Publishing details: Kangaroo Press, 1985, hc, dw, 111pp
Savill Galleriesview full entry
Reference: Major Moderns exhibition catalogue (25 + works)
Publishing details: Savill Galleries, 2013, price list inserted
Ref: 68
Arts & Lettersview full entry
Reference: Arts & Letters - Hassell’s Australian Miscellany, edited by Edward A. Vidler. [Includes prose by Vance and Nettie Palmer, Sydney Jephcott and Mary E. Wilkinson, a ballad by E.J. Brady, and art by Hans Heysen, Henri van Raalte, Lionel Lindsay and Arthur Streeton. Scarce. (Australia Australian Art Letters Prose Literature Verse Vance Nettie Palmer Sydney Jephcott Mary E. Wilkinson E.J. Brady Hans Heysen Henri Van Raalte Lionel Lindsay Arthur Streeton)].
Publishing details: Hassell Press, n.d. (1922). Papered boards, adverts., colour and b&w plates, pp. 48
Vidler Edward Aview full entry
Reference: see Arts & Letters - Hassell’s Australian Miscellany, edited by Edward A. Vidler. [Includes prose by Vance and Nettie Palmer, Sydney Jephcott and Mary E. Wilkinson, a ballad by E.J. Brady, and art by Hans Heysen, Henri van Raalte, Lionel Lindsay and Arthur Streeton. Scarce. (Australia Australian Art Letters Prose Literature Verse Vance Nettie Palmer Sydney Jephcott Mary E. Wilkinson E.J. Brady Hans Heysen Henri Van Raalte Lionel Lindsay Arthur Streeton)].
Publishing details: Hassell Press, n.d. (1922). Papered boards, adverts., colour and b&w plates, pp. 48
Scott Charles P photographer, Adelaideview full entry
Reference: see Arts & Letters - Hassell’s Australian Miscellany, edited by Edward A. Vidler. [Includes prose by Vance and Nettie Palmer, Sydney Jephcott and Mary E. Wilkinson, a ballad by E.J. Brady, and art by Hans Heysen, Henri van Raalte, Lionel Lindsay and Arthur Streeton. Scarce. (Australia Australian Art Letters Prose Literature Verse Vance Nettie Palmer Sydney Jephcott Mary E. Wilkinson E.J. Brady Hans Heysen Henri Van Raalte Lionel Lindsay Arthur Streeton)].
Publishing details: Hassell Press, n.d. (1922). Papered boards, adverts., colour and b&w plates, pp. 48
Barnes Gustave A ‘Departing Day’ wc in colourview full entry
Reference: see Arts & Letters - Hassell’s Australian Miscellany, edited by Edward A. Vidler. [Includes prose by Vance and Nettie Palmer, Sydney Jephcott and Mary E. Wilkinson, a ballad by E.J. Brady, and art by Hans Heysen, Henri van Raalte, Lionel Lindsay and Arthur Streeton. Scarce. (Australia Australian Art Letters Prose Literature Verse Vance Nettie Palmer Sydney Jephcott Mary E. Wilkinson E.J. Brady Hans Heysen Henri Van Raalte Lionel Lindsay Arthur Streeton)].
Publishing details: Hassell Press, n.d. (1922). Papered boards, adverts., colour and b&w plates, pp. 48
Yandell Christian (Waller) 4 illustrationsview full entry
Reference: see Arts & Letters - Hassell’s Australian Miscellany, edited by Edward A. Vidler. [Includes prose by Vance and Nettie Palmer, Sydney Jephcott and Mary E. Wilkinson, a ballad by E.J. Brady, and art by Hans Heysen, Henri van Raalte, Lionel Lindsay and Arthur Streeton. Scarce. (Australia Australian Art Letters Prose Literature Verse Vance Nettie Palmer Sydney Jephcott Mary E. Wilkinson E.J. Brady Hans Heysen Henri Van Raalte Lionel Lindsay Arthur Streeton)].
Publishing details: Hassell Press, n.d. (1922). Papered boards, adverts., colour and b&w plates, pp. 48
Shirlow John etchingview full entry
Reference: see Arts & Letters - Hassell’s Australian Miscellany, edited by Edward A. Vidler. [Includes prose by Vance and Nettie Palmer, Sydney Jephcott and Mary E. Wilkinson, a ballad by E.J. Brady, and art by Hans Heysen, Henri van Raalte, Lionel Lindsay and Arthur Streeton. Scarce. (Australia Australian Art Letters Prose Literature Verse Vance Nettie Palmer Sydney Jephcott Mary E. Wilkinson E.J. Brady Hans Heysen Henri Van Raalte Lionel Lindsay Arthur Streeton)].
Publishing details: Hassell Press, n.d. (1922). Papered boards, adverts., colour and b&w plates, pp. 48
Stewart J Cumbrae pastel of Mrs E J Rupert Atkinsonview full entry
Reference: see Arts & Letters - Hassell’s Australian Miscellany, edited by Edward A. Vidler. [Includes prose by Vance and Nettie Palmer, Sydney Jephcott and Mary E. Wilkinson, a ballad by E.J. Brady, and art by Hans Heysen, Henri van Raalte, Lionel Lindsay and Arthur Streeton. Scarce. (Australia Australian Art Letters Prose Literature Verse Vance Nettie Palmer Sydney Jephcott Mary E. Wilkinson E.J. Brady Hans Heysen Henri Van Raalte Lionel Lindsay Arthur Streeton)].
Publishing details: Hassell Press, n.d. (1922). Papered boards, adverts., colour and b&w plates, pp. 48
Latimer Frank drawingview full entry
Reference: see Arts & Letters - Hassell’s Australian Miscellany, edited by Edward A. Vidler. [Includes prose by Vance and Nettie Palmer, Sydney Jephcott and Mary E. Wilkinson, a ballad by E.J. Brady, and art by Hans Heysen, Henri van Raalte, Lionel Lindsay and Arthur Streeton. Scarce. (Australia Australian Art Letters Prose Literature Verse Vance Nettie Palmer Sydney Jephcott Mary E. Wilkinson E.J. Brady Hans Heysen Henri Van Raalte Lionel Lindsay Arthur Streeton)].
Publishing details: Hassell Press, n.d. (1922). Papered boards, adverts., colour and b&w plates, pp. 48
Hollick Ruth photograph of F Bennicke Hartview full entry
Reference: see Arts & Letters - Hassell’s Australian Miscellany, edited by Edward A. Vidler. [Includes prose by Vance and Nettie Palmer, Sydney Jephcott and Mary E. Wilkinson, a ballad by E.J. Brady, and art by Hans Heysen, Henri van Raalte, Lionel Lindsay and Arthur Streeton. Scarce. (Australia Australian Art Letters Prose Literature Verse Vance Nettie Palmer Sydney Jephcott Mary E. Wilkinson E.J. Brady Hans Heysen Henri Van Raalte Lionel Lindsay Arthur Streeton)].
Publishing details: Hassell Press, n.d. (1922). Papered boards, adverts., colour and b&w plates, pp. 48
Waller Napier wc of Cavalier and Roundheadview full entry
Reference: see Arts & Letters - Hassell’s Australian Miscellany, edited by Edward A. Vidler. [Includes prose by Vance and Nettie Palmer, Sydney Jephcott and Mary E. Wilkinson, a ballad by E.J. Brady, and art by Hans Heysen, Henri van Raalte, Lionel Lindsay and Arthur Streeton. Scarce. (Australia Australian Art Letters Prose Literature Verse Vance Nettie Palmer Sydney Jephcott Mary E. Wilkinson E.J. Brady Hans Heysen Henri Van Raalte Lionel Lindsay Arthur Streeton)].
Publishing details: Hassell Press, n.d. (1922). Papered boards, adverts., colour and b&w plates, pp. 48
Savill Galleriesview full entry
Reference: Celebrated Australian Artists exhibition catalogue (27 works)
Publishing details: Savill Galleries, 2012, price list inserted
Ref: 68
Boyd Guy 4 sculpturesview full entry
Reference: see Savill Galleries - Celebrated Australian Artists exhibition catalogue (27 works)
Publishing details: Savill Galleries, 2012, price list inserted
Savill Galleriesview full entry
Reference: 60s and 70s Paintings - exhibition catalogue (28 works) - also includes George Lambert ‘Landscape with Figures, Percy Leason ‘The Woodcutter’ 1914 and Ruper Bunny ‘Models in the Garden’
Publishing details: Savill Galleries, 2012, price list inserted
Ref: 68
Peace and Perceptionview full entry
Reference: Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Ref: 129
Meldrum James brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Sauvage Marc brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Pigott Gwyn Hanssen brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Jones Cliff brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Juniper Robert brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Haynes George brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Tonello Patrizia brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Wright Judith brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Cole Robert brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Stannage Miriam brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Wiebke Karl brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Redford Scott brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Wight Normana brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
McBurnie Ron brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Hogarth Mary Lou brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Yvette Watt brief essay on workview full entry
Reference: see Peace and Perception - New Acquisitions, Parliament House Art Collection. Essay by Deborah Hart. 33 works listed.
Publishing details: Parliament House, 1995, pb, 16pp
Lovegrove Gertrudeview full entry
Reference: see Australiana Magazine August 2013, vol 35, no 3, article by Megan Martin on Lovegrove’s flower paintings with 15 illustrations.
Publishing details: Australiana Magazine August 2013, vol 35, no 3,
Piaggio Frankview full entry
Reference: see Australiana Magazine August 2013, vol 35, no 3, article on Piaggio and McKinlay, jewellers of Perth
Publishing details: Australiana Magazine August 2013, vol 35, no 3,
Brogan Ambrose aka McKinlayview full entry
Reference: see Australiana Magazine August 2013, vol 35, no 3, article on ‘Mac the Wire King’ by John Wade.
Publishing details: Australiana Magazine August 2013, vol 35, no 3,
McKinlay Robert Georgeview full entry
Reference: see Australiana Magazine August 2013, vol 35, no 3, article on Piaggio and McKinlay, jewellers of Perth
Publishing details: Australiana Magazine August 2013, vol 35, no 3,
Herbert & May Shaw Bequestview full entry
Reference: Herbert & May Shaw Bequest - A Gracious Gift by Olive McVicker and Daniel McOwan
Publishing details: Hamilton Art Gallery, 2007, pb, 79pp
Ref: 99
Quinn James portrait of May Shaw Bequestview full entry
Reference: see Herbert & May Shaw Bequest - A Gracious Gift by Olive McVicker and Daniel McOwan
Publishing details: Hamilton Art Gallery, 2007, pb, 79pp
When London Callsview full entry
Reference: When London Calls - The Expatriation of Australian Creative Artists to Britain, by Stephen Alomes. [’In this book the author looks at Australian artists from all fields, such diseparate people as Barry Humphries, Clive James, Peter Finch, and Russell Braddon, Joan Sutherland, John Pilger, Arthur Boyd, Richard Neville along with many others, and the reasons they left Australia's shores for London, for perceived or actual success in their chosen fields. ‘]
Publishing details: Cambridge University Press, Cambridge, England, 1999. Softcover. First Edition. XIV, 320 pages, abbreviations, preface by author, notes, select bibliography and index. The text is illustrated with 16 pages of a black-and-white photographs, in two 8 page sections.
Nolan Sidneyview full entry
Reference: see When London Calls - The Expatriation of Australian Creative Artists to Britain, by Stephen Alomes. [’In this book the author looks at Australian artists from all fields, such diseparate people as Barry Humphries, Clive James, Peter Finch, and Russell Braddon, Joan Sutherland, John Pilger, Arthur Boyd, Richard Neville along with many others, and the reasons they left Australia's shores for London, for perceived or actual success in their chosen fields. ‘]
Publishing details: Cambridge University Press, Cambridge, England, 1999. Softcover. First Edition. XIV, 320 pages, abbreviations, preface by author, notes, select bibliography and index. The text is illustrated with 16 pages of a black-and-white photographs, in two 8 page sections.
Boyd Arthurview full entry
Reference: see When London Calls - The Expatriation of Australian Creative Artists to Britain, by Stephen Alomes. [’In this book the author looks at Australian artists from all fields, such diseparate people as Barry Humphries, Clive James, Peter Finch, and Russell Braddon, Joan Sutherland, John Pilger, Arthur Boyd, Richard Neville along with many others, and the reasons they left Australia's shores for London, for perceived or actual success in their chosen fields. ‘]
Publishing details: Cambridge University Press, Cambridge, England, 1999. Softcover. First Edition. XIV, 320 pages, abbreviations, preface by author, notes, select bibliography and index. The text is illustrated with 16 pages of a black-and-white photographs, in two 8 page sections.
Lymburner Francisview full entry
Reference: see When London Calls - The Expatriation of Australian Creative Artists to Britain, by Stephen Alomes. [’In this book the author looks at Australian artists from all fields, such diseparate people as Barry Humphries, Clive James, Peter Finch, and Russell Braddon, Joan Sutherland, John Pilger, Arthur Boyd, Richard Neville along with many others, and the reasons they left Australia's shores for London, for perceived or actual success in their chosen fields. ‘]
Publishing details: Cambridge University Press, Cambridge, England, 1999. Softcover. First Edition. XIV, 320 pages, abbreviations, preface by author, notes, select bibliography and index. The text is illustrated with 16 pages of a black-and-white photographs, in two 8 page sections.
Blackman Charlesview full entry
Reference: see When London Calls - The Expatriation of Australian Creative Artists to Britain, by Stephen Alomes. [’In this book the author looks at Australian artists from all fields, such diseparate people as Barry Humphries, Clive James, Peter Finch, and Russell Braddon, Joan Sutherland, John Pilger, Arthur Boyd, Richard Neville along with many others, and the reasons they left Australia's shores for London, for perceived or actual success in their chosen fields. ‘]
Publishing details: Cambridge University Press, Cambridge, England, 1999. Softcover. First Edition. XIV, 320 pages, abbreviations, preface by author, notes, select bibliography and index. The text is illustrated with 16 pages of a black-and-white photographs, in two 8 page sections.
Whiteley Brettview full entry
Reference: see When London Calls - The Expatriation of Australian Creative Artists to Britain, by Stephen Alomes. [’In this book the author looks at Australian artists from all fields, such diseparate people as Barry Humphries, Clive James, Peter Finch, and Russell Braddon, Joan Sutherland, John Pilger, Arthur Boyd, Richard Neville along with many others, and the reasons they left Australia's shores for London, for perceived or actual success in their chosen fields. ‘]
Publishing details: Cambridge University Press, Cambridge, England, 1999. Softcover. First Edition. XIV, 320 pages, abbreviations, preface by author, notes, select bibliography and index. The text is illustrated with 16 pages of a black-and-white photographs, in two 8 page sections.
Lanceley Colinview full entry
Reference: see When London Calls - The Expatriation of Australian Creative Artists to Britain, by Stephen Alomes. [’In this book the author looks at Australian artists from all fields, such diseparate people as Barry Humphries, Clive James, Peter Finch, and Russell Braddon, Joan Sutherland, John Pilger, Arthur Boyd, Richard Neville along with many others, and the reasons they left Australia's shores for London, for perceived or actual success in their chosen fields. ‘]
Publishing details: Cambridge University Press, Cambridge, England, 1999. Softcover. First Edition. XIV, 320 pages, abbreviations, preface by author, notes, select bibliography and index. The text is illustrated with 16 pages of a black-and-white photographs, in two 8 page sections.
Sainthill Loudonview full entry
Reference: see When London Calls - The Expatriation of Australian Creative Artists to Britain, by Stephen Alomes. [’In this book the author looks at Australian artists from all fields, such diseparate people as Barry Humphries, Clive James, Peter Finch, and Russell Braddon, Joan Sutherland, John Pilger, Arthur Boyd, Richard Neville along with many others, and the reasons they left Australia's shores for London, for perceived or actual success in their chosen fields. ‘]
Publishing details: Cambridge University Press, Cambridge, England, 1999. Softcover. First Edition. XIV, 320 pages, abbreviations, preface by author, notes, select bibliography and index. The text is illustrated with 16 pages of a black-and-white photographs, in two 8 page sections.
Humphries Barryview full entry
Reference: see When London Calls - The Expatriation of Australian Creative Artists to Britain, by Stephen Alomes. [’In this book the author looks at Australian artists from all fields, such diseparate people as Barry Humphries, Clive James, Peter Finch, and Russell Braddon, Joan Sutherland, John Pilger, Arthur Boyd, Richard Neville along with many others, and the reasons they left Australia's shores for London, for perceived or actual success in their chosen fields. ‘]
Publishing details: Cambridge University Press, Cambridge, England, 1999. Softcover. First Edition. XIV, 320 pages, abbreviations, preface by author, notes, select bibliography and index. The text is illustrated with 16 pages of a black-and-white photographs, in two 8 page sections.
Archer Jordanaview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Bundelukview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Clark Conradview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Cullen Adamview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Dang Caroline Ho-Bich-Tuyenview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Daniloff Natashaview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
de Koster Jose view full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
du Moulin Paulview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Ellison Johnview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Fuller Warwickview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Hali Claraview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Hammial Philipview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Hansen Birgitteview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Harrison Lynview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Hay Phillipview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Johns Kerryview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
le Cheminant Ruthview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
McMeekin Susieview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Mannix Anthonyview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Murnane Markview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Reece Simonview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Rowe Keithview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Rushforth Peterview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Samuels Billview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Stapleford Janeview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Swift Ianview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Szalay Rachelview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Tobin Chrisview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Treweeke Vernonview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Vourie Effie (Efstathia)view full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Willebrant Jamesview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Williams Johnview full entry
Reference: see Artists Observed - Blue Mountains Artists Close Up by Carole Hampshire, introduction by Helen Ellis. Includes an essay on each artist. [’Over a period of two years, photographer and writer Carole Hampshire met the sculptors, painters, photographers and potters of the Blue Mountains, some famous and others less so. The resultant book of interviews together with her portraits of the artists themselves, as well as photographs of their homes, studios and art works, is an insider's view of the creative process and the relationship between place and artist.’]
Publishing details: University of New South Wales Press. 2007. Paperback. 250 pages, 120 illustrations in colour.
Icons - Our Beloved Coastview full entry
Reference: Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Boxall Arthur d’Auvergne oil 1925view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Barringer Ethel wc 1910sview full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Angas George Frenchview full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Shaw Hugo oil 1969view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Shaw Hugo oil 1969view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Gill H P 1855-1916 wc c1900view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Ashton James oil 1911view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Sells Alfred wc 1885view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Smith Mervyn wc c1950view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Biggs J H wc c 1870view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Hele Ivor oil 1957view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Hannaford Robert oil 1987view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Black Dorrit oil c1949view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Sauerbier Kathleen oil c1940sview full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Trenerry Horace oil c1939view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Dallwitz David acrylic 1999view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Redgate Lesley acrylic 2002view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Dridan David oil 2002view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Orchard Ken mixed media 2002view full entry
Reference: see Icons - Our Beloved Coast by Jane Hylton [paintings relating to the Fleurieu Coast[
Publishing details: Red Dot Gallery, Penny’s Hill Winery, McLaren Vale, SA, 2002, 33pp
Gray Street Workshopview full entry
Reference: Gray Street Workshop - Celebrating 15 Years, an anthology
Publishing details: Gray Street Workshop, 2000, pb, 44pp
Ref: 131
Blyfield Julieview full entry
Reference: see Gray Street Workshop - Celebrating 15 Years, an anthology [Jewellery, Craft, Australian, 20th Century]
Publishing details: Gray Street Workshop, 2000, pb, 44pp
Matthews Leslieview full entry
Reference: see Gray Street Workshop - Celebrating 15 Years, an anthology [Jewellery, Craft, Australian, 20th Century]
Publishing details: Gray Street Workshop, 2000, pb, 44pp
Truman Catherineview full entry
Reference: see Gray Street Workshop - Celebrating 15 Years, an anthology [Jewellery, Craft, Australian, 20th Century]
Publishing details: Gray Street Workshop, 2000, pb, 44pp
Lorraine Sueview full entry
Reference: see Gray Street Workshop - Celebrating 15 Years, an anthology [Jewellery, Craft, Australian, 20th Century]
Publishing details: Gray Street Workshop, 2000, pb, 44pp
Lorraine Sueview full entry
Reference: see Gray Street Workshop - Celebrating 15 Years, an anthology [Jewellery, Craft, Australian, 20th Century]
Publishing details: Gray Street Workshop, 2000, pb, 44pp
West of Ireland Artists in Australia 1988view full entry
Reference: West of Ireland Artists in Australia 1988 - An Irish Contribution to the Australian Bicentenary, organised by Time Stone Gallery, Ireland. Nine artists ‘currently working in the west of Ireland’.
Publishing details: Time Stone Gallery, Ireland, pb, 24pp
Ref: 132
McSweeney Seanview full entry
Reference: see West of Ireland Artists in Australia 1988 - An Irish Contribution to the Australian Bicentenary, organised by Time Stone Gallery, Ireland. Nine artists ‘currently working in the west of Ireland’.
Publishing details: Time Stone Gallery, Ireland, pb, 24pp
Bourke Brianview full entry
Reference: see West of Ireland Artists in Australia 1988 - An Irish Contribution to the Australian Bicentenary, organised by Time Stone Gallery, Ireland. Nine artists ‘currently working in the west of Ireland’.
Publishing details: Time Stone Gallery, Ireland, pb, 24pp
Harpur Charlesview full entry
Reference: see West of Ireland Artists in Australia 1988 - An Irish Contribution to the Australian Bicentenary, organised by Time Stone Gallery, Ireland. Nine artists ‘currently working in the west of Ireland’.
Publishing details: Time Stone Gallery, Ireland, pb, 24pp
Fitzpatrick Michaelview full entry
Reference: see West of Ireland Artists in Australia 1988 - An Irish Contribution to the Australian Bicentenary, organised by Time Stone Gallery, Ireland. Nine artists ‘currently working in the west of Ireland’.
Publishing details: Time Stone Gallery, Ireland, pb, 24pp
Behan Johnview full entry
Reference: see West of Ireland Artists in Australia 1988 - An Irish Contribution to the Australian Bicentenary, organised by Time Stone Gallery, Ireland. Nine artists ‘currently working in the west of Ireland’.
Publishing details: Time Stone Gallery, Ireland, pb, 24pp
Shinnors Johnview full entry
Reference: see West of Ireland Artists in Australia 1988 - An Irish Contribution to the Australian Bicentenary, organised by Time Stone Gallery, Ireland. Nine artists ‘currently working in the west of Ireland’.
Publishing details: Time Stone Gallery, Ireland, pb, 24pp
Wall Lorraineview full entry
Reference: see West of Ireland Artists in Australia 1988 - An Irish Contribution to the Australian Bicentenary, organised by Time Stone Gallery, Ireland. Nine artists ‘currently working in the west of Ireland’.
Publishing details: Time Stone Gallery, Ireland, pb, 24pp
Dillon Desmondview full entry
Reference: see West of Ireland Artists in Australia 1988 - An Irish Contribution to the Australian Bicentenary, organised by Time Stone Gallery, Ireland. Nine artists ‘currently working in the west of Ireland’.
Publishing details: Time Stone Gallery, Ireland, pb, 24pp
McNulty Margoview full entry
Reference: see West of Ireland Artists in Australia 1988 - An Irish Contribution to the Australian Bicentenary, organised by Time Stone Gallery, Ireland. Nine artists ‘currently working in the west of Ireland’.
Publishing details: Time Stone Gallery, Ireland, pb, 24pp
Articulateview full entry
Reference: Articulate - Art Gallery of South Australia [all editions of this magazine to be indexed]
Publishing details: AGSA Summer 2010-11
Ref: 132
Meldrum Max ‘Portrait of Ida’view full entry
Reference: see Articulate - Art Gallery of South Australia - article by Tracey Lock-Weir

Publishing details: AGSA Summer 2010-11
Black Dorrit ‘On the Rocks’ linocutview full entry
Reference: see Articulate - Art Gallery of South Australia - article
Publishing details: AGSA Summer 2010-11
Menpes Mortimer self portrait, etchingview full entry
Reference: see Articulate - Art Gallery of South Australia - article
Publishing details: AGSA Summer 2010-11
Marrinon Lindaview full entry
Reference: see Artand (Art & Australia). Essay by Chris McAuliffe
Publishing details: Vol 51 no 2.
McRae Lucyview full entry
Reference: see Artand (Art & Australia). Essay by Oli Stratford
Publishing details: Vol 51 no 2.
McRae Lucyview full entry
Reference: see Artand (Art & Australia). Essay by Oli Stratford
Publishing details: Vol 51 no 2.
Nolan Sidney ‘Mrs Fraser’view full entry
Reference: see Artand (Art & Australia). Essay by Robert Macpherson
Publishing details: Vol 51 no 2.
Fertile Soilview full entry
Reference: Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Arnold Rayview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Beilby Marcusview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Black Sandraview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Bliss Gloriaview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Bruyn Danielview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Bunny Rupertview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Campbell Joanview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Coomer Catherineview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Drysdale Pippinview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Egan Sharynview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Emmerson Neilview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Farrell & Parkinview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Gibbons Tomview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Gosfield Christineview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Greenhalgh Audreyview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Grey-Smith Guyview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Gunning Richardview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Haynes Georgeview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Hoareau Thomasview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Honey Bevanview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Koning Theoview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Kotai Belaview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Watt Janet Kovesiview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
McKay Brianview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Missi Billyview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Moore Ginaview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Moore Maryview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Nannup Laurelview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Nedala Janisview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Nona Dennisview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Nyisztor Ronview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Nungurrayi Elizabeth Nyumiview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
O’Connor Kathleenview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Pickett Shaneview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Richards Trevorview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Reys Karenview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Robins Jeanview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Scambler Stewartview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Smith Helenview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Spremberg Alexview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Story Hollyview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Tjapaltjarri Tim Leuraview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
van der Merwe Lindaview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
van Raalte Henriview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Watson Judyview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Wadrop Kenview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Wiebke Karlview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Woldendorp Richardview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Wybrandorp Jurekview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Zeck Garyview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
Zanalis Vlaseview full entry
Reference: see Fertile Soil - Fifty Years of the City of Fremantle Art Collection. By Janet Blagg - editor; Andre Lipscombe; Ted Snell, Carly Lane, Mike Lefroy and Jean Robins. [’Both diverse and complex, with signifince beyond the sum of its individual works, Fremantle's Collection has been encouraged by successive councils who have invested substantially in the growth and scope of the collection; a vision also embraced by many artists, benefactors and donors.’]
Publishing details: Fremantle Press, (2008). Quarto, wrappers, colour illust., pp. 78. List of Illustrations, Chronology, endnotes.
History in Portraitsview full entry
Reference: History in Portraits - Biographies on nineteenth century South Australian Aboriginal people by Jane Simpson and Luise Hercus. Aboriginal History Monograph 6.
Publishing details: Aboriginal History, 1998, pb, 257pp with index
Scramm Alexander ‘A scene in South Australia’ c1850 on coverview full entry
Reference: see History in Portraits - Biographies on nineteenth century South Australian Aboriginal people by Jane Simpson and Luise Hercus. Aboriginal History Monograph 6.
Publishing details: Aboriginal History, 1998, pb, 257pp with index
Aborigines in South Australiaview full entry
Reference: see History in Portraits - Biographies on nineteenth century South Australian Aboriginal people by Jane Simpson and Luise Hercus. Aboriginal History Monograph 6.
Publishing details: Aboriginal History, 1998, pb, 257pp with index
Leigh W H sketch of two Aborigines 1837 p91view full entry
Reference: see History in Portraits - Biographies on nineteenth century South Australian Aboriginal people by Jane Simpson and Luise Hercus. Aboriginal History Monograph 6.
Publishing details: Aboriginal History, 1998, pb, 257pp with index
Berkeley Martha ‘First dinner to the Aborigines’ 1838view full entry
Reference: see History in Portraits - Biographies on nineteenth century South Australian Aboriginal people by Jane Simpson and Luise Hercus. Aboriginal History Monograph 6.
Publishing details: Aboriginal History, 1998, pb, 257pp with index
Walker Theresa wax portraits of Aborigines p92, 94, 95view full entry
Reference: see History in Portraits - Biographies on nineteenth century South Australian Aboriginal people by Jane Simpson and Luise Hercus. Aboriginal History Monograph 6.
Publishing details: Aboriginal History, 1998, pb, 257pp with index
Cawthorne W A watercolours p117, 119, 122view full entry
Reference: see History in Portraits - Biographies on nineteenth century South Australian Aboriginal people by Jane Simpson and Luise Hercus. Aboriginal History Monograph 6.
Publishing details: Aboriginal History, 1998, pb, 257pp with index
Fristrom Oscar ‘Tommy Walker’ c1900 p192. 220view full entry
Reference: see History in Portraits - Biographies on nineteenth century South Australian Aboriginal people by Jane Simpson and Luise Hercus. Aboriginal History Monograph 6.
Publishing details: Aboriginal History, 1998, pb, 257pp with index
Five Foot Squareview full entry
Reference: Five Foot Square - exhibition catalogue, Ray Hughes Gallery
Publishing details: Ray Hughes Gallery, 2012, hc, 40pp
Ref: 132
Bromhead Mattview full entry
Reference: Five Foot Square - exhibition catalogue, Ray Hughes Gallery
Publishing details: Ray Hughes Gallery, 2012, hc, 40pp
Burzese Graceview full entry
Reference: Five Foot Square - exhibition catalogue, Ray Hughes Gallery
Publishing details: Ray Hughes Gallery, 2012, hc, 40pp
Flynn Christianview full entry
Reference: Five Foot Square - exhibition catalogue, Ray Hughes Gallery
Publishing details: Ray Hughes Gallery, 2012, hc, 40pp
Haas Cameronview full entry
Reference: Five Foot Square - exhibition catalogue, Ray Hughes Gallery
Publishing details: Ray Hughes Gallery, 2012, hc, 40pp
Kantek Jasonview full entry
Reference: Five Foot Square - exhibition catalogue, Ray Hughes Gallery
Publishing details: Ray Hughes Gallery, 2012, hc, 40pp
Glimpseview full entry
Reference: Glimpse - Inside Gold Coast City Art Gallery’s Collection. Approximately 120 artists listed with their works illustrated, [To be indexed fully]
Publishing details: Gold Coast City Art Gallery, 2007, pb, 96pp
Quelhurst Betty ‘Tropical beer garden’ 1955view full entry
Reference: see Glimpse - Inside Gold Coast City Art Gallery’s Collection. Approximately 120 artists listed with their works illustrated, [To be indexed fully]
Publishing details: Gold Coast City Art Gallery, 2007, pb, 96pp
Bustard William ‘Fibro beach house’ 1950sview full entry
Reference: see Glimpse - Inside Gold Coast City Art Gallery’s Collection. Approximately 120 artists listed with their works illustrated, [To be indexed fully]
Publishing details: Gold Coast City Art Gallery, 2007, pb, 96pp
Simpson Herbert Clark brief biography p32view full entry
Reference: see Glimpse - Inside Gold Coast City Art Gallery’s Collection. Approximately 120 artists listed with their works illustrated, [To be indexed fully]
Publishing details: Gold Coast City Art Gallery, 2007, pb, 96pp
Bode Edwin ‘Numinbah Falls’ 1907 and ‘At Canungra’ 1886view full entry
Reference: see Glimpse - Inside Gold Coast City Art Gallery’s Collection. Approximately 120 artists listed with their works illustrated, [To be indexed fully]
Publishing details: Gold Coast City Art Gallery, 2007, pb, 96pp
Haysom Melville ‘Snapper Rocks’ c1948view full entry
Reference: see Glimpse - Inside Gold Coast City Art Gallery’s Collection. Approximately 120 artists listed with their works illustrated, [To be indexed fully]
Publishing details: Gold Coast City Art Gallery, 2007, pb, 96pp
Grainger J H oil 1894view full entry
Reference: see Glimpse - Inside Gold Coast City Art Gallery’s Collection. Approximately 120 artists listed with their works illustrated, [To be indexed fully]
Publishing details: Gold Coast City Art Gallery, 2007, pb, 96pp
Bode Edwin ‘Nerang’ 1923view full entry
Reference: see Glimpse - Inside Gold Coast City Art Gallery’s Collection. Approximately 120 artists listed with their works illustrated, [To be indexed fully]
Publishing details: Gold Coast City Art Gallery, 2007, pb, 96pp
Abstractionview full entry
Reference: Abstraction by Terence Maloon and Paul Selwood. Includes Michael Buzacott, Virginia Coventry, Paul Hopmeier, Roy Jackson, Jan King, Allan Mitelman, John Peart, James Rogers, Paul Selwood, & Aida Tomescu. Exhibition curated by Terence Maloon and Paul Selwood. Catalogue includes artists’ biographies.
Publishing details: ANU Drill Hall Gallery, 2011, pb. 52pp
Ref: 132
Buzacott Michaelview full entry
Reference: see Abstraction - Michael Buzacott, Virginia Coventry, Paul Hopmeier, Roy Jackson, Jan King, Allan Mitelman, John Peart, James Rogers, Paul Selwood, & Aida Tomescu. Exhibition curated by Terence Maloon and Paul Selwood. Catalogue includes artists’ biographies.
Publishing details: ANU Drill Hall Gallery, 2011, pb. 52pp
Coventry Virginia view full entry
Reference: see Abstraction - Michael Buzacott, Virginia Coventry, Paul Hopmeier, Roy Jackson, Jan King, Allan Mitelman, John Peart, James Rogers, Paul Selwood, & Aida Tomescu. Exhibition curated by Terence Maloon and Paul Selwood. Catalogue includes artists’ biographies.
Publishing details: ANU Drill Hall Gallery, 2011, pb. 52pp
Hopmeier Paul view full entry
Reference: see Abstraction - Michael Buzacott, Virginia Coventry, Paul Hopmeier, Roy Jackson, Jan King, Allan Mitelman, John Peart, James Rogers, Paul Selwood, & Aida Tomescu. Exhibition curated by Terence Maloon and Paul Selwood. Catalogue includes artists’ biographies.
Publishing details: ANU Drill Hall Gallery, 2011, pb. 52pp
Jackson Roy view full entry
Reference: see Abstraction - Michael Buzacott, Virginia Coventry, Paul Hopmeier, Roy Jackson, Jan King, Allan Mitelman, John Peart, James Rogers, Paul Selwood, & Aida Tomescu. Exhibition curated by Terence Maloon and Paul Selwood. Catalogue includes artists’ biographies.
Publishing details: ANU Drill Hall Gallery, 2011, pb. 52pp
Jan King view full entry
Reference: see Abstraction - Michael Buzacott, Virginia Coventry, Paul Hopmeier, Roy Jackson, Jan King, Allan Mitelman, John Peart, James Rogers, Paul Selwood, & Aida Tomescu. Exhibition curated by Terence Maloon and Paul Selwood. Catalogue includes artists’ biographies.
Publishing details: ANU Drill Hall Gallery, 2011, pb. 52pp
Mitelman Allanview full entry
Reference: see Abstraction - Michael Buzacott, Virginia Coventry, Paul Hopmeier, Roy Jackson, Jan King, Allan Mitelman, John Peart, James Rogers, Paul Selwood, & Aida Tomescu. Exhibition curated by Terence Maloon and Paul Selwood. Catalogue includes artists’ biographies.
Publishing details: ANU Drill Hall Gallery, 2011, pb. 52pp
Peart John view full entry
Reference: see Abstraction - Michael Buzacott, Virginia Coventry, Paul Hopmeier, Roy Jackson, Jan King, Allan Mitelman, John Peart, James Rogers, Paul Selwood, & Aida Tomescu. Exhibition curated by Terence Maloon and Paul Selwood. Catalogue includes artists’ biographies.
Publishing details: ANU Drill Hall Gallery, 2011, pb. 52pp
Rogers James view full entry
Reference: see Abstraction - Michael Buzacott, Virginia Coventry, Paul Hopmeier, Roy Jackson, Jan King, Allan Mitelman, John Peart, James Rogers, Paul Selwood, & Aida Tomescu. Exhibition curated by Terence Maloon and Paul Selwood. Catalogue includes artists’ biographies.
Publishing details: ANU Drill Hall Gallery, 2011, pb. 52pp
Selwood Paul view full entry
Reference: see Abstraction - Michael Buzacott, Virginia Coventry, Paul Hopmeier, Roy Jackson, Jan King, Allan Mitelman, John Peart, James Rogers, Paul Selwood, & Aida Tomescu. Exhibition curated by Terence Maloon and Paul Selwood. Catalogue includes artists’ biographies.
Publishing details: ANU Drill Hall Gallery, 2011, pb. 52pp
Tomescu Aida view full entry
Reference: see Abstraction - Michael Buzacott, Virginia Coventry, Paul Hopmeier, Roy Jackson, Jan King, Allan Mitelman, John Peart, James Rogers, Paul Selwood, & Aida Tomescu. Exhibition curated by Terence Maloon and Paul Selwood. Catalogue includes artists’ biographies.
Publishing details: ANU Drill Hall Gallery, 2011, pb. 52pp
Private Collection Aview full entry
Reference: A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Ref: 132
Canning Crissview full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Sawrey Hughview full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Bunny Rupert ‘Sister of the artist’ 1890view full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Jackson James Rview full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Hart Proview full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Namatjira Albertview full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Wheeler Charles ‘Fitzroy Gardens’ 1920sview full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Johnson Robertview full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Johnson Robertview full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Lindsay Lionelview full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Lindsay Lionelview full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Sweatman Jo 1872-1956 ‘Wattle Trees in Bloom’view full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Nolan Sidney ‘Antarctic Explorer’ 1964view full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Haxton Elaine 1909-1999view full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Gleeson James view full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Bush Charles 1919-1989 ‘From Princes Bridge’ view full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Friend Donaldview full entry
Reference: see Private Collection A - A private Collection - Melbourne Fineart Gallery catalogue. The collection of Graham Brooke and Joyce Brooke. A brief essay in included on each of the artists represented. 36 exhibits.
Publishing details: Melbourne Fineart Gallery, 2007, hc (cloth), octavo,
Aspects of Art - Israel/Australiaview full entry
Reference: Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Ref: 132
Agam Yaakovview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Amor Rickview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Bergner Yoslview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Blackman Charlesview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Boyd Arthurview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Goldman Albert Hview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Grettyview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Griffit Joshuaview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
La Gerche Geoggview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
La Gerche Geoffview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Lellouche Oferview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Kogan Danialview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Mahler Yuvalview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Majzner Victorview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Makin Jeffreyview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Meyer Billview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Nolan Sidneyview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Pugh Cliftonview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Rankin Davidview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Stern Jossiview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Tarkai Yitzhakview full entry
Reference: see Aspects of Art - Israel/Australia, 1988. 21 Artists with brief essay and illustration for each artist. Lists selected exhibitions of each artist.
Publishing details: United Israel Appeal of Victoria, 1988, pb, 52pp.
Some Interesting Australiansview full entry
Reference: Some Interesting Australians - A Loan Collection of Portraits, August 8th - 26th 1967, Georges Gallery, Melbourne [to be indexed]
Publishing details: Georges Gallery, Melbourne, 1967. pb, 8pp
Painted Portrait photograph in Tasmania Theview full entry
Reference: The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Ref: 85
Baily H Hview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Beattie J Wview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Bock Alfredview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Cherry Georgeview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Chinese and Oriental Photographic and Oil Portrait ompanyview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Clifford Samuelview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Dixon Johnview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Dowling Robertview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Dowling W Paulview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Egerer Anthonyview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Frith Frederickview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Sharp Johnview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Nevin T Jview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Nicholas R Jview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Reid P Lview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Winter Alfredview full entry
Reference: see Painted Portrait photograph in TasmaniaThe - The Painted Portrait photograph in Tasmania 1850-1900, by John McPhee. With glossary of terms and biographies of artists/photographers.
Publishing details: Queen Victoria Museum and Art Gallery, 2008, pb, 112pp,
Ballarat Art Gallery Aquisitions 1978 and 1979view full entry
Reference: Ballarat Art Gallery Aquisitions 1978 and 1979
Publishing details: Ballarat Art Gallery, 1980, pb, 39pp
Costantini C H T ‘Trompe L’Oeil’ illustratedview full entry
Reference: see Ballarat Art Gallery Aquisitions 1978 and 1979
Publishing details: Ballarat Art Gallery, 1980, pb, 39pp
Wainewright Thomas Griffiths ‘A group of figures’ illustratedview full entry
Reference: see Ballarat Art Gallery Aquisitions 1978 and 1979
Publishing details: Ballarat Art Gallery, 1980, pb, 39pp
Cooper D E wash drawings 1850view full entry
Reference: see Ballarat Art Gallery Aquisitions 1978 and 1979
Publishing details: Ballarat Art Gallery, 1980, pb, 39pp
Frith Frederick ‘Cattle of William Field’ oil 1860view full entry
Reference: see Ballarat Art Gallery Aquisitions 1978 and 1979
Publishing details: Ballarat Art Gallery, 1980, pb, 39pp
Ballarat Art Gallery Aquisitions 1973, 1974, 1975view full entry
Reference: Ballarat Art Gallery Aquisitions 1973, 1974, 1975
Publishing details: Ballarat Art Gallery, 1976, pb, 32pp
Dowling Robert ‘Grandfather’s Visit’ c1865view full entry
Reference: see Ballarat Art Gallery Aquisitions 1973, 1974, 1975
Publishing details: Ballarat Art Gallery, 1976, pb, 32pp
Kaloriview full entry
Reference: Kalori - Autumn, 1962, Vol 2, no, 7; Summer, 1963, Vol 2, no. 10; Autumn 1963 vol 2, no. 11. [This is the journal of the RSASA - Royal Society of Artists of South Australia (?) It is not known how many editions were published. Numerous South Australian artists are referred to in these journals.]
Publishing details: RSASA, 1960s, octavo
Ref: 132
Dowie Johnview full entry
Reference: Kalori - Autumn, 1962, Vol 2, no, 7; Summer, 1963, Vol 2, no. 10; Autumn 1963 vol 2, no. 11. [This is the journal of the RSASA - Royal Society of Artists of South Australia (?) It is not known how many editions were published. Numerous South Australian artists are referred to in these journals.]
Publishing details: RSASA, 1960s, octavo
Whitty Ailsa (’editress’)view full entry
Reference: see Kalori - Autumn, 1962, Vol 2, no, 7; Summer, 1963, Vol 2, no. 10; Autumn 1963 vol 2, no. 11. [This is the journal of the RSASA - Royal Society of Artists of South Australia (?) It is not known how many editions were published. Numerous South Australian artists are referred to in these journals.]
Publishing details: RSASA, 1960s, octavo
James Louisview full entry
Reference: see Kalori - Autumn, 1962, Vol 2, no, 7; Summer, 1963, Vol 2, no. 10; Autumn 1963 vol 2, no. 11. [This is the journal of the RSASA - Royal Society of Artists of South Australia (?) It is not known how many editions were published. Numerous South Australian artists are referred to in these journals.]
Publishing details: RSASA, 1960s, octavo
Marchant Hview full entry
Reference: see Kalori - Autumn, 1962, Vol 2, no, 7; Summer, 1963, Vol 2, no. 10; Autumn 1963 vol 2, no. 11. [This is the journal of the RSASA - Royal Society of Artists of South Australia (?) It is not known how many editions were published. Numerous South Australian artists are referred to in these journals.]
Publishing details: RSASA, 1960s, octavo
Newton Ericview full entry
Reference: see Kalori - Autumn, 1962, Vol 2, no, 7; Summer, 1963, Vol 2, no. 10; Autumn 1963 vol 2, no. 11. [This is the journal of the RSASA - Royal Society of Artists of South Australia (?) It is not known how many editions were published. Numerous South Australian artists are referred to in these journals.]
Publishing details: RSASA, 1960s, octavo
Seidel Brianview full entry
Reference: see Kalori - Autumn, 1962, Vol 2, no, 7; Summer, 1963, Vol 2, no. 10; Autumn 1963 vol 2, no. 11. [This is the journal of the RSASA - Royal Society of Artists of South Australia (?) It is not known how many editions were published. Numerous South Australian artists are referred to in these journals.]
Publishing details: RSASA, 1960s, octavo
Daws Lawrenceview full entry
Reference: see Kalori - Autumn, 1962, Vol 2, no, 7; Summer, 1963, Vol 2, no. 10; Autumn 1963 vol 2, no. 11. [This is the journal of the RSASA - Royal Society of Artists of South Australia (?) It is not known how many editions were published. Numerous South Australian artists are referred to in these journals.]
Publishing details: RSASA, 1960s, octavo
Bush Charlesview full entry
Reference: see Kalori - Autumn, 1962, Vol 2, no, 7; Summer, 1963, Vol 2, no. 10; Autumn 1963 vol 2, no. 11. [This is the journal of the RSASA - Royal Society of Artists of South Australia (?) It is not known how many editions were published. Numerous South Australian artists are referred to in these journals.]
Publishing details: RSASA, 1960s, octavo
Dridan Davidview full entry
Reference: see Kalori - Autumn, 1962, Vol 2, no, 7; Summer, 1963, Vol 2, no. 10; Autumn 1963 vol 2, no. 11. [This is the journal of the RSASA - Royal Society of Artists of South Australia (?) It is not known how many editions were published. Numerous South Australian artists are referred to in these journals.]
Publishing details: RSASA, 1960s, octavo
Kriegel Adamview full entry
Reference: see Kalori - Autumn, 1962, Vol 2, no, 7; Summer, 1963, Vol 2, no. 10; Autumn 1963 vol 2, no. 11. [This is the journal of the RSASA - Royal Society of Artists of South Australia (?) It is not known how many editions were published. Numerous South Australian artists are referred to in these journals.]
Publishing details: RSASA, 1960s, octavo
Francis Ivorview full entry
Reference: see Kalori - Autumn, 1962, Vol 2, no, 7; Summer, 1963, Vol 2, no. 10; Autumn 1963 vol 2, no. 11. [This is the journal of the RSASA - Royal Society of Artists of South Australia (?) It is not known how many editions were published. Numerous South Australian artists are referred to in these journals.]
Publishing details: RSASA, 1960s, octavo
Australian photographyview full entry
Reference: 20th Century Australian Photography - The Richard King Collection
Publishing details: Richard King, 1992
Ref: 1000
Dupain Maxview full entry
Reference: Max Dupain by Jill White. Includes a tribute to Dupain by David Moore
Publishing details: Print Room Press, 1991. limited edition of 110 copies
Ref: 1000
Pursuit of Wonder Theview full entry
Reference: The Pursuit of Wonder - How Australia’s Landscape was Explored. Nature Discovered and Tourism Unleashed by Julia Horne. Extensively illustrated with works by Australian artists and provides some information about some of these artists.
Publishing details: The Miengunyah Press, 2005, hc, dw, 352pp with index.
Wiebke Karlview full entry
Reference: Karl Wiebke painting - catalogue
Publishing details: Liverpool Street Gallery, 2005
Ref: 1000
Pegasus on Innovationview full entry
Reference: Pegasus on Innovation - Pegasus XXII. Art Editor Alan Kitching, Art Director: Derek Birdsall
Publishing details: Mobil Services Co. Ltd. (England), 1982
Ref: 1000
Contemporary Visual Art + Cultureview full entry
Reference: Contemporary Visual Art + Culture Broadsheet - Criticism, Theory, Art
Publishing details: Vol 40, no. 2, 2011
Ref: 1000
Williams Davidview full entry
Reference: Full Steam Ahead - Echuca-Moama Sketchbook by David Williams
Ref: 1000
Annand Douglasview full entry
Reference: Australian Outline by Marjory Barnard, decorations by Douglas Annand
Publishing details: Sydney, Ure Smith, (1943). Pict. boards, illust., pp. 76
Ref: 1000
Museums Australia Journalview full entry
Reference: Museums Australia Journal [tall o be indexed] Volumes 2-3, 1991-1992
Publishing details: 1990? onwards
Ref: 1000
Unfamiliar Territory - Adelaide Biennialview full entry
Reference: Unfamiliar Territory - Adelaide Biennial of Australian Art by Timothy Morrell. Includes a catalogue essay on each artist.
‘In contrast to recent trends, which reflect the astonishing global power of the electronic media, the works of Unfamiliar Territory have developed a quiet and idiosyncratic language as a reaction against the immense volume of mass communication; Unfamiliar Territory looks for meaning in uniqueness instead of ubiquity.
The physical character of the works featured in the 1992 Adelaide Biennial of Australian Art range from smooth architectural precision to makeshift eccentricity; some objects are perverse and mysterious, others humorous. With an emphasis on selecting artists living beyond the main art centres, Unfamiliar Territory evades conventional notions of painting, sculpture, drawing, printmaking or photography, and marks an exploration into new and unknown.’
Publishing details: Art Gallery Board of South Australia, 1992, Decorated wrappers (that is, flexible covers) plus pp. iv, 67. Illustrated.
Ref: 144
Drysdale Russellview full entry
Reference: Russell Drysdale by Christopher Heathcote
Publishing details: Wakefield Press, 2013
Ref: 1008
Victorian Visionsview full entry
Reference: Victorian Visions - Nineteenth Century Art rom the John Schaeffer Collection, by Richard Beresford
Publishing details: Art Gallery of New South Wales, 2010. Paperback. Qto. 175 pages, illustrated with 44 large colour plates, plus numerous other reproductions
Makin Jeffview full entry
Reference: Critical Moments - Essays and Reviews on Art in Australia by Jeff Makin [’In this book Jeffrey Makin, artist and long time visual arts critic for the Herald Sun, presents 150 short essays and reviews of individual artists' works under some sixteen subject categories.’]
Publishing details: Melbourne Macmillan, 2011., 320 pages : illustrations, portraits ; 26 cm.


Ref: 1000
Brook Donaldview full entry
Reference: The Awful Truth about What Art Is by Donald Brook
Ref: 1000
Morley Lewisview full entry
Reference: i to Eye by Lewis Morley
Publishing details: T & G Publishing, 2011,. hc, dw, 399pp.
Ref: 1000
Encyclopedia of Australian Architecture Theview full entry
Reference: The Encyclopedia of Australian Architecture by Ed. Philip Goad and Julie Willis [to be indexed]. Includes over 1000 biographical entries on Australian architects arranged alphabetically, and bibliographical references and index.
Publishing details: Pub. Cambridge University Press 2012, xxxvi, 796 p. : ill. (some col.), col. maps, plans (some col.),hardcover with dust jacket,
Public Sydneyview full entry
Reference: Public Sydney - Drawing the City by Philip Thalis and Peter John Cantrill
Ref: 1000
Treasures of the State Library of Victoria view full entry
Reference: Treasures of the State Library of Victoria by Bev Roberts
[’The State Library of Victoria, established as the Melbourne Public Library in 1854, is the custodian of material that records and reflects Victoria’s history and culture. From manuscripts and maps to comics and computer game, the Library’s collections offer unexpected insights into what makes Victoria and Victorians unique. Treasures of the State Library of Victoria, published to celebrate the library’s 150th anniversary in 2004, encourages readers to discover the changing face and nature of life in Victoria since the time of first contact between Aboriginal and European cultures. The lavish publication showcases more than 200 images, sourced from the library’s world-class collections, including those of rarely seen photographs, prints, publications, letters, maps and memorabilia. Every chapter highlights special aspects of the collections and demonstrates their astonishing depth and diversity, covering topics as broad as settlement and separation, the discovery of gold, Ned Kelly, the arts, Melbourne style, sport, natural history and more.’]
Publishing details: Focus Publishing, 2004, 176 Pages
Price-Jones Humphreyview full entry
Reference: Spirit of the Wedge-tailed Eagle - The Art of Humphrey Price Jones
Ref: 1000
Wolfhagen Philipview full entry
Reference: Illumination : the art of Philip Wolfhagen / essay writer, Tim Winton [and five others] ; Philip Wolfhagen, artist, interviewee

Notes "Essay writers, Tim Winton, Jane Clark, Craig Judd, William Wright ; exhibition curator and essay writers, Jane Stewart, Sarah Johnson.
Includes bibliographical references.
Publishing details: Newcastle Art Gallery, 2013 

Ref: 1000
Stocqueler Edwin Roper Loftusview full entry
Reference: an oil of ‘Australian gold diggings’, c1855, is in the Rex Nan Kivell Collection. He created a panorama of 70 canvases wrapped on winding spools and this painting may be one of the few traces left. Stocqueler and the artist who signed ‘Edwin Roper’ may be the same.
Ward Fred designerview full entry
Reference: Fred Ward - Australian Pioneer Designer 1900-1990 by Derek F. Wrigley.
[’This fascinating biographical narrative describes how Fred Ward, a pioneer Australian furniture designer, tried to
show from the 1930s onwards how good design was the missing factor in industry, commerce, the bureaucracy, education and the diplomatic corps. He believed that apathy, ignorance, misunderstanding, and possibly our geography, eventually undermined design’s potential benefits to everyone. There are lessons for the future in this story as he clearly explains how a man with vision proved through a lifetime of example that science and art can enhance our lives through the useful art of furniture.’]
Publishing details: Derek F. Wrigley, 2013, pb, 258pp
Ref: 1000
Schmeisser Jorgview full entry
Reference: Bilder Der Reise - a man who likes to draw. [’This splendidly illustrated, multi-colored publication serves as a fitting memorial to a much-admired Canberra-based artist, teacher and traveller who died in 2012 while still involved with the production of the book. A painter of the art of colour etching, his keenly observed studies of the world around him - whether in his birthplace, Germany, or in fair-flung and ancient places in the Middle East, Far East and Australia - are rich in detail and often annotated in his own handwriting. He lets the etched line work on the spectator s imagination - with poetic rewards for all who ponder. Schemisser came to Australia in 1978 as head of the Printmaking Department of the Canberra School of Art. As such, he encouraged the development of a generation of young artists. His own works are keenly collected - particularly in Australia, Germany and Jpan. Co-published by SFA Press, Canberra, and Macmillan Art Publishing, this is a heartwarming account of an artistic life well-lived from a variety of scholarly and critical perspectives. The design and colour reproduction are both spectacular.’]
Publishing details: Macmillan Art Pub, 2013, 175 pages.
Ref: 1000
Heart of the Artsview full entry
Reference: Heart of the Arts - Adelaide Festival Centre at 40
Ref: 1000
Gill Simrynview full entry
Reference: Simryn Gill - Here Art Grows on Trees
Publishing details: MER. Paper Kunsthalle, 2013 , Gent MER. Paper Kunsthalle, 2013 , Gent Australia Council for the Arts in association with MER. Paper Kunsthalle, 2013
Ref: 1000
Minchin Jeffview full entry
Reference: Jeff Minchin - Ceramics
Ref: 1000
Moss Rodview full entry
Reference: One Thousand Cuts - Life and Art in Central Australia
Publishing details: UQP
Ref: 1000
Hopper Stephen Dview full entry
Reference: Life on the Rocks: The Art of Survival by Stephen D Hopper. Flora and fauna that live on granite outcrops in Australia, beautifully illustrated by Philippa Nikulinsky. This book is a unique exploration of the range of extraordinary flora and fauna that lives on granite outcrops - from diminutive mosses to large trees, from tiny fairy shrimps to agile rock wallabies. This beautifully illustrated book will be treasured by all nature lovers. Index of paintings.

Publishing details: Fremantle Arts Centre Press Fremantle 1999 4to, col illus card covers, colour illus throughout, pp 184. Very good codition. Includes loosely inserted stapled catalogue from the 1999 exxhibition at Fremantle Arts Centre.
Nikulinsky Philippaview full entry
Reference: Life on the Rocks: The Art of Survival by Stephen D Hopper. Flora and fauna that live on granite outcrops in Australia, beautifully illustrated by Philippa Nikulinsky. This book is a unique exploration of the range of extraordinary flora and fauna that lives on granite outcrops - from diminutive mosses to large trees, from tiny fairy shrimps to agile rock wallabies. This beautifully illustrated book will be treasured by all nature lovers. Index of paintings.

Publishing details: Fremantle Arts Centre Press Fremantle 1999 4to, col illus card covers, colour illus throughout, pp 184. Very good codition. Includes loosely inserted stapled catalogue from the 1999 exxhibition at Fremantle Arts Centre.
Ref: 1000
Robertson Barbara Evelynview full entry
Reference: Barbara Robertson - An Australian Artist’s Life, by Lorraine McLoughlin.
A tribute at last to an outstanding woman artist working from 1940s to 2000, this biography by Lorraine McLoughlin features many of Robertson’s works and a DVD containing a catalogue and interview with the Adelaide artist and teacher when she was in her mid-eighties and had retired to Carrickalinga.
"Celebrating the art of an artist born in Adelaide, South Australia in 1921, this new book: tells the Robertson story in words and supports it with photographs by her internationally renowned photographer father, Eric Robertson; sets Robertson in an historical and social context in South Australia, highlighting what was happening in the art world and to women at the time; and reproduces in full colour 60 paintings across a range of Robertson's genres including: portraits and self portraits, still lifes, life studies, social commentary and concerns for indigenous Australians and religious art." -- Publisher.
Publishing details: Everbest, 2009, Paper Back.
Pages: 90. Includes a DVD inside back cover.
Cross John 1819-1861view full entry
Reference: an oil portrait by John Cross of Donald Horne Ryrie, 1853, is in the State Library of Victoria
Erns Ingrid b1919view full entry
Reference: a Modernist oil portrait by Ingrid Erns, c1949, of Paquita Mawson is in the National Portrait Gallery
Redback Graphixview full entry
Reference: Redback Graphix by Anna Zagala. [’"Redback Graphix will bowl readers over with colour and edgy social comment. From 1979-94 design and screen printing studio Redback Graphix produced posters that combined witty graphics with eye-watering colours to give voice to a raft of pressing social issues from AIDS awareness and alcohol abuse to the promotion of local films and music gigs. Originally designed for the street, these posters are now considered icons of an era and are highly sought after."--Provided by publisher.’] [to br indexed.
Publishing details: NGA, Canberra : National Gallery of Australia, c2008 
128 p. : col. ill with index
Ref: 1005
Material Cultureview full entry
Reference: Material Culture - Aspects of contemporary Australian craft and design. Features art and sculptures by various Australian artists from the exhibition.
Publishing details: National Gallery of Australia, 2002. Quarto, black wrappers, illustrated front, pp. 80, pictures throughout.
Ref: 1000
Vassilieff Danilaview full entry
Reference: Vassilieff and his Art by Felicity St John Moore, second edition with additions.
Publishing details: MacMillan Art, 2012 
231 p. : ill
Kelly Cultureview full entry
Reference: Kelly Culture - Reconstructing Ned Kelly. Music, Literature, Painting, Theatre, Film. [curators: Allison Holland and Clare Williamson ; editor: Beth Dolan]. Catalogue of an exhibition at the State Library of Victoria 28 February - 25 May 2003.
Publishing details: State Library of Victoria , 2003 
38 p. : ill. (chiefly col.)
Ref: 140
Martin Mandyview full entry
Reference: Tracts: Back O’ Bourke by Mandy Martin and Paul Sinclair. Includes essay by Peter Haynes, biography, bibliography.
Publishing details: Canberra : Mandy Martin], 1996 
44 pages : col. illustrations ;
Ref: 139
Martin Mandyview full entry
Reference: Watersheds: The Paroo to the Warrego by Mandy Martin and Tom Griffiths
Publishing details: Mandurama: Mandy Martin, 1999.
First Edition.
20.5cm x 25cm. 56 pages, colour illustrations, map. Illustrated wrappers.

Ref: 1000
Martin Mandyview full entry
Reference: Inflows: The Channel Country by Mandy Martin, with essays by Jane Carruthers, Guy Fitzhardinge, Tom Griffiths, Peter Haynes.
Publishing details: Canberra Museum and Gallery, 2001, pb, 64pp
Bot G Wview full entry
Reference: The Field of Life by G. W. Bot
Ref: 1000
Cross-Currents in Contemporary Australian Artview full entry
Reference: Cross-Currents in Contemporary Australian Art by Traudi Allen. Some biographical information on the artists included is to be found in the text which discusses their work. With notes, list of plates and index.
Covers work from the 1940s to the late 1990s, identifying intersecting aims and ideas.
Full contents • Introduction. Art comes out: tracing the development of contemporary art
• 1. A Continuing romance: the biography of the tree
• 2. Managing modernism: Australian artistic movements since 1940
• 3. A Female space: Australian women's art
• 4. Take away or eat here? Decisions on the digestion of Asian images
• 5. Picturing life together: the community and the visual arts
• 6. Racial and sexual versions: the art of minority cultures
• 7. Portraits in prayer: Eastern philosophies in Australian art
• Conclusion. Everything is cool again: the contemporary context.
 
Notes Includes index.
Bibliography: p. 169-174.
Publishing details: Craftsman House, 2001, 184 p. : ill. (some col.) Hardcover, dw. Ex library copy
Foxhill Georgeview full entry
Reference: George Foxhill - An Obsessive Vision, Paintings Drawings, Sculpture: 1980-95
Ref: 1006
Vassilieff Danilaview full entry
Reference: Peter and the Wolf, illustrations by Danila Vassilieff [’Peter and the Wolf is a Russian folk tale that has entranced children and adults for generations. Sixteen of Danila Vassilieff’s illustrations for the story are featured in this delightful publication by the National Gallery of Australia. The original works are part of two separate series painted by Vassilieff in late 1948 in his home at Warrandyte, near Melbourne, Australia. They are painted in water-based paint on butchers’ paper and because of their extreme fragility will rarely be on public display. By publishing this book the Gallery brings to a wider audience this charming aspect of Vassilieff’s work and the joy of the story of Peter and the Wolf.’]
Publishing details: NGA, 2014, 40pp, hc.
Ref: 1000
Yeldham Joshuaview full entry
Reference: Solitude’s Bride. Solitude’s Bride (catalogues the artist’s exhibition at the Arthouse Gallery in Sydney. ‘Bestowed with a writer's grant from the Queen's Trust, artist Joshua Yeldham packed his Combi Volkswagen to make his way along the Australian dingo fence. His car broke down 300 kilometres north of Broken Hill. He spent the next 6 years there, on the wilderness of Wild Dog Flat, using an abandoned bus as his studio. Not far from the camp-site he discovered a lonely gravestone.’
Publishing details: Rushcutters Bay, Sydney : Joshua Yeldham, 2002 
158 unnumbered pages : chiefly colour illustrations. Limited edition of 1000 copies, scribed and numbered by the author on title page.
Ref: 1000
Fitzgerald Robert Davidview full entry
Reference: A Botanical Life - Robert David Fitzgerald by Penny Olsen. [’A magnificently illustrated look at the botanical drawings of Robert David Fitzgerald, and their importance in Australian natural history.f’]
Publishing details: National Library of Australia, Paperback, 2013, 160pp
Tasmanian Visions view full entry
Reference: Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Library of Dreamsview full entry
Reference: Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
von Stieglitz Emma 1807-1880view full entry
Reference: born London, arrived Australia 1834, Settled Victoria 1839, travelled to Ireland about 1860. Returned to Tasmani about 1868, Lived in Launceston from 1875. The QVMAG has an album of 145 works depicting Tasmanian and Victorian subjects.
von Stieglitz Emma 1807-1880view full entry
Reference: Early Van Diemen's Land, 1835-1860 : sketches by Emma von Stieglitz ; edited by K.R. von Stieglitz

Bib ID 111113
Format BookBook
Author
Von Stieglitz, Emma

Description
Publishing details: [Hobart : Fuller's Book Shop], 1963
[24] p. : ill. ; 19 x 25 cm.
Notes
Consists of [3] p. of text and [18] p. of plates.

von Stieglitz Emma 1807-1880view full entry
Reference: Emma von Stieglitz, her Port Phillip and Victorian album / edited by K. R. von Stieglitz O.B.E.




Publishing details: Hobart : Fullers Bookshop,1964, iv. [60] p. : ill., map, ports. ; 18 x 25 cm.

Hawkins Iview full entry
Reference: Hawkins painted an oil on canvas after John Skinner Prout (’Port Arthur’, after 1847). It is in the QVMAG. Nothing is known about him, according to the label accompanying the work.
Treasures of the Queen Victoria Museum and Art Galleryview full entry
Reference: Treasures of the Queen Victoria Museum and Art Gallery [Launceston, Tasmania]. [’This glorious book in full colour showcases a number of treasures chosen from the many thousands now cared for at the museum, signifying how important the museum is to Australian history. ‘]
Publishing details: Queen Victoria Museum & Art Gallery, 2006
Campbell Deniseview full entry
Reference: Denise Campbell - Real & Imagined, New Work fromTasmania and the Orkney Islands 2001 - 2004
Publishing details: QVMAG, 2004, 8 p.
Ref: 1000
October Show Theview full entry
Reference: Queen Victoria Museum and Art Gallery -

The October show / Diane Dunbar
Launceston, Tas. : Queen Victoria Museum and Art Gallery, 1989

The October show / David Burnett, Diane Dunbar
by Burnett, David
Launceston, Tas. : Queen Victoria Museum and Art Gallery, 1987

The October show / [compiled by] Diane Dunbar, Bridget Sullivan
Launceston, Tas. : Queen Victoria Museum & Art Gallery, 1991

Ref: 1000
Done Kenview full entry
Reference: Ken Done: Paintings 1990-1994
Publishing details: Ken Done Art & Design, 1994,
Ref: 1002
Person looks at a work of art Aview full entry
Reference: A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb
Ref: 1000
Arkley Howardview full entry
Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb
Booth Peterview full entry
Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb
Clark Tonyview full entry
Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb
Davila Juanview full entry
Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb
Henson Billview full entry
Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb
Moffatt Traceyview full entry
Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb
Morton Callumview full entry
Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb
Parr Mikeview full entry
Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb
Swallow Rickyview full entry
Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb
Tyndall Peterview full entry
Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb
Zikos Constanzeview full entry
Reference: see Person looks at a work of art A - A person looks at a work of art - The Michael Buxton Contemporary Australian Art Collection. Curated by John Buckley, Max Delany, Anna Schwartz
Publishing details: Heide, 2002, pb
Piccinini Patriciaview full entry
Reference: Retrospectology: the world according to Patricia Piccinini
Ref: 1000
Jones Timview full entry
Reference: Tim Jones - Artist in Residnece, The University of Melbourne 1989/90
Publishing details: Ian Potter Gallery, 1990
Ref: 1000
Panorama of Australian Painting 1818-1968view full entry
Reference: Panorama of Australian Painting 1818-1968, Xavier College Preparatory School, Burke Hall, at Studley House, Kew.
Publishing details: 20-23 April 1968
Ref: 1000
Exhibition of Australiana, Foundation to Federationview full entry
Reference: Exhibition of Australiana, Foundation to Federation, Old Xaverians’ Association at Studley Hall - Burke Hall, Kew, 3-11 October, 1970
Publishing details: 3-11 October, 1970
Ref: 1000
Jones Charles Lloydview full entry
Reference: No Other Man, No Other Store, the extraordinary life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp
Hodgkins Francesview full entry
Reference: Frances Hodgkins - A Private Viewing, by Joanne Drayton
Publishing details: Auckland, [N.Z.] : Godwit, 2005 
304 p.: ill., ports.
Notes Includes bibliographical references and index.
Ref: 1006
Australian Artists Booksview full entry
Reference: Australian Artists Books by Alex Selenitsch. Foreword by Ron Radford, introduction to the book, includes the examination of four examples of artists books by the artists Mike Parr, Ian Burn, Robert Jacks and Bea Maddock, illustrates and discusses selected examples of works by Gaynor Cardew, Christopher Croft, Ross Grounds, Alexander Hamilton, Petr Herel, Ruth Johnstone, Maria Kozic, Ruark Lewis, Jennifer Marshall, Ian Miliss, Bruce Searle, Martin Sharp, Paul Uhlmann, Murray Walker and Robin White, illustrated in colour throughout
Publishing details: Canberra : National Gallery of Australia, 2008. Quarto, illustrated wrappers, pp. 122.

Lowen Fredview full entry
Reference: Fred Lowen - Dunera Boy, Furniture Designer, Artist
Publishing details: Prendergast Publishing, Castlemaine, [1990?]Victoria. Soft cover. Book Condition: Very Good. Large Octavo. Square large octavo, 235 pages, illustrated, some plates in colour.
Ref: 1005
Brown Mikeview full entry
Reference: Like Mike, curated by Geoff Newton
Ref: 1000
Cress Fredview full entry
Reference: Fred Cress - Whispers, by Ken McGregor
Publishing details: MacMillan, 2007 
255 p. : ill., ports. ; 35 cm. 
Appleton George1836-1868 active Australia 1861-1868, died in Englandview full entry
Reference: A painting by Appleton titled ‘Australian Chief foretelling the fate of his race’ 1865 was on exhibit at the NGV in November 2013. On loan from the Garcia Collection, Melbourne. It had been exhibited and was awarded prize for best landscpae in the Ninth Exhibition of the South Australian Society of Arts in December 1865. It had been rediscovered at a UK auction in 2012 when it was offered unattributed.
Emmerichs Bernview full entry
Reference: What’s Your Story by Rose Giannone, Artwork btyBern Emmerichs
Ref: 1000
Grey-Smith Guyview full entry
Reference: Guy Grey-Smith, Landscapes of Western Australia. Essay by Annette Davis, exhibition curator.
Publishing details: Perth: Edith Cowan University, 1996. Oblong folio, folded wrappers, approx 40pp. numerous full page colour plates.
McArthur Kathleenview full entry
Reference: Queensland Wildflowers - A Selection of Work by Kathleen McArthur
Ref: 1000
Russell Philipview full entry
Reference: Sketch Book, Philip Russell, 1990
Publishing details: 1990
Ref: 1000
Russell Philipview full entry
Reference: Coloured Sketches by Philip Russell, 1996
Publishing details: 1996
Ref: 1000
Pericles Leonview full entry
Reference: The Tiggy Puggenheim collection / artwork and concept by Leon Pericles ; text by Julian Leatherdale.
Publishing details: Mt. Lawley, W.A. : Pen & Paint, 1994 
146 p. : chiefly ill. (some col.), ports. (some col.)
Nolan Sidneyview full entry
Reference: An Exhibition of Paintings, The Arts Council of Great Britain, 1957 with 14 pages including 4 pages black and white plates, catalogue of 35 paintings. Foreword by Philip James, essay by Colin MacInnes.
Publishing details: The Arts Council of Great Britain, 1957
Ref: 1000
May Anne-Marieview full entry
Reference: May Anne-Marie 1989-2001
Publishing details: Sydney : the artist, 2001. Quarto, illustrated gatefold wrappers, pp. 64, illustrated.
Ref: 1000
Piccinini Patriciaview full entry
Reference: Evolution
Publishing details: Tasmanian Museum and Art Gallery, 2009. Quarto, illustrated wrappers, approx. 48 pp. illustrated.
Ref: 1000
Smith Sydney Ureview full entry
Reference: The Etchings of Sydney Ure Smith
Publishing details: Art in Australia, Sydney
Ref: 1006
Baines Thomasview full entry
Reference: Thomas Baines: His Life and Explorations in South Africa, Rhodesia and Australia by J. P. R. Wallis.
The text of this new edition has been reproduced from the first edition, published in 1942 by Jonathan Cape Ltd., London. Profusely illustrated with Baines` own pencil sketches, water colours and prints. Introduction and captions by F. R. Bradlow. Includes detailed description of all illustrations and an index. Pages [i-iii]iv-xx 1 - 235. Brown cloth-covered boards with gilt title on spine and Balkema logo on front.
Publishing details: A A Balkema, 1976, Pages [i-iii]iv-xx 1 - 235.
Ref: 1000
Smeaton Jamesview full entry
Reference: James Smeaton (Australian, b. 1964) Abstract signed and numbered lower left "Smeaton 57" oil on canvas h:69 w: 46 cm at Cheffins auction, Cambridge, United Kingdom, October 24, 2013, 11:00 AM GMT, Estimated Price: £400 - £600
Newton Helmutview full entry
Reference: Helmut Newton (German/Australian, 1920-2004) Helmut Newton`s Illustrated catalogue No. 2 `Pictures from an Exhibition’
Publishing details: 38.5cm x 30cm
Ref: 1000
Olds Paul (1922-1976) view full entry
Reference: Paul Olds - Australian. “Portrait of a Young Girl”, Oil on Canvas, 29” x 24”. Provenance; The Redfern Gallery Ltd. At John Nicholson auction 21 Nov 2013
Alsop Edith view full entry
Reference: Edith Alsop 2 works in the style of Thea Proctor offered at Detscher and Hackett Auction 27 November 2013.
Lessore Emileview full entry
Reference: Emile Lessore 1805-1876: His Life and Work / The Sydney Cove Medallion by Buten, David and Pelehach, Patricia / Smith, L. Richard; Emile
Publishing details: Buten Museum of Wedgwood, Merion, PA, 1979. softcover. Book Condition: Very Good+. in softcover. Bookseller Inventory # 110904 (MONOGRAPHS IN WEDGWOOD STUDIES NUMBERS 3 &4:
Ref: 1000
Sydney Cove Medallionview full entry
Reference: see Lessore Emile - Emile Lessore 1805-1876: His Life and Work / The Sydney Cove Medallion by Buten, David and Pelehach, Patricia / Smith, L. Richard; Emile
Publishing details: Buten Museum of Wedgwood, Merion, PA, 1979. softcover. Book Condition: Very Good+. in softcover. Bookseller Inventory # 110904 (MONOGRAPHS IN WEDGWOOD STUDIES NUMBERS 3 &4:
Art salesview full entry
Reference: REDFORD, George. ART SALES. A HISTORY OF SALES OF PICTURES & OTHER WORKS OF ART. 2 VOLS. With notices of the collections sold, names of owners, titles of pictures, prices & purchasers, arranged under the artists of the different schools in order of date... A valuable, rare reference to the art market & auction sales in the late 19th Century.
Publishing details: Lond. 1888. Folio. 468,357pp. b/w plates. 1st ed.
Ref: 1000
Album of Sydney Viewsview full entry
Reference: Album of Sydney Views. Twenty-one views and a panoramic view of Sydney Harbour folding concertina-style into a decorated cover. Loose in binding
Publishing details: Syd. No imprint. n.d. (c.1880’s) 8vo.
Ref: 1000
Aboriginal artview full entry
Reference: ALLEN, Louis. TIME BEFORE MORNING. Art and Myth of the Australian Aborigines.
Publishing details: N.Y. Thomas Crowell Co. 1975. Roy.8vo. Or.cl. Dustjacket. 304pp. Profusely illustrated in colour and black & white. Dj. 1st ed
Ref: 1000
Wherrett D Gview full entry
Reference: Around every corner: the photographs of D. G. Wherrett, Launceston, Tasmania in the 1940s 

Publishing details: QVMAG, 2006 80pp
Ref: 1000
Morrison W Frederickview full entry
Reference: W.Frederic Morrison. THE ALDINE CENTENNIAL HISTORY OF NEW SOUTH WALES. ILLUSTRATED. Embracing sketches & portraits of her noted people; the rise & progress of her boundless wealth, together with maps of latest survey. 2 vols.
Publishing details: Syd. Aldine Publ. 1888. Both 4to. Hf.leather. 424,c400pp. a.e.g. Many Col.& b/w plates. 1st ed
Ref: 1000
VICTORIAN AND EDWARDIAN ADELAIDE view full entry
Reference: VICTORIAN AND EDWARDIAN ADELAIDE FROM OLD PHOTOGRAPHS, by W. B. Pitcher
Publishing details: Syd. John Ferguson. 1977. 4to. Or.bds. Dustjacket. xipp. plus 202 b/w illus
Ref: 1000
AUSTRALIAN SALON OF PHOTOGRAPHYview full entry
Reference: THE AUSTRALIAN SALON OF PHOTOGRAPHY .... EXHIBITION OF CAMERA PICTURES, Exhibition Catalogue, April 22nd to May 3rd 1924,
Publishing details: orig ptd cardboard wraps in mor gilt presentation folder
Ref: 1000
Check Joseph (1856-1936)view full entry
Reference: Check Joseph - Vente Photographies XIXème et XXèmeby Kapandji MorhangePlatinum HouseNovember 14, 2013, 2:00 PM CET Paris, France Live AuctionLot 130: Joseph CHECK (1856-1936).Première vente de chevaux organisée au haras de Turanville (Turanville Stud Farm) par Thomas Cook, Scones, NSW, Australia 1893.Tirage argentique d'époque monté sur carton.Titre et signature dans l'image à l'angle inférieur(9 views)
Joseph CHECK (1856-1936).Première vente de chevaux organisée au haras de Turanville (Turanville Stud Farm) par Thomas Cook, Scones, NSW, Australia 1893.Tirage argentique d'époque monté sur carton.Titre et signature dans l'image à l'angle inférieur
Starting bid: €400(0 bids)

Publishing details: Littérature : « Thomas Cook of Turanville » par Nancy Gray, Scone and Upper Hunter Historical Society, 1977.
AUSTRALIAN PAINTER-ETCHERS’ SOCIETYview full entry
Reference: AUSTRALIAN PAINTER-ETCHERS’ SOCIETY. FIRST
ANNUAL EXHIBITION Education Dept. Gallery … 1921
Publishing details: Sydney
June 7 - June 25, 1921. Octavo, illustrated wrappers. Sydney,
1921. Limited edition of 750 copies. + Plus a good group of
eight Society catalogues or publications.

Ref: 1000
Low Davidview full entry
Reference: The Billy Book - Hughes Abroad,
Cartoons & Drawings by the great NZ cartoonist David Low
Publishing details: NSW Bookstall Sydney 1918, 1st edition pictorial wrappers Near Fine lge. 8vo. (40)pp., illustrations,
Ref: 1006
Glover Johnview full entry
Reference: GLOVER, John. A CATALOGUE OF PICTURES descriptive of the Scenery, and Customs of the Inhabitants of Van Dieman’s Land, together with Views in England, Italy,
&c., painted by John Glover, Esq.
Publishing details: Octavo, sewn in contemporary boards. [Middle Hill], J. Rogers for Sir Thomas Phillipps, reprinted 1868. Rare: a further three
Glover items from the same publisher are loosely inserted in the same boards. Australian Book Auctions sale 67, November, 2013

Ref: 1008
Nankivell Frank Arthurview full entry
Reference: Nankivell Frank Arthur - Political. G.O.P. Elephant begging Theodore Roosevelt to run for president. Signed. dated 1905. 21" X 28"Frank Arthur Nankivell (1869â€"1959) was an Australian artist and political cartoonist. Nankivell was He was a book illustrator in New York circles of the 1910s and 1920s on such publications as Puck, which was America's first successful humor magazine.Nankivell studied art at Wesley College, Melbourne. He later travelled to Japan and earned a living as a cartoonist in Tokyo where he made the acquaintance of Rakuten Kitazawa, who later became father of the Japanese comic art now known as manga. Several examples of his work are held in the collections of The Smithsonian in Washington DC. He was a large influence on the Japanese manga artist Rakuten Kitazawa. At One of a Kind Collectibles Auctions, LLCNovember 14, 2013, 8:00 PM EST Miami, FL, USA Lot 182: Roosevelt as Nero by FRANK ARTHUR NANKIVELL(5 views) Frank Arthur Nankivell (1869-1959)
Roosevelt as Nero by FRANK ARTHUR NANKIVELL; Roosevelt as Nero by FRANK ARTHUR NANKIVELL Estimated Price: $300 - $500

Laffan George Barry (1918-1988)view full entry
Reference: George Barry Laffan, HEAD OF A WOMAN,
limestone
15.75 by 10.5 by 7.5in., 39.375 by 26.25 by 18.75cm.
Provenance: Family of the artist;Thence by descent
Born in Australia to Irish parents George Laffan returned to the family home in Rathmines, Dublin at the age of 15. He attended the National College of Art, Dublin from 1939-1945 at night where he studied under Laurence Campbell RHA (1911-1964). He exhibited with the RHA from 1943 to 1945 and at the Oireachtas in 1948. The human figure was his main focus but he diversified in his choice of materials, experimenting with wax, clay, bronze, stone, wood and plaster. As a painter he concentrated on portraits by commission and of family members, as well as landscapes and still lifes. Examples of woodcuts by Laffan also exist. His work was included in the Institute of the Sculptors of Ireland exhibitions in 1955 and 1956. In the 1960s the female form in various guises and poses dominated. In 1972, The Kenny Gallery in Galway hosted a group show which included Laffan and his son, Justin, John Behan and Stepinac McNamee. The same year he exhibited at the IELA, where the Times commented on his highly competent ballerinas" which had a "flavour of the old-fashioned salon about them". Laffan was treasurer with Independent Artists and exhibited with them in Trinity College, Dublin in 1973 and Project Arts Centre, 1975. Heads - executed in a variety of materials - became the artist`s focus for a ten year period from 1974-1984. He showed at the Oireachtas in 1978 a 2.4m high bog oak piece called Maighdean Dubh. In 1984 he retuned to Australia where he made landscape and portrait sketches. Female torsos in bog oak and walnut feature in his final years. He died in Dublin in 1988 aged 70. " – At Whyte's
Important Irish Art
Lot 120, 25 Nov 2013.


Merrifield Tomview full entry
Reference: Tom Merrifield left his rewarding and successful career as a dancer and took up drawing and sculpting as his full time career. He has sculpted a number of famous dancers including Natalie Makarova, Sir Anthony Dowel, Dame Beryl Grey and Wayne Sleep. Tom Merrifield Australian (b.1933), ‘John Curry’ bronze, the Olympic ice skater in a graceful pose, signed and numbered on base 2/10, sold with original receipt from Liberty & Co, Regent Street dated 1977, height 32cm, width 46cm. At Catherine Southon Auctioneers & Valuers
Antiques and Collectables
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Lot 44 – 20 November 2013

Elischer John W. view full entry
Reference: Elischer John W. 
1891 Wien - 1966 Melbourne 
"Cleopatra - Temptation". Bronzeskulptur. Dunkle Patina. Signiert, auf rot geäderter Marmorplatte (26cm x 36 cm). Länge 35 cm Breite 18 cm Höhe 21 cm at Auktionshaus Zofingen
50. Auktion, Lot 1815 28 Nov 2013 (there are a few records suggesting this Austrian sculptor did die in Australia.

Heffernan Edwardview full entry
Reference: Edward Heffernan - His Life and Art. By J. & K. Paull. Bibliography: p. 181-189.
Publishing details: Sydney, Art Academy, and Gryphon Gallery, Melbourne, 1988, quarto, tipped-in colour plates, black & white plates, 191 pages. Limited edition of 200 copies, this copy numbered ‘A/P’ [artist proof]. With bookplate of Australian artist Felix Tuszynski tipped in on title page. A copy of a catalogue of an Edward Heffernan exhibition held at Balmoral Art Gallery, 1978, inserted.
Perrottet George Dview full entry
Reference: THE BOOKPLATES OF G. D.
PERROTTET.

Publishing details: Octavo, 12 tipped-in bookplates (most in
colour), stiffened printed wrappers. Adelaide, Wakefield
Press, 1942. Edition limited to 275 numbered copies.
Ref: 1000
Feint Adrianview full entry
Reference: ADRIAN FEINT. Bookplate Artists.
Number One.

Publishing details: Octavo, with 19 tipped-in bookplates, original
cord tied wrappers with textured glassine wrapper. Sydney,
Beacon Press, 1934. Extremely scarce: edition limited to 150
numbered and signed copies. Octavo, with 19 tipped-in bookplates, original
cord tied wrappers with textured glassine wrapper. Sydney,
Beacon Press, 1934. Extremely scarce: edition limited to 150
numbered and signed copies. Note that Sydney Hagley’s copy had an inserted two-page typed list
listing Feint bookplates from 1934 to 1938.
an inserted two-page typed list
listing Feint bookplates from 1934 to 1938.

Ref: 1005
Dyson Willview full entry
Reference: DYSON Will - . PRICE, F. Newlin. WILL DYSON, Ferargil Galleries, New York. Octavo, illustrated, stapled in original
wrappers. New York, Jaques & Company, 1930. + Related US catalogue in which Dyson figures.

Ref: 1000
Bugg R Wview full entry
Reference: R.W. Bugg NOTEBOOK of pencil sketches and a couple of watercolours, notes in pen & pencil, with newspaper clippings giving biographical information, first leaf signed and dated 1872. Estimate $100/200 in Australian Book Auctions sale 67, November, 2013

Conder Charlesview full entry
Reference: CONDER, Charles. CATALOGUE OF AN EXHIBITION of Water-colours, Pastels and Paintings by Charles Conder, W. Rothenstein and C.H. Shannon. Octavo, stapled in original printed wrappers.

Publishing details: London, Leicester Galleries, October 1904. catalogue, in Australian Book Auctions sale 67, November, 2013
Ref: 1000
Conder Charlesview full entry
Reference: Note there are at least three variants of the 1927 Sydney catalogue of Charles Conder
Publishing details: ? details required
Australian Arts Clubview full entry
Reference: AUSTRALIAN ARTS CLUB. EXHIBITION held in the Education Dept.’s Art Gallery, Loftus St., Sydney, June 1919.
Catalogue. [wrapper title].

Publishing details: Octavo, stapled in pictorial wrappers. Sydney, Arthur McQuitty & Co., 1919.

Ref: 1000
Fransella Grahamview full entry
Reference: Graham Fransella - Figures & landscapes. Paintings and prints 1984 - 2002. Deluxe edition.
Publishing details: Melbourne : Macmillan, 2002. (deluxe edition)Folio, boards in illustrated dustjacket, pp. 128, extensively illustrated, foreword by Edmund Capon, a mint copy housed in a grand clamshell box, lettered with design on the front panel, containing a similarly designed paper folio housing an original Fransella etching 'Head', signed and limited to 100 copies. The deluxe edition, limited to 50 copies (according to the SLQ catalogue entry), with the original etching and elaborate box.

Ref: 1000
Ashton Willview full entry
Reference: The Art of Will Ashton
Publishing details: Art in Australia De Luxe edition, Third series, Number 28. Octavo, tipped-in colour plates, illustrations, original cloth backed
papered boards. Sydney, Art in Australia, 1929. Limited
edition of 32 numbered copies, with an original signed and
numbered etching.

Ref: 1009
Ashton Julianview full entry
Reference: ASHTON, Julian. THE BROCHURE of Julian Ashton [wrapper title].

Publishing details: Octavo, full-page plates including colour, stapled in original lettered wrappers. Sydney, W.T. Baker &
Co., no date circa 1920.
Ref: 1000
Gill Samuel Thomasview full entry
Reference: Rambles at the Antipodes - A series of sketches of Moreton Bay, New Zealand, the Murray River anf South Australia, and the Overland Route. With two maps; and twelve tinted lithographs, illustrative of Australian Life, by S. T. Gill.
Publishing details: London : W. H. Smith, 1859. Octavo, gilt-decorated cloth (small chips to head and foot of spine), pp. 219; 16 (adverts.), twelve tinted lithographs after Gill, two folding maps
Ref: 1000
Rowan Ellis view full entry
Reference: Flower Paintings of Ellis Rowan
Hazzard, Margaret; Hewson, Helen.
Publishing details: Canberra, National Library of Australia, 1982 [first edition], 1982. Folio, x, 22, [40] pages plus 20 full-page colour plates. Quarter contrasting cloth; slipcase

Ref: 1000
Rowan Ellisview full entry
Reference: exhibition catalogue: 'A Festival of Ellis Rowan Flower Painting', Botanic Gardens of Adelaide, February 26-March 26, 1988


Publishing details: Botanic Gardens of Adelaide, 1988
Ref: 1000
Rock Paintings of Aboriginal Australiaview full entry
Reference: Rock Paintings of Aboriginal Australia by Godden, Elaine with photography by Jutta Malnic.
Publishing details: Reed Books: 1988) New Edition. Boards (that is, hard covers) pp. 128 (290 x 220 mm). Photography Recommended Reading and Bibliography. Index
Bartholomew F Wview full entry
Reference: Bartholomew F W – a series of paintings by this artist were offrred at Lawsons. 26 Sept 2013 including Lot 628 F W Bartholomew (XIX) Traveller on a Mountain Road
oil on canvas
61 x 51cm
signed lower right
Estimate $400-600

Lot 629
F. W. Bartholomew (XIX)
St Clair Lake Tasmania
oil on canvas (AF)
50 x 60cm
signed lower right
Estimate $300-500

+ Moss Falls 61 x 50cm
Cow Pasture River 50 x 60cm

Printmakers in colonial Sydney, 1800-1850view full entry
Reference: Printmakers in colonial Sydney, 1800-1850 / by Richard Neville. Thesis (M.A.)--University of Sydney, 1989. 2 vols. Vol. 1 includes Appendix - Biographies.
Bibliography: leaves 203-211.

Publishing details: 1988 thesis.
2 v. (xii, 211; xii, [110] leaves) : ill.
includes Subjects,
Contents, v. 1. Text
v. 2. Illustrations. [Printed from online version]

Mackaness George and Alice Collectionview full entry
Reference: (MACKANESS, George & Alice.) THE GEORGE AND ALICE MACKANESS COLLECTION OF AUSTRALIANA.
Publishing details:
Catalogues 1 to 3. (All issued) Syd. A & R. 1967-1969. Nicely bound
in quarter blue leather. (sl.fading) 127,120,131pp. b/w plates.

Ref: 1000
Australianaview full entry
Reference: see Mackaness George and Alice Collection - (MACKANESS, George & Alice.) THE GEORGE AND ALICE MACKANESS COLLECTION OF AUSTRALIANA.
Publishing details:
Catalogues 1 to 3. (All issued) Syd. A & R. 1967-1969. Nicely bound
in quarter blue leather. (sl.fading) 127,120,131pp. b/w plates.

Henson Billview full entry
Reference: BILL HENSON PHOTOGRAPHS, Introduction by David Malouf
Publishing details: Syd. Picador. 1988. Folio. Or.bds. Dustjacket.
119pp. Numerous b/w photographic plates by Bill Henson.1st ed

Ref: 1000
Collingridge Georgeview full entry
Reference: THE FIRST DISCOVERY OF AUSTRALIA AND NEW GUINEA. Being the Narrative of Portuguese and Spanish Discoveries in the Australasian Regions between the years
1492-1606, with Descriptions of their Old Charts by George Collingridge.
Publishing details: Syd. Pan. 1982.
Col.Ill.wrapps. 126pp. Col.maps & b/w ills. First published in
1906.

Spalding D Aview full entry
Reference: SPALDING, D.A. AUSTRALIANA BOOKSELLERS’ CATALOGUES. Desiderata & Background. The only monograph on the subject of Australiana catalogues, that valuable resource for the collector.
Publishing details: Mawson (ACT) The
Author. 1994. Or.cl. 55pp. Colour frontispiece. 1st ed. Edition of 200 copies signed by the author.

Ref: 1000
Australianaview full entry
Reference: see SPALDING, D.A. AUSTRALIANA BOOKSELLERS’ CATALOGUES. Desiderata & Background. The only monograph on the subject of Australiana catalogues, that valuable resource for the collector.
Publishing details: Mawson (ACT) The
Author. 1994. Or.cl. 55pp. Colour frontispiece. 1st ed. Edition of 200 copies signed by the author.

Taylor Georgeview full entry
Reference: George A. Taylor. The Ways of the World. (The author was a prominent journalist, married to Florence M. Taylor. George Taylor drowned in the bath of his Sydney home in 1928).

Publishing details: Syd. Building Limited. n.d. (c.1925) 342pp. b/w ills. col.plates.
free endpaper, 1st ed. Roy.8vo. Or.cloth.
Ref: 1000
Jenner Isaac Walterview full entry
Reference: Painting at auction in USA with biographical details: Jenner Isaac Walter - Estimated Price: $1,000 - $2,000 at Fine American European Asian Art and Hollywood Memorabilia
by Hampton Estate Auction, Inc.
November 9, 2013, 9:00 AM PST
Lambertville, NJ, USA
Live Auction
Lot 207: Isaac Walter Jenner (1837-1902) Brighton England Boat Beach Scene Oil Painting
Description: Jenner, Isaac Walter (1837-1902), painting depicting a boats on the beach at dawn. Oil on board,framed. measurements - 5" x 8 3/4", with frame - 11 1/2" x 15". signed - lower left A self-taught marine and landscape painter, Jenner painted much local scenery in Australia but continued all his life to paint English scenes from memory. His most popular subjects were the Sussex and Cornish coasts and large historical seascapes.He was born on March 18, 1837 at Brighton, Sussex, England, son of Thomas Jenner, blacksmith, and his wife Harriet, née Walter. Without known formal education, he worked on oyster and crab smacks and signed on for a voyage in Arctic waters. In March 1855 he joined the Royal Navy, serving during the Crimean War in the Black Sea and in H.M.S. Retribution at the Dardanelles. In 1864 he was present at the bombardment of Shimonoseki, Japan. Discharged in 1865, he learned to paint and worked as a landscape and marine painter in 1873-79 at Brighton and at Hove in 1880-83; he exhibited at Brighton, Lewes and once at the Royal Academy. He emigrated to Australia and landed in Brisbane on September 19, 1883. He taught at Miss O'Connor's School, Oxley, and at the Brisbane Technical College in 1887-89, otherwise making a living by selling paintings and holding art unions.Although he traveled in New South Wales and New Zealand in 1889, he exhibited only in Brisbane and at the Centennial International Exhibition of 1888-89 in Melbourne. He had helped to found the Queensland Art Society in 1887. He moved his studio in 1890 to Montrose Road, Taringa, where he lived and worked for the rest of his life.In 1895 he gave one of his large seascapes, 'Cape Chudleigh, Labrador' (1890) to the Queensland National Gallery soon after its opening.He died at Taringa on 1 March 1902. He was survived by his wife Mary, née Jenkins, whom he had married on May 23, 1860 at Anthony, Cornwall, and by three sons and three daughters.Sources include:Australian Dictionary of Biography, Volume 9, (MUP), 1983toowong.cemetery.org.au/images/Trails/artists

Hamilton George H 1812-1883view full entry
Reference: Treatment of the horse in Australia
G.H. [HAMILTON, George 1812-1883]; Photographer unknown. Treatment of the horse in Australia. G.H. (note the album title is a variant of the final published work's), containing 11 albumen print photographs, each 85 x 135 mm, mounted recto only of 11 leaves of thick card.

[Probably early 1864]. Unpublished album containing eleven mounted albumen photographs of George Hamilton's drawings used as illustrations in his published work The horse : its treatment in Australia
Publishing details: (Adelaide : Printed by J.T. Shaw, 1864). Oblong octavo, full original calf with gilt ruled borders and gilt stamped lettering to front.
Ref: 1000
McLaughlin Henryview full entry
Reference: a painting by this artist listed on eBay 20.11.13 as ‘A FINE IRISH OIL PAINTING BY THE DERRY ARTIST HENRY MC LAUGHLIN. THE ARTIST MOVED TO AUSTRALIA IN THE LATE 1960s AND IS NOW A WELL KNOWN AUSTRALIAN ARTIST’.
colonial portraitsview full entry
Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 184pp
Read Richard Snr biographical information and illustrationsview full entry
Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 184pp
Wainewright Thomas Griffiths essay p153view full entry
Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 184pp
Rodius Charles biographical information and illustrationsview full entry
Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 184pp
Bock Thomas biographical information and illustrationsview full entry
Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 184pp
Dobell Williamview full entry
Reference: William Dobell by Elizabeth Donaldson [The chapters are: the early years; the London years, the war years, the Archibald Prize court case, recovery at Wangi, New Guinea & a new beginning, life at Wnagi. index of Dobell's paintings & drawings.]
Publishing details: Exisle Publishing Limited, Wollombi, NSW, Australia, 2010. Hard Cover. Dust Jacket. First Edition. 208 pp. Illustrated in colour and b&w throughout.
Taylor Georgeview full entry
Reference: Caricature : its humorous story in 15 doses by George Taylor, Illustrated by the World’s Greatest Comic Artists &c. Includes the work of Australian artists George Taylor, Phil May, Hy Mayer, Livingstone Hopkins, S T Gill, Norman Lindsay, Frank Mahoney, , Harry Julius, Will Dyson, Frank Nankivell, with references to Alek Sass, Alf Vincent, Ward (?), Preston(?), Charles Lascelles (1860s), Montague Scott, Alfred Clint, William MacLeod, Gustavus Wangenheim, Thomas Carrington, Nicholas Chevalier, Bradley (?), Ambrose Dyson, G. H. Dancey, D. H. Souter, E. M. Grosse, Hugh McRae, H McLean, J. McDonald, (Pasquin). Examples of international caricaturists and cartoonists are provided. Examples of Taylor’s ‘mechanical caricatures’ (using collage, etc) [to be indexed]
Publishing details: Building Ltd., 1913. soft cover, stapled binding. 76 p. : illus.
Dogs in Australian artview full entry
Reference: Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Napier Waller Mervyn - Christian Waller with Baldur, Undine and Siren at Fairy Hills 1932view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Batt Terry - Double Happiness: The Year of the Dog 2006view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Dobell William - Dobell Self portrait 1968view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Hood Cherry - Daisy 2005view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Nicholas Hilda Rix - The fair musterer 1935view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Pugh Clifton - Rounding sheep 1968view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Hearman Louise 2001view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Henry Lucien - Australian Terrier on a packing crate in garden 1890view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Fairfax Rachel - Basset pups 2007view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Welch David - The artist’s dog 2010view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Doig Adrienne - Hamish and Max 2005view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Martin Gabrielle - Celeste and Lenny 1999view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Murch Arthur - Suzanne Crookston 1935view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Dexter William - Lady’s pet 1855view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Thake Eric - The weekly train departs, the dog goes back to sleep 1971view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Braithwaite Joanna - Diggers 2005view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Teague Violet - Cynthia and Count Brusiloff c. 1917view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Booth Peter - Bull Terrier c. 1977view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Egan Melissa - The wife of Bath in her new hat 2006view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Leisner Anne - Brutus 2006view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Spiers Justin and Yvonne Doherty - Andrea, Tristan, Valentino & Tatiana 2006view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Sokolowska Basia - Manchuride and Manchuhill 2008view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Headlam Kristin - Burns family portrait 2007view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Rew Hanks - King Billy Waiting for the Missing Monarch and
King Billy Fetch Me My … 2003urns family portrait 2007view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Monteith Stephanie - Young Sausage Dog 2005view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Casey William - Devil dog 2006view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Onus Lin - Michael and I are just slipping down to the pub for a minute 1992view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Smith Grace Cossington- Krinkley Konks sleeping 1927–28view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Septimus Power Harold - Cocker Spaniels c. 1935view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Perrottet George - Bookplate for Carlyle S. Baer 1934view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Bunny Rupert - Mrs Bunny and her terrier 1902–05view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Dobell William - Conversation piece 1941view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Preston Margaret - Nude with dog 1925view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Bruce Chris - Rex 2003view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Drendel Graeme - The temptation and The players 2008view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Kelso Matt - Flying dogs over the Murrumbidgee River, NSW 1978view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Streeton Arthur - Brace of Gordon Setters 1892view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Hele Ivor - Woodley 1955view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Dominello Viola - Dog 2007view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
McMonagle Tim - Cheese and Pickles 2005view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Tavener Janet - Hungarian Puli 2006view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Hicks Petrina - Lambswool 2008view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Harvey Geoff - Boris 1999view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Strutt William - Dogs with flowers and game 1850sview full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
McBurnie Ron - Tobias and the angel 2009view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Roberts Tom - Blue eyes and brown c. 1887view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Piggott Rosslynd - Dark sun, Tuscany 1993view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
McKenna Noel - Jack Russel 2001view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Lindsay Norman - Dogs for comfort 1937view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Cress Fred - Debate 2008view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Heng Euan - Oskar welcomed 2005view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
McBurnie Ron - Professional dog show 1983view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Chevalier Nicholas - Waiting for the ferry, Manila 1881view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Guppy James - Between us 1991view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Claxton Marshall - The Dickinson family 1851view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Kelly W.E. - Nelson 1901view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Fox Emmanuel Phillips - The green parasol 1912view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Fry Douglas - My best friend 1910view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Stewart Helen - Portrait of Treania Smithview full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Tanner Edwin Russell - Dog c. 1958view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Martin Gabrielle - Kate and Harry 1998view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Read Richard Snr - Julia Johnston 1824view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Lindsay Norman - Rose on ‘Bobs’ c. 1912view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Dowling Robert - Mrs Adolphus Sceales with Black Jimmie
on Merrang Station 1855–56view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Cress Fred - Too few lovers 1989view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Birkett Jim - Max and the Boys 2006view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Gibbs May - Scotty 1941view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Minns Benjamin Edwin - The blue hat 1918view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Crossland J.M. - Staffordshire Bull Terrier belonging to
Rev. John Gower 1851view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Edwards Mclean - Martin Browne 2007view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Doig Adrienne - Finbar with Vi King and Steven 2006view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Varvaressos Vicki - Portrait of Frank Watters 1994view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Evans Neil - Wilkie (Romantic Fool) Collins 2004view full entry
Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.
Spread Henry Fentonview full entry
Reference: see catalogue for Anderson & Garland Ltd. Newcastle, Fine Art and Antique Sale, Lot 234 - 3 December, 2013, Henry Fenton Spread (Irish/American 1844-1890) A VENETIAN NOCTURNE signed and indistinctly dated (1879?) oil on canvas 30.5 x 52cms; 11 3/4 x 20 1/2in. Born in Kinsale, Ireland, Spread studied in South Kensington under Riviere and then with Slingeneyer in Brussels in 1863. He undertook painting tours in Melbourne, Australia, New Zealand and Tasmania before moving to New York in 1870, then to Chicago circa 1872. He was a member of the Chicago Academy of Design and the Pennsylvania Academy of Fine Arts.
Birch John Lamornaview full entry
Reference: according to the catalogue of Canterbury Auction Galleries, UK, 3 Dec, 2013, lot 417, Birch painted in Australia: ‘Samuel John Lamorna Birch (1869-1955) - Watercolour - Landscape in Australia - 10.25ins x 14.5ins, signed, framed and glazed’.
Wolowski leonview full entry
Reference: LEON WOLOWSKI - IMAGES OF PIONEERS (CLAY SCULPTURE)
numbered 436 out of 700 copies and signed by Leon Wolowski

SETTLEMENT OR INVASION
GOLD
THE BUSH
NATIONHOOD

34 clay sculpture images with information


Introduction and text by Geraldine Carrodus

A newspaper clipping taped into book on Leon Wolowski with Zelman Cowen at the launch of this book,THE AUSTRALIAN Jewish News 2/21996.
Publishing details: 1995, 75 glossy page hardcover book
Ref: 1000
Walsh Gwenview full entry
Reference: AUSTRALIAN TREE PORTRAITS
BY CHARLES P MOUNTFORD
WITH DRAWINGS BY GWEN WALSH

Publishing details: MELBOURNE UNIVERSITY PRESS PUBLISHED 1956
Ref: 1000
Corbett J Gview full entry
Reference: see Tulloch’s Auctions 27.11.2013 - Lot 900 - J.G CORBETT – OIL ON BOARD – CAPE LIPTRAP COAST VICTORIA 1887 – 19CM X 35CM. An attractive beachscape.
Woodman Rupert ‘Tom’view full entry
Reference: see Lawson’s auction 28 Nov 2013 - 4 lots. Professionally painted portraits and interiors in the style of Henry Hanke and other RAS exhibitors.
Weight Gregview full entry
Reference: Australian Artists: Portraits by Greg Weight,
[’Photographer Greg Weight visits more than 80 significant Australian artists in their studios. Each artist portrait is accompanied by a personal response to the shoot. Brief biographies help to place them in context. Artists featured include Brett Whiteley, John Olsen, Tim Storrier, Robert Klippel, Lloyd Rees, Donald Friend and many more’.] [to be indexed fully]
Publishing details: Chapter & Verse, 2004, hc, dw, 204 pp, this copy inscribed to Stephen Schediing
Menpes Mortimerview full entry
Reference: Whistler to Freud - Etching in Great Britain. AGNSW catalogue. A Menpes portrait of Whistler is illustrated on the cover and listed with exhibits. Curated by Peter Raissis. British artists are Whistler, Sickert, Francis Seymour Haden, F. L. Griggs, Lucian Freud and Graham Sutherland.
Publishing details: AGNSW, 2001, 4 page large format folding sheets.
Spooner Johnview full entry
Reference: Spooner - Caricatures, Drawings and Prints, foreward by Michael Leunig
Publishing details: Nelson, nd [1981], hc, dw, 128pp with index
Gazzard Mareaview full entry
Reference: Obituary in Sydney Morning Herald 30 December 2013, p23
Publishing details: SMH
Ref: 131
Vickery Johnview full entry
Reference: John Vickery - Between the Lines. Essay by John Cattapan, timeline, list of works
Publishing details: Founders Gallery, Feb 2013, 30pp, (signed by John Cattapan)
Ref: 37
Olsen Johnview full entry
Reference: John Olsen - Gold. Introduction by Edmund Capon. Essay by John Olsen, About 30 paintings illustrated in colour and 33 drawings illustrtated in black and white.
Publishing details: Pancontinental Mining, 1986, pb, np [approx 60]
Critics Choiceview full entry
Reference: Photographs from the collection [of the Art Gallery of New South Wales] selected by Robert McFarlane, photography critic, Sydney Morning Herald. [Essay by McFarlane and biography on McFarlane]
Publishing details: AGNSW, 1994, 12pp 6 illustrations
Ref: 131
McFarlane Robertview full entry
Reference: Photographs from the collection [of the Art Gallery of New South Wales] selected by Robert McFarlane, photography critic, Sydney Morning Herald. [Essay by McFarlane and biography on McFarlane]
Publishing details: AGNSW, 1994, 12pp 6 illustrations
America - Painting a Nationview full entry
Reference: America - Painting a Nation, room brochure for exhibition at Art Gallery of New South Wales
Publishing details: AGNSW, 2013, 12pp
Ref: 131
Davila Juanview full entry
Reference: Verdeja - Juan Davila. A ‘decorative ensemble’.12 illustrations
Publishing details: Greenaway Art Gallery, Adelaide, nd (1996), large 6-page folding card
Ref: 47
Shurrock Francisview full entry
Reference: Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].
Publishing details: University of Otago Press, 2000, pb, 112pp
Allen Jim NZ sculptorview full entry
Reference: see Shurrock Francis - Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].
Publishing details: University of Otago Press, 2000, pb, 112pp
Duff Alison NZ sculptorview full entry
Reference: see Shurrock Francis - Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].
Publishing details: University of Otago Press, 2000, pb, 112pp
Macalister Molly NZ sculptorview full entry
Reference: see Shurrock Francis - Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].
Publishing details: University of Otago Press, 2000, pb, 112pp
Elegance in Exile - portrait drawings from Colonial Australiaview full entry
Reference: Elegance in Exile - portrait drawings from Colonial Australia by Joanna Gilmour [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia.’]
Publishing details: NPG, 2012, hc, dw, 181pp
Read Richard Snr biographical information and illustrationsview full entry
Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 181pp
Rodius Charles biographical information and illustrationsview full entry
Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 181pp
Wainewright Thomas Griffiths biographical information and illustrations view full entry
Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 181pp
Brack Johnview full entry
Reference: see Look Magazine Dec 2013-Jan 2014 pages 30-31 for article by John Tunnicliffe on two new acquisitions foy Art Gallery of NSW. ‘The Breakfast Table’ and ‘The New House’
Hawkesbury - a subject for artists view full entry
Reference: see Look Magazine Dec 2013-Jan 2014 pages 30-31 for article by Bronwyn Watson re exhibition at Hawkesbury Regional Gallery
Johnson Chrisview full entry
Reference: Chris Johnson - Sketches 1996-2010 - 65
Publishing details: The Author, Sydney, 2010
5 pages of introductory text then unpaginated colour illustrations.
Potter’s Art Theview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Pepper Chris view full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Barnes Errolview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Rushforth Peterview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Alexander Dougview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Startin Suzanneview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Mansfield Janetview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Pigott Gwynview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Grealy Kevinview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Greenaway Victorview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Collins Patrickview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Nelson Jimview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
McConnell Carlview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Maldon Potteryview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Moon Miltonview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Levy Colview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Howlett Victoriaview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Jones Ianview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Rosser Carolview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Hanby Trevorview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Edye Johnview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Dermer Johnview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Carr Penelopeview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Hely Patsyview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Halford Andrewview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Blakebrough Lesview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Smith Derekview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Bamford Roderickview full entry
Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp
Art Cards - Australian War Memorialview full entry
Reference: Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Adams Denisview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Beattie Rayview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Benson Georgeview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Bowles Leslieview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Boyd Davidview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Colahan Colinview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Collingridge Arthurview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Crozier Frankview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Dadswell Lyndonview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Dargie Williamview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Dobell Williamview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Dyson Willview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Friend Donaldview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Hele Ivorview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Herbert Haroldview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Herman Saliview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Honisett Rayview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Lambert Georgeview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Leist Fredview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
McFadyen Kenview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Nolan Sidneyview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Norton Frankview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Power H Septimusview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Roberts Tomview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Streeton Arthurview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Thake Erikview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Vassilieff Danilaview full entry
Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.
Reid David Gview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Silas Clifford-Smith with 10 illustrations, 6pp
Mackennal Bertram - Queen Victoriaview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland
Harvey L Jview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland
Merten John cabinetmakerview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland
Hicks Johnview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland
Greenham & Evansview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland
Macquarie & Dixson chestsview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article on Australia Society viewing of the chests
Wallis James albumview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article on Australia Society viewing of the Macquarie and Dixson chests and album
Bridekirk Joseph cabinetmakerview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by David St L. Kelly
Wood John wood turnerview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by John Hawkins
Wager Rhoda and Dorothyview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by John Wade - with 15 illustrations of their jewellery
Cayley & Sonview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for review of book
von Mueller Ferdinand and women botanical artistsview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for review of book
Newman Adaview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for advertisement by J B Hawkins Antiques with biographical information
Wager Rhodaview full entry
Reference: see Australiana Magazine,November 2013, vol 35 no 4 for advertisement by J B Hawkins Antiques with biographical information
Sharp Martinview full entry
Reference: Funeral Service 10 December 2013 at Christ Church St Lawrence, Sydney together with Sydney Morning Herald report of funeral 11 December, 2013 p2.
Ref: 132
Macartney Frederick Tview full entry
Reference: Hard light and other verses by Frederick T. Macartney(1887 - 1980) featuring an original linocut design by the author, illustrated with a further 6 tipped-in linocuts by Macartney. The poetry relates to the author’s time in the Northern Territory in the 1920s.
Publishing details: Melbourne : Galleon Press, [1934]. Small quarto,
hand-bound by Macartney in half-cloth over
papered boards . pp. 43, six original linocuts (all with
hard art deco angular compositions) tipped-in.
Ref: 1000
Quintessential Sydneyview full entry
Reference: Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Ireland Chrisview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Wajon Scottview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
North Gerryview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Bell Malcolmview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Candusso Erosview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Mazz Imagesview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Bok Marcoview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Maguire Garrieview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Siewert Stevenview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Christo Steveview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Moir Nickview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Taylor Andrewview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Yang Williamview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Moore Davidview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Nield Peterview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Hassall Craigview full entry
Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp
Adams Bruce photographerview full entry
Reference: Macquarie’s Five Towns, text by Olaf Ruhen photographs by Bruce Adams
Publishing details: Horwitz, 1970, hc, dw, 119pp
Ref: 1000
Bergner Marcusview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Berick Wendyview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Berkowiitz Laurenview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Brassil Joanview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Burns Timview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Casey Karenview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Cole Timview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Cranswick Davidview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Curmi Nickview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
DAMPview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
de Clario Domenicoview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Graham Annview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Gudthaykudthay Phillipview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Harris Edgarview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Janczewski Andreview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Margululu Andrewview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Marika Dhuwarrwarr view full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Yunupingu Djalindaview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Minygulu Peterview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Nixon Johnview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Nicholls Johnview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Poliness Kerryview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Power Kimview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Reamillo Alwinview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Robbins Cameronview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Roet Lisaview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Snee Christopherview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Stoner Markview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Tarry Jonview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Taylor Neilview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Thaiday Kenview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Thomas David Hughview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Walsh Peterview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Waters Davidview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Waters Davidview full entry
Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp
Fainges Marjoryview full entry
Reference: Australian Dollmakers - A History
Publishing details: Kangaroo Press, Kenthurst N.S.W., 1986
144 pp.with index,colour and b/w.illus.
Ref: 1000
Australian Dollmakers view full entry
Reference: see Fainges Marjory - Australian Dollmakers - A History
Publishing details: Kangaroo Press, Kenthurst N.S.W., 1986
144 pp.with index,colour and b/w.illus.
dollmakingview full entry
Reference: see Fainges Marjory - Australian Dollmakers - A History
Publishing details: Kangaroo Press, Kenthurst N.S.W., 1986
144 pp.with index,colour and b/w.illus.
People's Paraphernalia view full entry
Reference: People's Paraphernalia by Trevor Flett, Lynette Kelly, Rick Milne
Publishing details: Peoples Paraphernalia, Northcote VIC, 1987., 1987
128 pp, marbled end-papers, b&w and coloured photographic illustrations,
Australianaview full entry
Reference: see People's Paraphernalia by Trevor Flett, Lynette Kelly, Rick Milne
Publishing details: Peoples Paraphernalia, Northcote VIC, 1987., 1987
128 pp, marbled end-papers, b&w and coloured photographic illustrations,
Watkins Dickview full entry
Reference: see Australian Art Collector no 31 essay by Carrie Lumby p136ff
Publishing details: Jan-March 2005
Burchill Janetview full entry
Reference: see Australian Art Collector no 31
Publishing details: Jan-March 2005
McCamley Jenniferview full entry
Reference: see Australian Art Collector no 31
Publishing details: Jan-March 2005
Brownr Martinview full entry
Reference: see Australian Art Collector no 31 profile on the art dealer
Publishing details: Jan-March 2005
Jan Murphy Galleryview full entry
Reference: Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Ref: 132
Akerman Crispinview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Band Davidview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Benjamin Jasonview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Bowen Deanview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Bromley Davidview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Cousins Marcelview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Cusack Michaelview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Dunlop Richardview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Eager Wayneview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Glazier Vickiview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Guppy Jamesview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Howson Markview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Larwill Davidview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Lockhart Adrianview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
McDonald Angusview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Quilty Benview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Reeves Julieview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Scott Tonyview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Seton Alexanderview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Strocchi Marinaview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Wark Marnieview full entry
Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Remote Garrison The - The British Army in Australia view full entry
Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography
British Army uniformsview full entry
Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography
British Army historyview full entry
Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography
British Marinesview full entry
Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography
New South Wales Corpsview full entry
Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography
Macquarie’s regimentsview full entry
Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography
Eureka Stockadeview full entry
Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography
Cox Lindsay (illustrator of uniforms)view full entry
Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography
Accounting for Taste - Lowenstein Arts Management Collectionview full entry
Reference: Accounting for Taste - The Lowensteins Arts Management Collection, Text by Professor Sasha Grishin, AM. [To be indexed fully - about 20 artists have been indexed. Some biographical information on the artists may be included in this book]. [’Author Sasha Grishin has used a musical analogy to categorise the more than 250 lavishly reproduced artworks by 135 artists of Australia's post-war years that are included in this book. Recalling the movements of a symphony, he divides the artworks into four 'movements': 'Humanist Moderns', 'Formalist Moderns', those for whom the landscape is relevant and, lastly, a variety of painters and sculptors more difficult to fit into a cohesive group. The 'Prelude' which introduces the book tells the story of accountant Tom Lowenstein who, with his partners, experimented in art collecting in the 1970s before - together with his son Evan and a colleague Adam Micmacher - establishing the present Lowensteins Arts Management Collection which currently hangs in Melbourne and Sydney. Befriending artists like John Olsen, Charles Blackman and Arthur Boyd, he was privvy to sound advice while he developed his own aesthetic judgement. The collection is rich in works by Olsen, Blackman and Boyd, and then by a splendid array of artists including Danila Vassilieff, George Baldessin, Colin Lanceley, Garry Shead, Peter Booth, Yvonne Audette, John Walker, Alun Leach-Jones, Sally Smart, David Rankin, Imants Tillers, Allan Mitelman, and Robert Jacks. Prominent sculptors include Akio Makigawa, Ron Robertson-Swann and Robert Klippel. Then there are exciting younger artists like Ricky Swallow, Matthew Johnson, Angela Brennan and Jasper Knight. Indigeus artists Freddie Timms, Rosella Namok, Richard Bell, Danie Mellor and Lin Onus are also well represented.’]
Publishing details: Macmillan Art Publishing, Lowenstein’s. 2013, 288pp, hc, dw,
Art of Self-Promotion Theview full entry
Reference: The Art of Self-Promotion - Successful Promotion by Visual Artists & Craftspeople by Sue Foster
Publishing details: Allen & Unwin and the Australia Council, 1993, pb, 80pp
Ref: 132
publicity in the artsview full entry
Reference: see The Art of Self-Promotion - Successful Promotion by Visual Artists & Craftspeople by Sue Foster
Publishing details: Allen & Unwin and the Australia Council, 1993, pb, 80pp
art promotionview full entry
Reference: see The Art of Self-Promotion - Successful Promotion by Visual Artists & Craftspeople by Sue Foster
Publishing details: Allen & Unwin and the Australia Council, 1993, pb, 80pp
Australian Week-End Book Theview full entry
Reference: The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Australian Week-End Book Theview full entry
Reference: The Australian Week-End Book, Number 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Australian Week-End Book Theview full entry
Reference: The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp
Australian Week-End Book Theview full entry
Reference: The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp
Australian Week-End Book Theview full entry
Reference: The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp
Kay O cartoonist - numerous worksview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Missinham Hal cartoonsview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Constable W cartoonsview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Wall [Dorothy?] cartoonsview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Kilgour J N illustrationsview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Haxton Elaine illustrationsview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Andrews G illustrationsview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Jones Charles Lloyd illustrationsview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Preston Margaret illustrationsview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Flower Cedric illustrationsview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Friend Donaldview full entry
Reference: see The Australian Week-End Book, Number 1, 1942, for illustrated article ‘I go to warr’
Publishing details: Ure Smith, 1942, hard covers, 224pp
Cardamatis Wolfgang cartoonview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Malmgren Hildegarde cartoon {married name Bleakley]view full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Benison Percy cartoonview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Plate C O article byview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Brown Gil cartoonview full entry
Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp
Kay O 6 humorous llustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Lush Joy 1 humorous illustrationview full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Beck Richard 1 humorous illustrationview full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Cardamatis Wolfgang 1 humorous illustrationview full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Gould 1 humorous llustrationview full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Sidebotham 1 humorous llustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Brown Gil 2 humorous llustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Collings Geoff 3 humorous llustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Hesling Bernard 7 humorous llustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Missingham 4 humorous llustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Wall 16 humorous llustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Wiz 16 humorous llustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Preston Margaret article p170view full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Smith Sydney Ure article ‘Sadie the model’view full entry
Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,
Collings Geoff 3 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp
Friend Donald 1 humorous illustrationview full entry
Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp
Hesling Bernard 10 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp
Kay O 2 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp
Missingham Hal 1 humorous illustrationview full entry
Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp
Parnaby 1 humorous illustrationview full entry
Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp
Rowland 4 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp
Wall 17 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp
Wiz 17 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp
Andrews Gordon 3 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp
Brown Gil 1 humorous illustrationview full entry
Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp
Hesling Bernard 2 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp
Missingham Hal 1 humorous illustrationview full entry
Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp
Molnar George 7 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp
Wall 10 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp
Wiz 11 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp
Molnar George 3 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp
King D A 1 humorous illustrationview full entry
Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp
Hinder Frank 2 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp
Ross A P 2 humorous illustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp
Beadle Paul illustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp
Constable W illustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp
Kilgour J N illustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp
Lilly Elizabeth illustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp
Missingham Hal illustrationsview full entry
Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp
Wiz album of humour p49-65view full entry
Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp
Flower paintings in colour 7 artists illustrated pages 21-8view full entry
Reference: see The Australian Week-End Book, Numbers 5, 1946 [works by Paul Jones, Nora Heysen, Daryl Lindsay, Desiderius Orban, Adrien Feint, Margaret Preston and Vida Lahey]
Publishing details: Ure Smith, 1946, hard covers, 224pp
Benson C G p126view full entry
Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp
David Jones department storeview full entry
Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp
retail advertisingview full entry
Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp
commercial artview full entry
Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp
Summerleesview full entry
Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp
Dobell William chapter 32view full entry
Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp
Leason Percy p130, 135view full entry
Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp
Parkinson Sydneyview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Atkins Samuel ‘HMS Endeavour’view full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Hodges William 1744-1797 essayview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Webber John essayview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Carter George ‘Death of Captain Cook’view full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Bligh William related materialview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Raper George and John Hunter ‘King Parrot’view full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Port Jackson Painter essayview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Dayes Edwardview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Lewin John essayview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Lycett Joseph essayview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Close Edward Charles 1790-1866 essayview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Earle Augustus 1793-1838 essay view full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Cherry George 1820-1878 photographerview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Governor Arthur’s Proclamation to the Aboriginesview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Roderick William Lewis scrimshaw artist view full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Fitzsimons J engraved kingplateview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Race to the Gold Diggins of Australia - childrens’ board gameview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Strutt William 1825-1915 ‘Portrait of John Pascoe Fawkner’view full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Bettmann Otto 1862-1945 wooden bust of Henry Lawsonview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Rowan Ellis 1848-1922 essayview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Budarick Wilson Horace 1879-1972 illustrated chartsview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Lindberg Erik 1873-1966 and Bertram Mackennal medalview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Laufer Ulrich 1923-1943 cartoonview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Max Dupain ‘Opera House’ photographview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Utzon Jorn 1918-2008 models, essayview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Olsen John Opera House journal and sketchesview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Mabo Edward Koiki essay and drawingsview full entry
Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations
Truganinniview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.)
Seeking the Centre: The Australian Desert in Literature, Art and Filmview full entry
Reference: Seeking the Centre: The Australian Desert in Literature, Art and Film by Roslynn D Haynes. [’The desert has a hypnotic presence in Australian culture, simultaneously alluring and repellent. The 'Centre' is distant and unknown to most Australians, yet has become a symbol of the country. This exciting book reveals the singular impact that the desert, both geographical and metaphorical, has had on Australian culture. At the heart of this highly illustrated full colour book is the profound relationship that Aboriginal Australians have with the desert, and the complex ways in which they have been seen by white people in this context. The various attempts to conquer and colonise the 'hideous blank' by nineteenth-century explorers is covered in illuminating ways. In the twentieth century the desert was rediscovered by travellers, artists, novelists, poets and film makers. More recently the desert has been promoted as a site for eco-tourism, new age enlightenment and environmental renewal.’]
Publishing details: Cambridge University Press, Cambridge England, 1998
xvi + 347 pp.with index,colour and b/w.illus.,d/j
Ref: 1000
Seeking the Centre: The Australian Desert in Literature, Art and Filmview full entry
Reference: see Haynes Roslynn D - Seeking the Centre: The Australian Desert in Literature, Art and Film by Roslynn D Haynes
Publishing details: Cambridge University Press, Cambridge England, 1998
xvi + 347 pp.with index,colour and b/w.illus.,d/j
Piron J Jview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Petit Nicolas-Martinview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Lesueur Charles Alexandreview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Tobin Georgeview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Kelly Harry poster 1930view full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Glover John 1767-1849view full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Meredith Louisa Anneview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Hext Charles Staniforthview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Mundy Godfrey Charlesview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Monnin Marc Antoineview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Allport Curzona Frances Louiseview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Redmond Nview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Lempriere Thomasview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Tasmanian artview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Tasmanian paintingview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Governor Davey’s Proclamation to the Aborigines 1816view full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Dowling Robert view full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Duterrau Benjamin view full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Scott Harrietview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Prout John Skinnerview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Backhouse Jamesview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Tasmanian collectorsview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Gould Johnview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Allport Mary Mortonview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Fogg Sarah Annview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Lycett Josephview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Earle Augustusview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Evans Georgeview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Frankland Georgeview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Costantini Charlesview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Gritten Henryview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Forrest Haughton view full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Nixon Francis Russellview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Bull Knutview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Evans George Francisview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
de Wesselow Francis Guillemard Simpkinsonview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Boys G T W Bview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index
Kay William Pordenview full entry
Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index


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