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Fry Douglas - My best friend 1910view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Fry Douglas - My best friend 1910

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

Location:

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Stewart Helen - Portrait of Treania Smithview full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Stewart Helen - Portrait of Treania Smith

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Tanner Edwin Russell - Dog c. 1958view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Tanner Edwin Russell - Dog c. 1958

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Martin Gabrielle - Kate and Harry 1998view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Martin Gabrielle - Kate and Harry 1998

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Read Richard Snr - Julia Johnston 1824view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Read Richard Snr - Julia Johnston 1824

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Lindsay Norman - Rose on ‘Bobs’ c. 1912view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Lindsay Norman - Rose on ‘Bobs’ c. 1912

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Dowling Robert - Mrs Adolphus Sceales with Black Jimmie
on Merrang Station 1855–56view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Dowling Robert - Mrs Adolphus Sceales with Black Jimmie
on Merrang Station 1855–56

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Cress Fred - Too few lovers 1989view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Cress Fred - Too few lovers 1989

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Birkett Jim - Max and the Boys 2006view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Birkett Jim - Max and the Boys 2006

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Gibbs May - Scotty 1941view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Gibbs May - Scotty 1941

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Minns Benjamin Edwin - The blue hat 1918view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Minns Benjamin Edwin - The blue hat 1918

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Crossland J.M. - Staffordshire Bull Terrier belonging to
Rev. John Gower 1851view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Crossland J.M. - Staffordshire Bull Terrier belonging to
Rev. John Gower 1851

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Edwards Mclean - Martin Browne 2007view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Edwards Mclean - Martin Browne 2007

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Doig Adrienne - Finbar with Vi King and Steven 2006view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Doig Adrienne - Finbar with Vi King and Steven 2006

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Varvaressos Vicki - Portrait of Frank Watters 1994view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Varvaressos Vicki - Portrait of Frank Watters 1994

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Evans Neil - Wilkie (Romantic Fool) Collins 2004view full entry

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Evans Neil - Wilkie (Romantic Fool) Collins 2004

Reference: see Dogs in Australian art by Steven Miller [’Dogs in Australian Art looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present. It features over 80 dog breeds.’]

Publishing details: Wakefield Press, 2012, Paperback, 200 pages.

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Spread Henry Fentonview full entry

Reference: see catalogue for Anderson & Garland Ltd. Newcastle, Fine Art and Antique Sale, Lot 234 - 3 December, 2013, Henry Fenton Spread (Irish/American 1844-1890) A VENETIAN NOCTURNE signed and indistinctly dated (1879?) oil on canvas 30.5 x 52cms; 11 3/4 x 20 1/2in. Born in Kinsale, Ireland, Spread studied in South Kensington under Riviere and then with Slingeneyer in Brussels in 1863. He undertook painting tours in Melbourne, Australia, New Zealand and Tasmania before moving to New York in 1870, then to Chicago circa 1872. He was a member of the Chicago Academy of Design and the Pennsylvania Academy of Fine Arts.

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Spread Henry Fenton

Reference: see catalogue for Anderson & Garland Ltd. Newcastle, Fine Art and Antique Sale, Lot 234 - 3 December, 2013, Henry Fenton Spread (Irish/American 1844-1890) A VENETIAN NOCTURNE signed and indistinctly dated (1879?) oil on canvas 30.5 x 52cms; 11 3/4 x 20 1/2in. Born in Kinsale, Ireland, Spread studied in South Kensington under Riviere and then with Slingeneyer in Brussels in 1863. He undertook painting tours in Melbourne, Australia, New Zealand and Tasmania before moving to New York in 1870, then to Chicago circa 1872. He was a member of the Chicago Academy of Design and the Pennsylvania Academy of Fine Arts.

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Birch John Lamornaview full entry

Reference: according to the catalogue of Canterbury Auction Galleries, UK, 3 Dec, 2013, lot 417, Birch painted in Australia: ‘Samuel John Lamorna Birch (1869-1955) - Watercolour - Landscape in Australia - 10.25ins x 14.5ins, signed, framed and glazed’.

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Birch John Lamorna

Reference: according to the catalogue of Canterbury Auction Galleries, UK, 3 Dec, 2013, lot 417, Birch painted in Australia: ‘Samuel John Lamorna Birch (1869-1955) - Watercolour - Landscape in Australia - 10.25ins x 14.5ins, signed, framed and glazed’.

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Wolowski leonview full entry

Reference: LEON WOLOWSKI - IMAGES OF PIONEERS (CLAY SCULPTURE)
numbered 436 out of 700 copies and signed by Leon Wolowski

SETTLEMENT OR INVASION
GOLD
THE BUSH
NATIONHOOD

34 clay sculpture images with information


Introduction and text by Geraldine Carrodus

A newspaper clipping taped into book on Leon Wolowski with Zelman Cowen at the launch of this book,THE AUSTRALIAN Jewish News 2/21996.
Publishing details: 1995, 75 glossy page hardcover book
Ref: 1000

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Wolowski leon

Reference: LEON WOLOWSKI - IMAGES OF PIONEERS (CLAY SCULPTURE)
numbered 436 out of 700 copies and signed by Leon Wolowski

SETTLEMENT OR INVASION
GOLD
THE BUSH
NATIONHOOD

34 clay sculpture images with information


Introduction and text by Geraldine Carrodus

A newspaper clipping taped into book on Leon Wolowski with Zelman Cowen at the launch of this book,THE AUSTRALIAN Jewish News 2/21996.

Publishing details: 1995, 75 glossy page hardcover book

Location: 1000

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Walsh Gwenview full entry

Reference: AUSTRALIAN TREE PORTRAITS
BY CHARLES P MOUNTFORD
WITH DRAWINGS BY GWEN WALSH

Publishing details: MELBOURNE UNIVERSITY PRESS PUBLISHED 1956
Ref: 1000

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Walsh Gwen

Reference: AUSTRALIAN TREE PORTRAITS
BY CHARLES P MOUNTFORD
WITH DRAWINGS BY GWEN WALSH

Publishing details: MELBOURNE UNIVERSITY PRESS PUBLISHED 1956

Location: 1000

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Corbett J Gview full entry

Reference: see Tulloch’s Auctions 27.11.2013 - Lot 900 - J.G CORBETT – OIL ON BOARD – CAPE LIPTRAP COAST VICTORIA 1887 – 19CM X 35CM. An attractive beachscape.

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Corbett J G

Reference: see Tulloch’s Auctions 27.11.2013 - Lot 900 - J.G CORBETT – OIL ON BOARD – CAPE LIPTRAP COAST VICTORIA 1887 – 19CM X 35CM. An attractive beachscape.

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Woodman Rupert ‘Tom’view full entry

Reference: see Lawson’s auction 28 Nov 2013 - 4 lots. Professionally painted portraits and interiors in the style of Henry Hanke and other RAS exhibitors.

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Woodman Rupert ‘Tom’

Reference: see Lawson’s auction 28 Nov 2013 - 4 lots. Professionally painted portraits and interiors in the style of Henry Hanke and other RAS exhibitors.

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Weight Gregview full entry

Reference: Australian Artists: Portraits by Greg Weight,
[’Photographer Greg Weight visits more than 80 significant Australian artists in their studios. Each artist portrait is accompanied by a personal response to the shoot. Brief biographies help to place them in context. Artists featured include Brett Whiteley, John Olsen, Tim Storrier, Robert Klippel, Lloyd Rees, Donald Friend and many more’.] [to be indexed fully]
Publishing details: Chapter & Verse, 2004, hc, dw, 204 pp, this copy inscribed to Stephen Schediing

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Weight Greg

Reference: Australian Artists: Portraits by Greg Weight,
[’Photographer Greg Weight visits more than 80 significant Australian artists in their studios. Each artist portrait is accompanied by a personal response to the shoot. Brief biographies help to place them in context. Artists featured include Brett Whiteley, John Olsen, Tim Storrier, Robert Klippel, Lloyd Rees, Donald Friend and many more’.] [to be indexed fully]

Publishing details: Chapter & Verse, 2004, hc, dw, 204 pp, this copy inscribed to Stephen Schediing

Location: 0

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Menpes Mortimerview full entry

Reference: Whistler to Freud - Etching in Great Britain. AGNSW catalogue. A Menpes portrait of Whistler is illustrated on the cover and listed with exhibits. Curated by Peter Raissis. British artists are Whistler, Sickert, Francis Seymour Haden, F. L. Griggs, Lucian Freud and Graham Sutherland.
Publishing details: AGNSW, 2001, 4 page large format folding sheets.

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Menpes Mortimer

Reference: Whistler to Freud - Etching in Great Britain. AGNSW catalogue. A Menpes portrait of Whistler is illustrated on the cover and listed with exhibits. Curated by Peter Raissis. British artists are Whistler, Sickert, Francis Seymour Haden, F. L. Griggs, Lucian Freud and Graham Sutherland.

Publishing details: AGNSW, 2001, 4 page large format folding sheets.

Location: 0

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Spooner Johnview full entry

Reference: Spooner - Caricatures, Drawings and Prints, foreward by Michael Leunig
Publishing details: Nelson, nd [1981], hc, dw, 128pp with index

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Spooner John

Reference: Spooner - Caricatures, Drawings and Prints, foreward by Michael Leunig

Publishing details: Nelson, nd [1981], hc, dw, 128pp with index

Location: 0

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Gazzard Mareaview full entry

Reference: Obituary in Sydney Morning Herald 30 December 2013, p23
Publishing details: SMH
Ref: 131

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Gazzard Marea

Reference: Obituary in Sydney Morning Herald 30 December 2013, p23

Publishing details: SMH

Location: 131

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Vickery Johnview full entry

Reference: John Vickery - Between the Lines. Essay by John Cattapan, timeline, list of works
Publishing details: Founders Gallery, Feb 2013, 30pp, (signed by John Cattapan)
Ref: 37

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Vickery John

Reference: John Vickery - Between the Lines. Essay by John Cattapan, timeline, list of works

Publishing details: Founders Gallery, Feb 2013, 30pp, (signed by John Cattapan)

Location: 37

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Olsen Johnview full entry

Reference: John Olsen - Gold. Introduction by Edmund Capon. Essay by John Olsen, About 30 paintings illustrated in colour and 33 drawings illustrtated in black and white.
Publishing details: Pancontinental Mining, 1986, pb, np [approx 60]

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Olsen John

Reference: John Olsen - Gold. Introduction by Edmund Capon. Essay by John Olsen, About 30 paintings illustrated in colour and 33 drawings illustrtated in black and white.

Publishing details: Pancontinental Mining, 1986, pb, np [approx 60]

Location: 0

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Critics Choiceview full entry

Reference: Photographs from the collection [of the Art Gallery of New South Wales] selected by Robert McFarlane, photography critic, Sydney Morning Herald. [Essay by McFarlane and biography on McFarlane]
Publishing details: AGNSW, 1994, 12pp 6 illustrations
Ref: 131

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Critics Choice

Reference: Photographs from the collection [of the Art Gallery of New South Wales] selected by Robert McFarlane, photography critic, Sydney Morning Herald. [Essay by McFarlane and biography on McFarlane]

Publishing details: AGNSW, 1994, 12pp 6 illustrations

Location: 131

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McFarlane Robertview full entry

Reference: Photographs from the collection [of the Art Gallery of New South Wales] selected by Robert McFarlane, photography critic, Sydney Morning Herald. [Essay by McFarlane and biography on McFarlane]
Publishing details: AGNSW, 1994, 12pp 6 illustrations

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McFarlane Robert

Reference: Photographs from the collection [of the Art Gallery of New South Wales] selected by Robert McFarlane, photography critic, Sydney Morning Herald. [Essay by McFarlane and biography on McFarlane]

Publishing details: AGNSW, 1994, 12pp 6 illustrations

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America - Painting a Nationview full entry

Reference: America - Painting a Nation, room brochure for exhibition at Art Gallery of New South Wales
Publishing details: AGNSW, 2013, 12pp
Ref: 131

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America - Painting a Nation

Reference: America - Painting a Nation, room brochure for exhibition at Art Gallery of New South Wales

Publishing details: AGNSW, 2013, 12pp

Location: 131

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Davila Juanview full entry

Reference: Verdeja - Juan Davila. A ‘decorative ensemble’.12 illustrations
Publishing details: Greenaway Art Gallery, Adelaide, nd (1996), large 6-page folding card
Ref: 47

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Davila Juan

Reference: Verdeja - Juan Davila. A ‘decorative ensemble’.12 illustrations

Publishing details: Greenaway Art Gallery, Adelaide, nd (1996), large 6-page folding card

Location: 47

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Shurrock Francisview full entry

Reference: Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].
Publishing details: University of Otago Press, 2000, pb, 112pp

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Shurrock Francis

Reference: Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].

Publishing details: University of Otago Press, 2000, pb, 112pp

Location: 0

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Allen Jim NZ sculptorview full entry

Reference: see Shurrock Francis - Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].
Publishing details: University of Otago Press, 2000, pb, 112pp

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Allen Jim NZ sculptor

Reference: see Shurrock Francis - Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].

Publishing details: University of Otago Press, 2000, pb, 112pp

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Duff Alison NZ sculptorview full entry

Reference: see Shurrock Francis - Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].
Publishing details: University of Otago Press, 2000, pb, 112pp

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Duff Alison NZ sculptor

Reference: see Shurrock Francis - Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].

Publishing details: University of Otago Press, 2000, pb, 112pp

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Macalister Molly NZ sculptorview full entry

Reference: see Shurrock Francis - Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].
Publishing details: University of Otago Press, 2000, pb, 112pp

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Macalister Molly NZ sculptor

Reference: see Shurrock Francis - Francis Shurrock - Shaping New Zealand Sculpture, by Mark Stocker. [Traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.].

Publishing details: University of Otago Press, 2000, pb, 112pp

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Elegance in Exile - portrait drawings from Colonial Australiaview full entry

Reference: Elegance in Exile - portrait drawings from Colonial Australia by Joanna Gilmour [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia.’]
Publishing details: NPG, 2012, hc, dw, 181pp

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Elegance in Exile - portrait drawings from Colonial Australia

Reference: Elegance in Exile - portrait drawings from Colonial Australia by Joanna Gilmour [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia.’]

Publishing details: NPG, 2012, hc, dw, 181pp

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Read Richard Snr biographical information and illustrationsview full entry

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 181pp

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Read Richard Snr biographical information and illustrations

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]

Publishing details: NPG, 2012, hc, dw, 181pp

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Rodius Charles biographical information and illustrationsview full entry

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 181pp

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Rodius Charles biographical information and illustrations

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]

Publishing details: NPG, 2012, hc, dw, 181pp

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Wainewright Thomas Griffiths biographical information and illustrations view full entry

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]
Publishing details: NPG, 2012, hc, dw, 181pp

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Wainewright Thomas Griffiths biographical information and illustrations

Reference: see Elegance in Exile - Portrait Drawings from Colonial Australia by Joanna Gilmour. [’Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period. An exhibition of sixty beautiful and rarely-seen drawings, watercolours and miniatures, Elegance in exile will examine the interplay of art, biography and history in their work, tracing the links between their own lives and those of their sitters to present a fine and vivid map of life, culture and aspirations in colonial Australia. ‘]

Publishing details: NPG, 2012, hc, dw, 181pp

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Brack Johnview full entry

Reference: see Look Magazine Dec 2013-Jan 2014 pages 30-31 for article by John Tunnicliffe on two new acquisitions foy Art Gallery of NSW. ‘The Breakfast Table’ and ‘The New House’

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Brack John

Reference: see Look Magazine Dec 2013-Jan 2014 pages 30-31 for article by John Tunnicliffe on two new acquisitions foy Art Gallery of NSW. ‘The Breakfast Table’ and ‘The New House’

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Hawkesbury - a subject for artists view full entry

Reference: see Look Magazine Dec 2013-Jan 2014 pages 30-31 for article by Bronwyn Watson re exhibition at Hawkesbury Regional Gallery

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Hawkesbury - a subject for artists

Reference: see Look Magazine Dec 2013-Jan 2014 pages 30-31 for article by Bronwyn Watson re exhibition at Hawkesbury Regional Gallery

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Johnson Chrisview full entry

Reference: Chris Johnson - Sketches 1996-2010 - 65
Publishing details: The Author, Sydney, 2010
5 pages of introductory text then unpaginated colour illustrations.

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Johnson Chris

Reference: Chris Johnson - Sketches 1996-2010 - 65

Publishing details: The Author, Sydney, 2010
5 pages of introductory text then unpaginated colour illustrations.

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Potter’s Art Theview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Potter’s Art The

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Pepper Chris view full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Pepper Chris

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Barnes Errolview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Barnes Errol

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Rushforth Peterview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Rushforth Peter

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Alexander Dougview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Alexander Doug

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Startin Suzanneview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Startin Suzanne

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Mansfield Janetview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Mansfield Janet

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Pigott Gwynview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Pigott Gwyn

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Grealy Kevinview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Grealy Kevin

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Greenaway Victorview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Greenaway Victor

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Collins Patrickview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Collins Patrick

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Nelson Jimview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Nelson Jim

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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McConnell Carlview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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McConnell Carl

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Maldon Potteryview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Maldon Pottery

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Moon Miltonview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Moon Milton

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Levy Colview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Levy Col

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Howlett Victoriaview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Howlett Victoria

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Jones Ianview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Jones Ian

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Rosser Carolview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Rosser Carol

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Hanby Trevorview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Hanby Trevor

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Edye Johnview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Edye John

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Dermer Johnview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Dermer John

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Carr Penelopeview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Carr Penelope

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Hely Patsyview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Hely Patsy

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Halford Andrewview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Halford Andrew

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Blakebrough Lesview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Blakebrough Les

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Smith Derekview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Smith Derek

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Bamford Roderickview full entry

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.
Publishing details: Cassell, 1981, hc, dw, 94pp

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Bamford Roderick

Reference: The Potters’ Art - An Australian Collection, edited by Janet Mansfield, Photographs by Douglas Thompson. Includes artists’ statements and illustrations of each potter’s work.

Publishing details: Cassell, 1981, hc, dw, 94pp

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Art Cards - Australian War Memorialview full entry

Reference: Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

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Art Cards - Australian War Memorial

Reference: Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

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Adams Denisview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Adams Denis

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

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Beattie Rayview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Beattie Ray

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

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Benson Georgeview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Benson George

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

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Bowles Leslieview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Bowles Leslie

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

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Boyd Davidview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Boyd David

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Colahan Colinview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Colahan Colin

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Collingridge Arthurview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Collingridge Arthur

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Crozier Frankview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Crozier Frank

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Dadswell Lyndonview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Dadswell Lyndon

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Dargie Williamview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Dargie William

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Dobell Williamview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Dobell William

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Dyson Willview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Dyson Will

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Friend Donaldview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Friend Donald

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Hele Ivorview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Hele Ivor

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Herbert Haroldview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Herbert Harold

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Herman Saliview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Herman Sali

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Honisett Rayview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Honisett Ray

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Lambert Georgeview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Lambert George

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Leist Fredview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Leist Fred

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

McFadyen Kenview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

McFadyen Ken

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Nolan Sidneyview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Nolan Sidney

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Norton Frankview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Norton Frank

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Power H Septimusview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Power H Septimus

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Roberts Tomview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Roberts Tom

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Streeton Arthurview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Streeton Arthur

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Thake Erikview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Thake Erik

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

Close

Vassilieff Danilaview full entry

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]
Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

×

Vassilieff Danila

Reference: see Art Cards - Thirty-two colour postcards from the Australian War Memorial Art Collection. With notes on the artists. [A series of 32 colour postcards of paintings by Australian artists representing Australians at war; the postcards are bound with perforations, four to a page, and can be detached and used as desired; paintings by Nolan, David Boyd, Dargie, Herman, Friend, Vassilieff, Streeton, Dobell, Roberts, and more]

Publishing details: Australian War Memorial, Canberra 1984, 1984
Thirty-two perforated edges, colour postcards from the Australian War Memorial art collection. Each card with post card printing. Bound in illustrated stapled stiff boards.

Location:

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Reid David Gview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Silas Clifford-Smith with 10 illustrations, 6pp

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Reid David G

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Silas Clifford-Smith with 10 illustrations, 6pp

Publishing details:

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Mackennal Bertram - Queen Victoriaview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

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Mackennal Bertram - Queen Victoria

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

Publishing details:

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Harvey L Jview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

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Harvey L J

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

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Merten John cabinetmakerview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

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Merten John cabinetmaker

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

Publishing details:

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Hicks Johnview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

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Hicks John

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

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Greenham & Evansview full entry

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

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Greenham & Evans

Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by Timothy Roberts on ‘Fit for a Queen - two Royal jubilee testimonials from colonial Queensland

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article on Australia Society viewing of the chests

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article on Australia Society viewing of the chests

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article on Australia Society viewing of the Macquarie and Dixson chests and album

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article on Australia Society viewing of the Macquarie and Dixson chests and album

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by David St L. Kelly

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by David St L. Kelly

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by John Hawkins

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by John Hawkins

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by John Wade - with 15 illustrations of their jewellery

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for article by John Wade - with 15 illustrations of their jewellery

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for review of book

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for review of book

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for advertisement by J B Hawkins Antiques with biographical information

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for advertisement by J B Hawkins Antiques with biographical information

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Reference: see Australiana Magazine,November 2013, vol 35 no 4 for advertisement by J B Hawkins Antiques with biographical information

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Sharp Martinview full entry

Reference: Funeral Service 10 December 2013 at Christ Church St Lawrence, Sydney together with Sydney Morning Herald report of funeral 11 December, 2013 p2.
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Reference: Funeral Service 10 December 2013 at Christ Church St Lawrence, Sydney together with Sydney Morning Herald report of funeral 11 December, 2013 p2.

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Macartney Frederick Tview full entry

Reference: Hard light and other verses by Frederick T. Macartney(1887 - 1980) featuring an original linocut design by the author, illustrated with a further 6 tipped-in linocuts by Macartney. The poetry relates to the author’s time in the Northern Territory in the 1920s.
Publishing details: Melbourne : Galleon Press, [1934]. Small quarto,
hand-bound by Macartney in half-cloth over
papered boards . pp. 43, six original linocuts (all with
hard art deco angular compositions) tipped-in.
Ref: 1000

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Macartney Frederick T

Reference: Hard light and other verses by Frederick T. Macartney(1887 - 1980) featuring an original linocut design by the author, illustrated with a further 6 tipped-in linocuts by Macartney. The poetry relates to the author’s time in the Northern Territory in the 1920s.

Publishing details: Melbourne : Galleon Press, [1934]. Small quarto,
hand-bound by Macartney in half-cloth over
papered boards . pp. 43, six original linocuts (all with
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Quintessential Sydneyview full entry

Reference: Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

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Quintessential Sydney

Reference: Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Ireland Chris

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Bell Malcolmview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Bell Malcolm

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Mazz Images

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Bok Marco

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Maguire Garrie

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Siewert Stevenview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Siewert Steven

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Christo Steve

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Moir Nick

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Taylor Andrewview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Taylor Andrew

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Yang Williamview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Yang William

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Moore Davidview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Moore David

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Nield Peterview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
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Nield Peter

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Hassall Craigview full entry

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by
Publishing details: City Media Services, 1999, hc, dw, 160pp

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Hassall Craig

Reference: see Quintessential Sydney - The Real Sydney, produced by Gerry North[16 photographers] by

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Adams Bruce photographerview full entry

Reference: Macquarie’s Five Towns, text by Olaf Ruhen photographs by Bruce Adams
Publishing details: Horwitz, 1970, hc, dw, 119pp
Ref: 1000

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Adams Bruce photographer

Reference: Macquarie’s Five Towns, text by Olaf Ruhen photographs by Bruce Adams

Publishing details: Horwitz, 1970, hc, dw, 119pp

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Bergner Marcusview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp

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Bergner Marcus

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Berick Wendyview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp

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Berick Wendy

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Berkowiitz Laurenview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp

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Berkowiitz Lauren

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Brassil Joanview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Brassil Joan

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Burns Timview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp

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Burns Tim

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Casey Karenview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Casey Karen

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Cole Timview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp

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Cole Tim

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Cranswick Davidview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
Publishing details: Craftsman House, 2000, pb, 156pp

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Cranswick David

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

Publishing details: Craftsman House, 2000, pb, 156pp

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Curmi Nickview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Curmi Nick

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

Publishing details: Craftsman House, 2000, pb, 156pp

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DAMPview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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DAMP

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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de Clario Domenico

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Graham Annview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Graham Ann

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Gudthaykudthay Phillipview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Gudthaykudthay Phillip

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Harris Edgarview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Harris Edgar

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Janczewski Andreview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Janczewski Andre

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Margululu Andrewview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Margululu Andrew

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Marika Dhuwarrwarr

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Nixon Johnview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Nixon John

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Nicholls Johnview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Nicholls John

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Poliness Kerryview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Poliness Kerry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Power Kimview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Power Kim

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Reamillo Alwinview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Reamillo Alwin

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Robbins Cameronview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Robbins Cameron

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Roet Lisa

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Snee Christopherview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Stoner Markview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Tarry Jonview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Taylor Neilview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Taylor Neil

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Thaiday Kenview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Thaiday Ken

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Thomas David Hughview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Thomas David Hugh

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Walsh Peter

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Waters Davidview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Waters David

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

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Waters Davidview full entry

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas
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Waters David

Reference: see Bridge The - Construction in Progress - An International Artists’ Museum Project, edited by Richard thomas

Publishing details: Craftsman House, 2000, pb, 156pp

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Fainges Marjoryview full entry

Reference: Australian Dollmakers - A History
Publishing details: Kangaroo Press, Kenthurst N.S.W., 1986
144 pp.with index,colour and b/w.illus.
Ref: 1000

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Fainges Marjory

Reference: Australian Dollmakers - A History

Publishing details: Kangaroo Press, Kenthurst N.S.W., 1986
144 pp.with index,colour and b/w.illus.

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Australian Dollmakers view full entry

Reference: see Fainges Marjory - Australian Dollmakers - A History
Publishing details: Kangaroo Press, Kenthurst N.S.W., 1986
144 pp.with index,colour and b/w.illus.

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Australian Dollmakers

Reference: see Fainges Marjory - Australian Dollmakers - A History

Publishing details: Kangaroo Press, Kenthurst N.S.W., 1986
144 pp.with index,colour and b/w.illus.

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dollmakingview full entry

Reference: see Fainges Marjory - Australian Dollmakers - A History
Publishing details: Kangaroo Press, Kenthurst N.S.W., 1986
144 pp.with index,colour and b/w.illus.

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dollmaking

Reference: see Fainges Marjory - Australian Dollmakers - A History

Publishing details: Kangaroo Press, Kenthurst N.S.W., 1986
144 pp.with index,colour and b/w.illus.

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People's Paraphernalia view full entry

Reference: People's Paraphernalia by Trevor Flett, Lynette Kelly, Rick Milne
Publishing details: Peoples Paraphernalia, Northcote VIC, 1987., 1987
128 pp, marbled end-papers, b&w and coloured photographic illustrations,

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People's Paraphernalia

Reference: People's Paraphernalia by Trevor Flett, Lynette Kelly, Rick Milne

Publishing details: Peoples Paraphernalia, Northcote VIC, 1987., 1987
128 pp, marbled end-papers, b&w and coloured photographic illustrations,

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Australianaview full entry

Reference: see People's Paraphernalia by Trevor Flett, Lynette Kelly, Rick Milne
Publishing details: Peoples Paraphernalia, Northcote VIC, 1987., 1987
128 pp, marbled end-papers, b&w and coloured photographic illustrations,

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Australiana

Reference: see People's Paraphernalia by Trevor Flett, Lynette Kelly, Rick Milne

Publishing details: Peoples Paraphernalia, Northcote VIC, 1987., 1987
128 pp, marbled end-papers, b&w and coloured photographic illustrations,

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Watkins Dickview full entry

Reference: see Australian Art Collector no 31 essay by Carrie Lumby p136ff
Publishing details: Jan-March 2005

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Watkins Dick

Reference: see Australian Art Collector no 31 essay by Carrie Lumby p136ff

Publishing details: Jan-March 2005

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Burchill Janetview full entry

Reference: see Australian Art Collector no 31
Publishing details: Jan-March 2005

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Burchill Janet

Reference: see Australian Art Collector no 31

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McCamley Jenniferview full entry

Reference: see Australian Art Collector no 31
Publishing details: Jan-March 2005

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McCamley Jennifer

Reference: see Australian Art Collector no 31

Publishing details: Jan-March 2005

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Brownr Martinview full entry

Reference: see Australian Art Collector no 31 profile on the art dealer
Publishing details: Jan-March 2005

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Brownr Martin

Reference: see Australian Art Collector no 31 profile on the art dealer

Publishing details: Jan-March 2005

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Jan Murphy Galleryview full entry

Reference: Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp
Ref: 132

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Jan Murphy Gallery

Reference: Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Akerman Crispinview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Akerman Crispin

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Band Davidview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Band David

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Benjamin Jasonview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Benjamin Jason

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Bowen Deanview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Bowen Dean

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Bromley Davidview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Bromley David

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Cousins Marcelview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Cousins Marcel

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Cusack Michaelview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Cusack Michael

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Dunlop Richardview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Dunlop Richard

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Eager Wayneview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Eager Wayne

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Glazier Vickiview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Glazier Vicki

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Guppy Jamesview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Guppy James

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Howson Markview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Howson Mark

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Larwill Davidview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Larwill David

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Lockhart Adrianview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Lockhart Adrian

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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McDonald Angusview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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McDonald Angus

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Quilty Benview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Quilty Ben

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Reeves Julieview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Reeves Julie

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Scott Tonyview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Scott Tony

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Seton Alexanderview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Seton Alexander

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Strocchi Marinaview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Strocchi Marina

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Wark Marnieview full entry

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.
Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Wark Marnie

Reference: see Jan Murphy Gallery Catalogue - 21 artists with a piece of writing on each and at least one colour illustration of each.

Publishing details: Jan Murphy Gallery, 2005, pb, 90pp

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Remote Garrison The - The British Army in Australia view full entry

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

×

Remote Garrison The - The British Army in Australia

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]

Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

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British Army uniformsview full entry

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

×

British Army uniforms

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]

Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

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British Army historyview full entry

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

×

British Army history

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]

Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

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British Marinesview full entry

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

×

British Marines

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]

Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

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New South Wales Corpsview full entry

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

×

New South Wales Corps

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]

Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

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Macquarie’s regimentsview full entry

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

×

Macquarie’s regiments

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]

Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

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Eureka Stockadeview full entry

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

×

Eureka Stockade

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]

Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

Location:

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Cox Lindsay (illustrator of uniforms)view full entry

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]
Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

×

Cox Lindsay (illustrator of uniforms)

Reference: The Remote Garrison - The British Army in Australia by Peter Stanley [’Tells the story of British soldiers in Australia from the arrival of the First Fleet to the departure of the last regiment in 1870. Regiments included the Buffs, the King's own and the Royal Irish. Perhaps 20,000 served in Australia and several thousand men settled in Australia after taking their discharge’]

Publishing details: Kangaroo Press, 1986, hcm dw, 96 pp with index. Colour and b/w illustrations, appendices, select bibliography

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Accounting for Taste - Lowenstein Arts Management Collectionview full entry

Reference: Accounting for Taste - The Lowensteins Arts Management Collection, Text by Professor Sasha Grishin, AM. [To be indexed fully - about 20 artists have been indexed. Some biographical information on the artists may be included in this book]. [’Author Sasha Grishin has used a musical analogy to categorise the more than 250 lavishly reproduced artworks by 135 artists of Australia's post-war years that are included in this book. Recalling the movements of a symphony, he divides the artworks into four 'movements': 'Humanist Moderns', 'Formalist Moderns', those for whom the landscape is relevant and, lastly, a variety of painters and sculptors more difficult to fit into a cohesive group. The 'Prelude' which introduces the book tells the story of accountant Tom Lowenstein who, with his partners, experimented in art collecting in the 1970s before - together with his son Evan and a colleague Adam Micmacher - establishing the present Lowensteins Arts Management Collection which currently hangs in Melbourne and Sydney. Befriending artists like John Olsen, Charles Blackman and Arthur Boyd, he was privvy to sound advice while he developed his own aesthetic judgement. The collection is rich in works by Olsen, Blackman and Boyd, and then by a splendid array of artists including Danila Vassilieff, George Baldessin, Colin Lanceley, Garry Shead, Peter Booth, Yvonne Audette, John Walker, Alun Leach-Jones, Sally Smart, David Rankin, Imants Tillers, Allan Mitelman, and Robert Jacks. Prominent sculptors include Akio Makigawa, Ron Robertson-Swann and Robert Klippel. Then there are exciting younger artists like Ricky Swallow, Matthew Johnson, Angela Brennan and Jasper Knight. Indigeus artists Freddie Timms, Rosella Namok, Richard Bell, Danie Mellor and Lin Onus are also well represented.’]
Publishing details: Macmillan Art Publishing, Lowenstein’s. 2013, 288pp, hc, dw,

×

Accounting for Taste - Lowenstein Arts Management Collection

Reference: Accounting for Taste - The Lowensteins Arts Management Collection, Text by Professor Sasha Grishin, AM. [To be indexed fully - about 20 artists have been indexed. Some biographical information on the artists may be included in this book]. [’Author Sasha Grishin has used a musical analogy to categorise the more than 250 lavishly reproduced artworks by 135 artists of Australia's post-war years that are included in this book. Recalling the movements of a symphony, he divides the artworks into four 'movements': 'Humanist Moderns', 'Formalist Moderns', those for whom the landscape is relevant and, lastly, a variety of painters and sculptors more difficult to fit into a cohesive group. The 'Prelude' which introduces the book tells the story of accountant Tom Lowenstein who, with his partners, experimented in art collecting in the 1970s before - together with his son Evan and a colleague Adam Micmacher - establishing the present Lowensteins Arts Management Collection which currently hangs in Melbourne and Sydney. Befriending artists like John Olsen, Charles Blackman and Arthur Boyd, he was privvy to sound advice while he developed his own aesthetic judgement. The collection is rich in works by Olsen, Blackman and Boyd, and then by a splendid array of artists including Danila Vassilieff, George Baldessin, Colin Lanceley, Garry Shead, Peter Booth, Yvonne Audette, John Walker, Alun Leach-Jones, Sally Smart, David Rankin, Imants Tillers, Allan Mitelman, and Robert Jacks. Prominent sculptors include Akio Makigawa, Ron Robertson-Swann and Robert Klippel. Then there are exciting younger artists like Ricky Swallow, Matthew Johnson, Angela Brennan and Jasper Knight. Indigeus artists Freddie Timms, Rosella Namok, Richard Bell, Danie Mellor and Lin Onus are also well represented.’]

Publishing details: Macmillan Art Publishing, Lowenstein’s. 2013, 288pp, hc, dw,

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Art of Self-Promotion Theview full entry

Reference: The Art of Self-Promotion - Successful Promotion by Visual Artists & Craftspeople by Sue Foster
Publishing details: Allen & Unwin and the Australia Council, 1993, pb, 80pp
Ref: 132

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Art of Self-Promotion The

Reference: The Art of Self-Promotion - Successful Promotion by Visual Artists & Craftspeople by Sue Foster

Publishing details: Allen & Unwin and the Australia Council, 1993, pb, 80pp

Location: 132

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publicity in the artsview full entry

Reference: see The Art of Self-Promotion - Successful Promotion by Visual Artists & Craftspeople by Sue Foster
Publishing details: Allen & Unwin and the Australia Council, 1993, pb, 80pp

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publicity in the arts

Reference: see The Art of Self-Promotion - Successful Promotion by Visual Artists & Craftspeople by Sue Foster

Publishing details: Allen & Unwin and the Australia Council, 1993, pb, 80pp

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art promotionview full entry

Reference: see The Art of Self-Promotion - Successful Promotion by Visual Artists & Craftspeople by Sue Foster
Publishing details: Allen & Unwin and the Australia Council, 1993, pb, 80pp

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art promotion

Reference: see The Art of Self-Promotion - Successful Promotion by Visual Artists & Craftspeople by Sue Foster

Publishing details: Allen & Unwin and the Australia Council, 1993, pb, 80pp

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Australian Week-End Book Theview full entry

Reference: The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Australian Week-End Book The

Reference: The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Australian Week-End Book Theview full entry

Reference: The Australian Week-End Book, Number 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Australian Week-End Book The

Reference: The Australian Week-End Book, Number 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Australian Week-End Book Theview full entry

Reference: The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Australian Week-End Book The

Reference: The Australian Week-End Book, Number 3, 1944

Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Australian Week-End Book Theview full entry

Reference: The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Australian Week-End Book The

Reference: The Australian Week-End Book, Number 4, 1945

Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Australian Week-End Book Theview full entry

Reference: The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp

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Australian Week-End Book The

Reference: The Australian Week-End Book, Numbers 5, 1946

Publishing details: Ure Smith, 1946, hard covers, 224pp

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Kay O cartoonist - numerous worksview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Kay O cartoonist - numerous works

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Missinham Hal cartoonsview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Missinham Hal cartoons

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Constable W cartoonsview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Constable W cartoons

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Wall [Dorothy?] cartoonsview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Wall [Dorothy?] cartoons

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Kilgour J N illustrationsview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Kilgour J N illustrations

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Haxton Elaine illustrationsview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Haxton Elaine illustrations

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Andrews G illustrationsview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Andrews G illustrations

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Jones Charles Lloyd illustrationsview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Jones Charles Lloyd illustrations

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Preston Margaret illustrationsview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Preston Margaret illustrations

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Flower Cedric illustrationsview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Flower Cedric illustrations

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Friend Donaldview full entry

Reference: see The Australian Week-End Book, Number 1, 1942, for illustrated article ‘I go to warr’
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Friend Donald

Reference: see The Australian Week-End Book, Number 1, 1942, for illustrated article ‘I go to warr’

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Cardamatis Wolfgang cartoonview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Cardamatis Wolfgang cartoon

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Malmgren Hildegarde cartoon {married name Bleakley]view full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Malmgren Hildegarde cartoon {married name Bleakley]

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

Location:

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Benison Percy cartoonview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Benison Percy cartoon

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Plate C O article byview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Plate C O article by

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

Location:

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Brown Gil cartoonview full entry

Reference: see The Australian Week-End Book, Number 1, 1942,
Publishing details: Ure Smith, 1942, hard covers, 224pp

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Brown Gil cartoon

Reference: see The Australian Week-End Book, Number 1, 1942,

Publishing details: Ure Smith, 1942, hard covers, 224pp

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Kay O 6 humorous llustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Kay O 6 humorous llustrations

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Lush Joy 1 humorous illustrationview full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Lush Joy 1 humorous illustration

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Beck Richard 1 humorous illustrationview full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Beck Richard 1 humorous illustration

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Cardamatis Wolfgang 1 humorous illustrationview full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Cardamatis Wolfgang 1 humorous illustration

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Gould 1 humorous llustrationview full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Gould 1 humorous llustration

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Sidebotham 1 humorous llustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Sidebotham 1 humorous llustrations

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Brown Gil 2 humorous llustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Brown Gil 2 humorous llustrations

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Collings Geoff 3 humorous llustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Collings Geoff 3 humorous llustrations

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Hesling Bernard 7 humorous llustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Hesling Bernard 7 humorous llustrations

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Missingham 4 humorous llustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Missingham 4 humorous llustrations

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Wall 16 humorous llustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Wall 16 humorous llustrations

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Wiz 16 humorous llustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Wiz 16 humorous llustrations

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Preston Margaret article p170view full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Preston Margaret article p170

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Smith Sydney Ure article ‘Sadie the model’view full entry

Reference: see The Australian Week-End Book, Numbers 2, 1943
Publishing details: Ure Smith, 1943, 224pp hard covers,

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Smith Sydney Ure article ‘Sadie the model’

Reference: see The Australian Week-End Book, Numbers 2, 1943

Publishing details: Ure Smith, 1943, 224pp hard covers,

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Collings Geoff 3 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Collings Geoff 3 humorous illustrations

Reference: see The Australian Week-End Book, Number 3, 1944

Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Friend Donald 1 humorous illustrationview full entry

Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Friend Donald 1 humorous illustration

Reference: see The Australian Week-End Book, Number 3, 1944

Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Hesling Bernard 10 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Hesling Bernard 10 humorous illustrations

Reference: see The Australian Week-End Book, Number 3, 1944

Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Kay O 2 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Kay O 2 humorous illustrations

Reference: see The Australian Week-End Book, Number 3, 1944

Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Missingham Hal 1 humorous illustrationview full entry

Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Missingham Hal 1 humorous illustration

Reference: see The Australian Week-End Book, Number 3, 1944

Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Parnaby 1 humorous illustrationview full entry

Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Parnaby 1 humorous illustration

Reference: see The Australian Week-End Book, Number 3, 1944

Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Rowland 4 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Rowland 4 humorous illustrations

Reference: see The Australian Week-End Book, Number 3, 1944

Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Wall 17 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Wall 17 humorous illustrations

Reference: see The Australian Week-End Book, Number 3, 1944

Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Wiz 17 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Number 3, 1944
Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Wiz 17 humorous illustrations

Reference: see The Australian Week-End Book, Number 3, 1944

Publishing details: Ure Smith, 1944, hard covers, dw, 224pp

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Andrews Gordon 3 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Andrews Gordon 3 humorous illustrations

Reference: see The Australian Week-End Book, Number 4, 1945

Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Brown Gil 1 humorous illustrationview full entry

Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Brown Gil 1 humorous illustration

Reference: see The Australian Week-End Book, Number 4, 1945

Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Hesling Bernard 2 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Hesling Bernard 2 humorous illustrations

Reference: see The Australian Week-End Book, Number 4, 1945

Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Missingham Hal 1 humorous illustrationview full entry

Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Missingham Hal 1 humorous illustration

Reference: see The Australian Week-End Book, Number 4, 1945

Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Molnar George 7 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Molnar George 7 humorous illustrations

Reference: see The Australian Week-End Book, Number 4, 1945

Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Wall 10 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Wall 10 humorous illustrations

Reference: see The Australian Week-End Book, Number 4, 1945

Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Wiz 11 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Number 4, 1945
Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Wiz 11 humorous illustrations

Reference: see The Australian Week-End Book, Number 4, 1945

Publishing details: Ure Smith, 1945-1946, hard covers, 224pp

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Molnar George 3 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp

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Molnar George 3 humorous illustrations

Reference: see The Australian Week-End Book, Numbers 5, 1946

Publishing details: Ure Smith, 1946, hard covers, 224pp

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King D A 1 humorous illustrationview full entry

Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp

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King D A 1 humorous illustration

Reference: see The Australian Week-End Book, Numbers 5, 1946

Publishing details: Ure Smith, 1946, hard covers, 224pp

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Hinder Frank 2 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp

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Hinder Frank 2 humorous illustrations

Reference: see The Australian Week-End Book, Numbers 5, 1946

Publishing details: Ure Smith, 1946, hard covers, 224pp

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Ross A P 2 humorous illustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp

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Ross A P 2 humorous illustrations

Reference: see The Australian Week-End Book, Numbers 5, 1946

Publishing details: Ure Smith, 1946, hard covers, 224pp

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Beadle Paul illustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp

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Beadle Paul illustrations

Reference: see The Australian Week-End Book, Numbers 5, 1946

Publishing details: Ure Smith, 1946, hard covers, 224pp

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Constable W illustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp

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Constable W illustrations

Reference: see The Australian Week-End Book, Numbers 5, 1946

Publishing details: Ure Smith, 1946, hard covers, 224pp

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Kilgour J N illustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp

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Kilgour J N illustrations

Reference: see The Australian Week-End Book, Numbers 5, 1946

Publishing details: Ure Smith, 1946, hard covers, 224pp

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Lilly Elizabeth illustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp

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Lilly Elizabeth illustrations

Reference: see The Australian Week-End Book, Numbers 5, 1946

Publishing details: Ure Smith, 1946, hard covers, 224pp

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Missingham Hal illustrationsview full entry

Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp

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Missingham Hal illustrations

Reference: see The Australian Week-End Book, Numbers 5, 1946

Publishing details: Ure Smith, 1946, hard covers, 224pp

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Wiz album of humour p49-65view full entry

Reference: see The Australian Week-End Book, Numbers 5, 1946
Publishing details: Ure Smith, 1946, hard covers, 224pp

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Wiz album of humour p49-65

Reference: see The Australian Week-End Book, Numbers 5, 1946

Publishing details: Ure Smith, 1946, hard covers, 224pp

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Flower paintings in colour 7 artists illustrated pages 21-8view full entry

Reference: see The Australian Week-End Book, Numbers 5, 1946 [works by Paul Jones, Nora Heysen, Daryl Lindsay, Desiderius Orban, Adrien Feint, Margaret Preston and Vida Lahey]
Publishing details: Ure Smith, 1946, hard covers, 224pp

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Flower paintings in colour 7 artists illustrated pages 21-8

Reference: see The Australian Week-End Book, Numbers 5, 1946 [works by Paul Jones, Nora Heysen, Daryl Lindsay, Desiderius Orban, Adrien Feint, Margaret Preston and Vida Lahey]

Publishing details: Ure Smith, 1946, hard covers, 224pp

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Benson C G p126view full entry

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp

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Benson C G p126

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]

Publishing details: Macmillan, 2013, hc, dw, 240pp

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David Jones department storeview full entry

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp

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David Jones department store

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]

Publishing details: Macmillan, 2013, hc, dw, 240pp

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retail advertisingview full entry

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp

×

retail advertising

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]

Publishing details: Macmillan, 2013, hc, dw, 240pp

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commercial artview full entry

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp

×

commercial art

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]

Publishing details: Macmillan, 2013, hc, dw, 240pp

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Summerleesview full entry

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp

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Summerlees

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]

Publishing details: Macmillan, 2013, hc, dw, 240pp

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Dobell William chapter 32view full entry

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp

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Dobell William chapter 32

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]

Publishing details: Macmillan, 2013, hc, dw, 240pp

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Leason Percy p130, 135view full entry

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]
Publishing details: Macmillan, 2013, hc, dw, 240pp

×

Leason Percy p130, 135

Reference: No Other Man, No Other Store, the extraordinasee Lloyd Jones Charles - ry life of Charles Lloyd Jones, Painter, patron and patriot by Jenny Cullen. [’Sir Charles Lloyd Jones was grandson of the founder of David Jones Ltd, and was Chairman of the retail giant for almost 40 years, until his death in 1958. But a lesser known fact about Sir Charles was that his first love was art.’ ‘Sir Charles Lloyd Jones always wanted to be an artist and, in his youth, studied painting for six and a half years, first at the Julian Ashton Art School in Sydney and then at the Slade in London. As grandson of the founder of David Jones Ltd., he eventually returned from London to play many important roles in the firm – firstly by revolutionising its advertising and later as Chairman of the Board for almost 40 years until his death in 1958.

Thought of as a friend by the firm’s employees, he encouraged sporting and social activities, installed health care facilities and took a personal interest in their families’ welfare in times of war or depression. He also instigated the expansion of the firm into new purpose-built architectually significant buildings in Sydney’s business centre and introduced Australia’s first mail-order service with delivery to regional NSW by air. If his innovative approach to many areas of retailing has become legendary, his contribution to the arts in Australia was equally profound. He shared with founder Sydney Ure Smith the publication of Art in Australia and The Home, both magazines of extreme importance to Australia’s cultural development. He was appointed first Chairman of the Australian Broadcasting Commission and an initial director of the Australian National Travel Association, now known as Tourism Australia. He became a long-term Trustee of the Art Gallery of NSW, established David Jones’ Art Gallery and through the Gallery and Art in Australia helped bring local and overseas artists to increasingly arts-interested Australian audiences.

All the while, he continued to paint – albeit on a very much part-time basis. This biography, written and researched by Sydney author Jenny Cullen and introduced by Professor Geoffrey Blainey, provides an exciting documentation of the life of a remarkable citizen, described in the title of the book as ‘Painter, Patron and Patriot’.’]

Publishing details: Macmillan, 2013, hc, dw, 240pp

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Parkinson Sydneyview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Parkinson Sydney

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Atkins Samuel ‘HMS Endeavour’view full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Atkins Samuel ‘HMS Endeavour’

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Hodges William 1744-1797 essayview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

×

Hodges William 1744-1797 essay

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Webber John essayview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

×

Webber John essay

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Carter George ‘Death of Captain Cook’view full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

×

Carter George ‘Death of Captain Cook’

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Bligh William related materialview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

×

Bligh William related material

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Raper George and John Hunter ‘King Parrot’view full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Raper George and John Hunter ‘King Parrot’

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Port Jackson Painter essayview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Port Jackson Painter essay

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Dayes Edwardview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

×

Dayes Edward

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Lewin John essayview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

×

Lewin John essay

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Lycett Joseph essayview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Lycett Joseph essay

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Close Edward Charles 1790-1866 essayview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Close Edward Charles 1790-1866 essay

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Earle Augustus 1793-1838 essay view full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Earle Augustus 1793-1838 essay

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Cherry George 1820-1878 photographerview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Cherry George 1820-1878 photographer

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Governor Arthur’s Proclamation to the Aboriginesview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Governor Arthur’s Proclamation to the Aborigines

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Roderick William Lewis scrimshaw artist view full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Roderick William Lewis scrimshaw artist

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Fitzsimons J engraved kingplateview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Fitzsimons J engraved kingplate

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Race to the Gold Diggins of Australia - childrens’ board gameview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Race to the Gold Diggins of Australia - childrens’ board game

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Strutt William 1825-1915 ‘Portrait of John Pascoe Fawkner’view full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Strutt William 1825-1915 ‘Portrait of John Pascoe Fawkner’

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Bettmann Otto 1862-1945 wooden bust of Henry Lawsonview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Bettmann Otto 1862-1945 wooden bust of Henry Lawson

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Rowan Ellis 1848-1922 essayview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Rowan Ellis 1848-1922 essay

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Budarick Wilson Horace 1879-1972 illustrated chartsview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Budarick Wilson Horace 1879-1972 illustrated charts

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Lindberg Erik 1873-1966 and Bertram Mackennal medalview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Lindberg Erik 1873-1966 and Bertram Mackennal medal

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Laufer Ulrich 1923-1943 cartoonview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Laufer Ulrich 1923-1943 cartoon

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Max Dupain ‘Opera House’ photographview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Max Dupain ‘Opera House’ photograph

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Utzon Jorn 1918-2008 models, essayview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Utzon Jorn 1918-2008 models, essay

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Olsen John Opera House journal and sketchesview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Olsen John Opera House journal and sketches

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Mabo Edward Koiki essay and drawingsview full entry

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]
Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

×

Mabo Edward Koiki essay and drawings

Reference: see Library of Dreams - Treasures from the National Library of Australia. [Interprets and celebrates a diverse selection of treasures from the rich and varied collections of the National Library of Australia. The book examines over 50 of the most popular items, page by page, in the Librarys collections, including: James Cook's Endeavour journal, William Bligh's notebook and list of mutineers, the only surviving Australian convict uniform, The original manuscript of Waltzing Matilda, William John Will's diary, Jrn Utzon's models for the design of the Sydney Opera House, the manuscripts relating to the trial of Lindy Chamberlain. Beautifully illustrated throughout, this souvenir publication examines what makes a national treasure and inspires readers to take a closer look at what libraries reveal about Australias heritage. The publication will appeal to a broad range of readers, in particular those with an interest in Australian history and anyone who loves beautiful, rare objects and appreciates Australian culture.’]

Publishing details: National Library of Australia, Canberra: 2011. Quarto, dustwrapper, 128 pp. colour photographs, illustrations

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Truganinniview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.)

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Truganinni

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.)

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Seeking the Centre: The Australian Desert in Literature, Art and Filmview full entry

Reference: Seeking the Centre: The Australian Desert in Literature, Art and Film by Roslynn D Haynes. [’The desert has a hypnotic presence in Australian culture, simultaneously alluring and repellent. The 'Centre' is distant and unknown to most Australians, yet has become a symbol of the country. This exciting book reveals the singular impact that the desert, both geographical and metaphorical, has had on Australian culture. At the heart of this highly illustrated full colour book is the profound relationship that Aboriginal Australians have with the desert, and the complex ways in which they have been seen by white people in this context. The various attempts to conquer and colonise the 'hideous blank' by nineteenth-century explorers is covered in illuminating ways. In the twentieth century the desert was rediscovered by travellers, artists, novelists, poets and film makers. More recently the desert has been promoted as a site for eco-tourism, new age enlightenment and environmental renewal.’]
Publishing details: Cambridge University Press, Cambridge England, 1998
xvi + 347 pp.with index,colour and b/w.illus.,d/j
Ref: 1000

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Seeking the Centre: The Australian Desert in Literature, Art and Film

Reference: Seeking the Centre: The Australian Desert in Literature, Art and Film by Roslynn D Haynes. [’The desert has a hypnotic presence in Australian culture, simultaneously alluring and repellent. The 'Centre' is distant and unknown to most Australians, yet has become a symbol of the country. This exciting book reveals the singular impact that the desert, both geographical and metaphorical, has had on Australian culture. At the heart of this highly illustrated full colour book is the profound relationship that Aboriginal Australians have with the desert, and the complex ways in which they have been seen by white people in this context. The various attempts to conquer and colonise the 'hideous blank' by nineteenth-century explorers is covered in illuminating ways. In the twentieth century the desert was rediscovered by travellers, artists, novelists, poets and film makers. More recently the desert has been promoted as a site for eco-tourism, new age enlightenment and environmental renewal.’]

Publishing details: Cambridge University Press, Cambridge England, 1998
xvi + 347 pp.with index,colour and b/w.illus.,d/j

Location: 1000

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Seeking the Centre: The Australian Desert in Literature, Art and Filmview full entry

Reference: see Haynes Roslynn D - Seeking the Centre: The Australian Desert in Literature, Art and Film by Roslynn D Haynes
Publishing details: Cambridge University Press, Cambridge England, 1998
xvi + 347 pp.with index,colour and b/w.illus.,d/j

×

Seeking the Centre: The Australian Desert in Literature, Art and Film

Reference: see Haynes Roslynn D - Seeking the Centre: The Australian Desert in Literature, Art and Film by Roslynn D Haynes

Publishing details: Cambridge University Press, Cambridge England, 1998
xvi + 347 pp.with index,colour and b/w.illus.,d/j

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Piron J Jview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Piron J J

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

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Petit Nicolas-Martinview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Petit Nicolas-Martin

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

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Lesueur Charles Alexandreview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Lesueur Charles Alexandre

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Tobin Georgeview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Tobin George

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Kelly Harry poster 1930view full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Kelly Harry poster 1930

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Glover John 1767-1849view full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Glover John 1767-1849

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Meredith Louisa Anneview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Meredith Louisa Anne

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Hext Charles Staniforthview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Hext Charles Staniforth

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

Close

Mundy Godfrey Charlesview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Mundy Godfrey Charles

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Monnin Marc Antoineview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Monnin Marc Antoine

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

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Allport Curzona Frances Louiseview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Allport Curzona Frances Louise

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Redmond Nview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Redmond N

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Lempriere Thomasview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Lempriere Thomas

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Tasmanian artview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Tasmanian art

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Tasmanian paintingview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Tasmanian painting

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Governor Davey’s Proclamation to the Aborigines 1816view full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Governor Davey’s Proclamation to the Aborigines 1816

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Dowling Robert view full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Dowling Robert

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Duterrau Benjamin view full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Duterrau Benjamin

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

Close

Scott Harrietview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Scott Harriet

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

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Prout John Skinnerview full entry

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]
Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

×

Prout John Skinner

Reference: see Tasmanian Visions - Landscapes in Writing, Art and Photography by Roslynn D. Haynes. [’TASMANIAN VISIONs, by the author of SEEKING THE CENTRE: THE AUSTRALIAN DESERT IN LITERATURE, ART AND FILM, traces the cultural reasons why particular landscapes have been privileged, reviled or ignored over the two centuries since Europeans arrived. Writings about Tasmania, from the records of the early explorers and settlers, the first Australian novel, Quintus Servinton, and Marcus Clarke's blockbuster His Natural Life, through the poetry of James McAuley, Gwen Harwood and Vivien Smith, to the novels of Christopher Koch, Richard Flanagan and Danielle Wood, indicate how these landscapes have both influenced, and been mythologised by, writers. Artists, too, have played a central role in teaching us to 'see'. Ninety-nine full-colour art reproductions trace the visual story of landscape from the delicate watercolours and engravings of the French voyagers to the innovative representations of wilderness in the superb photographs of Peter Dombrovskis and his successors and the stark outrage of contemporary environmentalist painters. This book is also for those seeking to understand the nature and needs of wilderness. It asks if we can move beyond wilderness to an appreciation of country, a concept which Indigenous peoples have understood for many centuries and are prepared to teach us.’]

Publishing details: Polymath Press, 2006.
Physical Description
xvi, 392 p. : ill. (some col.) with index

Location:

Close