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The Scheding Index of Australian Art & Artists

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Showing 158,397 records of 158,397 total. We are displaying one thousand.

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Justin Miller Artview full entry
Reference: Justin Miller Art, Worldwide Advisory, Spring/Summer 2014. Includes works by Streeton (The Hawkesbury-Nepean c1896), Sarah Stone
Publishing details: Justin Miller Art, 2014, 6pp folding card
Ref: 133
McDonald Frankview full entry
Reference: Vision Paper - The Frank McDonald Travelling Scholarship in Art History. Includes biographical details of Frank McDonald, art dealer, who ran Clune Galleries and 30 Victoria Street in Sydney.
Publishing details: 2013
Ref: 133
Lander J C Wview full entry
Reference: see Vickers & Hoad auction 25.10.14, lot 69a - : est AUD200 - AUD300
Description: J C W Lander, oil on panel/board, Australian Officer, possibly indigenous Australian, dated verso 1946, 29.5 cm x 24.5 cm
Leslie Cecil Mary view full entry
Reference: Cecil Mary Leslie (British, 1900-1980) exhibited in Australia. Cecil Mary Leslie was an engraver, portrait painter, sculptor and illustrator, who painted in a wonderfully evocative Art Deco style in the 1930s. She studied at the Royal Academy Schools, and exhibited from 1923 until 1939 at the Royal Academy; the Society of Women Artists; the Royal Glasgow Institute of the Fine Arts; the Walker Art Gallery, Liverpool; the New English Art Club; the Royal Society of British Artists; the Royal Cambrian Academy of Art; and the Royal Scottish Academy. Cecil Mary Leslie also exhibited in the USA, France, Czechoslovakia, the Netherlands, Australia and New Zealand. Leslie began illustrating children`s books in the 1930s, but was also an aquatint engraver and painter of portraits and still-lifes. She worked mainly in pen and ink, but used watercolours, crayon or chalk to add texture and provide highlights, as seen here. She always drew from life and her illustrations were well researched. Her home was in Blakeney, Norfolk,
Pilares Milan view full entry
Reference: Pilares , Milan ( Australian painter of the 20th century . )
Painting, Oil on canvas , Three Quarter Portrait of James Cook ?, signed lower right "Milan Pilares " and monogrammed " JHC " ?, 125 x 100 cm , elaborately framed in black lacquer tray with carved inner frame ( 150 x 125 cm ) , ~ 1990 , very good condition 1601 Milan Pilares is known for his paintings in the style of the 18th century , where he does not copy existing paintings or repeated , but mostly using typical motifs of different artists painted in the style [from Auktionshaus OWL
Art & Antiques - Lot 816 –     25 Oct 2014.
Kitch George Photographerview full entry
Reference: see The Blue Mountains - Images of the Past, 19th Century Albumen, Photographs, a rare collection of over 52 original albumen photographs c1880-90 taken by well known photographers Henry King, Charles Bayliss and George Kitch, featuring various vistas and landmarks of the Upper Blue Mountains.
Publishing details: Day Fine Art, 2014, limited edition
Harris George Fview full entry
Reference: From Sydney Morning Herald, Tuesday 17 June 1924 - MR. G. F. HARRIS'S DEATH.

The death occurred on Saturday at Sydney
Hospital of Mr George F Harris, who during
his short residonce in Sydney, was one of its foremost aitists particularly as a portrait
painter Mr Harris came to Sydney less than
four years ago but during that time received
lucrative commissions his works including the portraits of a number of prominent public
men Among theso are the portraits of the
Premier (Sir George Fuller) presented to
him on his return from England by members
of the Nationalist Club the late Sir Herbert
Maitland, Sir Joynton Smith Sir Owen Cox
Mr V. M Hughes ex Prime Minister, Mr
W H O Malley Wood president of the State
Savings Bank and the Most Wor. Bro. Thompson (ex Grand Master of the United Grand Lodge of treemasons of New South Wales). The last namod portrait hangisin a promlnent position in the Masonic Club. Among his well known pictures In Sydney are " Golden Wattle and ‘In the Larder’, which were included in his exhibits at lastjYear’s exhibition of the Royal Art Society. One of Mr Harris’s greatest pictures was that ot the King saluting the grave of an unknown soldier In Flanders. This was hung ¡n the Cardiff City Hall.
Before coming to Australia, Mr. Harris had
already won a place of honour in his profession. His first success was attained at the age of ten years, and during his career he had been a frequeut exhibitor at the Royal Academy and Walker's Art Galleries. Portrait, landscape, and still life came from his easol. Mr. Harris was born at Birmingham, but he subsequently went to London, and anually to Wales, where he lived at Tydfil, in the south. Here he became a prominent figure among artists, winning several prizes at Eistedfods for freehand, geometry, and model drawing. At Merthyr Tydfil Mr. Harris lived for 20 years, and later he moved to Cardiff. He was chairman and secretary of the Art Society of South Wales for many years. Two of his sons having settled in Perth Mr. Harris decided to follow them, and In 1920, with hies wife and seven other members of his family, arrived at Perth. He decided to settle In Sydney. Before leaving Cardiff he was presented with a handsome wallet containing a substantial cheque, and was made a life
member of the Art Society of South Wales.
His daughter, Miss Pixie Harris, is well
known In Sydney as a black and white artist, being a frequent contributor to the
Sydney Hail.
Both in Sydney and In Wales Mr. Harris
took a very keen interest in Masonic affairs.
He was a member of the Provincial Grand
Lodge, South Wales, and was Worshipful
Master of the Cambrian Loop of Freemasons at Merthyr, and was founder of Treforest Lodge, and eventually attained to the high office of the Provincial Senior Warden. On reaching Sydney Mr. Harris became a member of the Lodge Maroubra. Mr. Harris s survived by a widow, four sons -Cromwell, Claude, Marcus, and Olaf - and five daughters - Rosamund, Pixie, Esmo, and Patricia, and Mrs. Ruby Emmett.
The funeral of the deceased took place yes-
terday at Randwick Cemetery. The Rev. W.
Greenwood officiated, and among those present at the graveside were Messrs. Claude, Marcus, and Olaf Harris (sons), Captain B. Emmett (son-in-law), Dr. Bridge, and Messrs. Kenneth R. Olson, Arthur Garratt, Bacon, Goldman, N. Zlons, H Dudley, W. Williamson, A. B. Clarke, and J. Fenton. The Masonic Club was represented by Bro. Brlner (vlce-president), and Bros., M'Donald, W. Nesbitt, and F. M'Donald (directors).
Unwin Ernest Ewartview full entry
Reference: Offered at UK auction, Mellors & Kirk
Antiques & Objects including Silver & Jewellery, 29 Oct 2014 , Lot 421 – ERNEST EWART UNWIN (1881-1944) ERNEST EWART UNWIN (1881-1944) WHEATFIELD ON THE HILL OPOSSUM BAY TASMANIA; MOUNT WELLINGTON FROM SOUTH ARM TASMANIA; NEAR VEERE WALCHEREN THREE, ALL SIGNED AND INSCRIBED, THE LAST FURTHER INSCRIBED FROM SKETCH DONE SUMMER 1911, WATERCOLOUR, 24 X 34CM (3)
Harris George Fview full entry
Reference: Western Mail Friday June 27th 1924.

News was received at Merthyr on Thursday of the death in Australia of Mr. George F. HARRIS, a Welsh artist and exhibitor at the Royal Academy.
Mr. HARRIS, left Cardiff, where he spent twenty years of his life, for Sydney in 1921. Several of his works adorn the walls of the Cyfarthfa Castle Museum at Merthyr. and during his period of residence at Cardiff he became president of the South Wales Art Society. Aged 68 years, he was a son of the late Mr. C. HARRIS, photographer, Merthyr, whose business at Wesley House is now being carried on by another son, Mr. C.A. HARRIS. The third of the brothers, Mr. A.E. HARRIS, is a well known artist in Calcutta, where he has resided for many years. The late Mr. G.F. HARRIS is survived by a widow and an adult family.
Blazeview full entry
Reference: Blaze - Visual Art and Writing from the Contemporary Art Centre of South Australia, 1990-2002. An anthology drawn from the Contemporary Art Centre of SA’s exhibition and publishing programs, including Broadsheet magazine, illustrating the quality and breath of contemporary art practice presented at the CACSA during these years and serving as a partial record of South Australia’s developing visual art culture. Edited by Alan Cruickshank, Michael Newall and Ian North
Some of the 67 artists represented are John Nixon, Aleks Danko, Fiona Hall, Hossein Valamanesh, Simryn Gill, Matthew Ngui, Brooke Andrew, Kate Beynon, Jenny Watson, Sally Smart, Patricia Piccinini, John Barbour, Patricia Piccinini, Gordon Bennett, Scott Redford and Ronnie van Hout; while some of the 44 writers are Richard Grayson, Christopher Chapman, Angus Trumble, Ian North, Adam Geczy, Yao Souchou, Blair French, Ken Bolton, Lee Weng Choy, Michael Newall, Ted Colless, Noel Sheridan and Nikos Papastergiadis.

Publishing details: Parkside, South Australia Contemporary Art Centre of South Australia Inc., 2003.
Edition 500.

Ref: 1000
Wallace-Crabbe Robinview full entry
Reference: Robin Wallace-Crabbe - Australian National University Creative Arts Fellow 1996, exhibition curated by Sasha Grishin. Essay, biographical information, exhibition list, illustrations.
Publishing details: ANU Drill Hall Gallery, cannerra, 1996, pb, 32pp
Frissonview full entry
Reference: Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Boggon Sharonview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Burruwal Bobview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Collett Annabelleview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Collins Christineview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Daw Robynview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Lindsay Saraview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Gallegos Elenaview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Kirk Valerieview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Kik Charmaine view full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Lawrence Jennyview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Lawrence Kayview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Leong Gregory James Kwok-Keungview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Minaxi Mayview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
McDougall Ruthview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Narrogin Artistsview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Bolton Mavisview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Riley Elizabethview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Riley Jeanview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Power Anne Marieview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Rasmussen Pearlview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Robertson Jenniferview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Ryder Julieview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Szulc Rose Marieview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Valimaki Arjaview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
van Keppel Elsje view full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Whiteley Janeview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Williamson Lizview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Yarinkura Lenaview full entry
Reference: see Frisson - 14th Tamworth Fibre Textile Biennial. Extensive biographical information on the 27 textile artists exhibiting
Publishing details: Tamworth City Gallery, 2000, pb, 44pp
Tamworth Fibre Textile Biennialsview full entry
Reference: Tamworth Fibre Textile Biennials. The catalogue of the 14th Biennial has been indexed. [Others to be Indexed].
Publishing details: Tamworth City Gallery,

Harris George Fview full entry
Reference: Biographical information from obituaries. Folder of information includes an image of a painting by Harris, an elegant Edwardian interior which appears to show a man reflected in a floor to ceiling mirror and which may be a self portrait. Dated 1921.
Ref: 133
Howitt Phoebe or Phebeview full entry
Reference: Edith Thompson, nee Anderson, on the verso of a form headed "Centenary of the State of Victoria and the City of Melbourne 1934-1935": "I have a medal awarded to her at the 1854 Exhibition for paintings of flowers etc. It has her name "Phoebe Howitt" round the edge with the date etc."; MS 12938, 3692/4. Godfrey Howitt Papers. LaT. A. MS. Coli., SLY. The Howitt family were patrons of artists in Melbourne c1850 including Thomas Woolner.
Howitt familyview full entry
Reference: While as a Quaker, Phebe Howitt had little background in the fine arts, she began to
exercise patronage in support of her artist friends, most of who arrived with the gold rush
in I X52. With it came Godfrey Howitt's elder brother, William, a famous English author.
In London in I X 50, Willian1 and Mary Howitt's daughter, the fen1inist painter and writer,
Anna Mary, had become engaged to Edward LaTrobe Bateman. A brilliant designer and
cousin of Superintendent La Trobe, BatCinan introduced the young, still struggling PreRaphaclitc
artists with whom he was closely associated, to the English Howitts. Arriving
in Melbourne in l X52, William was followed shortly afterwards by Bateman and two
artists, including the Pre-Raphaclite sculptor, Thon1as Woolner. The gold rush also
attracted Eugene von Guerard, and Nicholas Chevalier in due course. In 1856, as a guest
of the Howitts' on her first Victorian visit, Louisa Anne Meredith, writer, botanical artist and social commentator, was introduced to their artistic and literary circle.
Pennock Colinview full entry
Reference: Colin Pennock - Pioneer. Includes essay on artist by Elli Walsh
Publishing details: Arthouse Gallery, 2014, 12pp
Ref: 222
Bergin Kateview full entry
Reference: Unstill Lives, invite, 4 illustrations, artist’s statement
Publishing details: Mossgreen, 2014, 6-page folding card
Ref: 222
Hope Margaret Anderson (1848-1934)view full entry
Reference: From Douglas Stewart Fine Books, Oct 2014: Overlooking the Derwent River from Mt. Wellington, 1919.
HOPE, Margaret Anderson (1848-1934)
# 9615
Watercolour on paper, 340 x 500 mm, signed and dated lower right, M.A. Hope 1919, in fine condition, framed.
A highly competent landscape painting by an important Australian female botanical artist.
'Painter, wax modeller and art teacher, Hope was born in Tasmania on 24 May 1848 and educated at Miss Garrett’s Ladies College in Hobart. She gained a reputation for her paintings of Tasmanian wildflowers on wooden table tops and other furniture, which she exhibited widely. Her album, "Wildflowers of Tasmania", is held at the Allport Library and Museum of Fine Arts, which also owns an album of paintings by women artists presented in 1883 to Lady Smith, wife of the Governor of Tasmania, that includes some of her watercolour and gouache wildflower paintings. At the 82nd meeting of the Photo Science and Art Association of Tasmania, Hope showed "two very beautiful oil colour sketches": a view of Mount Direction and one of the Upper Derwent. Her series of drawings of the poisonous plants of Queensland was published as identification for stock-owners, Backhouse states.' (Joan Kerr, DAAO)
Wiggins W Aview full entry
Reference: See Douglas Stewart Fine Books, Oct 2014: Greetings from Sydney : reproductions of exquisite pencil drawings. WIGGINS, W.A.
# 9602 Cover title: Drawings of Sydney.
Copies are recorded in two Australian collections (State Library of New South Wales; State Library of Queensland). 


Publishing details: [Sydney : Luxton and Hooper, c.1932]. Small oblong quarto, publisher's printed card covers with pictorial onlay to upper wrapper (mild edge wear), original silk ties, [19] leaves with reproductions of Wiggins' drawings to rectos, with views of city streets and scenes around the harbour, including the Sydney Harbour Bridge, both under construction and newly completed; contents clean and sound. Scarce.
Ref: 1000
Wedd Montyview full entry
Reference: From Douglas Stewart Fine Books, Oct 2014: [PULP FICTION] Hell-Town
MORGAN, Erle; [MONTY WEDD, illustrator]


Apparently unrecorded in Australian collections.


Publishing details: Diamond Western Series. Sydney : Malian Press, [c.1950]. Octavo, pictorial wrappers with lurid design by Sydney artist Monty Wedd, 34 pp,
Ref: 1000
Galle Ritaview full entry
Reference: From Douglas Stewart Fine Books, Oct 2014: Libro de payasos y bufones
BRASCHI, Giannina; GALLE, Rita (artist, b. 1928)

[Book of clowns and buffoons]. 
Publishing details: Milan: Grafica Uno, 1987. Edition limited to 125 numbered and signed copies numbered 1 to 99 and I to XXVI (this copy out of series, but signed by author and arist, a presentation copy from the printer Giorgio Upiglio to the Italian-Australian artist Bruno Leti, with a handwritten note by Upiglio loosely inserted). Small quarto, an unbound book of 11 folded sheets, containing 5 aquatints by Rita Galle to a text by Giannina Braschi, plates printed by Giorgio Upiglio, text printed by Ruggero Olivieri, printed on magnani de pescia mould-made paper, in card portfolio with Galle's design to front, housed in marbled card slipcase, a fine copy. A single copy is recorded in Australian collections (National Gallery of Australia).
Ref: 1000
Galle Ritaview full entry
Reference: From Douglas Stewart Fine Books, Oct 2014: Sistemi di equilibrio
VANNUCCHI, Sergio; GALLE, Rita (artist, b. 1928)

Publishing details: Milano : Saggio Monografico, 1986. 'Tre poesie di Sergio Vannucchi e tre incisioni all'acquaforte di Rita Galle. Edizione tirata il 5 maggio 1986 coi torchi di Giorgio Upiglio in 86 esemplari, fuori commercio, numerati da 1 a 60 e da I a XXVI, firmati dagli autori [signature of Sergio Vannucchi]. Questo e' l'esemplare n. 39/60'. (colophon) Limited to editions of 60 and 26 copies, all hors commerce, this copy one of the edition of 60, signed and numbered, with three original aquatints by Rita Galle. Small quarto, printed wrappers over limp covers, 19 pp, printed on watermarked paper, a fine copy. 
No other copy traced in collections worldwide. The National Gallery of Australia holds copies of Galle's Song of songs and Libro de payasos y bufones, as well as a file on the artist.
Ref: 1000
Rentoul Annieview full entry
Reference: From Douglas Stewart Fine Books, Oct 2014: Australian songs for young and old.
RENTOUL, Annie R.

Publishing details: Melbourne: Allan & Co., [1924]. Oblong quarto, illustrated wrappers (the cover illustration the brown and orange version), inscription inside front wrapper, 28 pp., illustrated. Imperial edition 335. First published 1907. Muir 6339.
Ref: 1000
Read Kate and Mariaview full entry
Reference: Dominic Winter auction, UK, Nov 2014,
*Australia. `Camping Out`, `Aboriginal Sepulchre`, and `Wool drays on the Blue Mountains`, c.1868, watercolour, pen and ink over pencil on paper, one signed Maria Read and dated 27/2/68 to lower left, another signed Kate Read and indistinctly dated to lower right, each laid down and captioned in a contemporary hand, some spotting and staining, largely not affecting the image, 18 x 25.4cm (7 x 10ins) and similar (3)
Bayliss Charlesview full entry
Reference: see The Blue Mountains - Images of the Past, 19th Century Albumen, Photographs, a rare collection of over 52 original albumen photographs c1880-90 taken by well known photographers Henry King, Charles Bayliss and George Kitch, featuring various vistas and landmarks of the Upper Blue Mountains.
Publishing details: Day Fine Art, 2014, limited edition
Blue Mountains The - Images of the pastview full entry
Reference: see The Blue Mountains - Images of the Past, 19th Century Albumen, Photographs, a rare collection of over 52 original albumen photographs c1880-90 taken by well known photographers Henry King, Charles Bayliss and George Kitch, featuring various vistas and landmarks of the Upper Blue Mountains.
Publishing details: Day Fine Art, 2014, limited edition
Ref: 1000
King Henryview full entry
Reference: see The Blue Mountains - Images of the Past, 19th Century Albumen, Photographs, a rare collection of over 52 original albumen photographs c1880-90 taken by well known photographers Henry King, Charles Bayliss and George Kitch, featuring various vistas and landmarks of the Upper Blue Mountains.
Publishing details: Day Fine Art, 2014, limited edition
Smith J (Tasmania)view full entry
Reference: see Tullochs Auction, Launceston, 26 Nov 2014: Lot 733 - J. Smith - Oil on canvas - The Barque Petrel entering the Tamar River, Low Head 1849 45cm x 64cm - signed & dated - This extremely rare painting is the only known work depicting the Petrel, which was built at the Rotherhithe yard of G. Birnie at Gravelly Beach on the Tamar in 1848. Petrel was a blue gum clipper of 195 tons and this work also depicts the rarely recorded original lighthouse at Low Head est $4000-6000
Higgs Joshuaview full entry
Reference: see Tullochs Auction, Launceston, 26 Nov 2014: Lot 824 - Joshua Higgs Snr - unsigned watercolour - North West Tasmania c1900 - housed in Huon Pine frame 24cm x 50cm est $600-1000
Irving Jamesview full entry
Reference: see Joels auction - December Fine Art Auction (#2122014)
02/12/2014 6:30 PM CATALOGUE Lot 7 - JAMES IRVING (c.1862-1906)  
$1,500 - $2,500
Camper 1898
oil on board
46 x 39cm
signed and dated lower right: J Irving '98.

Enthusiastic amateur painter.
Elischer Johann Wolfgang view full entry
Reference: see Great Fine Art Auction No. 161
by Kunstauktionshaus Schloss Ahlden
November 29, 2014, 11:00 AM CET
Ahlden, Grosse Str. 1, Germany
Lot 458. Estimated Price: €720 - €800
Description: (1891 Wien - 1966 Australien) 
Den Tieren predigender alter Eremit 
Bronze, braun patiniert. Sign. und nummeriert. Dunkelgrauschwarzer, hell geäderter Marmorsockel. Ges.-H. 24,5 cm. 
Old hermit preaching the animals. Brown patinated bronze. Signed and numbered. Marble base.
Martin Florence Beresford view full entry
Reference: see Quarterly Fine Art Auction
by Roseberys
December 9, 2014, 10:00 AM GMT
West Norwood, United Kingdom
Lot 616. Estimated Price: £300 - £500
Description: Florence Beresford Martin, Australian 1908-1984- Promenade; oil/tempera on board, signed, bears title to reverse, 41x50.5cm


Frith Henry. view full entry
Reference: see Douglas Stewart Fine Books, 720 High Street Armadale VIC 3143 Australia, New Acquisitions December 2014. TASMANIAN ABORIGINES] Maryann, William Lanne, Bessy Clark and Truganini.
FRITH, Henry Albert, active 1858-1864; BAILY, Henry Hall
# 8954
Circa 1867. Albumen print photograph by Henry Hall Baily reproducing the central portion of an image originally taken by Henry Frith a few years earlier in 1864, carte de visite format, 63 x 103 mm, left margin recto with imprint of 'H.H. Baily, Photo, Hobart Town', verso with the full imprint of 'H.H. Baily, from the London School of Photography, Prize Medallist, Highest Award for Album Portraits Melbourne Exhibition 1866-67. 94 Liverpool Street Hobart Town. Tasmanian views from all parts of the island'; both the albumen print and mount are in fine condition.
The English photographer Henry Frith was resident in Tasmania between 1857 and 1867. In September 1864 he was commissioned to take a series of portraits of the last remaining Palawa people at Oyster Cove. This version of one of Frith's portraits from that series was published by the Tasmanian studio of H.H. Baily within a short time of Frith's departure for New Zealand in 1867. Frith is recorded as having sold his portrait negatives to George Cherry in May 1867, but it is unclear whether Baily also acquired some negatives directly from Frith, or whether he paid Cherry for the right to reproduce and sell them in carte de visite format.
The National Library of Australia holds in its collection a print of the original Frith photograph (nla.pic-an6589396-82), which bears the manuscript title Aborigines, the last of the race, Tasmania. (Exhibited: In a New Light: Australian Photography 1850s-1930s, National Library of Australia, 9 Oct. 03-26 January 2004).
$ 1,500.00 AUD

Baily Henry Hallview full entry
Reference: see Douglas Stewart Fine Books, 720 High Street Armadale VIC 3143 Australia, New Acquisitions December 2014. TASMANIAN ABORIGINES] Maryann, William Lanne, Bessy Clark and Truganini.
FRITH, Henry Albert, active 1858-1864; BAILY, Henry Hall

Circa 1867. Albumen print photograph by Henry Hall Baily reproducing the central portion of an image originally taken by Henry Frith a few years earlier in 1864, carte de visite format, 63 x 103 mm, left margin recto with imprint of 'H.H. Baily, Photo, Hobart Town', verso with the full imprint of 'H.H. Baily, from the London School of Photography, Prize Medallist, Highest Award for Album Portraits Melbourne Exhibition 1866-67. 94 Liverpool Street Hobart Town. Tasmanian views from all parts of the island'; both the albumen print and mount are in fine condition.
The English photographer Henry Frith was resident in Tasmania between 1857 and 1867. In September 1864 he was commissioned to take a series of portraits of the last remaining Palawa people at Oyster Cove. This version of one of Frith's portraits from that series was published by the Tasmanian studio of H.H. Baily within a short time of Frith's departure for New Zealand in 1867. Frith is recorded as having sold his portrait negatives to George Cherry in May 1867, but it is unclear whether Baily also acquired some negatives directly from Frith, or whether he paid Cherry for the right to reproduce and sell them in carte de visite format.
The National Library of Australia holds in its collection a print of the original Frith photograph (nla.pic-an6589396-82), which bears the manuscript title Aborigines, the last of the race, Tasmania. (Exhibited: In a New Light: Australian Photography 1850s-1930s, National Library of Australia, 9 Oct. 03-26 January 2004).
$ 1,500.00 AUD

Ward-Thompson Ramonview full entry
Reference: 'The Life and Art of Ramon Ward-Thompson,' by Philip Derriman. [Ramon Ward Thompson. Born; 1942, New South Wales. ]

Publishing details: Limited edition of 1000, signed by the artist. Printed by Link Printing 1994. Leather bound.
Ref: 1000
Egan Jamesview full entry
Reference: James Egan.  Australian painter  with works held in Buckingham Palace, Moscow Parliament  (?) Born in 1929.
Lynn Mathewview full entry
Reference: From Day Fine Art, Blackheath NSW, Dec., 2014: Artist Mathew Lynn lives and works in Blackheath in the Blue Mountains west of Sydney Australia.  He is known mainly as a portraitist, working on public and private commissions in Australia and the UK, and has been a finalist many times in the Archibald Prize for Portraiture, held annually at the Art Gallery of New South Wales. Twice a runner-up and also voted Peoples Choice in this competition, the Archibald Prize has perhaps the highest profile of all Australian art prizes, he also won the Packers Prize in 2013 with a portrait of Tara Moss. His portraits can be found in major institutions, including the National Portrait Gallery Canberra and Government House Sydney, and he has been included on the register of artists for the Historic Memorials Committee (Australia Council for the Arts).  
 
In June 2010 he won the Shirley Hannan National Portrait Award (Bega Valley Regional Gallery) for his portrait of sinologist and author Pierre Ryckmans, judged by writer and art critic John McDonald.  More recently he was a finalist in the 2014 Archibald Prize with his portrait of artist Ken Unsworth.
 
His other works include landscapes, figurative works and figures in the landscape, and are generally drawings or oils.  With these he is interested in a kind of heightened almost abstracted pure composition, which often looks at the way people inhabit and relate to the natural and man-made world, and especially where those two worlds come together.  They are generally on an intimate scale and are inspired by familiar places observed at different times, and also places he has visited on his travels in Australia and abroad, Paris being of particular interest in recent times. In 2012 and 2014 he was a finalist in the Jacaranda Acquisitive Drawing Award, in 2012 a finalist in the final Dobell Prize for Drawing, in 2013 he was a finalist and commended in the Adelaide Perry Prize for Drawing and was also a finalist in 2014, all with works of this kind.  Invited to submit for the 2013 Kedumba Drawing Award, his work was acquired by judge Angus Nivison for the Kedumba Collection of Australian Drawings. 
 
In May 2013 he exhibited a selection of drawings and paintings with Catherine Asquith Gallery, Melbourne - Mise en scène.  In July 2013 he exhibited paintings in a group exhibition with Damien Minton Gallery, Sydney - Nocturne.  In December 2013 he was invited by curator Rilka Oakley to exhibit drawings in a group exhibition at the Blue Mountains Cultural Centre - Keepsake.  In September 2014 the official portrait was unveiled of Her Excellency Professor The Honourable Dame Marie Bashir AD, CVO  Governor of NSW
Green Olive Duttonview full entry
Reference: from Ebay 15.12.2014: OLIVE DUTTON GREEN (1878-1930)  AUSTRALIAN PAINTER.  BORN IN ADELAIDE.  STUDIED IN LONDON UNDER FRANK SPENLOVE-SPENLOVE.  EXHIBITED ADELAIDE, LONDON & PARIS; MEMBER OF THE SOUTH AUSTRALIAN SOCIETY OF ARTS; SOCIETY OF WOMEN ARTISTS; ROYAL INSTITUTE OF OIL PAINTERS.

Pencil drawing by Olive Dutton Green circa 1922, a windmill.  Unsigned. Drawn on paper from one of her sketch albums. 
 
I recently acquired the studio collection of Olive Dutton Green.  The collection was for some time in the possesion of her sister Mrs G. Cavenagh Mainwaring who also lived in England.
Nampitjinpa Nyurapayia (Mrs Bennett)view full entry
Reference: The Art of Nyurapayia Nampitjinpa
(Mrs Bennett) By Ken McGregor & Ralph Hobbs

Publishing details: Macmillan Art Publishing, Melbourne, 2014
Ref: 1000
Newberry Angelaview full entry
Reference: see Roseberys Auction, 74-76 Knights Hill, London, United Kingdom, lot 7 7.12.15 -
Angela Newberry, British/Australian b.1934- "Proteas in a Landscape"; linocut printed in colours, signed, titled and inscribed A/P in pencil, 46x38cm, (may be subject to Droit de Suite) Note: Angela Newberry is a graduate of the Royal College of Art and established her printmaking studio in 1984. Newberry now divides her time between studios in the UK and in Australia. Her imagery is inspired by the Australian landscape
Reyntiens Patrickview full entry
Reference: see Roseberys Auction, 74-76 Knights Hill, London, United Kingdom, lot 8, 7.12.15 -
Anne Bruce, British 1927-2006- "Oh Fort Bay, Jamaica"; watercolour, signed in pencil, 34.7x49cm: together with seven further watercolours by the same hand entitled "Connemara from St. Martins, Isles of Scilly", "from St. Martins, Isles of Scilly", "Isles of Scilly from St. Agnes", "The River in the Rain", "St. Martins, Isles of Scilly" "Looking over to Little Arthur, St. Martins, Isles of Scilly" and "Hornsbury Mill. Chard, Somerset", ea. signed in pencil, ea. approx. 29x40cm, (8) (may be subject to Droit de Suite) Note: Anne was the eldest daughter of an Army Brigadier, Ian Bruce, and so from her earliest days she was travelling. Bruce's later paintings were an attempt to capture the inundation of memories she had from those days as a child. Bruce also travelled extensively with her husband Patrick Reyntiens, the acclaimed stained glass artist, visiting Europe, the USA, Mexico, Canada, India, Cyprus, Turkey and Australia.
Bruce Anneview full entry
Reference: see Roseberys Auction, 74-76 Knights Hill, London, United Kingdom, lot 8, 7.12.15 -
Anne Bruce, British 1927-2006- "Oh Fort Bay, Jamaica"; watercolour, signed in pencil, 34.7x49cm: together with seven further watercolours by the same hand entitled "Connemara from St. Martins, Isles of Scilly", "from St. Martins, Isles of Scilly", "Isles of Scilly from St. Agnes", "The River in the Rain", "St. Martins, Isles of Scilly" "Looking over to Little Arthur, St. Martins, Isles of Scilly" and "Hornsbury Mill. Chard, Somerset", ea. signed in pencil, ea. approx. 29x40cm, (8) (may be subject to Droit de Suite) Note: Anne was the eldest daughter of an Army Brigadier, Ian Bruce, and so from her earliest days she was travelling. Bruce's later paintings were an attempt to capture the inundation of memories she had from those days as a child. Bruce also travelled extensively with her husband Patrick Reyntiens, the acclaimed stained glass artist, visiting Europe, the USA, Mexico, Canada, India, Cyprus, Turkey and Australia.
Art of Australian Geographic Illustrationview full entry
Reference: The Art of Australian Geographic Illustration. Composed by Alasdair McGregor, ‘the 224 pages highlight some of Australia's most iconic animals and natural phenomena. - Featuring beautiful illustrations of Australia's unique landscapes, rare animals and timeless locations, the Art of Australian Geographic Illustration is a visual masterpiece.’ [To be indexed]
‘Alasdair McGregor is a member of the Australian Society of Authors and Sydney Legacy. The occasional contributor to various magazines and journals, McGregor has written pieces for such household names as Australian Book Review and Australian Geographic. Working in the field, McGregor has had experiences in Antarctica, New Zealand and remote Australia - ‘some of what has been captured in this magnificent book.’
[’Twenty seven years of excellence in illustration is celebrated in this sumptuously illustrated book from Australian Geographic. The illustrator's art has been one of the cornerstones of Australian Geographic since Banjo the platypus graced the cover of the first issue in 1986. Photo-realistic illustrations of native fauna appeared on each cover for the first 83 issues. Inside the pages of Australian Geographic, illustration has been used to explain complex data, recreate scenes from our ancient past or simply to show us nature in all its detailed glory and continues to be a vital storytelling tool. This gorgeous book boasts 224 pages of beautiful images from many of Australia's finest natural history artists. Enjoy the chance to see many familiar scenes in a whole new light as they feature as artworks in their own right. The book is packed with depictions of Australia's fauna and flora as rendered by the finest illustrators and features words from award winning writer and artist Alasdair McGregor.’]
Publishing details: Australian Geographic, 2013, 224pp
Ref: 1000
Remembering the Futureview full entry
Reference: Remembering the Future - Warlpiri Life throgh the prism of dreaming, by Dr Melinda Hinkson. [exhibition was curated for the National Museum of Australia by Dr Melinda Hinkson, Australian National University, in collaboration with the Australian Institute of Aboriginal and Torres Strait Islander Studies, Warlukurlangu Artists Aboriginal Corporation and Warnayaka Art and Cultural Aboriginal Corporation, Mrs Joan Meggitt, Pintupi Anmatyerre Warlpiri Media Association, and the assistance of the traditional owners and community members of Yuendumu and Lajamanu.]
Publishing details: Aboriginal Studies Press, Canberra., 2015
Ref: 1000
Parallel Collisions view full entry
Reference: PARALLEL COLLISIONS: 2012 Adelaide Biennial of Australian Art Curated by Natasha Bullock and Alexie Glass-Kantor. [The Art Gallery of South Australia presents  Parallel Collisions: 12th Adelaide Biennial of Australian Art. This exhibition is the only major biennial dedicated solely to presenting contemporary Australian art and is a flagship exhibition of the Adelaide Festival. 

Parallel Collisions explores the ways in which ideas form, converge and re-form through time. The 21 artists in the exhibition employ the resources of the past - imagery, materials, processes or research from literature, cinema and art history - to reimagine the past in the present or even visualise the future. 

Parallel Collisions is both the title and the conceptual framework of the exhibition. This term may at first seem a contradiction. Parallel lines, after all, cannot meet when considered in purely spatial terms however, with the added dimension of time, collision becomes possible. Presented across two physical platforms – the Elder Wing of Australian Art and the temporary exhibitions galleries – the biennial brings the past into dialogue with the present. ] Artists: Richard Bell
Stephen Bram
Pat Brassington
Philip Brophy
Robert Cook vs Max Pam
Timothy Cook
Daniel Crooks
Nicholas Folland
Pat Foster & Jen Berean
Marco Fusinato
Shaun Gladwell
Susan Jacobs
Jonathan Jones
Yvonne Koolmatrie
Rosemary Laing
Rob McLeish
Tom Nicholson
Philip Samartzis
Tim Silver
Ricky Swallow
Michelle Ussher

Parallel Collisions explores the ways in which ideas form, converge and re-form through time. The 21 artists in the exhibition employ the resources of the past - imagery, materials, processes or research from literature, cinema and art history - to reimagine the past in the present or even visualise the future. 

Parallel Collisions is both the title and the conceptual framework of the exhibition. This term may at first seem a contradiction. Parallel lines, after all, cannot meet when considered in purely spatial terms however, with the added dimension of time, collision becomes possible. Presented across two physical platforms – the Elder Wing of Australian Art and the temporary exhibitions galleries – the biennial brings the past into dialogue with the present.
Publishing details: AGSA, 2012
Ref: 1000
Fuller Warwickview full entry
Reference: Warwick Fuller by Sean Murphy [Warwick Fuller has painted the Australian landscape for over thirty-five years, during which time he has built a solid reputation, boasting career highlights such as serving as the Official Tour Artist during the Royal tour of Australia in 2012. Four of Fuller’s resulting paintings were acquired by the Prince of Wales and now reside in his private collection. Wishing to showcase his work in a creative and lasting way, he conceived of a book in which each painting was interpreted in poetry. A chance mention of his idea to acclaimed ABC journalist Sean Murphy led to the shy disclosure of some of Murphy’s own, as yet unpublished, poetry. Impressions & Interpretations was underway.  Murphy’s poetry adds a second dimension to the paintings, an added guidance with which to navigate that void between artwork and viewer. In some, he has restored what is no longer visible: the experience of painting. He illuminates the burdens, blessings and emotional cycles that are part of that particular creative act. More often though, Murphy focuses on the subject matter, weaving from the paint a story, sometimes personal, sometimes metaphoric, sometimes expanding upon the physical location and its myths and history. Both poem and painting can exist independently, yet together each enhances the other.
Impressions & Interpretations is a work of art in itself, a celebration of human creativity in words and paint. It is the Unique Australian Art Book on Warwick Fuller  perfect introduction to Fuller’s work, and for those already enamoured of his work, it is a new and unique insight into his passion and motivations. After such a unique creative undertaking, one can only anticipate with excitement what will come next for both Fuller and Murphy. Book review by arts writer – Caterina Leone].
Publishing details: Lost Bear Gallery (?) 2014
Ref: 1000
Hannaford Robertview full entry
Reference: Exhibition invite, Artarmon Galleries, Nov-Dec 2014, 8 colour illustrations
Publishing details: Artarmon Galleries, 2014, 4pp
Ref: 222
Porter Hobieview full entry
Reference: Mossgreen Galleries, Hobie Porter - Nature’s Redesign, exhibition invite with short essay by Dr Sirleen Huda. 3 colour illustrations
Publishing details: Mossgreen Galleries, 2014, 4pp
Ref: 222
Sydney Modernsview full entry
Reference: see Look Magazine Dec 2014 - Jan 2015, Building up our holdings of Sydney moderns;’ by Denise Mimmochi
Publishing details: AGNSW 2014
Drinkwater Jamesview full entry
Reference: see Look Magazine Dec 2014 - Jan 2015, Whiteley Scholarship winner, article by Sarah Couper
Publishing details: AGNSW 2014
Nolan Sidneyview full entry
Reference: see Look Magazine Dec 2014 - Jan 2015, “Mr Nolan, I Presume - the search for Sidney in the Wilds of Uganda’ article by Andrew Turley
Publishing details: AGNSW 2014
Lamborn Williamview full entry
Reference: see Australiana Magazine, November 2014, vol 36 no 4, Goldrush Jewellers of Melbourne and Dunedin: Wagner & Wollett, Lamborn & Wagner and Wollett & Hewitt, article by Michael Reymond
Woolett Samuelview full entry
Reference: see Australiana Magazine, November 2014, vol 36 no 4, Goldrush Jewellers of Melbourne and Dunedin: Wagner & Wollett, Lamborn & Wagner and Wollett & Hewitt, article by Michael Reymond
Cantle John Mitchell 1849 - 1919view full entry
Reference: see Australiana Magazine, November 2014, vol 36 no 4, reference to upcoming monograph on the artist.
Purnell Annie St Clairview full entry
Reference: see Australiana Magazine, November 2014, vol 36 no 4, Miss Purnell’s wildflower screen, article by Lesley Brooker
Tipuamantumirri Cornelia and Deloresview full entry
Reference: Martin Browne Contemporary exhibition invite. 5 colour illustrations
Publishing details: Martin Browne Contemporary, 2014, 6-page folding card with inserted price list
Ref: 222
Winterludeview full entry
Reference: Winterlude : the painting expeditions of Nicholas Canosa, Patrick Carroll, Alvaro Catagnet, Herman Pekel, and Joseph Zbukvic. By Peter Pinson. [Includes Includes selected works by the artists, a chronology of ‘paint outs’, or painting excursions, and exhibitions, and short biographies.]
Publishing details: Hargrave Chambers, N.S.W. : Nick Canosa, 2007 
130 p. : ill. (some col.)
Canosa Nicholas view full entry
Reference: Winterlude : the painting expeditions of Nicholas Canosa, Patrick Carroll, Alvaro Catagnet, Herman Pekel, and Joseph Zbukvic. By Peter Pinson. [Includes Includes selected works by the artists, a chronology of ‘paint outs’, or painting excursions, and exhibitions, and short biographies.]
Publishing details: Hargrave Chambers, N.S.W. : Nick Canosa, 2007 
130 p. : ill. (some col.)
Carroll Patrick view full entry
Reference: Winterlude : the painting expeditions of Nicholas Canosa, Patrick Carroll, Alvaro Catagnet, Herman Pekel, and Joseph Zbukvic. By Peter Pinson. [Includes Includes selected works by the artists, a chronology of ‘paint outs’, or painting excursions, and exhibitions, and short biographies.]
Publishing details: Hargrave Chambers, N.S.W. : Nick Canosa, 2007 
130 p. : ill. (some col.)
Catagnet Alvaro view full entry
Reference: Winterlude : the painting expeditions of Nicholas Canosa, Patrick Carroll, Alvaro Catagnet, Herman Pekel, and Joseph Zbukvic. By Peter Pinson. [Includes Includes selected works by the artists, a chronology of ‘paint outs’, or painting excursions, and exhibitions, and short biographies.]
Publishing details: Hargrave Chambers, N.S.W. : Nick Canosa, 2007 
130 p. : ill. (some col.)
Pekel Herman view full entry
Reference: Winterlude : the painting expeditions of Nicholas Canosa, Patrick Carroll, Alvaro Catagnet, Herman Pekel, and Joseph Zbukvic. By Peter Pinson. [Includes Includes selected works by the artists, a chronology of ‘paint outs’, or painting excursions, and exhibitions, and short biographies.]
Publishing details: Hargrave Chambers, N.S.W. : Nick Canosa, 2007 
130 p. : ill. (some col.)
Zbukvic Joseph view full entry
Reference: Winterlude : the painting expeditions of Nicholas Canosa, Patrick Carroll, Alvaro Catagnet, Herman Pekel, and Joseph Zbukvic. By Peter Pinson. [Includes Includes selected works by the artists, a chronology of ‘paint outs’, or painting excursions, and exhibitions, and short biographies.]
Publishing details: Hargrave Chambers, N.S.W. : Nick Canosa, 2007 
130 p. : ill. (some col.)
Kapociunas Vytasview full entry
Reference: born Lithuania 1943, studied South Australian School of Art, travelled Spain, France and Britain.
Emanuel Cedricview full entry
Reference: Cedric Emanuel - “I know you are an artist” by Dr Garry Darby. Extensive biography. Lists all books illustrated by Cedric Emanuel 1945-1988. Has chapter on Dattilo-Rubbo, Chapter on Sid Long. [’Cedric Raymond Emanuel was born on the first of July 1906 in Gisborne, New Zealand. Although it is said that his parents had emigrated to New Zealand from England twenty years earlier, his great grandfather, John Emanuel, a dentist, had migrated to Sydney in 1842.

At the age of four he moved to Sydney, New South Wales with his parents. He attended Abbotsholme Primary School in Killara, a suburb of Sydney and later at Bondi Public School which he left at fourteen. In 1920 he spent time in the "militia". Whilst a youth he became very proficient at drawing objects at short notice. While still at school he started studying art at the Royal Art Society under Dattilo Rubbo (1870-1955) and Julian Ashton (1851-1942). He learned etching from Sydney Long (1871 - 1955). In 1925 he commenced working as a commercial (advertising) artist at the State Studios (working for the first year on trial and without pay) and in his spare time continued sketching, painting and etching. His first exhibition held in 1938 was very successful. In the same year he won the prize for etching in the NSW Sesquicentenary Art Competition. http://www.julianashtonartschool.com.au/

Throughout most of his life he was a regular swimmer and surfer. He was a member of the Bondi Surf Life Saving Club and was a patrol captain on Black Sunday, 6th February 1938. He also boxed (he was an instructor), wrestled and played football. He won the 1929 NSW State Amateur Middleweight Wrestling Championship, beating Jack Murray. Jack Murray was later to become famous as 'Gelignite Jack' from his antics in the Redex Around Australia motor trials. Cedric Emanuel retired early from serious competitive sport out of concern for his hands.

During the Second World War he served as an officer with the RAAF. A part of his service was in New Guinea where he was an unofficial war artist. His Wing Commander noted that "This officer has given splendid service and is fully capable."

He spent most of his life working as a freelance artist. His main focus was sketches in watercolour or ink depicting various aspects of Australia, many of which appeared in books. His work was popularised with such items as cards, scenic folios, calendars and wrapping paper. Apart from private collectors, the National Gallery of Australia, the National Library of Australia, the Art Gallery of New South Wales and the National Gallery of Victoria have acquired his works. In the 1970s he visited the UK and Europe. On Australia Day 1981 he was awarded the Medal of the Order of Australia for his services to art.

In 1931 he married Bella Oppenheim, known affectionately as Billie. They had two children, Janese and David Morris. David represented both NSW and Australia in rugby. Cedric was upset by the sudden death of Bella in 1987.

Cedric Emanuel was described as a man of energy. He had many friends, enjoyed the company of his grandchildren, and never lost his passion for art.

Cedric Emanuel died, aged 88, in Sydney on the 28th February 1995, the day before a major collection of his works, Retrospectives went on display at the Jewish Museum in Darlinghurst. "No artist throughout Australia's history could have drawn and painted as many scenes of yesteryear, and of buildings and locations that are national heritage icons, than Cedric." said the then Governor of NSW, Rear Admiral Peter Sinclair at the opening. Anon. Emanuel Place in the Canberra suburb of Conder commemorates his name. ‘]
Publishing details: Hippo Books, nd, pb, 82pp.
Dattilo-Rubbo Aview full entry
Reference: see Cedric Emanuel - “I know you are an artist” by Dr Garry Darby. Lists all books illustrated by Cedric Emanuel 1945-1988. Has chapter on Dattilo Rubbo, Chapter on Sid Long. [’Cedric Raymond Emanuel was born on the first of July 1906 in Gisborne, New Zealand. Although it is said that his parents had emigrated to New Zealand from England twenty years earlier, his great grandfather, John Emanuel, a dentist, had migrated to Sydney in 1842.

At the age of four he moved to Sydney, New South Wales with his parents. He attended Abbotsholme Primary School in Killara, a suburb of Sydney and later at Bondi Public School which he left at fourteen. In 1920 he spent time in the "militia". Whilst a youth he became very proficient at drawing objects at short notice. While still at school he started studying art at the Royal Art Society under Dattilo Rubbo (1870-1955) and Julian Ashton (1851-1942). He learned etching from Sydney Long (1871 - 1955). In 1925 he commenced working as a commercial (advertising) artist at the State Studios (working for the first year on trial and without pay) and in his spare time continued sketching, painting and etching. His first exhibition held in 1938 was very successful. In the same year he won the prize for etching in the NSW Sesquicentenary Art Competition. http://www.julianashtonartschool.com.au/

Throughout most of his life he was a regular swimmer and surfer. He was a member of the Bondi Surf Life Saving Club and was a patrol captain on Black Sunday, 6th February 1938. He also boxed (he was an instructor), wrestled and played football. He won the 1929 NSW State Amateur Middleweight Wrestling Championship, beating Jack Murray. Jack Murray was later to become famous as 'Gelignite Jack' from his antics in the Redex Around Australia motor trials. Cedric Emanuel retired early from serious competitive sport out of concern for his hands.

During the Second World War he served as an officer with the RAAF. A part of his service was in New Guinea where he was an unofficial war artist. His Wing Commander noted that "This officer has given splendid service and is fully capable."

He spent most of his life working as a freelance artist. His main focus was sketches in watercolour or ink depicting various aspects of Australia, many of which appeared in books. His work was popularised with such items as cards, scenic folios, calendars and wrapping paper. Apart from private collectors, the National Gallery of Australia, the National Library of Australia, the Art Gallery of New South Wales and the National Gallery of Victoria have acquired his works. In the 1970s he visited the UK and Europe. On Australia Day 1981 he was awarded the Medal of the Order of Australia for his services to art.

In 1931 he married Bella Oppenheim, known affectionately as Billie. They had two children, Janese and David Morris. David represented both NSW and Australia in rugby. Cedric was upset by the sudden death of Bella in 1987.

Cedric Emanuel was described as a man of energy. He had many friends, enjoyed the company of his grandchildren, and never lost his passion for art.

Cedric Emanuel died, aged 88, in Sydney on the 28th February 1995, the day before a major collection of his works, Retrospectives went on display at the Jewish Museum in Darlinghurst. "No artist throughout Australia's history could have drawn and painted as many scenes of yesteryear, and of buildings and locations that are national heritage icons, than Cedric." said the then Governor of NSW, Rear Admiral Peter Sinclair at the opening. Anon. Emanuel Place in the Canberra suburb of Conder commemorates his name. ‘]
Publishing details: Hippo Books, nd, pb, 82pp.
Long Sydneyview full entry
Reference: see Cedric Emanuel - “I know you are an artist” by Dr Garry Darby. Lists all books illustrated by Cedric Emanuel 1945-1988. Has chapter on Dattilo Rubbo, Chapter on Sid Long. [’Cedric Raymond Emanuel was born on the first of July 1906 in Gisborne, New Zealand. Although it is said that his parents had emigrated to New Zealand from England twenty years earlier, his great grandfather, John Emanuel, a dentist, had migrated to Sydney in 1842.

At the age of four he moved to Sydney, New South Wales with his parents. He attended Abbotsholme Primary School in Killara, a suburb of Sydney and later at Bondi Public School which he left at fourteen. In 1920 he spent time in the "militia". Whilst a youth he became very proficient at drawing objects at short notice. While still at school he started studying art at the Royal Art Society under Dattilo Rubbo (1870-1955) and Julian Ashton (1851-1942). He learned etching from Sydney Long (1871 - 1955). In 1925 he commenced working as a commercial (advertising) artist at the State Studios (working for the first year on trial and without pay) and in his spare time continued sketching, painting and etching. His first exhibition held in 1938 was very successful. In the same year he won the prize for etching in the NSW Sesquicentenary Art Competition. http://www.julianashtonartschool.com.au/

Throughout most of his life he was a regular swimmer and surfer. He was a member of the Bondi Surf Life Saving Club and was a patrol captain on Black Sunday, 6th February 1938. He also boxed (he was an instructor), wrestled and played football. He won the 1929 NSW State Amateur Middleweight Wrestling Championship, beating Jack Murray. Jack Murray was later to become famous as 'Gelignite Jack' from his antics in the Redex Around Australia motor trials. Cedric Emanuel retired early from serious competitive sport out of concern for his hands.

During the Second World War he served as an officer with the RAAF. A part of his service was in New Guinea where he was an unofficial war artist. His Wing Commander noted that "This officer has given splendid service and is fully capable."

He spent most of his life working as a freelance artist. His main focus was sketches in watercolour or ink depicting various aspects of Australia, many of which appeared in books. His work was popularised with such items as cards, scenic folios, calendars and wrapping paper. Apart from private collectors, the National Gallery of Australia, the National Library of Australia, the Art Gallery of New South Wales and the National Gallery of Victoria have acquired his works. In the 1970s he visited the UK and Europe. On Australia Day 1981 he was awarded the Medal of the Order of Australia for his services to art.

In 1931 he married Bella Oppenheim, known affectionately as Billie. They had two children, Janese and David Morris. David represented both NSW and Australia in rugby. Cedric was upset by the sudden death of Bella in 1987.

Cedric Emanuel was described as a man of energy. He had many friends, enjoyed the company of his grandchildren, and never lost his passion for art.

Cedric Emanuel died, aged 88, in Sydney on the 28th February 1995, the day before a major collection of his works, Retrospectives went on display at the Jewish Museum in Darlinghurst. "No artist throughout Australia's history could have drawn and painted as many scenes of yesteryear, and of buildings and locations that are national heritage icons, than Cedric." said the then Governor of NSW, Rear Admiral Peter Sinclair at the opening. Anon. Emanuel Place in the Canberra suburb of Conder commemorates his name. ‘]
Publishing details: Hippo Books, nd, pb, 82pp.
State Studios (commercial art studio, Sydney)view full entry
Reference: see Cedric Emanuel - “I know you are an artist” by Dr Garry Darby. Lists all books illustrated by Cedric Emanuel 1945-1988. Has chapter on Dattilo Rubbo, Chapter on Sid Long. [’Cedric Raymond Emanuel was born on the first of July 1906 in Gisborne, New Zealand. Although it is said that his parents had emigrated to New Zealand from England twenty years earlier, his great grandfather, John Emanuel, a dentist, had migrated to Sydney in 1842.

At the age of four he moved to Sydney, New South Wales with his parents. He attended Abbotsholme Primary School in Killara, a suburb of Sydney and later at Bondi Public School which he left at fourteen. In 1920 he spent time in the "militia". Whilst a youth he became very proficient at drawing objects at short notice. While still at school he started studying art at the Royal Art Society under Dattilo Rubbo (1870-1955) and Julian Ashton (1851-1942). He learned etching from Sydney Long (1871 - 1955). In 1925 he commenced working as a commercial (advertising) artist at the State Studios (working for the first year on trial and without pay) and in his spare time continued sketching, painting and etching. His first exhibition held in 1938 was very successful. In the same year he won the prize for etching in the NSW Sesquicentenary Art Competition. http://www.julianashtonartschool.com.au/

Throughout most of his life he was a regular swimmer and surfer. He was a member of the Bondi Surf Life Saving Club and was a patrol captain on Black Sunday, 6th February 1938. He also boxed (he was an instructor), wrestled and played football. He won the 1929 NSW State Amateur Middleweight Wrestling Championship, beating Jack Murray. Jack Murray was later to become famous as 'Gelignite Jack' from his antics in the Redex Around Australia motor trials. Cedric Emanuel retired early from serious competitive sport out of concern for his hands.

During the Second World War he served as an officer with the RAAF. A part of his service was in New Guinea where he was an unofficial war artist. His Wing Commander noted that "This officer has given splendid service and is fully capable."

He spent most of his life working as a freelance artist. His main focus was sketches in watercolour or ink depicting various aspects of Australia, many of which appeared in books. His work was popularised with such items as cards, scenic folios, calendars and wrapping paper. Apart from private collectors, the National Gallery of Australia, the National Library of Australia, the Art Gallery of New South Wales and the National Gallery of Victoria have acquired his works. In the 1970s he visited the UK and Europe. On Australia Day 1981 he was awarded the Medal of the Order of Australia for his services to art.

In 1931 he married Bella Oppenheim, known affectionately as Billie. They had two children, Janese and David Morris. David represented both NSW and Australia in rugby. Cedric was upset by the sudden death of Bella in 1987.

Cedric Emanuel was described as a man of energy. He had many friends, enjoyed the company of his grandchildren, and never lost his passion for art.

Cedric Emanuel died, aged 88, in Sydney on the 28th February 1995, the day before a major collection of his works, Retrospectives went on display at the Jewish Museum in Darlinghurst. "No artist throughout Australia's history could have drawn and painted as many scenes of yesteryear, and of buildings and locations that are national heritage icons, than Cedric." said the then Governor of NSW, Rear Admiral Peter Sinclair at the opening. Anon. Emanuel Place in the Canberra suburb of Conder commemorates his name. ‘]
Publishing details: Hippo Books, nd, pb, 82pp.
Childhoods Past view full entry
Reference: Childhoods Past - Children's art of the twentieth century. Includes essay on Frances Derham by Barbara Piscitelli. [’This travelling exhibition featured children's drawings and paintings collected by Frances Derham (1894-1987), artist and educational pioneer. Her unique and important collection of children's art from Australia and around the world, gathered over more than half a century, was donated to the people of Australia in 1975 and is held at the National Gallery of Australia in Canberra’.]
Publishing details: National Gallery of Australia in 1999 to accompany the travelling exhibition Childhoods Past: Children's art of the twentieth century.
Paperback. 48 pages. Illustrated with colour reproductions of the artworks.Paperback.
11.5 x 8 in. 48 pages. Illustrated with colour reproductions of the artworks.
Children’s artview full entry
Reference: see Childhoods Past - Children's art of the twentieth century. Includes essay on Frances Derham by Barbara Piscitelli. [’This travelling exhibition featured children's drawings and paintings collected by Frances Derham (1894-1987), artist and educational pioneer. Her unique and important collection of children's art from Australia and around the world, gathered over more than half a century, was donated to the people of Australia in 1975 and is held at the National Gallery of Australia in Canberra’.]
Publishing details: National Gallery of Australia in 1999 to accompany the travelling exhibition Childhoods Past: Children's art of the twentieth century.
Paperback. 48 pages. Illustrated with colour reproductions of the artworks.Paperback.
11.5 x 8 in. 48 pages. Illustrated with colour reproductions of the artworks.
Gibbs Cecilia Mayview full entry
Reference: May Gibbs Country Craft - Folk Art; Stencilling; Decoupage, by Neree Hartog (Coordinator)
Publishing details: Bay Books,1995
Tasmania's Outdoor Art Gallery view full entry
Reference: Tasmania's Outdoor Art Gallery - THe Murals in and around Sheffield
Publishing details: 1994
Ref: 1000
Base Graemeview full entry
Reference: The Art of Graeme Base by Julie Watts [’With more than 400 images, most in full colour and many never seen before, this book showcases the incredible talents of this much-loved children's writer and illustrator. Beginning with his own storybook childhood in England, we see how his imagination and artistic talents were fed by his family's love of music, literature and nature; how his life was further inspired and enriched by travel, by his teachers, by his older brother, who shared his love of inventing, by his friends and mentors in the publishing, music and film industries, and by his artist wife and their three children. From the earliest drawings, pop-up cards and home-made board games, through his surrealist years as a teenager and rock musician, and through a quarter century of published books, we learn of the artists, musicians, writers and humorists who have inspired him, and witness the development of his own particular brand of genius. ‘]
Publishing details: Penguin Books Australia, 2009, Paperback. 230pp
Ref: 1000
Brack Johnview full entry
Reference: John Brack: Selected Paintings 1950s to 1990s.
Publishing details: Geelong Art Gallery, 1996. First edition. Octavo, pictorial boards, trifiold card. Lists 28 works by Brack, with The hunt illustrated in full colour.
Ref: 1000
Otis Rushview full entry
Reference: Otis Rush - Australian new writing & art, magazine to be indexed
 

Publishing details: South Australian Publishing Ventures / Futures, [1990s]
Softcover, b/w illus.,
Ref: 1000
Montsalvatview full entry
Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb
Olsen Johnview full entry
Reference: John Olsen, an artist’s life by Darlene Bungey. Includes notes,select bibliography, a list of selected solo exhibitions and index [[’This landmark biography by Darleen Bungey, the author of the celebrated biography of Arthur Boyd, graphically depicts the forces that drove John Olsen to become one of the country's greatest artists. An exhilarating book, both trenchant and tender, it strips away the veneer of showmanship and fame to show the substance of a painter driven by a need to depict his country's landscape as Australians had never seen it before.

Given access to his uncensored diaries and drawing on years of extensive interviews with both Olsen and those who have known him best, she explores his passionate life and follows his navigation though the friendships, rivalries and politics of the Australian art world. How did a shy, stuttering boy from Newcastle, neglected by his alcoholic father, come to paint the great mural Salute to Five Bells at the Sydney Opera House?

This biography follows that journey -- through Olsen's early experiences in the bush, particularly a formative period at Yass (a time previously unrecorded), to years of cleaning jobs to pay his way through art school, to a milestone time spent in France and Spain -- and traces his constant travels and relocations within Australia, including his epic journeys into the outback and to Kati Thanda-Lake Eyre.

From a child who was never taken to an art gallery, who learnt how to draw from comics, we come to see the famous artist in the black beret, the writer and poet, the engaging public speaker, the bon vivant -- whose life has been defined by an absolute need to paint.

Lived on a large canvas, in sunny vivid colour, this captures the messiness of Olsen’s palette and the paella he loved to cook and paint as well as his chaotic love-life.

Darleen Bungey has been an advertising copywriter, an associate editor and writer for British magazines, and a freelance journalist. In 1999 she began researching her seminal biography of Arthur Boyd, which was published to critical acclaim in 2007 and for which she was awarded a PhD. It won the Dobbie Literary Award and the Australian Book Industry Award for Biography of the Year.’]
Publishing details: Harper Collins, 2014, 528pp, with index.
Whiteley Brettview full entry
Reference: Brett Whiteley - Drawings by Lou Klepac ["The purpose of drawing is to make freshness permanent. Out of billions of seconds of futility, occasionally, sparks of the life force are immutably held forever." Brett Whiteley wrote these lines in his 1985 notebook about the activity at the very heart of his life as an artist, drawing. For three decades Whiteley bewitched his audience with his mercurial character and unconventional behaviour, producing original and challenging works such as The American Dream and Alchemy. He was an indefatigable draughtsman, putting great energy into his drawings, which stand alone as a vital part of his oeuvre. In his finest drawings he concentrated all his talents to produce incandescent moments of vision. Nowhere is he more pure than in his remarkable drawings. In these we find the essence of Brett Whiteley.

Brett Whiteley Drawings includes 180 of Whiteley's most important drawings, from early views made as a student to the last series of works made in Paris in 1989, before his untimely and tragic death. Also illustrated are pages from Whiteley's notebooks, in which he drew and wrote his reflections on art, painting and drawing.

The book has been created by Lou Klepac, who first discussed the idea of this book with the artist before his death, and subsequently organised the exhibition 'On the Road to Berry', of Brett Whiteley and Lloyd Rees drawings in 1993. There is an essay about the drawings, quotes from the artist and a fascinating interview with Michael Johnson, edited by Barry Pearce, about Whiteley's time at Lintas in Sydney, when they were colleagues and close friends.

About the Author

Lou Klepac is an art historian; he is the author of a number of books including Lloyd Rees Drawings, Russell Drysdale, John Coburn, William Robinson, James Gleeson, Nora Heysen and Horace Trenerry. Among the many exhibitions he has curated are : Sicket Paintings; Contemporary Australian Drawing; Sickert Drawings, Russell Drysdale Drawings, Russell Drysdale Paintings, The Road to Berry - Lloyd Rees and Brett Whiteley drawings, Giorgio Morandi Paintings and Etchings, La Serenissima - the fascination of Venice; Nora Heysen retrospective; James Gleeson - Beyond the Screen of Sight; Donald Friend - a charmed life.

In 1980 he was made a Cavaliere della Repubblica Italiana; in 1996 he was awarded an OAM and in 2006 the University of Sydney conferred on him the degree of Doctor of Letters (Honoris Causa).’]
Publishing details: Beagle Press, 2014, Hardback – 220 pages. [Also a deluxe edition, limited to 25 copies specially bound, with an original linocut by Brett Whiteley ‘The Wave’ loosely enclosed,]
Ref: `1000
Wilson Johnview full entry
Reference: John Wilson - The Journey Continues
Publishing details: John Wilson Gallery, 2014
Ref: 1000
Carment Tomview full entry
Reference: Tom Carment - Seven Walks, Cape Leeuwin to Bundeena, Photography Michael Wee. [’Over their weekly conversation in an inner-city cafe, photographer Michael Wee persuaded his friend, painter and writer Tom Carment, to embark on some walks into ‘wild’ Australia. Inexperienced long-distance bushwalkers, Michael and Tom learned en route as they traversed hot, rainy, snow-covered, and bushfire-blackened terrain.

Alongside Michael’s haunting, dramatic photographs, and Tom’s delicately observed watercolours and drawings are stories of each walk, interweaving history with anecdote, humour with observation. Seven Walks is the companion book to their adventures and captures the feeling of heading out on foot along a narrow track, into a beautiful landscape.’]
Publishing details: Roc-Hin,
Australia, 2014, 240 Pages

Ref: 1009
Pop to Popismview full entry
Reference: Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Arkley Howardview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Binns Vivienneview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Boynes Robertview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Brown Mikeview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Crothall Rossview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Davila Juanview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Dunn Richardview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Kingston Peterview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Kozic Mariaview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Lanceley Colinview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Larter Richardview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Lewis Timview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
McLean Bridgidview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Oldfield Alanview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Powditch Peterview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Reinhardt Kenview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Rooney Robertview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Sansom Garethview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Sharp Martinview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Shaw Michael Allenview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Shead Garryview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Tillers Imantsview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Tuckson Tonyview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Tyndall Peterview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Watkins Dickview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Watson Jennyview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Whiteley Brettview full entry
Reference: see Pop to Popism Exhibition Catalogue, written by Anneke Jaspers, Wayne Tunnicliffe, Biographies of each artist included. The Australian artists have been indexed in this database.[’From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, Pop to popism explores the dynamic engagement of art with popular culture.
Drawn from major public and private collections around the world, Pop to popism includes 195 works by 73 artists including pivotal works by artists such as Blake, Lichtenstein, Warhol, Richter and Hockney.
Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component; and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1990.
Edited by Wayne Tunnicliffe and Anneke Jaspers, with essays by Michael Desmond, Anneke Jaspers, Chris McAuliffe, Justin Paton, Ann Stephen and Wayne Tunnicliffe’]
Publishing details: Art Gallery of NSW, 2014, hardback, 328 pages
Australian Sculptors Exhibition Lists Scarlett Kenview full entry
Reference: Australian Sculptors - Exhibition Lists, by Ken Scarlett. Occasional Papers No. 3 December 1979. Lists the exhibitions of over 300 Australian sculptors. This publication should be seen as a companion to Australian Sculptors, published by Thomas Nelson Australia, in 1980.
Publishing details: Melbourne State College, ., 1979
Publisher: Melbourne State College, 1979. First Edition; Lge. 8vo; pp. (xii), 233; 1 b/w full page illustration; original spiral bound illustrated wrapper,
Aarons Anitaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Abrahams Charlesview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Adams Denisview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Adams Margaret Ruthview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Allen George Henryview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Anderson Wallaceview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Andersson Janview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Angwin Robin Daleview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Angyal Belaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Annand Douglasview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Apponyi Silvio Albertview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Arcadiou Steliosview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Archer Hilaryview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Arkeveld Hansview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Armstrong Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Arnall Vincent Markview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Arney Gordon Aview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Arthur W Thomasview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Arthur W Thomasview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Illingworth Nelsonview full entry
Reference: Australiana SocietyNewsletter ‘A bust of Henry Parkes by Nelson Illingworth’ by Sally Cantwell (4 pages)
Publishing details: April, 1984
Baird Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Balcombe Thomas Tyrwhittview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Baldessin Georgeview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Ball Percevalview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Baneth Ericaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Baron Sydview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Barrie Mayview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Bartlett Geofftrey Rview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Baskerville Margaretview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Bass Thomas Dwyerview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Beadle Paulview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Beck Lawrence Wolfgangview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Bellis Isabel Estherview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Bence Ronald Arthurview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Benson Evaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Bishop Tonyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Blizzard Peter Hughview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Boileau Patrickview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Boles Bernardview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Boreham Lorraineview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Bow Ianview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Bowles William Leslieview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Boyce Don Frederickview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Boyd Arthurview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Boyd Davidview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Boyd Guyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Boyd Hermiaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Boyd Robinview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Brassil Joanview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Brechnock Richardview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Brilliant Freddaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Broad Rodneyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Brook Donaldview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Broughton Owenview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Brown Joanview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Brown Josephview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Brown Michael (Michael Challis)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Brown Robertview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Browne Russellview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Buckley Bradford Jamesview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Burns Timview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Burns Timothy Davidview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Bush Charlesview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Butler Rogerview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Butler-George Mayview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Buzacott Michaelview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Cannizzo Phillip Josephview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Cherina Drago Mario Predragview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Christo (Christo Jovacheff)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Clark Marcview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Clements William Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Clewitt Georgeview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Cltterbuck Jockview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Cohn Olaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Colahan Colinview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Colbeck Jamesview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Cole Peterview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Coling Tonyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Collings Silver Leyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Copping Bruceview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Corlett Peter Geoffreyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Costerman Charlesview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Coulter Diane Margueriteview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Cowan Theodoreview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Creaser Marleneview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
O’Brien Des illustratorview full entry
Reference: Des O’brien 1930-2014 obituary in Sydney Morning Herald 29 January, 2015, p27
Ref: 133
O’Brien Des illustratorview full entry
Reference: Des O'Brien EPHEMERAL AESTHETICS
by Des O'Brien [’A rare look into the highly acclaimed graphic art and design of Des O’Brien. 200 pages with 270 images spanning over 60 years. Fiction illustration, postage stamps, children’s picture books, promotions, portfolios, fashion campaigns, posters, publication design and christmas cards.’]
Publishing details: the author, 2014, 200pp
Ref: 1000
Cripps Peterview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Dabro Anteview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Dadswell Lyndon Raymondview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Daen Lindsayview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Dall’Ava Augustineview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Danko Aleksanderview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Davidson Peterview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Davie John Sview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Davies Isabelview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Davis Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Dawson Paula Joyceview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
de Clario Domenicoview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Delprat Paul Ashtonview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Dennis Elwyn (Clayton)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Dineen Kaye (or Kai)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Doble Gilbertview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Dodd Margaretview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Dowie Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Dudley Rodneyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Duldig Karlview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Duldig Slawaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Dunn Noelview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Duterrau Benjaminview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Dutton H Orlandoview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Eades Lenoreview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Elenburg Joelview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Elischer Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Elliott Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Ely Bonitaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Enyi Georgeview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Erskine Dougview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Ewers Raymond Boultwoodview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Fabian Erwinview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Fallet Francois (Frank)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Ferguson Anne Elizabethview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Fillans Jamesview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Fischer John Anthonyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Fizelle Rahview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Fleischmann Arthur Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Flugelman Herbertview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Fraser Mary Mehetabelview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Friend Donaldview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Fries Ernestview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Frith Cliffordview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Gardner Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Gascoigne Rosalie Norah Kingview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Georgeson Harryview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Gilbert Jamesview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Gilbert C Webview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Giugliarelli Brunoview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Glaser-Hinder Aprilview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Gleghorn Thomasview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Gore Donaldview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Goujet Emil Joseph Alexandreview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Graham Anneview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Greenhalgh Victor Edwardview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Greenwood Garryview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Gregory William Aview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Grounds Joanview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Grounds Marrview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Grounds Rossview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Grounds Rossview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Jolliffe J Hview full entry
Reference: see Mossgreen auction 22 February, 2015, lot 471, ‘Ship at Anchor, Sydney, 24 May, 1849’.
Hallandal Pamview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hamilton David Williamview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hamilton Paulview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hamilton Josephview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hammial Philip Rview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hammond Stanleyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Harbott Alwyn Michaelview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Harvey Elvin Bview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Harvey Georgeview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Harvey Lewis Jview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Havekes Gerardview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hazzard Christopher J (Dr)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Henry Lucien Felixview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Herbert Danielview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hilder Bim (vernon Arthur)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hilder Frankview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hilder Margelview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hirst George W Lview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hoff Rayner (or incorrectly Raynor)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hohaus Hermanview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Holden Margot Pview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Honybun Elizabeth Aview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hope Emilyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hunt Dianaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hutching Williamview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hutchinson Allenview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Hutchinson Noel Stewartview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Illingworth Nelsonview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Ingham Alanview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Ireland Geoffview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Jenyns Bobview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Jenyns Lorraine Dawnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Jomantas Vincasview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Jones David Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Jones William Lorando (or Lorenzo)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Jordan Colview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Juniper Robertview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Kane (Kuhn) Juliusview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Keogh Norman Rexview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
King Ingeview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Kitching Michaelview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Klippel Robertview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Knorr Hansview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Koning Theodorus Jacobusview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Korn Tiborview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Kossatz Lesview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Kozlowski Brunon (Dr)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Krzywokulski Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Laeubli Annisview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lambert Frankview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lambert George Washingtonview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lambert Lou (Lewis Charles)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lambert Mauriceview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lanceley Colinview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lange Eleonoreview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Langley Robert Savigeview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Last Cliffordview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Latella Diegoview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Law Benjaminview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Leckie Alexanderview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lendon Nigelview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Levenson Kenneth Richardview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lewers Gerard Francisview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lewers Margoview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Leysalle Pierre Emileview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Likic Jeanview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lindsay Norman Alfred Williamview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lock G Pview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lovett Mildredview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lucas Noeleneview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Luke Georgeview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lumb Frankview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lyle Maxview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Lynch Guy Frankview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
McAuslan Gordonview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
McColl Mitziview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
McEwan Coplans Andrew Robertview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
McGill Walterview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
McGrath Eileenview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
McGrath Marilynview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
MacIntosh William Pview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
McKay Ian Hughview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Mackennal Edgar Bertram (Sir)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Mackennal Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
McKinnon Michaelview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
McLeod Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
McWilliams Peterview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Madigan Rosemaryview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Manberg Karlview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Manwaring Rossview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Marek Voitreview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Mason Heatherview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Mason Joeview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Mauriks Adrianview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Maxwell W Jview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Mayo Daphne Lilianview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Mayson Andrewview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Meadmore Clementview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Meszaros Andorview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Meszaros Michael Victorview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Miller Charlesview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Miller Godfreyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Millowick Anthony Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Mimovich Leopoldineview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Montford Paulview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Moorfield Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Mortensen Kevinview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Muller John Theodoreview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Murch Arthurview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Murray-White Cliveview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Newmark Abrahamview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Newman Nicoleview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Nicholson Michaelview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Nikoleski Viaseview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
O’Connor Ailsa Margaretview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Ogilvie William Robertview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Ohlfsen Doraview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Oliver Charlesview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Ostoja-Kotkowski Stanislavview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Owen Robertview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Pachuka (Jaroszynska) Ewaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Paramor Wendyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Parker Haroldview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Parker Regview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Parks Tiview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Parr Lentonview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Parr (Paradinski) Robertview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Patten Williamview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Pedvin Albert Aview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Penny Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Perceval Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Phillips Peterview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Perugia A & Tview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Pillig Gustavview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Pirruccio Vincentview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Pocius Ievaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Porcelli Pietro view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Priest Treforview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Priest Margaret Kennedyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Pryor Anthony Dennisview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Pugh Cliftonview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Raft Emanuelview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Ragus Aurel (John)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Redpath Normaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Reinhard Kenview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Rhodes Kevinview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Richardson Charles Douglasview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Richmond Oliffeview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Ricketts Williamview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Roberts Tomview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Robertson Ianview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Robertson-Swann Ronview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Robinson John Edwardsview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Rodrigues Antonioview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Rosman Peterview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Rowe Jimview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Rowe Ronview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Rumba Raimondsview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Rusconiview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Sani Tommasoview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Saupe Augustview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Scarlett Kenview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Scurry Jamesview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Scurry William Cview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Seffrin Nickolaus Johannesview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Selwood Paulview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Sharples Geoffview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Sheppard Benjaminview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Shedley Geoffrey Richardview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Sherrif Alexanderview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Shillam Kathleenview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Shillam Leonard Georgeview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Simonetti Achilleview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Sinclair Margaret Eview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Skipper Matchamview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Smith Bernhardview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Smith Henryview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Snape Michael Fview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Solling Wendyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Stanford Williamview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Stankiewicz Richardview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Steen Otto Lundbyeview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Stelarc (Stelios Arcadiou)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Stephen Cliveview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Stewart Donaldview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
stuart Guyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Summers Albertview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Summers Charles 1825-1878view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Summers Charles Francis 1858-1945view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Symonds Caroleview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Taylor Howardview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Taylor Peterview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Tedesco Meloview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Thomas Margaretview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Tillers Imantsview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Todd Milanview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Todt Emil Hermannview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Tolley Davidview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Tranthim-Fryer John Robertsonview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Tribe Rhoda Barbaraview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Tucker Albertview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Unsworth Kenview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Upton Ronview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Van Der Struik Berendview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Vassilieff Danilaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Vojsk Milanview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Walker Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Walker Ralph Tview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Walker Stephen view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Walker Theresa Susannah Eunice Snell view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Walters Donaldview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Wardrop and Scurryview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Ware Laurence Arthurview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Ware Silver Leyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Watts James Laurenceview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Weitzel Frankview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Wentcher Tinaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Wentscher Tinaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Wentscher Tina (or Haim Wentscher)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
White Jamesview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Whitehead Rhondaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Whiteley Brettview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Whiting Lorraineview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Wilkinson Jeffreyview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Willis Matthewview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Wilmot Sylvanusview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Wilson Davidview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Wood Marshallview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Woodward Robertview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Woolard Rayview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Woolner Thomasview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Worth Johnview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Wright John Christieview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Wrigley Hilary Archerview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Wentcher Tinaview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Young Jenni Maryview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Young Michaelview full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Zikaras Teisutis (Joe)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Zikaras Teisutis (Joe)view full entry
Reference: see Scarlett Ken - Australian Sculptors by Ken Scarlett. A major comprehensive guide with extensive biographical information on some 450 sculptors, arranged alphabetically, and including numerous black and white illustrations. Includes bibliography.
Publishing details: Thomas Nelson (Australia), 1980. xix, 730 p. : ill.
Art in Queenslandview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Women artists in Queenslandview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Allen Davidaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Amos Ireneview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Anson Nora-Anneview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Arrowsmith Vedaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Ashworth Oliveview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Barker Agnesview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Barker Carolineview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Barlow Kate Ethelview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Bosch Lillianview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Budgen Beverleyview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Burch Annaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Burchill Sandraview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Carrol Lindaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Churcher Bettyview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Cilento Margaretview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Coleman Dorothyview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Cummings Elisabethview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Curtis Sybilview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Degius Marykeview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Duguid Elizabethview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Elliot Lucindaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Elliot Monaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Ferrier Virginiaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Gibson Bessieview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Glover Fleay Maudeview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Grant Gwendolynview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Greene Annie Alisonview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Heath Barbaraview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Hills Noelaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Hodgson Lady Elizaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Hoffie Patview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Hollieview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Hurst Jeanelleview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Jenuarrieview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Jones Mervynview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Just Verlieview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Kennedy Sheridanview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Kuhn Mariaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Lahey Vidaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Leckie Louiseview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Lewis Brendaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Lillecrap-Fuller Helenview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Llewelyn Clareview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Macarthur Elaineview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Macfarlane Pamelaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
McMaster Valview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
McNeil Margaretview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Mayo Daphneview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Milani Lyndallview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Mills Wendyview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Moor Lyndalview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Muntz-Adams Josephineview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Neville-Rolfe Harrietview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Norrie Maryview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Nosworthy Daisyview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Olley Margaretview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Outridge-Field Stephanieview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Paul Laurieview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Payne Frankview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Peach Dianneview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Pedersen Lilianview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Pennington Leeview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Pigott Gwynview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Prentice Patriciaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Roggenkamp Joyview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Rowan Ellisview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Rumney Winifredview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Ryder Monaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Schneider Phylview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Schonheimer Joyview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Seeman Pamelaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Shillam Kathleenview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Silver Anekeview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Simmonds Roseview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Spowart Rubyview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Staunton Madonnaview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Stephenson Juneview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Stoneley Ruthview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Tanke Elizabethview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Thancoupieview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Thomson Annview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Watson Judyview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Wright Mrsview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Wright Judithview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Younger Jayview full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Stanley Gwendolyn (Gwendolyn Grant)view full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Reydon Cotje p7view full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Arts and Craftsview full entry
Reference: for Queensland artists see ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke in A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. [Article to be indexed]Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
L J Harvey School p6-8view full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Artcraft Studio p7view full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Queensland Art Society p7view full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Krepel Petra p15view full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Agar Bernice p55view full entry
Reference: see A Complementary Caste - a homage to women artists in Queensland, past and present, 5 November-4 December 1988, The Centre Gallery, Bundall Road, Surfers Paradise, by Bronwyn Larner and Fran Considine. Extensive biographical information on about 100 artists. Essays include ‘Environment and Art - 6 artists 1897-1970’, by Stephen Rainbird; ‘Women in the Arts and Crafts Movement’ by Glenn R Cooke; ‘Women Architects in Queensland’ by Judith McKay; ‘A faded image - Queensland women and photography’ by Bronwyn Larner; ‘Queensland Women and Textiles’ by Janet de Boer; ‘Women and contemporary ceramics in Queensland’, by Lyndal Moor. Incluses ‘selected bibliography’,

Publishing details: The Centre Gallery, 1988, pb, 230pp,
Gruzman Nevilleview full entry
Reference: Gruzman: An Architect & His City, by Neville Gruzman & Philip Goad.
Publishing details: Melb. Craftsman House. 2006. 4to. Or.bds. Dustjacket. 320pp. Profusely
illustrated in colour and black & white with photographs by Max Dupain and David Moore. Many plans.
Ref: 1000
Australian styleview full entry
Reference: WALTER, Betsy & WRIGHT, Jean. AUSTRALIAN STYLE. With additional text by Moira Maguire. Mainly Australian interiors.
Publishing details: Syd. New Holland. 2001. Oblong 4to. Or.bds. Dustjacket. 272pp. Profusely illustrated in colour.
Ref: 1000
Australian medalsview full entry
Reference: WILLIAMS, R.D. MEDALS TO AUSTRALIA. With Valuations.
Publishing details: Dubbo. Pocket Book Publications. 1990. (3rd ed.) Col. Ill.bds. 96pp. Some col. & many b/w ills.
Ref: 1000
Wolseley Johnview full entry
Reference: John Wolseley Land Marks by Sasha Grishin. [Landmarks 1?]


Publishing details: Craftsman House, 1998. Quarto, boards in dustjacket, pp. 176, illustrated.
Ref: 1000
Australian bookplatesview full entry
Reference: Australian Literature on Bookplates. A bibliography (1899 - 1988)
by Mark J. Ferson

Studies in Australian Bibliography Number 28.
Publishing details: Sydney : Book Collectors Society of Australia, 1988. Quarto, printed wrappers (a little sunned), pp. 33, illustrated. Limited to 300 copies. 
Ref: 1000
White Unkview full entry
Reference: A Portfolio - Sketches of Sydney by Unk White, Personally signed prints. Globe Street, the Rocks
The Town Hall
Queen Victoria Markets
Adams' Hotel and Palace Theatre, Pitt Street
Palace Theatre, Pitt Street
Circular Quay 1842.
Notes, Cover title. Portfolio contains 1 sheet of introduction and 6 sketches signed by the artist.

Publishing details: Wentworth Books, [1970],
portfolio. ; 26 x 35 cm. Limited edition of 500 numbered copies
Ref: 1000
Melbourne Savagesview full entry
Reference: Melbourne Savages: A History of the First Fifty Years of The Melbourne Savage Club by David M. Dow. Numerous black and white drawn and photographic illustrations, pictorial end-papers, and cartoons. Biographical information on Australian artists, illustrators and sculptors.

The club was established in 1894. Information about the club can be viewed on www.melbournesavageclub.com

‘Established in 1894, the Melbourne Savage Club is one of Australia’s oldest and most atmospheric private members clubs.

The clubhouse is an historic 19th century mansion right in the heart of Melbourne.

The club’s name reflects the desire of the founders to encourage a flowering of Bohemian tradition, like the London Savage Club, by taking the name of Richard Savage, a free-spirited 17th century English poet. 

These origins are expressed today through club members who engage in a broad range of interests across the arts, literature, science and sport. 

A diverse mix of academics and artists, lawyers and judges, businessmen and journalists is to be found behind the clubhouse’s scarlet doors, enjoying one another’s company amid classic décor and furnishings, fine art and exotic artefacts. 

Hospitable rooms provide a rare ambience for the many member performances showcasing their musical, theatrical and artistic talents, and for wonderfully eccentric social occasions. 

Membership is offered to gentlemen only, based upon the criteria of good fellowship and shared interests.’
Publishing details: Melbourne Savage Club, published 1947, 252 pages plus index. First edition. Limited to 1000 copies
Woodward Margaretview full entry
Reference: see Moran Doug, National Portrait Prize - Brochure outlining the 1987 Prize. Judges are Margaret Woodward. Henry Hanke, Allan Hansen. Biographies on these artists included
Publishing details: 1987
Hansen Allan Adolf Peter view full entry
Reference: see Moran Doug, National Portrait Prize - Brochure outlining the 1987 Prize. Judges are Margaret Woodward. Henry Hanke, Allan Hansen. Biographies on these artists included
Publishing details: 1987
Hanke Henry Aloysius (Harry)view full entry
Reference: see Moran Doug, National Portrait Prize - Brochure outlining the 1987 Prize. Judges are Margaret Woodward. Henry Hanke, Allan Hansen. Biographies on these artists included
Publishing details: 1987
Bressow Lanceview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Bush Charlesview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Campbell Regview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Canning Crissview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Chapman Ianview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Churchland Lindsayview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Crawford Ronaldview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Dick Glennview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Dowie Pennyview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Dunlop Brianview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Frith Cliffordview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Gates D & Gview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Gregson Davidview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Hall Keiranview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Hannaford Robertview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Hedstrom Newtonview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Henderson Davidview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Heysen Noraview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Kaldor Stephenview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Leak Billview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Meskenas Vladasview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Pugh Cliftonview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Purnell Alanview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Rigby Johnview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Shead Garryview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Tippett Pamelaview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Vasin Leonidview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Walters Wesleyview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
D’Hange Yammaneeview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Zusters Reinisview full entry
Reference: see Moran Doug, National Portrait Prize - Portraits of Australia -catalogue of the 1988 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing.
Publishing details: 1988
Moran Doug, National Portrait Prize 1998view full entry
Reference: Moran Doug, National Portrait Prize 1998 - Catalogue of the 1998 Prize [to be indexed]
Publishing details: 1998
Ref: 134
Doug Moran National Portrait Prize 2004view full entry
Reference: Doug Moran National Portrait Prize 2004 catalogue (no biographical information on artists)
Publishing details: 2004
Ref: 134
Moran Doug National Portrait Prize 2000-2001view full entry
Reference: The Doug Moran National Portrait Prize, 2000-2001. Includes biographies of artists and artist statements [to be indexed]
Publishing details: 2000-2001
Ref: 134
Moran Doug, National Portrait Prize 1992view full entry
Reference: Portraits of Australia -catalogue of the 1992 Doug Moran National Portrait Prize. Biographical information in the catalogue about each artist competing. [to be indexed]
Publishing details: 1992
Ref: 134
Moran Doug National Portrait Prize 2014view full entry
Reference: The Doug Moran National Portrait Prize, and Moran Contempoary Photographic Prize, 2014. Includes artist statements [to be indexed]
Publishing details: 20141
Ref: 134
Australian Jewellersview full entry
Reference: Australian Jewellers. Gold and Silversmiths Makers & Marks. By Kenneth Cavill, Graham Cocks & Jack Grace. [To be indexed]
Publishing details: Published by C.G.C. Gold Pty Ltd, 1992. Hardback. First edition, small quarto, cloth boards with leather spine
Ref: 1009
Warner Alfred Edward (1879-1960)view full entry
Reference: Warner sometimes used pseudonym of ‘George Marler’.
Sharp Jamesview full entry
Reference: exhibited at Macquarie Galleries, Sydney, before 1966. Abstract work similar to Godfrey Miller.
Parkinson Sydneyview full entry
Reference: JOURNAL OF A VOYAGE TO THE SOUTH SEAS.: In His Majesty's Ship, the Endeavour.
Publishing details: Adelaide, Libraries Board of South Aust., 1972. A facsimile of the 1784 edition. xxiv+214pp. Lg.4to. Original red cloth. B&W plates and maps throughout.

Ref: 1000
Caire Nicholas John (1837-1918)view full entry
Reference: [ABORIGINES; GOLD MINING] Scenes in Victoria, Australia, by Nicholas Caire et al. 1876-1877 (but including a group of photographs of Aborigines taken prior to 1870). Contemporary album, quarto, 290 x 250 mm, ornate gilt green cloth boards (rubbed, hinges split), upper board titled 'Scrap Album', containing [67] albumen print photographs, [55] in format 130 x 180 mm to 140 x 240 mm, [12] in standard carte de visite format (105 x 65 mm or smaller), mounted recto and verso of the album leaves of thick card, with contemporary manuscript captions beneath the images, a page with manuscript title Scenes in Victoria, Australia originally bound in at front (now detached), scattered light foxing to the leaves, but the photographs in good condition, the majority strong prints with excellent tonal range.
The fifty-five larger format photographs in this album were taken by renowned photographer Nicholas Caire, and date to around 1877. Caire had just returned to Melbourne after living in Adelaide and Sandhurst and, as manager of the Anglo-Australasian Photo. Co., he produced a commercial portfolio of his images of Melbourne and regional Victoria titled Views of Victoria. The photographs in this portfolio were sold with printed captions on the mounts, but could also be purchased individually, evidently also in an unmounted format. The compiler of the present album clearly purchased an unmounted series of Caire's views from the Anglo-Australasian Photo. Co. and mounted them in his/her own album, entering the captions, which overlap with many of Caire's own, in a fine copperplate hand. The chosen manuscript title, Scenes in Victoria, echoes - but is not identical to - Caire's portfolio title, Views of Victoria.
The larger photographs include several important gold mining images. The complete range of subjects is as follows: Caledonian gold diggings on the Upper Yarra; a digger outside his bark hut at Diamond Creek on the Upper Yarra; gold mining at Anderson's Creek on the Yarra; Murray River at Echuca (2); Campaspe River in flood; views of Ballarat and Sandhurst townships; scenes in the Dandenong Ranges (12); carting wine at Yering Station, Healesville; New Chum Line of Reef and an open mine at Sandhurst; Esplanade, St. Kilda; views at Heidelberg, northeast of Melbourne (2); Melbourne's Botanical, Carlton and Fitzroy Gardens (7); views of Melbourne public buildings, including St. Patrick's Cathedral under construction (20); shipping at Queens' Wharf, Melbourne.
Perhaps the most significant images in the album, however, are the portraits of Aboriginal people of Victoria and Queensland. This group of twelve carte de visite format albumen prints, mounted three to a page across the lower sections of four leaves at the centre of the album, date to the late 1860s and were not taken by Nicholas Caire. Four appear to have been taken at Coranderrk Station, Healesville: a close-up portrait of woman in mission clothing, perhaps attributable to Italian ethnologist Enrico Giglioli, who visited Coranderrk in 1867; a woman weaving a large basket; a woman and child with animal skin and completed basket; and a seated woman draped in a kangaroo skin (the latter three perhaps attributable to Charles Walter); the other eight photographs, of Queensland subjects, were taken in the Brisbane area. At least one has been firmly attributed to Thomas Bevan; the others are probably by either Bevan or Daniel Marquis (see Michael Aird's essay Aboriginal people and four early Brisbane photographers, in Calling the shots, edited by Jane Lydon, Aboriginal Studies Press, Canberra, 2014). 
$ 12,000.00 AUD

Publishing details: listed in Douglas Stewart Fine Books catalogue, January, 2015.
Ref: 1000
Robinson Francis Whitfieldview full entry
Reference: Photographic panorama of Sydney Harbour from North Sydney, circa 1880
ROBINSON, Francis Whitfield (attributed), fl. Sydney 1867-1882
# 2743
Sequence of five albumen print photographs laid down on contemporary board and within a late nineteenth century timber frame, total dimensions of the panorama 250 x 1550 mm (individual panels 250 x 310 mm), some small marks in the negative a short repaired tear near the left hand edge of the fourth panel (probably from original mounting process), the fifth panel and right side of the fourth panel somewhat faded, inevitable slight uneveness in the tones of the panels due to the fact that they were printed separately, contemporary calligraphic caption beneath image, overall in very good condition.
The photographs making up this impressive, large scale panorama of Sydney Harbour were evidently taken very close to Bernard Holtermann's tower overlooking Lavender Bay, the vantage point from which Holtermann and Charles Bayliss photographed the most celebrated of photographic panoramas of Sydney in 1875. The present panorama does not have quite the same elevation as the Holtermann panorama, but the perspective is extremely similar. The first panel shows Lavender Bay, with St Leonard's School at far left; the second panel shows McMahon's Point in the foreground and looks over to Dawes Point in the distance; the third panel overlooks Blues Point, with Darling Harbour across the water; and Goat Island straddles the join between the third and fourth panels.
Francis Whitfield Robinson commenced his career as a photographer in Melbourne around 1860, and a series of his photographic views of Melbourne taken from the Post Office tower was exhibited both at the 1866 Melbourne Intercolonial Exhibition and in the Victorian court at the 1867 Paris Universal Exhibition. He worked principally as a landscape photographer in Sydney from 1867 until 1882, and was noted for his views of Sydney and the harbour. A panorama of Sydney Harbour from North Sydney attributed to Robinson and dating to 1876 is held in the collection of the State Library of New South Wales (XV / 62). The present panorama appears to have been taken in a spot adjacent to the SLNSW panorama, but on the farther side of Blues Point Road and slightly closer to Lavender Bay.
Publishing details: listed in Douglas Stewart Fine Books catalogue, January, 2015.
Ref: 1000
Clark Francis Charles Morseview full entry
Reference: Photographs from the Middle East
CLARK, Francis Charles Morse

Photograph album, small oblong quarto, papered boards, upper board inscribed 'Photographs from the Middle East / S/Sgt. Frank Clark', original ribbon ties, containing over [100] private photographs, format 90 x 60 mm, all with corner mounts and manuscript captions, commencing with Sergeant Clark's embarkation at Port Melbourne in September 1940 aboard the Christiaan Huygens (a Dutch liner used as a troop ship), and documenting his experiences in Palestine, including Jerusalem, Bethlehem, the Dead Sea, Gaza, Tel Aviv and Haifa; the last series of photographs, of bayonet drill, is dated October, 1941; the album also includes some commercial photographic postcards and tourist snaps.
Staff Sergeant Francis Charles Morse Clark, from Charlton in north central Victoria, was attached to Headquarters, 6th Australian Division. He enlisted on 27 May, 1940, and was discharged 1 May, 1945.
$ 375.00 AUD

Publishing details: listed in Douglas Stewart Fine Books catalogue, January, 2015.
Ref: 1000
Moore Neilview full entry
Reference: exhibition invite, Mossgreen Gallery, 7-28 February, 2015, includes brief biography.
Publishing details: Mossgreen Gallery, 2015, 4-page card, 4 illustrations.
Ref: 222
White Franklin (1892-1975)view full entry
Reference: see Sworders Auctions, January 27, 2015,
United Kingdom, lot 358, Franklin White (Australian, 1892-1975)
STANDING FEMALE NUDE
Signed l.l., pen and ink
38 x 28cm;
and six further life studies,
in red chalk, pencil and oil
various sizes, unframed (7) [some erotic images, mostly academic studies]
95 Years, 95 Treasures view full entry
Reference: 95 Years, 95 Treasures - 2015 marks the 95th year since Leonard Joel auctions was founded in Melbourne. To celebrate this milestone the company has produced an impressive 95 Years, 95 Treasures booklet,


Publishing details: Joel’s, 2015
Ref: 1000
Boulter Michayeview full entry
Reference: Crossing - exhibition invite with 3 colour illustrations and brief statement about the artist’s work
Publishing details: Arthouse Gallery, 2015, 4pp
Ref: 222
Baird John Fview full entry
Reference: Illustrator and cartoonist. Designed illustrations for the ‘It’s Moments Like This You Need Minties’ campaign in the mid twentieth century
Ceen Albertview full entry
Reference: see Babuino Casa d' Aste
via dei Greci 2/A, Rome, Italy, 4-6 Februart 2015, lot 657 ALBERT CEEN (Melbourne 1903 - Rome 1976) Pair of dancers Watercolour on paper, 48 x 33 cm. Signed lower left. (highly stylised art deco design)
Baker Christina Asquith (1868 - 1960)view full entry
Reference: see Dougl;as Stewart Fine Books, 4 Feb, 2015, catalogue - Portrait of Dorothy Boyes on the occasion of her debutante ball
ASQUITH BAKER, Christina (1868 - 1960)
# 10141
Pastel on paper, 590 x 440 mm, signed lower left, framed. 
This delicate and attractive portrait of the young Dorothy Boyes (1892 - 1975) was painted around 1908 when Dorothy was sixteen or so. The beautiful young woman is painted full length against a darkened interior to best show off her fine embroidered dress which reaches to the floor. A basked of freshly picked native wildflowers is in her right hand and her hair tied with a blue ribbon. The portrait was painted on the occasion of Dorothy's debutante ball by the well-known Asquith Baker, who was possibly a friend of the family and asked to produce the commission. In 1914 Dorothy would marry noted Australian artist Edward Dyson (1865 - 1931), Dyson was 49 years old while Dorothy was 22. They would have a single daughter, June, in 1917. Dorothy was a music teacher, and with her husband Edward they published a set of sheet music 'Billy Khaki' during the First World War.
Christina Asquith Baker was born in 1868 in London and emigrated to Australia when Christina was eighteen months old. She enrolled at the National Gallery School in Melbourne in 1888 and studied drawing under Frederick McCubbin, she would later also study painting under E. Phillips Fox at the Melbourne Art School. Christina moved to Paris and continued her studies there, returning to Australia in 1905.  Christina was an accomplished painter and by 1907 was commanding more than one hundred pounds for her paintings. As a portraitist, she was a finalist in the Archibald Prize in 1932 and again in 1937 with a self-portrait. She continued exhibiting well into her eighties and died in 1960. Her work is represented in major Australian collections such as the National Gallery of Australia, the National Gallery of Victoria and the Art Gallery of New South Wales. 
Provenance : Dorothy Dyson (nee Boyes), thence by descent
$ 2,200.00 AUD
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Phoenix (magazine - view full entry
Reference: see Douglas Stewart Fine Books, 4 Feb, 2015, catalogue - [ANGRY PENGUINS] Phoenix : 1935-1950 (complete)
[D.B. KERR; MAX HARRIS; PAUL PFEIFFER; DORRIT BLACK, et al]
# 10132

[The annual literary journal of the University of Adelaide]. Adelaide : Adelaide University Union, 1935-1948 and Adelaide University Students' Representative Counci, 1949-1950. Octavo, illustrated card wrappers (a couple slightly marked). A very good complete set of Phoenix including the five significant pre-war issues of this journal, the precursor to the Angry Penguins magazine. Scarce.
The 1935 issue features illustrations by Rex Wood and John Dowie, and written works which are anonymous or only identified by the author's initials; the 1936 issue features illustrations by John Dowie and written works by Rex Ingamells, Margaret McKellar Stewart and Clement Semmler; the 1937 issue features illustrations by John Dowie, photographs by Alan Pilgrim, and written works by Rex Ingamells, Charles Jury, Clement Semmler and Margaret McKellar Stewart; the 1938 issue features written works by D.B. Kerr and Rex Ingamells; the 1939 issue was edited by D.B. Kerr and features a reproduced linocut by Dorrit Black and written works by Max Harris, Paul Pfeiffer, D.B. Kerr and Charles Jury.
The stridently modernist and hugely influential Angry Penguins group emerged from the Adelaide literary scene of the late 1930s. Its key early figures were the poets Max Harris, D.B. Kerr, Paul Pfeiffer and Geoffrey Dutton. The editorship and contents of the journal Phoenix were dominated by these and numerous other like-minded anti-conservative writers and artists for five years up until 1939. The journal was the mouthpiece for a loosely knit group of radical, avant-garde and talented Adelaide students. These issues of Phoenix spanning the period 1935-39 are in a real sense the precursors of the Angry Penguins magazine, which was founded in Adelaide in 1940 as a reaction to the University of Adelaide's ruling to cease publication of Phoenix due to its subversive nature. The first joint editors of the Angry Penguins magazine were Max Harris and D.B. Kerr. (Both Kerr and fellow student Pfeiffer were precociously gifted poets who died tragically young in the Second World War). When the Angry Penguins magazine moved to Melbourne under Max Harris' editorship, the movement was to attract its four most celebrated artists: John Perceval, Arthur Boyd, Sidney Nolan and Albert Tucker.
The five pre-war issues represent the germination of arguably the most fertile period in Australian literature and art, with the post-war issues completing the set.
$ 880.00 AUD
Contemporary Australia: womenview full entry
Reference: Contemporary Australia : women by Julie Ewington

'Contemporary Australia: Women celebrates the diversity, energy and innovation in work by senior, established and emerging contemporary Australian women artists across all media and backgrounds. Lavishly illustrated with reproductions of sculptures, painting, installation, photography, film, video and performance works by more than 30 artists. Released to accompany the 'Contemporary Australia: Women' exhibition at GOMA from April - July 2012. Over 30 essays explore the artists and works with respect to themes of the performing woman, life experience, the return to everyday materials, redressing the canon, and political and social issues. Texts by Julie Ewington, Curatorial Manager, Australian Art and other leading curators as well as prominent guest authors including TV host and film program curator Margaret Pomeranz, social commentator Emily Maguire and novelist Jennifer Mills. Contemporary Australia: Women is a major 220-page exhibition publication that recognises the strong history of women artists in Australia and their contribution to contemporary art.' (inside front cover) includes Judy Watson, Jenny Watson, Natalya Hughes, Rose Nolan, Ruth Hutchinson, Louise Weaver, and Gosia Wlodarczak,
Publishing details: South Brisbane, Qld. : Queensland Art Gallery, [2012]. Large quarto, pictorial laminated card covers, 219 pp, colour illustrations, an as new copy. 
Ref: 1000
Labillardièreview full entry
Reference: Citizen Labillardière. A naturalist’s life in revolution and exploration (1755 - 1834)
by Edward Duyker.


Jacques-Julien Houtou de Labillardière was one of the great traveller-naturalists of the eighteenth century. He is most famous for his account of his voyage to the South Seas with Bruny d'Entrecasteaux in search of La Pérouse in 1791-93. Labillardière's Relation was an international bestseller in its day, helping to usher the southern continent into the European imagination. During his visit to the south-western coast of New Holland and his two sojourns in Van Diemen's Land (Tasmania), Labillardière also laid the foundations for his magnificent Novae Hollandiae plantarum specimen (1804-06), which is justly recognised as the 'first general flora of Australia'. He was also the author of the first published flora of New Caledonia.
In researching this exciting and elegantly written biography, Edward Duyker revisited many of the naturalist's landfalls around the world. He also examined a wide range of archival and museum collections to piece together Labillardière's correspondence and observations. The result is the first comprehensive study of the naturalist, revealing a committed republican who was shaped by the turbulent years of revolutionary and Napoleonic France. Dr Duyker ranges widely: from the tranquil cloisters of Normandy to the pillaged libraries and museums of Italy, from the Cedars of Lebanon to the verdant islands of the Pacific, from the frozen passes of the Alps to the parched shores of New Holland. This is a story of science, survival and a grand adventure.
Publishing details: Melbourne : Miegunyah Press, 2004. Octavo, illustrated wrappers, pp. 383, illustrations.
Ref: 1009
French artists in Australiaview full entry
Reference: Citizen Labillardière. A naturalist’s life in revolution and exploration (1755 - 1834)
by Edward Duyker.


Jacques-Julien Houtou de Labillardière was one of the great traveller-naturalists of the eighteenth century. He is most famous for his account of his voyage to the South Seas with Bruny d'Entrecasteaux in search of La Pérouse in 1791-93. Labillardière's Relation was an international bestseller in its day, helping to usher the southern continent into the European imagination. During his visit to the south-western coast of New Holland and his two sojourns in Van Diemen's Land (Tasmania), Labillardière also laid the foundations for his magnificent Novae Hollandiae plantarum specimen (1804-06), which is justly recognised as the 'first general flora of Australia'. He was also the author of the first published flora of New Caledonia.
In researching this exciting and elegantly written biography, Edward Duyker revisited many of the naturalist's landfalls around the world. He also examined a wide range of archival and museum collections to piece together Labillardière's correspondence and observations. The result is the first comprehensive study of the naturalist, revealing a committed republican who was shaped by the turbulent years of revolutionary and Napoleonic France. Dr Duyker ranges widely: from the tranquil cloisters of Normandy to the pillaged libraries and museums of Italy, from the Cedars of Lebanon to the verdant islands of the Pacific, from the frozen passes of the Alps to the parched shores of New Holland. This is a story of science, survival and a grand adventure.
Publishing details: Melbourne : Miegunyah Press, 2004. Octavo, illustrated wrappers, pp. 383, illustrations.
Meldrum Jamesview full entry
Reference: Born in Melbourne in 1931, James Meldrum studied in Melbourne and on various trips to the UK, Europe, Japan and Mexico. A surrealist painter in oil and acrylic, his first solo exhibition was held in Melbourne in 1952 and in Sydney in 1966. 
Prizes and Awards: 1971 Sir John Sulman Art Prize, 1979 Canberra Art Prize, 1979 Alice Springs Art Prize
Grants: 1992 Fellowhip ($35,000) Australia Council, 1992 Project ($10,000) for retrospective, Qld Arts Divisions, International One Man Exhibitions: London, Rome, Florence, Milano. Works being sold by Desert Rose Solutions Pty Ltd
5 Wilson Street
South Yarra, Vic 3141
Australia

February 2015.
Spark Frankview full entry
Reference: the following painting was with Scheding Berry Fine Art 2015: Frank Spark
McMahons Point (Point House looking towards Milson’s Point) c1890
Watercolour
28.5 x 48.5 cm
Inscribed ll McMcMahons Point, Signed lr Frank Spark
Inscribed incorrectly verso in another hand Leddicott McMahons Point 1920s

Comments This view towards Milson’s Point is similar to Streeton’s well known McMahons Point , painted in 1890. Streeton’s work is from slightly north of the Spark’s version. Streeton shows the house in the left foreground. Both paintings feature the McMahon’s Point ferry wharf.

The central feature of Sparks’ painting is Point House which is recorded as being in existence in 1871 and then owned by Michael McMahon It remained in his possession until 1892 when a change of ownership is shown by North Sydney Council to the Mercantile Bank of Sydney, later the Commercial Bank of Australia. This change may be due to a mortgage being placed on the property.

Alderman Michael McMahon who had been born in Ireland in 1831, was the mayor of Victoria (Ward), now part of North Sydney Council. He made his fortune making elaborate brushes (or combs) from exotic Australian woods, and for his brushware he was awarded the bronze medal at the Intercolonial Exhibition in Victoria in 1867.

!n 1884 McMahon gathered 11,500 signatures (by 1891 there were only 19,000 people on the North Shore) on a petition for a North Shore bridge and almost succeeded in getting 40,000 pounds from the government for steam punts for the North Shore. He spoke in 1886 for a bridge similar to the Forth Bridge in Scotland to be built across Sydney Harbour from Dawes Point to McMahon’s Point. McMahon also served on a tunnel committee in 1885. When there was a conference of mayors about 1890, which was held at Sydney Town Hall, the usher announced the “mayor of Victoria”. When the Mayor of Melbourne arose, the mayor of Ballarat whispered to him “sit down, it’s not you they are calling. You are only the mayor of Melbourne . This man McMahon is the mayor of all Victoria (all 98 hectares).” After this episode McMahon was known as the “mayor of all Victoria”.

Point House is well recorded, however in its place at 1 East Crescent Street there is now a block of apartments, also known as Point House. A contemporary photograph from a similar vantage point to this painting shows the house in the right foreground. This photo matches the house’s features and the side fence is clearly the same. Spark’s painting can be dated to about 1890 as the Tram/Ferry Terminal on Milson’s Point was built in 1887 whilst the railway from Milson’s Point to St Leonards was opened in 1893. The railway works are not evident in this watercolour, leading to the conclusion it would predate about 1892. The wharf is shown as the North Shore Ferry Coy Wharf on an 1888 map of the district.

It would be nice to think of the two figures on the verandah as being McMahon and his wife.

There is no information on the artist Frank Sparks
Butler John 1937-2014view full entry
Reference: see Theodore Bruce auction of estate 8 Feb, 2014. Butler isd described as an artist in catalogue, as well as a collector. He appears to have painted naive or primitive artworks, often of animals.
Hamilton Georgeview full entry
Reference: An Appeal for the Horse by George Hamilton, with six tinted lithographs of sketches by the author. ‘George Hamilton (1812-1883) was a pioneer grazier and amateur artist who later served as inspector of the South Australian mounted police. Hamilton arrived in Sydney in 1837 and overlanded sheep to rich pasture country in Victoria. He set- tled in South Australia in 1839 where he was an active participant in the local horse races, and a keen artist, exhibiting in Adelaide’s first two art exhibitions. In 1864 the Adelaide Advertiser praised his accurate renderings, proclaiming his equine sketches ‘have no equals in the colony’. Some of Hamilton’s work was used to illustrate famous inland exploration accounts published by John Eyre and George Grey. A very early South Australian lithographer, Hamilton owned his own small press.
In total Hamilton published three short booklets denouncing the poor treatment of horses in Australia. He was opposed to breaking in and other cruelties, contrasting conditions in Australia with the gentle treatment of horses in other cultures (notably Arabia). An Appeal for the Horse was well received and was re-issued in Melbourne some years later.’ - from Hordern House catalogue, Feb, 2015. Other commenst: ‘Scarce first edition: an unusually charismatic book promoting the natural rights of the horse in Australia.’]

Publishing details: Adelaide, David Gall, 1866. Small octavo. [also published by Balliere, Melbourne, 1866?]
Ref: 1000
Martens Conradview full entry
Reference: from Hordern House catalogue, Feb, 2015: The Beacon, Exmouth.
Lithograph, 150 x 245 mm., trimmed and evidently removed from album; circa 1830.
Martens before the Beagle. Very rare: an example of the work being done by Conrad Martens before he sailed on the Beagle. Any art relating to this early part of his career is most uncommon.
Conrad Martens (1801-1878), perhaps the best known of all colonial artists, arrived in Sydney in 1835 after working his way around the world, including a year’s appoint- ment as artist on the hydrographical survey voyage of the Beagle, during which his shipmate was Charles Darwin.
Martens had been born in London in 1801 but moved with his family to Exmouth in Devon in 1822. The view shows the temple by the shore at the Beacon, in the centre of Exmouth. This is thought to be the second earliest print after any work by Martens: the actual lithograph was drawn on stone “F. Martens”, thought to be Fred- erick Martens, a German-born engraver in aquatint and likely a relative of Conrad. Michael Organ, who has made a study of Martens, records in his “Conrad Martens’ Prints” (online) that the Dixson library holds an impression of this view with the imprint “Printed by Engelmann, Graf, Coindet & Co.” which is not present on this example. Hordern House has never before handled a copy of this lithograph by Martens, an outstanding colonial artist.’
Publishing details: .
Lilien E Mview full entry
Reference: Passover Haggadah - for Australian Sailors, Soldiers and Airmen. Melbourne (Australia), 1945.
Haggadah with an English translation, illustrations and drawings (copied from ancient Haggadot). A stereotype edition of a Haggadah printed for soldiers
in 1943. With a preface to this edition by the Army chaplain of the Australian army. On the verso of the cover is an illustration (by E. M. Lilien) with an inscription in the center: "Haggadaha for Jewish soldiers in Australia 1945". On the page opposite the title page is a map depicting the Exodus from Egypt.
[2], 34; 34 pages, [9] picture plates. Printed cover. 15.5 cm.

Ya'ari 2316; Otzar HaHaggadot 3958.
Ref: 1000
Margaret Ingram (b.1930, Australian)view full entry
Reference: Margaret Ingram (b.1930, Australian). At the age of 84, Margaret has undertaken her first solo exhibition at The Tabernacle Gallery, London, Feb. 2015.
Thallon John framerview full entry
Reference: Johhn Thallon was an important framer in Melbourne. Also, there are records of a John Thallon who was an Australian visual artist who was born in 1848. Several works by the artist have been sold at auction, including 'Bell's Brewery Yarra Falls' sold at Leonard Joel, Melbourne 'European and Australian Fine Art' in 2008. The artist died in 1918.
Lanceley Colin 1938-2015view full entry
Reference: obituary in SMH February 21-22, 2015, p 44
Ref: 133
Barrie May 1918-2014view full entry
Reference: obituary in SMH February 19, 2015, p 35
Ref: 133
Lik Peterview full entry
Reference: article from New York Times by Sarah Cascone, Monday, February 23, 2015: Peter Lik may claim to have sold the world's most expensive photo, with the $6.5 million Phantom (see $6.5 Million Landscape Is World's Most Expensive Photo), but the artist is artificially inflating his market. (This is not the kind of cheating we had in mind in the story Does Photography Help Artists Cheat?)
The photographer, who deals his own work through the 15 galleries he owns, is hardly a household name, but Lik has quietly managed to turn himself into the Thomas Kinkade of photography, selling pretty, pleasing, banal images that are wildly popular with a certain class of inexperienced collectors, but are barely recognized by the art establishment. The artist's chief financial officer claims that over 100,000 Lik photographs have been sold for more than $440 million, which would make him the most financially successful fine art photographer of all time.
The New York Times, however, has called these figures into question, citing data from the artnet Price Database. At auction, Lik has never sold for more than $15,860—a price that was achieved for Ghost, a color version of Phantom, at a 2008 sale. That is his only sale thus far that has brought in more than $3,000. So where are all these big sales numbers coming from?
An Australian native, Lik sells his work in tourist-heavy places like Maui and Las Vegas, where travelers are often happy to pick up a handsome, large-scale landscape print that will let them bring home the spirit of their vacation. His buyers generally don't have an art education, but they do have disposable income, and see Lik's nonthreatening work as providing easily accessible entrée into the booming art market.
With photos sold in limited editions of 995, Lik is able to create artificial demand by driving up the prices as he sells more copies. Initially offered at $4,000, a photo's sticker-cost rises steadily as the supply shrinks. An image that is 95 percent sold-out becomes "Premium Peter Lik" for $17,500, and the price only further skyrockets as those final pictures find buyers. This perceived scarcity provides a big incentive to buy today, before the price goes up.
Art consultant David Hulme, who in 2012 warned against collecting Lik "because Peter Lik's photographs have no secondary market presence or value," routinely fields calls from Lik owners who are hoping for a profitable resale. He told the Times that he worries that the galleries' tiered pricing structure is "misleading" customers, understandably causing them to assume that the outside market will reflect the ever-rising prices charged by the artist.
For the record-setting Phantom, Lik employed a new tactic, putting the word out to his most prolific collectors that his latest work would be one-of-a-kind. (An old tactic comes in the form of creating an interesting provenance—see Serious Attribution Errors In Auctionata Photography Sale, Expert Says.) The $6.5 million sale was widely reported, but the backlash was swift, both against the photo's artistic value and the validity of the astronomical price tag (see Is That $6.5 Million Photo Sale for Real? Probably Not!). As the Times points out, the sale was both private and anonymous, so "it's hard to know what's 'official' about it."
Perhaps the biggest believer in the Peter Lik fraud is the photographer himself. "I'm the world's most famous photographer, most sought-after photographer, most awarded photographer," he told the Times. While he can't deny artnet's figures and his non-existent resale market, Lik does have an excuse. "It's like a Mercedes-Benz," he said. "You drive it off the lot, it loses half its value."
Wei Guanview full entry
Reference: From Stars to Soul, Martin Browne Contemporary catalogue, biography included.
Publishing details: Martin Browne Contemporary, 2015, 64 pp, price list and invite inserted
Ref: 222
Cartwright Michaelview full entry
Reference: Mossgreen Gallery invite with biographical information
Publishing details: Mossgreen Gallery, 2015, 4pp, 4 colour illustrations
Ref: 222
Nunan Shonaview full entry
Reference: Shona Nunan - sculptures and drawings, Mossgreen Gallery invite with biographical information
Publishing details: Mossgreen Gallery, 2015, 4pp, 5 colour illustrations
Ref: 222
Allom W Jview full entry
Reference: The Australian War Memorial has a painting titled ‘’A’ Battery on to the war’ by Allom. The catalogue notes are: Depicts the transport ship, the New South Artillery, 'A' Battery SS Warrigal steaming down the harbour on departure from Sydney for the Boer War. A number of small boats also farewell members of 'A' Battery. William Jamieson Allom (1832-1902) was born in Buckinghamshire, England on 25 July 1832. William arrived in Australia on 23 November 1852. The ship on which he was travelling, the Margaret Brock, was wrecked off Cape Jaffa in South Australia, and the passengers walked to Adelaide from there. William then travelled to Auckland, New Zealand with his brothers, where he met his future wife, Hannah Scotter. They married on 18 December 1860 in Sydney, later on having 12 children. William left Sydney for Queensland in August 1864, and the Queensland Post Office Directory has him still listed as an artist in 1889. The 1890 to 1892 issues show a W J Allom as an auctioneer in Charters Towers, and it is thought that during this period he may also have run the local newspaper. William eventually left Queensland in 1893 and died in Sydney in June 1902. He exhibited his artworks at such events as the Queensland National Association Exhibition in Brisbane in August 1884, and he sent two paintings to the Colonial and Indian Exhibition in London in 1886.
Allom William Jamieson (1832 – 1902) view full entry
Reference: Booklet prepared by Scheding Berry Fine Art for sale of the mining painting ‘The Five Mad Germans’. ‘‘William Jamieson Allom (1832 – 1902) (‘The Charters Towers Painter’)
‘Five Mad Germans’, Day Dawn Mine, Charters Towers, c 1878-81
[Five owners of the mine are depicted: (l to r) unknown, Tom Christian, Friedrich Pfeiffer, unknown and John Romberg.]
Oil on canvas
48.5 x 61.4
Signed ‘W J [in monogram] Allom’ lr

This work in Charters Towers Museum.

William Jamieson Allom was born in Buckinghamshire on 25 July 1832, to Samuel Richard Allom, an Anglican clergyman. He was trained as a draughtsman-architect. William arrived in Australia on 23 November 1852. The ship on which he was travelling, the Margaret Brock, was wrecked off Cape Jaffa in South Australia, and the passengers walked to Adelaide from there. William then travelled to Auckland, New Zealand with his brothers, where he met his future wife, Hannah Scotter. They were married on 18 December 1860 by John Dunmore Lang in Sydney, later having 12 children.

William left Sydney for Rockhampton in August 1864, and moved to Bowen in June 1865 where he operated an auctioneering business. His first known sketch is titled Bowen Agricultural Show. In 1872 he left Bowen for Ravenswood, which was then the inland capital of North Queensland. The family journey had taken 14 days, by horse and dray. In October 1872 the 'Ravenswood Times and Mining Record' carried advertisements for an exhibition of his painting. Titles of his works at this time included Watching the Troopers, Ravenswood and Mother’s Little Valentine. He edited the newspaper between 1875 and 1877 and also continued as an auctioneer,

He left Ravenswood for Charters Towers in December 1877. The Queensland Post Office Directory has William listed as an artist in 1889, with the address as Aland Street. The 1890 to 1892 issues of the directory show a W. J. Allom as an auctioneer in Charters Towers, and it is thought that during this period he may also have run the local Charters Towers newspaper. However, increasingly he turned to painting and calligraphy for a living. He became the artist of the town, doing portraits, landscapes and illuminated addresses. His son Corey Jamieson Allom had begun work as a photographer, initially in the firm Stamp & Allom, and from 1888 as Allom & Bailey. It is likely the owners depicted in The Five Mad Germans were painted from photographic portraits.

William eventually left Charters Towers on 17 December 1893 and died in Sydney on 24 June 1902. He was buried in the Waverley Cemetery.

William exhibited his artworks at such events as the Queensland National Association Exhibition in Brisbane in August 1884, exhibiting no. 1149 ‘Landscape’ £42.0.0 and he sent two paintings to the Colonial and Indian Exhibition in London in 1886. Other known Allom titles are Saturday Night, Mosman Street, 1874 and The Opening of the Railway, 1884.

An interesting painting by Allom, which appears to show a fight between miners, can be seen in a photograph of a display of wax sculptures and paintings by Allom shown in Sydney in 1900 (the photograph is held by the State Library of South Australia, ref. no. PRG 280/1/1/65 and is reproduced below). Surviving oil paintings by Allom are rare. Only two of his paintings appear to be in public institutions. Like Five Mad Germans, both are wonderful paintings. The very impressive View of Charters Towers is in the State Library of Queensland, John Oxley Library collection. This panoramic painting shows the mining town at the height of its prosperity when it was known as ‘The World’. At left is the Mills Day Dawn United Mine, known as the ‘Show Mine of the Colony’. This view was exhibited in Artists of the Tropics, Blighted Paradise at the State Library of Queensland. The other important Allom painting, Townville, painted from the David Brands Slipway, Ross Creek, 1884, once owned by James Burns, is now in the Townville Art Gallery. 'A' Battery off to the war, 1899, oil on canvas
35.2 x 65.8 cm, is in the Australian War Memorial.



Publishing details: privately printed, 2014 [Filed in Scheding Library in Allom folder on open shelves]
Meek Jamesview full entry
Reference: James McKain Meek was born at Great Yarmouth, Norfolk in 1815[1], arriving in Sydney 1838 where he reputedly tutored the children of Governor Gipps.[2] James Meek married Julia Ann Craig (1816-84), the governess to Governor Gipps' children. Four children were born between 1844 and 1851.[3]

Meek arrived at Port Phillip (Melbourne) in 1847. He lived in Ballarat from December 1851 until some time in 1853.[4]

[About May, 1853] near the corner of Dana and Lydiard streets, now occupied by Holmes and Salter’s law offices, a tent or hut was kept by one Meek, who [36] wrote pen and ink sketches of Victoria. Meek, as became his name, did not make his business very prominent from a licensing point of view, and his establishment by way of irony upon it or the police, used to be called “The Trooper’s Arms."[5]

James Meek's known movements after he left Ballarat are:
1853 Sandridge, Port Melbourne where he had a fishing fleet of 3 vessels and a cafe on the pier. The fleet was destroyed in a storm, and the cafe by fire, leaving the family financially ruined.
1853 Curdie's Inlet, near Peterborough
1855-59 Warrnambool
1858-59 Western Coast fishing Co. established but goes into liquidation within 12 months, investors lose money
1859-63 In Melbourne working as Librarian in the Public Library. Produced a large significant photo-lithograph: Atlas of the Australian Colonies
1861: Historical & Descriptive Atlas of the British Colonies in Continental & Insular Australia. This was entered in the Victorian Exhibition in Melbourne, 1861, winning a First Prize. It was sent on to the London International Exhibition of 1862, and a copy is held by the Stationers' Guild, London.
1863 Returns to Curdies Inlet
1874-91 In New Zealand. His wife dies at Christchurch in 1884
1891-98 Returns to Ballarat. Lives/works at Ballarat Benevolent Asylum
1898 seriously ill, taken home by daughter Marianne Dallimore to Lake Gillear, near Warrnambool

Meek's house was the first house in Ballarat. It was on the corner of Lydiard Street and Dana Street (where two real estate businesses stand in 2013). The site was originally owned by Patrick Welch. As well as a house, Meel also had a lemonade and soda factory on the site that was reputed to be a sly grog shop.[6]

Meek died at Lake Gillear, near Warrnambool, at his daughter's home (Marianne Dallimore) on 09 June 1899, shortly before his 84th birthday.[7]
Legacy
James Meek produced some of the earliest drawings of the Ballarat Goldfield. Few drawings by James Meek survive. Two are in the collection of the Royal Historical Society of Victoria. While a resident of the Ballarat Benevolent Asylum James Meek worked on an epic pen and ink artwork from 22 October 1892 to 17 March 1898 called Past and Present Ballarat of Forty Years of Progress from an Uninhabited Wilderness. The work was printed by Rider & Mercer.


Ballarat Library detail from Past and Present Ballarat of Forty Years of Progress from an Uninhabited Wilderness by James Meek, Federation University Australia Historical Collection (Cat. No.10782)
In 1893 the Ballarat Star described the work: An Industrial Inmate. At the conclusion of Monday's meeting of the Ballarat Benevolent Asylum Committee one of the inmates, named James McKain Meek, having been introduced, laid upon the table a magnificently executed work of art, bearing the following inscription: - The past and present of Ballarat, or 40 years' progress from an uninhabited wilderness, 1852 to 1892, during which time it has become the grandest inland city of the Southern World. It stands unrivalled by that of any city in her Britannic Majesty's extensive domain over which the sun never sets, and o'er which Albion's beloved sovereign sways her benign sceptre." The work conveys by words and pictorial representations a complete history of Ballarat from its inception up to the 17th March inst. The various pillars and scrolls by which the many incidents that are related are surrounded are marvellously executed, the plain and ornamental lettering is exquisite; while the language used in the narrative is of the most eloquent and refined description. Sketches of the Ballarat Hospital and Benevolent Asylum, equal to any photographic picture, are shown at either end of the word "Ballarat," which occupies the most central position of the chart. The work, which is worthy of a position in any public library or private residence, has been designed and composed by Mr. Meek, who is 78 years of age, at the Asylum. It is done entirely with pen and ink, and was commenced on the 22nd October, 1892, and completed on 17th March, 1893.[8]

A brass plaque was added to James Meek's grave in 1991 by Ballarat Historical Society and Meek's descendants.[9]
Newsworthy
Mr James Meek, through the agency of Messrs. Hamel & Co., has just issued a lithographic representation of his latest achievement in ornamental penmanship, via., a tribute to the honor of Shakespeare. Both in design and execution this piece is superior to anything which has proceeded from the same hand, while it must remain a marvel of patient ingenuity, if not of high artistic ability.[10]

from https://bih.federation.edu.au/index.php/James_Meek
Menpes Mortimer books byview full entry
Reference: Books by Mortimer Menpes:

Britanny by Mortimer Menpes. Text by Dorothy Menpes
China
Gainsborough
Henry Irving
Home Life in India
India
Japan : a record in colour
Madame Prune
On the Printing of Etchings
Paris
Rembrandt
The Durbar
The Intaglio Prints Of Mortimer Menpes (1855-1938)
The People of India
The Thames
Through Life and Round the World, Being the Story of My Life
Venice
War Impressions, Being a Record in Colour
Whistler As I Knew Him
World Pictures
World's Children

Patterson Ambroseview full entry
Reference: RETHINKING AMBROSE PATTERSON AND MODERN ART IN SEATTLE
by DANIELLE MARIE KNAPP
A THESIS Presented to the Department of Art History and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts.
June 2010
Publishing details: 80pp
Heroes & champions view full entry
Reference: Heroes & champions by Bob Charley, Foreword by Les Carlyon.

‘The horses, jockeys, trainers and events that made Australian racing great. Illustrated with the finest examples of Australian equine art. A substantial and handsome monograph on paintings of Australian horse racing.’
Publishing details: Sydney : Bluebloods, 2014. Oblong folio, laminated boards, p  ix; 231; viii; [6]; viii, extensively illustrated.
Ref: 1000
Design in everyday thingsview full entry
Reference: Design in everyday things / Conflict by Alleyne Zander; Walter Bunning et al

Extensively illustrated  with black and white photographic plates, bibliographies, "This booklet contains the outlines of two series of talks ... " (p.3). Includes short illustrated essays such as The importance of design (Zander); The private house and the flat (Bunning and O'Mahony); Places of work and recreation (Bunning and O'Mahony); Furniture and furnishings in living rooms and kitchens (Lord); Housing schemes and town planning (Bunning and O'Mahony); Good design for little money (Lord); Design in dress (Lewis, Cilento and Marshall); Design everywhere (Zander and Medworth). The last section is devoted to several short philosophical discussions about the concept of conflict. 
Publishing details: [Sydney] : Australian Broadcasting Commission, 1941. Octavo, staple bound, 100 pp,
Ref: 1009
Art & Natureview full entry
Reference: Art & Nature - Three Centuries of Natural History Art from Around the World, by Judith Magee [’A remarkable visual journey through the exploration of the natural world, featuring many of the greatest natural history artists of the last 300 years, including John James Audubon, William Bartram, and brothers Franz and Ferdinand Bauer. Whether seeking fame, fortune, or simply the opportunity to share their breathtaking vision of nature, these scientists and artists were, in the words of Alexander von Humboldt, "spurred on by an uncertain longing for what is distant and unknown, for whatever excited my fantasy: danger at sea, the desire for adventures, to be transported from a boring daily life to a marvelous world." Biographical notes p250-55.
Publishing details: Greystone Books, 2010, hc, 256 pp, Profusely illustrated in colour.
Luminous Colour - Showcasing Australian Pastel Artistsview full entry
Reference: Luminous Colour - Showcasing Australian Pastel Artists by Linda Hibbs
‘The first book ever printed which focuses entirely on Australian pastel Artists.’ Featuring 50 contemporary pastel painters with artists’ statements and illustrations of their work.
Publishing details: Ringwood East, Victoria : Indah Creations & Publications, 2014,
220 pages, colour illustrations
New Romanticsview full entry
Reference: New Romantics: Darkness and Light in Australian Art. By Simon Gregg. [’Something is happening in Australian art today. We are witnessing the resurgence of ideas that took root centuries ago – a return to passion in art, and a return to atmosphere and awe.Historians called it Romanticism; a disposition for melancholic yearning, for communion with nature, for the sublime. Australian artists, in countless numbers, are engaging with these themes again today. 
Set against the dazzling backdrop of the Australian sublime, New Romantics charts the dynasties of Romantic art. From its nascent beginnings in European philosophy to a cause championed by Australian colonialists, this compelling survey seeks to understand how it has landed in the hands of a new generation of Australian artists. 
Through the work of 36 contemporary Australian artists who have reinvigorated this movement, New Romantics traces the influences that led them to this unlikely path. This is the first book that seeks to understand a paradigm shift that is shaping the future course of Australian art. 
Lavishly illustrated, New Romantics is a book for lovers of art, atmosphere, and awe. A compendium for the twenty-first century, New Romantics is a defining work on the return to beauty in Australian art. 
Artists include: Rob Bartolo, Hannah Bertram, Magdalena Bors, William Breen, Sheridan Brown, Jane Burton, Jason Cordero, Peter Daverington, Iris Fischer, Dale Frank, Briele Hansen, Louise Hearman, Bill Henson, Petrina Hicks, Annie Hogan, Mark Kimber, Chris Langlois, Richard Lipp, Joanna Logue, Tony Lloyd, Susan Milne, John Morris, Saffron Newey, Sarah Nguyen, Izabela Pluta, Robbie Rowlands, Kathryn Ryan, Natalie Ryan, Sam Shmith, Sophia Szilagyi, Camilla Tadich, Juha Tolonen, Stephen Wickham, Philip Wolfhagen, Greg Wood, and Joel Zika. 
SIMON GREGG has held professional posts at Heide Museum of Modern Art and City Museum at Old Treasury. Simon Gregg has curated over fifty exhibitions at a variety of venues, and has published widely on Australian art. He is currently curator of the Gippsland Art Gallery, Sale. New Romantics is his first full-length book. ’]
Publishing details: Australian Scholarly Publishing, Paperback ,
2011
Ref: 1000
Performance ritual documentview full entry
Reference: Performance ritual document by Anne Marsh. ncludes bibliographical references (pages 258-269) and index. [’This copiously illustrated publication explores performance art—and its intensive cousin, body art—through live manifestations and reiterations in photographs, film and video. Records such as these, that began to be made early in the history of performance art, have enabled audiences
to experience the works long after the artists’ original enactments and have triggered the current debate surrounding ‘remediation’ in an age of new technology. Anne Marsh’s important and clearly articulated research explores the question: ‘Can performance art be successfully portrayed through documentation?’ Her text, divided into six key chapters together with introduction and conclusion, incorporates references to the local and international debates currently surrounding the art form and its place in the 21st century. Perhaps central to these is the problem of the artist’s ‘presence’ in live performance vis-a-vis the role of the surviving document and its mode of presentation in the media. Drawing on the works of significant Australian and international artists—including Jill Orr, Mike Parr, Yves Klein, Marina Abramović, Peter Kennedy, Julie Rrap, Kevin Mortensen, Domenico de Clario, Tom Nicholson, Stelarc, Anne Graham, Ash Keating, Deborah Kelly and many more—the author investigates diverse areas of debate including the roles of relics, rituals and shamanism in the creation of performance art as well as propositions, interventions and collaborations affecting its documentation. This publication is a key work, essential to an understanding of the relationship between performance art and the various technologies that ensure its survival beyond individual events.’] [To be indexed]Jon Campbell
written by Lisa Radford, Jarrod Rawlins
Uplands Publishing | ISBN 9780980444926
Paperback – 195 pages]
[Includes works by Deborah Kelly, Julie Rrap, Catherine Bell, Marina Abramovic, Mike Parr, Jill Orr, Peter Kennedy, Fiona McGregor, Brown Council and others.
‘Performance art in Australia emerged in the 1970s and was supported through new organisations of the time such as the Institute of Modern Art (Brisbane), Experimental Art Foundation (Adelaide) and the Performance Space (Sydney). Its legacy is a conceptual dematerialised practice that has brought a political potency to Australian art practice over the last forty years. Artists such as Jill Orr, Mike Parr, Monika Tichacek and many others have created performances that resonate with the audience long after the event.
Across six chapters, art historian Anne Marsh presents an overview of Australian performance art that commences with questions of the tension between live performance and its documentation. She refers to theorists such as Peggy Phelan who argue that ‘… being-there in real time as a member of a live audience is … the only [way] which guarantees an authentic experience of the event in time’. While Marsh recognises the significance of ‘being-there’ she presents compelling arguments for the power of mediation, the anonymous spectator, and the ways the virtual and electronic can expand the experience of performance art.
A noticeable element throughout the book is the consistency of female artists working within Australian performance art practice. Chapters on ritual, shamanism and body art clearly articulate the powerful space that women artists occupy in using the body as a site to critique gender, politics and cultural identity.
A generous collection of evocative colour and black and white images is evidence in itself of the power of documentation. An intriguing and inherent parody throughout the book is the power of the word to evoke the power of a performance as Marsh’s descriptions of performances from Peter Kennedy to Brown Council to Stelarc chronicle the diversity and ingenuity of Australian performance art practice.’ – Julianne Pierce, review in Artlink Magazine, March 2015]
Publishing details: Macmillan, 2014,
271 pages : photographs (chiefly colour), portraits ; 25 cm., (paperback)
Campbell jonview full entry
Reference: Jon Campbell, written by Lisa Radford, Jarrod Rawlins

Publishing details: Uplands Publishing,
Paperback – 195 pages
Ref: 1000
Brophy Philipview full entry
Reference: Philip Brophy: Hyper Material for Our Very Brain. Interview by: Lara Travis; Essays by: Darren Tofts, Shihoko Iida, and Chris Chang; a selection of Brophy's own writings; plus a CD. [’Those who follow Australian art, music, or film will have come across Melbourne's Philip Brophy. Over the last thirty years, he has produced important work in all three scenes. He is also a critic and curator. And it is impossible to extricate his work as a commentator from his own work, because, as he admits, his own work is always a commentary on existing forms; it's always art-about-art, music-about-music, film-about-film, or, indeed, art-about-music-about-film.
Brophy's works might initially appear disparate. In the late 1970s and early 1980s, he led the group Tsk-tsk-tsk, which operated on the art/music fringe, generating performances, recordings, videos, and writings. In the late 1980s and early 1990s, he was the filmmaker obsessed with body fluids, directing Salt, Saliva, Sperm, and Sweat and Body Melt. In the 2000s, he was a new-media artist (making The Body Malleable), a manga/anime maven (making Vox and curating Tezuka: The Marvel of Manga), and a sound designer (composing soundtracks for films, his own and others').
Despite their variety, everything Brophy does is underpinned by three connected lines of enquiry: music/pop (pop music, popular culture, manga and anime), body/sex (body-horror films, sex and violence, and gender), and sound/image (the unsung role of sound in cinema). A book surveying Brophy's whole project seemed long overdue. This generously illustrated volume includes a CD.’]

Publishing details: Published by IMA,
2002
Ref: 1000
Battarbee and Namatjiraview full entry
Reference: Battarbee and Namatjira by Martin Edmond. [’Battarbee and Namatjira is the biography of two artists Rex Battarbee and Albert Namatjira, one white Australian from Warrnambool in Victoria, the other Aboriginal, of the Arrernte people, from the Hermannsburg Mission south of Alice Springs. From their first encounters in the early 1930s, when Battarbee introduced Namatjira to the techniques of water-colour painting, through the period of Namatjira’s popularity as a painter, to the tragic circumstances leading to his death in 1959, their close relationship was to have a decisive impact on Australian art.

This biography, illustrated with photographs, makes extensive use of Battarbee’s diaries for the first time, to throw new light on Namatjira’s life, and to bring Battarbee, who has been largely ignored by biographers, back into focus. Some of its findings will be controversial. By moving between the artists and their backgrounds, and looking closely at the nature of their friendship, Edmond is able to portray the personal and social complexities the two men faced, while at the same time illuminating larger cultural themes – the treatment of the Arrernte and Indigenous people generally, the influence of the Lutheran church, the development of anthropology, and the evolution of Australian art.’]
Publishing details: Giramond, 2014, pb, 341pp
Battarbee Rexview full entry
Reference: see Battarbee and Namatjira by Martin Edmond. [’Battarbee and Namatjira is the biography of two artists Rex Battarbee and Albert Namatjira, one white Australian from Warrnambool in Victoria, the other Aboriginal, of the Arrernte people, from the Hermannsburg Mission south of Alice Springs. From their first encounters in the early 1930s, when Battarbee introduced Namatjira to the techniques of water-colour painting, through the period of Namatjira’s popularity as a painter, to the tragic circumstances leading to his death in 1959, their close relationship was to have a decisive impact on Australian art.

This biography, illustrated with photographs, makes extensive use of Battarbee’s diaries for the first time, to throw new light on Namatjira’s life, and to bring Battarbee, who has been largely ignored by biographers, back into focus. Some of its findings will be controversial. By moving between the artists and their backgrounds, and looking closely at the nature of their friendship, Edmond is able to portray the personal and social complexities the two men faced, while at the same time illuminating larger cultural themes – the treatment of the Arrernte and Indigenous people generally, the influence of the Lutheran church, the development of anthropology, and the evolution of Australian art.’]
Publishing details: Giramond, 2014, pb, 341pp
Namatjira Albertview full entry
Reference: see Battarbee and Namatjira by Martin Edmond. [’Battarbee and Namatjira is the biography of two artists Rex Battarbee and Albert Namatjira, one white Australian from Warrnambool in Victoria, the other Aboriginal, of the Arrernte people, from the Hermannsburg Mission south of Alice Springs. From their first encounters in the early 1930s, when Battarbee introduced Namatjira to the techniques of water-colour painting, through the period of Namatjira’s popularity as a painter, to the tragic circumstances leading to his death in 1959, their close relationship was to have a decisive impact on Australian art.

This biography, illustrated with photographs, makes extensive use of Battarbee’s diaries for the first time, to throw new light on Namatjira’s life, and to bring Battarbee, who has been largely ignored by biographers, back into focus. Some of its findings will be controversial. By moving between the artists and their backgrounds, and looking closely at the nature of their friendship, Edmond is able to portray the personal and social complexities the two men faced, while at the same time illuminating larger cultural themes – the treatment of the Arrernte and Indigenous people generally, the influence of the Lutheran church, the development of anthropology, and the evolution of Australian art.’]
Publishing details: Giramond, 2014, pb, 341pp
Pulp Confidentialview full entry
Reference: Pulp Confidential - Quick & dirty publishing from the 40s & 50s [’Pulp Confidential: Quick & dirty publishing from the 40s & 50s presents a rich collection of 1940s and 50s vintage Australian "pulp" cover art, crime story illustrations and original comic books, drawn from the papers of Sydney publishing house, Frank Johnson Publications. It gives a glimpse of the everyday workings of a small but resilient player at the hard-scrabble end of the Australian publishing industry.’] Other comics artists were soon on board: Carl Lyon, Les Dixon, Bruce Cousins, Noel Cook, Frank Jessup, Rhys Williams and others all wrote action and adventure strips for Johnson.
Publishing details: State Library of NSW, 2015, pb, 54pp
Ref: 145
Johnson Frankview full entry
Reference: see Pulp Confidential - Quick & dirty publishing from the 40s & 50s [’Pulp Confidential: Quick & dirty publishing from the 40s & 50s presents a rich collection of 1940s and 50s vintage Australian "pulp" cover art, crime story illustrations and original comic books, drawn from the papers of Sydney publishing house, Frank Johnson Publications. It gives a glimpse of the everyday workings of a small but resilient player at the hard-scrabble end of the Australian publishing industry.’]
Publishing details: State Library of NSW, 2014, pb, 54pp
commercial artview full entry
Reference: see Pulp Confidential - Quick & dirty publishing from the 40s & 50s [’Pulp Confidential: Quick & dirty publishing from the 40s & 50s presents a rich collection of 1940s and 50s vintage Australian "pulp" cover art, crime story illustrations and original comic books, drawn from the papers of Sydney publishing house, Frank Johnson Publications. It gives a glimpse of the everyday workings of a small but resilient player at the hard-scrabble end of the Australian publishing industry.’]
Publishing details: State Library of NSW, 2014, pb, 54pp
Reilly Virgil p11view full entry
Reference: see Pulp Confidential - Quick & dirty publishing from the 40s & 50s [’Pulp Confidential: Quick & dirty publishing from the 40s & 50s presents a rich collection of 1940s and 50s vintage Australian "pulp" cover art, crime story illustrations and original comic books, drawn from the papers of Sydney publishing house, Frank Johnson Publications. It gives a glimpse of the everyday workings of a small but resilient player at the hard-scrabble end of the Australian publishing industry.’]
Publishing details: State Library of NSW, 2014, pb, 54pp
Lindsay Raymond and Vera p12view full entry
Reference: see Pulp Confidential - Quick & dirty publishing from the 40s & 50s [’Pulp Confidential: Quick & dirty publishing from the 40s & 50s presents a rich collection of 1940s and 50s vintage Australian "pulp" cover art, crime story illustrations and original comic books, drawn from the papers of Sydney publishing house, Frank Johnson Publications. It gives a glimpse of the everyday workings of a small but resilient player at the hard-scrabble end of the Australian publishing industry.’]
Publishing details: State Library of NSW, 2014, pb, 54pp
colonial portraitsview full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical references.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb
Allport Mary Morton 1806-1895view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Angas George French 1822-1886view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Backler Joseph 1813-1895view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Becker Ludwig 1808? -1861view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Berkeley Martha Maria Snell Chauncy 1813-c1899view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Bock Thomas 1790-1855view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Chevalier Nicholas 1828-1902view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Claxton Marshall 1813-1881view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Costantini Charles Henry Theodore (b1803?)view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Duterrau Benjamin 1767-1851view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Clayton Samuel (d1853)view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Earle Augustus 1793-1838view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Fowles Joseph (d1878)view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Gill Samuel Thomas 1818-1880view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Gould William Buelow 1901-1853view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Griffiths William or Griffith (d1870)view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Hart Conway view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Hudson Hannah Mariaview full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Hutton Francis Frederick 1826-1859view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Lempriere Thomas James 1796-1852view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
McCrae Georgiana Huntly 1804-1890view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Mitchell Sir Thomas Livingstone (1792-1855)view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Mundy Henry (d1848)view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Nicholas William 1809-1854view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Noble Richardview full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Read Richard Jnr b1800?view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Read Richard Snr (1878?-1828? b1800?view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Rodius Charles 1802-1860view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Stephen George Milner 1812-1894view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Strutt William 1825-1915view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Strange Frederick c1807-1873view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Wainewright Thomas Griffiths 1794-1847view full entry
Reference: see Buscombe Eve, Australian Colonial Portraits - researched, selected and written by Eve Buscombe in association with the Tasmanian Museum and Art Gallery. [catalogue of Exhibition held at Tasmanian Museum and Art Gallery, Hobart and galleries in Launceston, Brisbane, Darwin, Ballarat, Melbourne and Sydney. Includes bibliographical articles.]
Publishing details: Tasmainian Museum & Art Gallery, February 1979, pb, 74pp
Read Richard Snrview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Read Richard Jnrview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
King Phillip Parkerview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
King Phillip Parkerview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Winstanley Edward view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Balcombe Thomas Tyrwhittview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Rodius Charlesview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Delohery Corneliusview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Backler Josephview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
East T Bview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Martens Conradview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Felton Dr Mauriceview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Nicholas Williamview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Griffith Williamview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Noble Richardview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Smith Henry Robinsonview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Ziegler Gview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Gilfillan John Alexanderview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Lempriere Thomas Jamesview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Bock Thomasview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Stephen George Milnerview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Costantini Carles Henry Theodoreview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Glover Johnview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Gould William Buelowview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Mundy Henryview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Allport Mary Mortonview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Duterrau Benjaminview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Napier Thomasview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Wainewright Thomas Griffithsview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Strange Frederickview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Nixon Francis Russellview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Harrison Jview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Frith Frederick p371view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Hutton F F p372view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Dowling William Paul p369view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Dowling Robert Hawker p368view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Bull Knut p362 also Knud Buhlview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Bock Alfred p360view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Nuyts Pierre p359view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Wingate Major Thomas p359view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Hart Conway p358view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Eyre Gladstone p357view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Ewart Dr p355ffview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Claxton Marshall p351view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Campbell O R p351view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Lyttleton Captain William Thomas p347view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Thomson William p347view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Smith James p346view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Allen Joshiah p344view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Bland Junior p344view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Clayton Samuel p344view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Davis W p344view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Devoy Thomas p345view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Eager Edmundview full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Wilson James p345view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Lette Elizabeth (Mrs Peter) p346view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Lette Elizabeth (Mrs Peter) p346view full entry
Reference: see Buscombe Eve - Artists in early Australia and their portraits : a guide to the portrait painters of early Australia with special reference to colonial New South Wales and Van Diemen's Land to 1850 with detailed biographies, catalogues of works and sources of Australian portraiture, by Eve Buscombe. And extremely valuable resource on Australian colonial portrait painters. There may be some errors but it is often an essential starting point in researching the artists it covers. With excellent biographical information. With extensive black and white illustrations of the artists’s works.
Publishing details: Eureka Rsearch, 1978, hc, 421pp
Patterson Ambrose.view full entry
Reference: catalogue for one-man exhibition at the Cercle Artistique et Litteraire in Wauxhall, Brussels in 1906 (Patterson’s most successful show). 101 works exhibited.
Publishing details: Cercle Artistique et Litteraire, 1906
Ref: 1003
Early Australian Furnitureview full entry
Reference: Graham Cornell, Memories. A survey of Early Australian Furniture in the collection of the Lord McAlpine of West Green. ‘A lavishly illustrated survey’.
Publishing details: Perth, Australian City Properties, 1990. Folio, colour and black & white plates, original cloth with dustwrapper,
Ref: 1000
Ingleton Geoffreyview full entry
Reference: Geoffrey C. Ingleton - TRUE PATRIOTS ALL. Quarto, three original etchings by Geoffrey Ingleton tipped onto initial binder’s blanks, illustrations throughout, original quarter morocco, top edge gilt.
Publishing details: Sydney, Angus & Robertson, 1952. Limited edition of 150 numbered and signed copies.
Ref: 1000
Lindsay Lionelview full entry
Reference: A BOOK OF WOODCUTS, drawn on wood and engraved by Lionel Lindsay.
Publishing details: Sydney, Art in Australia, 1922. Edition limited to 200 numbered copies, Quarto, frontispiece in colour, tipped-in plates, original cloth with paper label on upper board.
Ref: 1009
Lindsay Lionelview full entry
Reference: Lionel Lindsay, Discobolus
Publishing details: (1959) limited to 350 copies.
Ref: 1009
Lindsay Lionelview full entry
Reference: LINDSAY, Lionel. THE EX LIBRIS OF SIR LIONEL LINDSAY 1874-1961. Quarto, with 65 illustrations of bookplates, and 4-page errata with four illustrations, original black cloth with matching slipcase.
Publishing details: Melbourne, Privately Published, 1978. Edition limited to 350 numbered copies.
Ref: 1008
Lindsay Lionelview full entry
Reference: Lionel Lindsay - TWENTY-ONE WOODCUTS, drawn, engraved & printed by Lionel Lindsay.
Publishing details: Sydney, Meryon Press, 1924. The first book of the Meryon Press, hand-printed by Lindsay, in an edition of 95 copies with the plates on Japanese vellum. Unnumbered presentation copy, inscribed to Leon Gellert, 1924. Quarto, tipped-in plates, cloth-backed papered boards, with paper label.
Ref: 1009
Lindsay Normanview full entry
Reference: LINDSAY, Norman. A COLLECTION OF THE DRAWINGS to illustrate “The Quartermaster” by M. Barnard Eldershaw. Eleven prints (approximately 42 x 52 cm) with illustrated title-sheet. Sydney, Bulletin, [1929]. Separate publication of Lindsay’s illustrations for the serialisation of A House is Built in the Bulletin under the title “The Quartermaster” by ‘M. Barnard Eldershaw’. Marjorie Barnard and Flora Eldershaw collaborated to write A House is Built which won first prize in the Bulletin [pound]2000 Prize novel competition. It was published in an abridged form as “The Quartermaster” in weekly instalments in the Bulletin between May and July 1929, illustrated by Norman Lindsay.
Publishing details: published in an abridged form as “The Quartermaster” in weekly instalments in the Bulletin between May and July 1929, illustrated by Norman Lindsay.
Ref: 1000
Lindsay Normanview full entry
Reference: MICOMICANA. pen drawings in black and white,
Publishing details: Melbourne University Press, 1979. Folio, First edition: edition limited to 527, original full calf, gilt decorated, with publisher’s box.
Ref: 1000
Lindsay Normanview full entry
Reference: EIGHTEEN PAINTINGS reproduced in their original colours, with notes on the artist’s life by Godfrey Blunden.
Publishing details: Springwood Press, 1939 [but later]. The interrupted limited edition of The Water Colour Book. Quarto, colour plates, original cloth.
Ref: 1000
Lindsay Normanview full entry
Reference: LINDSAY, Norman. TWO HUNDRED ETCHINGS. Published in two volumes, with an introduction by Daniel Thomas, Comments on Norman Lindsay’s Etching Technique and a Catalogue and Notes, Edited by Douglas Stewart.
Publishing details: Sydney, Angus and Robertson, 1973. Two volumes, folio, plates, original quarter morocco in slipcase. Edition limited to 210 numbered copies.
Ref: 1009
McCrae Hughview full entry
Reference: McCRAE, Hugh. SATYRS AND SUNLIGHT: Being the Collected Poetry of Hugh McCrae. Illustrated and Decorated by Norman Lindsay. With an Introduction by Thomas Earp.
Publishing details: London, Fanfrolico Press, 1928. Edition limited to 550 numbered copies. Quarto, illustrations, full stained sheepskin with shagreen finish, rubbed, sunned on spine, top edge gilt.
Ref: 1000
McCrae Hughview full entry
Reference: McCRAE, Hugh. MY FATHER, and my father’s friends.
Publishing details: Sydney, Angus and Robertson, 1935. Edition limited to 500 numbered copies. Inscribed and signed by the author. Octavo, two pieces of loosely inserted ephemera, original calf-backed boards in original box of issue.
Ref: 1000
Shirlow Johnview full entry
Reference: SHIRLOW, John. THE “SYDNEY SET”, ETCHINGS. Foreword and List of Plates, plus six original signed etchings mounted, three with titled tissue leaves, loose in original boards, upper board gilt-lettered .
Publishing details: Melbourne, Edward A. Vidler, 1918. Limited to 55 numbered sets, each set and each print signed by the Artist. Folio, title,
Ref: 1009
Tucker Albertview full entry
Reference: SMITH, Ivan, and Jocelyn SMITH. THE DIE- HARD. Images by Albert Tucker.
Publishing details: Sydney, Harper & Row, 1979. Edition limited to 500 copies signed by authors. Quarto, tipped in coloured plates, original cloth in slipcase. and artist.
Ref: 1000
Verge Johnview full entry
Reference: see The Golden Decade of Australian Architecture - The Work of John Verge. By James Broadbent Ian Evans and Clive Lucas. Profusely illustrated with photography by Max Dupain.
Publishing details: Syd. The David Ell Press. 1978. 4to. Or.cl. Dustjacket. (plastic-covered) 128pp. Many b/w ills. Fine. 1st ed.
Dupain Maxview full entry
Reference: see The Golden Decade of Australian Architecture - The Work of John Verge. By James Broadbent Ian Evans and Clive Lucas. Profusely illustrated with photography by Max Dupain.
Publishing details: Syd. The David Ell Press. 1978. 4to. Or.cl. Dustjacket. (plastic-covered) 128pp. Many b/w ills. Fine. 1st ed.
Aisbett Norman 1921-2000view full entry
Reference: see Bill Hood and Sons Art and Antique Auction, Florida, USA, Lot 0234
Norman Aisbett (AUSTRALIAN, 1921-2000) oil on board, titled ‘Afternoon Tour’ [a mining scene, Exmouth Gulf, WA,]
Wood Marshallview full entry
Reference: at Woolley & Wallis auction 25 March 2015 - Marshall Wood (1834-1882). A carved marble model of Daphne, standing with her back to a laurel tree, the base signed 'M.WOOD. Sc. 1869', 95.2cm high, 26.8cm wide.Provenance: The Property of a Nobleman. Marshall Wood was a pupil of Sir Francis Chantrey and he exhibited at the Royal Academy from 1854. In 1859 he exhibited an unfinished version of Daphne at the Academy. He executed statues of Queen Victoria for Sydney, Montreal, Calcutta, Ottawa and Melbourne. Whilst visiting Melbourne in 1880, there to help install his statue of Queen Victoria in Parliament House, he exhibited another version of Daphne at the Melbourne International Exhibition.
Day Fine Artview full entry
Reference: Day Fine Art catalogue March 2015. Australian and European Printed Works on Paper.
Publishing details: Day Fine Art, March 2015, pb, 32pp with price list
Ref: 132
Melbourne Society of Women Painters and Sculptorsview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft anf the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Australian Women artistsview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft anf the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Australian Plein Air Movementview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft anf the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Australian Craftview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Australian Tonalismview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Modernismview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Abbott Angela b1940view full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Aberdeen Gillianview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Alexander Alineview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Allen Kate 1867-1965view full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Anderson Berylview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Alston Edithview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Anderson Mview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Anderson Madgeview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Anderson Theo nee Tuckettview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Anton Joyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Ashley Daisy Mercerview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Atkin Cathview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Baker Christina Asquithview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Baker Dorothyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Baker Janetview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bale Alice Marion Ellenview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Ballard Kathlynview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bant Rosemaryview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Barclay Doraview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bardon Mrsview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Barlow Elsieview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Barnard Wilmerview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Barnes Kathleenview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Barnes Lesleyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Barrett Irene Mayview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Barrett Lady Marion nee Rennick, Mrs F J Pirani 1861-1939view full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Barry-Scott Juneview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Baskerville Margaretview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Baud Patriciaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Baxter Joyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Beckett Clariceview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Begg Sueview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bennett Joview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Benwell Megview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Better Barbaraview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bishop Ethelview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bodaan Janetview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bond Lucyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bondry Missview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bone Leilaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bonny Missview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Borchardt Janetview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bothroyd Leilaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bourke Nanetteview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bourne Shirleyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Box Mrsview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Brabant Rosemaryview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Brabant Rosemaryview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Brabson Annieview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bravo Muriel Hiltonview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bretel Nanview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Briggs Missview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Brilliant Ruthview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Brown Loisview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Broyer Missview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Bryans Linaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Burchett Maryview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Burgess Florenceview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Burne Juneview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Burrows Emmaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Campbell Loisview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Cade Blancheview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Carr Anneview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Casey Lady Maieview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Castles Mareeview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Cavill Jenniferview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Clarke Peggview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Clayfield Nellview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Cohn Olaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Cochrane Daisyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Colquhoun Amalieview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Colquhoun Beatrixview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Colquhoun Elizabethview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Congreve Ednaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Cook Miss E Fview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Correll Valerieview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Cowling Margaretview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Craig Sybilview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Crawford Valerie Aliceview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Crombie Peggieview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Crossley Ireneview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Culic Milkaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Cumbrae-Stewart Janetview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Cummins Mrs Gview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Currie Edithview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Curtis Francoiseview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Dade Freyaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Davies Blancheview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Dearling Florenceview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Dent Eileenview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Denton Enidview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Dunbar Ruthview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Dunn Eleanorview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Duret Mrsview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Eager Emily Edenview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Edgar Julieview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Elliott Amyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Ellis Heatherview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Fairley Louiseview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Fleay Maude Gloverview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Ford Juliaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Fowle Anneview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Fox Ivy Burtonview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Fox Ethel Carrickview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Francis Dorotheaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Francis Margaretview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Freeman Madgeview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Frysteen Nellview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Gates Annieview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
George May Butlerview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Gordon Emily Georgeview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Gosman Jessieview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Gowdie Tinaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Graham Anneview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Graham Patview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Gray Dorisview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Gray Jean Carsonview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Greig Ella Lillianview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Griffith Charlotteview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Grigg Mayview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Grist Nellieview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Gude Nornieview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Gulliver Henrietta Mariaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Gurdon Norahview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Hammond Maryview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Hannan Joview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Harding Virginiaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Harris Estherview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Harris Jeanview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Harris Mary Packerview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Harrison Zillahview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Harvey R Mview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Harvie Looieview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Hatfield Isabelview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Hawthorn Shirleyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Healy Berylview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Henry Joanview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Hicks Roseview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Hinchcliffe Dview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Hobart Juneview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Holgate Maria (?)view full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Holland Constanceview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Houghton Audreyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Hudson Helenview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Hullick Rosemaryview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Hunter Nadaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Huntington Isabelview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Hurry Pollyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Hutchison Inez Lilyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Hyett Loisview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Ireland Berylview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Irvine Henriettaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Ivers Janetview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Jackman Hilaryview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
James Charlotteview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Joachim Maisieview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Jones Mrs Corbettview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Jones Marionview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Kanniluik Emilyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Kelly Jview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Kerridge Barbaraview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
King Wendyview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Kirkland Winview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Konig Noraview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.
Knox Idaview full entry
Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.


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