Showing all records | The Scheding Index of Australian Art and Artists

Lakeland Mrs Lview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Lane Joanview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Langley Bettyview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Lascelles Jeanview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Laver Jessieview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Leber Ruthview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Leschkau Gretschenview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Levi Saraview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Levkovicz Alexandra Louiseview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Levy Dagmarview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Lewis Hilaryview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Little Mavisview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Lormer Eilyview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

MacCartney Mavisview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

McClelland Isabelview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

McCubbin Sheilaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

McCubbin Winifredview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

McGowan Maidieview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

McGrath Joyceview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Machelak Leeview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

McInnes Violetview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Mackintosh Jessieview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

McLaren Audreyview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

McLean Margaretview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

McLean Retaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

McLeish Maryview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

McLennan Isabelview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

McManus Barbaraview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Macqueen Maryview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Mahood Margueriteview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Mahony Carmelview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Malcolm Joanview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Mangan Kathleenview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Massey Mrsview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Mathews Marjorie McChesneyview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Maule Yolandeview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Maxwell Rosemaryview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Meier Joyceview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Meilerts Ludmillaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Merfield Berthaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Mezaks Mview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Middleton Almaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Mileo Ellenview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Miles Carolview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Mills Bettyview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Mimovich Leopoldineview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Minchin Helenview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Misso Yonaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Moffatt-Pender Mrsview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Montgomery Anneview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Montgomery Veraview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Moore Dorothy Graceview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Morrison Veraview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Mosig Marjorieview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Murphy Dorothyview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Nadebaum Deniseview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Nicholas Hilda Rixview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Nielson Janet Loveview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

North Marjorieview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Oakley A Eview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Ogilvie Helenview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Oliver Annie Davisonview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Olle Ednaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Olsen Bettyview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Paddick Romaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Padgham Megview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Panton Aliceview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Parsons ?view full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Paterson Bettyview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Paterson Elizabethview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Paterson Estherview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Patterson Nellieview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Peake Barbaraview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Pearcy Eileenview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Perrey Judithview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Perrinjaquet Marietteview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Perry Adelaideview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Pestell Marnaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Peters Helenview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Philip Enidview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Phillips Ameliaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Phillips Ettaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Pitts Wview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Plante Ada Mayview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Porter Aliceview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Pratt B Gview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Pryde Mabelview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Pye Mabelview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Rankin Marjorieview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Rapley Dorisview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Rastrick Lizview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Read Paulineview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Rees-Harrison Wendyview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Reid Isabelview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Richard Joanview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Riggall Louieview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Roach Elmaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Roberts Robertaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Roberts Sheilaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Robison Edithview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Rodway Florenceview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Rubbo Ellen Christineview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Saunders Mrsview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Scarff Lornaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Schmitt Charlotteview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Segnitt Nanceeview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Serle Doraview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Sinclair Elsieview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Sinclair Lesleyview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Sklovsky Celiaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Slatter Maureenview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Smith Treaniaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Southern Claraview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Spowers Ethelview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Van Stavern Isabelview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Stephenson Juneview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Stephenson Graceview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Steward Mrsview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Stock Mary Aview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Stokes Constanceview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Stone Daisyview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Sussex Marian Roscoeview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Sutherland Jeanview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Sutherland Ruthview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Syme Alisonview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Sutton Aleciaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Symmonds Missview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Syme Evelineview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Taylor Mrs Campbellview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Taylor Stephanieview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Teague Violetview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Thomas Louiseview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Thomas Lynetteview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Thompson Joyceview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Thompson Rolloview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Thorn Ellaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Thorpe Lesbiaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Tompkins Margaret Eview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Trahair Heloisaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Traill Jessieview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Turnbull ?view full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Trickett Ellenview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Turner Kit (Mrs Dunstan)view full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Tweddle Isabel Hunterview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Vercoe Elfriedaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Vinnicombe Anna Mariaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Wade Eveview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Wahlers Chrismaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Walker Connieview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Walker Donellaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Walker Janeview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Walker Roseview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Walker Dr Ruthview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Walshe Esmeview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Walshe Joyview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Walsoe Maudview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Walton Valview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Ward Romaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Wark Christobellview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Waterhouse Philview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Watson Mina Fullwoodview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Webster Joyview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Weinberg Aileenview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Wentcher Tinaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

White Lilian Alice Evangelineview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Whyte Janie Wilkinsonview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Wilkie Noraview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Wilkinson Maureenview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Williams Edithview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Williams Joanview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Wills Judithview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Wilson Doraview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Winters Ada Joshuaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Woolcock Marjorieview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Woolcock Phyllisview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Yong Carolynview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Woollard Margaretview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Zindler Ceciliaview full entry

Reference: see Peers Juliet - More Than Just Gumtrees, - A Personal, Social and Artistic History of the Melbourne Society of Women Painters and Sculptors, by Juliet Peers. Includes a listing of members of the Society, and most entries have biographical details in the ‘Biographical Register’ section from p188. Includes essays on ‘The Plein Air Movement’, Craft and the Society’, ‘Tonalism, Academicism and the Society between the wars’, ‘Women and Modernism’, ‘Women Artists and the War’, [’This book argues that Australian women artists have a history which is crucial to any understanding of Australian art generally. It also 'fills in the faces of the Society's members in such precise lively detail and locates them fairly in the midst of the Australian art scene generally, to give us a new and broader profile of 20th century Australian art generally'’].
Publishing details: Melbourne Society of Women Painters & Sculptors in Association with Dawn revival Press, 1993, pb, 308pp, with index and bibliography. 18 pages of illustrations.

Moore Davidview full entry

Reference: David Moore - Photographe Australien. Exhibition catalogie, Australian Ambassador, Paris. Preface by Gareth Evans. Introduction by Jonah Jones, Director. Essay by John McDonald.
Publishing details: Chapter & Verse, 1989, 20pp.
Ref: 20

Flint Prudenceview full entry

Reference: Prudence Flint - Travel Agent 24 June - 13 July. Includes biography. 10 colour illustrations.
Publishing details: Australian Galleries. 2014, 16pp.
Ref: 222

New Guinea Artview full entry

Reference: New Guinea Art in the Collection of the Museum of Primitive Art [NY] by Douglas Newton.
Publishing details: Museum of Primitive Art , 1967, hc, dw, 132pp, 132 ill., 2 maps. Owner’s name (Margaret Tuckson) on flyleaf.

Intersections: Photography, History and the National Library of Australiaview full entry

Reference: Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Bayliss Charles view full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Sweet Samuel view full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Cotton Olive view full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Moore May and Minna view full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Hill Peta view full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Cazneaux Harold view full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Hurley Frank view full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Dupain Max view full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Gostelow Philip view full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

de Berquelle Raymond view full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Sievers Wolfgang view full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Nettleton Charlesview full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Dombrovskis Peterview full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Corkhill W Hview full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Carter Jeffview full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Shmith Atholview full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Moore Davidview full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Maddison Ruthview full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Fuks Suzonview full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Sleethview full entry

Reference: see Intersections: Photography, History and the National Library of Australia, by Helen Ennis. [’The National Library holds more than 600,000 photographs in its Pictures Collection. This large collection of images is contemporary, diverse, exciting, historic, whimsical and unexpected, embodying the challenge and pathos of history and the extraordinary dimensions of memory. Now, in this first representative survey of the Library's photographic holdings, Helen Ennis introduces us to Australia from the 1840s to the present as we have never seen it before - at peace and at war, and in all of its splendour and ordinary dailiness, as seen through the cameras of Charles Bayliss, Samuel Sweet, Olive Cotton, May and Minna Moore, Peta Hill, Frank Hurley, Harold Cazneaux, Max Dupain, Philip Gostelow, Raymond de Berquelle, Wolfgang Sievers and many more.’]
Publishing details: National Library of Australia, 2004, pb, 287pp

Jorgensen Sigmundview full entry

Reference: see Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Skipper Mervynview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Jorgensen Justusview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Meldrum School p 13-23view full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Beckett Clarice p13-15view full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Colquhoun Archibald p15-16view full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Colahan Colin 1897-1987 p16-18view full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Cornehls August 1887-1962 p18view full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Farmer John 1897-1989 p18-19view full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Hurry Polly 1883-1963 p19-20view full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Leason Percy 1889-1959 p20-22view full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Shore Arnold 1897-1963 p22-3view full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Minogue Jim p125view full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Lempriere Helen her portrait by Justus Jorgensenview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Skipper family of artistsview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Skipper Helenview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Skipper Soniaview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Skipper Matchamview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Skipper Myraview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Sinclair Lesleyview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Munday Arthurview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Busst Johnview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Robertson Ianview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Grant Rayview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Lempriere Helen (Nell) p115-117view full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Turner Vidaview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Chalmers Arthur (George)view full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Vanderkelen Sueview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Jorgensen Elef and Madeleineview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Roland Bettyview full entry

Reference: Montsalvat by Sigmund Jorgensen - the intimate story of an Australian artist’s colony. Includes biographical information on artists who were associated with Montsalvat. [’In the legend of King Arthur and the knights of the round table Montsalvat is the home of the Holy Grail. Australia's Montsalvat is an artists' colony in Eltham, established by the architect and artist Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls built out of local stone, recycled timbers and rammed earth and set amongst richly established gardens on 12 acres of land on the outskirts of Melbourne.

The colony of Montsalvat is a testament to the vision and work of Jorgensen, his family and friends and its detailed history reflects the lives of those people. But it is more than a set of beautiful buildings - it is a place steeped in the art and culture of Melbourne. And to walk around its grounds is to step into a bygone world where such a grand plan seemed more achievable.

Perhaps that is why Montsalvat has created its own myths and legends. In addition to Jorgensen and his family, among the artists, intellectuals, tradespeople and artisans associated with life at Montsalvat are numbered Clifton Pugh, Gordon Ford and Joe Hannan, Betty Roland, Mervyn Skipper, his wife Lena and their three children - Helen, Sonia and Matcham. Arthor Munday, George Charlmers, Lesley Sinclair, Sue Vanderkelen, Ian Robertson, Helen Lempriere, John Smith, John Busst and Myra Skipper, Percy Leason, Leonard French and Albert Tucker.

Montsalvat today is a place where emerging and established artists can work, present and perform their work. Its visual features are enjoyed by tourists from around the world, and its buildings are classified by the National Trust of Victoria. The Australian Heritage Commission includes Montsalvat on the Australian Register of National Estate.

Sigmund Jorgensen AO is the son of Justus Jorgensen, the founder of the Eltham artist's colony Monsalvat. Mr Jorgensen was chief executive and artistic director of Monsalvat from 1969 to 2005 during which time he made the arts centre a haven for local and international artists. He helped found the Monsalvat Melbourne Jazz Festival, was a judge at the Melbourne Asian Food Festival, was mayor of the Nillumbik Shire and worked as a food critic for the Melbourne Times. He also ran the award winning restaurant Clichy in Collingwood.’]
Publishing details: Allen & Unwin, 2014, 320pp pb

Campbell Richard Pview full entry

Reference: see Lycett Joseph - True light and shade: an aboriginal perspective of Joseph Lycett's art / John Maynard. Two works by Campbell used as illustrations. [True Light and Shade is filled with beautiful images by convict artist Joseph Lycett that powerfully capture in intimate detail Aboriginal life, a rare record of Aboriginal people within the vicinity of Newcastle and how they adapted to European settlement before cultural destruction impacted on these groups.

John Maynard writes an engaging short biography of Lycett and his life in Australia and follows this with a detailed commentary on each of the 20 images in the album. Each image is reproduced in full on a double page spread and then, on the spreads following, details have been enlarged to accompany John's text as he takes us through exactly what is happening in every picture: ceremony, hunting and fishing, carrying food (carving up whalemeat), land management and burning, interactions with Europeans, family life, dances, funeral rituals, and punishment. When you return again to examine the full image, you see it in a completely different light. John also includes written records from the time that corroborate Lycett's views.
Some dreamtime stories connected with the areas Lycett depicted are also included, with accompanying Indigenous art. One story explains the earthquakes in the area (kangaroo jumping up and down).

The title quote ‘true light and shade’ comes from Lycett’s words: ‘I consider a complete drawing to be an accurate delineation of anything with its true light and shade.’

As a Worimi man from the Newcastle/Port Stephens region, John Maynard brings his own knowledge and insight to his exploration of the drawings, and to the fascinating character of Lycett himself. John is currently a Director at the Wollotuka Institute of Aboriginal Studies at the University of Newcastle and Chair of Indigenous History. He has held several major positions, including as Deputy Chairperson of the Australian Institute of Aboriginal and Torres Strait Islander Studies and Deputy Chair Humanities, National Indigenous Research and Knowledges Network.’]

Publishing details: National Library of Australia, 2014

Durack Elizabethview full entry

Reference: True North. The Story of Mary and Elizabeth Durack, by Brenda Niall.

[’Growing up in suburban Perth in the 1920s, the two Durack girls were fascinated by tales of the pioneering past of their father and grandfather overlanding from Queensland in the 1880s and setting up four vast cattle stations in the remote north.

A year spent together on the stations in their early twenties ignited in the sisters a lifelong love of the Kimberley, along with a growing unease about the situation of the Aboriginal people employed there. Through war, love affairs, children and eventual old age, the Duracks continued to write and paint – their closely intertwined creative lives always shaped by the enduring power of the Kimberley region.

With unprecedented access to hundreds of private family letters, unpublished memoirs, diaries and family papers, Brenda Niall gets to the heart of a uniquely Australian story that spans the twentieth century.’]

Shortlisted, NSW Premier's Awards, Australian History Prize, 2012
award; Shortlisted, Victorian Premier’s Literary Awards, 2012 award;
Shortlisted, Australian Book Industry Awards, Biography of the Year, 2013
award; Shortlisted, WA Premier's Book Awards, 2012

Publishing details: Published by Text Publishing, Melbourne, Victoria (2012), Soft cover. Book Condition: Fine. Octavo. 291 pages, index, central section illustrations, some in colour.

Gordon Dorothyview full entry

Reference: Australian Wildflower Paintings by Dorothy Gordon. llustrated with 48 botanical watercolour paintings reproduced in their original size.

Publishing details: Booralong, Brisbane, Australia (1987), hc, dw,Dorothy Gordon (illustrator). First. 48mo - over 3 - 4" tall. 104 pages, i
Ref: 1000

Mora Mirkaview full entry

Reference: Mirka Mora. Where Angels Fear to Tread. 50 Years of Art 1948-1998 by Max Delany and Murray White. Book published to accompany exhibition of the same name at Heide. Includes extensive biographical information, list of exhibitions, commissions and public works and bibliography.
Publishing details: Heide Museum of Modern Art, Melbourne, 1998. Soft cover. Quarto. Stiff card covers, 69 pages, illustrated some images in colour.

Mornington & Bentinck Islands artists view full entry

Reference: The Heart of Everything. The art and artists of Mornington & Bentinck Islands [Queensland] by Nicholas Evans, Louise Marti-Chew, [’*Explores the development of significant contemporary art movement drawing from Queensland Gulf country’]Paul Memmott
Publishing details: McCulloch & McCulloch Australian Art Books, Fitzroy, Melbourne, Australia, 2008. Soft cover. Book Condition: As New. First. 4to - over 9¾ - 12" tall. 100 pages, colour illustrated throughout.
Ref: 1009

Halpern Deborahview full entry

Reference: Deborah Halpern - Duck, Duck, Goose - exhibition invite with brief biographical statement, 3 illustrations including portrait of the artist.
Publishing details: Arthouse gallery, 2015, 4pp,
Ref: 222

Browne Andrewview full entry

Reference: Glimpse - exhibition invite. 5 works in exhibition, all illustrated.
Publishing details: Martin Browne Contemporary, 2015, price list inserted
Ref: 222

Young Johnview full entry

Reference: John Young by Carolyn Barnes and William Wright

Publishing details: Craftsman House, Thames & Hudson, 2005
257 p.
Ref: 1000

Young Johnview full entry

Reference: The Bridge and the Fruit Tree: John Young - a survey by Carolyn Barnes, Jacqueline Lo and Terence Maloon

Publishing details: Canberra: Drill Hall Gallery, 2013
88 p.

Ref: 1000

Young Johnview full entry

Reference: John Young Zerunge by Thomas Berghuis, Claire Hielscher and Katie de Tilly

Publishing details: Hong Kong: 10 Chancery Lane Gallery, 2012
60 p.
88 p.

Ref: 1000

Young Johnview full entry

Reference: Passages: Brian Castro, Khai Liew, John Young by Jacqueline Lo, Maudie Palmer and Wendy Walker

Publishing details: Vic.: TarraWarra Museum of Art, 2012, 78 p.
Ref: 1000

Young Johnview full entry

Reference: John Young: Pine's Edge - by Brian Castro and M.A. Greenstein

Publishing details: Melbourne: Black Inc., 2001, 36 p
Ref: 1000

Young Johnview full entry

Reference: Books and catalogues of John Young: John Young: Collector's Edition
Edition of 100, numbered and signed by the artist
Monograph and limited edition etching in Japanese cotton cloth box
Book design: Studio Round / Foundation design: Leah Boulton
Winner of the 54th APA Design Award for Best Book for an Exhibition 2006

monograph DHGcover Macau
Carolyn Barnes and William Wright
John Young
Vic.: Craftsman House Thames & Hudson, 2005
257 p.
ISBN: 0975768409

Carolyn Barnes, Jacqueline Lo and Terence Maloon
The Bridge and the Fruit Tree: John Young - a survey
Canberra: Drill Hall Gallery, 2013
88 p.
ISBN: 9780987438003

Thomas Berghuis, Claire Hielscher and Katie de Tilly
John Young Zerunge
Hong Kong: 10 Chancery Lane Gallery, 2012
60 p.
ISBN: 9789881689214
Passages Empathy Bonhoeffer
Jacqueline Lo, Maudie Palmer and Wendy Walker
Passages: Brian Castro, Khai Liew, John Young
Vic.: TarraWarra Museum of Art, 2012
78 p.
ISBN: 9780980540840

Aaron Seeto and Michael Reid
Empathy: Khai Liew and John Young
Sydney: Michael Reid at Elizabeth Bay, 2011
27 p.
ISBN: 9780646550978

Christard-Georg Neubert, Kevin Rudd, H.C. Wolfgang Huber, Sylvia Dominique Volz and Alexander Ochs
John Young: Bonhoeffer in Harlem
Berlin: Edition St Matthäus, 2009
120 p.
ISBN: 9783980994347
Three Props Pine's Edge DG Paintings
Pamela Kember, John Clark and Alexander Ochs
John Young: Drei Propositionen (Three Propositions)
Berlin: Prüss & Ochs Gallery, 2003
95 p.
ISBN: 0975052101

Brian Castro and M.A. Greenstein
John Young: Pine's Edge
Melbourne: Black Inc., 2001
36 p.
ISBN: 186395354X

John Clark, Peter Hutchings, Melissa Chiu and Frances Lindsay
John Young: The Double Ground Paintings
Sydney: Australian Art Promotions, 1995
67 p.
ISBN: 064624339X

Silhouettes Objective
Graham Coulter-Smith, Christina Davidson and Graham Forsyth
John Young: Silhouettes and Polychromes
Melbourne: Schwartz City Publications, 1993
146 p.
ISBN: 186395339X

Keith Broadfoot and Rex Butler
Objective Gesture: John Young, Selected Works 1986-87
Hong Kong: Derby Press, 1987
35 p.
ISBN: 0731611764

CATALOGUES

SZ UQ SZ ASG Strachan
Safety Zone
University of Queensland Art Museum, Brisbane
2011

Safety Zone
Anna Schwartz Gallery, Melbourne
2010

Strachan's Room
Philip Bacon Galleries, Brisbane
2009
Open World Naive Detours
Walden in China / Open World
Nanjing Library Gallery, Nanjing
2007

Naïve and Sentimental Paintings
Anna Schwartz Gallery, Melbourne
2007

Detours and Variations
Sherman Galleries, Sydney
2006

Persian Unstable Awful Backlash
The Persian Paintings
Sherman Galleries, Sydney
2004

John Young: Unstable Cultures
Sherman Galleries, Sydney
2002

Awful Backlash
Sherman Galleries Goodhope, Sydney
2000
John Young John Young Selected
John Young
Sherman Galleries Goodhope, Sydney
1998

John Young
Sherman Galleries Goodhope, Sydney
1996

John Young Selected Works
Cameleon Gallery Publications, Hobart
1989

JY
John Young
Hong Kong Arts Centre, Hong Kong
1985

Publishing details: various publishers
Ref: 1000

Le Fanu Stephenview full entry

Reference: Random sketches in Australia by Stephen Le Fanu. Limited edition of 300 copies, with drawings hand coloured by the author.
Publishing details: Limited ed. of 300 copies, with drawings hand coloured by the author. 23 leaves : chiefly col. ill., col. port. ; 30 cm.
Published Perth, WA, Stephen Le Fanu?, 1985.
Ref: 1000

Art textiles of the world - Australiaview full entry

Reference: Art textiles of the world : Volume 2: Australia edited by Matthew Koumis.
Subjects:
Textile fabrics -- Australia.
Textile designers -- Australia.
Textile crafts -- Australia.
Textile design -- Australia.
Artisans -- Australia.
Installations (Art) -- Australia.
Artists -- Australia.
Notes
Includes biographical references, essays and bibliographical references.

Publishing details: Winchester : Telos, c1999. Winchester, U.K. : Telos Art, 92 p. : col. ill., ports. ; 29 cm.
ill. (some col.) ; 29 cm.

Bourgeois Louiseview full entry

Reference: Louise Bourgeois in Australia - Louise Bourgeois and Australian artists (curated by Linda Michael, Heide Deputy Director /Senior Curator) is presented in Heide II, and reveals the enormous influence of Bourgeois locally. The exhibition examines the works of artists who share Bourgeois' compelling combination of abstraction and figuration, her psycho-sexual themes and surrealist sensibility. Del Kathryn Barton, Janet Burchill, Kathy Temin, Pat Brassington, Brent Harris, Carolyn Eskdale and Patricia Piccinini are just some of the Australian artists represented. A selection of works by Louise Bourgeois from Australian collections is also included in this exhibition.
Curator Linda Michael and exhibiting artists are available for interview.
A fully illustrated catalogue Louise Bourgeois in Australia accompanies these exhibitions [’Heide Museum of Modern Art is proud to present two major exhibitions featuring the work of Louise Bourgeois. The first, Louise Bourgeois: Late Works includes over twenty, key works direct from the late artist’s studio in New York. The second exhibition, Louise Bourgeois and Australian Artists presents a selection of works by contemporary Australian artists who have been inspired by Bourgeois alongside prints and drawings from her vast graphic oeuvre.
Louise Bourgeois (1911-2010) was one of the most inventive, provocative and influential artists of the twentieth century. Although her work has been exhibited extensively overseas, it has rarely been seen in Australia, and only once in significant depth, at the National Gallery of Victoria (NGV) in 1995 in an exhibition by then NGV curator Jason Smith.’]
Publishing details: Heide, 2013
Ref: 1000

Creative Livesview full entry

Reference: Creative Lives - personal papers of Australian artists and writers by Penelope Hanley. National Library of Australia, 2009. Includes James Tucker, Henry Lawson, Miles Franklin, Henry Handel Richardson, Nettie Palmer, Xavier Herbert, Eleanor Dark, Kenneth Slessor, Christina Stead, Betty Roland, Kylie Tennant, Patrick White, Manning Clark, Judy Cassab, Rosemary Dobson, Geoffrey Dutton, Eric Rolls, Dorothy Hewett, Kevn Gilbert, Thomas Keneally, Barbara Hanrahan, and Mem Fox
Publishing details: National Library of Australia, Canberra 2009, 2009
Used. 25.0 x 22.5cms, 204pp, b/w & colour illusts,

Roland Bettyview full entry

Reference: see Creative Lives - personal papers of Australian artists and writers by Penelope Hanley. National Library of Australia, 2009. Includes James Tucker, Henry Lawson, Miles Franklin, Henry Handel Richardson, Nettie Palmer, Xavier Herbert, Eleanor Dark, Kenneth Slessor, Christina Stead, Betty Roland, Kylie Tennant, Patrick White, Manning Clark, Judy Cassab, Rosemary Dobson, Geoffrey Dutton, Eric Rolls, Dorothy Hewett, Kevn Gilbert, Thomas Keneally, Barbara Hanrahan, and Mem Fox
Publishing details: National Library of Australia, Canberra 2009, 2009
Used. 25.0 x 22.5cms, 204pp, b/w & colour illusts,

Cassab Judy view full entry

Reference: see Creative Lives - personal papers of Australian artists and writers by Penelope Hanley. National Library of Australia, 2009. Includes James Tucker, Henry Lawson, Miles Franklin, Henry Handel Richardson, Nettie Palmer, Xavier Herbert, Eleanor Dark, Kenneth Slessor, Christina Stead, Betty Roland, Kylie Tennant, Patrick White, Manning Clark, Judy Cassab, Rosemary Dobson, Geoffrey Dutton, Eric Rolls, Dorothy Hewett, Kevn Gilbert, Thomas Keneally, Barbara Hanrahan, and Mem Fox
Publishing details: National Library of Australia, Canberra 2009, 2009
Used. 25.0 x 22.5cms, 204pp, b/w & colour illusts,

Rees Lloydview full entry

Reference: Lloyd Rees - Late Drawings and Lithographs. Foreword by Chris Tassell; Tribute by Lou Klepac; introduction by Barbara Chapman. Includes Biographical Notes [chronology]. 56 exhibits. Select bibliography.
Publishing details: Queen Victoria Museum and Art Gallery, 1982, pb, 60pp

Koorah Coolingah biographical informationview full entry

Reference: Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Narkle Caroline biographical informationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Narkle Cheryl biographical informationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Winmar Roma biographical informationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Chadd Lance biographical informationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Pickett Shane biographical information view full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Farmer Athol biographical informationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Dempster Parnell illustrationsview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Cooper Revel illustrationsview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Jackson Milton illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Bropho Athur illustrationsview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Hart Reynold illustrationsview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Jackson Phillip illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Loo Barry illustrationsview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Eades Errol illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Indich Keith attrib illustrationsview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Ellis Malcom illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Farmer Athol illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Feifer-Nannup Wendy illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Fitzgerald Ashley illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Hansen Peter illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Indich Keith illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Jackamarra Thomas illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Jackson Milton illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Kelly Bella illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Kelly Claude illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Kelly Simpson illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Lyndon Janice illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Ryder Cliff illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Taylor Graham illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Toomath Alma illustrationview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Tjyllyungoo illustration Lance Chaddview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Wallam Vera illustration view full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Yibiyung illustration Roma Winmarview full entry

Reference: see Koorah Coolingah (Children Long Ago) by Tracie Pushman and Robyn Smith Walley. Occasional paper (Berndt Museum of Anthropology) ; no. 8. The important collection of Aboriginal children’s art produced at Carrolup, Western Australia, in the late 1940s was exhibited at the University of Western Australia and at Katanning. Artists whose work is illustrated in the catalogue have been indexed here. Biographical information on some artists is provided in the catalogue.
Publishing details: University of Western Australia Perth 2006 Roy 8vo (29.5 cm x 21 cm), wraps, colour illus, b&w illus, pp 107. Fine condition. Scarce. Art by the children of the Carrolup Native Settlement from the 1940s and 1950s. Much of the art, long thought lost, was found in a university collection in the USA. With numerous colour plates and accompanying text.

Holzner Antonview full entry

Reference: Holzner Paintings 1999 - 2003
Publishing details: Salananca Arts Centre, Long Gallery, Hobart, 2004
Ref: 1009

Ungunmerr Miriam Roseview full entry

Reference: The Serpent of Good and Evil: A Reconciliation in the Life and Art of Miriam-Rose Ungunmerr-Baumann by Patricia R. Derrington, [’In Christian mythology the serpent is credited with bringing evil and death into the world. In the Creation of Mythology of many Aboriginal societies, the Rainbow Serpent is not only responsible for the creation of the landscape, but is important in regeneration and birth in both animals and humans. A reconciliation of the cultures and spiritualities which produced these opposing beliefs has been central to Miriam-Rose's life and art.’]
Publishing details: Hyland House, Melbourne, 2000
Ref: 1000

Laird John Angus view full entry

Reference: An Architectural Apex by Michael Page. [’The story of Buchan Laird & Bawden, architects, set against the background of one of Australia's important social movements... In November 1890 John Angus Laird opened his architectural practice in Geelong. That firm now known as Buchan Laird & Bawden is over 100 years old. This book tells the story of this company interwoven with those of the Apex movement and of the architectural, political, and communal activities of Sir John Buchan. It demonstrates the importance of architecture to our society.’]
Publishing details: Buchan Laird International Pty Ltd, Melbourne 1990, 1990
Used. 24.0 x 16.0cms, 210pp,b/w & colour illusts., hardback & dustwrapper. This is a company history of the firm of Buchan Laird & Bawden established 1880 in Geelong.
Ref: 1000

Claiming Groundview full entry

Reference: Claiming Ground - Twenty-Five Years of Tasmania’s Art for Public Building Schemes. Photography by Peter Angus Robinson; commentary Diana Klaosen; editor Noel Frankham. Claiming ground looks at the many public art purchases that have resulted around Tasmania through the Art for Public Buildings Scheme. There are a range of featured artists and this book has many colour photographs showing the public art. Essay by Deborah Malor. Includes index.
Publishing details: Quintus Publishing, 2005, 111 pages, pb, colour illustrations.

Graham Lorrieview full entry

Reference: Sydneysiders by Lorrie Graham (Photography). [’The author has compiled a unique photographic record of the people of Sydney; old and young, rich and poor, ordinary and extraordinary, and the occasions vary...’]
Publishing details: Allen & Unwin Pty., Limited, 2000
Ref: 1000

Moore Alanview full entry

Reference: see East Bristol Auctions, UK,
Date: 09 Apr 2015, Est: 200.00 - 300.00 GBP. Alan Moore (1947) Spring Street, Melbourne. Oil on board painting, signed to corner and rear with notation. Framed. ABOUT THE ARTIST: Following the outbreak of the Second World War, Alan Moore's aspirations to be an official war artist were not realised immediately. He enlisted in the RAAF in 1942 and was assigned the task of drawing diagrams of Allied planes. He also won the Grace Joel Scholarship that year, awarded for painting from the nude. In February 1943 the Australian War Memorial Art Committee considered Moore's official war artist application, and were impressed by recommendations from William Dargie and Harold Herbert. Moore was appointed in November 1943 and attached to the army, with the rank of lieutenant. His commission was to depict the activities of the RAAF working in New Guinea, the Middle East and Europe. In December 1943 Moore undertook a jungle training course in Queensland, and then on New Year's Day he flew to Milne Bay. His drawings and watercolours at Milne Bay, and later of Goodenough Island, were destroyed by wet weather. While in New Guinea, he changed his practice to suit the tropical environment, working in oils rather than acrylics. In early March 1944 Moore was painting in the Admiralty Islands and witnessed the battle on Los Negros Island. He later voyaged to Port Moresby and completed some works there. Moore returned to Melbourne in April 1944 to complete several paintings. A few months later he set sail on a Merchant Navy ship bound for Cairo. He visited a number of places in the Mediterranean to depict RAAF activities, including Malta and Bari. For the next couple of months he travelled by truck to the northern Adriatic coast and was based at Fano, painting RAAF bases such as Falconara. He spent Christmas Day in 1944 in northern Italy. In March 1945 Moore was sent to London. With the end of the war in Europe drawing close, he was to visit the AIF Transit Camp at Eastbourne, Sussex, to sketch the reception of the Australian prisoners of war. Moore suggested instead that he travel to Germany to sketch the prisoner of war camps and this proposal was approved. In April he began recording the release of Australian prisoners of war in places such as Celle, while Stella Bowen was given the assignment in Eastbourne, where she recorded the debriefing and medical examination of Australian prisoners of war. While accompanying the British troops in their advance across occupied Europe, Moore witnessed the liberation of the Bergen-Belsen camp on 15 April 1945. He recorded his observations in paintings, drawings and photographs. These distressing works convey the wretched atmosphere of the camp, and they describe some of the hellish scenes that confronted the artist. As well as depicting the victims of the camp, he drew the camp officials such as the chief physician Dr Fritz Klein. Moore then travelled to Belgium to document the RAAF ex-prisoners of war. Later in 1945, he spent time in France at Villers Bretonneux and in England at Eastbourne . At the end of his commission as an official artist Moore presented over 140 works to the Memorial. The Memorial later commissioned Moore for several large paintings, including portraits of Generals MacArthur and Alle. Measures: 15cms x 20cms.

Nixon & Merrileesview full entry

Reference: 50 choice photographs of West Australian scenery by Nixon & Merrilees

Fremantle : Nixon & Merrilees, printed at Victorian Printing Works, 441-3 Little Bourke Street, Melbourne[1897]. Small oblong quarto, original cloth backed pictorial wrappers (some chipping to edges of lower wrapper, otherwise good), pp [2], 25 leaves of plates, tiny water stain at top edge of centre margins, otherwise internally clean and sound, a very good copy. Rare.
This extremely early photographic souvenir of Western Australia was produced at the height of the Western Australian gold rushes by Nixon & Merrilees, a Fremantle photographic firm established in 1893 which remained active until at least 1900 (Davies and Stanbury, Mechanical Eye). It contains views of Perth, Fremantle, York, Coolgardie, Albany, Bunbury, Geraldton, Cue, Jarrahdale, Southern Cross and Rottnest Island, as well as "photographs of those interesting types of humanity - the Black Aborigines" (preface), including shots of Aborigines in chains, dressed "in warpaint" and in European clothing at Coolgardie. The views of Cue (gazetted 1893) and Southern Cross (gazetted 1890) clearly show these gold rush townships in the very early stages of settlement.
A single copy is recorded in Australian collections (State Library of New South Wales, whose catalogue entry posits a date of 1897). [From Douglas Stewart Fine Books cataogue April 2015.]

Whiteley Brettview full entry

Reference: Recent Nudes - Brett Whiteley.
An exhibition catalogue held at Whiteley's studio in Circular Quay.
Publishing details: Sydney : The Artist's studio, October,1981. Folio, illustrated wrappers, pp. 16, illustrated throughout.

Whiteley Brettview full entry

Reference: Thirty six looks at four sights on three themes. Recent paintings, drawings and carvings - Brett Whiteley. Includes biography. Lists 36 works under the headings ‘Windows’, ‘The River’, ‘Nudes’.
.
Publishing details: Paddington, Sydney : Bonython Gallery, 1975. Quarto, folded card, pp. 4, illustrated colour cover, contains biographical information on the artist, list of works in the exhibition on the themes 'windows', 'the river' and 'nudes', full colour plate on back reproducing a photograph of Brett and Wendy Whiteley from Vogue magazine.
Ref: 1000

Whiteley Brett 1939-1992view full entry

Reference: Brett Whiteley : portraits, crucifixions, (a paddock at) Oberon, Joel Elenberg, Patrick White. Cover title: Brett Whiteley 1980.
[Catalogue for the exhibition which included Whiteley's famous portrait series of Patrick White and Joel Elenberg, the (A Paddock at) Oberon series, and Crucifixions.
Copies are recorded in four Australian collections (State Library of New South Wales; Art Gallery of New South Wales Research Library and Archive; State Library of Queensland; University of Sydney Library).] Includes listing of 73 works and biographical details.
Publishing details: Sydney : David Reid's Gallery, 1980. Foolscap folio, illustrated wrappers, 16 pp, illustrated in b/w and colour, photography by Greg Weight and Graham McCarter, fine.

Olsen Johnview full entry

Reference: John Olsen. Recent work 1995 - 1998

Publishing details: Sydney : Olsen Carr Art Dealers, 1998. Quarto, exhibition catalogue, 4pp. folding, signed by Olsen on the front panel, price list loosely enclosed.
Ref: 1000

Rees Bronwynview full entry

Reference: Blister country - Bronwyn Rees; Brendan Ryan (text)

Bronwyn Rees completed an illustration degree at Queensland College of Art in 1991. Since graduating she has been involved in large commission works for Quay West Brisbane and Holiday Inn Sanctuary Cove. Her work has been exhibited in numerous group and solo exhibitions, and she has also completed short printmaking courses at Macgregor Summer School in Toowoomba, where her tutors have included Basil Hall and Wim de Vos. She held an artist residency at the Glasgow Print Studio in 2000 and is currently based in Melbourne
Publishing details: Melbourne: the artist, 2014]. Artist’s book. Edition 1/1. Handmade book, 150 x 170 mm, papered boards, upper board with onlaid etching and letraset printing, cotton binding in Japanese style, containing [15] folded sheets with etchings recto and verso, forming [60] pages, letraset printed text. A poetic commentary on social alienation in a small outback town.

Ref: 1000

Rees Bronwynview full entry

Reference: Miami underwater by Bronwyn Rees
"Miami is one of the world's most vulnerable cities to rising sea levels according to the OECD." An artist's book with a strong environmental message.
Bronwyn Rees completed an illustration degree at Queensland College of Art in 1991. Since graduating she has been involved in large commission works for Quay West Brisbane and Holiday Inn Sanctuary Cove. Her work has been exhibited in numerous group and solo exhibitions, and she has also completed short printmaking courses at Macgregor Summer School in Toowoomba, where her tutors have included Basil Hall and Wim de Vos. She held an artist residency at the Glasgow Print Studio in 2000 and is currently based in Melbourne.
Publishing details: [Melbourne: the artist, 2014]. Artist’s book. Edition 1/1. Handmade book, 270 x 310 mm, folded outer sheet containing [10] sheets of various sizes, glued, each surface with an original etching accompanied by letraset printed text extracts from Underwater cities: climate change begins to shape the urban environment, by Tony Davis (2011).
Ref: 1000

Rees Bronwynview full entry

Reference: Light planes by Bronwyn Rees
[Bronwyn Rees completed an illustration degree at Queensland College of Art in 1991. Since graduating she has been involved in large commission works for Quay West Brisbane and Holiday Inn Sanctuary Cove. Her work has been exhibited in numerous group and solo exhibitions, and she has also …

Publishing details: Melbourne: the artist, 2014]. Artist’s book. Edition 1/1, signed, titled and dated December 2013 in pencil. Handmade book, 200 x 250 mm (irregular sheet sizes), [7] sheets, cloth bound, forming [12] pp plus the outer covers, with [13] of Rees’ etchings accompanying her own letraset printed text.
Ref: 1000

Rees Bronwynview full entry

Reference: Night by Bronwyn Rees.
Bronwyn Rees completed an illustration degree at Queensland College of Art in 1991. Since graduating she has been involved in large commission works for Quay West Brisbane and Holiday Inn Sanctuary Cove. Her work has been exhibited in numerous group and solo exhibitions, and she has also completed short printmaking courses at Macgregor Summer School in Toowoomba, where her tutors have included Basil Hall and Wim de Vos. She held an artist residency at the Glasgow Print Studio in 2000 and is currently based in Melbourne.
Publishing details: [Melbourne: the artist, 2013]. Artist’s book. Edition 1/1, signed and dated 2013 in pencil. Handmade book, 300 x 190 mm, [10] folded sheets, stitch bound, forming [18] pp plus the outer covers, with [17] of Rees’ etchings accompanying letraset printed extracts from Pablo Neruda's poem 'Widower's Tango’ (1971).
Ref: 1000

Seidler Harryview full entry

Reference: Harry Seidler. Four decades of architecture
FRAMPTON, Kenneth and DREW, Philip. Extensively illustrated. A detailed study of the work of the Australian architect.

Publishing details: London : Thames & Hudson, 1992. Quarto, cloth in dustjacket, pp. 431,
Ref: 1000

Danko Aleksview full entry

Reference: Zen made in Australia by Alex Danko
Publishing details: Melbourne : University of Melbourne Museum of Art, 1994. Quarto, illustrated wrappers, pp. 36, illustrated. Essays and catalogue. Quarto, illustrated red wrappers, 36 pages,
Ref: 1000

Jacks Robertview full entry

Reference: Painted tram number 2 / by Robert Jacks. First day ticket, Friday 15th August 1986
by Robert Jacks

"A project by the Victorian Ministry of Transport and the Ministry of the Arts." Commemorative ticket, 60 x 90 mm, printed recto only in blue and black, signed and dated by the artist Robert Jacks at upper right; fine.
Ref: 1000

Turner Greg view full entry

Reference: This Wilderness Is Ours by Greg Turner [traditional landscape artist].
Publishing details: Robert Brown & Associates, Bathurst, 1984, hc, dw, Illustrated with colour photographs of paintings by Greg Tuner. 93 pages
Ref: 1000

Photographica Australis [Australian photography]view full entry

Reference: Photographica Australis, catalogue by Gael Newton.,Alasdair Foster, foreword by Anna Waldmann.Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]
Ref: 133

George Phillipview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Redford Scottview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Froese Joachimview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Doyle Maxview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Paauwe Deborahview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Walch Martinview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Zahalka Anneview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Zahalka Anneview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Sloggett Glennview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Brassington Patview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Farrell and Parkinview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Sylvester Darrenview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Brown and Greenview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Croft Brenda Lview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Papapetrou Polixeniview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Riley Michaelview full entry

Reference: see Photographica Australis, catalogue by Gael Newton. Divided into three section with work by 17 photographers; includes biographies and essays about Australian photography and the artists.
Publishing details: Australian Centre for Photography, 2002, pb, 47pp [an Asian Tour edition published 2003]

Australian Contemporary SOFA 2005view full entry

Reference: Australian Contemporary SOFA 2005
Publishing details: Jam Factory [?], 2005
Paperback.
Ref: 1000

Australian Contemporary SOFA 2006view full entry

Reference: Australian Contemporary SOFA 2006
Publishing details: Jam Factory, 2006, spiral bound,
Paperback.
Ref: 1000

Davis Georgeview full entry

Reference: George Davis - Drawings,
written by Hendrik Kolenberg. Published to accompany the exhibition "George Davis : Master Draughtsman" at the Tasmanian Museum and Art Gallery in 2014/15.

Publishing details: Exuviae Press, 2013,
Hardback – 93 pages.
Ref: 1000

Meredith Louisa Anneview full entry

Reference: My Home in Tasmania by Louisa Anne Meredith
Publishing details: Sullivan's Cove 1979, xvi+222pp. 4to. Original cloth in pictorial dustwrapper. Black and white plates. A fine copy. Limited to 500 copies
Ref: 1000

Watkins Davidview full entry

Reference: David Watkins - Artist in Jewellery, by Beatriz Chadour-Sampson (Author), Fritz Falk (Foreword) [’For years David Watkins has been a primal force to be reckoned with in contemporary jewellery design, a mover and shaker in this new international medium. This book is just what the retrospective aficionados of art jewellery have been waiting for.

Watkins is the medals designer for the 2012 Olympics in London.

This book represents the first retrospective in print on the fascinating work of the English artist in jewelry David Watkins, who started out as a jazz pianist and sculptor but has been designing jewelry since the 1960s.’] [’Review
The book's strength lies in the detailed charting of background research which continuously runs through any new series of work; this provides increased possibilities for formal variation and flexibility in colour arrangements. Through the book's excellent illustrations, one can see entire seams, such as the Colorcore or gilded brass examples of the late 1980s, develop and come to life. --Findings, Issue 46, December 2008

From the Publisher
In their popular series of monographs on contemporary art jewellery, ARNOLDSCHE Art Publishers are presenting the first retrospective of the fascinating work of the celebrated artist in jewellery, David Watkins, who has been designing jewellery since the 1960s and is a pioneering avant-garde exponent of auteur jewellery.
Knowledgeable and highly readable essays by Beatriz Chadour-Sampson, a renowned jewellery expert, and a wealth of illustrations in large formats trace Watkins' way to becoming one of the most important contemporary jewellery designers. In addition, numerous drawings, photographs and personal statements made by the artist provide revealing glimpses of how his works have been created in the various phases of his career as a jewellery designer.
The monograph sheds light on how Watkins' beginnings as a jazz pianist, sculptor and model-maker for Stanley Kubrick's 2001: A Space Odyssey have influenced his jewellery designs and on the stylistic development Watkins' work has undergone. His early pieces were still sculpture in miniature but he later switched to producing outsize wearable objects. Watkins has become increasingly involved with investigating the relationship between jewellery and the wearer's body. To take one example, a piece of rigid, geometric neck jewellery actually emphasizes the soft curves of the person wearing it so that a visual dialogue is sparked off between the human body and the object adorning it. At the same time, Watkins' jewellery is growing towards autonomous art-object status. The register spread of his "idiom" encompasses stringent structures through monochrome Minimalism to improvised compositions in vibrant forms and colours. His most recent work, on the other hand, features symbols and metaphors informed by abstract mysticism.
Another important area covered in the monograph is the wide variety of materials and techniques Watkins brings to bear on his work. He uses both traditional and computer-aided methods of the kind used in industrial manufacture. And Watkins is certainly innovative in his choice of materials. He was one of the first to use synthetic materials such as acrylic and later Neoprene and Colorcore, all of which were once dismissed as outrageously naff. Other materials he uses include paper, gold, steel, aluminium and titanium.
David Watkins has for years been a prime mover on the international designer jewellery scene and in this capacity has directed the art medium into new channels. The comprehensive survey of his work jewellery aficionados have long been waiting for!’]
Publishing details: Publisher Arnoldsche Verlagsanstalt (July, 2008), 208 pages

Ref: 1000

Feminist Narrativesview full entry

Reference: Feminist Narratives - Pat Brassington, Debra Dawes, Leah MacKinnon, Andrea Paton, Ann Wulff : 4th June-24th June 1987.
Publishing details: George Paton Gallery, ., 1987
Ref: 1000

Brassington Pat view full entry

Reference: see Feminist Narratives - Pat Brassington, Debra Dawes, Leah MacKinnon, Andrea Paton, Ann Wulff : 4th June-24th June 1987.
Publishing details: George Paton Gallery, ., 1987

Dawes Debraview full entry

Reference: see Feminist Narratives - Pat Brassington, Debra Dawes, Leah MacKinnon, Andrea Paton, Ann Wulff : 4th June-24th June 1987.
Publishing details: George Paton Gallery, ., 1987

MacKinnon Leahview full entry

Reference: see Feminist Narratives - Pat Brassington, Debra Dawes, Leah MacKinnon, Andrea Paton, Ann Wulff : 4th June-24th June 1987.
Publishing details: George Paton Gallery, ., 1987

Paton Andreaview full entry

Reference: see Feminist Narratives - Pat Brassington, Debra Dawes, Leah MacKinnon, Andrea Paton, Ann Wulff : 4th June-24th June 1987.
Publishing details: George Paton Gallery, ., 1987

Wulff Annview full entry

Reference: see Feminist Narratives - Pat Brassington, Debra Dawes, Leah MacKinnon, Andrea Paton, Ann Wulff : 4th June-24th June 1987.
Publishing details: George Paton Gallery, ., 1987

Brassington Patview full entry

Reference: Pat Brassington, Á Rebours [’ Rebours is major survey by one of Australia’s most important and influential photo-based artists. Full colour publication,

Publishing details: ACCA PUBLICATIONS, 2012, 71 pages
Ref: 1000

Hall Patrickview full entry

Reference: Things I Once Knew - the art of Patrick Hall. [’The Tasmanian Museum and Art Gallery (TMAG) is proud to present the first survey exhibition of works by Tasmanian artist and furniture maker Patrick Hall, which opens today.
Things I Once Knew: The Art of Patrick Hall represents the development of Hall’s artistic practice from the mid-1980s to the present day, and is a great opportunity to bring this exciting and original Tasmanian artist to the attention and enjoyment of a broader audience.
Hall studied printmaking and furniture design at the Tasmanian School of Art in the early 1980s, and has exhibited in a number of group and solo exhibitions in Tasmania, interstate and internationally.
In 2001, his Of Lost Things cabinet was the first non-American work to feature on the cover of the prestigious SOFA (Sculpture, Objects, Functional Art) catalogue in the USA.
Hall has been commissioned to produce a number of public art installations throughout Hobart, including the much-loved Mall Animals in 2005 and most recently the interactive Tree sculpture at the Sustainability Learning Centre in 2014.
His largest work, When My Heart Stops Beating, was commissioned for the opening of the Museum of Old and New Art (MONA) in 2011, and is on display at TMAG as part of the exhibition alongside 30 cabinets and other works, many from private lenders.
An interactive zone incorporating TMAG’s unique art and museum carts, created by Hall, plus a specially-designed art trail will ensure visitors of all ages can actively engage with the exhibition.
Things I Once Knew: The Art of Patrick Hall is presented as part of the Tasmanian International Arts Festival and is on show at TMAG from 20 March until 30 August 2015.’]
Publishing details: TMAG, 2015.
Ref: 1000

Thancoupie (Gloria Fletcher)view full entry

Reference: article by Barbara Blackman from the Australian Newspaper, not dated.
Publishing details: c1980s?
Ref: 133

Early Australian Paintingview full entry

Reference: Early Australian Painting by Jocelyn Gray. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Pottery [in Australia]view full entry

Reference: Pottery by Kenneth Hood. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Painting [in Australia]view full entry

Reference: Painting by Brian Finemore. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Religious Art in Australiaview full entry

Reference: Religious Art in Australia by Hilda and Hans KnorrThe National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Architecture [in Australia]view full entry

Reference: Architecture by W. J. Splatt. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Design [in Australia]view full entry

Reference: Design by Colin Barrie. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Aboriginal Artview full entry

Reference: Aboriginal Art by Charles P. Mountford. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Australian Landscape Paintingview full entry

Reference: Australian Landscape Painting by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Australian Impressionistsview full entry

Reference: Australian Impressionists by Brian Finemore. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Contemporary Drawing [in Australia]view full entry

Reference: Contemporary Drawing by Elwyn Lynn. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Printmaking [in Australia]view full entry

Reference: Printmaking by Brial Seidel. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Commercial Art [in Australia]view full entry

Reference: Commercial Art by Haughton James. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Sculpture [in Australia]view full entry

Reference: Sculpture by Lenton Parr. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

New Painting 1952-62 [in Australia]view full entry

Reference: New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Four Contemporary Australian Landscape Paintersview full entry

Reference: Four Contemporary Australian Landscape Painters by John Brack [Russell Drysdale, Arthur Streeton, Sidney Nolan, Arthur Boyd]. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Australian Abstract Artview full entry

Reference: Australian Abstract Art by Patrick McCaughey. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Theatre [in Australia]view full entry

Reference: Theatre by Frank R, Harvey. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Ballet [in Australia]view full entry

Reference: Ballet by Peggy van Praagh. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans or Oxford University Press or the National Gallery of Victoria
Ref: 29

Nolan Sidneyview full entry

Reference: see Four Contemporary Australian Landscape Painters by John Brack [Russell Drysdale, Fred Williams, Sidney Nolan, Arthur Boyd]. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: OUP, 1968, 32pp

Drysdale Russellview full entry

Reference: see Four Contemporary Australian Landscape Painters by John Brack [Russell Drysdale, Fred Williams, Sidney Nolan, Arthur Boyd]. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: OUP, 1968, 32pp

Boyd Arthurview full entry

Reference: see Four Contemporary Australian Landscape Painters by John Brack [Russell Drysdale, Fred Williams, Sidney Nolan, Arthur Boyd]. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: OUP, 1968, 32pp

Williams Fredview full entry

Reference: see Four Contemporary Australian Landscape Painters by John Brack [Russell Drysdale, Fred Williams, Sidney Nolan, Arthur Boyd]. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: OUP, 1968, 32pp

Sime Ianview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Balson Ralphview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Bilu Asherview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Blackman Charlesview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Borlase Nancyview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Boyd Arthurview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Brack Johnview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Burns Peterview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Coburn Johnview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Crawford Leonardview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Daws Lawrenceview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Dickerson Robertview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Dutkiewicz Wladyslawview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

French Leonardview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Gleghorn Thomasview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Hessing Leonardview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Hodgkinson Frankview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Hope Laurenceview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Hughes Robertview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

James Louisview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Jamieson Gilview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Johnson Georgeview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Juniper Robertview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Laycock Donaldview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Lewers Margoview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Lynn Elwynview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Molvig Jonview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Mora Mirkaview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Morrow Rossview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Nolan Sidneyview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Olsen Johnview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Ostoja-Kotkowski J Sview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Passmore Johnview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Perceval Johnview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Plate Carlview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Pugh Cliftonview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Rapotec Stanislausview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Rose Williamview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Smith Grayview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Tanner Edwinview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Tucker Albertview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Vassilieff Danilaview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Whiteley Brettview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Williams Fredview full entry

Reference: see New Painting 1952-62 by John Reed. The National Gallery of Victoria’s Arts in Australia series includes Early Australian Painting (2 editions), Pottery, Painting, Religious Art in Australia, Architecture, Design, Aboriginal Art, Australian Landscape Painting, Contemporary Drawing, Printmaking, Commercial Art, Australian Impressionists, Sculpture, New Painting 1952-62, Four Contemporary Australian Landscape Painters (2 editions), Australian Abstract Art, Theatre, Ballet. Other NGV booklets included Renaissance Art by James Mollison, The Barbizon Painters by Ruth Zubans and French Impressionists ans Post-Impressionism by Margaret Garlick.
Publishing details: published by Longmans, 1963, pb, 48pp

Tiwi Potteryview full entry

Reference: Tiwi pottery, Bathurst Island : an exhibition of Tiwi pottery from Bathurst Island : opened by Ivan McMeekin, Tuesday 4th March 1980, at the Potters' Gallery, 48 Burton Street, Darlinghurst
Publishing details: Aboriginal Arts Board, [1980]
[16] p. : ill., map, ; 19 x 24 cm.
Ref: 1000

Tiwi potteryview full entry

Reference: Tiwi pottery, Bathurst Island : an exhibition at Aladdin Gallery, opened by H.C. Coombs, Friday, March 11, 1977 / exhibition committee: Ivan McMeekin ... [et al.] ; photographs of pottery by Jutta Malnic. Pottery making at Bathurst Island today owes its existence mainly to the potting talent, drive and persistence of Eddie Puruntatameri. He, John Bosco Tipiloura and their associates were guided and helped over the long physical slog of bringing pottery into existence by a number of bodies and individuals. Includes a full catalogue of the exhibition.

Publishing details: Aladdin Gallery, c1977. 20pp,

Ref: 133

Puruntatameri Eddie view full entry

Reference: see Tiwi pottery, Bathurst Island : an exhibition at Aladdin Gallery, opened by H.C. Coombs, Friday, March 11, 1977 / exhibition committee: Ivan McMeekin ... [et al.] ; photographs of pottery by Jutta Malnic. Pottery making at Bathurst Island today owes its existence mainly to the potting talent, drive and persistence of Eddie Puruntatameri. He, John Bosco Tipiloura and their associates were guided and helped over the long physical slog of bringing pottery into existence by a number of bodies and individuals. Includes a full catalogue of the exhibition.

Publishing details: Aladdin Gallery, c1977. 20pp,

Malnic Jutta view full entry

Reference: see Tiwi pottery, Bathurst Island : an exhibition at Aladdin Gallery, opened by H.C. Coombs, Friday, March 11, 1977 / exhibition committee: Ivan McMeekin ... [et al.] ; photographs of pottery by Jutta Malnic. Pottery making at Bathurst Island today owes its existence mainly to the potting talent, drive and persistence of Eddie Puruntatameri. He, John Bosco Tipiloura and their associates were guided and helped over the long physical slog of bringing pottery into existence by a number of bodies and individuals. Includes a full catalogue of the exhibition.

Publishing details: Aladdin Gallery, c1977. 20pp,

Tipiloura John Bosco view full entry

Reference: see Tiwi pottery, Bathurst Island : an exhibition at Aladdin Gallery, opened by H.C. Coombs, Friday, March 11, 1977 / exhibition committee: Ivan McMeekin ... [et al.] ; photographs of pottery by Jutta Malnic. Pottery making at Bathurst Island today owes its existence mainly to the potting talent, drive and persistence of Eddie Puruntatameri. He, John Bosco Tipiloura and their associates were guided and helped over the long physical slog of bringing pottery into existence by a number of bodies and individuals. Includes a full catalogue of the exhibition.

Publishing details: Aladdin Gallery, c1977. 20pp,

Arnold Rayview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Ball Sydneyview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Coburn Johnview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Latimer Bruceview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Leach-Jones Alunview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Leveson-Meares Sandraview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Martin Mandyview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Moncrieff Gregview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Newmarch Annview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Robinson Sallyview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Rose Davidview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Spurrier Stephenview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Wicks Arthurview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Wight Normanaview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Zika Paulview full entry

Reference: see Australian Screenprints 1982. [The exhibition connected with this catalogue coincided with the Commonwealth Games in Brisbane, and opened in conjunction with Festival '82 Warana and Commonwealth Festival. It was anticipated the exhibition would travel to most Australian state galleries and regional centres until 1985. 45 screenprints represented the work by 15 artist printmakers who have worked extensively in this medium . . . Contents include: Prelims., Foreword, dedicated page to each printmaker, with biographies.
Publishing details: Print Council of Australia, Melbourne, VIC, Australia, 1982, 19pp. Softcover (Staplebound)

Walcha - City of Artview full entry

Reference: Walcha - City of Art exhbition 2003. ‘Walcha City of Art was an exhibition ... at the Queen Victoria Building in Sydney and was curated by Sydney Morning Herald Art Critic John McDonald.
The exhibition celebrated all of the artists who have chosen to live and work in Walcha and to support the land they call home. The distinctive art of the country went to the city in a way that it had never done before.
In the words of John McDonald “City Dwellers may be amazed to find paintings and sculptures of greater power and sophistication than they could have imagined, and an attitude of mutual co-operation that is not easily discerned in the metropolis. In the work of these painters and sculptors, art, life, and the land are closely integrated in a manner that is both exceptional and uplifting – a welcome breath of country air amid the art smog of the city”.
10 years on and Walcha City of Art artists come together for an exhibition in their home town of Walcha. If being an artist and living on the land has its demands, it also has its rewards. The two occupations exist in a kind of symbolic relationship. And every now and then, mostly when least expected, you are reminded of this.’ Includes biographical details of artists.
Publishing details: Newcontemporaries, 2003. 40pp

King Stephen view full entry

Reference: see Walcha - City of Art exhbition 2003. ‘Walcha City of Art was an exhibition ... at the Queen Victoria Building in Sydney and was curated by Sydney Morning Herald Art Critic John McDonald.
The exhibition celebrated all of the artists who have chosen to live and work in Walcha and to support the land they call home. The distinctive art of the country went to the city in a way that it had never done before.
In the words of John McDonald “City Dwellers may be amazed to find paintings and sculptures of greater power and sophistication than they could have imagined, and an attitude of mutual co-operation that is not easily discerned in the metropolis. In the work of these painters and sculptors, art, life, and the land are closely integrated in a manner that is both exceptional and uplifting – a welcome breath of country air amid the art smog of the city”.
10 years on and Walcha City of Art artists come together for an exhibition in their home town of Walcha. If being an artist and living on the land has its demands, it also has its rewards. The two occupations exist in a kind of symbolic relationship. And every now and then, mostly when least expected, you are reminded of this.’ Includes biographical details of artists.
Publishing details: Newcontemporaries, 2003. 40pp

Griffin Julia view full entry

Reference: see Walcha - City of Art exhbition 2003. ‘Walcha City of Art was an exhibition ... at the Queen Victoria Building in Sydney and was curated by Sydney Morning Herald Art Critic John McDonald.
The exhibition celebrated all of the artists who have chosen to live and work in Walcha and to support the land they call home. The distinctive art of the country went to the city in a way that it had never done before.
In the words of John McDonald “City Dwellers may be amazed to find paintings and sculptures of greater power and sophistication than they could have imagined, and an attitude of mutual co-operation that is not easily discerned in the metropolis. In the work of these painters and sculptors, art, life, and the land are closely integrated in a manner that is both exceptional and uplifting – a welcome breath of country air amid the art smog of the city”.
10 years on and Walcha City of Art artists come together for an exhibition in their home town of Walcha. If being an artist and living on the land has its demands, it also has its rewards. The two occupations exist in a kind of symbolic relationship. And every now and then, mostly when least expected, you are reminded of this.’ Includes biographical details of artists.
Publishing details: Newcontemporaries, 2003. 40pp

Rogers James view full entry

Reference: see Walcha - City of Art exhbition 2003. ‘Walcha City of Art was an exhibition ... at the Queen Victoria Building in Sydney and was curated by Sydney Morning Herald Art Critic John McDonald.
The exhibition celebrated all of the artists who have chosen to live and work in Walcha and to support the land they call home. The distinctive art of the country went to the city in a way that it had never done before.
In the words of John McDonald “City Dwellers may be amazed to find paintings and sculptures of greater power and sophistication than they could have imagined, and an attitude of mutual co-operation that is not easily discerned in the metropolis. In the work of these painters and sculptors, art, life, and the land are closely integrated in a manner that is both exceptional and uplifting – a welcome breath of country air amid the art smog of the city”.
10 years on and Walcha City of Art artists come together for an exhibition in their home town of Walcha. If being an artist and living on the land has its demands, it also has its rewards. The two occupations exist in a kind of symbolic relationship. And every now and then, mostly when least expected, you are reminded of this.’ Includes biographical details of artists.
Publishing details: Newcontemporaries, 2003. 40pp

Laurie Ross view full entry

Reference: see Walcha - City of Art exhbition 2003. ‘Walcha City of Art was an exhibition ... at the Queen Victoria Building in Sydney and was curated by Sydney Morning Herald Art Critic John McDonald.
The exhibition celebrated all of the artists who have chosen to live and work in Walcha and to support the land they call home. The distinctive art of the country went to the city in a way that it had never done before.
In the words of John McDonald “City Dwellers may be amazed to find paintings and sculptures of greater power and sophistication than they could have imagined, and an attitude of mutual co-operation that is not easily discerned in the metropolis. In the work of these painters and sculptors, art, life, and the land are closely integrated in a manner that is both exceptional and uplifting – a welcome breath of country air amid the art smog of the city”.
10 years on and Walcha City of Art artists come together for an exhibition in their home town of Walcha. If being an artist and living on the land has its demands, it also has its rewards. The two occupations exist in a kind of symbolic relationship. And every now and then, mostly when least expected, you are reminded of this.’ Includes biographical details of artists.
Publishing details: Newcontemporaries, 2003. 40pp

Gullifer Myfanwy view full entry

Reference: see Walcha - City of Art exhbition 2003. ‘Walcha City of Art was an exhibition ... at the Queen Victoria Building in Sydney and was curated by Sydney Morning Herald Art Critic John McDonald.
The exhibition celebrated all of the artists who have chosen to live and work in Walcha and to support the land they call home. The distinctive art of the country went to the city in a way that it had never done before.
In the words of John McDonald “City Dwellers may be amazed to find paintings and sculptures of greater power and sophistication than they could have imagined, and an attitude of mutual co-operation that is not easily discerned in the metropolis. In the work of these painters and sculptors, art, life, and the land are closely integrated in a manner that is both exceptional and uplifting – a welcome breath of country air amid the art smog of the city”.
10 years on and Walcha City of Art artists come together for an exhibition in their home town of Walcha. If being an artist and living on the land has its demands, it also has its rewards. The two occupations exist in a kind of symbolic relationship. And every now and then, mostly when least expected, you are reminded of this.’ Includes biographical details of artists.
Publishing details: Newcontemporaries, 2003. 40pp

Nivison Angus view full entry

Reference: see Walcha - City of Art exhbition 2003. ‘Walcha City of Art was an exhibition ... at the Queen Victoria Building in Sydney and was curated by Sydney Morning Herald Art Critic John McDonald.
The exhibition celebrated all of the artists who have chosen to live and work in Walcha and to support the land they call home. The distinctive art of the country went to the city in a way that it had never done before.
In the words of John McDonald “City Dwellers may be amazed to find paintings and sculptures of greater power and sophistication than they could have imagined, and an attitude of mutual co-operation that is not easily discerned in the metropolis. In the work of these painters and sculptors, art, life, and the land are closely integrated in a manner that is both exceptional and uplifting – a welcome breath of country air amid the art smog of the city”.
10 years on and Walcha City of Art artists come together for an exhibition in their home town of Walcha. If being an artist and living on the land has its demands, it also has its rewards. The two occupations exist in a kind of symbolic relationship. And every now and then, mostly when least expected, you are reminded of this.’ Includes biographical details of artists.
Publishing details: Newcontemporaries, 2003. 40pp

Giving Voiceview full entry

Reference: Giving Voice: The Art of Dissent. Touring exhibition beginning 2015 at Long Gallery at Salamanca Arts Centre, Hobart. ‘Salamanca Arts Centre (SAC) is proud to present the group show Giving Voice: The Art of Dissent, featuring eight artists that document their opinions on the pressing social and political issues facing the world today. From major economic crisis and raging wars to pollution and climate change through to religious prejudice and racism, this powerful exhibition sheds light on a global state of distress.
Curator Yvonne Rees-Pagh has enlisted a mix of early-career, mid-career and established artists from Tasmania, Australia and overseas to debut their work in SAC’s Long Gallery and Sidespace. Exhibiting artists include Cigdem Aydemir (NSW), James Barker (TAS), Richard Bell (QLD), Pat Hoffie (QLD), Locust Jones (NSW), Megan Keating (TAS), Michael Reed (NZ) and Khaled Sabsabi (NSW). Rees-Pagh believes the theme of the exhibition will resonate with many and notes that with the series of problems the world is facing, it is normal to feel helpless in the face of crisis. “The courage displayed by our eight artists to publically voice dissent is remarkable and something to be admired,” she says.
The exhibiting artists have grappled with the hardest parts of human experience, expressing their dissent on topics ranging from war, racism, climate change, economic crisis and displacement – focusing their vision on Tasmania, greater Australia and beyond.’
Publishing details: Salamanca Arts Centre, 2015, pb, 27pp
Ref: 133

Aydemir Cigdem view full entry

Reference: see Giving Voice: The Art of Dissent. Touring exhibition beginning 2015 at Long Gallery at Salamanca Arts Centre, Hobart. ‘Salamanca Arts Centre (SAC) is proud to present the group show Giving Voice: The Art of Dissent, featuring eight artists that document their opinions on the pressing social and political issues facing the world today. From major economic crisis and raging wars to pollution and climate change through to religious prejudice and racism, this powerful exhibition sheds light on a global state of distress.
Curator Yvonne Rees-Pagh has enlisted a mix of early-career, mid-career and established artists from Tasmania, Australia and overseas to debut their work in SAC’s Long Gallery and Sidespace. Exhibiting artists include Cigdem Aydemir (NSW), James Barker (TAS), Richard Bell (QLD), Pat Hoffie (QLD), Locust Jones (NSW), Megan Keating (TAS), Michael Reed (NZ) and Khaled Sabsabi (NSW). Rees-Pagh believes the theme of the exhibition will resonate with many and notes that with the series of problems the world is facing, it is normal to feel helpless in the face of crisis. “The courage displayed by our eight artists to publically voice dissent is remarkable and something to be admired,” she says.
The exhibiting artists have grappled with the hardest parts of human experience, expressing their dissent on topics ranging from war, racism, climate change, economic crisis and displacement – focusing their vision on Tasmania, greater Australia and beyond.’
Publishing details: Salamanca Arts Centre, 2015, pb, 27pp

Barker James view full entry

Reference: see Giving Voice: The Art of Dissent. Touring exhibition beginning 2015 at Long Gallery at Salamanca Arts Centre, Hobart. ‘Salamanca Arts Centre (SAC) is proud to present the group show Giving Voice: The Art of Dissent, featuring eight artists that document their opinions on the pressing social and political issues facing the world today. From major economic crisis and raging wars to pollution and climate change through to religious prejudice and racism, this powerful exhibition sheds light on a global state of distress.
Curator Yvonne Rees-Pagh has enlisted a mix of early-career, mid-career and established artists from Tasmania, Australia and overseas to debut their work in SAC’s Long Gallery and Sidespace. Exhibiting artists include Cigdem Aydemir (NSW), James Barker (TAS), Richard Bell (QLD), Pat Hoffie (QLD), Locust Jones (NSW), Megan Keating (TAS), Michael Reed (NZ) and Khaled Sabsabi (NSW). Rees-Pagh believes the theme of the exhibition will resonate with many and notes that with the series of problems the world is facing, it is normal to feel helpless in the face of crisis. “The courage displayed by our eight artists to publically voice dissent is remarkable and something to be admired,” she says.
The exhibiting artists have grappled with the hardest parts of human experience, expressing their dissent on topics ranging from war, racism, climate change, economic crisis and displacement – focusing their vision on Tasmania, greater Australia and beyond.’
Publishing details: Salamanca Arts Centre, 2015, pb, 27pp

Bell Richard view full entry

Reference: see Giving Voice: The Art of Dissent. Touring exhibition beginning 2015 at Long Gallery at Salamanca Arts Centre, Hobart. ‘Salamanca Arts Centre (SAC) is proud to present the group show Giving Voice: The Art of Dissent, featuring eight artists that document their opinions on the pressing social and political issues facing the world today. From major economic crisis and raging wars to pollution and climate change through to religious prejudice and racism, this powerful exhibition sheds light on a global state of distress.
Curator Yvonne Rees-Pagh has enlisted a mix of early-career, mid-career and established artists from Tasmania, Australia and overseas to debut their work in SAC’s Long Gallery and Sidespace. Exhibiting artists include Cigdem Aydemir (NSW), James Barker (TAS), Richard Bell (QLD), Pat Hoffie (QLD), Locust Jones (NSW), Megan Keating (TAS), Michael Reed (NZ) and Khaled Sabsabi (NSW). Rees-Pagh believes the theme of the exhibition will resonate with many and notes that with the series of problems the world is facing, it is normal to feel helpless in the face of crisis. “The courage displayed by our eight artists to publically voice dissent is remarkable and something to be admired,” she says.
The exhibiting artists have grappled with the hardest parts of human experience, expressing their dissent on topics ranging from war, racism, climate change, economic crisis and displacement – focusing their vision on Tasmania, greater Australia and beyond.’
Publishing details: Salamanca Arts Centre, 2015, pb, 27pp

Hoffie Pat view full entry

Reference: see Giving Voice: The Art of Dissent. Touring exhibition beginning 2015 at Long Gallery at Salamanca Arts Centre, Hobart. ‘Salamanca Arts Centre (SAC) is proud to present the group show Giving Voice: The Art of Dissent, featuring eight artists that document their opinions on the pressing social and political issues facing the world today. From major economic crisis and raging wars to pollution and climate change through to religious prejudice and racism, this powerful exhibition sheds light on a global state of distress.
Curator Yvonne Rees-Pagh has enlisted a mix of early-career, mid-career and established artists from Tasmania, Australia and overseas to debut their work in SAC’s Long Gallery and Sidespace. Exhibiting artists include Cigdem Aydemir (NSW), James Barker (TAS), Richard Bell (QLD), Pat Hoffie (QLD), Locust Jones (NSW), Megan Keating (TAS), Michael Reed (NZ) and Khaled Sabsabi (NSW). Rees-Pagh believes the theme of the exhibition will resonate with many and notes that with the series of problems the world is facing, it is normal to feel helpless in the face of crisis. “The courage displayed by our eight artists to publically voice dissent is remarkable and something to be admired,” she says.
The exhibiting artists have grappled with the hardest parts of human experience, expressing their dissent on topics ranging from war, racism, climate change, economic crisis and displacement – focusing their vision on Tasmania, greater Australia and beyond.’
Publishing details: Salamanca Arts Centre, 2015, pb, 27pp

Jones Locust view full entry

Reference: see Giving Voice: The Art of Dissent. Touring exhibition beginning 2015 at Long Gallery at Salamanca Arts Centre, Hobart. ‘Salamanca Arts Centre (SAC) is proud to present the group show Giving Voice: The Art of Dissent, featuring eight artists that document their opinions on the pressing social and political issues facing the world today. From major economic crisis and raging wars to pollution and climate change through to religious prejudice and racism, this powerful exhibition sheds light on a global state of distress.
Curator Yvonne Rees-Pagh has enlisted a mix of early-career, mid-career and established artists from Tasmania, Australia and overseas to debut their work in SAC’s Long Gallery and Sidespace. Exhibiting artists include Cigdem Aydemir (NSW), James Barker (TAS), Richard Bell (QLD), Pat Hoffie (QLD), Locust Jones (NSW), Megan Keating (TAS), Michael Reed (NZ) and Khaled Sabsabi (NSW). Rees-Pagh believes the theme of the exhibition will resonate with many and notes that with the series of problems the world is facing, it is normal to feel helpless in the face of crisis. “The courage displayed by our eight artists to publically voice dissent is remarkable and something to be admired,” she says.
The exhibiting artists have grappled with the hardest parts of human experience, expressing their dissent on topics ranging from war, racism, climate change, economic crisis and displacement – focusing their vision on Tasmania, greater Australia and beyond.’
Publishing details: Salamanca Arts Centre, 2015, pb, 27pp

Keating Megan view full entry

Reference: see Giving Voice: The Art of Dissent. Touring exhibition beginning 2015 at Long Gallery at Salamanca Arts Centre, Hobart. ‘Salamanca Arts Centre (SAC) is proud to present the group show Giving Voice: The Art of Dissent, featuring eight artists that document their opinions on the pressing social and political issues facing the world today. From major economic crisis and raging wars to pollution and climate change through to religious prejudice and racism, this powerful exhibition sheds light on a global state of distress.
Curator Yvonne Rees-Pagh has enlisted a mix of early-career, mid-career and established artists from Tasmania, Australia and overseas to debut their work in SAC’s Long Gallery and Sidespace. Exhibiting artists include Cigdem Aydemir (NSW), James Barker (TAS), Richard Bell (QLD), Pat Hoffie (QLD), Locust Jones (NSW), Megan Keating (TAS), Michael Reed (NZ) and Khaled Sabsabi (NSW). Rees-Pagh believes the theme of the exhibition will resonate with many and notes that with the series of problems the world is facing, it is normal to feel helpless in the face of crisis. “The courage displayed by our eight artists to publically voice dissent is remarkable and something to be admired,” she says.
The exhibiting artists have grappled with the hardest parts of human experience, expressing their dissent on topics ranging from war, racism, climate change, economic crisis and displacement – focusing their vision on Tasmania, greater Australia and beyond.’
Publishing details: Salamanca Arts Centre, 2015, pb, 27pp

Reed Michael view full entry

Reference: see Giving Voice: The Art of Dissent. Touring exhibition beginning 2015 at Long Gallery at Salamanca Arts Centre, Hobart. ‘Salamanca Arts Centre (SAC) is proud to present the group show Giving Voice: The Art of Dissent, featuring eight artists that document their opinions on the pressing social and political issues facing the world today. From major economic crisis and raging wars to pollution and climate change through to religious prejudice and racism, this powerful exhibition sheds light on a global state of distress.
Curator Yvonne Rees-Pagh has enlisted a mix of early-career, mid-career and established artists from Tasmania, Australia and overseas to debut their work in SAC’s Long Gallery and Sidespace. Exhibiting artists include Cigdem Aydemir (NSW), James Barker (TAS), Richard Bell (QLD), Pat Hoffie (QLD), Locust Jones (NSW), Megan Keating (TAS), Michael Reed (NZ) and Khaled Sabsabi (NSW). Rees-Pagh believes the theme of the exhibition will resonate with many and notes that with the series of problems the world is facing, it is normal to feel helpless in the face of crisis. “The courage displayed by our eight artists to publically voice dissent is remarkable and something to be admired,” she says.
The exhibiting artists have grappled with the hardest parts of human experience, expressing their dissent on topics ranging from war, racism, climate change, economic crisis and displacement – focusing their vision on Tasmania, greater Australia and beyond.’
Publishing details: Salamanca Arts Centre, 2015, pb, 27pp

Sabsabi Khaled view full entry

Reference: see Giving Voice: The Art of Dissent. Touring exhibition beginning 2015 at Long Gallery at Salamanca Arts Centre, Hobart. ‘Salamanca Arts Centre (SAC) is proud to present the group show Giving Voice: The Art of Dissent, featuring eight artists that document their opinions on the pressing social and political issues facing the world today. From major economic crisis and raging wars to pollution and climate change through to religious prejudice and racism, this powerful exhibition sheds light on a global state of distress.
Curator Yvonne Rees-Pagh has enlisted a mix of early-career, mid-career and established artists from Tasmania, Australia and overseas to debut their work in SAC’s Long Gallery and Sidespace. Exhibiting artists include Cigdem Aydemir (NSW), James Barker (TAS), Richard Bell (QLD), Pat Hoffie (QLD), Locust Jones (NSW), Megan Keating (TAS), Michael Reed (NZ) and Khaled Sabsabi (NSW). Rees-Pagh believes the theme of the exhibition will resonate with many and notes that with the series of problems the world is facing, it is normal to feel helpless in the face of crisis. “The courage displayed by our eight artists to publically voice dissent is remarkable and something to be admired,” she says.
The exhibiting artists have grappled with the hardest parts of human experience, expressing their dissent on topics ranging from war, racism, climate change, economic crisis and displacement – focusing their vision on Tasmania, greater Australia and beyond.’
Publishing details: Salamanca Arts Centre, 2015, pb, 27pp

Adams Peter Michaelview full entry