Showing all records | The Scheding Index of Australian Art and Artists

Wood C Dudley p167view full entry

Reference: ‪see Laughter and the Love of Friends: A Centenary History of the Melbourne Savage Club 1894-1994 and a History of the Yorick Club 1868-1966‬, by Joseph Johnson. ‪Editor: Trischa Baker‬. Photographs by‬ Rod Hyett, John Smibert‬. The Savage Club was founded in 1894 as a gentleman's club for the appreciation of music, art, drama, science and literature. Its members included Sir Arthur Streeton, Sir John Longstaff, Frederick McCubbin, William Dargie, Penleigh Boyd, George Courtney Benson, and various cartoonist including David Low, Alfred Vincent, Roy Cecil Hodgkinson and Alex Gurney. [’This is a history of two of the most unusual and intriguing clubs in Australia- the Melbourne Savage Club, founded in 1894, and the Yorick Club (1868-1966). Their contribution to the artistic, literary and social devolopment of the nation has been immense, and both have numbered amongst their membership many outstanding Australians. In this history, Joseph Johnson, draws on his considerable powers of scholarship and expression to sketch a dynamic, living picture of clubland in the nineteenth and twentieth centuries.’]
Publishing details: Melbourne Savage Club, 1994, hc, dw, 394pp, illustrated, with index. Copy no. 110 in a limited edition of 1500.

Young Blamire see indexview full entry

Reference: ‪see Laughter and the Love of Friends: A Centenary History of the Melbourne Savage Club 1894-1994 and a History of the Yorick Club 1868-1966‬, by Joseph Johnson. ‪Editor: Trischa Baker‬. Photographs by‬ Rod Hyett, John Smibert‬. The Savage Club was founded in 1894 as a gentleman's club for the appreciation of music, art, drama, science and literature. Its members included Sir Arthur Streeton, Sir John Longstaff, Frederick McCubbin, William Dargie, Penleigh Boyd, George Courtney Benson, and various cartoonist including David Low, Alfred Vincent, Roy Cecil Hodgkinson and Alex Gurney. [’This is a history of two of the most unusual and intriguing clubs in Australia- the Melbourne Savage Club, founded in 1894, and the Yorick Club (1868-1966). Their contribution to the artistic, literary and social devolopment of the nation has been immense, and both have numbered amongst their membership many outstanding Australians. In this history, Joseph Johnson, draws on his considerable powers of scholarship and expression to sketch a dynamic, living picture of clubland in the nineteenth and twentieth centuries.’]
Publishing details: Melbourne Savage Club, 1994, hc, dw, 394pp, illustrated, with index. Copy no. 110 in a limited edition of 1500.

Pugh Clifton p194view full entry

Reference: ‪see Laughter and the Love of Friends: A Centenary History of the Melbourne Savage Club 1894-1994 and a History of the Yorick Club 1868-1966‬, by Joseph Johnson. ‪Editor: Trischa Baker‬. Photographs by‬ Rod Hyett, John Smibert‬. The Savage Club was founded in 1894 as a gentleman's club for the appreciation of music, art, drama, science and literature. Its members included Sir Arthur Streeton, Sir John Longstaff, Frederick McCubbin, William Dargie, Penleigh Boyd, George Courtney Benson, and various cartoonist including David Low, Alfred Vincent, Roy Cecil Hodgkinson and Alex Gurney. [’This is a history of two of the most unusual and intriguing clubs in Australia- the Melbourne Savage Club, founded in 1894, and the Yorick Club (1868-1966). Their contribution to the artistic, literary and social devolopment of the nation has been immense, and both have numbered amongst their membership many outstanding Australians. In this history, Joseph Johnson, draws on his considerable powers of scholarship and expression to sketch a dynamic, living picture of clubland in the nineteenth and twentieth centuries.’]
Publishing details: Melbourne Savage Club, 1994, hc, dw, 394pp, illustrated, with index. Copy no. 110 in a limited edition of 1500.

Rowell William see indexview full entry

Reference: ‪see Laughter and the Love of Friends: A Centenary History of the Melbourne Savage Club 1894-1994 and a History of the Yorick Club 1868-1966‬, by Joseph Johnson. ‪Editor: Trischa Baker‬. Photographs by‬ Rod Hyett, John Smibert‬. The Savage Club was founded in 1894 as a gentleman's club for the appreciation of music, art, drama, science and literature. Its members included Sir Arthur Streeton, Sir John Longstaff, Frederick McCubbin, William Dargie, Penleigh Boyd, George Courtney Benson, and various cartoonist including David Low, Alfred Vincent, Roy Cecil Hodgkinson and Alex Gurney. [’This is a history of two of the most unusual and intriguing clubs in Australia- the Melbourne Savage Club, founded in 1894, and the Yorick Club (1868-1966). Their contribution to the artistic, literary and social devolopment of the nation has been immense, and both have numbered amongst their membership many outstanding Australians. In this history, Joseph Johnson, draws on his considerable powers of scholarship and expression to sketch a dynamic, living picture of clubland in the nineteenth and twentieth centuries.’]
Publishing details: Melbourne Savage Club, 1994, hc, dw, 394pp, illustrated, with index. Copy no. 110 in a limited edition of 1500.

Tandberg Ron p157view full entry

Reference: ‪see Laughter and the Love of Friends: A Centenary History of the Melbourne Savage Club 1894-1994 and a History of the Yorick Club 1868-1966‬, by Joseph Johnson. ‪Editor: Trischa Baker‬. Photographs by‬ Rod Hyett, John Smibert‬. The Savage Club was founded in 1894 as a gentleman's club for the appreciation of music, art, drama, science and literature. Its members included Sir Arthur Streeton, Sir John Longstaff, Frederick McCubbin, William Dargie, Penleigh Boyd, George Courtney Benson, and various cartoonist including David Low, Alfred Vincent, Roy Cecil Hodgkinson and Alex Gurney. [’This is a history of two of the most unusual and intriguing clubs in Australia- the Melbourne Savage Club, founded in 1894, and the Yorick Club (1868-1966). Their contribution to the artistic, literary and social devolopment of the nation has been immense, and both have numbered amongst their membership many outstanding Australians. In this history, Joseph Johnson, draws on his considerable powers of scholarship and expression to sketch a dynamic, living picture of clubland in the nineteenth and twentieth centuries.’]
Publishing details: Melbourne Savage Club, 1994, hc, dw, 394pp, illustrated, with index. Copy no. 110 in a limited edition of 1500.

Tucker Albert p130view full entry

Reference: ‪see Laughter and the Love of Friends: A Centenary History of the Melbourne Savage Club 1894-1994 and a History of the Yorick Club 1868-1966‬, by Joseph Johnson. ‪Editor: Trischa Baker‬. Photographs by‬ Rod Hyett, John Smibert‬. The Savage Club was founded in 1894 as a gentleman's club for the appreciation of music, art, drama, science and literature. Its members included Sir Arthur Streeton, Sir John Longstaff, Frederick McCubbin, William Dargie, Penleigh Boyd, George Courtney Benson, and various cartoonist including David Low, Alfred Vincent, Roy Cecil Hodgkinson and Alex Gurney. [’This is a history of two of the most unusual and intriguing clubs in Australia- the Melbourne Savage Club, founded in 1894, and the Yorick Club (1868-1966). Their contribution to the artistic, literary and social devolopment of the nation has been immense, and both have numbered amongst their membership many outstanding Australians. In this history, Joseph Johnson, draws on his considerable powers of scholarship and expression to sketch a dynamic, living picture of clubland in the nineteenth and twentieth centuries.’]
Publishing details: Melbourne Savage Club, 1994, hc, dw, 394pp, illustrated, with index. Copy no. 110 in a limited edition of 1500.

Smith Sydney Ure p123view full entry

Reference: ‪see Laughter and the Love of Friends: A Centenary History of the Melbourne Savage Club 1894-1994 and a History of the Yorick Club 1868-1966‬, by Joseph Johnson. ‪Editor: Trischa Baker‬. Photographs by‬ Rod Hyett, John Smibert‬. The Savage Club was founded in 1894 as a gentleman's club for the appreciation of music, art, drama, science and literature. Its members included Sir Arthur Streeton, Sir John Longstaff, Frederick McCubbin, William Dargie, Penleigh Boyd, George Courtney Benson, and various cartoonist including David Low, Alfred Vincent, Roy Cecil Hodgkinson and Alex Gurney. [’This is a history of two of the most unusual and intriguing clubs in Australia- the Melbourne Savage Club, founded in 1894, and the Yorick Club (1868-1966). Their contribution to the artistic, literary and social devolopment of the nation has been immense, and both have numbered amongst their membership many outstanding Australians. In this history, Joseph Johnson, draws on his considerable powers of scholarship and expression to sketch a dynamic, living picture of clubland in the nineteenth and twentieth centuries.’]
Publishing details: Melbourne Savage Club, 1994, hc, dw, 394pp, illustrated, with index. Copy no. 110 in a limited edition of 1500.

Waugh Hal p81 view full entry

Reference: ‪see Laughter and the Love of Friends: A Centenary History of the Melbourne Savage Club 1894-1994 and a History of the Yorick Club 1868-1966‬, by Joseph Johnson. ‪Editor: Trischa Baker‬. Photographs by‬ Rod Hyett, John Smibert‬. The Savage Club was founded in 1894 as a gentleman's club for the appreciation of music, art, drama, science and literature. Its members included Sir Arthur Streeton, Sir John Longstaff, Frederick McCubbin, William Dargie, Penleigh Boyd, George Courtney Benson, and various cartoonist including David Low, Alfred Vincent, Roy Cecil Hodgkinson and Alex Gurney. [’This is a history of two of the most unusual and intriguing clubs in Australia- the Melbourne Savage Club, founded in 1894, and the Yorick Club (1868-1966). Their contribution to the artistic, literary and social devolopment of the nation has been immense, and both have numbered amongst their membership many outstanding Australians. In this history, Joseph Johnson, draws on his considerable powers of scholarship and expression to sketch a dynamic, living picture of clubland in the nineteenth and twentieth centuries.’]
Publishing details: Melbourne Savage Club, 1994, hc, dw, 394pp, illustrated, with index. Copy no. 110 in a limited edition of 1500.

Durack Elizabeth 1915-2000view full entry

Reference: Elizabeth Durack - A Singular Australian, Mossgreen Auction, 22 March, 2015. 119 lots. Includes essay on the artist by Elena Douglas, and ‘Notes on the Art of Eddie Burrup’, by Helena J. Madden. Also includes a biographical summary.
Publishing details: Mossgreen, 2015

Gilbert Johnview full entry

Reference: see The La Trobe Journal - No 54 March 1995 - The Mysterious James Gilbert
The Forgotten Sculptor, 1854–85

Namatjira Albertview full entry

Reference: see Battarbee and Namatjira by Martin Edmond [’Battarbee and Namatjira is the biography of two artists Rex Battarbee and Albert Namatjira, one white Australian from Warrnambool in Victoria, the other Aboriginal, of the Arrernte people, from the Hermannsburg Mission south of Alice Springs. From their first encounters in the early 1930s, when Battarbee introduced Namatjira to the techniques of water-colour painting, through the period of Namatjira’s popularity as a painter, to the tragic circumstances leading to his death in 1959, their close relationship was to have a decisive impact on Australian art. This biography, illustrated with photographs, makes extensive use of Battarbee’s diaries for the first time, to throw new light on Namatjira’s life, and to bring Battarbee, who has been largely ignored by biographers, back into focus. Some of its findings will be controversial. By moving between the artists and their backgrounds, and looking closely at the nature of their friendship, Edmond is able to portray the personal and social complexities the two men faced, while at the same time illuminating larger cultural themes – the treatment of the Arrernte and Indigenous people generally, the influence of the Lutheran church, the development of anthropology, and the evolution of Australian art.
Find out more by watching Martin Edmund's short video series on Albert Namatjira's early work, Rex Battarbee, and Albert Namatjira.’]
Publishing details: Giramondo Publishing Co.,
Paperback – 368 pages

Battarbee Rexview full entry

Reference: see Battarbee and Namatjira by Martin Edmond [’Battarbee and Namatjira is the biography of two artists Rex Battarbee and Albert Namatjira, one white Australian from Warrnambool in Victoria, the other Aboriginal, of the Arrernte people, from the Hermannsburg Mission south of Alice Springs. From their first encounters in the early 1930s, when Battarbee introduced Namatjira to the techniques of water-colour painting, through the period of Namatjira’s popularity as a painter, to the tragic circumstances leading to his death in 1959, their close relationship was to have a decisive impact on Australian art. This biography, illustrated with photographs, makes extensive use of Battarbee’s diaries for the first time, to throw new light on Namatjira’s life, and to bring Battarbee, who has been largely ignored by biographers, back into focus. Some of its findings will be controversial. By moving between the artists and their backgrounds, and looking closely at the nature of their friendship, Edmond is able to portray the personal and social complexities the two men faced, while at the same time illuminating larger cultural themes – the treatment of the Arrernte and Indigenous people generally, the influence of the Lutheran church, the development of anthropology, and the evolution of Australian art.
Find out more by watching Martin Edmund's short video series on Albert Namatjira's early work, Rex Battarbee, and Albert Namatjira.’]
Publishing details: Giramondo Publishing Co., 2015,
Paperback – 368 pages

Awakening: Four Lives in Artview full entry

Reference: Awakening: Four Lives in Art, by Eileen Chanin and Steven Miller. [’Ibsen's A Doll's House opened in Melbourne on 14 September 1889. The slam of the door as Nora left her husband echoed in the minds of thousands of young Australian women. This book is about four of these women, each of whom became an international pioneer in the arts. Dora Ohlfsen and her lover Countess Helena Kuelgegen were found gassed in their Rome apartment in 1948. Dora was a celebrated sculptor who, with the support of Mussolini, became the only non-Italian entrusted with a national war memorial. Louise Hanson-Dyer, through her Paris-based company Les Editions de L'Oiseau-Lyre, laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. Mary Cecil Allen fled the security of Melbourne establishment for a bohemian life in New York. Her books on contemporary art became standard texts. Clarice Zander became the first press officer for the Royal Academy, curated the most important exhibition of contemporary British art held in Australia (1933), and pioneered the modern marketing of art. The experiences common to these four women make this book a portrait of an age. It is based entirely on new research and on primary material only recently available.’]
Publishing details: Wakefield Press, 2015, Paperback, 256 pages, 32 pages of colour photos

Ohlfsen Doraview full entry

Reference: see Awakening: Four Lives in Art, by Eileen Chanin and Steven Miller. [’Ibsen's A Doll's House opened in Melbourne on 14 September 1889. The slam of the door as Nora left her husband echoed in the minds of thousands of young Australian women. This book is about four of these women, each of whom became an international pioneer in the arts. Dora Ohlfsen and her lover Countess Helena Kuelgegen were found gassed in their Rome apartment in 1948. Dora was a celebrated sculptor who, with the support of Mussolini, became the only non-Italian entrusted with a national war memorial. Louise Hanson-Dyer, through her Paris-based company Les Editions de L'Oiseau-Lyre, laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. Mary Cecil Allen fled the security of Melbourne establishment for a bohemian life in New York. Her books on contemporary art became standard texts. Clarice Zander became the first press officer for the Royal Academy, curated the most important exhibition of contemporary British art held in Australia (1933), and pioneered the modern marketing of art. The experiences common to these four women make this book a portrait of an age. It is based entirely on new research and on primary material only recently available.’]
Publishing details: Wakefield Press, 2015, Paperback, 256 pages, 32 pages of colour photos

Zander Clariceview full entry

Reference: see Awakening: Four Lives in Art, by Eileen Chanin and Steven Miller. [’Ibsen's A Doll's House opened in Melbourne on 14 September 1889. The slam of the door as Nora left her husband echoed in the minds of thousands of young Australian women. This book is about four of these women, each of whom became an international pioneer in the arts. Dora Ohlfsen and her lover Countess Helena Kuelgegen were found gassed in their Rome apartment in 1948. Dora was a celebrated sculptor who, with the support of Mussolini, became the only non-Italian entrusted with a national war memorial. Louise Hanson-Dyer, through her Paris-based company Les Editions de L'Oiseau-Lyre, laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. Mary Cecil Allen fled the security of Melbourne establishment for a bohemian life in New York. Her books on contemporary art became standard texts. Clarice Zander became the first press officer for the Royal Academy, curated the most important exhibition of contemporary British art held in Australia (1933), and pioneered the modern marketing of art. The experiences common to these four women make this book a portrait of an age. It is based entirely on new research and on primary material only recently available.’]
Publishing details: Wakefield Press, 2015, Paperback, 256 pages, 32 pages of colour photos

Kuelgegen Countess Helena view full entry

Reference: see Awakening: Four Lives in Art, by Eileen Chanin and Steven Miller. [’Ibsen's A Doll's House opened in Melbourne on 14 September 1889. The slam of the door as Nora left her husband echoed in the minds of thousands of young Australian women. This book is about four of these women, each of whom became an international pioneer in the arts. Dora Ohlfsen and her lover Countess Helena Kuelgegen were found gassed in their Rome apartment in 1948. Dora was a celebrated sculptor who, with the support of Mussolini, became the only non-Italian entrusted with a national war memorial. Louise Hanson-Dyer, through her Paris-based company Les Editions de L'Oiseau-Lyre, laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. Mary Cecil Allen fled the security of Melbourne establishment for a bohemian life in New York. Her books on contemporary art became standard texts. Clarice Zander became the first press officer for the Royal Academy, curated the most important exhibition of contemporary British art held in Australia (1933), and pioneered the modern marketing of art. The experiences common to these four women make this book a portrait of an age. It is based entirely on new research and on primary material only recently available.’]
Publishing details: Wakefield Press, 2015, Paperback, 256 pages, 32 pages of colour photos

Hanson-Dyer Louise view full entry

Reference: see Awakening: Four Lives in Art, by Eileen Chanin and Steven Miller. [’Ibsen's A Doll's House opened in Melbourne on 14 September 1889. The slam of the door as Nora left her husband echoed in the minds of thousands of young Australian women. This book is about four of these women, each of whom became an international pioneer in the arts. Dora Ohlfsen and her lover Countess Helena Kuelgegen were found gassed in their Rome apartment in 1948. Dora was a celebrated sculptor who, with the support of Mussolini, became the only non-Italian entrusted with a national war memorial. Louise Hanson-Dyer, through her Paris-based company Les Editions de L'Oiseau-Lyre, laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. Mary Cecil Allen fled the security of Melbourne establishment for a bohemian life in New York. Her books on contemporary art became standard texts. Clarice Zander became the first press officer for the Royal Academy, curated the most important exhibition of contemporary British art held in Australia (1933), and pioneered the modern marketing of art. The experiences common to these four women make this book a portrait of an age. It is based entirely on new research and on primary material only recently available.’]
Publishing details: Wakefield Press, 2015, Paperback, 256 pages, 32 pages of colour photos

Allen Mary Cecil view full entry

Reference: see Awakening: Four Lives in Art, by Eileen Chanin and Steven Miller. [’Ibsen's A Doll's House opened in Melbourne on 14 September 1889. The slam of the door as Nora left her husband echoed in the minds of thousands of young Australian women. This book is about four of these women, each of whom became an international pioneer in the arts. Dora Ohlfsen and her lover Countess Helena Kuelgegen were found gassed in their Rome apartment in 1948. Dora was a celebrated sculptor who, with the support of Mussolini, became the only non-Italian entrusted with a national war memorial. Louise Hanson-Dyer, through her Paris-based company Les Editions de L'Oiseau-Lyre, laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. Mary Cecil Allen fled the security of Melbourne establishment for a bohemian life in New York. Her books on contemporary art became standard texts. Clarice Zander became the first press officer for the Royal Academy, curated the most important exhibition of contemporary British art held in Australia (1933), and pioneered the modern marketing of art. The experiences common to these four women make this book a portrait of an age. It is based entirely on new research and on primary material only recently available.’]
Publishing details: Wakefield Press, 2015, Paperback, 256 pages, 32 pages of colour photos

Collection of Caressa Crouch & Carl Gonsalvesview full entry

Reference: Mossgreen Auction Sunday 22 Feburary 2:30pm, 2015
Publishing details: 2015

Australian scrimshawview full entry

Reference: see Collection of Caressa Crouch & Carl Gonsalves - Mossgreen Auction Sunday 22 Feburary 2:30pm, 2015.
Publishing details: 2015

Victorian Exhibitionsview full entry

Reference: from Geelong Advertiser 8 August 1861, p2.: Applications for space in tho Victorian Exhibitions have been made by the following residents in this neighborhood... Henry Meakin, jun, chalk drawings.
Mrs Davitt, portrait of the Queen, Henry
Jones, flower-stand... Henry
Cripps, perambulators. The following have
promised contributions, but have not yet applied for space Swanston and Willis, wool
and wine. Mr Keeble, stuffed birds. Mr
Clarkson, seeds. Bayldou and Graham, wool, horns, bones, tallow, soap and candles. Mr Nash, sculpture in Geelong freestone. J. O'Kain, tinsmith's work.

Rowan Ellis butterfliesview full entry

Reference: At Dreweatts & Bloomsbury Auction
March 25, 2015, lot 155 - Estimated Price: £800 - £1,200
Description: A pair, w atercolour with bodycolour, on grey paper Each signed Ellis Rowan lower left Circa 1900 Each c.57 x 39 cm. (22 1/2 x 15 1/4 in), (2) Provenance: Ex-collection of Blanche (Bli) Ryan, the artist's sister, and thence by descent to Merlin Montagu Douglas Scott; Sale. Christie's London, 16th May, 1995, (part of lot 210); Sale. Christie's London, 25th September, 2008, Exploration and Travel (part of lot 57); where purchased by Mallett (cost price: £8,339). Thirty-three butterflies, in four columns, belonging to the PAPILIONIDAE e.g. Atrophaneura polydorus (1,2), Graphium wallacei (3,4), G. aristeus (5,6), G. agamemnon (10,11), G. macfarlanei (17,18), G. eurypylus (25,26), G. sarpedon (27,28), and Papilio aegeus female form 'polydorina' (8,9), NYMPHALIDAE subfamily DANAINAE e.g. Danaus affinis philene (23,24), Tirumala hamata (12,13), Parantica schenkii (16), Euploea treitschkei (19-22), and E. leucostictos (29,30), and NYMPHALIDAE subfamily SATYRINAE e.g. Mycalesis duponcheli (31,32) Thirty-one butterflies, in four columns, all belonging to the family NYMPHALIDAE, including members of subfamily LIMENITINAE (Euthaliopsis aetion 2-6; Dichorragia ninus 17,18; Terinos tethys 31), CHARAXINAE (Prothoe australis 25,26,29,30 -- cf. lot 45; Polyura jupiter 27,28), APATURINAE (Apaturina erminea 9,10), and NYMPHALINAE (Hypolimnas alimena 1,2; Doleschallia noorna 7,8,23,24; D. dascylus 11-15,19,20; D. hexopthalmos 21,22). Marian Ellis Rowan (1847 - 1922) was an Australian naturalist and well known illustrator. Marian, was born at Killam to Charles and Marian Ryan. She was educated in Melbourne, and married Captain Charles Rowan in 1873. Rowan had been stationed in New Zealand during the wars which came to an end in 1872. He was particularly interested in botany and he encouraged her enthusiasm for painting and recording wild flowers and fauna. Marian had no formal training, however having worked consistently to a high level, her works are highly regarded both artistically and botanically notable for their informative detailed quality. It wasn't until 1916 that she travelled to New Guinea, which is almost certainly when the present series of watercolours were painted. The 1916 trip was the first of several visits during which she produced a huge volume of illustrations. It was during these visits to New Guinea that she contracted Malaria. Marian spent her last days of an extraordinary life back in Australia where she passed away 4th October 1922.

Lever Richard Hayleyview full entry

Reference: see lot 144, Stair Galleries
March 14, 2015, 11:00 AM EST
Hudson, NY, USA - Estimated Price: $300 - $500
Description: RICHARD HAYLEY LEVER (1876-1958): SELF PORTRAIT
Pencil on thin wove paper, 1905, signed with initials 'HL' upper left, dated and inscribed 'S.S. China/Australia to England', with label from Clayton-Liberatore Art Gallery, Bridgehampton, NY. 7 1/2 x 4 in. (sheet).

Note: Australian artist Hayley Lever moved to England in 1899 to pursue his career in the Fine Arts. In 1905, Lever returned to Australia where he painted landscapes and taught at an art academy for a short period. This drawing was made on the voyage back to St. Ives on the Cornish coast, where he married Aida Smith Gale. The image appears to be a self-portrait of Lever as it closely resembles the artist's features and the way he wore his moustache. Below the inscription are several erased words, one of which is 'Love'. Perhaps Lever drew this self-portrait with the intention of mailing it to his soon-to-be wife.

Muir Michaelview full entry

Reference: at Martin Browne Contemporary Gallery: Michael Muir is represented in both public and private collections throughout Australia including Artbank, Harbour City Estates Hong Kong, Maquarie Group, Mosman Municipal Council and the Muswellbrook Regional Arts Centre and Wollongong Regional Gallery.  He has won The Mosman Art Prize and been included in numerous major art awards including the Wynne Prize, Sulman Prize, NSW Parliament Plein Air Prize, Metro Art Award and the Fleurieu Art Prize.

Ivanyi Belaview full entry

Reference: Exhibition invite at Artarmon Galleries March-April 2015, paintings 2000-2015 by Bela Ivanyi. 11 colour reproductions
Publishing details: Artarmon Galleries , 2015, 4pp
Ref: 222

Woodward Robert Strong view full entry

Reference: RoGallery.com auction lot 465, Long Island City, New York. Date: Mar 26 2015.
Start Price$2000. Australian Landscape (Camp Darley, Victoria)
Year: 1942
Medium: Watercolor on paper, signed l.l.
Size: 14.5 in. x 19 in. (36.83 cm x 48.26 cm)
Frame Size: 21 x 25 inches. Possibly an American serviceman painting in Australia WW2.

Zuliani Guido b 1927view full entry

Reference: At Raffan Kelaher & Thomas, Platinum House, March 31, 2015, Sydney, Australia - Description: GUIDO ZULIANI (born 1927) 'YORK STREET, SYDNEY' Oil on board. Signed lower left. 29 x 37cm. (label verso) (Ref: Anne Reynolds , IHS Journal 2002)

Zuliani Guido b 1927view full entry

Reference: GUIDO ZULIANI, an artist between two worlds.
This documentary made in cooperation of the very well known journalist and writer Pino Bosi, took almost a year to make. Finally the two versions (Italian/English) are completed. The production, entirely digital, give a very good account of the life and the artistic career of Guido Zuliani. Franco Baldi Productions

Zuliani Guido b 1927view full entry

Reference: see Italian Art in Sydney - Guido Zuliani and Peter Melocco - Two interwoven stories of Emigration and Enterprise by Anne Reynolds , IHS Journal 2002). Zuliani had studios in Norton Street, Leichhardt.
Publishing details: photocopy,2002, 6pp with illustrations.
Ref: 133

Peter Melocco view full entry

Reference: see Zuliani Guido b 1927 in Italian Art in Sydney - Guido Zuliani and Peter Melocco - Two interwoven stories of Emigration and Enterprise by Anne Reynolds , IHS Journal 2002). Zuliani had studios in Norton Street, Leichhardt.
Publishing details: photocopy,2002, 6pp with illustrations.

Dixon Garth 1924-2015view full entry

Reference: Sydney Morning Herald obituarry March 14-15 2015 p40.
Ref: 133

Stokes Constanceview full entry

Reference: Constance Stokes - Art & Life, by Lucilla Wyborn d’Abrera. [’Constance Stokes might arguably be described as perhaps the most joyful but paradoxically neglected of the great Australian artists who were alive between and after the wars.
Constance Stokes: Art & Life, researched and written by her daughter Lucilla Wyborn d’Abrera, is the first serious book to be published devoted exclusively to the life and works of Constance Stokes. Also included are two major essays by renowned art historians and authors, Dr. Jane Clark and Felicity St. John Moore. The Foreword is engagingly written in her inimitable style by the author/journalist, Anne Summers.

Constance Stokes (1906-1991) was one of Australia’s truly great artists, first trained at the National Gallery School of Victoria. In 1931 she won the Travelling Scholarship to the Royal Academy in London, where she perfected her draughtsmanship in the European classical style. Later she went to Paris to work with the renowned Cubist and master of colour, Andre Lhote. She is represented in most major galleries in Australia, and her works are keenly sought after by private collectors and galleries throughout Australia and in Europe.’]
Publishing details: Hill House Publishers , 2015, 234 pages, full colour throughout
Dimensions 315 x 260 cm.
Laminated dust jacked, hard cover and square back binding.

Hoddle Robertview full entry

Reference: see Sotheby’s Australia, auction, Melbourne, 1 April, 2015, lots 369, 370 (Moonee Ponds, c1847), with brief biography

Dyson Willview full entry

Reference: see Awakening: Four Lives in Art, by Eileen Chanin and Steven Miller. [’Ibsen's A Doll's House opened in Melbourne on 14 September 1889. The slam of the door as Nora left her husband echoed in the minds of thousands of young Australian women. This book is about four of these women, each of whom became an international pioneer in the arts. Dora Ohlfsen and her lover Countess Helena Kuelgegen were found gassed in their Rome apartment in 1948. Dora was a celebrated sculptor who, with the support of Mussolini, became the only non-Italian entrusted with a national war memorial. Louise Hanson-Dyer, through her Paris-based company Les Editions de L'Oiseau-Lyre, laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. Mary Cecil Allen fled the security of Melbourne establishment for a bohemian life in New York. Her books on contemporary art became standard texts. Clarice Zander became the first press officer for the Royal Academy, curated the most important exhibition of contemporary British art held in Australia (1933), and pioneered the modern marketing of art. The experiences common to these four women make this book a portrait of an age. It is based entirely on new research and on primary material only recently available.’]
Publishing details: Wakefield Press, 2015, Paperback, 256 pages, 32 pages of colour photos

Dyer Louiseview full entry

Reference: see Awakening: Four Lives in Art, by Eileen Chanin and Steven Miller. [’Ibsen's A Doll's House opened in Melbourne on 14 September 1889. The slam of the door as Nora left her husband echoed in the minds of thousands of young Australian women. This book is about four of these women, each of whom became an international pioneer in the arts. Dora Ohlfsen and her lover Countess Helena Kuelgegen were found gassed in their Rome apartment in 1948. Dora was a celebrated sculptor who, with the support of Mussolini, became the only non-Italian entrusted with a national war memorial. Louise Hanson-Dyer, through her Paris-based company Les Editions de L'Oiseau-Lyre, laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. Mary Cecil Allen fled the security of Melbourne establishment for a bohemian life in New York. Her books on contemporary art became standard texts. Clarice Zander became the first press officer for the Royal Academy, curated the most important exhibition of contemporary British art held in Australia (1933), and pioneered the modern marketing of art. The experiences common to these four women make this book a portrait of an age. It is based entirely on new research and on primary material only recently available.’]
Publishing details: Wakefield Press, 2015, Paperback, 256 pages, 32 pages of colour photos

Lamb Henryview full entry

Reference: see Awakening: Four Lives in Art, by Eileen Chanin and Steven Miller. [’Ibsen's A Doll's House opened in Melbourne on 14 September 1889. The slam of the door as Nora left her husband echoed in the minds of thousands of young Australian women. This book is about four of these women, each of whom became an international pioneer in the arts. Dora Ohlfsen and her lover Countess Helena Kuelgegen were found gassed in their Rome apartment in 1948. Dora was a celebrated sculptor who, with the support of Mussolini, became the only non-Italian entrusted with a national war memorial. Louise Hanson-Dyer, through her Paris-based company Les Editions de L'Oiseau-Lyre, laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. Mary Cecil Allen fled the security of Melbourne establishment for a bohemian life in New York. Her books on contemporary art became standard texts. Clarice Zander became the first press officer for the Royal Academy, curated the most important exhibition of contemporary British art held in Australia (1933), and pioneered the modern marketing of art. The experiences common to these four women make this book a portrait of an age. It is based entirely on new research and on primary material only recently available.’]
Publishing details: Wakefield Press, 2015, Paperback, 256 pages, 32 pages of colour photos

Lees Derwentview full entry

Reference: see Awakening: Four Lives in Art, by Eileen Chanin and Steven Miller. [’Ibsen's A Doll's House opened in Melbourne on 14 September 1889. The slam of the door as Nora left her husband echoed in the minds of thousands of young Australian women. This book is about four of these women, each of whom became an international pioneer in the arts. Dora Ohlfsen and her lover Countess Helena Kuelgegen were found gassed in their Rome apartment in 1948. Dora was a celebrated sculptor who, with the support of Mussolini, became the only non-Italian entrusted with a national war memorial. Louise Hanson-Dyer, through her Paris-based company Les Editions de L'Oiseau-Lyre, laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. Mary Cecil Allen fled the security of Melbourne establishment for a bohemian life in New York. Her books on contemporary art became standard texts. Clarice Zander became the first press officer for the Royal Academy, curated the most important exhibition of contemporary British art held in Australia (1933), and pioneered the modern marketing of art. The experiences common to these four women make this book a portrait of an age. It is based entirely on new research and on primary material only recently available.’]
Publishing details: Wakefield Press, 2015, Paperback, 256 pages, 32 pages of colour photos

Meldrum Maxview full entry

Reference: see Awakening: Four Lives in Art, by Eileen Chanin and Steven Miller. [’Ibsen's A Doll's House opened in Melbourne on 14 September 1889. The slam of the door as Nora left her husband echoed in the minds of thousands of young Australian women. This book is about four of these women, each of whom became an international pioneer in the arts. Dora Ohlfsen and her lover Countess Helena Kuelgegen were found gassed in their Rome apartment in 1948. Dora was a celebrated sculptor who, with the support of Mussolini, became the only non-Italian entrusted with a national war memorial. Louise Hanson-Dyer, through her Paris-based company Les Editions de L'Oiseau-Lyre, laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. Mary Cecil Allen fled the security of Melbourne establishment for a bohemian life in New York. Her books on contemporary art became standard texts. Clarice Zander became the first press officer for the Royal Academy, curated the most important exhibition of contemporary British art held in Australia (1933), and pioneered the modern marketing of art. The experiences common to these four women make this book a portrait of an age. It is based entirely on new research and on primary material only recently available.’]
Publishing details: Wakefield Press, 2015, Paperback, 256 pages, 32 pages of colour photos

Spowers Ethel p 98, 135, 151view full entry

Reference: see Awakening: Four Lives in Art, by Eileen Chanin and Steven Miller. [’Ibsen's A Doll's House opened in Melbourne on 14 September 1889. The slam of the door as Nora left her husband echoed in the minds of thousands of young Australian women. This book is about four of these women, each of whom became an international pioneer in the arts. Dora Ohlfsen and her lover Countess Helena Kuelgegen were found gassed in their Rome apartment in 1948. Dora was a celebrated sculptor who, with the support of Mussolini, became the only non-Italian entrusted with a national war memorial. Louise Hanson-Dyer, through her Paris-based company Les Editions de L'Oiseau-Lyre, laid the foundations of the modern early music revival and helped shape the notion of 'authenticity' in musical performance. Mary Cecil Allen fled the security of Melbourne establishment for a bohemian life in New York. Her books on contemporary art became standard texts. Clarice Zander became the first press officer for the Royal Academy, curated the most important exhibition of contemporary British art held in Australia (1933), and pioneered the modern marketing of art. The experiences common to these four women make this book a portrait of an age. It is based entirely on new research and on primary material only recently available.’]
Publishing details: Wakefield Press, 2015, Paperback, 256 pages, 32 pages of colour photos

Boardman Amberview full entry

Reference: Amber Boardman - exhibition catalogue at Chalk Horse Lower Ground 171 William Street, Darlinghurst, Sydney, New South Wales 2010, Australia, March 2015.

Biography:

AMBER BOARDMAN
Born 1981, Portland, Maine, USA
Lives and works in Sydney, Australia

SOLO EXHIBITIONS
2015Permission, Chalk Horse Gallery, Sydney Australia2011FAV (Flute and Video), presented by Flux Projects, various locations, Atlanta, GA STILL, Marcia Wood Gallery, Atlanta, GA2010A Sampling, Emerging Space, Millsaps College, Jackson, MS2004Painting, Drawing, and Animation, Barbara Archer Gallery, Atlanta, GA
 SELECTED GROUP EXHIBITIONS
2015
2014Art Month Sydney, Creative Live Work Space, Sydney Australia
Ingenious Inhabitants, 111 William Street, Sydney Australia Summer Studio Salon, Marcia Wood Gallery, Atlanta GA Steal This Bike, Mint Gallery, Atlanta GA2013The Wagner Experience, Koblenz, Duisburg, Arnhem, Utrecht, Amsterdam, Rotterdam2012FLUX, Public Art Exhibition presented by Flux Projects, Atlanta, GA2011Everyday Charms, O Cinema, Miami, FL Paint it Black, The Shirey, Brooklyn, NY Prettier Than Everything, Fountain Art Fair, Miami, FL New Media from the Permanent Collection, The Museum of Contemporary Art of Georgia, Atlanta, GA Animation Block Party, BAM, Brooklyn, NY2010BAM Next Wave Festival, curated by Dan Cameron, Brooklyn, NY Portrait Concert with Masanori Oishi, Tokyo, Japan On the Outside, with AURA Contemporary Ensemble, San Jacinto College, Houston, TX Concert with Sonic Generator, Georgia Tech University, Atlanta, GA Visual Mischief, The Front, New Orleans, LA The Body Machine, High Museum of Art, Atlanta, GA Losing Yourself in the 21st Century, Maryland Art Place, Baltimore, MD2009Losing Yourself in the 21st Century, Georgia State University, Atlanta, GA A New Currency, curated by Dan Cameron, 55 Delancey St, New York, NY Cardsharper, curated by Lauren Ross, Visual Arts Gallery, New York, NY About Time, Visual Arts Gallery, New York, NY Summer Guest House, Marcia Wood Gallery, Atlanta, GA My Eyes, Ad Naseam Lyceum, New York, NY2008This Just In, Marcia Wood Gallery, Atlanta, GA2007Year 07, London Art Fair, London UK ArtNow, Miami Art Fair, Miami, FL Flow, Miami Art Fair, Miami, FL Click/Shift/Enter, Marcia Wood Gallery, Atlanta, GA Atlanta Biennial, curated by Stuart Horodner, Atlanta Contemporary Art Center, Atlanta, GA 2004Going Up, Sundial, Curated by Fifth Class, Atlanta, GA2003Atlanta Film Festival, Rialto Center for the Performing Arts, Atlanta, GA2002all small video night: Short Short Shorts, Eyedrum, Atlanta, GA Fresh, Curated by Fifth Class, Atlanta, GA
 GRANTS, AWARDS AND RESIDENCIES
2015
2014Australian Postgraduate Award, University of New South Wales, Sydney Australia
Visual Arts Grant, Joan Sutherland Fund, Australia America Association, New York NY William St Creative Tenancy Residency, Sydney, Australia2013Creative Capital – On Our Radar Artspace Residency, Sydney Australia 2012Creative Capital Grant Semi-Finalist, New York, NY Flux Projects grant, Atlanta, GA2011Creative Capital Grant Semi-Finalist, New York, NY Flux Projects grant, Atlanta, GA2010Flux Projects grant for Visual Concert as part of FLUX 2010, Atlanta, GA2009Rema Hort Mann Foundation Grant Nominee. New York, NY2007Most Provocative, Atlanta Biennial, Atlanta Contemporary Art Center, Atlanta, GA2002The Utrecht Fine Art Award, Georgia State University, Atlanta, GA
 BIBLIOGRAPHY
Russell, Stephen A, “Making the most of an arts residency”, ARTS HUB. 23 December 2013
Michaud, Debbie “Was this Flux’s Best Year Yet?” CREATIVE LOAFING. 11 October 2012
Fox, Catherine "Flux Night 2012 Finds Risks and Rewards in a Perch on The Cutting Edge" ARTSATL.COM. 11, October, 2012.
Kusnecov, Saskia “ Eye on...Amber Boardman” DAILY TARGUM 7 December 2011
Tracy, Liz. “Everyday Charms Shows the Magical Lives of Female Artists” NEW TIMES MIAMI. 01, December, 2011.
Ruhe, Pierre. “Painting on video and music from a Gameboy: ‘FAV’ opens this week” ARTSCRITICATL.COM. 06, July, 2011.
Ruhe, Pierre. “Exciting new music from Sonic Generator and NYC composer Nathan Davis at Eyedrum” ARTSCRITICATL.COM. 10, October, 2010.
Momberg, Felipe Barral, “Flux 2010”, THE G CHANNEL, 7, October, 2010.
Fox, Catherine, “FLUX 2010, a one-night triumph of art, spectacle and amusement” ARTSCRITICATL.COM. 2, October, 2010.
Arbes, Max, “Amber Boardman – Flux 2010” AM 1690, 1, October, 2010.
McLaughlin, Lacey, “Person of the Day: Amber Boardman” JACKSON FREE PRESS. 2, September, 2010
Ruhe, Pierre. “Fall classical season covers the metro terrain” ATLANTA JOURNAL-CONSTITUTION,12, August 2010
Ruhe, Pierre. “Sonic Generator and JacobTV get an enchanting new video by Amber Boardman” ARTSCRITICATL.COM. 1, April, 2010
Fox, Catherine. “Art in 60 seconds: A conversation with video artist Amber Boardman” ARTSCRITICATL.COM. 17, February 2010
Momberg, Felipe Barral, The Body Machine by Sonic Generator, THE G CHANNEL, April 8, 2010
Potter, Rebekah “Interview with Amber Boardman" 10MIN4WALLS, 28, February, 2010
Hall, Tom "Art and The Self in the Age of Digital Reproduction", WYPR MARYLAND RADIO 2, February 2010
Cullum, Jerry. “Cartoonish Take on the Renaissance.” ATLANTA JOURNAL-CONSTITUTION,18 April 2004

TEACHING, LECTURES AND WORKSHOPS
2015Lecturer, School of Art & Design, University of New South Wales, Sydney, Australia2014 - 2015Lecturer, University of Technology, Sydney, Australia2013 - 2015Lecturer, SAE Creative Media Institute, Sydney, Australia2010 - 2012Lecturer, Rutgers University, New Brunswick, NJ2011Lecturer, Women on the Rise Program , MOCA, North Miami Lecturer, Pratt Institute, Brooklyn, NY Artist Mentor, Leap Year Program, Atlanta, GA2010Lecturer, Georgia State University, Atlanta, GA2009Lecturer, Atlanta Celebrates Photography, Atlanta, GA2004 - 2006Instructor, Callanwolde Fine Art Center, Atlanta, GA2003 - 2004Instructor, The Paidea School, Atlanta, GA
 MEDIA PRODUCTION
2009 - 2012Animator, Google Inc. New York, NY, Mountain View, CA, Washington, DC2008Animator, Sound Designer for artist, Peter Coffin, New York, NY2006Animation Coordinator, Freak Show, Comedy Central (Radical Axis), Atlanta, GA, New York, NY2005 - 2006Animator, Squidbillies [adult swim], Cartoon Network (Radical Axis), Atlanta, GA
EDUCATION
2009MFA, Fine Art, School of Visual Arts, New York, NY2003BFA, Studio Art, Georgia State University, Atlanta, GA
Publishing details: Chalk Horse , 2015, 4 page catalogue and price list with 19 exhibits.
Ref: 222

Catalogue of the second interchange loan collections of oil paintings and water-colour drawings exhibited in the Sydney, Melbourne and Adelaide Galleriesview full entry

Reference: Catalogue of the second interchange loan collections of oil paintings and water-colour drawings exhibited in the Sydney, Melbourne and Adelaide Galleries ... 1896.
Published (imprint): Syd., 1896.

Publishing details: National Art Gallery of New South Wales, 1896, Description: 76 p. : illus.
Ref: 1000

Sydney in Colourview full entry

Reference: Sydney in Colour
Publishing details: Sydney Morning Herald, 1938, [12] leaves : chiefly col. ill. ; 19 cm.
Ref: 1000

Lack H Walterview full entry

Reference: Recording colour in late eighteenth century botanical drawings : Sydney Parkinson, Ferdinand Bauer and Thaddaus Haenke by H. Walter Lack and Victoria Ibanez. Subjects:
Bauer, Ferdinand, 1760-1826.
Parkinson, Sydney, 1745?-1771.
Haenke, Taddeas, 1761-1817.

Publishing details: Oxford : Blackwell, 1997, p. 87-100 : ill., facsims. ; 23 cm.
Notes:
Photocopy.

Ref: 1000

Bauer Ferdinand 1760-1826.
view full entry

Reference: see Lack, H. Walter - Recording colour in late eighteenth century botanical drawings : Sydney Parkinson, Ferdinand Bauer and Thaddaus Haenke by H. Walter Lack and Victoria Ibanez. Subjects:
Bauer, Ferdinand, 1760-1826.
Parkinson, Sydney, 1745?-1771.
Haenke, Taddeas, 1761-1817.

Publishing details: Oxford : Blackwell, 1997, p. 87-100 : ill., facsims. ; 23 cm.
Notes:
Photocopy.

Parkinson Sydney 1745?-1771.
view full entry

Reference: see Lack, H. Walter - Recording colour in late eighteenth century botanical drawings : Sydney Parkinson, Ferdinand Bauer and Thaddaus Haenke by H. Walter Lack and Victoria Ibanez. Subjects:
Bauer, Ferdinand, 1760-1826.
Parkinson, Sydney, 1745?-1771.
Haenke, Taddeas, 1761-1817.

Publishing details: Oxford : Blackwell, 1997, p. 87-100 : ill., facsims. ; 23 cm.
Notes:
Photocopy.

Haenke Taddeas 1761-1817.view full entry

Reference: see Lack, H. Walter - Recording colour in late eighteenth century botanical drawings : Sydney Parkinson, Ferdinand Bauer and Thaddaus Haenke by H. Walter Lack and Victoria Ibanez. Subjects:
Bauer, Ferdinand, 1760-1826.
Parkinson, Sydney, 1745?-1771.
Haenke, Taddeas, 1761-1817.

Publishing details: Oxford : Blackwell, 1997, p. 87-100 : ill., facsims. ; 23 cm.
Notes:
Photocopy.

Arago Jacquesview full entry

Reference: From Hordern House catalogue March 2015: Signed watercolour, “Voyage de l’Uranie; Insectes pl. no. 15”.
Watercolour on sheet of laid paper, 245 x 195 mm., paper watermarked “Edmeads & Pine 1798”; modern mount. Circa 1820. Butterflies collected on the Uranie voyage. A sheet of butterfly watercolours by Jacques Arago, depicting specimens from “Ile de France” and “Nouvelle Hollande”.
Jacques Arago (1790-1855) joined the Freycinet expedition in 1817 and was not only the most accomplished of the artists who made the voyage, but was one of the most intriguing of all the early voyagers. He published a well-regarded account of the voy- age (1822), and wrote any number of different versions over the ensuing decades.
The sheet is prepared in the usual way by Arago, including the simple line border and the reference to what seems to be a plate number in the top margin. A plate depicting
$2450butterflies was included in the official “Zoologie” section of the official account of the Freycinet voyage (no. 83), but none of the insects on the present sheet are included on that plate. In fact, many of Arago’s watercolours of this genre, despite seeming to refer directly to a published plate, have no corresponding printed version. It is not easy to account for this, but it would seem that the numbering system is uniquely Arago’s own. Certainly the naturalists Quoy and Gaimard dwelt on the beauty and variety of the insects they gathered on the voyage (Zoologie, II, pp. 542-3).
The central point remains obvious, however: that is, that the insects depicted here, despite clearly figuring specimens collected on the Uranie voyage, were not published in the voyage account. The watercolours therefore take on even more significance.
$8750

Gill S Tview full entry

Reference: From Hordern House catalogue March 2015: [GILL, S.T. & George HAMILTON] MAY, E.C.
Set of Ten Lithographs.
Oblong octavo, ten tinted lithographic plates, slight marginal foxing but very good; pre- served in a modern blue quarter morocco box. Adelaide, E.S. Wigg & son, c., 1889.
16
Goldfields and outback views by Gill and Hamilton
Exceptionally rare: this complete suite of ten lithographs by S.T. Gill and George Hamilton includes five scenes of the goldfields and the outback by S. T. Gill and five studies of the Australian Bushman by George Hamilton. It represents the only re- corded works signed by E.C. May. The entry for May in J. Kerr, Dictionary of Australian Artists, records that he “signed nine lithographs celebrating life in the bush and on the goldfields”. Apart from the fact that we now know that he signed each of this set of ten prints, nothing else is known of his work. The Mitchell Library has nine of the ten in their collection.
George Hamilton settled in South Australia in 1839 where he exhibited in Adelaide’s first two art exhibitions. Five of his drawings were engraved for Eyre’s Journals of Dis- covery into Central Australia and, along with S.T. Gill, his drawings were used to illus- trate the published journals of Grey. He owned his own lithographic press and made prints from his drawings which made him, according to Robert Holden, probably the first print-maker in South Australia. In 1848 Hamilton was appointed second clerk in the Colonial Treasury, and subsequently served as Commissioner of Police from 1867 to 1882. He published three books illustrated by his own sketches.
Like his colleague Hamilton, S.T. Gill operated his own lithographic press and pro- duced high-quality prints in Melbourne. He was a very popular artist and was “one
of the most significant interpreters of Australian life in the colonial era” (Wantrup). He became particularly famous for his depictions of the goldfields, which he visited regularly, and his rendering of rural scenes - bushranging, kangaroo stalking, the bush mailman, cattle droving, etc. - often with a poignant comparison between the life of the Aborigines and that of the settlers.
$9850

Hamilton Georgeview full entry

Reference: From Hordern House catalogue March 2015: [GILL, S.T. & George HAMILTON] MAY, E.C.
Set of Ten Lithographs.
Oblong octavo, ten tinted lithographic plates, slight marginal foxing but very good; pre- served in a modern blue quarter morocco box. Adelaide, E.S. Wigg & son, c., 1889.
16
Goldfields and outback views by Gill and Hamilton
Exceptionally rare: this complete suite of ten lithographs by S.T. Gill and George Hamilton includes five scenes of the goldfields and the outback by S. T. Gill and five studies of the Australian Bushman by George Hamilton. It represents the only re- corded works signed by E.C. May. The entry for May in J. Kerr, Dictionary of Australian Artists, records that he “signed nine lithographs celebrating life in the bush and on the goldfields”. Apart from the fact that we now know that he signed each of this set of ten prints, nothing else is known of his work. The Mitchell Library has nine of the ten in their collection.
George Hamilton settled in South Australia in 1839 where he exhibited in Adelaide’s first two art exhibitions. Five of his drawings were engraved for Eyre’s Journals of Dis- covery into Central Australia and, along with S.T. Gill, his drawings were used to illus- trate the published journals of Grey. He owned his own lithographic press and made prints from his drawings which made him, according to Robert Holden, probably the first print-maker in South Australia. In 1848 Hamilton was appointed second clerk in the Colonial Treasury, and subsequently served as Commissioner of Police from 1867 to 1882. He published three books illustrated by his own sketches.
Like his colleague Hamilton, S.T. Gill operated his own lithographic press and pro- duced high-quality prints in Melbourne. He was a very popular artist and was “one
of the most significant interpreters of Australian life in the colonial era” (Wantrup). He became particularly famous for his depictions of the goldfields, which he visited regularly, and his rendering of rural scenes - bushranging, kangaroo stalking, the bush mailman, cattle droving, etc. - often with a poignant comparison between the life of the Aborigines and that of the settlers.
$9850

Lloyd Eview full entry

Reference: From Hordern House catalogue March 2015: LLOYD, E. - A Squatter. A Visit to the Antipodes. Octavo, lithograph frontispiece, vignettes on title and final page, some light foxing, old owner’s inscription; very good in the original blindstamped publisher’s red cloth, upper cover with gilt embossed kangaroo, a little faded. London, Smith, Elder, & Co., 1846.
With the interesting frontispiece
First edition. Lloyd gives a short history of South Australia and attempts to analyse the economic crisis which existed at the time of his visit, and to assess future pros- pects for settlers. He was in Adelaide during Sturt’s departure for Central Australia in 1844 and gives a colourful description of that event. The frontispiece is a marvellous depiction of “Poodna Williamy” or “William the Light-footed”, a South Australian Aborigine, after a sketch by Lloyd himself.

Pretre Jean Gabrielview full entry

Reference: From Hordern House catalogue March 2015: PRÊTRE, Jean Gabriel.
“Echelet picumne & Echelet grimpeur, mâle”.
Watercolour of two birds, 480 x 350 mm., on wove paper, signed (on the lower
branch) “J.G. Prêtre. 1824”, pencil annotations, some inoffensive spots and marks to
the verso; very good. Presumably Paris, circa 1824. 27
Two Australian treecreepers painted in Paris
Beautifully finished original watercol- our of a Brown Treecreeper (Climact- eris picumnus) and a White–throated Treecreeper (Cormobates leucophaea) by the prolific zoological artist Jean Gabriel Prêtre.
Prêtre (1768-1849) was a French artist who studied under the great Gerard van Spaendonck. He moved to Paris to work on the collections of Josephine at Malmaison, and also became associ- ated with the Muséum national d’histoire naturelle. In the early decades of the nineteenth century Prêtre moved in the first scientific circles in Paris, work- ing with key figures such as Audebert, Cuvier, Desmarest and de Blainville. Prêtre also worked on the natural history atlas published as part of the of- ficial account of the Freycinet voyage.
This study of two Australian treecreepers was later turned into plate 281 of Tem- minck’s Nouveau recueil de planches coloriées d’oiseaux... (Paris, 1820–1839). Tem- minck’s lavishly illustrated work was issued in 102 parts between 1820–1839 as a kind of continuation to Buffon’s Histoire naturelle des oiseaux (1770–1786). In total the published work contained some 600 engraved plates, figuring around 800 birds (many two to a plate, as here). The two central artists in the publication were Nicolas Huet and Prêtre, and the finished publication is considered “the most monumental work of the post–Napoleonic period” (Balis). Nonetheless, it is noticeable that compared to this original watercolour the published sketch has lost some of the fineness of detail, making this an exceptionally important survival.
It is very likely that the birds depicted by Prêtre were in fact collected by the scientists of the Freycinet voyage, but there is nothing in Temminck’s book which explicitly confirms this hypothesis.
$12,500

Prinsep Mrs Augustus and Captain Thomas view full entry

Reference: From Hordern House catalogue March 2015: PRINSEP, Mrs Augustus and Captain Thomas PRINSEP.
Illustrations to Prinsep’s Journal of a Voyage [from Calcutta to Van Diemen’s Land]
Complete set in fine original condition, comprising: Text, duodecimo, folding map, very good in the original cloth with paper label to front, the label rather worn; and Views, two parts quarto, the fine India paper issue of the ten views, the eleventh plate the en-graved plan of Hobart, folding plate a little creased at the folds, but generally very good indeed in the original illustrated titling-wrappers. One of the scarcer Australian view-books and a famous Tasmanian rarity. This is a most attractive set, with the text in the original green cloth, and the accompanying plates in the finer India paper issue and retaining the original titling wrappers.
“Mr and Mrs Augustus Prinsep were members of a large English merchant family living in Calcutta. After an extended visit to Van Diemen’s Land between 1829 and 1830 Augustus Prinsep died unexpectedly. Mrs Prinsep published a short account of their travels under the title The Journal of a Voyage from Calcutta to Van Diemen’s Land in London in 1833 as a memorial of their last trip together. In a note at the end of that slim duodecimo volume she advised that a set of illustrations to the voyage would be published if there was any public interest. Clearly there was, since that same year a set of ten fine lithographs was issued in two parts, quarto, to accompany the text. The illustrations are after her own sketches and others made by Captain Thomas Prinsep, her brother-in-law. Seven of the plates are of Van Diemen’s Land and three are of Penang and Angir” (Australian Rare Books). Ferguson, 1695 (Text) and 1696 (Views); Wantrup, 231b.

another copy:

see PRINSEP, Augustus, Elizabeth, and Captain Thomas Prinsep. THE JOURNAL OF A VOYAGE FROM CALCUTTA TO VAN DIEMEN’S LAND: Comprising a Description of that Colony during a Six Months’ Residence. From Original Letters, Selected by Mrs. A. Prinsep. [together with] No. 1 [-2]. ILLUSTRATIONS TO PRINSEP’S JOURNAL of a Voyage from Calcutta to Van Diemen’s Land. From Original Sketches taken during the years 1829 and 1830. One volume, octavo (text), and two parts, quarto (Illustrations), with a folding frontispiece map in the text volume, and ten plain lithographed plates (one folding, neatly sealed tear at one fold), and lithographed plan of Hobart in the Illustrations parts; the text bound without the terminal leaf of advertisements in later half plum calf and tan cloth boards, marbled edges and endpapers; the two parts of the Illustrations stab-sewn in the original titling-wrappers, preserved in matching cloth folders. London, Smith, Elder and Co., 1833. Rare: one of the earliest Tasmanian view books. Published in London in 1833, this was the joint production of members of the Prinsep family, a large English merchant clan living in Calcutta, who had visited Van Diemen’s Land as tourists in 1829 and 1830. The Illustrations was issued in two parts, without a title-page or text, stab-sewn in stiff dun illustrated titling-wrappers, the first part comprising six plates and the second part four plates and the “Plan of Hobarton”. One of the plates in the second part is the fine and celebrated folding “Panoramic View of Hobarton”. Prinsep’s Illustrations is a famous Tasmanian rarity and one of considerable artistic merit. As one of very few pictorial records left by early tourists to Australia it is an important – indeed, a classic – Tasmanian view book. Abbey, 607; Craig OTP, pp. 92-5; Ferguson, 1695 and 1696; Wantrup, 231b (Illustrations) and pp. 305-6.

Another copy at Australian Book Auctions, 2 June, 2021:

PRINSEP, Augustus, Elizabeth, and Captain Thomas Prinsep. THE JOURNAL OF A VOYAGE FROM CALCUTTA TO VAN DIEMEN’S LAND: Comprising a Description of that Colony during a Six Months’ Residence. From Original Letters, Selected by Mrs. A. Prinsep. [together with] No. 1 [-2]. Illustrations to Prinsep’s Journal of a Voyage from Calcutta to Van Diemen’s Land. From Original Sketches taken during the years 1829 and 1830. One volume, octavo (text), and two parts, quarto (Illustrations), with a folding frontispiece map in the text volume, and ten lithographed mounted India paper plates (one folding), and lithographed plan of Hobart in the Illustrations parts; the text in original green moiré cloth; the two parts of the Illustrations stab-sewn in original titling-wrappers, preserved modern green bookform box. London, Smith, Elder and Co., 1833. One of the first Tasmanian view books. Rare: published in London in 1833, this was the joint production of members of the Prinsep family, a large English merchant clan living in Calcutta, who had visited Van Diemen’s Land as tourists in 1829 and 1830. When Augustus Prinsep unexpectedly died shortly afterwards at sea, Elizabeth Prinsep published this short account of their travels based on her husband’s letters as a memorial of their last trip together. This was the first description of Van Diemen’s Land – and only the second description of Australia – to be published by a woman. A vivid, bright, descriptive account of incidents experienced and places visited, it has always been a popular book with a second edition issued almost immediately. In a note at the end of that volume Elizabeth advised that a set of illustrations to the voyage would be published if there was public interest. That same year a set of ten fine lithographs was issued in two parts, quarto, to accompany the text. The illustrations are after sketches by Augustus, with at least one by Elizabeth, and two others by her brother-in-law, Captain Thomas Prinsep. Seven of the plates are of Van Diemen’s Land and three are of Penang and Angir. The Illustrations was issued in two parts, without title-page or text, stab-sewn in stiff dun illustrated titling-wrappers, the first part comprising six plates and the second part four plates and the “Plan of Hobarton”. One of the plates in the second part is the fine and celebrated folding “Panoramic View of Hobarton”. The Illustrations were issued in two forms, both of which are rare: they were available either on mounted India paper at seven shillings the part, or on plain paper at five shillings the part. Prinsep’s Illustrations is a famous Tasmanian rarity and one of considerable artistic merit. The Prinseps were amateur artists of unusual competence and it is impossible to value too highly their record of early Hobart and New Norfolk. As one of very few pictorial records left by early tourists to Australia it is an important – indeed, a classic – Tasmanian view book. Abbey, 607; Craig OTP, pp. 92-5; Ferguson, 1695 and 1696; Wantrup, 231b (Illustrations).
Publishing details: London, Smith & Elder, 1833. Including the panorama of Hobart.
Ref: 1000

Bock Thomasview full entry

Reference: From Hordern House catalogue March 2015: ROSS, James. The Hobart Town Almanack for the year 1829... 24mo, six engraved plates in total, including two engraved titles (for the alamanac and the calendar) both with vignettes, two engraved signals plates (one coloured) and two other engraved views; contemporary red roan, gilt; bookplate of Bernard Gore Brett. Hobart Town, [1828].
With fine engravings by Thomas Bock
The first and rarest of Ross’s Tasmanian almanacs, in a very attractive binding.
Four of the engraved plates, including the two views of the “Fall of the Derwent” and “Macquarie Street, Hobart Town”, are engraved by Thomas Bock after originals by
G. Frankland; the other two are noted only as being engraved by Bock. Thomas Bock had arrived in Hobart in January 1824, and despite being a convict, almost immedi- ately began working as an engraver. Now most famous for the work he did for Lady Franklin engraving portraits of some Tasmanian Aborigines, the present almanac is some of his earliest work. The artist George Frankland was in the colony as a surveyor, having arrived in mid-1827, and took part in several journeys of exploration.
The almanac also includes a most interesting “Descriptive Itinerary of Van Diemen’s Land” (pp. 33-77). Ferguson, 1272. $7850

Ohlfsen Dora view full entry

Reference: see Theodore Bruce
Platinum House
April 12, 2015, Sydney, Australia
lot 77
Dora  Ohlfsen
(1877-1948)
Mary Anderson (1859-1940), Broadway 1906
Cast lead medallion
Signed & dated lower right
Dia. 9 cm

LITERATURE:
Miss Ohlfsen (born in Ballarat) is well known as a Sydney woman of distinguished talent, whose career in sculpture and painting has led to a resi- dence of many years in Rome, broken by visits to Loudon, and at long intervals by a renewal of life-long friendships in this city. Her return here after an absence of seven years is mainly in connection with the sale of her beautifully designed Anzac medal, in aid of disabled soldiers of Australia and New Zealand. This medal is included in the pre- sent exhibition, as also the much admired "Awakening of Australian Art." The latter was placed about nine years ago in the Petit Palais Museum, Paris, together with her por- trait of Gabriele d'Annunzio, the great Italian poet. Sydney Morning Herals Nov 9, 1920

Edmonds S Aview full entry

Reference: see Theodore Bruce auction March 29, 2015, 11:00 AM AEST
Sydney, Australia

AUD400 - AUD600
Description: S A Edmonds (act. c.1902-1916) Beach Scene, Melbourne 1909 + Bathing Boxes 1913 (2), each oil on board, each signed & dated 22.5 x 29 cm, 20 x 34 cm

Frazer Elizabeth view full entry

Reference: see Theodore Bruce auction March 29, 2015, 11:00 AM AEST
Sydney, Australia - Elizabeth Frazer, Christ in the Temple, 1866, petite pointe tapestry, together with Certificate of Honorable Mention from the Intercolonial Exhibition 1866 & 7, Melbourne 82 x 61 cm

McGrath Raymondview full entry

Reference: Raymond McGrath floor lamp
United Kingdom, c. 1929
copper, iron, rattan
11 dia x 56 h inches
Raymond McGrath was an Australian-born architect and interior designer who served as Principle Architect for the Office of Public Works in Ireland. McGrath had many commissions but his best known work was the 1936 modernist, circular Hill House in St Ann’s Court, Chertsey. Although this lamp's origin is unknown, it is a rare and exceptional design. At Wright Auctions 1440 W. Hubbard St.
Chicago, IL 60642
United States 21 April 2015

Melbourne Savage Clubview full entry

Reference: LAUGHTER AND THE LOVE OF FRIENDS. A Centenary History of the Melbourne Savage Club 1894 - 1994 and A History of the Yorick Club 1868 - 1966.
Publishing details: Melbourne Savage Club 1994, hc, dw, 348pp
Ref: 1000

Patterson Violaview full entry

Reference: Viola Patterson was the wife of Australian artist Ambrose Patterson. She was an artist as well as being a Washington University professor.

Nixon Francis Russellview full entry

Reference: From State Library of Tasmania: ‘Francis Russell Nixon was born in Kent, England, in 1803. The son of an Anglican minister, he studied at St John's College, Oxford, during the 1820s and subsequently entered the Church. After serving as Chaplain to the British Embassy in Naples, Nixon returned to England in 1836 and was appointed as a preacher at Canterbury Cathedral by the Archbishop, Dr. William Howley. A few years later Howley selected Nixon as the pioneer Bishop of Tasmania. Nixon was noted for his confidence, determination, and charm. His artistic abilities were highly regarded - he was a competent musician and talented artist. Yet in retrospect his selection appears to have been a strange choice. He had neither the spiritual dedication nor missionary activism that would have been appropriate to the role.
Nixon arrived in Hobart in 1843 expecting, even demanding, co-operation and respect by right of his position, but resistance to his authority came from several directions. Whereas in England the Anglican Church's dominance was established by law, in Tasmania the various denominations claimed equal status. Local Governors were increasingly reluctant to grant the Church of England any particular dignity, yet at the same time they claimed the right to shape its internal affairs.
During his nineteen years as Bishop of Tasmania, Nixon's struggle for what he saw as the rights and dignity of the Anglican Church led him into various and complex disputes which included such issues as whether the clergy who ministered to the convicts should be controlled by the State or by the Church; differences of belief between his own High Church position and that of Low Church dissidents; and the role of the Church in the public (that is, State-funded) educational system.
A man of different qualities, with greater tact and a capacity for compromise, may have been more successful as pioneer Bishop. But the problems Nixon experienced were by their nature difficult and divisive. Tasmanian society was rough-hewn, and often turbulent. Nixon commented that each man considered himself as good as his neighbour, with the result that lawful authority was constantly challenged. The stress generated by these continual conflicts took its toll on his health. In 1862 he returned to England to seek treatment, and never returned to Tasmania. Some years later he retired to Italy, where he died in 1879.
Despite Nixon's many difficulties, his time in Tasmania was not without achievement. His criticisms of the convict system contributed to the end of transportation in 1853. The establishment of a Synod, with legal powers, assisted in establishing effective management of the Church and its clergy. The Bishop once stated that he hoped to leave two Anglican schools "as his best and parting legacy to the colony" (Hobart Town Courier, 2 May 1846). The Hutchins School and Launceston Church Grammar School continue to be highly regarded as private schools. But of all his achievements, future generations may well rank Nixon's visual records of Tasmania and its people as his most important legacy.... Shortly after the Nixons arrived in Tasmania, Anna Maria wrote of her husband, "His high and unflinching principles quite startle and astonish all parties, his candour disarms them, his dauntless courage awes them..."2 (Norah Nixon, The pioneer bishop in V.D.L. 1843 - 1863
p.14 (letter from Anna Maria Nixon, 29 September 1843)). However, many of Nixon's contemporaries saw him as arrogant, uncompromising, and domineering. Yet this was a man who could create delicate, sensitive, even exquisite, little drawings. Where did Nixon's surprising talent come from? And what motivated it? Nixon had grown up in an environment which had fostered his artistic abilities and attitudes. Both his father and uncle were accomplished amateur artists who were involved in the contemporary British art scene. His uncle in particular had undertaken extensive sketching tours in England and Europe.
Nixon greatly admired the Tasmanian landscape and, following his uncle's example, made a habit of sketching the many places he visited whilst travelling round Tasmania on church business. The term "accompanying sketches" appears frequently in family letters sent back to England. The intention of these sketches was to augment the written word, but Nixon painted them with great skill and artistic discrimination. He saw art as a means of recording and identifying the world around him. His work is always meticulously identified in small neat letters, and usually dated but (perhaps as a matter of principle) seldom signed.
The fact that Nixon saw art as a means of recording may explain why he was one of the first people in Tasmania to experiment with the newly invented camera. He would have recognised the potential of this medium to make exact visual records. Using the wet-plate technique he took several landscape photographs but the results are not as visually appealing as his landscape watercolours. Perhaps that is why Nixon turned his attention to photographic portraiture. About 1858 he visited Oyster Cove and made several remarkable photographs - the earliest known - of the Aboriginal community. He also took a series of portraits of family and friends, including his fellow-artist and photographic collaborator, Louisa Anne Meredith.
With unflagging energy, Nixon supported the cause of art in Tasmania. He was a founding member of the Hobart Sketching Club which was led by the artist John Skinner Prout. He also helped to organise several art exhibitions which aimed to improve local knowledge and appreciation of the arts.
Nixon's artistic talent came from his family environment. He was motivated by family example and by a desire to record his environment, rather than by "art for art's sake". His sensitive images of the Tasmanian landscape were achieved through a combination of competent composition, refined drawing skills and a subtle sense of colour. He had the potential and the temperament - but not the inclination, nor perhaps the imagination - to be an accomplished professional artist. His primary commitment was always to the Church, but he would have been delighted and flattered to know that his "accompanying sketches" are now considered part of Tasmania's artistic heritage.... ‘

Allport Curzona Frances Louise (Lily)view full entry

Reference: from State Library of Tasmania: The Allport Library and Museum of Fine Arts opened in the State Library of Tasmania in late 1972. This exhibition celebrates that event by featuring the work of Curzona Frances Louise Allport ("Lily", as she was known to her family), the most prolific artistic member of the Allport family.

It concentrates on the work CFL Allport did in Europe in the first quarter of the twentieth century, particularly her watercolours on silk painted in England before and during the Great War. Her designs for fans are highlights of the exhibition.

All of these works reflect the atmosphere of the late Edwardian era - a time of innocence and idyllic beauty, culminating in the golden summer of 1914 before the world was convulsed in war. It was an era to which Curzona Allport, in her long life as a working artist, made a brief but notable contribution.’
Publishing details: 29 November 2002 - 14 March 2003
Allport Library and Museum of Fine Arts

Future Legendsview full entry

Reference: Future Legends 2010 (also published in 2009 and ?). Graduate art studnets exhibition catalogue.
Publishing details: University of Tasmania. University Gallery, Tasmanian School of Art, 2010.
Ref: 1000

Skulte Voldemarsview full entry

Reference: SKULTE, Voldemars, (Latvian/ Russian, 1907-1997): Riga River Scene with Boat, Oil/Canvas, signed Voldemars Skulte lower right and dated 81', 24" x 20", framed 31.5" x 27.25". Voldemars Gutmanis attended the Latvian Art Academy and graduated with the degree of Artist-Painter with exhibitions in Latvia, Germany, Australia and the USA. From Burchard Galleries, 2528 30th Avenue North
St. Petersburg, FL 33713
United States, April 2015.

Lloyd Normanview full entry

Reference: Text for drawing offered for sale on eBay April 2015:

Norman Lloyd was born on 16 October 1894 in Hamilton near Newcastle, NSW, Australia.   He left school in 1911 and started to work and study painting with Julian Ashton and James R Jackson in Sydney.   On 31st October 1916 he enlisted with the Australian Imperial Forces and was transported to Europe where he was seriously wounded in battle a year later. After returning to Sydney in February 1918, he took up painting lessons at the Julian Ashton Art School again. From 1921 to 1926, Lloyd exhibited with galleries in Sydney and Melbourne, showing landscapes and Sydney harbour scenes painted in the more traditional style of his teachers.
 From 1926 to 1929, Norman Lloyd visited Europe and travelled widely in Italy and France, exhibiting in the UK, France and Australia, culminating in a solo exhibition at Macquarie Galleries in Sydney.

In the 1930s, Lloyd emigrated to London with his wife Edith. His mansion became a meeting point and home for many Australian expats, among them painters Will Ashton, Alison Rehfisch and George Duncan.   Lloyd established himself professionally, when he was elected a member of the exclusive Royal Institute of Oil Painters (ROI) in 1936 and of the London Sketch Club, over which he presided during 1941/42. He also kept his connection with Australia by becoming a Fellow of the Royal Art Society of New South Wales, and in 1949 Henry Hanke’s portrait of Norman Lloyd was chosen to be hung in the Archibald Prize of the Art Gallery of New South Wales.   From 1933 till 1970, Lloyd exhibited regularly with the ROI, and showed at the Royal Academy of London. The titles testify Lloyd’s love for Mediterranean Europe - Italy, Spain, France, Turkey and Morocco, inspiring joyful land, sea and mountainscapes, in a style that evoked impressionism. Lloyd was a prolific painter who was able to paint fast, preferring textural oil and pastels. In 1989 and 1990, Lloyd’s work was shown at Savill Galleries in Sydney alongside a number of important Australian artists. In 1990 Christopher Day Gallery, Sydney, dedicated a solo exhibition to Norman Lloyd, and 1991 saw his work again at a group exhibition in Deutscher Fine Art, Melbourne. Lloyd’s work is now represented in the Art Gallery of Western Australia, the Queensland Art Gallery, the University of Sydney Art Collection, university and gallery collection in the US, and numerous private collections in Australia, Europe and US.

Abbott Ernest Eview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 1 Ernest E. Abbott Australian 1888-1973
The First Sheep Station [Elizabeth Farm], c1930s. Drypoint, titled, annotated "Est. by John McArthur [sic], 1793. Final" and signed in pencil in lower mar gin, 18.9 x 28.8cm. Small stain to image lower centre, old mount burn.
English-born printmaker, painter and art teacher Abbott migrated to Australia in 1910, eventually settling in Melbourne, Victoria, after teaching art at Stott's in South Australia. Largely self-taught, he took up drypoint etching, making his own engraving tools. Ref: DAAO.
$770

Baker Normandview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 5 Normand Baker Australian 1908-1955
City Lane, c1930s. Ink and wash, accompanied by authentication note signed by artist's sister Reta Morton, 24.2 x 22.3cm. Paper loss to lower edge of image.
At the age of 29 in 1937, Normand H. Baker was the youngest artist to win the Archibald Prize with his self-portrait. Although relatively unknown at the time, the Art Gallery of NSW had previously purchased two of his works. Ref: Ross, Let's Face It: the history of the Archibald Prize, 2005, p136.
$880

Campbell Margaretview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 15 Margaret Campbell Australian 1891-1963
Melody Of Dreams - Of Sighs - Ecstasy Of Love, c1920s. Watercolour, titled in pencil lower left, 34.4 x 19.2cm. Creases, pinholes and repaired tears to margins, foxing overall.
Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines.
$1,850

Durack Elizabethview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 24 Elizabeth Durack Australian 1915-2000
Angelina -Orphanage, Broome, WA, c1960s. Hand-coloured dyeline print, signed in ink on image lower right, titled and annotated in image lower left to right, 43 x 20.5cm. Scratches and repaired perforations to image upper and centre left, slight surface soiling.
Annotation reads "From the charcoal drawing." Born in Perth and raised on cattle stations in the Kimberleys, Elizabeth Durack developed enduring friendships with the indigenous people of the Ord River Region, which greatly influenced her work. She continued to live in remote parts of Western Australia, working as an artist. Her first exhibition was held in 1946 and she had over 65 solo exhibitions, as well as group shows. Dyeline was an early copying process developed in the 1950s. It was mainly used for architectural blueprints, and had a similar appearance to lithography, making it an inexpensive alternative. Andy Warhol made hand-coloured dyeline prints in the early part of his career.
$1,450

Elyard Samuelview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 30 Samuel Elyard Australian 1817-1910
[Riverbank, South Coast, NSW], 1873. Watercolour and gouache, signed and dated in ink lower right, 32.7 x 23.2cm. Repaired tears to upper left corner, repaired tears and missing portion to centre of lower edge.
Influenced by his teacher John Skinner Prout and by Conrad Mar tens, Elyard's preferred subjects were picturesque buildings, street scenes and landscapes. He was a colourful figure who at various times claimed to be the biblical Elijah and the King of Australia. Ref: DAAO.
$1,850

Emanuel Cedricview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 32 Cedric Emanuel Australian 1906-1995
New Camden, c1930s. Etching, editioned 7/25, titled and signed in pencil in lower margin, 17.7 x 15.1cm. Old mount burn.
Emanuel studied etching with Sydney Long during the 1930s. His enthusiasm for this medium is highlighted in his book, The Etchings of Cedric Emanuel, 1980, where he states "I hope I have managed to convey the intricacies involved in making an etching and, indeed, the excitement I always experienced when an etching was finally printed."
$1,100

Halliday Frankview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 49 Frank Halliday Australian b.1934
The Metropole [Sydney], c1960s. Etching and aquatint, titled, annotated "etching and aquatint," signed and numbered "12" in pencil in lower margin, 36 x 20.7cm. Old mount burn.
Designed by architects Hennessy and Sheerin, the Hotel Metropole, which opened in 1890, had frontages on Young, Bent and Phillip streets. Described as a "splendid establishment," well-known international guests included Rudyard Kipling and Jack London. It closed in 1969 and was demolished soon after. Ref: Powerhouse Museum.
$770

Hildrer Captain Brettview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 52 Captain Brett Hilder Australian 1911-1981
Simi Of Malakula, c1950. Watercolour, signed upper left, titled in pencil on frame verso with original exhibition label, 26.9 x 21.1cm. Minor foxing. Original mount and frame.
Label includes "Anthony Hordern & Sons Ltd" and catalogue no. "52." The younger son of water colourist J.J. Hilder and brother of Bim Hilder, Captain Brett Hilder was a distinguished sailor, painter and author. He was ship's master for Burns Philp & Company and was a navigation instructor and pilot during WWII. During the war he began painting and drawing, creating many watercolours of people and places he visited. His work was exhibited in Australia and inter nationally in Port Moresby (PNG), Honiara (Solomon Islands) and New York during the 1950s-60s. He also exhibited his work with the Australian Water colour Institute and the Royal Art Society of NSW. Ref: DAAO; QUT.
$1,750

Hopkins Livingstoneview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 57 Livingston Hopkins American/Australian 1846-1927
The Fisher, 1889. Etching, signed and dated in plate lower right, signed "L. Hop" in pencil in lower margin, 12.1 x 16.2cm. Tears, missing portions, soiling to margins, old mount burn. Laid down on acid-free backing.
Considered to be the father of modern-day etching in Australia, Hopkins made only very small editions of his prints. Held in National Gallery of Australia.
$1,250

Horton Nanview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 58 Nan Hortin Australian 1916-1971
[Beach Gathering With Guitar Player], c1940s. Crayon drawing, signed "Nan" in pencil lower left, 32.7 x 37.5cm. Missing portions, creases, tears, stains.
Provenance: friend of Nan Hortin. Nan Hortin (nee Lyall) was a painter, sketcher, craftworker and art teacher. She travelled extensively and was a member of several art groups in Sydney.
$1,900

Johnson Molly Gview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 59 Molly G. Johnson Australian fl. 1954-1990
The Angry Wind (Canberra), c1954. Oil on board, signed lower right, artist's name, address, title, price "10 gns" and exhibition number "333" on back of frame, 29.7 x 24.5cm. Original frame.
Address reads "Finlay Road, Turramurra." A NSW painter of landscapes, portraits and indigenous people, Molly Johnson was also a children's book illustrator working in the 1960s for titles such as Kate and the Bunyip (Carol Odell), and Our Sunburnt Country (Arthur Baillie). She exhibited her work extensively during her career and was a finalist for the Wynne Prize in 1961 and the Archibald Prize in 1969. Ref: National Library of Australia; Germaine, Dictionary of Women Artists of Australia, 1990.
$770

Jones Paul Osbourneview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 60 Paul Osbourne Jones Australian 1921-1997
[PNG Highland Native Portrait], c1965. Oil on board, signed lower right, 54.7 x 44.5cm. Minor surface loss and soiling. Framed.
Born in Bondi, art teacher, painter and printmaker Paul Jones studied at East Sydney Technical College. He served with the AIF in Papua New Guinea during WWII. Mostly known for his floral studies, he held an exhibition on Papua New Guinea subjects during the 1960s. Ref: NGA.
$2,200

Mahony Frank Pview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 75 Frank P. Mahony Australian 1862-1916
Maoris - Old Order, c1900. Watercolour with gouache, signed lower left, annotated and titled verso, 27.8 x 17.8cm. Slight wear to edges.
Annotation reads "New Zealand set (6), No. 1 to pair with No. 2, Maoris - Old Order." Australian-born Federation-era painter, illustrator and Bulletin cartoonist, Frank Mahony is best known for images of the bush. Early in his career in Australia before he went to London, his drawings and paintings were much admired and the Art Gallery of NSW purchased three of his works soon after he graduated from art school. Together with A.J. Fullwood and Julian Ashton he pioneered the Sydney weekend sketching camps.
$3,300

Missingham Halview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 77 Hal Missingham Australian 1906-1994
London Characters [Series], 1935. Set of 7 lithographs, series name, titled, signed and dated in pencil in lower margin, sizes range from 22 x 14.5cm to 18 x 22cm. Slight foxing to margins. Titles read: 1) Muffin Man; 2) The Pearlies; 3) Chestnut Man; 4) City Policeman; 5) Oxford Street Vendor; 6) Piccadilly Flower Girl; and 7) Hyde Park Orator. This set is uncommon.
The set $7,700

Nankivell Frankview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 79 Frank Nankivell Australian/American 1869-1959
The Tilt, c1930s. Dry point, signed in plate lower left, signed and titled in pencil in lower mar gin, 19.9 x 25.2cm. Old mount burn.
Nankivell's work is held in the Metropolitan Museum of Art , and the Smithsonian.
$1,250

Norton Rosaleenview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 83 Rosaleen Norton Australian 1917-1979
[Goblin], c1970. Etching, initialled in plate lower left, 12.3 x 9.7cm. Cockling, slight foxing. Framed.
A sexually liberated occultist, Rosaleen Norton was nicknamed the "Witch of Kings Cross." Born in NZ during a thunderstorm, Rosaleen Norton and family moved to Sydney in 1924 and later became an artist, an artist's model and a journalist. During her lifetime her controversial exhibitions were frequently raided by the police. Ref: Wiki.
$990

Rayner Henryview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 87 Henry Rayner Australian 1902-1957
[Cockatoo], c1940s. Drypoint, printed à la poupée, signed in plate lower right, signed in pencil in lower margin, 16.9 x 12.7cm.
Known for his drypoint etchings. Australian-born Henry Rayner was trained as an artist in Britain. He was a protégé of Walter Sickert and a friend of Augustus John. He was injured during the London blitz in WWII and became a recluse. Ref: Wiki.
$990

Rooney Elizabethview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 93 Elizabeth Rooney Australian b.1929
Developers 2, 1962-1963. Etching, titled, signed and dated in pencil in lower margin, 30.2 x 22.2cm.
Image depicts Sydney under rampant development and construction. Held in University of NSW Art Collection. Largely self-taught as a printmaker, Sydney-born Rooney was a key figure in the contemporary printmaking revival that occurred in Sydney in the early 1960s. She was a foundation member of the Sydney Printmakers group and a co-founder of the Workshop Arts Centre, Willoughby in 1961.
$880

Solomons Bettyview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 100 Betty Solomons Australian fl 1923-1940s
[Spanish Farm With Mills And Covered Wagon], c1930s. Water colour, unsigned, 30 x 32cm. Pinholes to edges.
Provenance: artist's estate. Information about Betty Solomons seems to be scarce. She appears to have studied pottery at the Technical Education Department in Sydney, with her name listed in the Department's published examination results in 1923. From 1925 she was known to have exhibited her work in South Australia. Ten years later she is mentioned in an article working alongside Adelaide artist Gwen Barringer at the Sydney Harbour Bridge. It was reported that both sat on camp stools painting for seven mornings, using the pylons of the Harbour Bridge as their subject. In 1936 an art critic found her work to be noteworthy along with other watercolourists Lionel Lindsay and B.E. Minns at the annual exhibition of the Society of Artists. In 1938 Solomons' work was included with notable artists like Margaret Preston, Thea Proctor, Grace Cossington Smith and Roi de Mestre in an exhibition on flower paintings at the Art Gallery of NSW. Ref: SMH 8.2.23, p12; The Mail (Adelaide) 6.8.32, p3; SMH 4.9.36, p10; SMH 2.4.38, p7; and Campbell, Australian Watercolour Painters 1780 to the Present Day, 1989.
$880

Stainforth Martinview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 113 Attrib. Martin Stainforth British/Australian 1866-1957
[Racehorse], c1930s. Gouache, 20.2 x 25.4cm.
British-born Martin Frank Stainforth is best known for portraits of thoroughbred racehorses he painted in England, Australia and the United States. Ref: Wiki; ADB.
$1,450

Starkey A Eview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 114 A.E. Starkey Australian 1869-1927
Near Narrabeen [NSW], 1895. Oil on canvas, signed and dated lower left, 54.3 x 23.9cm. Pinhole to upper right corner, slight soiling. Framed.
This painting was exhibited at the Royal Art Society of NSW in 1895, as referenced in their catalogue. Sydney-born Alfred Ernest Starkey was the youngest son of a wealthy soft-drink manufacturer who resided at Smithfield Grange, Coogee. He was an active member of the Royal Art Society of NSW from 1894 to 1903, where he exhibited eight oil paintings and thirty watercolours during this period. His work, which was included in the Federal Art Exhibition held in Adelaide in 1901, was described as being "full of quiet beauty." A painting by Starkey, alongside other prominent artists like W.C. Piguenit, A. Dattilo-Rubbo, W. Lister Lister, J.W. Tristram, and J.S. Watkins, was included in a presentation album of watercolours to the Duke and Duchess of Cornwall during their Australian tour in 1901 by the Royal Art Society of NSW. Starkey was also an auditor for the Royal Art Society of NSW for several years up to 1925. He owned a number of properties and left a bequest for a scholarship to St Paul's College, University of Sydney. He died at his home, Gibbah Gunyah, in Manly on 11 December 1927. Ref: Royal Art Society of NSW; University of Sydney; The Advertiser, Nov. 1901; SMH, Dec. 1925; State Library of NSW.
$8,800

Sumner Alanview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 123 Alan Sumner Australian 1911-1994
Red Brick Bridge, c1947. Pair of screenprints, approx. 37.4 x 42.7cm (each). Slight soiling to margins.
Unsigned working proof. Ref: Butler #37. A painter, printmaker, teacher and stained glass designer, Sumner became known in Australia and internationally for his stained glass windows. His "technically brilliant screenprints," produced in the 1940s, came to public attention in 1993 due to a retrospective of his work held at the National Gallery of Victoria and a local commercial gallery. Ref: National Portrait Gallery.
The pair $1,650

Szigeti Imreview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 128 Imre Szigeti Hungarian/Australian 1897-1975
[Houses], c1960s. Ink and watercolour, Greek sigma mono gram lower right, 56.3 x 77.5cm. Small hole and surface loss centre right, old mount burn.
Before migrating to Sydney in 1939, Hungarian-born cartoonist and illustrator Imre Szigeti illustrated approximately 100 books, including editions of Poe and Baudelaire. Ref: DAAO.
$990

Warner familyview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 143 The Warners Australian 1879-1968
[Christmas Bell Flowers], c1940. Colour woodcut, editioned 69/100 and signed in pencil on image lower left to right, 20.9 x 16.8cm.
Edward Warner with his brother and sister, Martin and Molly, created prints together for several years and signed their work as "The Warners." Ref: Charles Warner, son of Edward.

Webb A Bview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 144 A.B. Webb British/Australian 1887-1944
The Fisherman, Misty Morning, c1922. Colour woodcut, titled, editioned 15/50 and signed in pencil in lower margin, 16.6 x 15.8cm. Slight discolouration and foxing to margins.
Held in NGA, NGV, and AGWA collections. Archibald Bertram Webb's water colours and woodcuts of the Western Australian landscape and the Swan River are considered to be "poetic...he chose quiet, still and moody subjects and imbued these with a Japanese sense of design derived from Ukiyo-e prints of the 19th century." Illustrated in Sunshine and Shadow, Art Gallery of WA, 2004, #4.
$4,400

Lloyd Trevorview full entry

Reference: see Josef Lebovic Gallery, Collectors’ List No. 176, 2015: 154 Trevor Lloyd New Zealand 1863-1937
Collection of seventeen works covering New Zealand landscapes, landmarks and bridges including fanciful Maori portraits, bush and country scenes, c1910s-20s. The collection consists of eleven etchings, five drypoints and one pencil drawing. One is monogrammed in the plate lower right, most are signed, some are titled and/or annotated "PP" [printer's proof] in pencil in lower margin, sizes range from 6.7 x 19.2cm to 34.8 x 17.3cm. Slight foxing, soiled margins, rubbing to titles and cracking to platemark, old mount burn. Some laid down on acid-free tissue. Titles include: 1) A Country P.O. [Post Office]; 2) In the Spring Time; 3) A Quiet Nook; 4) Be It Ever So Humble; 5) His First Pipe; 6) In the Heart of the Bush; 7) On the Titirangi Hills; 8) The Dying Monarch; 9) Te Wahine; 10) Taranaki; 11) On the Hilltop; 12) An Old Landmark, Auckland [Partington's Mill]; and 13) Grafton Bridge, Auckland. Trevor Lloyd was a pioneer of etching in New Zealand and was one the country's leading political cartoonists. Initially, he was inspired by his father, a farmer, who was an amateur artist. For most of his career he had no thumb on his writing hand and was blind in his left eye. Much of his etching work was inspired by his interest in the Maori culture and language, where he created bush scenes populated with fairy-like people, based on the patupaiarehe of the Maori. Ref: Te Ara: Encylopedia of NZ. Lloyd's work is well-represented in the Auckland Art Gallery collection.
The collection $16,500

Arnhem Land Artview full entry

Reference: Arnhem Land Art - Created, Written and Illustrated By Thea Mullins [’These units are designed to be used in conjunction with an Arnhem land study programme. This book is a series of lessons that provide the opportunity for students to appreciate and respect Aboriginal art of the Arnhem Region and at the same time enjoy a positive visual experience. The purchaser of this book is authorised by the Publisher to photocopy worksheets for his or her own classroom. These units are sequenced to provide all the experiences required by the New South Wales Art Curriculum. Each unit is planned and sequenced so that the students will have the opportunity to use all the processes in a variety of combinations. This book is designed to help both the student and the teacher to have an enjoyable and hassle free art session, whilst at the same time meeting the educational requirements of the Art Curriculum.’]
Publishing details: TK Publications, 1997, Softcover with black plastic spiral binding, 47 Pages
Ref: 1000

Melbourneview full entry

Reference: Melbourne - Art in Australia Special Number, edited by J. S. Macdonald and Harold Herbert. Includes images of works by Sir John Longstaff, Arthur Streeton, Harold Herbert, Charles Wheeler, E. Buckmaster, and Penleigh Boyd, et al. [to be indexed]
Publishing details: Sydney : Art in Australia Ltd, 1928. Octavo, illustrated wrappers. 7 colour tipped in plates, with 62 black and white plates throughout.
Ref: 1000

Super Simple Australian Artview full entry

Reference: Super Simple Australian Art by Alex Kuskowski [’Travel to the Outback on an art adventure and introduce kids to Australian culture with a creative twist. Super Simple Australian Art includes enjoyable and unique crafts adapted from Australia, just for kids. They will learn to make a kangaroo jar, play a didgeridoo, throw a boomerang and more. Step-by-step activities presented with how-to photos make following along easy for young crafters. Go on a cultural art adventure today! Aligned to Common Core Standards and correlated to state standards. Super SandCastle is an imprint of Abdo Publishing.’]
Publishing details: ISBN: 9781624032783
Hardcover

Ref: 1000

Yiwarra Kujuview full entry

Reference: Yiwarra Kuju: The Canning Stock Route by National Museum of Australia. [’John Carty is a Canning Stock Route Project anthropologist who has worked extensively throughout the Western Desert and Kimberley regions. Carly Davenport works for FORM, an independent not for profit organization dedicated to advocating for and developing creativity in Western Australia. As project team leader, she guided the development of the Yiwarra Kuju exhibition in collaboration with the National Museum of Australia. Monique LaFontaine is an artist, a writer, and a manager of the Canning Stock Route Project's archive of content. ‘]
Publishing details: National Museum of Australia, 2010, Paperback
Ref: 1000

Shadows and Soundsview full entry

Reference: Shadows and Sounds by Loreen Samson & Brian Steels [’Loreen Samson is a Ngarluma woman, an artist with a passion for her culture and for social justice. She lives in one of the most impoverished towns in Western Australia's Pilbara resource rich region. Brian Steels is a non-indigenous man who has a wealth of experience as a social researcher, social justice activist and convict criminologist. Combined, we find the words & paintings provide us with a glimpse of the interconnections of people and place, land and culture.’]
Publishing details: 2008
Ref: 1000

Aboriginal art in Western Australiaview full entry

Reference: see Shadows and Sounds by Loreen Samson & Brian Steels [’Loreen Samson is a Ngarluma woman, an artist with a passion for her culture and for social justice. She lives in one of the most impoverished towns in Western Australia's Pilbara resource rich region. Brian Steels is a non-indigenous man who has a wealth of experience as a social researcher, social justice activist and convict criminologist. Combined, we find the words & paintings provide us with a glimpse of the interconnections of people and place, land and culture.’]
Publishing details: 2008

Wu Diview full entry

Reference: Australian Artist Di Wu - Contemporary Art Works. [’Born in China, Di Wu was an editor and illustrator in one of the biggest Chinese fine arts publishing companies before coming to Australia. He won awards for the books he published in China and his first Australian picture book, 'Rebel' (with Allan Baillie), was short-listed for CBC Picture Book of the Year. He has since released 'Ali Baba' (retold by Jean Chapman) where his illustrations reflect the rich and mysterious world of the Middle East with the use of watercolour on traditional Chinese rice paper. Other titles include 'Old Magic' (with Allan Baillie) and 'Grandpa's Mask', with text by Jing Jing Guo who was the 1997 Victorian winner in the Nestle Write Around Australia Program. More recently Di collaborated with Jane Jolly to create 'Glass Tears' and 2008 saw the release of 'Peacock Girl', written by his daughter, Lily Wu, and co-illustrated with his wife, Kathy Huang.’]
Publishing details: Rainbow Dragon Book, 2011
Ref: 1000

Adelaide Art Engraversview full entry

Reference: ADELAIDE ART ENGRAVERS : 50 YEARS ON THE ROOF. [’A PICTORIAL SOUVENIR OF THE WORK AND STAFF OF THIS COMPANY WHICH PROGRESSIVELY BECAME EXTINCT WITH THE DEMISE OF PHOTO ENGRAVING AS A NECESSARY TOOL IN THE PRODUCTION OF NEWSPAPERS. THIS COMPANY SERVICED THE NEEDS OF '' THE NEWS '' , '' THE ADVERTISER '' AND LATTERLY '' THE AUSTRALIAN '' NEWSPAPERS.’]
Publishing details: LARGE FORMAT FIRST EDITION SOFTCOVER PUBLISHED BY ADELAIDE ART ENGRAVERS, ADELAIDE, 1986. approx 50pp
Ref: 1000

Clark Lynview full entry

Reference: Floral Art: An Australian Version by Lyn Clark
Publishing details: Rigby, 1963 Softcover, 108pp
Ref: 1000

Edge to Edgeview full entry

Reference: Edge to Edge : Australian Contemporary Art to Japan 1986
Publishing details: 1986
Ref: 1000

Bravuraview full entry

Reference: Bravura : 21st Century Australian Craft Incorporating the Maude Vizard-Wholohan Art Purchase Awards 2009, by Robert Reason. Catalogue of modern Australian decorative art to accompany the exhibition of the same name. Published to accompany an exhibition at Art Gallery of South Australia and incorporating the Maude Vizard-Wholohan Art Purchase Awards 2009 offers a welcome opportunity to assess a broad range of contemporary Australian decorative arts, focusing on the handmade and usually one-off craft objects.
Publishing details: Art Gallery of South Australia. Adelaide. 2009. Softcover . 31 pages .
Ref: 1000

Tayenebeview full entry

Reference: Tayenebe - Tasmanian Aboriginal Women's Fibre Work. This book accompanied and exhibition which was the result of a three year project with 35 Tasmanian aboriginal women. Illustrated throughout with colour photos. ‘Over the past three years more than twenty five Tasmanian Aboriginal women have journeyed together across the island in a determined process of cultural retrieval. The impetus for the tayenebe project was the desire to reconnect with the cultural craft of Ancestors. Thirty seven Tasmanian Aboriginal woven-twined baskets, created during the 1800s from lily, iris, sedges and rushes, that survive in museums internationally, particularly inspired these makers. The exhibition showcases the unique connections that Tasmanian Aboriginal people have with the land and the sea.
The exhibition tayenebe: Tasmanian Aboriginal women’s fibre work includes baskets and kelp carriers made by more than twenty women aged from 7 to 87 years of age, alongside historical pieces and contemporary and historical interpretive material. The exhibition explores links and changes across time, and celebrates the reinvigoration of fibre and kelp work that is unique to Tasmania.
This project is the result of various forms of interaction. Individuals and institutions have worked together; women have worked to teach and re-learn fibre skills, and to learn about the plants once used everyday and the places that grow them. The Tasmanian Museum and Art Gallery, the National Museum of Australia and Arts Tasmania co-managed the project to ensure that women involved had support and opportunities to express ideas from making to exhibiting to writing and planning future work.’ [to be indexed]
Publishing details: TMAG, 2009, pb, 81 pages.
Ref: 1000

Indigenous Visual Arts And Craft- Resource Directoryview full entry

Reference: Indigenous Visual Arts And Craft- Resource Directory. [’The Directory Contains A Comprehensive Product Index To Assist Prospective Buyers.’]
Publishing details: Commonwealth Of Australia, Canberra, 2006, 101pp
Publish Year: 2006
Ref: 1000

Aboriginal artview full entry

Reference: see Indigenous Visual Arts And Craft- Resource Directory. [’The Directory Contains A Comprehensive Product Index To Assist Prospective Buyers.’]
Publishing details: Commonwealth Of Australia, Canberra, 2006, 101pp
Publish Year: 2006

Women in art and musicview full entry

Reference: Women in art and music: Outstanding women in australia by Gloria Rolton [to be indexed]
Publishing details: Macmillan, 1997, hc.
Ref: 1000

Art of The Australian Aboriginalview full entry

Reference: Art of The Australian Aboriginal by BARRETT, CHARLES; CROLL, ROBERT HENDERSON
Publishing details: The Bread And Cheese Club, 1943. 33 b/w. illustrations, 1 colour illustration;
Ref: 1000

Australian Sculptureview full entry

Reference: see Sturgeon Graeme - Contemporary Australian Sculpture by Graeme Sturgeon, with a forward by Dr Gene Sherman (to be indexed) [’To understand the present state of sculpture in Australia it is useful to consider 1960s and 1970s sculpture in America and England. Throughout these two decades Australian sculptors kept a careful eye on international developments, and many of them went to London or New York for advanced study. In the 1960s in America, David Smith was proposing a radically different approach while in the UK, Henry Moore, Reg Butler and Lynn Chadwick were a dominant presence. After Moore's influence began to wane, a new push centred on London's St Martin's School of Art where Anthony Caro and his colleagues were developing a startlingly different conceptual position guided by structural considerations and the open manipulation of space, rather than the shaping of closed and solid forms. A significant number of Australian sculptors studied at St Martins and as a result the Caro influence has become widespread. Sculptors featured in this book who studied with Caro include Ron Robertson-Swann, Michael LeGrand and Kevin Norton. However, since the 1980s a new perspective has emerged, characterized especially by a return to figuration and use of a much broader range of materials. This book shows just how imaginative and diverse contemporary Australian sculpture has become in the last decade. Included here, in both colour and black and white, are photographic reproductions of important works by 26 table Australian sculptors. Each sculptor is profiled in a succinct and accessible way by Graeme Sturgeon, who also provides a penetrating overview of the contemporary scene as a whole.’]
Publishing details: Craftsman House, 1991 (ex libris copy)

From Frederick McCubbin to Charles McCubbinview full entry

Reference: From Frederick McCubbin to Charles McCubbin. An exhibition held in 2008.
Frederick McCubbin is the great grandfather of Charles. Some biographical information is provided on the following McCubbins: Frederick, Charles, Ann Lucie, Louis, Mary, Alexandrer, Hugh, John, Sheila, Winifred, John, Susan and Kathleen.
Publishing details: National Gallery of Victoria - Gippsland Art Gallery, Sale, 2008. Quarto softcover; colour reproductions throughout; 36 pages.

McCubbin Charles view full entry

Reference: see From Frederick McCubbin to Charles McCubbin. An exhibition held in 2008.
Frederick McCubbin is the great grandfather of Charles.
Publishing details: National Gallery of Victoria - Gippsland Art Gallery, Sale, 2008. Quarto softcover; colour reproductions throughout; 36 pages.

McCubbin Frederick view full entry

Reference: see From Frederick McCubbin to Charles McCubbin. An exhibition held in 2008.
Frederick McCubbin is the great grandfather of Charles.
Publishing details: National Gallery of Victoria - Gippsland Art Gallery, Sale, 2008. Quarto softcover; colour reproductions throughout; 36 pages.

Seeing Australia Posterbook view full entry

Reference: Seeing Australia Posterbook. Text by Graeme Sullivan, Margaret Bishop, and John Dunn. 10 reproductions of works from Australian Artists, Philip George, Trevor Nikolls, Fiona Hall, Stelarc, Ruth Waller, Tracey Moffatt, Graham Blondel, Mandy Martin, Fiona Foley, and Peter Booth. Includes commentary on each work.  
Publishing details: Piper Press, Australia, 1994. Folio Size [38x28cm approx]. Card Covers. [Large format shelf]

Leach-Jones Alunview full entry

Reference: Alun Leach-Jones - Painting and Sculpture by Jonathan Goodman; Rex Butler, & Brett Ballard,
Publishing details: Marnling Press. Chippendale. 2009. Hardback . 239 pages .

Tucker Albertview full entry

Reference: Albert Tucker catalogue - Bonython Art Gallery, 1969. Lists 158 works with selected pieces reproduced in black and white.
Publishing details: Bonython Art Gallery, 1969. First edition. Octavo, pictorial boards, 4pp.
Ref: 1000

Australian Letterbox Art
view full entry

Reference: Australian Letterbox Art by Andrea May
Publishing details: Xlibris Corporation, 2010 52pp, pb
Ref: 1000

Grout J W Hview full entry

Reference: Queensland artist who appears to have exhibited in a 1908 exhibition of British Artists in Brisbane. Catalogue not located. Hearsay information.

Warre Henry James 1819 -1898view full entry

Reference: From Christie’s South Kensington Travel SALE 10413, April 2015, LOT 154 - HENRY JAMES WARRE (1819-1898).

Sketches in North America and the Oregon Territory. [London:] Dickinson & Co., [1848.] Broadsheet 2° (544 x 370mm). Hand-coloured lithographic map and 16 hand-coloured and tinted lithographic on 12 sheets (only, of 20 plates on 16 sheets). Publisher's slip advertising binding options tipped onto first text leaf. (Without the dedication leaf found in some copies, wear with light fraying and small chips in margins of text leaves and guards, some marginal staining to a few plates.) Original cloth-backed printed wrappers (gutta percha perished leaving all leaves loose, lacking rear wrapper, front wrapper stained with small chip to top corner and light creasing, chipped and with repaired tear near spine, finger-sized loss to rear wrapper, some soiling). Provenance: Dr W G Chapman (20th-century biro inscription on upper wrapper).

RARE HAND-COLOURED ISSUE OF THIS MAGNIFICENT SERIES OF PACIFIC NORTHWEST VIEWS. 'Captain Warre and Lieutenant Vavasour of the Royal Engineers were agents of the British government who were sent out to Oregon at the height of the controversy between the United States and Great Britain over the sovereignty of that territory. The two officers crossed Canada by the Hudson's Bay Company route as far as the Rockies, where they turned south to cross the mountains, probably through Crow's Nest Pass, to Kootenai Lake. They reached Fort Vancouver on August 25, 1845, and visited the Willamette Valley, the mouth of the Columbia River, Puget Sound, and Vancouver Island before returning to England, where they found that the dispute between the two nations had been settled in their absence' (Wagner-Camp-Becker). Abbey, Travel 656; Graff 4543; Howes W-114 ('the only western color-plates comparable in beauty to those by Bodmer'); Sabin 101455; Smith 10727; Wagner-Camp-Becker 157.

National Australia Bank Calendar view full entry

Reference: National Australia Bank Calendars - The Scheding Library has a set of National Australia Bank Calendar from 1957 - 2001

art of the Pacificview full entry

Reference: see Buhler Alfred - Oceania and Australia: Art of South Seas
Publishing details: Methuen, 1962

Art of the South Seasview full entry

Reference: BUHLER, Alfred; BARROW, Terry & MOUNTFORD, C.P. OCEANIA AND AUSTRALIA. The Art of the South Seas.
Publishing details: Lond. 1965. (rep) Or.cl. 249pp. Tipped-in colour plates. b/w plates, in slip case.
Ref: 1000

art of the Pacificview full entry

Reference: see Art of the South Seas - BUHLER, Alfred; BARROW, Terry & MOUNTFORD, C.P. OCEANIA AND AUSTRALIA. The Art of the South Seas.
Publishing details: Lond. 1965. (rep) Or.cl. 249pp. Tipped-in colour plates. b/w plates, in slip case.

Bass Tomview full entry

Reference: EVATT, H.V. TRIAL OF SOCRATES. THE MURAL SCULPTURE OF TOM BASS. A 5 page article with one b/w ill. contained in Meanjin vol xvi No.1. Melb. 1957. Contains also “Sculpture and the Modern Movement” by Tom Bass” 3pp. among other articles and literature. Very good copy. The Trial of Socrates is a mural relief sculpture designed for Wilson Hall at the University of Melbourne.
Publishing details: Meanjin vol xvi No.1. Melb. 1957. Or.ill.wrapps. 96pp.
Ref: 1000

King Phillip Parkerview full entry

Reference: HORDERN, Marsden. KING OF THE AUSTRALIAN COAST. The Work of Phillip Parker King in the Mermaid & Bathurst, 1817-1822. In a series of gruelling voyages between 1817 & 1822, King charted most of the north-west coast of Australia from the Eastern tip of Arnhem Land all the way round to Cape Leeuwin & King George Sound.’
Publishing details: Melb. Miegunyah Press. 1998. (rep) Or.bds. Dustjacket. xx,441pp. Col.& b/w plates. Reprint limited to 1600 copies.
Ref: 1000

Mercier Emileview full entry

Reference: Hang on Please
Publishing details: Angus & Robertson, 1954, pb, 120pp
Ref: 1000

Modern Australian Architectureview full entry

Reference: PERREN, Claudia; RING, Kristien. (Eds.) LIVING THE MODERN AUSTRALIAN ARCHITECTURE. Published in conjunction with the German architecture exhibition of the same name, held in Berlin in 2007.
Publishing details: Germany. Hatje Cantz. 2007. Col.ill.bds. 240pp. Many col. ills. Fine. 1st ed.
Ref: 1000

Pictorial History of Bushrangersview full entry

Reference: PRIOR, Tom; WANNAN, Bill & NUNN, H. A PICTORIAL HISTORY OF BUSHRANGERS. Australia’s chaotic and cruel early years and the convicts who plundered the countryside.
Publishing details: Syd. Paul Hamlyn. 1970. (2nd imp) 4to. Or.bds. Dustjacket. 184pp. Many b/w ills.
Ref: 1000

Rees Lloydview full entry

Reference: REES, Lloyd. MASTERWORKS ON PAPER, 1976-1988. Exhibition catalogue, Mosman Gallery, 16-29 April, 1989
Publishing details: Syd. Mosman Gallery. 1989. 4to. wrapps. (some marking) 6pp. 1 col.ill. & portrait of the artist.
Ref: 1000

Hatcher Vicview full entry

Reference: RUHEN, Olaf. PORT MACQUARIE
SKETCHBOOK. Drawings by Vic Hatcher.
Publishing details: Adel. Rigby . 1970. Or.bds. Dustjacket. 64pp. Many b/w ills.
Ref: 1000

School of Art ANUview full entry

Reference: SCHOOL OF ART, THE AUSTRALIAN NATIONAL UNIVERSITY 2008 Graduating Exhibition
The end of year exhibition at the ANU School of Art is always wonderful. It is the largest and most joyful public event on our calendar. Hundreds of people attend the exhibition to celebrate the work of candidates for the Diploma of Art, the Bachelor of Visual Arts, the Bachelor of Arts (Visual) with Honours, the Bachelor of Design Arts, the Bachelor of Digital Arts and combined degrees. This catalogue is the record of our Graduate Exhibition 2009. The work exhibited here is the final work that our students have presented for assessment. It represents the fruit of years of disciplined hard work.
At the ANU School of Art students graduate with a major in one of ten studio disciplines -Ceramics, Furniture/Wood, Glass, Gold and Silversmithing, Painting, Photomedia, Digital Media, Printmedia and Drawing, Sculpture, or Textiles. The materials and processes of making objects and images in these diverse disciplines provide the fundamentals of our programs of study. From these beginnings the creativity, inclinations and interests of individual students are encouraged to develop. The result is always an exhibition of startling diversity, and you will see work that is based on fine craft traditions alongside that engaged with the latest technology and ideas. We aim to show as much of our graduating student work as possible. In 2009 work is presented in the ANU School of Art Gallery, the Foyer Gallery, Photospace, in Workshop spaces throughout the School, and an opening night presentation of video, animation and soundworks in the ARC Cinema of the National Film and Sound Archive.
Particular thanks are due to Helen Ennis, Associate Head Undergraduate and Patsy Hely, Honours Co-ordinator; along with all of our academic staff, Workshop Technical Officers, and those behind the scenes that make it all possible. The School of Art Gallery staff, James Holland, Julie Cuerden-Clifford and Jay Kochel are principally responsible for the production of the exhibition itself.
Patrons of our Emerging Artists Support Scheme (EASS) and the ANU Foundation for the Visual Arts continue to support our graduating students as they start their professional careers. We gratefully acknowledge and thank our many patrons for their dedication and enthusiasm. This year the EASS scheme has been co-ordinated by Waratah Lahy.
Finally, congratulations to the Graduates of 2009 for their achievements. This exhibition marks a new beginning for them. The ANU School of Art staff and students wish all the graduates successful and productive careers and invite them to remain an active part of the ANU through our national and international Alumni networks.
Gordon Bull Head, School of Art
Australian National University
December 2008
Publishing details: Australian National University, 2008
Ref: 1000

Dickins Barryview full entry

Reference: The Gift Of The Gab: Stories From The Life Of Barry Dickins. Illustrator ‘Dickens Has An Extraordinary Gift Of The Gab. He Has Captureds The Absurb And The Everyday-the Pain And The Pleasure And The Poetry In The Life Of The Artist Battler Struggling To Make Sense Of It All.’

Publishing details: Published by McPhee Gribble Publishers, Melbourne (1981)
Ref: 1000

Studies in Australian Art view full entry

Reference: see Studies in Australian Art, edited by Galbally Ann & Plant Margaret
Publishing details: University of Melbourne 1978, pb

Folingsby Georgeview full entry

Reference: George Frederick Folingsby was born in Wicklow, Ireland in 1830 and moved to Canada and subsequently New York at the age of 18. He was employed as an illustrator before touring throughout Europe, Asia, Turkey and Greece to study drawing. In 1862 he sent two pictures to the Royal Hibernian Academy: 'The Relief of Derry' and 'William of Orange receiving the Keys from the Govenor of Carrickfergus'. Following a 16 year residence in Munich, he was awarded 1st class medals for history painting in the Vienna Exhibition and in the Philadelphia Exhibition and moved to Australia in 1879 where he was appointed Director of the National Gallery of Victoria in 1884.Reports conflict as to his significance in Australian Art, although he seems to have been a profound influence on several members of the Heidelberg Group. (Astbury, p46.) Lee Astbury, 'George Folingsby' Australian Subject Painting. Article in Studies in Australian Art, ed. by Ann Galbally and Margaret Plant, Department of Fine Arts, University of Melbourne, 1978.

Balcombe T Tview full entry

Reference: see ‘Camerallyn Australia’, a coloured lithographic image of the residence of C. Boydell in the Morpeth region of New South Wales. This image was also used in a composite view of Australian gold fields images issued by the Illustrated London News on October 25, 1851. Extracted from a scrap album, it has a rather unusual lacquered finish as if taken from the lid of a box. The lacquer has some cracks in it. 5 1/4 x 2 1/2". This image is not recorded in the National Gallery of Australia's collection of nine images by Balcombe, which are either of Australian aborigines or of horses and hunts. From Antipodean Catalogue no 17, April, 2015, $175.
Publishing details: c1851

Kerry Charles and King Hendryview full entry

Reference: see Mossgreen Austion May 19, 2015, lot 423: CHARLES HENRY KERRY (1857-1928);

HENRY KING (1855-1923)

624 Australian Aboriginal NSW

639 Australian Aboriginal NSW

1115 Australian Aborigine

1364 Aboriginal with Mask

1957 "Cunningham", Aboriginal Armidale District

2156 "Graamoni", Warrior Cootamundra Tribe

2158 "Nerriga", Aboriginal Chief

2644 Aboriginal, Monaro District

2656 Aboriginal, Namoi River

[Illeg]. Aboriginal NSW

Untitled (Aboriginal Lady)

Untitled (Ceremony)

Untitled (Aboriginal Man)

2599 Aboriginal Ceremony

2606 Aboriginal Ceremony, "Following the Footsteps of the Deity"

2607 Aboriginal Ceremony, "The Bora tree"

2610 Aboriginal Ceremony, "A Duel to the Death"

2610 Aboriginal Ceremony, "A Duel to the Death"

2617 Aboriginal, "Waiting the Decision of the Kings"

(early twentieth century)

silver gelatin print

21.4 x 16.6 cm (19)

PROVENANCE

Tyrrell's Museum, Sydney

Angus and Robertson, New South Wales

Private Collection, New South Wales (purchased from the above in the 1950s)

By descent

Private Collection, Sydney

Charles Kerry (1857-1928) and Henry King (1855–1923) were among Sydney’s most successful commercial photographers of the nineteenth and early twentieth century. Both are noted for their studio portraits of the Indigenous people of Eastern Australia.

In 1885 Kerry was invited to prepare Aboriginal portraits and ceremonial scenes for the 1886 Colonial and Indian Exhibition in London. (1) King was awarded a certificate and a bronze medal for the size, technique and artistic finish of his portraits at the World Columbian Exposition at Chicago in 1893. (2)

All but one of the current images was shot in the studio. I ndividuals, who may have entered the studio wearing Western cloths, were undressed and redressed in ‘typical’ costume. Some were posed in stiff warlike postures in front of painted backdrops, holding generic artefacts from the photographer’s collection.

The invention of dry-plate technology enabled both Kerry and King to venture into the landscape with increased ease, producing popular scenic views, urban street scenes, as well as recording landmark events. Both photographers travelled widely, using portable studios to create portraits of people from Bombala to the Namoi River and from the Atherton Tablelands to Roma. Charles Kerry famously used the expanding rail network to reach Indigenous subjects.

The current images capture the appetite for ethnographic photography in the 19th Century. Driven by fascination with racial difference and classification, the collection exposes the concerns of the photographers as strikingly as it does the subjugation of the sitters. Posed in the studio as ‘warriors’, many of these images record the pain of people entrapped by the cruelty of colonial conquest. Strangely mute, the images are a measure of the distance between settler society and the diverse peoples of Aboriginal Australia. For all their problematic qualities however these precious images provide a vivid record of individuals who were enlisted into a photographic project to describe race.
John Kean

(1) Keast Burke, “Kerry, Charles Henry (1857–1928)”, Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/kerry-charles-henry-6940/text12049

(2) Richard King, “King, Henry (1855–1923)”, Australian Dictionary of Biography, National Centre of Biography, Australian National University http://adb.anu.edu.au/biography/king-henry-6959/text12087, accessed 10 April 2013
Ref: 1000

von Guerad Eugeneview full entry

Reference: "Eugene von Guerard's Australian Landscapes. A Series of 24 Tinted Lithographs illustrative of the most striking and picturesque features of the Landscape Scenery of Victoria, New South Wales, South Australia & Tasmania"
Publishing details: [Melbourne, 1867].
Ref: 1000

Taylor Major Jamesview full entry

Reference: "Three Panoramic Views of Port Jackson, in New South Wales, with the town of Sydney, and the adjacent scenery. Engraved by R.Havell & Son, After original drawings by Major Taylor between 1817 & 1822", limited edition of 100, three plates from the original copper plates now in the State Library of NSW. [’Book Details: TAYLOR, James (Major, of his Majesty's 48th Regiment of Foot). Three panoramic views of Port Jackson, in New South Wales, with the town of Sydney, and the adjacent scenery. After original drawings by...Taylor...drawn from nature...between 1817 and 1822 and engraved in London by R. Havell and Son in 1823. Printed from the original plates now in the Dixson Galleries of the State Library of New South Wales. London: Alecto Editions and the State Library of New South Wales, 1988. Large oblong folio (24 _ x 31 inches). Letterpress title, 1 leaf explanatory text, 1 leaf colophon. 1 letterpress and half-tone key plate, three plates, engraved by Robert Havell and son, printed by Edward Egerton-Williams in colours 'a la poupee' and finished by hand, each with printer's blindstamp and pencilled notation on the margin 'B[onne] A T[irer]', extra-illustrated with three uncoloured printer's initial trial proofs, printed in black. Unbound as issued in original cloth portfolio by A. W. Lumsden of Edinburgh, with original printed card label inset on upper cover, small format limitation leaf mounted on front pastedown, ribbon ties...

The edition was limited to 110 copies... The brilliantly detailed prints are complimented by the proofs which give a fascinating insight into the working methods of a master craftsman.

"By 1820, Sydney was a town of 12,000 inhabitants, about a third of whom were convicts. It had grown dramatically during the administration of Lachlan Macquarie who was appointed governor of New South Wales in 1810. Unlike previous governors, Macquarie was not content merely to oversee a penal colony. His vigorous building programme changed forever the appearance of Sydney, while his policy of accepting emancipated convicts as respected citizens demonstrated a social attitude strangely out of step with the times. Both these policies earned him criticism. In 1819, alarmed by Macquarie's extravagant public works, the British Government commissioned a lawyer and civil servant, J.T.Bigge, to investigate. The attacks by his critics were met head on by Macquarrie's supporters in New South Wales. Books, pamphlets and paintings luded the governor's undoubted achievements. Almost certainly Major Taylor's drawings were used in, if not commissioned for, this cause. The engraved views of the Panorama present a flattering image of the Australian seat of government and, by extension, of Macquarie's term there...Taylor arranged the engraving and printing of the of the three sheet Panorama.. upon his return to England in July 1822...Havell appears to have worked from [Taylor's].. large watercolours, but amended them with additional details.. and decorative elements...It is most fortuitous that the copper plates...have survived. T fromNational Book Auctions
June 10, 2017, 11:00 AM EST
Freeville, NY, US, lot 7226]
Publishing details: [Sydney, 1988]. Elephant folio, maroon cloth folder with ties, title label on front
Ref: 1000

Roberts Tomview full entry

Reference: see McCarthy Patrick H - Bailed Up - The Story Behind the Painting [’Tom Robert's painting 'Bailed Up' is probably one of Australia's most well known works of art. This account analyses the background story to Robert's choice of subject matter. Where and how it was painted and the saga after its completion are the stuff of legend and make fascinating reading.’]
Publishing details: Watermark Press,2006

CONTEMPORARY AUSTRALIAN PHOTOGRAPHYview full entry

Reference: CONTEMPORARY AUSTRALIAN PHOTOGRAPHY - A portfolio of six fine art prints conveniently sized for standard frames (24 x 30 cm). They are all b/w and are quirky and exuberant views (eg Sydney Harbour Bridge and Luna Park) or of people (at Circular Quay, fashion model, nuns roller skating down the street...).
Publishing details: limited edition of 2500 copies signed and numbered with a letter of authenticity in full color, nd
Ref: 1000

Baird Johnview full entry

Reference: Horizon - exhibition invite with description of artist’s work, 3 colour illustrations
Publishing details: Arthouse Gallery, 2015, 4pp
Ref: 222

Gobel Mitchview full entry

Reference: Mossgreen Gallery invite with description of artist’s work, 4 colour illustrations
Publishing details: Mossgreenm 2015, 4pp
Ref: 222

Wright George Parkinson view full entry

Reference: see Douglas Stewart Fine Books catalogue April 2015 (The Queensland catalogue): Brisbane and Environs Illustrated:Twelve Views of the Scenery of the City and Neighbourhood. WRIGHT, George P[arkinson]. (photographer and publisher)
Second Series ... [Contents ...] Photographed by Geo. P. Wright, Creek Street, (Opposite the Union Bank) Brisbane. MDCCCLXXVIII. At head of title: Under the Patronage of His Excellency the Governor. Brisbane : George P.Wright [printed by Cleghorn & Co.], 1878. Oblong folio, original half morocco over brown cloth boards with gilt lettering (boards marked and scuffed, corners worn, head of spine frayed), original marbled endpapers, title page printed in red and black (loss at upper right corner), [12] leaves of thick card, recto of each with a mounted albumen print photograph, 210 x 280 mm, centred within a printed purple border bearing the imprint of G.P. Wright, Photo. to His Excellency / Creek Street, Brisbane, and with a printed caption outside the lower border, all interleaving intact, versos blank, the albumen prints with slight yellowing but in very good condition, the leaves clean and with a minimal amount of pale foxing. Extremely rare.
The title page indicates that this edition of Wright’s Brisbane and Environs Illustrated is part of a second series.The only other recorded example of this series is held in the collection of the State Library of Queensland (examples of the first series, issued around 1875, are held in the State Library of Queensland, National Library of Australia and State Library of New South Wales). However, neither album is known to Holden (Holden, Robert. Photography in colonial Australia : the mechanical eye and the illustrated book), whose bibliography cites 130 Australian works to use original photographs that were published between 1865 and the early 1890s. Brisbane and Environs Illustrated is an album of major significance, not only for the early photographic record of Brisbane which it provides, but also for the fact that it represents a substantial example of the early photographically illustrated book in Australia.
The photographer George Parkinson Wright was active in Brisbane between 1874 and 1883. He is known for a large-scale panorama
of Brisbane from New Farm, showing the serpentine course of the Brisbane River, taken around 1875, and his technical prowess was recognised in his appointment as official photographer to the Governor of Queensland. In 1878, the year in which Brisbane and Environs Illustrated was published,Wright moved from his FortitudeValley studio to new premises in Creek Street.
The titles of the twelve views in the present album are:
On the River - at Milton / Brisbane - from Wickham Terrace, No. 1 / Portion of a Cattle Run / The River - Garden Reach, from St. Mary’s Church / Interior of the Legislative Council Chamber / Weeping Willow and Bamboos - Botanic Gardens / Brisbane - from the Milton Road / Government House and Grounds, with the Parliamentary Buildings / Brisbane - from Wickham Terrace, No. 2 / The Road through the Scrub - near Beaudesert / Queen Street, Brisbane / Cultivation on the River - from South Brisbane.
$ 7,500
Publishing details: Brisbane : George P.Wright [printed by Cleghorn & Co.], 1878. Oblong folio.
Ref: 1000

Smith Gilbert Aview full entry

Reference: see Douglas Stewart Fine Books catalogue April 2015 (The Queensland catalogue): Photograph album of Thursday Island and North Queensland, circa 1895 SMITH, Gilbert A.;ATKINSON,Alfred (attributed) et al.
Contemporary album, oblong folio (350 x 470 mm), half maroon morocco over red cloth boards (rubbed and faded) with ornamental gilt borders, upper board lettered in gilt 'Thursday Island', spine with raised bands and gilt ornament (split at the head), original floral- patterned lining papers, front paste-down with label of 'Baker & Rouse, Photographic Importers, 46 Queen St. Brisbane', all edges gilt, containing 43 albumen print photographs with views ofThursday Island and North Queensland in various sizes from 145 x 185 mm to the extremely large format of 260 x 360 mm, most with pencilled captions on the mount or captions in the negative, one dated in the negative December 1894; the majority of the images are by unidentified commercial studios, but the views of North Queensland are probably attributable to Alfred Atkinson, and several views ofThursday Island to Gilbert Smith (one image bears his imprint), O.Watson or Richard Nicholas (St. Austell Studio); several photographs, most notably a small group of pearling images, appear to be by an amateur photographer; the album leaves with scattered foxing, generally confined to the margins; the albumen prints in good condition, though many have some degree of fading.
The identity of the compiler of this album is unknown, but he was possibly associated in some way with the Thursday Island merchants Brown, Campbell & Co. Ltd., given that the first photograph in the album is a glorious close-up shot of the company's building.The album represents a precious visual record of the tropical far north at the close of the nineteenth century, significant, in particular, for its documentation of life and commercial activity on Thursday Island and adjacent islands in the Torres Strait, Australia's northernmost outposts.
1. Brown, Campbell & Co., trading company,Thursday Island. 2.Thursday Island, Burns Philp offices and P.J. Doyle, wine and spirit merchant.
3. Rainforest scene, near Cairns.
4. Waterfall, near Cairns.
5.Victoria Parade east,Thursday Island.
6. Scene on the Mulgrave River, with Aborigines posing with painted rainforest shields in the foreground.
7.View of Thursday Island township.
8. Pyramid Mountain, Gordonvale, with Aborigines in the foreground.
9.Tunnel on the Cairns Railway near Herberton.
10. Douglas Street,Thursday Island, with Pearson's Royal Hotel in the foreground.
11. Stony Creek Falls.
12. Barron Falls.
13.Thursday Island from Cemetery Road.
14. Barron Gorge.
15. Robb's Monument, Barron Gorge.
16.Thursday Island, east end, from Police Barracks.
17. Surprise Creek Bridge.
18.View of Thursday Island township.
19. Government Jetty,Thursday Island.
20. Aboriginal porters on a bush track, North Queensland.
21. Friday Island, Quarantine Station and Leper Station. 22.Thursday Island township, with Burns Philp offices.
$ 3,000

Atkinson Alfredview full entry

Reference: see Douglas Stewart Fine Books catalogue April 2015 (The Queensland catalogue): Photograph album of Thursday Island and North Queensland, circa 1895 SMITH, Gilbert A.;ATKINSON, Alfred (attributed) et al.
Contemporary album, oblong folio (350 x 470 mm), half maroon morocco over red cloth boards (rubbed and faded) with ornamental gilt borders, upper board lettered in gilt 'Thursday Island', spine with raised bands and gilt ornament (split at the head), original floral- patterned lining papers, front paste-down with label of 'Baker & Rouse, Photographic Importers, 46 Queen St. Brisbane', all edges gilt, containing 43 albumen print photographs with views ofThursday Island and North Queensland in various sizes from 145 x 185 mm to the extremely large format of 260 x 360 mm, most with pencilled captions on the mount or captions in the negative, one dated in the negative December 1894; the majority of the images are by unidentified commercial studios, but the views of North Queensland are probably attributable to Alfred Atkinson, and several views ofThursday Island to Gilbert Smith (one image bears his imprint), O.Watson or Richard Nicholas (St. Austell Studio); several photographs, most notably a small group of pearling images, appear to be by an amateur photographer; the album leaves with scattered foxing, generally confined to the margins; the albumen prints in good condition, though many have some degree of fading.
The identity of the compiler of this album is unknown, but he was possibly associated in some way with the Thursday Island merchants Brown, Campbell & Co. Ltd., given that the first photograph in the album is a glorious close-up shot of the company's building.The album represents a precious visual record of the tropical far north at the close of the nineteenth century, significant, in particular, for its documentation of life and commercial activity on Thursday Island and adjacent islands in the Torres Strait, Australia's northernmost outposts.
1. Brown, Campbell & Co., trading company,Thursday Island. 2.Thursday Island, Burns Philp offices and P.J. Doyle, wine and spirit merchant.
3. Rainforest scene, near Cairns.
4. Waterfall, near Cairns.
5.Victoria Parade east,Thursday Island.
6. Scene on the Mulgrave River, with Aborigines posing with painted rainforest shields in the foreground.
7.View of Thursday Island township.
8. Pyramid Mountain, Gordonvale, with Aborigines in the foreground.
9.Tunnel on the Cairns Railway near Herberton.
10. Douglas Street,Thursday Island, with Pearson's Royal Hotel in the foreground.
11. Stony Creek Falls.
12. Barron Falls.
13.Thursday Island from Cemetery Road.
14. Barron Gorge.
15. Robb's Monument, Barron Gorge.
16.Thursday Island, east end, from Police Barracks.
17. Surprise Creek Bridge.
18.View of Thursday Island township.
19. Government Jetty,Thursday Island.
20. Aboriginal porters on a bush track, North Queensland.
21. Friday Island, Quarantine Station and Leper Station. 22.Thursday Island township, with Burns Philp offices.
$ 3,000

Watts James Laurence, 1849-1925 (sculptor)view full entry

Reference: see Douglas Stewart Fine Books catalogue April 2015 (The Queensland catalogue): Most Rev. Robert Dunne, D.D. / Archbishop of Brisbane WATTS, James Laurence, 1849-1925 (sculptor)
[Brisbane :1917].A 'Medallion Portrait Cast' in plaster of Paris of Robert Dunne,CatholicArchbishop of Brisbane,the cast signed lower right J.L. Watts, mounted in the original timber case, under glass, frame dimensions 375 x 345 mm, original paper title label affixed to inside of the case lower centre: 'Most Rev. Robert Dunne, D.D. / Archbishop of Brisbane / Died 13th January 1917 / R.I.P.', in fine, original condition.
Robert Dunne served as the second Catholic Bishop of Brisbane from 1882 to 1917, and this cast was issued to commemorate his death in January 1917. It was produced in late 1917 and sold by the Brisbane picture framer A.L. Hambleton, who advertsied it in the Catholic Advocate thus: 'Apart from its great value as a personal memento of the beloved prelate the medallion has a wonderful value from an artistic point of view. No Catholic Household should be without one.' (Catholic Advocate, 15 November 1917).
The artist, James Laurence Watts, was born in Somerset, England, and trained at the South Kensington School of Arts. He arrived in Brisbane in 1884.Watts was one of the founders of the Queensland Art Society, serving as its vice-president for many years. He was Queensland's most significant colonial sculptor and produced numerous notable public works, including the Boer War war memorial (The Scout) in Anzac Square, Brisbane, bronze busts of T.J. Byrnes, Sir Hugh Nelson and Sir Thomas McIlwraith, and a marble bust of the early Queensland suffragette Emma Miller (Brisbane Trades Hall). He was also instructor in modelling at Central Technical College, as well as producing pottery for James Campbell & Sons of Albion, Brisbane. In 1915 Watts was appointed the first full-time curator of the Queensland Art Gallery.
$ 5,500

Kirkley’s Studiosview full entry

Reference: see Douglas Stewart Fine Books catalogue April 2015 (The Queensland catalogue): Scenic Southport Q’ld.A series of 32 views. KIRKLEY’S STUDIOS

Publishing details: Southport, Qld. : Kirkley’s Studios, [1927]. Oblong octavo, original textured card covers (detached), front cover with oval window, original ribbon ties present, colour frontispiece, pp [1] text, [20] with 10 full-page photographic plates (with 31 photographs in total) to rectos, a good copy. Apparently unrecorded in Australian collections.

Ref: 1000

Pearson Eastonview full entry

Reference: see Douglas Stewart Fine Books catalogue April 2015 (The Queensland catalogue): Easton Pearson
PEARSON, Easton
Exhibition catalogue of a show of works from the Brisbane fashion house.
$ 55
Publishing details: Brisbane : Queensland Art Gallery, 2009. Quarto, illustrated wrappers, 144 pp, illustrated.
Ref: 1000

Marketing Aboriginal artview full entry

Reference: Marketing Aboriginal art in the 1990s edited by Jon Altman and Luke Taylor

Publishing details: Jon C. Altman, Aboriginal Studies Press, 1990, Institute Report Series
Ref: 1000

Fuller Florenceview full entry

Reference: see Sotheby’s Australia, ‘Important Australian Art’ 28 April 2015. Extensive biographical information is included in the hard copy of the Sotheby’s catalogue.
Lot 103: Weary 1888
oil on canvas
signed and dated 'F Fuller / 1888-' lower right
91.8 x 70.8 cm
Provenance
Mr Hamilton Ker, Melbourne, acquired by December 1890
Private Collection, Melbourne
Private Collection, Melbourne, by descent
Exhibited
Exhibition of Works of Victorian Artists, and a Loan Collection of Pictures, Exhibition Building, Melbourne, 20 December 1890, no. 242
Private View, Melbourne, March 1891
Completing the Picture: Women Artists and the Heidelberg Era, Heide Park and Art Gallery, Melbourne, 3 March - 26 April 1992, Ballarat Fine Art Gallery, Ballarat, 15 May - 28 June 1992, Castlemaine Art Gallery, Castlemaine, 13 July - 16 August 1992, Benalla Art Gallery, Benalla, 28 August - 27 September 1992, S.H. Ervin Gallery, Sydney, 2-25 October 1992, Carrick Hill Gallery, Adelaide, 5 November - 6 December 1992, no. 23, illustrated
'Through Women's Eyes': An exhibition of works by eight prominent women artists who attended PLC Melbourne, between 1880 and 1946 and who made a significant contribution to the development of art in Australia, Glen Eira City Art Gallery, Melbourne, 14 February - 18 March 2001
Literature
Chance Chatter', Fitzroy City Press, Melbourne, 9 January 1891, p. 2
Table Talk, Melbourne, 6 March 1891, p. 5
M. Hirst Browne, 'Some Australian Women: Part III. Four Australian Artists', Illustrated Sydney News, Sydney, 9 May 1891, p. 11
Victoria Hammond and Juliet Peers, Completing the Picture: Women Artists and the Heidelberg Era, Artmoves, Melbourne, 1992, pp. 44, 45 (illustrated), 81

Roper Edwardview full entry

Reference: see Sotheby’s Australia, ‘Important Australian Art’ 28 April 2015. Biographical information is included in the hard copy of the Sotheby’s catalogue. Lot 108 - PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION, MELBOURNE
Kangaroo Hunt
watercolour on paper
signed 'ERoper 'lower right
29.9 x 50.6 cm
Provenance
Private Collection, Melbourne

Dupain Maxview full entry

Reference: Max Dupain (1911-1992), ‘Vision to Share’,
portfolio of 5 reproduced photographs for Royal Blind Society, each signed l.l.c. 'Max Dupain'. MEASUREMENTS: each 60 x 46cm
Publishing details: date?
Ref: 1000

Lewis Martinview full entry

Reference: The Prints of Martin Lewis: A Catalogue Raison by Paul McCarron.
Publishing details: Bronxville, M. Hausberg, 1995. 277 pp. with 147 catalogue entries, all illustrated in b&w, and numerous b&w text and appendix illustrations. Large 4to, cloth.
Ref: 1009

Sampson John Walterview full entry

Reference: see Military History: Photographs, letters, ephemera and books by Michael Treloar Antiquarian Booksellers, April 30, 2015, 7:00 PM ACST
Adelaide, Australia
Lot 61: Paintings by an Australian soldier (NG) SAMPSON, John Walter: Four original paintings by an Australian soldier on active service in New Guinea and Bougainville in 1943-45. All four paintings are signed in the image 'SAM'; a letter written in pencil in October [1944] on the verso of one of them identifies the artist.

Footnote:
The letter, from 'VX82262 Gnr J W Sampson, 6Bty 2 Aust Fld Regt, Australia Oct 29', is presumably to his (possibly pregnant) wife: 'Dear Molly, Any news yet? Hope you've got over the shock a bit, dear. Here are a couple of water-colour sketches. Will you hang onto this one for me (as an aid to memory) and you can give the other one to [?Fay - and I] will write later. Love, Sam'. The painting in question is 'Air Strip - Nadzab - Oct '44' (watercolour on paper, visible image size 120 x 170 mm, pasted behind a thin cardboard window matt, with the caption on the matt). The other paintings are 'Mt Bagava, Bougainville, '45' (mixed media on paper, visible image size 190 x 180 mm, mounted on cardboard with a thin cardboard window matt, with the caption on the image and the matt); a local village scene (watercolour, ink and pencil on paper, 215 x 130 mm, mounted on flush-cut card), and 'Ramu Valley '43' (watercolour, ink and colour pencil on paper, 210 x 155 mm, mounted on flush-cut card with the caption in ballpoint pen on the verso). The latter is a superb study in a modernist style of a dug-in 25-pounder field gun and crew. A fifth painting by Sampson, an (Australian) landscape (an indifferent oil painting on plywood, 190 x 255 mm) is included in the lot.

Ritchard Edgar view full entry

Reference: Lot 370 - Edgar Ritchard, Australian/British 1908-1984- Portrait of a Portuguese boy; oil on board, signed, at Rosebery Fine Art Ltd, 25 April 2015. Edgar Ritchard, Australian/British 1908-1984- Portrait of a Portuguese boy; oil on board, signed, inscribed on reverse To Regina Morelo from Edgar Ritchard: Dec. 81 by E.T. Ritchard/ "Portugal boy"- (oil) E.T. Ritchard, 57.8x39.8cm Note: Edgar Ritchard came to London in 1928 to study at the Chelsea Polytechnic under Graham Sutherland and Henry Moore and at the Slade under Henry Tonks, before embarking upon a successful career designing for the theatre.

Pryor Geoffview full entry

Reference: Top Pryority by Geoff Prior. ‘Book is in Very good condition throughout. Here are some of the best of Pryor's sparkling incisive cartoons, commenting on australian life and particularly on its federal politicians.’
Publishing details: Longman, Melbourne (1995), Reprint. 126 pages.
Ref: 1000

Annand Douglasview full entry

Reference: H.E.C. Robinson Co. Ltd. Atlantic Road Map New Zealand. - Pictorial road map of New Zealand designed by the Australian graphic artist, Douglas Annand, early in his career. This is the 8th edition, which we estimate to be ca. 1938. The National Library of New Zealand lists two of these maps, a 2nd edition published in 1929 and a 5th edition revised in 1933. The 5th edition uses the Robinson map number 217 & 218. The 8th edition uses Robinson map numbers 234, 235 & 236. The largest map is of the North Island with insets of Auckland, Wellington and Rotorua (Map 234). The map of the South Island has an inset of Christchurch (Map 235). Map 236 is Dunedin & Invercargill. The map is attractively decorated with stylized figures of NZ fauna, citizens (police, golfer, skiier, fisherman) and a gas station, below which is his name "Douglas Annand". Annand designed the ceiling for the Australian Pavillion for the Paris International Exposition in 1937, and went on to design many iconic travel posters. Printed in blue, red, yellow and black on cream stiff paper, with 4 original folds. Printed by Simmons Limited 31-33 Parramatta Rd, Glebe, Sydney. Opened measures 48 x 74 cm. Some cracks at corner folds otherwise very good condition.
$275 from Antipodean Books, Maps & Prints | 29 Garrison Landing, Garrison, NY 10524, USA, 2015
Publishing details: Sydney: H. E. C. Robinson Co. Ltd., Ca 1938.
Eighth Edition.
Ref: 1000

Adams Maurice Bview full entry

Reference: Bird's Eye View and ground plan of 'Caerleon', historic 1885 Sydney Queen Anne house: 'Country House near Sydney for James R. Fairfax Esqr.'. Bird's eye lithographic view of 'Caerleon', the first Queen Anne revival home in Australia, and a country house designed by the British architect Maurice B. Adams, located at 13-15 Ginahgulla Road, Bellevue Hill. Bellevue Hill has always been a sought after suburb. located 5 kilometers east of the central business district. This house boasts red brick walls with stone dressing, terra-cotta shingles, balconies, bay windows, verandahs, lead light windows and elaborate chimneys; the property recently sold for $22 million. With an inset of the floor plan at the upper right. Photo lithographed and printed by James Akerman, 6 Queen Square, W. C. 11 x 7 1/2" on paper 12 1/4 x 8 1/4". Very good condition.
$125 from Antipodean Books, Maps & Prints | 29 Garrison Landing, Garrison, NY 10524, USA, 2015
-
Ref: 1000

Goodchild John Cview full entry

Reference: The South Australian Harbors Board. Planning for the Immediate and Future Development of Port Adelaide A. D. 1950. Full page color plates with artist's impressions and birds eye views, by John C. Goodchild. Goodchild (1898 - 1980) was a South Australian painter noted for his pen and watercolors. He was commissioned by the Australian War Memorial board as an official war artist, and then painted watercolors of RAAF aircraft. After the war he also produced oil paintings for Elder Smith & Co.Oblong 4to, unpaginated [26pp], 18 plates with tissue overlays, many in color, large color folding map. Compliments slip adhered to inside of upper wrapper, stamped with the name of the firm Elder Smith & Co., Limited Adelaide. Illustrated thick wrappers, cloth backed, ribbon tied at spine. Paperback. Very good overall.
$185 from Antipodean Books, Maps & Prints | 29 Garrison Landing, Garrison, NY 10524, USA, 2015
Ref: 1000

Upward Peterview full entry

Reference: Support Australian Jazz. A Horst Leopolt Production. Large striking poster with calligraphic black brush work of jazz musicians, with bright red circular highlight, signed Peter Upward. The musicians depicted are a stylized horn player and percussionist, painted with brush strokes reminiscent of Chinese and Japanese calligraphy.Peter Upward (1932 - ) is an Australian abstract artist strongly influenced by jazz, whose works have been exhibited from the late 1950s on, at the Museum of Modern Art, Melbourne; the Rowan Gallery, London; and many galleries in Sydney.Horst Leopolt (1927 - ) is an Australian jazz producer and artist, noted for producing many jazz recordings and for organizing popular jazz festivals, such as the Australian Manly Jazz Festival, and jazz at the Festival of Sydney. His Australian concerts were presented under the name "Music is An Open Sky" and presented at the Sydney Opera House, the Regent Theatre, and Sydney Town Hall. His Australian recording label featured some of the top names in Australian jazz. He moved to the US and ran two successful New York jazz clubs, Sweet Basil and Lush Life, where Gil Evans, Art Blakey, Cedar Walton and McCoy Tyner performed.At the lower right corner of the poster is the list of supporters, which includes: the Sydney Jazz Club, Harbour City Jazz Band; Don Burrow's Quintet, Cherry Pie; and Galapagos Duck, among others. The Don Burrows Quintet made recordings from 1966 through 2005, but the quintet recorded in 1975. Approx. 24 x 33 1/2". Matted. Libraries Australia ID 45756941. Very good condition.
$450 from Antipodean Books, Maps & Prints | 29 Garrison Landing, Garrison, NY 10524, USA, 2015
Publishing details: Sydney: 1976.
Ref: 1000

King Henry & J W Lindtview full entry

Reference: Fasana 1893-1895 III Australie. Photograph album of New South Wales & Victoria, including Five portraits of Aborigines.- A photograph album commemorating the visit of the Austrian screw steam sloop "Fasana" to Australia. In 1893, the Archduke Franz Ferdinand of Austria-Este (1863-1914), heir to the Austro-Hungarian Empire, traveled the world, recovering from tuberculosis. Franz Ferdinand's place in history is secured by him being in the wrong place at the wrong time - his assassination by a Serbian nationalist precipitated World War I. Science was the journey's official purpose and Franz Ferdinand traveled on the torpedo ram cruiser "Kaiserin Elisabeth", one of Austria's then most modern ships. It seems possible that the Fasana may at some time been accompanying Franz Ferdinand on part of his journey. The Fasana remained in the East Indies through at least February 1894. The album is composed of 50 albumen photographs on numbered card leaves. The first 22 photographs are of Sydney, Blue Mountains & 2 aboriginal portraits by Henry King. The following 28 photographs are of the city of Melbourne, other parts of Victoria & aboriginal portraits by J. W. Lindt. Image size 8 x 6" mounted on cardboard album leaves 15 x 12 1/2". Album oblong 4to (16x 13"). Medium green cloth with title "Fasana 1893-1895 III Australie" in white on the front board. Cloth a bit dusty, the first two leaves a bit soiled on the margins. The first photograph with some abrasion on the image and a bit sunned. One or two others a bit lighter, the balance very dark and in very good condition. The first photo is of a ship in Sydney harbor - this is not a signed King photo, and is likely to be a picture of the Fasana - she attracted quite a crowd, sitting on the banks. The five portraits of the Australian aborigines are striking. 1. Aust. aborigine [climbing tree]. King 1430; (Trove locates it only at the Powerhouse Museum)2. No title (studio shot of three aboriginal women and baby) (likely by King, with 'J4' in the image, no other number) (Trove locates it only at the SLV). The Lindt portraits - 3. "Coontajundra [man] & Langingubble [woman] Workii tribe NT Australia"- evocative and affectionate portrait of a couple, both with traditional scarring. (Lindt 2140) (Trove locates it only at the SLV); 4. Workii tribe NT (Lindt 2139) (Trove locates it only at the National Gallery of Australia)5. Australian Aboriginals 9. (Likely by Lindt, but unnumbered). This composition poses a man with a spear, a woman seated with a boomerang and a dead kangaroo at their feet, along with another boomerang. (Trove locates it only at the SLV). The New South Wales photographs include numbered photographs by King- Manly, Sydney from North Shore, Neutral Bay, Sydney from Sholl Cove North Shore; Sydney Harbor from Botanical Gardens, Bondi Bay, King St. looking East from George, General Post Office, George St. looking south from Bridge, University Medical Hall, Hyde Park, The Austral (sinking), Zig Zag railway, NSW, Orphan Rock, Lovette Leap, Australian Gum Trees Kammbla Valley, Katoomba Cascade, Katoomba Falls and two portraits of aborigines (see above). The Victorian photographs include numbered and unnumbered photographs by Lindt - Victoria- Fitzroy City from Cascade Tower, (city of Melbourne), Collins St from Watson's Imperial Hotel, Melbourne Collins St from Bourke St (w trams), Grand Hotel from Parliament, Victoria Parade (trams and Commercial Hotel), Melbourne Exhibition Building, Melbourne Town Hall Organ (then one of the largest in the world), Melbourne Parliament House, Melbourne Law Courts (w. Bank of NZ, buildings, Collins & Queens St), Melbourne, Broken Hill Chambers, Queen St. There are also some charming snapshots (4x3") of (Boys swimming in the Yarra, perhaps near Abbotsford, as there is also a photo of large building, possible Abbotsford Nunnery), Valley with houses outside of Melbourne, same valley with a large water wheel), Healesville from Edgecombs Tower, Fernshaw, one mile bend, Fernshaw, Morley's track, Fernshaw (?) river near Surveyors camp, (bush shot), Morley's track, (bush shot), Mathinna Falls upper cascade, (waterfall), (bush shot) (ferns in garden), and the aboriginal portraits (see above). An interesting album, volume III of a suite, which unfortunately, are not present here.
$12,000 from Antipodean Books, Maps & Prints | 29 Garrison Landing, Garrison, NY 10524, USA, 2015
Ref: 1000

Kleureadr v Fa P W M Trap Leidenview full entry

Reference: Liervogel (Menura superba). Lyre Bird. A very finely colored lithograph of the male lyre bird, famed for their beautiful plumage and mimicry. The background is very detailed, with trees, people and a domed folly. 7 3/4" x 11" on beige background, hand colored. Not found in Trove. Very good condition.

$275 from Antipodean Books, Maps & Prints | 29 Garrison Landing, Garrison, NY 10524, USA, 2015
Publishing details: Leiden: P.Wm Trap, ca. 1860.
Ref: 1000

Smith Julianview full entry

Reference: Leaf Music. Photograph. Julian Smith [1873-1947] was a distinguished surgeon in Australia, but became known as much for his photography as his medical career. Photographic b&w portrait of an aboriginal performing leaf music. Unframed, 13 1/3" x 16 1/2", image size 10 3/4" x 13 3/4", on cream stiff matte paper, with printed title and signature on bottom. Very good condition. Trove 3092106, OCLC: 220267161 Ephemera. Very good condition.

$250 from Antipodean Books, Maps & Prints | 29 Garrison Landing, Garrison, NY 10524, USA, 2015
Publishing details: Leiden: P.Wm Trap, ca. 1860.
Ref: 1000

Jessup Fred 1920-2007view full entry

Reference: see Exhibition titled FRED JESSUP(1920-2007), KENNETH JACK(1926-2006) and DONALD RAMSAY at ARTARMON GALLERIES 479 PACIFIC HWY ARTARMON
Gallery Hours: Monday to Friday 10am to 5pm Saturday 11am to 3pm. Exhibition Dates: 2nd to 30th May 2015. Phone (02) 94270322

John Brackenreg met FRED JESSUP in the 1950s and from his 1976 correspondence Fred wrote he had heard “nothing but the best of John for 25 years”. I wrote to Fred in 1986 and eventually met him in 1993 and again in 1994 when I stayed in his charming 10th Century dwelling in the village of Espondeilhan near Beziers in the South of France. His artist studio contained, amongst other possessions and artistic references, his complete record of every painting he ever did, many varieties of plants and a huge cage with small twittering birds.

Fred Jessup - Fred was associated with the Merioola Group before he left for overseas. However it was in France that he continued his driving passion. He wrote to us saying that his “only interest in life is to paint”. Perhaps it was an exclusive contract with the Wally Finlay Gallery which really brought him world wide fame as they purchased all Fred’s work shipped to the U.S. They sold his paintings in New York, Chicago, Palm Beach and Beverley Hills as well as in Japan and France (St Tropez) and elsewhere.

Artrarmon Galleries was also privileged to hold two exhibitions after I met him in France – one in April 1995, the next exhibition in September 2003. We are extremely pleased to announce this current swansong exhibition during May 2015.

As Fred lived near the epicentre of French Art many Australian artists were persuaded by their own desire to make a port of call to Espondeilhan and hear what Fred had to say. His cousin DONALD RAMSAY had to even “pass muster” as an artist before being allowed to go on trips with Fred. Donald has never regretted the time he journeyed to paint with Fred.

When KENNETH JACK visited Fred Jessup on 28 April 1995 it was to meet up with the artist with whom he had corresponded. Betty Jack reminded me that Fred was mad about blue and aqua so evident in his living room décor but reminisced more about the wonderful advice Fred gave them of driving the Midi Canal through France to the northernmost sea – a journey through an artist’s paradise.

Publishing details: Artarmon Galleries, May, 2015

Jack Kennethview full entry

Reference: see Exhibition titled FRED JESSUP(1920-2007), KENNETH JACK(1926-2006) and DONALD RAMSAY at ARTARMON GALLERIES 479 PACIFIC HWY ARTARMON
Gallery Hours: Monday to Friday 10am to 5pm Saturday 11am to 3pm. Exhibition Dates: 2nd to 30th May 2015. Phone (02) 94270322

John Brackenreg met FRED JESSUP in the 1950s and from his 1976 correspondence Fred wrote he had heard “nothing but the best of John for 25 years”. I wrote to Fred in 1986 and eventually met him in 1993 and again in 1994 when I stayed in his charming 10th Century dwelling in the village of Espondeilhan near Beziers in the South of France. His artist studio contained, amongst other possessions and artistic references, his complete record of every painting he ever did, many varieties of plants and a huge cage with small twittering birds.

Fred Jessup - Fred was associated with the Merioola Group before he left for overseas. However it was in France that he continued his driving passion. He wrote to us saying that his “only interest in life is to paint”. Perhaps it was an exclusive contract with the Wally Finlay Gallery which really brought him world wide fame as they purchased all Fred’s work shipped to the U.S. They sold his paintings in New York, Chicago, Palm Beach and Beverley Hills as well as in Japan and France (St Tropez) and elsewhere.

Artrarmon Galleries was also privileged to hold two exhibitions after I met him in France – one in April 1995, the next exhibition in September 2003. We are extremely pleased to announce this current swansong exhibition during May 2015.

As Fred lived near the epicentre of French Art many Australian artists were persuaded by their own desire to make a port of call to Espondeilhan and hear what Fred had to say. His cousin DONALD RAMSAY had to even “pass muster” as an artist before being allowed to go on trips with Fred. Donald has never regretted the time he journeyed to paint with Fred.

When KENNETH JACK visited Fred Jessup on 28 April 1995 it was to meet up with the artist with whom he had corresponded. Betty Jack reminded me that Fred was mad about blue and aqua so evident in his living room décor but reminisced more about the wonderful advice Fred gave them of driving the Midi Canal through France to the northernmost sea – a journey through an artist’s paradise.

Publishing details: Artarmon Galleries, May, 2015

Ramsay Donaldview full entry

Reference: see Exhibition titled FRED JESSUP(1920-2007), KENNETH JACK(1926-2006) and DONALD RAMSAY at ARTARMON GALLERIES 479 PACIFIC HWY ARTARMON
Gallery Hours: Monday to Friday 10am to 5pm Saturday 11am to 3pm. Exhibition Dates: 2nd to 30th May 2015. Phone (02) 94270322

John Brackenreg met FRED JESSUP in the 1950s and from his 1976 correspondence Fred wrote he had heard “nothing but the best of John for 25 years”. I wrote to Fred in 1986 and eventually met him in 1993 and again in 1994 when I stayed in his charming 10th Century dwelling in the village of Espondeilhan near Beziers in the South of France. His artist studio contained, amongst other possessions and artistic references, his complete record of every painting he ever did, many varieties of plants and a huge cage with small twittering birds.

Fred Jessup - Fred was associated with the Merioola Group before he left for overseas. However it was in France that he continued his driving passion. He wrote to us saying that his “only interest in life is to paint”. Perhaps it was an exclusive contract with the Wally Finlay Gallery which really brought him world wide fame as they purchased all Fred’s work shipped to the U.S. They sold his paintings in New York, Chicago, Palm Beach and Beverley Hills as well as in Japan and France (St Tropez) and elsewhere.

Artrarmon Galleries was also privileged to hold two exhibitions after I met him in France – one in April 1995, the next exhibition in September 2003. We are extremely pleased to announce this current swansong exhibition during May 2015.

As Fred lived near the epicentre of French Art many Australian artists were persuaded by their own desire to make a port of call to Espondeilhan and hear what Fred had to say. His cousin DONALD RAMSAY had to even “pass muster” as an artist before being allowed to go on trips with Fred. Donald has never regretted the time he journeyed to paint with Fred.

When KENNETH JACK visited Fred Jessup on 28 April 1995 it was to meet up with the artist with whom he had corresponded. Betty Jack reminded me that Fred was mad about blue and aqua so evident in his living room décor but reminisced more about the wonderful advice Fred gave them of driving the Midi Canal through France to the northernmost sea – a journey through an artist’s paradise.

Publishing details: Artarmon Galleries, May, 2015

CARRASCALÃO GABRIELA view full entry

Reference: at Renascimento Auction, Platinum House
May 6, 2015, 9:00 PM GMT, Lisbon, ., Portugal - GABRIELA CARRASCALÃO (N.1949), "MY TAIS IS RED" oil on canvas. Signed. Dated 14/02/2014. Dim. 100x121,5 cm. Gabriela Carrascalão was born in East Timor. Painter and journalist, she began her artistic carreer as an autodidact and later attended the Fine Arts Academy of Lisbon.
Notes: # When East Timor was invaded by Indonesia, she took refuge in the Australian Continent, where she studied and graduated in journalism by the Wollongong University, in New South Wales, Sydney; she also worked on the Australian public radio and television, Estimated Price: €30,000 - €40,000

Carr Tanija & Graham view full entry

Reference: a work at Brunk Auctions, USA, 15.5.2015, lot 66 - Tanija & Graham Carr, (Western Australia, born 1949 & 1945), tooled and gilt leather formed over wood, etched on base "Tanija & Graham Carr, 2004/5", 11 x 18 in.

Folingsby Georgeview full entry

Reference: from ADB: Select Bibliography
Report of the Trustees of the Public Library, Museums and National Gallery of Victoria (Melb, 1880, 1883-92)
Gemmell, Tuckett & Co., Catalogue of Oil Paintings … of the Late G. F. Folingsby … to be Sold by Auction (Melb, 1891)
E. La T. Armstrong, The Book of the Public Library, Museums, and National Gallery of Victoria: 1856-1906 (Melb, 1906)
J. MacDonald, foreword, The Art of Frederick McCubbin (Melb, 1916)
A. Colquhoun, Frederick McCubbin: A Consideration (Melb, c1919)
Argus (Melbourne), 5 Jan 1891
Table Talk, 9 Jan, 20 Mar 1891
Age (Melbourne), 20 Aug 1932
Public Library, Museums and National Gallery of Victoria, minutes, 1882-90 (Public Record Office Victoria).

Cousins Thomas S (artist)view full entry

Reference: see JOHN BUNYAN RECITING THE PILGRIM'S PROGRESS TO HIS FRIENDS IN BEDFORD GAOL. By George Folingsby. Other Creators - Cousins, Thomas S., (artist); Calvert, Samuel, 1828-1913, (artist); Published Melbourne : Ebenezer and David Syme, March 20, 1871, engraving. Illustrated Australian news for home readers (Shows John Bunyan, accompanied by his blind daughter, reciting his text to three others including the gaoler.
Notes: Wood engraving published in The illustrated Australian news for home readers. Title printed below image l.c. Engraved in image l.r.: T.S.C. Engraved in image l.l.: S. CALVERT.
Printed after title l.c.: BY G. F. FOLINGSBY, OF MUNICH.- ENGRAVED BY PERMISSION OF THE TRUSTEES OF THE VICTORIAN NATIONAL GALLERY.
Libraries Australia ID 49330602

Calvert, Samuel 1828-1913 view full entry

Reference: see JOHN BUNYAN RECITING THE PILGRIM'S PROGRESS TO HIS FRIENDS IN BEDFORD GAOL. By George Folingsby. Other Creators - Cousins, Thomas S., (artist); Calvert, Samuel, 1828-1913, (artist); Published Melbourne : Ebenezer and David Syme, March 20, 1871, engraving. Illustrated Australian news for home readers (Shows John Bunyan, accompanied by his blind daughter, reciting his text to three others including the gaoler.
Notes: Wood engraving published in The illustrated Australian news for home readers. Title printed below image l.c. Engraved in image l.r.: T.S.C. Engraved in image l.l.: S. CALVERT.
Printed after title l.c.: BY G. F. FOLINGSBY, OF MUNICH.- ENGRAVED BY PERMISSION OF THE TRUSTEES OF THE VICTORIAN NATIONAL GALLERY.
Libraries Australia ID 49330602

Folingsby George Fview full entry

Reference: see JOHN BUNYAN RECITING THE PILGRIM'S PROGRESS TO HIS FRIENDS IN BEDFORD GAOL. By George Folingsby. Other Creators - Cousins, Thomas S., (artist); Calvert, Samuel, 1828-1913, (artist); Published Melbourne : Ebenezer and David Syme, March 20, 1871, engraving. Illustrated Australian news for home readers (Shows John Bunyan, accompanied by his blind daughter, reciting his text to three others including the gaoler.
Notes: Wood engraving published in The illustrated Australian news for home readers. Title printed below image l.c. Engraved in image l.r.: T.S.C. Engraved in image l.l.: S. CALVERT.
Printed after title l.c.: BY G. F. FOLINGSBY, OF MUNICH.- ENGRAVED BY PERMISSION OF THE TRUSTEES OF THE VICTORIAN NATIONAL GALLERY.
Libraries Australia ID 49330602

Clarke Cuthbert Ismirview full entry

Reference: A Ghost in the Lavender, The Mystery of Cuthbert Clark, artist of the goldfields, by Sheila Box. Includes a list of the holdings of the artist’s works, bibliography. [’Sheila Box tells the story of the life of Cuthbert Ismir Clarke, one of the nineteenth century artists on the goldfields of Victoria. The story follows Clarke from his birthplace in Turkey to his travels in New Zealand and Australia. He provides us with a record of how things looked, how they were done and the events of the day.’]
Publishing details: Arcadia, Australian Scholarly Press, 1997, pb, 162 pp, with index.

Outstanding women in Australiaview full entry

Reference: Outstanding women in Australia - Women in art and music by Gloria Rolton. Includes illustrated biographical essays on six artists.
Publishing details: Macmillan Education Australia, 1997, 48 p. : ill. (some col.)

Preston Margaretview full entry

Reference: see Outstanding women in Australia - Women in art and music by Gloria Rolton. Includes illustrated biographical essays on each of six artists.
Publishing details: Macmillan Education Australia, 1997, 48 p. : ill. (some col.)

Mayo Daphneview full entry

Reference: see Outstanding women in Australia - Women in art and music by Gloria Rolton. Includes illustrated biographical essays on each of six artists.
Publishing details: Macmillan Education Australia, 1997, 48 p. : ill. (some col.)

Cotton Oliveview full entry

Reference: see Outstanding women in Australia - Women in art and music by Gloria Rolton. Includes illustrated biographical essays on each of six artists.
Publishing details: Macmillan Education Australia, 1997, 48 p. : ill. (some col.)

Kngwarreye Emily Kameview full entry

Reference: see Outstanding women in Australia - Women in art and music by Gloria Rolton. Includes illustrated biographical essays on each of six artists.
Publishing details: Macmillan Education Australia, 1997, 48 p. : ill. (some col.)

Cassab Judyview full entry

Reference: see Outstanding women in Australia - Women in art and music by Gloria Rolton. Includes illustrated biographical essays on each of six artists.
Publishing details: Macmillan Education Australia, 1997, 48 p. : ill. (some col.)

Gazzard Mareaview full entry

Reference: see Outstanding women in Australia - Women in art and music by Gloria Rolton. Includes illustrated biographical essays on each of six artists.
Publishing details: Macmillan Education Australia, 1997, 48 p. : ill. (some col.)

Indigenous Visual Arts and Craft Resource Directory 2006view full entry

Reference: Indigenous Visual Arts and Craft Resource Directory 2006, Includes Introduction, chapters on Buying Indigenous art, authenticity and copyright, Glossary, Indigenous art centres, Wholesalers, manufacturers and designers, Commercial galleries, dealers and auction houses, Public art galleries and museums, Arts and cultural festivals and prizes, Resource, support and advocacy agencies, Online resources, Art centres product index.
Publishing details: Department of Communication, Information Technology and the Arts, 2006, pb, 162pp

Aboriginal artview full entry

Reference: see Indigenous Visual Arts and Craft Resource Directory 2006, Includes Introduction, chapters on Buying Indigenous art, authenticity and copyright, Glossary, Indigenous art centres, Wholesalers, manufacturers and designers, Commercial galleries, dealers and auction houses, Public art galleries and museums, Arts and cultural festivals and prizes, Resource, support and advocacy agencies, Online resources, Art centres product index.
Publishing details: Department of Communication, Information Technology and the Arts, 2006, pb, 162pp

National Sculpture Prize 2001-2005view full entry

Reference: The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.
Publishing details: NGA, 2001, 2003, 2005

National Sculpture Prize 2001view full entry

Reference: National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

National Sculpture Prize 2003view full entry

Reference: National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

National Sculpture Prize 2005view full entry

Reference: National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Xian Ahview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Bartlett Geoffreyview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Bawden Lionelview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Burchill Janet and McCamley Jenniferview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Burford Kristianview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Calvert Mattview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Cole Peterview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Connor Kevinview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Di Mauro Sebastianview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Downes Ruthview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Drake-Brockman and Kuhaupt Richieview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Fisher Fredview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Gallois Mathieuview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Goodwin Richardview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Horn Timothyview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Ivimey Lindeview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Jensz Davidview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Kopietz Guntherview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Kouwenhoven Pamelaview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Liu Xiao Xianview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Marcus Donnaview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Oliver Bronwynview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Paramore Louiseview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Piggott Rosslynview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Purhonen Ariview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Roberts Neilview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Robson Sarahview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Swann Heather Bview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Unsworth Kenview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Yarinkura Lenaview full entry

Reference: see National Sculpture Prize 2001, exhibition catalogue, National Gallery of Australia exhibition. 30 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2001, pb, 96pp

Bartlett Geoffreyview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Clarke Glenview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Cole Peter Dview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Curtis Matthewview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Eggert Annaview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Golembiewski Janview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Harding Matthewview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Harrison Nigelview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Ivimey Lindeview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Jensz Davidview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Leslie Andrewview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

McKenna Noelview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Puautjimi Mark Virgilview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Reamillo Alwin and Eaton Roselinview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Roet Lisaview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Rrap Julieview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Summers Terryview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Tipping Richard Kellyview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Wetherell Timview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Wicks Arthurview full entry

Reference: see National Sculpture Prize 2003, exhibition catalogue, National Gallery of Australia exhibition. 20 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2003, pb, 62pp

Angus Jamesview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Armanious Hanyview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Bartlett Geoffreyview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Bartulin Julianaview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Bertoli Damianoview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Bot G Wview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Byrne Nicoleview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Cardoso Maria Fernandaview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Clarke Glenview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Coates Ewenview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

de Vietri Christianview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Drake-Brockman Geoffreyview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Dwyer Mikalaview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Ely Bonitaview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Fisher Fredview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Flugelman Bertview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Ganambarr Gunybiview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Gillespie Wandaview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Goodwin Richardview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Hall Patrickview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Helyer Nigelview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Howard Ianview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Jensz Davidview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Johnstone Ruthview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Langton Christopherview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Macintyre Alasdairview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Nelson Simeonview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

O’Callaghan Melview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Pieterse Kirsteenview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Procee Paulview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Robb Charlesview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Ryder Monaview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Schwensen Tonyview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Selwood Paulview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Tarry Jonview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Taylor Neilview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Walsh Craigview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Warner Lachlanview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

Wybraniec Jurekview full entry

Reference: see National Sculpture Prize 2005, exhibition catalogue, National Gallery of Australia exhibition. 40 exhibitors, catalogues includes essays on each sculptor. Includes at least one illustration for each sculptor. [The National Sculpture Prize was established in 2000 as a partnership between the National Gallery of Australia and the Macquarie Bank Foundation to support and promote Australian sculpture.
Held every two years (in 2001, 2003, 2005), ‘it is one of the most prestigious awards for contemporary art in Australia, with a prize of $50,000 for the winning entry. ‘The 2005 National Sculpture Prize attracted a record 636 entries and was one of the National Gallery of Australia’s most popular exhibitions’. From Macquarie.com.au.]
Publishing details: NGA, 2005, pb, 96pp

R Cview full entry

Reference: C.R.
'The Tasmanian Court at the Intercolonial Exhibition Melbourne, 1866-7' woodcut bw CMOT p.130
'Rev H. Dowling, of Launceston' woodcut bw CMOT p.134

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

Caddy Jo (1916-view full entry

Reference: CADDY, Jo (1916-
'Lawrence Daws' oil bw BAAA p.34
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAFFIN, Neil (1915-view full entry

Reference: CAFFIN, Neil (1915-
'The Night Flyer I' etch/aqua bw WDAP82 p.8
'Woman' etch/aqua bw WDAP p.6
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAFFYN, J.C. (working 1868)view full entry

Reference: CAFFYN, J.C. (working 1868)
'Hobart from Kangaroo Bay' wc bw JBBF no 22
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAIRE, Nicholas (1837-1918)view full entry

Reference: CAIRE, Nicholas (1837-1918)
'The Black Spur' photo bw CBHS p.53
'Black Spur Road' photo bw CBHS p.53
'Down on His Luck' photo bw CBHS p.95
'"Dry Blowing" at Coolgardie' photo bw CBHS p.99
'Giant Tea Camp, King Parrot Creek' photo bw CBHS p.85
'Gold Diggers at Work' photo bw CBHS p.89
'Gold Miners Near Beechworth' photo bw CBHS p.89
'Hermit's Camp' photo bw ITOV p.170
'Morley's Flat (Near Howard's Hut), Fernshaw' photo bw CBHS
'Mrs Kirkwood's Gully' photo bw ITOV p.30
'On the Yarra' photo bw ITOV p.28
'Prospectors Trying a Dish' photo bw CBHS p.97
'The Punt, Echuca' photo bw CBHS p.54
'Selector's Camp on the Snowy River, Gippsland' photo bw CBHS
'Selector's Hut, Croanjingalong, East Gippsland' photo bw CBHS
'Studley Park' (3 photos) bw TTAC p.51
'A Sundowner's Camp' photo bw CBHS p.86
'Traveller Sleeping in a Mia Mia' photo bw CBHS p.85
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CALDWELL, Johnview full entry

Reference: CALDWELL, John
'Down the Din Gorges' wc col ALOW p.33
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CALLAGHAN, Mary (working 1980)view full entry

Reference: CALLAGHAN, Mary (working 1980)
'Nice Poster' poster bw EAPA p.39

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CALLAGHAN, Michael (1952-view full entry

Reference: CALLAGHAN, Michael (1952-
'Artworkers Union Poster' ? bw AGAA p.24
'Give Fraser the Razor' poster bw EAFA p.40
'If the Unemployed' poster bw EAFA p.40
'Nice Poster' poster bw EAFA p.39
'What Now Mao?' poster bw EAFA p.39
'With Babes and Banners' screenprint bw PMAA p.58

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

Callas Peterview full entry

Reference: CALLAS, Peter (1952-
'Elementary Alphabetical' (2 images) video bw BISD p.138
'Giant "Television" Screen, Manila, The Philippines' photo col POTG p.59
'How to Make the Famous Pisco Sour' (two views) video installation col POTG pp.16-17
'Kiru. Umo No Yoni (Cutting. Like the Ocean)' video installation bw PERB p.112
'Our Potential Allies' (detail) videotape bw PARA p.35
'Our Potential Allies' (4 views) videotape bw PERA pp.56-57
'Singing Stone' (2 views) videotape bw PERA pp.56-57
'Window Display, Japan' photo col POTG p.56

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CALLINS, Charles (1887-198?)view full entry

Reference: CALLINS, Charles (1887-198?)
'Fitzroy Island and Cape Grafton Passages' oil col IMOT fp.97
'Fitzroy Island and Cape Grafton Passages, N.Q.' ? col MANP p.33
'Honey Blossom Time' ? col MANP p.33
'Miss Australia 1972 (and reverse side)' ? bw LAPP p.41(p.43)
'Moreton Bay' oil & enamel bw QUWO no.9
'A Night of Song - "Self Impersonation 1913" oil col LAPP p.33
'A Night of Splendour' oil col LAPP p.31
'Old Home and Beauty' oil col LAPP p.29
'Recollections' oil col LAPP p.35
'View from Barrier Reef, Fitzroy Island to Double Island' oil col LAPP p.39

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CALVERT, Samuel (working 1840s-90s)view full entry

Reference: CALVERT, Samuel (working 1840s-90s)
'Aboriginal Encampment in South Australia' oil bw DWOB pl.70
'Brother Harry Returns from Australia - Great Sensation in Baker Street' wood engr bw PEGF no.69
'The Buninyong Gold Mining Cos' Works' wood engr bw PEGF no.84
'Diggers' wood engr bw MAAG p.85
'Diggers' Saturday Night' engr col TAAD p.103
'Distribution of Blankets to the Blacks' engr bw FAAS unpaged
'Domestic Bliss in Victoria' engr bw MAAG p.86
[Example of commercial work] bw CGFL pp.11,14
'Grandstand Erected for the Champion Race...at Launceston' woodcut bw CMOT p.346
'Hunt Meeting at Blackwell's Hotel, Melton Mowbray, Tasmania' woodcut bw CMOT p.128
[Illustrations for childrens books] col/bw MMHA pp.32-34,37
'Melbourne, Victoria - from the Tower of St Patrick's Cathedral, Eastern Hill (1868)' engr bw MAAG p.16
'The Myer's Creek Rush, Victoria' wood engr bw PEGF no.85
'The New Shaft of the Buninyong Gold Mining Company' wood engr bw PEGF no.83
'Paterson Street Methodist Church, Launceston' woodcut bw CMOT p.31@
'Under the Willows (from Illustrated Adelaide Post, 1870) ? col FCIA pl.114
'View of Port Adelaide Regatta and the North Arm ... December 24th, 1850' penc, wash & gouache bw MEAB ill.7

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.
Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CALVERT, Mrs. (working 1857)view full entry

Reference: CALVERT, Mrs. (working 1857)
'The Homestead' engr by W. Mason bw DCEN p.157

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMBRIDGE, Enid (1903-1976)view full entry

Reference: CAMBRIDGE, Enid (1903-1976)
'A Basket of Flowers' wc bw SOAD p.61
'Boats at Bayview' wc bw SPTB p.195
'Flowering Plum Tree' wc bw AWAO no.15
'Flowering Plum Tree' wc bw BAWA p.100
'Interior' wc col CAWP p.135
'Moonlight' wc bw SOAC p.79
'Morning Interior' wc mix bw BSAA no.94
'The Red Door' wc bw SOAE p.71
'The Road to Duntroon' wc bw SOAA p.37
'Study in Red and Green' oil bw SOAB p.54
'Willows at Sutton Forest' wc bw SPTA p.185

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMERON, Barbaraview full entry

Reference: CAMERON, Barbara
'Mafeking is Relieved!' oil col GAGB p.84
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMERON, Donald (1927-view full entry

Reference: CAMERON, Donald (1927-
'Ghost Town, Foster's Bay ? col NAA1 p.99
'Old House, Castlemaine' ? col NAA1 p.xxxvi
'Old Building Series - Montsalvat' engr bw WDAP82 p.8

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMERON, Helenview full entry

Reference: CAMERON, Helen
'Below the Range, Preston' ? bw DAAC p.76

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMERON, Malcolm (1934-view full entry

Reference: CAMERON, Malcolm (1934-
'Grampians I' litho bw WDAP p.6
'Mueller River, Point Hicks, Vic.' litho bw WDAP82 p.8

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMP, Graham (1932-view full entry

Reference: CAMP, Graham (1932-
'Bruce' sculp col WOAD p.14
'Extension' sculp col WOAD p.15
'Kinetic Suspension' steel sculp col WOAC p.13

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMPBELL, Alex (1931-view full entry

Reference: CAMPBELL, Alex (1931-
'Tawney Frogmouth' intaglio, etch/aqua bw WDAP82 p.8

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMPBELL, Annie J. (working 1897)
view full entry

Reference: CAMPBELL, Annie J. (working 1897)
'Kalgoorlie' ink & gouache bw CCEP fig.233

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMPBELL, Barbara (1961-view full entry

Reference: CAMPBELL, Barbara (1961-
'Cutting Off Your Nose to Spite Your Face' oil & enamel bw QUWO

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMPBELL, Cressida (1960-view full entry

Reference: CAMPBELL, Cressida (1960-
'Bondi' lino bw DSSS p.74
'Cactii Garden' woodblock print bw PERL p.87

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMPBELL, Denise (1952-view full entry

Reference: CAMPBELL, Denise (1952-
'Stacks Bluff' lino print bw WDAP82 p.8

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMPBELL, Henry I. (working 1842)view full entry

Reference: CAMPBELL, Henry I. (working 1842)
'Residence of Parbury Esq and Government House New South Wales' penc bw CWAG p.45

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMPBELL, John (1855-1924)view full entry

Reference: CAMPBELL, John (1855-1924)
'Merthyr, Queensland' oil bw CWAG p.58
'Merthyr, Queensland' oil col CWAG p.67
'Perth and Melville Waters' penc, pen & ink, wc & gouache bw CCEP fig.175
'St George's Terrace, Looking West' wc bw CCEP fig.178
'St Mary's Church, Coolgardie' oil & gouache bw CCEP fig.237
'Stanley Brewery, front and side view from Mounts Bay Road' penc, pen & ink, wc & gouache bw CCEP fig.176
'Subiaco Railway Station' oil bw CCEP fig.179
'Swan Brewery, Mounts Bay Road' penc, pen & ink wc & gouache, bw CCEP fig.177

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMPBELL, O.R. (1820-1887)view full entry

Reference: CAMPBELL, O.R. (1820-1887)
'Discovery of William Buckley' bw MEAA p.609
[Examples of commercial work] bw CGFL pp.10,12
'The Greek Fountain' oil bw CBHS p.24
'John Portus' oil bw BAEA p.350.1
'The Man with the Muckrake' ill bw CBHS p.22
'Sheep Shearing at the Yanco, New South Wales' ill bw CBHS
'Sydney Cove' oil PAPA p.111

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMPBELL, Robert (1902-1972)view full entry

Reference: CAMPBELL, Robert (1902-1972)
'Above Coogee' oil col TAAD p.148
'Cliffs from Inspiration Point' oil col SLAB p.90
'Launceston from the Westbury Road' wc col LASR p.9
'Old Salt Works, Rottnest Is., W.A.' ? col SAIL p.11
'Roman Forum' draw bw BAAA p.35
'Rough Sea, Queensland' wc/pen col CAWP p.170
'Sand Castles' wc bw ASAT p.14
'Saturday Market Day, Boulevard Edgar Quiret, Paris' oil col ACTM no.62
'Scorched Earth, Port Elliot' wc col ALOW p.14
'Seine Barges, Paris' oil bw AUPA no.57
'Storm Sweeping on Glasshouse Mountains' wc bw QAGS p.168

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.
Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAMPBELL, Sophia (working 1817)view full entry

Reference: CAMPBELL, Sophia (working 1817)
'The Costumes of the Australasians' wc col CLIA p.49

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CANNIZZO, Phillip (1945-view full entry

Reference: CANNIZZO, Phillip (1945-
'Licodia Eubea 2.00 p.m.' bronze sculp bw FGIP p.34

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CANT, James (1911-1982)view full entry

Reference: CANT, James (1911-1982)
'The Ant Hill' wc & chalk bw SOAE p.67
'Birds and Banksias' oil bw BAAA p.36
'The Bomb' oil bw AASC p.172
'The Bridge' oil col AASC p.32
'The Bridge' oil bw AASC p.172
'Buried Tree' ? bw MEAA p.651
'The Centre of the World, 1930' oil bw AASC p.171
'The Centre of the World' oil col HRPR p.172
'The Deserted City' oil col AAAR p.72
'The Deserted City' oil col HRPR p.171
'Dry Grasses' oil bw APCA p.75
'Grass' acry col BAAA p.38
'House in Woolloomooloo' oil bw APCI no.68
'The Hunting Bird' acry col HPDA p.32
'The Line Up' oil bw SPTB p.238
'The Merchants of Death' oil col AASC p.21
'The Merchants of Death' oil bw AASC p.120
'Returning Volunteer' oil bw AASC p.121
'The Sandhills' oil bw ASAT p.15
'The Shwy Players' oil bw SPTA p.228
'Sonny Glynne' oil bw AASC p.171
'Surrealist Drawing' ink bw HRPR p.171
'The Yellow Hill' oil bw AAVA p.89
'The Yellow Hill' ? bw SAPA p.239

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CANTRILL, Arthur and Corinne (working 1970)view full entry

Reference: CANTRILL, Arthur and Corinne (working 1970)
'The Second Journey (To Uluru)' 16mm film col PARA p.36
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAPPER, Christopher Ralph (1951-view full entry

Reference: CAPPER, Christopher Ralph (1951-
'Backyard - St Kilda Road' oil bw MCWA p.20
'Blue Bowls on Magenta' ? col HSCW no 5
'Breakfast' oil col SAPT p.31
'Portrait' oil col MCWA

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARABAIN, Jacques (1834- ? )view full entry

Reference: CARABAIN, Jacques (1834- ? )
'Melbourne Public Library' oil col ACTM no.31

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARBINS, Malcolm (1921-view full entry

Reference: CARBINS, Malcolm (1921-
'Green landscape' oil col BAAA p.37
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARDAMATIS, Wolfgang (1917-view full entry

Reference: CARDAMATIS, Wolfgang (1917-
'Still Life' oil bw EGBS p.210
'Victorian Family' oil bw EGBS p.114
'Victorian Family' oil bw EGBS p.210

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARDEW, Michael (1901-1983)view full entry

Reference: CARDEW, Michael (1901-1983)
'Stoneware Teapot' col FGAI p.171

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARLAND-SALIH, Trisha (1954-view full entry

Reference: CARLAND-SALIH, Trisha (1954-
'Shipwrecked Piglet 1974' etch bw WDAP p.6

'Untitled' etch bw WDAP82 p.8

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

Carmichael John (working 1820s-30s)view full entry

Reference: Carmichael, John (working 1820s-30s)
[Advertisement for a Tailor] ? bw CLIA p.32
[Advertisement for Barber] ? bw CLIA p.35
'Barrack from George Street' (detail) engr by J. Carmichael bw HLTW no.18
'Boy's School' engr bw CLIA p.32
'George Street from the Wharf' engr bw FAOP p.87
'George Street from the Wharf' copper engr bw EHSA p.54
'George Street from the Wharf' (detail) engr bw HLTW no.20
'Male and Female Black Natives' bw SEVA pl.139
'Male and Female Black Natives' bw SEVB p.269
'Male and Female Black Natives' etch bw SAPA p.29
'The Pass at Mount Victoria on the Bathurst Road' (detail) engr bw HLTW no.70
'Select Views of Sydney' (detail) ? bw CLIA p.42
'Sydney Cove' engr. bw FAOP p.86
'Sydney from Hyde Park' engr bw FAOP p.88
'Sydney from the Domain near Government House' engr bw FAOP
'Sydney from the Parramatta Road' engr bw FAOP p.89
'Sydney from the Parramatta Road' engr bw HLTW no.32
'Sydney from Woolloomooloo Hill' engr bw SEVB p.270
'Sydney from Woolloomooloo Hill' engr bw FAOP p.37
'Woolloomooloo' (detail) engr. bw CLIA p.37

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARR, J. (working 1860-1870) J H Carseview full entry

Reference: CARR, J. (working 1860-1870)
'The Gwalor Plains' engr bw FAAS unpaged

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARRICK, Ethel (1872-1952)view full entry

Reference: CARRICK, Ethel (1872-1952)
'Arabs Bargaining' oil col ELDE p.34
'Arabs Walking Down a Street' oil bw SAEP no.32
'Armistice Day, Paris' oil bw JBAK no.26
'Bathers in the Surf' oil bw JBBE no.68
'Beach Scene' oil col AAAR p.31
'Beach Scene, South of France' oil bw JBAY no.51
'Bowl of Wild Flowers' oil bw AACM no.57
'Buying Flowers' oil bw JBAM no.23
'Canal Scene, Venice' oil bw NTCA pl.42
'The Corner of the Vinyard' oil bw JBAN no.17
'Figures on an Esplanade' oil bw JBAS no.38
'Figures on Jetty' oil col TOAA pl.161
'Flower Market' oil bw APCI no.37
'A Flower Piece' oil bw JBAW no.27
'French Fishing Village' litho bw AUPC no.59
'French Market Scene' oil bw AWAO no.20
'French Market Scene' oil bw BAWA p.105
'A French Market Stall' oil col JBBG no.29
'Fruit Market, Nice' oil bw NTCA pl.43
'The Garden Party' oil bw JBAY no.52
'Hydrangeas' oil bw JBBE no.69
'In the Flower Market, Nice' oil bw JBAI no.29
'In the Luxembourg Gardens' oil bw AWAO no.21
'In the Luxembourg Gardens' oil bw BAWA p.106
'Interior' oil bw AWAO no.22
'Interior' oil col BAWA p.112
'Ladies Seated in the Luxembourg Gardens' oil bw ACIP no.47
'Landscape' oil bw JBBF no.62
'Luxembourg Gardens' oil bw NTCA pl.40
'Luxembourg Gardens' oil col NTCA front cover
'Manly Beach, Summer is Here' oil col ONTB p.13
'Manly Beach, Summer is Here' oil col DSSS pp.110-111
'Mimosa' oil bw JBBF no.61
'Morning in Kairouan' oil bw NTCA pl.41
'Ponte Vecchio, Florence' oil bw CAAC p.113
'The Quay at Dinard' oil bw AWAO no.23
'The Quay at Dinard' oil bw BAWA p.105
'Still Life' oil bw JBAO no.19
'Still Life with Flowers' oil bw JBAK no.27
'Still Life with Flowers' oil bw JBAS no.39
'Sydney Harbour' oil col MSHP p.45
'Wild Flowers' oil col JBBF no.63

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARRINGTON, Tom (1843-1918)view full entry

Reference: CARRINGTON, Tom (1843-1918)
[Examples of commercial work] bw CGFL p.10

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARROLL, Paddy (Tjungurrayi)view full entry

Reference: CARROLL, Paddy (Tjungurrayi)
'Untitled' acry bw RRAP p.45

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARROLL, Patrick (1949-view full entry

Reference: CARROLL, Patrick (1949-
'Australian Bush - the Blue and the Gold' oil col GAGA fp.119

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARSE, J. H. (1819?-1900)view full entry

Reference: CARSE, J. H. (1819?-1900)
'Australian Seascape' oil bw CAAB p.55
'Barren Joey (N.S.W.)' oil bw APNT no 35
'Beach Scene' oil bw DSSS p.37
'Blue Mountains' oil bw JBAG no.9
'Cattle Crossing the Bridge' oil col TBAC no.19
'Coastal Landscape' oil bw MEAB ill.16
'Creek Scene Wagunga, Mount Dromadary' oil bw JBAT no.10
'Early Settler's Hut, Ballarat' oil bw CBHS p.133
'Estuary' oil bw JBAI no.10
'Govett's Leap, Blue Mountains' oil bw JBAS no.12
'The Hawkesbury' oil bw JBBD no.24
'A Hillside Clearing with Kangaroos' oil bw CAIP no.16
'Lake Scene with Aborigine Family near Mount Dromedary' oil bw TAPA no.15
'Landscape' oil bw JBAT no.9
'The Little Bridge' oil bw JBAH no.12
'The Mountain River' oil bw CAAC p.59
'Picnic Point' oil bw ACIP no.22
'Pioneer's Hut in a Bush Clearing with Two Children and a Dog in the Foreground' oil bw JBAS no.11
'The Punt, Echuca' oil bw CBHS p.54
'Riddell's Creek' oil col APHS p.22
'River Scene: Probably South Coast of New South Wales' oil bw ACAR no.55
'Sheep in Landscape' oil col APHS p.21
'Study for Fyan's Estate, Camperdown' oil bw ACAR no.54
'A Sun Storm, Coogee Beach' oil bw AACM no.40
'View of an Australian Farm, Riddell's Creek Mount Macedon 1860' oil bw VIVI p.34
'View of Camperdown' oil bw JBAJ no.6
'View of Waterfall' oil bw JBBD no.23
'Wallaga Lake near Bega, N.S.W.' oil bw JBAI no.11
'Wallaga Lake near Bega, N.S.W.' oil bw QAGS p.102
'The Weatherboard Falls, Blue Mountains' oil col TOAA pl.23
'Windy Coastal Scene with Figures' oil bw CIPA no.5

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARSLEY, Gary (1957-view full entry

Reference: CARSLEY, Gary (1957-
'Over and Over, All the Days to Come, Just Like This' oil & spray paint bw QUWO no.11

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARSTENS, Herbert (1904-1978)view full entry

Reference: CARSTENS, Herbert (1904-1978)
'A Landscape' ? bw DAAC p.61
'Moonie Drama' ? bw DAAC p.62
'Wet at the Wheat Siding' ? col DAAC p.63

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARTER, Frank (1900-view full entry

Reference: CARTER, Frank (1900-
'Collins Street, Melbourne' ? col NAA1 p.xxxiii

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARTER, Lindsay (1936-view full entry

Reference: CARTER, Lindsay (1936-
'Karrakin' etch/aqua bw WDAP82 p.9

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARTER, Maurie (1920 - c.1965)view full entry

Reference: CARTER, Maurie (1920 - c.1965)
'Guardian Seller' oil bw AASC p.156
'Our Street' lino bw DSAR p.115
'Our Street' lino bw DSAR p.110
'The Picket Line' oil col TAAD p.43
'South Melbourne Street' oil bw AASC p.168
'Street Conversation' lino bw DSAR p.115
'Woman at Gate' lino bw BMWL aa
'Woman, Child and Cat' lino bw DSAR p.115

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARTER, Mike (1935-view full entry

Reference: CARTER, Mike (1935-
'Shell Form No. 2' woodcut bw WDAP p.6

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARTER, Nanette (1954-view full entry

Reference: CARTER, Nanette (1954-
'Untitled' photo bw OVWA alpha

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARTER, Norman (1875-1963)view full entry

Reference: CARTER, Norman (1875-1963)
'Anthony Roche' ? bw SOAE p.66
'Cartoon for Scottish Coat of Arms, 1605' ? bw SOAC p.69
'Cartoon for Window' (stained glass) bw SOAC p.71
'Dr Edgar Booth' ? bw SOAC p.63
'Dr I. Clunies Ross' oil bw SOAA p.17
'The Golf Girl' oil bw BGAA pl.31
'The Golf Girl' oil bw BSAA no.64
'Hans Heysen, Esq.' oil bw AAAN pl.45
'History of the Church in Australasia' stained glass windows col ZSGA p.113
[Illustration for children's books] various bw MMHA p.41
'P/Officer A. Roulston' oil bw SOAB p.16
'Portrait' ? bw MSAB 151
'Portrait of Hans Heysen' ? bw SPDA p.34
'Saturday Morning' oil bw SOAD p.8

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARTER, Thelma (working 1980)view full entry

Reference: CARTER, Thelma (working 1980)
[Basket] reeds col HFOM p.66

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CARTWRIGHT, John Richard (1950-view full entry

Reference: CARTWRIGHT, John Richard (1950-
'Imaginary Composition' oil bw MCWA p.22
'Suburbia' oil col MCWA p.23

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CASEY, Maxwell Edward (1917-view full entry

Reference: CASEY, Maxwell Edward (1917-
'Still Life' ? col NAA3 p.27

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

Cassab Judyview full entry

Reference: Cassab Judy
'Blue Horizon' oil, acry & collage col HOAA p.64
'Bush' ink bw LCDR p.13
'Desiderius Orban, 1973' oil col MEAB pl.17
'The Devil's Marbles' acry & oil col BMAD75 p.18
'Figures in a Landscape' acry & oil col GAGA fp.39
'Journey' ? col HPDA p.33
'Margo Lewers' oil col APAI p.231
'Memory of a Bay' oil bw FGIP p.28
'Moon Reflections' acry bw SAPA p.336
'Orange Circumvision' acry & oil col LALA p.123
'Portrait of Barbara Blackman' oil col BMAP p.144
'Portrait of Margo Lewers' oil col MOAP p.141
'Portrait of Margo Lewers' oil col GMPA p.53
'Portrait of Margo Lewers' oil col GAPA p.317
'Portrait of Margo Lewers' oil col GMAP p.175
'Portrait of Orban' oil col BMAP p.98
'Portrait of Rapotec' oil bw HAPF p.189
'Portrait of Robert Morley' oil bw QAGS p.200
'Red Desert' oil col SAPT p.32
'Sketch for Donald Friend's Portrait' pen & ink bw MDIA p.80
'Stanislaus Rapotec' oil bw FMAP verso pl.15
'Stanislaus Rapotec' oil col APAI p.229
'Turning Road with Figures' char bw MDIA p.143
'Village on the Hill' char bw MDIA p.143
'Village on the Hill' char bw MORN p.16

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CASTLE, Harris (1893-1967) Castle Harrisview full entry

Reference: CASTLE, Harris (1893-1967)
'Fish' earthenware col MANG p.241

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

Catani Ugo (1861- ? )view full entry

Reference: Catani, Ugo (1861- ? )
'At the Ball' oil col ACTM no.41
'Collins Street, Rainy Weather' oil bw VIVI p.51

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CATO, Kenview full entry

Reference: CATO, Ken
[Examples of commercial work] col CGFL pp.100,124,133
[Examples of commercial work] bw pp.125-128

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

Cattapan Jonview full entry

Reference: Jon Cattapan - 'Menace to a Transparent Person' etch bw WDAP82 p.9

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CATTON, C. (Jn) (working 1789)view full entry

Reference: CATTON, C. (Jn) (working 1789)
'A Kangaroo' ? bw BOAP p.8

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAUSBY, Darianview full entry

Reference: CAUSBY, Darian
'Monster Against Monster' ? bw DACA p.354

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAVELL, Paul (1946-view full entry

Reference: CAVELL, Paul (1946-
'Middle Park Beach St Kilda Explanade Variations' etch bw WDAP82 p.9

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAWTHORNE, Wm Alex (1824-1897)view full entry

Reference: CAWTHORNE, Wm Alex (1824-1897)
'Chugunacoo' wc bw ACAR no.15
'A Fight at the Murray, in the Scene Painting Style' wc bw DWOB
'A Native from the Darling' wc bw ACAR no.13
'Native Girls Going to Trinity Church' wc bw DWOB pl.60
'Natives Driven to Police Court by the Police for Trespassing' wc bw DWOB pl.61
'Portrait of an Aborigine' wc bw ACAR no.14
'Wira Maldira (Hung Mar 29 1845)' wc bw ACAR no.16
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAYLEY, Neville (1853-1903)view full entry

Reference: CAYLEY, Neville (1853-1903)
'Birds of Paradise' wc col CAWP p.76
'The Close Season' wc bw JBAO no.9
'Cobb & Co. Coach on the Road in Forest Setting' wc bw MCAA, p.321
'Game Birds' wc bw JBAM no.11
'The King Parrot' wc col TBAC no.15
'Lyrebird' wc bw JBAS no.15
'Shot Duck' wc bw JBAS no.14
'Shot Duck' wc bw JBAY no.22
'Shot Duck' wc bw JBBF no.30
'Shot Snipe' wc bw JBAQ no.14
'Three Banded Rails' wc bw JBAP no.16
'Untitled' wc bw JBAT cover

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CAZNEAUX, Harold (1878-1953)
view full entry

Reference: CAZNEAUX, Harold (1878-1953)
'Bathing Baby' photo bw ITOV p.141
'The Old Timer' photo bw GBSG p.113
'A Relic of the Past' photo bw ITOV p.132
'Spirit of Endurance' photo col POAG p.51
'Sun Bathers' photo bw ONTB p.37
'Sydney Surfing' photo bw ONTB p.36
'Sydney Surfing' photo bw DSSS p.12
'Wharfies, Circular Quay' photo bw ITOV p.126

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CERINS, Juris (1940-view full entry

Reference: CERINS, Juris (1940-
'Settlement' acry col SLAA p.26
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CERNAK (1949-
'view full entry

Reference: CERNAK (1949-
'The Ship of Fools' oil bw OVWA alpha

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHAMBERS, Douglas (1935-view full entry

Reference: CHAMBERS, Douglas (1935-
'Japanese Play' (section) ? col HSCW no.6
'Pisces' oil, collage bw MCWA p.24
'Stamps' oil, collage col MCWA p.25

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHANDLER, Ian (1942-view full entry

Reference: CHANDLER, Ian (1942-
'The Cybernetician' oil bw BAAA p.39
'Essence and Presence' oil col BMAP p.68
'Gravitation' ? col BHP1 np

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHANDLER, Patricia (1939-view full entry

Reference: CHANDLER, Patricia (1939-
'Free From Attachment' ceramic bw OVWA alpha

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHAPMAN, David (1927-view full entry

Reference: CHAPMAN, David (1927-
'Mixed Flowers in a Vase' oil col SAPT p.33

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHAPMAN, Dora (1911-view full entry

Reference: CHAPMAN, Dora (1911-
'Self Portrait' oil bw BSFS*
'Shadow on the Bank' acry col BAAA p.37

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHAPMAN, T. E. (1788-1864)view full entry

Reference: CHAPMAN, T. E. (1788-1864)
'New Wharf, Hobart Town' litho bw CMOT p.26
'Street scene in Hobart' wc bw CLIA p.52
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHAPMAN, William Neate (1773-after 1837)view full entry

Reference: CHAPMAN, William Neate (1773-after 1837)
'Sydney, Norfolk Island, 1796' bw REAA p.23

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHAPPELL, Christine (1950-view full entry

Reference: CHAPPELL, Christine (1950-
'Frolicking Bather' screenprint bw WDAP82 p.9

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHARLTON, Kathleen (1923-view full entry

Reference: CHARLTON, Kathleen (1923-
'Ghost Gum' lino bw WDAP82 p.9

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHARSLEY, Fanny Anne (working 1860s)view full entry

Reference: CHARSLEY, Fanny Anne (working 1860s)
'Epacvis Empressa' litho col GVTR p.52

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHARUK, Peter E. (1951-view full entry

Reference: CHARUK, Peter E. (1951-
'Gossamer Albatross' photo-etch bw WDAP82 p.9

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHARVET, Jean-Gabriel (1750-1829)
'view full entry

Reference: CHARVET, Jean-Gabriel (1750-1829)
'Natives of the Pacific Ocean (detail)' wallpaper design made by Joseph Dufoar Cie, Macon, France col BAPA inside front cover

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHECK, J. (working 1886)
'view full entry

Reference: CHECK, J. (working 1886)
'Residence of W. Hooker Esq., Burren Creek, N.S.W.' oil bw JBAY

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHECK, J. (working 1886)
'view full entry

Reference: CHECK, J. (working 1886)
'Residence of W. Hooker Esq., Burren Creek, N.S.W.' oil bw JBAY

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHEHOVSKI, Alice Branch (1922-view full entry

Reference: CHEHOVSKI, Alice Branch (1922-
'Head of Woman' ink bw MDIA p.79
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHERRY, George (working 1852)view full entry

Reference: CHERRY, George (working 1852)
'A View of the Settlement, Norfolk Island' litho bw CMOT p.28

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHETTLE, Agnes Beatrice (working 1920)view full entry

Reference: CHETTLE, Agnes Beatrice (working 1920)
'Orchard' ? bw BSFS*

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHEVALIER, Nicholas (1828-1902)view full entry

Reference: CHEVALIER, Nicholas (1828-1902)
'Aborigine Camp Beside a Swamp with Mountains in Background, Western District, Victoria' wc col DACM no.33
'Buffalo Range from the West' oil col AAMA pl.15
'Buffalo Range from the West' oil col UMEG p.18
'Buffalo Range from the West' oil col SAIP p.8
'The Buffalo Ranges' oil col BIIO pl.17
'The Buffalo Ranges' oil bw NATC no.9
'The Buffalo Ranges' oil col VIVI p.33
'The Buffalo Ranges' oil col CAPA pl.3
'The Buffalo Ranges' oil col GALP pl.8
'The Buffalo Ranges' oil bw GEAP p.18
'The Buffalo Ranges' oil bw GEAL p.16
'The Buffalo Ranges' oil bw NFFP p.15
'The Buffalo Ranges' oil bw TAAR p.50
'Buffalo Ranges, Victoria' oil bw BGAA pl.7
'The Buffalo Ranges, Victoria' oil col AAMA pl.16
'The Buffalo Ranges, Victoria' oil bw BSAA no.128
'The Buffalo Ranges, Victoria' ? bw SAPA p.61
'The Buffalo Ranges, Victoria' oil col STAL p.20
'The Buffalo Ranges, Victoria' oil col GCPA pp.74-75
'The Buffalo Ranges, Victoria' oil col GAPA pp.82-83
'The Buffalo Ranges, Victoria' oil col GCPA p.119
'The Buffalo Ranges, Victoria' oil col GAPA p.127
'The Buffalo Ranges, Victoria' oil col GMAP p.49
'The Buffalo Ranges, Victoria' oil col SOMA p.27
'Cape Otway, Victoria' engr bw FAAS unpaged
'Castlemaine' wood engr bw PEGF no.71
'A Celestial Delicacy' wood engr bw PEGF no.67
'Celestial Happiness' wood engr bw PEGF no.68
'Christmas in Australia' litho col CLIA p.101
'Christmas in Australia' ? col FCIA pl.92
'Christmas Morning in Australia' ? bw FCIA p.124
'Donnelly's Creek, Gipps Land' wood engr bw PEGF no.72
'The Duke of Edinburgh's Royal Tour of India' wc bw MORN p.16
'Encampment on the Wentworth River' oil bw JBAS no.10
[Examples of commercial work] bw CGFL pp.9-11,19
'Fancy Dress Costume, Emblematic of Australia' wc col FCIA
'Ferntree Gully, Dandenongs' wc bw JBAK no.6
'Fern Trees' engr bw FAAS unpaged
'The Gipps Land Exploration Party -- Discovery of a Quartz Reef' wood engr bw PEGF no.74
'The Grand State Ball' ? bw FCIA p.114
'The Homestead -- Grassdale' oil col IMOT fp.17`
[Illustration to Australia] ? bw MSAA p.473
[Illustrations for children's books] bw MMHA p. 21,145
'Lake and Mountain Scene, South Island, New Zealand' oil bw JBBG no.10
'Landscape' wc col CAWP p.57
'Light and Shadow' wc bw AACM no.32
'Lost in the Bush' ill bw CBHS p.159
'Mallee Scrub, River Murray' engr bw FAAS unpaged
'Militia Encampment on the Werribee' oil col MAAG p.162a
'Mr Punch Pays a Visit to the Diggings' wood engr bw PEGF no.65
'Mount Abrupt and the Grampians' oil col DACM no.34
'Mount Abrupt and the Grampians' oil col DACM cover
'Mount Abrupt, Grampians' oil bw DWOB pl.110
'Mount Arapiles' oil col GCPA p.76
'Mount Arapiles' oil col GAPA p.84
'Mount Arapiles' oil col TOAA pl.28
'Mount Arapiles and the Mitre Rock' oil bw BIIO p.77
'Mount Arapiles and the Mitre Rock' oil bw MANG p.210
'Near Offenbach' wc bw CAAA p.58
'The Old and New Home Stations' litho by A. Willmore bw CWAG
'Old and New Home Stations' engr bw FAAS unpaged
'Pall Mall, Sandhurst' engr bw MAAG p.185
'Parker River Waterfall, Cape Otway' lith bw BOAP p.15
'Portrait of Master George Holmes' oil col ACTM no.34
'Portrait of Master George Holmes oil col ACTM cover
'Post and Telegraph Office and Mechanics Institute, Castlemaine' engr bw MAAG p.185
'The Prince and Party Returning from the Kangaroo Hunt (near Warrnambool, Victoria)' wood engr bw MAAG p.183
'The Public Library' wc col VIVI p.36
'The Public Library' ink & wash bw GVTR p.5
'Race to Market, Tahiti, Society Islands' oil col GCPA p.73
'Race to Market, Tahiti, Society Islands' oil col GAPA p.81
'Regent Bower Bird' engr bw MAAG p.160
'Respectable Mates' wood engr bw PEGF no.66
'Respectable Mates' engr bw MAAG p.105
'Return of Burke and Wills to Cooper's Creek' engr bw FAAS unpaged
'Return of Burke and Wills to Coopers Creek' engr by J.C. Armytage bw BAPA p.16
'Return of Burke and Wills to Coopers Creek' engr by J.C. Armytage bw MAAG p.168
'Review and Encampment of Victorian Volunteers at Werribee 1st April, 1861' wc bw AUPC no.16
'A Scene in Gipps Land' wood engr bw PEGF no.73
'Self Portrait' oil col AGNP p.72
'Self Portrait' oil bw BACP p.25
'Self Portrait' oil bw BIIO p.13
'Self Portrait' oil col SOMA p.21
'Self Portrait' oil col STAP p.13
'State Procession of the Duke of Edinburgh with the Viceroy of India (Earl of Mayo) through Lahore, March 1870' wc bw JBBC
'Stevenson River' wc bw JBBF no.10
'Sunrise on River Yarra' oil col FMAP pl.2
'The Upper Falls on the River Wannon' penc with white highlight bw RFBE p.22
'A Victorian Homestead' oil bw AALP no.2
'A Victorian Homestead' oil col MCAA p.114
'A Victorian Homestead' oil col PCAL p.22
'Wannon Falls' oil col FGAI p.27
'Wannon Falls' oil col JBAJ no.4
'Wannon Falls' oil bw VAVS p.10
'Wentworth River Diggings, Gipps Land' litho bw PEGF no.89
'Wentworth River Diggings, Gipps Land' litho bw MAAG p.88
'Wooloongong' wc bw NTCA pl.15

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHICK, Lornal (1922-
view full entry

Reference: CHICK, Lornal (1922-
'South Wangaratta' ? col MANP p.35

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHORIS, Louisview full entry

Reference: CHORIS, Louis
'Danse des Femmes dans les Iles Sandwich' litho bw SEVB p.211

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHOWN, John (1952-view full entry

Reference: CHOWN, John (1952-
'Ayers Rock' screenprint bw CENT p.12

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHRISTMANN, Gunter (1936-view full entry

Reference: CHRISTMANN, Gunter (1936-
'And, Und et Marseillaise' spp col PARB p.26
'Audio Plastik' performance bw BISD p.198
'Berliner Haut' spp bw PMAA p.14
'Caenus To bw' oil col BISD p.38
'Caenus To bw' oil col PMAA p.77
'Chenden Gyaling' acry col BMAP p.147
'Composition No. 4' oil bw SAPA p.437
'Dark Blue Painting' acry col SAPA p.434
'Easy Red' ? col HPDA p.36
'Heavy Topscape' col BISA no.23
'Hot Rainbow' ? col BISA no.22
'Krimhilde' acry bw FIEL p.14
'Lebanese Red' acry bw ARAA p.24
'Position Scape' oil & acry col SAPT p.34
'The Professor' oil col PERA pl.alpha
'The Professor' oil bw PERA p.59
'Rast' acry col HAPS p.17
'Rubezahl' acry bw FIEL p.15
'Terra Fecunda' acry bw PERB p.113
'Terra Fecunda' acry bw VPOX p.18
'Toyland' oil bw PERA p.58
'Untitled' acry bw JBBA no.144

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHRISTMANN, Jenny (1929-view full entry

Reference: CHRISTMANN, Jenny (1929-
'20 Woollen Books' fabric col PMAA p.61
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHRISTO (1935-view full entry

Reference: CHRISTO (1935-
'Packed Coast' (Study for wrapping of coastline at Little Bay near Sydney) mix bw JBAN no.52
'Wrapped Bridge' photo & collage bw PSHB p.86
'Wrapped Coast' bw AGAA p.102
'Wrapped Coast Little Bay, Sydney' polypropylene erosion fabric & rope (photo) bw MANG p.262

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHRISTO (1935-view full entry

Reference: CHRISTO (1935-
'Packed Coast' (Study for wrapping of coastline at Little Bay near Sydney) mix bw JBAN no.52
'Wrapped Bridge' photo & collage bw PSHB p.86
'Wrapped Coast' bw AGAA p.102
'Wrapped Coast Little Bay, Sydney' polypropylene erosion fabric & rope (photo) bw MANG p.262
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHURCH, Julia (1959-view full entry

Reference: CHURCH, Julia (1959-
'Virgin Press' screen printed poster bw OVWA alpha
'Women's Weekly' photo screenprint col PMAA p.57
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CHURCHER, Roy (1933-view full entry

Reference: CHURCHER, Roy (1933-
'Artist in the Studio at Night' char & conte bw MDIA p.114
'Garden After the Rain' acry bw QUWO no.12
'Good Morning' spp bw QAGS p.208

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CILENTO, Margaret (1923-view full entry

Reference: CILENTO, Margaret (1923-
'Icarus' engr bw BAPA p.40
'Quarry After Rain' oil bw QUWO no.13

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CIPRIANI, Giovanni Batista (1728-85)view full entry

Reference: CIPRIANI, Giovanni Batista (1728-85)
'The Landing at Erramanga' pen & wash bw SEVA pl 55
'The Landing at Erramanga' pen & wash bw SEVB p.47
'A View of the Inside of a House in the Island of Ulietea' engr by Bartolozzi bw SEVB p.47

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CLACK, A. Bakerview full entry

Reference: CLACK, A. Baker
'Landscape' oil bw NTCA pl.64

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CLARK, Dean (1929-view full entry

Reference: CLARK, Dean (1929-
'Rolling Countryside' ? bw DAAC p.78

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CLARK, James (1838-1915)view full entry

Reference: CLARK, James (1838-1915)
'Bush Scene' penc, wash & gouache bw WALD p.67
The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CLARK, Jean (1912-view full entry

Reference: CLARK, Jean (1912-
'Cathedral' woodcut bw WDAP82 p.9

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

CLARK, Marc (1923-view full entry

Reference: CLARK, Marc (1923-

'Eternal Flame' sculp col WOAD p.19
'Marcellin Champagnat' sculp col WOAD p.23
'Monument to the "Loch Ard"' ferro-concrete sculp bw MEAB ill.70
'My Celtic Ancestors' mountain ash sculp bw JBAG no.54
'Sir Edmund Barton' sculp col WOAD p.1

The above title/s of works by this artist are listed in ‘Illustration Index to Australian Art - Reproductions in art monographs and exhibition catalogues’, compiled by Ray Choate. This is an index to approximately 260 books and catalogues on Australian art, which provides titles of works of art used as illustrations. Information is given, when known, concerning the medium of the original, whether the illustration is in colour or black/white, and the page or other reference number in the text where the reproduction occurs. A FOUR-DIGIT CODE is given to each publication that has been indexed and a full list of these abbreviations and matching publications can be found at the ‘Illustration Index to Australian Art’ compiled by Ray Choate which is currently online at http://library.adelaide.edu.au/coll/artindex/index.html or at the Blog on this artresearch.com.au website.

Publishing details: La Trobe University Library, 1990, hardcopy in Scheding Library. The index is online at http://library.adelaide.edu.au/coll/artindex/index.html

Feint Adrianview full entry

Reference: Adrian Feint and his bookplates by John Gartner

Publishing details: Melbourne : The Hawthorn Press, 1940. Duodecimo, original pale olive stiff wrappers with title and decoration in black, stitched, loose original bookplate by Adrian Feint for Barbara Lane Mullins (printed in blue ink), pp [11], with illustrations of 3 bookplates. The edition was limited to only 100 copies. Keain, 156.
Ref: 1005

Byrne Haroldview full entry

Reference: Etched book-plates by Harold Byrne ; with an introduction by John Lane Mullins. [9] etched bookplates tipped-in on rectos of [9] leaves, being bookplates for John Lane Mullins; Eileen Joyce; Beryl, Zara & Cherry Rossbotham; Eric McDonald; Rosemond P. A. Lane; Ray G. Garden; Uther Barker; John P. Ferris, and Harold J. Howes; interleaving intact,

Copies are recorded in six Australian collections (Art Gallery of New South Wales. Edmund and Joanna Capon Research Library and Archive; Charles Sturt University Library; National Library of Australia; State Library of New South Wales; State Library of Victoria; University of New South Wales).
Publishing details: Sydney : [the Author], 1936. Limited edition of 25 signed and numbered copies (this is copy no. 13), 20 of which were for sale. "The paper used in making this book is Worthy Coronet. The plates were hand wiped and printed by the artist." (Colophon). Quarto, original parchment-backed papered boards with etched paper label to upper board (boards very lightly rubbed, some sunning to the edges), etched title tipped-in, [1] leaf (text),
Ref: 1000

Mort Ireneview full entry

Reference: Checklist of the bookplates of Eirene Mort by Australian Bookplate Club. A checklist of 75 bookplates. The third publication of the Australian Bookplate Club.
Publishing details: The Hawthorn Press, 1943. Octavo, lettered blue wrappers (spine sunned, as usual, small mark from sticker at foot, short tear to paper at head and foot), [xvi], seven tipped-in bookplates, contents fine. printed in an edition of 150 copies.

Ref: 1009

Buckmaster Ernest (1897-1968)view full entry

Reference: Exhibition of oil paintings by E. Buckmaster Athenaeum Art Gallery 188 Collins Street, Melbourne. Exhibition open from 10 a.m. Monday, 10th July, 1950 .... printed list of 45 works and prices, with 3 black and white reproductions of paintings;
Publishing details: Melbourne : Athenaeum Art Gallery, 1950. Single sheet of card, folding to 245 x 125 mm,
Ref: 1000

Duncan Frank & Coview full entry

Reference: Auckland : 51 artistic views, 2 panorama of water front and harbour.

Publishing details: Auckland, N.Z. : Frank Duncan & Co., [c.1918]. Small oblong quarto, publisher's stiff wrappers lettered in gilt, silk ties, [12] pp of half tone photographic plates and one folding leaf with triple panel panoramas recto and verso, Bagnall, D726. Only two copies are recorded in Australasian collections (Alexander Turnbull Library; Auckland Libraries) …
Ref: 1000

Godson John Bview full entry

Reference: John B. Godson bookplates - 10 bookplates tipped-in, mostly original etchings, and a checklist of Godson's bookplates.
Publishing details: Sydney : Lieutenant G. C. Ingleton [Golden Lantern Press], 1933. Edition limited to 150 copies. Duodecimo, quarter-cloth over papered boards, unpaginated,
Ref: 1000

Collins Halview full entry

Reference: The parlement of pratlers : a series of Elizabethan dialogues and monologues
[ELIOT, John] LINDSAY, Jack (editor); COLLINS, Hal (illustrator)

illustrating daily life and the conduct of a gentleman on the grand tour : extracted from Ortho-epia gallica, a book on the correct pronunciation of the French language written by John Eliot and published in the year 1593.

Publishing details: London : The Fanfrolico Press, 1928. Edition limited to 75 numbered copies (no. 14), signed by the illustrator on the limitation page. Octavo, full vellum with red decoration on upper board, top edges gilt, fore-and bottom edges untrimmed, 119 pp, with 35 woodcut illustrations by Hal Collins, a fine copy. Arnold, 18 See also Prospectus for The parlement of pratlers (April, 1928), single sheet folded to form [4] pp, 204 x 125 mm, woodcut illustration, some foxing; with loose specimen illustration sheet (The slasher and The falkener), toning at left edge, otherwise fine. Arnold, P15.

Ref: 1000

Olsen Johnview full entry

Reference: John Olsen 81-82 and Noela Hjorth, exhibition catalogue, text by Geoffrey Dutton and Alex Bortignon, illustrated in colour.

Publishing details: Quarto, exhibition catalogue, illustrated wrappers, pp. 20,
Ref: 1000

Hjorth Noela view full entry

Reference: see John Olsen 81-82 and Noela Hjorth, exhibition catalogue, text by Geoffrey Dutton and Alex Bortignon, illustrated in colour.

Publishing details: Quarto, exhibition catalogue, illustrated wrappers, pp. 20,

Olsen Johnview full entry

Reference: John Olsen. Past and present,

Publishing details: Sydney : Tim Olsen Gallery, 2000. Quarto, exhibition catalogue, pp. 8, illustrated in colour,
Ref: 1000

Olsen Johnview full entry

Reference: John Olsen at Australian Galleries

Publishing details: Melbourne : Australian Galleries, 1982. Quarto, exhibition catalogue, pp. 4, cover illustration, catalogue of 13 works.
Ref: 1000

Dennys Joyceview full entry

Reference: [SHEET MUSIC] Soldier tunes
by Edga Moy; Joyce Dennys (illustrator. Cover: "Winthrop Rogers edition".
Publishing details: Sydney : Boosey & Hawkes (Aust.) Pty. Ltd., [copyright 1927, but later]. Quarto, pictorial wrappers, 14 pp, vignette illustrations,
Ref: 1000

Beware Books by Artistsview full entry

Reference: Beware Books by Artists - Artists’ books fair ‘94, by Noreen Grahame [to be indexed]

Publishing details: Brisbane: Numero Uno Publications, 1994. Octavo, pictorial wrappers and jacket (some creasing along jacket spine), Japanese style binding, 75pp. Numbered 160 of 250 and includes a linocut bookmark by Ron McBurnie. Illustrated in black and white throughout, and includds introduction by Noreen Grahame.
Ref: 1009

Day Fine Artview full entry

Reference: Day Fine Art catalogue [April?] 2015. Colonial to Contemporary.
Publishing details: Day Fine Art, 2015, pb, 6pp folding card, 19 illustrations
Ref: 132

Gabori Sally c1924-2015view full entry

Reference: obituary in SMH
Publishing details: Friday April 10 2015 p28
Ref: 133

Digby Desmond view full entry

Reference: obituary in SMH
Publishing details: Friday April 15 2015 p20
Ref: 133

Sydney 6view full entry

Reference: Hinders, Lewers, Plates: Abstract artists, friends, partners, siblings, 1940s-1970s, exhibition at Newcastle Art Gallery. Postcard for exhibition
Publishing details: Newcastle Art Gallery, 9 May - 2 August 2015.
Ref: 133

Fitzjames Michaelview full entry

Reference: Australian Financial Review article on a medical episode suffered by the artist. Includes biographical details and references to his paintings.
Publishing details: AFR, 20-26 December, 2014, p50-51
Ref: 130

Pieterse Kirsteenview full entry

Reference: ‘Scholar Stomes - Interpretations - exhibition invite
Publishing details: Martin Browne Contemporary, 2015, 10pp folding card, with price list
Ref: 222

McGonagle Timview full entry

Reference: Vista Drive - exhibition invite
Publishing details: Martin Browne Contemporary, 2015, 4 pp folding card, with price list
Ref: 222

George Angelina 1937 - 2014view full entry

Reference: obituary in SMH
Publishing details: Thursday April 23 2015 p35
Ref: 133

Sayers Andrewview full entry

Reference: Andrew Sayers - Nature Throgh the Glass of Time. Exhibition catalogue, Lauraine Diggins Fine Art, 2 May - 27 June 2015. Includes essay by Tim Bonyhady. (Andrew sayers was previously director of the National Portrait Gallery).
Publishing details: Lauraine Diggins Fine, 2015, 8 pp folding card. Includes price list. 16 colour illustrations.
Ref: 222

Eiseman Jon view full entry

Reference: Jon Eiseman - Borderland, exhibition invite Arthouse Gallery, 2015. Includes briedf notes on the artist.
Publishing details: Arthouse Gallery, 2015
Ref: 222

Walker Emmaview full entry

Reference: Emma Walker - Intimate Immensity, exhibition invite Arthouse Gallery, 2015. Includes briedf notes on the artist.
Publishing details: Arthouse Gallery, 2015
Ref: 222

Schlieper Michael 1947-2015view full entry

Reference: obituary in SMH
Publishing details: Thursday May 7, 2015 p35
Ref: 133

Convey Sylvia & Tonyview full entry

Reference: see Double Vision - A Shared Journey', Sylvia and Tony Convey, by Professor Colin Rhodes,
Publishing details: Tellurian Research, 2015

Convey Tonyview full entry

Reference: Tony Convey, 'Hypergraphica', Callan Park Gallery Sydney College Of the Arts 2014.
Publishing details: Sydney College Of the Arts 2014.
Ref: 1000

Boyes Mabel Maryview full entry

Reference: at Gowans antiques auction 20 June 2015: EARLY TASMANIAN WATER COLOUR BY MABEL MARY BOYES,GRANDDAUGHTER OF GTW BOYES 1786-1853 (EARLY COLONIAL ARTIST AND VDL COLONIAL AUDITOR). Dates 1884. Appeared to be signed WW Boyes.

Harrisson Cview full entry

Reference: at Gowans antiques auction 20 June 2015: MONOCHROME OIL PAINTING BY C HARRISSON OF YACHT IN DERWENT RIVER. HARRISSON WAS BORN IN TASMANIA IN 1866 AND WAS A WELL KNOWN ARTIST,BIOLOGIST AND ANTARCTIC EXPEDITIONER INCLUDING WITH MAWSON.

KNIGHT EMILY (AMELIA)LANGDON (1850-1925)view full entry

Reference: at Gowans antiques auction 20 June 2015: PENCIL DRAWING BY EMILY (AMELIA)LANGDON KNIGHT (1850-1925) "AFTER THE BUSHFIRE". EMILY WAS THE DAUGHTER OF TASMANIAN SKETCHER AND MERCHANT WILLIAM KNIGHT ALSO DRAWN BY THOMAS BOCK AND THOMAS WAINEWRIGHT. 42 X 26.8 CM

Tolamsky Ottilie (Australian/British 1912-1977)view full entry

Reference: see Fine Antique & Interior Sales with an Evening Sale of Art by Wright Marshall Ltd
May 12, 2015, 10:00 am, Knutsford, United Kingdom: Estimated Price: £100 - £150
Description: Ottilie Tolamsky (Australian/British, 1912-1977) - 'Woodland view' Oil on canvas, signed, bears typed and handwritten labels verso, approx 60x50cm, unframed. (Cezannesque Post Impresstionist landscape, cf John Passmore).

Sayers Andrewview full entry

Reference: Andrew Sayers: Nature Through the Glass of Time at Lauraine Diggins Fine Art | 29-Apr-2015
Lauraine Diggins Fine Art is pleased to present Andrew Sayers: Nature Through the Glass of Time. This large selection of works, ranging from the late 1980s to today, examines the artist's engagement with both time and nature. Many of the works reveal his interest in geology. The still life paintings of rocks embody the character of a place, so they act as a kind of portrait and contain landscapes within. The gouaches of seascapes with their focus on headlands, beaches and skies were mostly painted en plain air, whilst his recent large oil paintings have an anchor in traditional landscape. Andrew Sayers is perhaps better known as the inaugural Director of the National Portrait Gallery and Director of the National Museum of Australia, Canberra.

Rogers Andrewview full entry

Reference: Andrew Rogers - Come to the Edge at Mossgreen Gallery. Scupture. Illustrated. Includes essay and biographical information.
Publishing details: Mossgreen Gallery, 2015, pb, 36pp
Ref: 222

Cook William Delafield 1936-2015view full entry

Reference: obituary by John McDonald in Sydney Morning Herald, May 9-10, 2015, p43
Ref: 133

Indigenous Australiaview full entry

Reference: Indigenous Australia: enduring civilisation. The accompanying title to the major Museum exhibition, Indigenous Australia: enduring civilisation, 23 April - 2 August 2015. We are pleased to offer this title at the special Museum price of £25.00 (RRP £30.00).

This book features superb new photography and stunning landscape shots with an extraordinary selection of objects showcasing the beauty and knowledge embodied in works of art and everyday life from Indigenous Australia.

This ground-breaking new publication explores the profound impact and legacy of colonialism, the nature of collecting and the changing meaning of objects now in the collection of the British Museum. The encounters between Indigenous peoples and colonists were complex and nuanced, and contemporary Australian society is still dealing with this legacy, trying to transform or reconcile different worldviews.

More about the authors

Gaye Sculthorpe is Curator, Oceania, British Museum, and curator of the exhibition Indigenous Australia: enduring civilization.

John Carty is Research Fellow, Australia National University.

Howard Morphy is Research Professor of Anthropology, Australia National University.

Maria Nugent is Research Fellow, Australia National University.

Ian Coates is Head – Collections Development, National Museum of Australia

Lissant Bolton is Keeper, Africa, Oceania and the Americas, British Museum.

Jonathan Jones is an Aboriginal (Wiradjuri / Kamilaroi) artist and curator

Publishing details: British Museum Press, 2015, 250 colour illustrations
Ref: 1000

Aboriginal Artview full entry

Reference: see Indigenous Australia: enduring civilisation. The accompanying title to the major Museum exhibition, Indigenous Australia: enduring civilisation, 23 April - 2 August 2015. We are pleased to offer this title at the special Museum price of £25.00 (RRP £30.00).

This book features superb new photography and stunning landscape shots with an extraordinary selection of objects showcasing the beauty and knowledge embodied in works of art and everyday life from Indigenous Australia.

This ground-breaking new publication explores the profound impact and legacy of colonialism, the nature of collecting and the changing meaning of objects now in the collection of the British Museum. The encounters between Indigenous peoples and colonists were complex and nuanced, and contemporary Australian society is still dealing with this legacy, trying to transform or reconcile different worldviews.

More about the authors

Gaye Sculthorpe is Curator, Oceania, British Museum, and curator of the exhibition Indigenous Australia: enduring civilization.

John Carty is Research Fellow, Australia National University.

Howard Morphy is Research Professor of Anthropology, Australia National University.

Maria Nugent is Research Fellow, Australia National University.

Ian Coates is Head – Collections Development, National Museum of Australia

Lissant Bolton is Keeper, Africa, Oceania and the Americas, British Museum.

Jonathan Jones is an Aboriginal (Wiradjuri / Kamilaroi) artist and curator

Publishing details: British Museum, 2015

Swift Mrsview full entry

Reference: Mrs Swift is recorded as exhibiting with the Royal Art Society. But this may not be ‘L. Smith’ but (Mrs?) M H Swift who may have been married to E. Stanhope Swift, another artist exhibiting with RAS 1909 – 1910. Their address was ‘Taracocia’, Railway Street, Chatswood. But there is also another artist by the name of D A Stanhope Swift who exhibited a seascape in 1915 at the RAS Artists’ War Fund Exhibition (no 21, 5gns).

Furthermore, an artist whose name was simply given as Swift exhibited ‘Sketch, North Coast’ in 1909 at RAS (address given as 233 Macquarie Street).

Swiftview full entry

Reference: Mrs Swift is recorded as exhibiting with the Royal Art Society. But this may not be ‘L. Smith’ but (Mrs?) M H Swift who may have been married to E. Stanhope Swift, another artist exhibiting with RAS 1909 – 1910. Their address was ‘Taracocia’, Railway Street, Chatswood. But there is also another artist by the name of D A Stanhope Swift who exhibited a seascape in 1915 at the RAS Artists’ War Fund Exhibition (no 21, 5gns).

Furthermore, an artist whose name was simply given as Swift exhibited ‘Sketch, North Coast’ in 1909 at RAS (address given as 233 Macquarie Street).

Swift M Hview full entry

Reference: Mrs Swift is recorded as exhibiting with the Royal Art Society. But this may not be ‘L. Smith’ but (Mrs?) M H Swift who may have been married to E. Stanhope Swift, another artist exhibiting with RAS 1909 – 1910. Their address was ‘Taracocia’, Railway Street, Chatswood. But there is also another artist by the name of D A Stanhope Swift who exhibited a seascape in 1915 at the RAS Artists’ War Fund Exhibition (no 21, 5gns).

Furthermore, an artist whose name was simply given as Swift exhibited ‘Sketch, North Coast’ in 1909 at RAS (address given as 233 Macquarie Street).

Swift E Stanhopeview full entry

Reference: Mrs Swift is recorded as exhibiting with the Royal Art Society. But this may not be ‘L. Smith’ but (Mrs?) M H Swift who may have been married to E. Stanhope Swift, another artist exhibiting with RAS 1909 – 1910. Their address was ‘Taracocia’, Railway Street, Chatswood. But there is also another artist by the name of D A Stanhope Swift who exhibited a seascape in 1915 at the RAS Artists’ War Fund Exhibition (no 21, 5gns).

Furthermore, an artist whose name was simply given as Swift exhibited ‘Sketch, North Coast’ in 1909 at RAS (address given as 233 Macquarie Street).

Swift D A Stanhopeview full entry

Reference: Mrs Swift is recorded as exhibiting with the Royal Art Society. But this may not be ‘L. Smith’ but (Mrs?) M H Swift who may have been married to E. Stanhope Swift, another artist exhibiting with RAS 1909 – 1910. Their address was ‘Taracocia’, Railway Street, Chatswood. But there is also another artist by the name of D A Stanhope Swift who exhibited a seascape in 1915 at the RAS Artists’ War Fund Exhibition (no 21, 5gns).

Furthermore, an artist whose name was simply given as Swift exhibited ‘Sketch, North Coast’ in 1909 at RAS (address given as 233 Macquarie Street).

Art + Soulview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Nakazawa Claire view full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Day Fine Art, Blackheath, 2015

Tjupurrula Bobby Westview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Kurddal Crusoeview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Deacon Destinyview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Watson Jennyview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Napangati Yukaltjiview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Tjapaltjarri Warlimpirrngaview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Maynard Rickyview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Namatjira Lenieview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Pareroultja Ivyview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Munduwalawala Ginger Rileyview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Peters Rustyview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Bishop Mervynview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Bell Richardview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Riley Michaelview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Gumana Gawirrinview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Yunupingu Gulumbuview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Mung Mung Patrickview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Koolmatrie Yvonneview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Wonaeamirri Pedroview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Croft Brenda Lview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Kngwarray Emily Kam view full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Bell Richardview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Bishop Mervynview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

McRae Tommyview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Mawurndjul Johnview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Nakamarra Doreen Reidview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Namatjira Albertview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Nungurrayi Naataview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Onus Linview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Thomas Roverview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Tjapaltjarri Jackie Kurltjunyintja Gilesview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Papunya Tula artistsview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Papunya Tula artistsview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Tjupurrula Bobby Westview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpufHetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Upward Peter about 7 referencesview full entry