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Sievers Wolfgangview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Sievers Wolfgang

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Shmith Atholview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Shmith Athol

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Michaelis Margaretview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Michaelis Margaret

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Friend Donaldview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Friend Donald

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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O’Brien Justinview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

O’Brien Justin

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Drysdale Russellview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Drysdale Russell

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Griffin Walter Burleyview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Griffin Walter Burley

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Griffin Marion Mahonyview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Griffin Marion Mahony

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Seidler Harryview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Seidler Harry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Romberg Frederick p327view full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Romberg Frederick p327

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Utzon Jornview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Utzon Jorn

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Boyd Arthurview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Boyd Arthur

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Vassilieff Danilaview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Vassilieff Danila

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Perceval Johnview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Perceval John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Miller Godfreyview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Miller Godfrey

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Passmore Johnview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Passmore John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Kemp Rogerview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Kemp Roger

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Fairweather Ianview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Fairweather Ian

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Pugh Cliftonview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Pugh Clifton

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Dickerson Robertview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Dickerson Robert

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Blackman Charlesview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Blackman Charles

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Brack Johnview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Brack John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Molvig Johnview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Molvig John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Olsen Johnview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Olsen John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Rapotec Stanislausview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Rapotec Stanislaus

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Upward Peterview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Upward Peter

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Plate Carlview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Plate Carl

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Crothall Rossview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Crothall Ross

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Lanceley Colinview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Lanceley Colin

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Brown Mikeview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Brown Mike

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Johnson Michaelview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Johnson Michael

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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French Leonardview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

French Leonard

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Senbergs Janview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Senbergs Jan

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Baldessin Georgeview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Baldessin George

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Kossatz Lesview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Kossatz Les

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Sibley Andrewview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Sibley Andrew

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Fabian Erwinview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Fabian Erwin

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Hirschfeld-Mack Ludwigview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Hirschfeld-Mack Ludwig

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Salkauskas Henryview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Salkauskas Henry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Maddock Beaview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Maddock Bea

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Mitelman Allenview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Mitelman Allen

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Leti Brunoview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Leti Bruno

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Sharp Martinview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Sharp Martin

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Hanrahan Barbaraview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Hanrahan Barbara

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Mackinolty Chipsview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Mackinolty Chips

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Whiteley Brettview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Whiteley Brett

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Callaghan Michaelview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Callaghan Michael

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Gilbert Kevinview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Gilbert Kevin

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Watson Judyview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Watson Judy

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Morgan Sallyview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Morgan Sally

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Nona Dennisview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Nona Dennis

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Casey Karenview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Casey Karen

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Williams Fredview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Williams Fred

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Gascoigne Rosalieview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Gascoigne Rosalie

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Robinson Williamview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Robinson William

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Wolseley Johnview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Wolseley John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Tjapaltjarri Clifford Possumview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Tjapaltjarri Clifford Possum

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Tjapaltjarri Tim Leuraview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Tjapaltjarri Tim Leura

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Nelson Michael Jagamaraview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Nelson Michael Jagamara

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Spencer Larry Jungqrrayiview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Spencer Larry Jungqrrayi

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Lawson Louisa Napaljarriview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Lawson Louisa Napaljarri

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Stewart Paddy Japaljarriview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Stewart Paddy Japaljarri

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Sims Paddy Japaljarriview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Sims Paddy Japaljarri

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Nelson Paddy Jupurruriaview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Nelson Paddy Jupurruria

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Curtis Roy Jupurruriaview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Curtis Roy Jupurruria

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Watson Judy Napangardiview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Watson Judy Napangardi

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Kngwarreye Emily Kameview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Kngwarreye Emily Kame

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Thomas Roverview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Thomas Rover

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Yirrikala artistsview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Yirrikala artists

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Mawurndjul Johnview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Mawurndjul John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Milpurrurra Georgeview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Milpurrurra George

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Daymirringu David Malangoview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Daymirringu David Malango

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Maymuru Narritjinview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Maymuru Narritjin

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Marika Wandjukview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Marika Wandjuk

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Raminining artistsview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Raminining artists

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Munduwalawala Ginger Rileyview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Munduwalawala Ginger Riley

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Riley Michaelview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Riley Michael

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Onus Linview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Onus Lin

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Nickolls Trvorview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Nickolls Trvor

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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King Ingeview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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King Inge

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Redpath Normaview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Redpath Norma

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Klippel Robertview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Klippel Robert

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Robertson-Swan Ronview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Robertson-Swan Ron

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Davis Johnview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Davis John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Rrap Julieview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Rrap Julie

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Orr Jillview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Orr Jill

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Booth Peterview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Booth Peter

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Larwill Davidview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Larwill David

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Walker Murrayview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Walker Murray

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Sansom Gareth view full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Sansom Gareth

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Shead Garryview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Shead Garry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Firth-Smith Johnview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Firth-Smith John

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Amor Rickview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Amor Rick

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Harris Brentview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Harris Brent

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Tomescu Aidaview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Tomescu Aida

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Cattapan Jonview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Cattapan Jon

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Taylor Howardview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Taylor Howard

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Arkley Howardview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Arkley Howard

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Whisson Kenview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Whisson Ken

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Smart Jeffreyview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Smart Jeffrey

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Tuckson Tonyview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Tuckson Tony

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Johnson Timview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Johnson Tim

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Hamm Treahnaview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Hamm Treahna

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Dowling Julieview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Dowling Julie

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Foley Fionaview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Foley Fiona

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Henson Billview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Henson Bill

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Moffatt Traceyview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Moffatt Tracey

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Laing Rosemaryview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Laing Rosemary

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Brassington Patview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Brassington Pat

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Gleeson Jamesview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Gleeson James

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Daws Lawrenceview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Daws Lawrence

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Smart Sallyview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Smart Sally

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Hall Fiona and illustrated on coverview full entry

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]
Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

×

Hall Fiona and illustrated on cover

Reference: see Australian Art - A History by Sasha Grishin. Includes bibliographical references (pages 534-545) and index. Many artists who have been written about in some depth in this volume have been included in the Scheding Index but this volume still needs to be indexed fully. [’A comprehensive and definitive history of Australian Art, now in a paperback edition. Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Lavishly illustrated and meticulously researched, Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world. A major emphasis is placed on the art of the past fifty years, when both Indigenous and non-Indigenous Australian art have received widespread international acclaim. All major expressions of visual culture in Australia are addressed, including painting, sculpture, graphic arts, photography, applied arts, installation art and digital art.’]

Publishing details: The Miegunyah Press, an imprint of Melbourne University Publishing , 2015 (second edition), pb, xi, 570 pages : illustrations (chiefly colour). 

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Not dead yetview full entry

Reference: Not dead yet : a retrospective exhibition / Therese Ritchie & Chips Mackinolty.
Not dead yet was part of the 2010 Darwin Festival.
Full contents • Truth before politics: together, sideways and apart / Anita Angel
• Maverick boundary riders / Hetti Perkins
• Busy little insects: working at Green Ant / Joanna Barrkman
• Wanted: dead or alive / Andrew McMillan
• Social fabric
• Not dead yet: the exhibition.
Publishing details: Nightcliff, N.T. : Black Dog Graphics, 2010, 72 p. : chiefly col. ill.
Ref: 1000

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Not dead yet

Reference: Not dead yet : a retrospective exhibition / Therese Ritchie & Chips Mackinolty.
Not dead yet was part of the 2010 Darwin Festival.
Full contents • Truth before politics: together, sideways and apart / Anita Angel
• Maverick boundary riders / Hetti Perkins
• Busy little insects: working at Green Ant / Joanna Barrkman
• Wanted: dead or alive / Andrew McMillan
• Social fabric
• Not dead yet: the exhibition.

Publishing details: Nightcliff, N.T. : Black Dog Graphics, 2010, 72 p. : chiefly col. ill.

Location: 1000

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Ritchie Therese view full entry

Reference: see Not dead yet : a retrospective exhibition / Therese Ritchie & Chips Mackinolty.
Not dead yet was part of the 2010 Darwin Festival.
Full contents • Truth before politics: together, sideways and apart / Anita Angel
• Maverick boundary riders / Hetti Perkins
• Busy little insects: working at Green Ant / Joanna Barrkman
• Wanted: dead or alive / Andrew McMillan
• Social fabric
• Not dead yet: the exhibition.
Publishing details: Nightcliff, N.T. : Black Dog Graphics, 2010, 72 p. : chiefly col. ill.

×

Ritchie Therese

Reference: see Not dead yet : a retrospective exhibition / Therese Ritchie & Chips Mackinolty.
Not dead yet was part of the 2010 Darwin Festival.
Full contents • Truth before politics: together, sideways and apart / Anita Angel
• Maverick boundary riders / Hetti Perkins
• Busy little insects: working at Green Ant / Joanna Barrkman
• Wanted: dead or alive / Andrew McMillan
• Social fabric
• Not dead yet: the exhibition.

Publishing details: Nightcliff, N.T. : Black Dog Graphics, 2010, 72 p. : chiefly col. ill.

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Mackinolty Chips view full entry

Reference: see Not dead yet : a retrospective exhibition / Therese Ritchie & Chips Mackinolty.
Not dead yet was part of the 2010 Darwin Festival.
Full contents • Truth before politics: together, sideways and apart / Anita Angel
• Maverick boundary riders / Hetti Perkins
• Busy little insects: working at Green Ant / Joanna Barrkman
• Wanted: dead or alive / Andrew McMillan
• Social fabric
• Not dead yet: the exhibition.
Publishing details: Nightcliff, N.T. : Black Dog Graphics, 2010, 72 p. : chiefly col. ill.

×

Mackinolty Chips

Reference: see Not dead yet : a retrospective exhibition / Therese Ritchie & Chips Mackinolty.
Not dead yet was part of the 2010 Darwin Festival.
Full contents • Truth before politics: together, sideways and apart / Anita Angel
• Maverick boundary riders / Hetti Perkins
• Busy little insects: working at Green Ant / Joanna Barrkman
• Wanted: dead or alive / Andrew McMillan
• Social fabric
• Not dead yet: the exhibition.

Publishing details: Nightcliff, N.T. : Black Dog Graphics, 2010, 72 p. : chiefly col. ill.

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Mackinolty Chips view full entry

Reference: The wealth of the land : an exhibition of prints / Chips Mackinolty, by Chips Mackinolty,

Publishing details: Bolongna, Italy : Grafiche dell'Artiere, [2016] , © 2016
Ref: 1000

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Mackinolty Chips

Reference: The wealth of the land : an exhibition of prints / Chips Mackinolty, by Chips Mackinolty,

Publishing details: Bolongna, Italy : Grafiche dell'Artiere, [2016] , © 2016

Location: 1000

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Bass Tomview full entry

Reference: Tom Bass, edited by Genevieve Carson. Bibliography: p. 51-55.
Publishing details: Erskineville, N.S.W. : Tom Bass Sculpture Studio School Inc., 2006 
56 p. : col. ill., col. ports
Ref: 1009

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Bass Tom

Reference: Tom Bass, edited by Genevieve Carson. Bibliography: p. 51-55.

Publishing details: Erskineville, N.S.W. : Tom Bass Sculpture Studio School Inc., 2006 
56 p. : col. ill., col. ports

Location: 1009

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Harris Brentview full entry

Reference: Brent Harris by Jane Devery
Publishing details: Melbourne, Vic. : National Gallery of Victoria, 2012 
31 p. : col. ill.
Ref: 1000

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Harris Brent

Reference: Brent Harris by Jane Devery

Publishing details: Melbourne, Vic. : National Gallery of Victoria, 2012 
31 p. : col. ill.

Location: 1000

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Fauchery Antoineview full entry

Reference: Letters from a miner in Australia / by Antoine Fauchery ; translated from the French by A.R. Chisholm ; with drawings by Ron Edwards. ‘Personal account describing Melbourne and the Victorian goldfields at the height of the goldrush in the 1850s ; occasional references to squatters' treatment of Aboriginal people.’ Original ed. published Paris: Poulet-Malassis et De Broise, 1857. Translation of: Lettres d'un mineur en Australie.
Publishing details: Melbourne : Georgian House, 1965, xxv, 105 p., [3] leaves of plates : ill., ports
Ref: 1000

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Fauchery Antoine

Reference: Letters from a miner in Australia / by Antoine Fauchery ; translated from the French by A.R. Chisholm ; with drawings by Ron Edwards. ‘Personal account describing Melbourne and the Victorian goldfields at the height of the goldrush in the 1850s ; occasional references to squatters' treatment of Aboriginal people.’ Original ed. published Paris: Poulet-Malassis et De Broise, 1857. Translation of: Lettres d'un mineur en Australie.

Publishing details: Melbourne : Georgian House, 1965, xxv, 105 p., [3] leaves of plates : ill., ports

Location: 1000

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Edwards Ronview full entry

Reference: Letters from a miner in Australia / by Antoine Fauchery ; translated from the French by A.R. Chisholm ; with drawings by Ron Edwards. ‘Personal account describing Melbourne and the Victorian goldfields at the height of the goldrush in the 1850s ; occasional references to squatters' treatment of Aboriginal people.’ Original ed. published Paris: Poulet-Malassis et De Broise, 1857. Translation of: Lettres d'un mineur en Australie.
Publishing details: Melbourne : Georgian House, 1965, xxv, 105 p., [3] leaves of plates : ill., ports

×

Edwards Ron

Reference: Letters from a miner in Australia / by Antoine Fauchery ; translated from the French by A.R. Chisholm ; with drawings by Ron Edwards. ‘Personal account describing Melbourne and the Victorian goldfields at the height of the goldrush in the 1850s ; occasional references to squatters' treatment of Aboriginal people.’ Original ed. published Paris: Poulet-Malassis et De Broise, 1857. Translation of: Lettres d'un mineur en Australie.

Publishing details: Melbourne : Georgian House, 1965, xxv, 105 p., [3] leaves of plates : ill., ports

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Accounting for tastesview full entry

Reference: Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow
Publishing details: Cambridge ; Melbourne : Cambridge University Press, 1999, xiv, 313 pages
Ref: 1000

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Accounting for tastes

Reference: Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow

Publishing details: Cambridge ; Melbourne : Cambridge University Press, 1999, xiv, 313 pages

Location: 1000

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fashionview full entry

Reference: see Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow
Publishing details: Cambridge ; Melbourne : Cambridge University Press, 1999, xiv, 313 pages

×

fashion

Reference: see Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow

Publishing details: Cambridge ; Melbourne : Cambridge University Press, 1999, xiv, 313 pages

Location:

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styleview full entry

Reference: see Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow
Publishing details: Cambridge ; Melbourne : Cambridge University Press, 1999, xiv, 313 pages

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style

Reference: see Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow

Publishing details: Cambridge ; Melbourne : Cambridge University Press, 1999, xiv, 313 pages

Location:

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tasteview full entry

Reference: see Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow
Publishing details: Cambridge ; Melbourne : Cambridge University Press, 1999, xiv, 313 pages

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taste

Reference: see Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow

Publishing details: Cambridge ; Melbourne : Cambridge University Press, 1999, xiv, 313 pages

Location:

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Moments in timeview full entry

Reference: Moments in time : dioramas at the Australian War Memorial / Laura Back, Laura Webster

Publishing details: New Holland, 2008 
96 p. : ill. (some col.)
Ref: 1000

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Moments in time

Reference: Moments in time : dioramas at the Australian War Memorial / Laura Back, Laura Webster

Publishing details: New Holland, 2008 
96 p. : ill. (some col.)

Location: 1000

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war art - dioramasview full entry

Reference: see Moments in time : dioramas at the Australian War Memorial / Laura Back, Laura Webster

Publishing details: New Holland, 2008 
96 p. : ill. (some col.)

×

war art - dioramas

Reference: see Moments in time : dioramas at the Australian War Memorial / Laura Back, Laura Webster

Publishing details: New Holland, 2008 
96 p. : ill. (some col.)

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dioramasview full entry

Reference: see Moments in time : dioramas at the Australian War Memorial / Laura Back, Laura Webster

Publishing details: New Holland, 2008 
96 p. : ill. (some col.)

×

dioramas

Reference: see Moments in time : dioramas at the Australian War Memorial / Laura Back, Laura Webster

Publishing details: New Holland, 2008 
96 p. : ill. (some col.)

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Australian art world Theview full entry

Reference: The Australian art world : aesthetics in a global market / Annette Van den Bosch. Includes bibliographical references and index. [’A unique history of the Australian art market since World War II. Van den Bosch traces the development of the Australian art market from a small, parochial outpost to its integration into the major international art markets.

A unique history of the Australian art market, The Australian Art World combines an understanding of the work of professional Australian artists with a detailed analysis of the forces that drive the markets in which their work is sold.

In Australia after 1960 the relationship between artists and their society was altered as the expectations and tastes of the Australian public changed. The activities and expansion of National and State art galleries also instituted firm links with the market, through the promotion of the aesthetic values of Australian art and the establishment of artists' reputations. With the opening of Australian offices of Christie's and Sotheby's in the 1970s, and the recognition of Aboriginal art by collectors, the Australian art market was integrated into the major markets based in London and New York it is now part of a global market.

Annette van den Bosch traces the impact of the post-war development of the international art market, the rise of the major auction houses, the influence of wealthy collectors and the establishment of price indexes.

Essential reading for anyone involved in the art industry in Australia, The Australian Art World will also appeal to readers with an interest in art history, audience research, public policy, cultural economics and investment.

Nobody has written in quite the same depth or in quite the same context about the evolution of the Australian art market. So this book will fill an important gap in the literature on the visual arts in Australia.'

David Throsby is Professor of Economics at Macquarie University

It both enriches and challenges many of our long-held preconceptions about the way the art world was and the way it now is. It fills the gaps, it completes the big picture and it is essential subject reading.'

William Wright, Sherman Galleries’]

Publishing details: Allen & Unwin, 2005 
276 p. : ill., ports
Ref: 1000

×

Australian art world The

Reference: The Australian art world : aesthetics in a global market / Annette Van den Bosch. Includes bibliographical references and index. [’A unique history of the Australian art market since World War II. Van den Bosch traces the development of the Australian art market from a small, parochial outpost to its integration into the major international art markets.

A unique history of the Australian art market, The Australian Art World combines an understanding of the work of professional Australian artists with a detailed analysis of the forces that drive the markets in which their work is sold.

In Australia after 1960 the relationship between artists and their society was altered as the expectations and tastes of the Australian public changed. The activities and expansion of National and State art galleries also instituted firm links with the market, through the promotion of the aesthetic values of Australian art and the establishment of artists' reputations. With the opening of Australian offices of Christie's and Sotheby's in the 1970s, and the recognition of Aboriginal art by collectors, the Australian art market was integrated into the major markets based in London and New York it is now part of a global market.

Annette van den Bosch traces the impact of the post-war development of the international art market, the rise of the major auction houses, the influence of wealthy collectors and the establishment of price indexes.

Essential reading for anyone involved in the art industry in Australia, The Australian Art World will also appeal to readers with an interest in art history, audience research, public policy, cultural economics and investment.

Nobody has written in quite the same depth or in quite the same context about the evolution of the Australian art market. So this book will fill an important gap in the literature on the visual arts in Australia.'

David Throsby is Professor of Economics at Macquarie University

It both enriches and challenges many of our long-held preconceptions about the way the art world was and the way it now is. It fills the gaps, it completes the big picture and it is essential subject reading.'

William Wright, Sherman Galleries’]

Publishing details: Allen & Unwin, 2005 
276 p. : ill., ports

Location: 1000

Close

market in artview full entry

Reference: see The Australian art world : aesthetics in a global market / Annette Van den Bosch. Includes bibliographical references and index.

Publishing details: Allen & Unwin, 2005 
276 p. : ill., ports

×

market in art

Reference: see The Australian art world : aesthetics in a global market / Annette Van den Bosch. Includes bibliographical references and index.

Publishing details: Allen & Unwin, 2005 
276 p. : ill., ports

Location:

Close

art marketview full entry

Reference: see The Australian art world : aesthetics in a global market / Annette Van den Bosch. Includes bibliographical references and index.

Publishing details: Allen & Unwin, 2005 
276 p. : ill., ports

×

art market

Reference: see The Australian art world : aesthetics in a global market / Annette Van den Bosch. Includes bibliographical references and index.

Publishing details: Allen & Unwin, 2005 
276 p. : ill., ports

Location:

Close

Sievers Wolfgangview full entry

Reference: The Photography of Wolfgang Sievers, 1933 - 1993
Publishing details: Lisbon, 2000
Ref: 1000

×

Sievers Wolfgang

Reference: The Photography of Wolfgang Sievers, 1933 - 1993

Publishing details: Lisbon, 2000

Location: 1000

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Buvelot Louis Abrahamview full entry

Reference: see La Trobe Journal, No. 75, 2005, p62-72, ‘The migrant artist interpreting new worlds in Brazil and Australia.’ By Anne Colman.
Publishing details: La Trobe Journal, No. 75, 2005

×

Buvelot Louis Abraham

Reference: see La Trobe Journal, No. 75, 2005, p62-72, ‘The migrant artist interpreting new worlds in Brazil and Australia.’ By Anne Colman.

Publishing details: La Trobe Journal, No. 75, 2005

Location:

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Parr Mikeview full entry

Reference: Mike Parr, the self portrait project / [text by Graham Coulter-Smith]. Includes index.
Bibliography: 197-200.
Publishing details: Schwartz City, 1994 
203 p
Ref: 1000

×

Parr Mike

Reference: Mike Parr, the self portrait project / [text by Graham Coulter-Smith]. Includes index.
Bibliography: 197-200.

Publishing details: Schwartz City, 1994 
203 p

Location: 1000

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Museum of Art and Picture Gallery, Melbourne Public Libraryview full entry

Reference: see ‘For the love of art’ in The La Trobe Journal, no. 75, 2005.
Publishing details: La Trobe Journal, no. 75, 2005.

×

Museum of Art and Picture Gallery, Melbourne Public Library

Reference: see ‘For the love of art’ in The La Trobe Journal, no. 75, 2005.

Publishing details: La Trobe Journal, no. 75, 2005.

Location:

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Melbourne Public Library - Museum of Art and Picture Gallery, view full entry

Reference: see ‘For the love of art’ in The La Trobe Journal, no. 75, 2005.
Publishing details: La Trobe Journal, no. 75, 2005.

×

Melbourne Public Library - Museum of Art and Picture Gallery,

Reference: see ‘For the love of art’ in The La Trobe Journal, no. 75, 2005.

Publishing details: La Trobe Journal, no. 75, 2005.

Location:

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uses of art Theview full entry

Reference: The uses of art / Lisanne Gibson.
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Full contents • 1. Governing art and identity
• 2. Mechanics, gold and the uses of art
• 3. Art and national identity
• 4. A 'new deal' for art: war and reconstruction
• 5. The arts as industry
• 6. Cultural rights
• 7. Cultural development, cultural industries and youth.
Includes index.
Bibliography: p. [150]-165.
Publishing details: St Lucia, Qld. : University of Queensland Press in association with the Australian Key Centre for Cultural and Media Policy, Griffith University, 2001, viii, 173 p
Ref: 1000

×

uses of art The

Reference: The uses of art / Lisanne Gibson.
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Full contents • 1. Governing art and identity
• 2. Mechanics, gold and the uses of art
• 3. Art and national identity
• 4. A 'new deal' for art: war and reconstruction
• 5. The arts as industry
• 6. Cultural rights
• 7. Cultural development, cultural industries and youth.
Includes index.
Bibliography: p. [150]-165.

Publishing details: St Lucia, Qld. : University of Queensland Press in association with the Australian Key Centre for Cultural and Media Policy, Griffith University, 2001, viii, 173 p

Location: 1000

Close

art and identityview full entry

Reference: see The uses of art / Lisanne Gibson.
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Full contents • 1. Governing art and identity
• 2. Mechanics, gold and the uses of art
• 3. Art and national identity
• 4. A 'new deal' for art: war and reconstruction
• 5. The arts as industry
• 6. Cultural rights
• 7. Cultural development, cultural industries and youth.
Includes index.
Bibliography: p. [150]-165.
Publishing details: St Lucia, Qld. : University of Queensland Press in association with the Australian Key Centre for Cultural and Media Policy, Griffith University, 2001, viii, 173 p

×

art and identity

Reference: see The uses of art / Lisanne Gibson.
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Full contents • 1. Governing art and identity
• 2. Mechanics, gold and the uses of art
• 3. Art and national identity
• 4. A 'new deal' for art: war and reconstruction
• 5. The arts as industry
• 6. Cultural rights
• 7. Cultural development, cultural industries and youth.
Includes index.
Bibliography: p. [150]-165.

Publishing details: St Lucia, Qld. : University of Queensland Press in association with the Australian Key Centre for Cultural and Media Policy, Griffith University, 2001, viii, 173 p

Location:

Close

cultureview full entry

Reference: see The uses of art / Lisanne Gibson.
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Full contents • 1. Governing art and identity
• 2. Mechanics, gold and the uses of art
• 3. Art and national identity
• 4. A 'new deal' for art: war and reconstruction
• 5. The arts as industry
• 6. Cultural rights
• 7. Cultural development, cultural industries and youth.
Includes index.
Bibliography: p. [150]-165.
Publishing details: St Lucia, Qld. : University of Queensland Press in association with the Australian Key Centre for Cultural and Media Policy, Griffith University, 2001, viii, 173 p

×

culture

Reference: see The uses of art / Lisanne Gibson.
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Full contents • 1. Governing art and identity
• 2. Mechanics, gold and the uses of art
• 3. Art and national identity
• 4. A 'new deal' for art: war and reconstruction
• 5. The arts as industry
• 6. Cultural rights
• 7. Cultural development, cultural industries and youth.
Includes index.
Bibliography: p. [150]-165.

Publishing details: St Lucia, Qld. : University of Queensland Press in association with the Australian Key Centre for Cultural and Media Policy, Griffith University, 2001, viii, 173 p

Location:

Close

arts theview full entry

Reference: see The uses of art / Lisanne Gibson.
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Full contents • 1. Governing art and identity
• 2. Mechanics, gold and the uses of art
• 3. Art and national identity
• 4. A 'new deal' for art: war and reconstruction
• 5. The arts as industry
• 6. Cultural rights
• 7. Cultural development, cultural industries and youth.
Includes index.
Bibliography: p. [150]-165.
Publishing details: St Lucia, Qld. : University of Queensland Press in association with the Australian Key Centre for Cultural and Media Policy, Griffith University, 2001, viii, 173 p

×

arts the

Reference: see The uses of art / Lisanne Gibson.
Provides the first overview of the relationship between art and governance in Australia from the mid-nineteenth century to the present day. The book offers new perspectives on contemporary Australian cultural policy debates, and analyses the ways in which art has been used in different contexts.
Full contents • 1. Governing art and identity
• 2. Mechanics, gold and the uses of art
• 3. Art and national identity
• 4. A 'new deal' for art: war and reconstruction
• 5. The arts as industry
• 6. Cultural rights
• 7. Cultural development, cultural industries and youth.
Includes index.
Bibliography: p. [150]-165.

Publishing details: St Lucia, Qld. : University of Queensland Press in association with the Australian Key Centre for Cultural and Media Policy, Griffith University, 2001, viii, 173 p

Location:

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Grey Georgeview full entry

Reference: Journals of two expeditions of discovery in North-west and Western Australia, during the years 1837, 38, and 39 ... / by George Grey. Facsim. of ed. published London : T. & W. Boone, 1841 ; previously published: Adelaide : Libraries Board of South Australia, 1964.
Publishing details: Victoria Park, W.A. : Hesperian Press, 1983-1984 
2 v. (xi, 412 ; vii, 482 p., [24] leaves of plates (2 folded)) : ill. (some col.), 3 maps
Ref: 1000

×

Grey George

Reference: Journals of two expeditions of discovery in North-west and Western Australia, during the years 1837, 38, and 39 ... / by George Grey. Facsim. of ed. published London : T. & W. Boone, 1841 ; previously published: Adelaide : Libraries Board of South Australia, 1964.

Publishing details: Victoria Park, W.A. : Hesperian Press, 1983-1984 
2 v. (xi, 412 ; vii, 482 p., [24] leaves of plates (2 folded)) : ill. (some col.), 3 maps

Location: 1000

Close

Gill S Tview full entry

Reference: Dr. Doyle's sketches in Australia : a collection of prints from the original watercolour drawings in the Mitchell Library / S.T. Gill ; with notes on the drawings and an historical account of the association between S.T. Gill and Dr. J.T. Doyle by Sasha Grishin
Publishing details: Mitchell Library Press and Centaur Press, 1993 
127 p. : col. ill. One hundred numbered copies, signed by the author, Dr. Sasha Grishin, and five copies hors de commerce.
Ref: 1000

×

Gill S T

Reference: Dr. Doyle's sketches in Australia : a collection of prints from the original watercolour drawings in the Mitchell Library / S.T. Gill ; with notes on the drawings and an historical account of the association between S.T. Gill and Dr. J.T. Doyle by Sasha Grishin

Publishing details: Mitchell Library Press and Centaur Press, 1993 
127 p. : col. ill. One hundred numbered copies, signed by the author, Dr. Sasha Grishin, and five copies hors de commerce.

Location: 1000

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Hirschfeld-Mack Ludwigview full entry

Reference: The Bauhaus legacy at Geelong Grammar School, Corio : works designed, inspired or created by Ludwig Hirschfeld Mack (1893 - 1965) : art master 1942 - 1957 / by Felicity Renowden & Resi Schwarzbauer. Includes bibliographical references.
Publishing details: Kew East, Vic. : Felicity Renowden and Resi Schwarzbauer, 2008, 32 p. : ill.,
Ref: 1000

×

Hirschfeld-Mack Ludwig

Reference: The Bauhaus legacy at Geelong Grammar School, Corio : works designed, inspired or created by Ludwig Hirschfeld Mack (1893 - 1965) : art master 1942 - 1957 / by Felicity Renowden & Resi Schwarzbauer. Includes bibliographical references.

Publishing details: Kew East, Vic. : Felicity Renowden and Resi Schwarzbauer, 2008, 32 p. : ill.,

Location: 1000

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Hirschfeld-Mack Ludwigview full entry

Reference: Bauhaus Pedagogy in Exile [microform] : Ludwig Hirschfeld-Mack and Art Education,
by Peter Stasny.
Publishing details: [Washington, D.C.] : Distributed by ERIC Clearinghouse, 1999
Ref: 1000

×

Hirschfeld-Mack Ludwig

Reference: Bauhaus Pedagogy in Exile [microform] : Ludwig Hirschfeld-Mack and Art Education,
by Peter Stasny.

Publishing details: [Washington, D.C.] : Distributed by ERIC Clearinghouse, 1999

Location: 1000

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Hirschfeld-Mack Ludwigview full entry

Reference: Ludwig Hirschfeld-Mack by Andreas Hapkemeyer & Peter Stasny
Publishing details: 2000
Ref: 1000

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Hirschfeld-Mack Ludwig

Reference: Ludwig Hirschfeld-Mack by Andreas Hapkemeyer & Peter Stasny

Publishing details: 2000

Location: 1000

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Creating a sceneview full entry

Reference: Creating a scene - Australian artists as stage designers 1940-1965, by Leslie Harding
Publishing details: Melbourne Arts Centre, 2004
Ref: 1009

×

Creating a scene

Reference: Creating a scene - Australian artists as stage designers 1940-1965, by Leslie Harding

Publishing details: Melbourne Arts Centre, 2004

Location: 1009

Close

stage designview full entry

Reference: see Creating a scene - Australian artists as stage designers 1940-1965, by Leslie Harding
Publishing details: Melbourne Arts Centre, 2004

×

stage design

Reference: see Creating a scene - Australian artists as stage designers 1940-1965, by Leslie Harding

Publishing details: Melbourne Arts Centre, 2004

Location:

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Australian Prints Todayview full entry

Reference: Australian Prints Today
Publishing details: Smithsonian Institute, Washington DC, 1966
Ref: 1000

×

Australian Prints Today

Reference: Australian Prints Today

Publishing details: Smithsonian Institute, Washington DC, 1966

Location: 1000

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Prints view full entry

Reference: see Australian Prints Today
Publishing details: Smithsonian Institute, Washington DC, 1966

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Prints

Reference: see Australian Prints Today

Publishing details: Smithsonian Institute, Washington DC, 1966

Location:

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History of the S.A. Society of Artsview full entry

Reference: A history of the S.A. Society of Arts, Inc., 1856-1931 / compiled by Mary A. Overbury and H.E. Fuller ; and edited by Sir William Sowden. [To be indexed]
Publishing details: Hassell Press, 1933 
23 p.
Ref: 1000

×

History of the S.A. Society of Arts

Reference: A history of the S.A. Society of Arts, Inc., 1856-1931 / compiled by Mary A. Overbury and H.E. Fuller ; and edited by Sir William Sowden. [To be indexed]

Publishing details: Hassell Press, 1933 
23 p.

Location: 1000

Close

South Australian artview full entry

Reference: see A history of the S.A. Society of Arts, Inc., 1856-1931 / compiled by Mary A. Overbury and H.E. Fuller ; and edited by Sir William Sowden
Publishing details: Hassell Press, 1933 
23 p.

×

South Australian art

Reference: see A history of the S.A. Society of Arts, Inc., 1856-1931 / compiled by Mary A. Overbury and H.E. Fuller ; and edited by Sir William Sowden

Publishing details: Hassell Press, 1933 
23 p.

Location:

Close

Adelaide artview full entry

Reference: see A history of the S.A. Society of Arts, Inc., 1856-1931 / compiled by Mary A. Overbury and H.E. Fuller ; and edited by Sir William Sowden
Publishing details: Hassell Press, 1933 
23 p.

×

Adelaide art

Reference: see A history of the S.A. Society of Arts, Inc., 1856-1931 / compiled by Mary A. Overbury and H.E. Fuller ; and edited by Sir William Sowden

Publishing details: Hassell Press, 1933 
23 p.

Location:

Close

Society of Arts South Australiaview full entry

Reference: see A history of the S.A. Society of Arts, Inc., 1856-1931 / compiled by Mary A. Overbury and H.E. Fuller ; and edited by Sir William Sowden
Publishing details: Hassell Press, 1933 
23 p.

×

Society of Arts South Australia

Reference: see A history of the S.A. Society of Arts, Inc., 1856-1931 / compiled by Mary A. Overbury and H.E. Fuller ; and edited by Sir William Sowden

Publishing details: Hassell Press, 1933 
23 p.

Location:

Close

Centre of the peripheryview full entry

Reference: Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,
Ref: 1000

×

Centre of the periphery

Reference: Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Location: 1000

Close

art historyview full entry

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

×

art history

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Location:

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criticismview full entry

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

×

criticism

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Location:

Close

Hoff Ursulaview full entry

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

×

Hoff Ursula

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Location:

Close

Philipp Franz view full entry

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

×

Philipp Franz

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Location:

Close

Burke Joseph view full entry

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

×

Burke Joseph

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Location:

Close

Lindsay Daryl view full entry

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

×

Lindsay Daryl

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Location:

Close

Smith Bernard view full entry

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

×

Smith Bernard

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Location:

Close

Westbrook Eric view full entry

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

×

Westbrook Eric

Reference: see Centre of the periphery : three European art historians in Melbourne / Sheridan Palmer. "This book throws new light on a recent period of cultural transformation when Europe's 'outsiders' became 'insiders' of post-war Australian society and rapidly facilitated progress in the arts and academia." -- Publisher's website.
• 1. The European crisis. Ursula Hoff and the Hamburger School; Franz Philipp and the Vienna School; Exile and the rescue of German scholarship
• 2. Transitions: London 1933-1945. The 'dismissed savants' and art history's transformation in England; Ursula Hoff in England; Exodus; Joseph Burke: a minimus incipe
• 3. Relocation to the antipodes. The 'Cinderella' of the Dominions'; Making connections; The Dunera Scholars and Melbourne's Europeanisation
• 4. The remaking of the National Gallery of Victoria. Daryl Lindsay and the genesis of a gallery; Ursula Hoff: museology and masterpieces
• 5. Art history scholarship in the antipodes. Joseph Burke's Arcadia; Franz Philipp and the ideals of scholarship
• 6. The centre of the periphery: Melbourne in the 1950s. Art in Melbourne: influences and responses; Cultural courtships and educational partnerships; A subterranean influence
• 7. New blood and old. Bernard Smith: culture and capitalism; Eric Westbrook and the spectacle of culture; Into the 1960s: tradition and modernity.

Publishing details: Australian Scholarly Publishing, c2008 
xii, 271 p. : ill.,

Location:

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Andrew Brookview full entry

Reference: Brook Andrew - Theme Park
Publishing details: Utrecht, The Netherlands, Museum of Contemporary Aboriginal Art, 2008
Ref: 1000

×

Andrew Brook

Reference: Brook Andrew - Theme Park

Publishing details: Utrecht, The Netherlands, Museum of Contemporary Aboriginal Art, 2008

Location: 1000

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Muskett Alice view full entry

Reference: ‘Alice J. Muskett, a painter, a review of some of her work’, by D. H. Souter.
Publishing details: Art & Architecture, vol 6, no. 2, March - April, 1909, p32-6

×

Muskett Alice

Reference: ‘Alice J. Muskett, a painter, a review of some of her work’, by D. H. Souter.

Publishing details: Art & Architecture, vol 6, no. 2, March - April, 1909, p32-6

Location:

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Souter D Hview full entry

Reference: ‘Alice J. Muskett, a painter, a review of some of her work’, by D. H. Souter.
Publishing details: Art & Architecture, vol 6, no. 2, March - April, 1909, p32-6

×

Souter D H

Reference: ‘Alice J. Muskett, a painter, a review of some of her work’, by D. H. Souter.

Publishing details: Art & Architecture, vol 6, no. 2, March - April, 1909, p32-6

Location:

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Making of a colonial cultureview full entry

Reference: James Smith : the making of a colonial culture / Lurline Stuart. Includes index.
Bibliography: 211-216. [To be indexed]
Publishing details: Allen & Unwin, 1989 
xiii, 223 p
Ref: 1000

×

Making of a colonial culture

Reference: James Smith : the making of a colonial culture / Lurline Stuart. Includes index.
Bibliography: 211-216. [To be indexed]

Publishing details: Allen & Unwin, 1989 
xiii, 223 p

Location: 1000

Close

colonial cultureview full entry

Reference: see James Smith : the making of a colonial culture / Lurline Stuart. Includes index.
Bibliography: 211-216.
Publishing details: Allen & Unwin, 1989 
xiii, 223 p

×

colonial culture

Reference: see James Smith : the making of a colonial culture / Lurline Stuart. Includes index.
Bibliography: 211-216.

Publishing details: Allen & Unwin, 1989 
xiii, 223 p

Location:

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colonial artview full entry

Reference: see James Smith : the making of a colonial culture / Lurline Stuart. Includes index.
Bibliography: 211-216.
Publishing details: Allen & Unwin, 1989 
xiii, 223 p

×

colonial art

Reference: see James Smith : the making of a colonial culture / Lurline Stuart. Includes index.
Bibliography: 211-216.

Publishing details: Allen & Unwin, 1989 
xiii, 223 p

Location:

Close

Smith Jamesview full entry

Reference: see James Smith : the making of a colonial culture / Lurline Stuart. Includes index.
Bibliography: 211-216.
Publishing details: Allen & Unwin, 1989 
xiii, 223 p

×

Smith James

Reference: see James Smith : the making of a colonial culture / Lurline Stuart. Includes index.
Bibliography: 211-216.

Publishing details: Allen & Unwin, 1989 
xiii, 223 p

Location:

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Baudin Nicholasview full entry

Reference: Baudin, Napoleon and the exploration of Australia / by Nicole Starbuck.

Publishing details: London : Pickering & Chatto, 2013 ,
Ref: 1000

×

Baudin Nicholas

Reference: Baudin, Napoleon and the exploration of Australia / by Nicole Starbuck.

Publishing details: London : Pickering & Chatto, 2013 ,

Location: 1000

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Encounter 1802 Theview full entry

Reference: The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas. Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit. With essays.
Includes bibliographical references (p. 224-226
Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
Appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
Appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

×

Encounter 1802 The

Reference: The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas. Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit. With essays.
Includes bibliographical references (p. 224-226
Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
Appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
Appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

Location: 0

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Baudin Nicholasview full entry

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

×

Baudin Nicholas

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

Location:

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Bauer Ferdinand view full entry

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

×

Bauer Ferdinand

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

Location:

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Westall William view full entry

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

×

Westall William

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

Location:

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Lesueur Charles-Alexandre view full entry

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

×

Lesueur Charles-Alexandre

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

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Petit Nicolas-Martin .view full entry

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

×

Petit Nicolas-Martin .

Reference: see The Encounter, 1802 : art of the Flinders and Baudin voyages / [compiled by] Sarah Thomas.
Partial contents • Appendix 1. Legacy of the Encounter : British and French place names on the South Australian coast / Anthony J. Brown & Christine Cornell
• appendix 2. The known coast : Aboriginal place names on the South Australian coast / Philip Jones
• appendix 3. Britain, France and the unknown coast : key events / Barbara Fargher & Anthony J. Brown
 
Notes Published to accompany and exhibition of the same title, 15th February-21 April 2002. Exhibition curator, Sarah Thomas.
Features works by Ferdinand Bauer, William Westall, Charles-Alexandre Lesueur and Nicolas-Martin Petit.
Includes bibliographical references (p. 224-226)

Publishing details: Art Gallery of South Australia, 2002 
228 p. : col. ill., col. maps,

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Mackennal Bertramview full entry

Reference: Bertram Mackennal : a career by R R Tranter. Catalogue of his work: p. 114-165.
Includes bibliographical references and index.
Publishing details: Robin Tranter, 2004 
177 p. : ill.
Ref: 1009

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Mackennal Bertram

Reference: Bertram Mackennal : a career by R R Tranter. Catalogue of his work: p. 114-165.
Includes bibliographical references and index.

Publishing details: Robin Tranter, 2004 
177 p. : ill.

Location: 1009

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Dupain Maxview full entry

Reference: A Sunlit Vision - photographs by Max Dupain
Publishing details: Monash Gallery of Art, 2000.
Ref: 1000

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Dupain Max

Reference: A Sunlit Vision - photographs by Max Dupain

Publishing details: Monash Gallery of Art, 2000.

Location: 1000

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Wilson William Hardyview full entry

Reference: Collapse of civilization / by Hardy Wilson
Publishing details: Melbourne : H. Wilson, 1936, 19 leaves
Ref: 1000

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Wilson William Hardy

Reference: Collapse of civilization / by Hardy Wilson

Publishing details: Melbourne : H. Wilson, 1936, 19 leaves

Location: 1000

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Dupain Maxview full entry

Reference: Max Dupain and the photography of Australian architecture, by Adrian Boddy
Publishing details: MA thesis, QUT, 1996
Ref: 1000

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Dupain Max

Reference: Max Dupain and the photography of Australian architecture, by Adrian Boddy

Publishing details: MA thesis, QUT, 1996

Location: 1000

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Shore Arnoldview full entry

Reference: The Development of the Art of Arnold Shore, by Roger Dedman
Publishing details: PHD thesis, Melbourne University, 1984.
Ref: 1000

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Shore Arnold

Reference: The Development of the Art of Arnold Shore, by Roger Dedman

Publishing details: PHD thesis, Melbourne University, 1984.

Location: 1000

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Drysdale Russellview full entry

Reference: Russell Drysdale to George Bell, letters, 1945-1965, introduction and annotation by June Helmer.
Publishing details: typescript, 1982, referred to in the bibliography of Australian Art - A History by Sasha Grishin
Ref: 1000

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Drysdale Russell

Reference: Russell Drysdale to George Bell, letters, 1945-1965, introduction and annotation by June Helmer.

Publishing details: typescript, 1982, referred to in the bibliography of Australian Art - A History by Sasha Grishin

Location: 1000

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Buvelot Louisview full entry

Reference: Buvelot’s letters: Melbourne in the 1880s. Compiled by Thomas Shapcott, undated ttypescript
Publishing details: referred to in the bibliography of Australian Art - A History by Sasha Grishin
Ref: 1000

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Buvelot Louis

Reference: Buvelot’s letters: Melbourne in the 1880s. Compiled by Thomas Shapcott, undated ttypescript

Publishing details: referred to in the bibliography of Australian Art - A History by Sasha Grishin

Location: 1000

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training of artistsview full entry

Reference: The professional training of artists in Australia 1861-1963, by Neville Weston.
Publishing details: PHD theis , Adelaide University, 1991. referred to in the bibliography of Australian Art - A History by Sasha Grishin
Ref: 1000

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training of artists

Reference: The professional training of artists in Australia 1861-1963, by Neville Weston.

Publishing details: PHD theis , Adelaide University, 1991. referred to in the bibliography of Australian Art - A History by Sasha Grishin

Location: 1000

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art schoolsview full entry

Reference: see The professional training of artists in Australia 1861-1963, by Neville Weston.
Publishing details: PHD theis , Adelaide University, 1991. referred to in the bibliography of Australian Art - A History by Sasha Grishin

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art schools

Reference: see The professional training of artists in Australia 1861-1963, by Neville Weston.

Publishing details: PHD theis , Adelaide University, 1991. referred to in the bibliography of Australian Art - A History by Sasha Grishin

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art educationview full entry

Reference: see The professional training of artists in Australia 1861-1963, by Neville Weston.
Publishing details: PHD theis , Adelaide University, 1991. referred to in the bibliography of Australian Art - A History by Sasha Grishin

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art education

Reference: see The professional training of artists in Australia 1861-1963, by Neville Weston.

Publishing details: PHD theis , Adelaide University, 1991. referred to in the bibliography of Australian Art - A History by Sasha Grishin

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Miller Godfreyview full entry

Reference: The Life and Work of Godfrey Miller, by Ann Wookey
Publishing details: PHD theis, Melbourne University, 1994, referred to in the bibliography of Australian Art - A History by Sasha Grishin
Ref: 1000

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Miller Godfrey

Reference: The Life and Work of Godfrey Miller, by Ann Wookey

Publishing details: PHD theis, Melbourne University, 1994, referred to in the bibliography of Australian Art - A History by Sasha Grishin

Location: 1000

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public collectionsview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

×

public collections

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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art galleriesview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

×

art galleries

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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art insititutionsview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

×

art insititutions

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Aarons Anitaview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Aarons Anita

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Abbott Harold Frederickview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Abbott Harold Frederick

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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A Beckett Emma Minnie see Boyd Emmia Minnieview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

×

A Beckett Emma Minnie see Boyd Emmia Minnie

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Aboriginal artview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Aboriginal art

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Abrahams Louisview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

×

Abrahams Louis

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Absalom Jackview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Absalom Jack

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Adams Tateview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Adams Tate

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Adolfsson Victor b1915view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

×

Adolfsson Victor b1915

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Aland Johnview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Aland John

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Allan Mickyview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Allan Micky

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Allen Davidaview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Allen Davida

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Allen Geoffreyview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

×

Allen Geoffrey

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Allen George (Henry) 1900-1972view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Allen George (Henry) 1900-1972

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Allen Mary Cecilview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Allen Mary Cecil

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Allport Henry Curzonview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Allport Henry Curzon

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Allport Mary Morton nee Chapmanview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Allport Mary Morton nee Chapman

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Chapman Mary see Allport Mary Mortonview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Chapman Mary see Allport Mary Morton

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Alston Aby later Abbeyview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Alston Aby later Abbey

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Amor Rickview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Amor Rick

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Amos Ireneview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Amos Irene

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Anderson Wallace (William Wallace)view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Anderson Wallace (William Wallace)

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Angas George Frenchview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Angas George French

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Angus Max (Rupert)view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Angus Max (Rupert)

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Annand Douglasview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Annand Douglas

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Annandale Immitation Realistsview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Annandale Immitation Realists

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Annois Len (William Leonard Lloyd)view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Annois Len (William Leonard Lloyd)

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Antipodeansview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Antipodeans

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Appleton Jeanview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Appleton Jean

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Apponyi Silvio (Albert) b1949view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Apponyi Silvio (Albert) b1949

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Apuatimi Declanview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Apuatimi Declan

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Arago Jacques Etienne Victoireview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Arago Jacques Etienne Victoire

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Archibald Prizeview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Archibald Prize

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Arkley Howardview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Arkley Howard

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Armfield David (Edward) b1923view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Armfield David (Edward) b1923

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Armstrong Ianview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Armstrong Ian

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Arrowsmith Veda b1922view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Arrowsmith Veda b1922

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Aruni Mickyview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Aruni Micky

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Ashton Howard (Julian Howard)view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Ashton Howard (Julian Howard)

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Ashton Jamesview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Ashton James

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Ashton Julian Rossiview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Ashton Julian Rossi

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Ashton Will (John William)view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Ashton Will (John William)

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Aspden Davidview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Aspden David

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Ateyo Samview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Ateyo Sam

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Auld James Muirview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Auld James Muir

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Backen Earleview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Backen Earle

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Backhouse Jamesview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Backhouse James

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Backler Josephview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Backler Joseph

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Badham Herbertview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Badham Herbert

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Baily John (Harold John)view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Baily John (Harold John)

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Baker Alan Dview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Baker Alan D

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Baines Thomasview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Baines Thomas

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Baker Allan (William Allen)view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Baker Allan (William Allen)

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Baker Christina Asquithview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Baker Christina Asquith

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Baker Normand (Henry)view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Baker Normand (Henry)

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Balcombe Thomas Tyrwhittview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Balcombe Thomas Tyrwhitt

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Baldessin George (Joseph Victor)view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Baldessin George (Joseph Victor)

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bale A M E (Alice Marian Ellen)view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bale A M E (Alice Marian Ellen)

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Balfour James Lawsonview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Balfour James Lawson

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Ball Percivalview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Ball Percival

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Ball Sydneyview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Ball Sydney

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Balson Ralphview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Balson Ralph

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bangala Englandview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bangala England

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bannon Charles Georgeview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bannon Charles George

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Barak Williamview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Barak William

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Barker Leach (John Leach) 1897-1967view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Barker Leach (John Leach) 1897-1967

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Barlow Elsieview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Barlow Elsie

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Barringer Ethel 1884-1925view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Barringer Ethel 1884-1925

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Barringer Gwen 1883-1960view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Barringer Gwen 1883-1960

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Baskerville Margaret 1861-1930view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Baskerville Margaret 1861-1930

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bass Tom (Thomas Dwyer)view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bass Tom (Thomas Dwyer)

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bassett Arthur Wakefield 1869-1947view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bassett Arthur Wakefield 1869-1947

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bassett Arthur Wakefield 1869-1947view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bassett Arthur Wakefield 1869-1947

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bastin Henriview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bastin Henri

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bateman Edward La Trobeview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bateman Edward La Trobe

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Batterbee Rex (Reginald Ernest)view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Batterbee Rex (Reginald Ernest)

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bauer Ferdinand Lukasview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bauer Ferdinand Lukas

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Beadle Paulview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Beadle Paul

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Beadle Paul Johnview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Beadle Paul John

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Becker Ludwigview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Becker Ludwig

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Beckett Clarice Marjoribanksview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Beckett Clarice Marjoribanks

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Beilby Marcus b1951view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Beilby Marcus b1951

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bell George view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bell George

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bellette Jean Maryview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bellette Jean Mary

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bennett Brelyview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bennett Brely

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bennett Portiaview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bennett Portia

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bennett Portiaview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bennett Portia

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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James -Wallis Portia nee Bennettview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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James -Wallis Portia nee Bennett

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bennett Ruberyview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bennett Rubery

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Benson Eva Ethel 1891?-1949view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Benson Eva Ethel 1891?-1949

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Benson George Courtney 1886-1960view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

×

Benson George Courtney 1886-1960

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bergner Yoslview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bergner Yosl

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Berkeley Marthaview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Berkeley Martha

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Betts Macview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

×

Betts Mac

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bevan Margaret nee Stevensview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bevan Margaret nee Stevens

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Stevens Margaret later Margaret Bevan view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Stevens Margaret later Margaret Bevan

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bey Reshidview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bey Reshid

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bezor Annetteview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bezor Annette

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bilu Asherview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bilu Asher

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Binns Vivienneview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Binns Vivienne

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bishop Tonyview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bishop Tony

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Black Dorritview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Black Dorrit

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Blackman Charlesview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Blackman Charles

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Blair Oswaldview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Blair Oswald

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Blake Prizeview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Blake Prize

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Blanchflower Brianview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Blanchflower Brian

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Blumann Eliseview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Blumann Elise

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bock Thomasview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bock Thomas

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Boissevain Rhodaview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Boissevain Rhoda

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Boissevain Williamview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Boissevain William

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Booth Peterview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Booth Peter

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Borlaise Nancyview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Borlaise Nancy

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Borrack Johnview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Borrack John

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bow Ian 1914-1990view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bow Ian 1914-1990

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bowen Stellaview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bowen Stella

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bowles Leslie 1885-1954view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bowles Leslie 1885-1954

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Boxall Arthur d’Auvergne 1895-1944view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Boxall Arthur d’Auvergne 1895-1944

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Boyd Arthurview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Boyd Arthur

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Boyd Arthur Merricview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Boyd Arthur Merric

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Boyd Davidview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Boyd David

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Boyd Emma Minnieview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Boyd Emma Minnie

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Boyd Guyview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Boyd Guy

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Boyd Penleighview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Boyd Penleigh

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Boynes Robert b1942view full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Boynes Robert b1942

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Brack Johnview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Brack John

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Bradley Williamview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Bradley William

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Brash Barbaraview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Brash Barbara

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Braund Dorothyview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Braund Dorothy

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Brewer Henryview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Brewer Henry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Brierly Oswaldview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Brierly Oswald

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Briscoe Kateview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Briscoe Kate

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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Broinowski Graciusview full entry

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.
Publishing details: MUP, 1993, pb, 288pp.

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Broinowski Gracius

Reference: see Concise Dictionary of Australian Artists, by Gwenda Robb and Elaine Smith, edited by Robert Smith. The introduction states that ‘much of the material has never before been published’. Includes an ‘Index to Public Collections’.

Publishing details: MUP, 1993, pb, 288pp.

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