Showing all records | The Scheding Index of Australian Art and Artists

Griffin Walter Burley p182-3, 185-6, 238view full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

Hopkins Livingstone p111, 117-9, 148-9view full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

Hoppe E O p186, 302view full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

Hoppe E O p186, 302view full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

Macleod William p116-7, 119, 147-8view full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

Mahony Frank p121, 138view full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

May Phil p118-9view full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

McComas Francis p175, 237, 247view full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

Moore John D p191, 207, 241, 297-9, 300, 318, 325view full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

von Mueller Ferdinand p252, 255, 286view full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

Peddle Thorpe and Walker architectsview full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

Roberts Tom p26, 124-6view full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

Taylor George and Florence extensive referencesview full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

Wilkinson Leslie extensive referencesview full entry

Reference: see Images of the Pacific Rim - Australia & California 1850 - 1935 by Erika Esau [The chapters are: 1850s, artist-photographers in gold country; 1870s: Bret Harte & Euchre in the bush; 1888, Australia, California & the picturesque industry; 1910s, the bungalow from California to Australia; 1915, Australia in the California fairs; 1920s, eucalypts & Spanish style architecture; 1920s, Australia & Spanish style architecture. ]
Publishing details: Power Publications, 2010, pb, 367pp with index

South Australia Illustratedview full entry

Reference: South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Hylton Janeview full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Gouldsmith Edmund p11, 220-1, 227view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Berkeley Martha p12, 57-60, 69f, 112-3view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Westall William p18-19, 23, 24ffview full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Maslen T J p20-21view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Maslen T J p20-21view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Leigh W H p31view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Light William 1786-1839 p34ff 43ff 52ffview full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Skipper J M 1815-1883 p38ff, p56, 118, 145-7, 161view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Opie E A 1809-1879 p49view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Gill S T p62ff, 72ff, 88-9, 106-11, 124-5, 158-60view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Wilson E ‘Rambles at the Antipodes’ sketches, p69view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Angas G F p78-9, 82-7, 98-101, 133view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Cawthorne W A p80-81, 103view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Penman & Co after S T Gill p90view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Frome E C p90-7view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Giles J W after G F Angasview full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Lush John 1807-1884 p103 (Aboriginal burial)view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Hamilton George 1812-1883 p114-7, 166-7, 174-5, 255, 269view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Glover Henry Heath 1810-1858 p119view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Ball A G 1821-1882 ‘Kangaroo Hunt’ c1870 p121view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Schramm Alexander 1813-1864 p126-131, 135-7view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Minchin R E 1831-1893 p132, 195view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Schrader H F c1813-1863 p139 (Aboriginal portraits)view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Crossland J M 1800-1858 p140-144view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Crossland J M 1800-1858 p140-144view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Gilfillan J A 1793-1864 p150, 152-3view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Shaw James 1815-1881 p151, 169, 176-7, 195, 196-201view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

von Guerard Eugene 1811-1901 p154-7view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Hill Charles 1824-1915 p164-5, 168, 189-193, 213view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

de Mole Fanny 1835-1866 p171 flower study, watercolourview full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Biggs J H c1825-1901? p172-173 4 watercolours view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Irvine John 1805-1888 p180-1 two portraitsview full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Bull Knud 1811-1889 view of Adelaide c1875 p182view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

MacCormack Andrew 1826-1918 self portrait 1859 p183 and 4 other portraits, another on p207view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Upton John 1850- after 1886 twp portraois p186-7view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Stone J D 1831-1908 p200view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Thomas W R 1822-1880 p202-5view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Ball A G 1821-1882 p206view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Tannert Louis 1831-1915 p210-212, 214, 230view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Fristrom Oscar 1856-1918 p215-6view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Johnstone H J 1835-1907 p217-9view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Turner J A 1850-1907 p219view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Kay Sarah 1830-1906 p223 botanical drawingview full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Fiveash Rosa 1854-1938 p225 botanical drawings, and p245view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Needham F M 1840-1910 p226view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Hill H P 1855-1916 p231-235view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Reynolds George 1854-1939 p236view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Heysen Hans 1877-1968 p239view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

White John 1854-1943 p240-1view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Hambidge Alice 1869-1947 p242view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Hambidge Helen 1857-1937 p243-4view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Scott Margaret watercolours in album p244view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Ashton James 1859-1935 p246-7view full entry

Reference: see South Australia Illustrated - Colonial painting in the Land of Promise, by Jane Hylton. Published to coincide with AGSA exhibition June August, 2012. extensively illustrated. [’The book explores the development of South Australian nineteenth-century’.]painting from the commencement of colonisation in 1836 through to Federation in 1901
Publishing details: Art Gallery of South Australia, 2012, hc, no dw as issued, gilt-edged pages, 276pp

Drysdale Russellview full entry

Reference: see Hill End - An Historic Australian Goldfield’s Landscape by Alan Mayne
Publishing details: MUP, 2003, pb, 173 pp with index

Art of the Mount Alexander Goldfields view full entry

Reference: "Art of the Mount Alexander Goldfields 1851-1872", Castlemaine Art Gallery, 28 March - 3 May 2009.
Publishing details: Castlemaine Art Gallery, 2009
Ref: 1009

Simpson Peterview full entry

Reference: Peter Simpson - Cliffs, exhibition invite
Publishing details: Arthouse Gallery, 2012, 4pp, 3 illustrations
Ref: 219

Audette Yvonneview full entry

Reference: Yvonne Audette - New Works & Unseen Works from the Studio, essay by David Thomas. 12 works, each illustrated in colour.
Publishing details: Mossgreen Gallery, nd [2012], pb, 24pp
Ref: 85

New Worlds From Oldview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Becker Ludwigview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Bull Knutview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Blandowski Williamview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Buvelot Louisview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Carse James Howeview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Chevalier Nicholasview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Davies Davidview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Earle Augustusview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Ford Williamview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Glover Johnview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Johnstone H Jview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Martens Conradview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

McCubbin Frederickview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Piguenit W Cview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Prout John Skinnerview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Roberts Tomview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Southern Claraview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Streeton Arthurview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

von Guerard Eugeneview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Westall Williamview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Whitehead Isaacview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Withers Walterview full entry

Reference: see Johns Elizabeth, Sayers Andrew, Kornhauser Elizabeth Mankin & Ellis Amy - New Worlds From Old -19th Century Australian & American Landscapes by Elizabeth Mankin Elizabeth Johns , Andrew Sayers , Kornhauser & Amy Ellis. Includes biographies of Australian artists in the NGA exhibition. (This book has essays on: 'Likeness & Unlikeness: The American-Australian Experience'; 'Landscape Painting In America & Australia In A Urban Century'; 'The Shaping Of Australian Landscape Painting' and '.Painting The American Landscape 1800-1900'. The exhibition had 4 themes: meeting the land; claiming the land; in awe of the land; a landscape of contemplation; the figure defines the landscape).
Publishing details: National Gallery of Australia, 1997, pb

Australian art marketview full entry

Reference: article by Max Harris, ‘Portrait of the artist as a commodity’ published in ‘The Australian’. Artists referred to include Namatjira, Janet Cumbrae Stewart, Rupert Bunny, Vasilieff, Rapotec, Dutkiewicz and dealers include Rudy Komon, Georges Mora
Publishing details: September 23-4, 1989
Ref: 129

Karskens Graceview full entry

Reference: The Colony: A History of Early Sydney by Grace Karskens (The Colony is the story of the marvellously contrary, endlessly energetic early years of Sydney. It is an intimate account of the transformation of a campsite in a beautiful cove to the town that later became Australia's largest and best-known city. From the sparkling beaches to the foothills of the Blue Mountains, Grace Karskens skilfully reveals how landscape shaped the lives of the original Aboriginal inhabitants and newcomers alike. She traces the ways in which relationships between the colonial authorities and ordinary men and women broke with old patterns, and the ways that settler and Aboriginal histories became entwined. She uncovers the ties between the burgeoning township and its rural hinterland expanding along the river systems of the Cumberland Plain. This is a landmark account of the birthplace of modern Australia, and a fascinating and richly textured narrative of people and place.).
Publishing details: Allen & Unwin, 2011. Paperback, 680 pages.

May Philview full entry

Reference: Phil May’s Sketch Book: Fifty Cartoons. Popular edition. 50 pages of illustrations [All appear to be for British publications].Includes 2-page essay: Mr. Phil May on Himself. With biographical information.
Publishing details: London, Chatto & Windus, 1903. Bound in red cloth. Spine separating, endpaper loose,

Fleischmann Arthurview full entry

Reference: Arthur Fleischmann exhibition at David Jones Gallery (at the age of 90, for which he revisited Sydney from London)
Publishing details: David Jones Gallery, c1986
Ref: 1000

Bronze & Stoneview full entry

Reference: Bronze & Stone - Messum’s Gallery, London, in Association with Mossgreen Gallery present Laurence Edwards & Dominic Welch (British artists exhibiting in Australia)
Publishing details: <ossgreen Gallery, January, 2012, pb, 36pp
Ref: 219

101 Contemporary Australian Artistsview full entry

Reference: 101 Contemporary Australian Artists
Publishing details: NGV, 2012, hc, 270pp
Ref: 1000

Sayer James Whitley 1847–1914view full entry

Reference: Geelong Art Gallery exhhibition: James Whitley Sayer 1847–1914, 8 December 2012 to 28 January 2013

This exhibition celebrates the artistic talents of James W Sayer, one of the founders of the Geelong Art Gallery and a notable figure of the local community in the late 19th century. Works from the Gallery's permanent collection are complemented by rarely-seen examples on loan from private and public collections in this exhibition of paintings, drawings, book illustrations and a rare illuminated address.
Publishing details: Geelong Art Gallery, 2012
Ref: 1009

Anderson Tomview full entry

Reference: Tom Andersen: Tasmanian Design Story: No. 1 (’This volume examines the creative calling of Tom Andersen, designer, sculptor and artist, and is a catalogue for an exhibition of objects, images, and photos relating to Tom's work and creative life’)
Publishing details: Gary Cleveland, Launceston in 2007., 76pp
Ref: 1000

Barton Del Kathrynview full entry

Reference: Del Kathryn Barton, The Whole of Everything
Publishing details: Katherine Woodbury Gallery, 2008. Quarto, black boards with metallic inlaid text, pp 40, illustrated throughout with full colour plates and photographs.

Perkins Hettiview full entry

Reference: Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). [’A journey into the world of Aboriginal art
Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art.
FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Aboriginal artview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Nowlan Frankview full entry

Reference: Frank Nowlan - Man of the Series, Hawkesbury Regional Gallery, curated by Peter Fray. Includes biography.
Publishing details: Hawkesbury Regional Gallery, 2011, pb, 61pp

Versatile Clints Theview full entry

Reference: The Versatile Clints - Four Generations of Artists, Hawkesbury Regional Art Gallery exhibition catalgue. 8 works listed. Essay by Michael Ginnings which includes biographical information on George Clint, Alfred T. Clint, Sydney Raphael Clint and George Edward Clint,
Publishing details: Hawkesbury Regional Art Gallery , 2012, 8-page foldout card, 9 illustrations
Ref: 3

Clint Alfred Tview full entry

Reference: see Versatile Clints The - The Versatile Clints - Four Generations of Artists, Hawkesbury Regional Art Gallery exhibition catalogue. 8 works listed. Essay by Michael Ginnings which includes biographical information on George Clint, Alfred T. Clint, Sydney Raphael Clint and George Edward Clint,
Publishing details: Hawkesbury Regional Art Gallery , 2012, 8-page foldout card, 9 illustrations

Clint Georgeview full entry

Reference: see Versatile Clints The - The Versatile Clints - Four Generations of Artists, Hawkesbury Regional Art Gallery exhibition catalogue. 8 works listed. Essay by Michael Ginnings which includes biographical information on George Clint, Alfred T. Clint, Sydney Raphael Clint and George Edward Clint,
Publishing details: Hawkesbury Regional Art Gallery , 2012, 8-page foldout card, 9 illustrations

Clint Sydney Raphael view full entry

Reference: see Versatile Clints The - The Versatile Clints - Four Generations of Artists, Hawkesbury Regional Art Gallery exhibition catalogue. 8 works listed. Essay by Michael Ginnings which includes biographical information on George Clint, Alfred T. Clint, Sydney Raphael Clint and George Edward Clint,
Publishing details: Hawkesbury Regional Art Gallery , 2012, 8-page foldout card, 9 illustrations

Clint George Edward view full entry

Reference: see Versatile Clints The - The Versatile Clints - Four Generations of Artists, Hawkesbury Regional Art Gallery exhibition catalogue. 8 works listed. Essay by Michael Ginnings which includes biographical information on George Clint, Alfred T. Clint, Sydney Raphael Clint and George Edward Clint,
Publishing details: Hawkesbury Regional Art Gallery , 2012, 8-page foldout card, 9 illustrations

Parliament of New South Wales Indigenous Art Prize 2005view full entry

Reference: Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details. [Note: annual prize 2005-8. And onwards?]
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp
Ref: 219

Adams Margaretview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Ah-See Douglas Keithview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Allen Terrenceview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Amos Shirleyview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Andrew Brookview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Bancroft Bronwynview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Bartman Thelmaview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Barker Roy Jnrview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Bates Badger (WB)view full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Binge Leonieview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Croft Belinda Lview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Davis Mandyview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Duncan Joyview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Ferguson Geoffreyview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Hill Adamview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Hinch Beverley (Aunty May)view full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Irving Brianview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Isaacs Colinview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Keen Warwickview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Kelley Gusview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Kennedy Anthonyview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Kennedy Roy Dview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Kennedy Soniaview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

King Graham Davisview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

King Beverly Lview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Mate Danielleview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

McGrady Nevilleview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

McKenzie Nevilleview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Murdoch Leslie Johnview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Naden Gailview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Parker Brettview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Parker Frances Belleview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Priestley Matthew Tview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Roach Kellyview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Russell Elaineview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Samuels Jeffreyview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Saunders Brendaview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Saunders Regina (r e a) Mview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Simon Jamesview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Smith Reneeview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Smith Rossview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Soewardie Jakeview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

South Barrinaview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

South Jeanview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

South Jeanview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Syron Gordonview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Timbery (Russell) Esmeview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Tobin Leeanneview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Wallace Daphneview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Waters Donellaview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Wightman Colinview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Williams Alisonview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Williams Shaneview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Winston Rexview full entry

Reference: see Parliament of New South Wales Indigenous Art Prize 2005. Approximately 50 artists represented with biographical details.
Publishing details: NSW Government and Campbelltown Arts Centre, 2005, pb, 60pp

Wilson Stephanieview full entry

Reference: Inside Voices and Other Social Norms, exhibition brochure with price list inserted, 6 illustrations
Publishing details: Martin Browne Contemporary, 2013
Ref: 219

Taylor Simonview full entry

Reference: Alkipi - exhibition brochure with price list inserted, 9 illustrations
Publishing details: Martin Browne Contemporary, 2013
Ref: 219

French Floral and Femaleview full entry

Reference: French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp
Ref: 129

Butler Rex and A. D. S. Donaldsonview full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Australian women artistsview full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Australian artists in Parisview full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Patterson Ambrose p23fview full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Goodsir Agnesview full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Bunny Rupert p6-8view full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Loureiro Arthur p9view full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Russell John Peter p11-12view full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Hallen Ambrose p13view full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Ramsay Hughview full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Nicholas Hilda Rix p15view full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Davidson Bessie p14-5view full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Gibson Bessie p15view full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Preston Maragret p15-6view full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

O’Connor Kateview full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Lewis Martin p21view full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Evergood Miles p21-2view full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Lever Richard Hayley p22-3view full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

Brodzky Horace p24view full entry

Reference: see French Floral and Female: A History of UnAustralian Art 1900-1930 (Part 1) by Rex Butler and A. D. S. Donaldson
Publishing details: printed from Melbourne Art Journal, Issue 5, 2010, 30pp

On the Beachview full entry

Reference: On the Beach - Gems from the Manly Swimwear Collection, curated by Sarah Johnson with Lorraine Foster
Publishing details: Manly Art Gallery, 2012, 8-page folding card
Ref: 129

Australian swimsuitsview full entry

Reference: see On the Beach - Gems from the Manly Swimwear Collection, curated by Sarah Johnson with Lorraine Foster
Publishing details: Manly Art Gallery, 2012, 8-page folding card

Spence Percy ‘Manly Beach’, watercolourview full entry

Reference: see On the Beach - Gems from the Manly Swimwear Collection, curated by Sarah Johnson with Lorraine Foster
Publishing details: Manly Art Gallery, 2012, 8-page folding card

Goold Bruce linocutview full entry

Reference: see On the Beach - Gems from the Manly Swimwear Collection, curated by Sarah Johnson with Lorraine Foster
Publishing details: Manly Art Gallery, 2012, 8-page folding card

Leist Fred ‘Bathers’ illustrated on coverview full entry

Reference: see On the Beach - Gems from the Manly Swimwear Collection, curated by Sarah Johnson with Lorraine Foster
Publishing details: Manly Art Gallery, 2012, 8-page folding card

Public Art in Manlyview full entry

Reference: Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,
Ref: 129

Langley Warrenview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Snape Michaelview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Downes Ruthview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Fraser Louiview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Hodges Christopherview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Fairskye Merilynview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Glassborrow Stephenview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Urban Art Projectsview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Buki Ishi Sandstone Sculptors and Renee Moniqueview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Johnman Timview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Sargant Francis Williamview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists. Sargant was born in England and worked as a stonemason in Sydney c1940 as well as being a sculptor
Publishing details: Manly Art Gallery , 2006, 24pp,

Hoff Rayner ‘Arthur Phillip statue’view full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Clamp Burchamview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Parr Lentonview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Pickering Charles Percy photographer and carverview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Youll c1856 sculptorview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Axelson Cliffview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Somerville Alanview full entry

Reference: see Public Art in Manly, Manly Art Gallery catalogue. Illustrated with public sculptures and includes brief biographies of artists
Publishing details: Manly Art Gallery , 2006, 24pp,

Saltwater Country - Sally Mayman and Dale Kentwellview full entry

Reference: Saltwater Country - Sally Mayman and Dale Kentwell. 8 illustrations. Biographical information
Publishing details: Manly Art Gallery, 2010, 6pp folding card
Ref: 129

Mayman Sally view full entry

Reference: see Saltwater Country - Sally Mayman and Dale Kentwell. 8 illustrations. Biographical information
Publishing details: Manly Art Gallery, 2010, 6pp folding card

Kentwell Daleview full entry

Reference: see Saltwater Country - Sally Mayman and Dale Kentwell. 8 illustrations. Biographical information
Publishing details: Manly Art Gallery, 2010, 6pp folding card

Pratt Halview full entry

Reference: Hal Pratt - Metamorphosis. 3 illustrations, biography
Publishing details: Manly Art Gallery 2006, 6-page folding card
Ref: 129

Varga Emmaview full entry

Reference: Long Reef, catalogue with 11 illustrations, biographical details, essay by Eva Czernis-Ryl, curator, Decorative Arts & Design, Powerhouse Museum
Publishing details: Manly Art Gallery, 2011, 8-page folding card
Ref: 129

Murray-White Clive view full entry

Reference: Museum - a dialogue between artist and muse... By Iris Benedek & Clive Murray-White
Publishing details: 2013
Ref: 1000

Offshore - Artists of Scotland Islandview full entry

Reference: Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp
Ref: 129

Atkins Claireview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Ball Michelleview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Bohorquez Gloriaview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Bradley Chuckview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Collins Emmieview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Corrie Caroleview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Hawke Ingridview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Haythornwaite Sophieview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Holmes a Court Julietview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Lahm Juneview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Lihachov Dimitriview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Lodge Nettieview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Mcallister Euniceview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Melville Janview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Mills Andrewview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Molloy Mikeview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Rouge -Renate Hoffmanview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Rushforth Susanview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Shore Ellieview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Sindel-Hand Janview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Smith Paulview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Smith Tracyview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Van Den Driesschen Marionview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Wardman Davidview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Westley Gilesview full entry

Reference: see Offshore - Artists of Scotland Island and Pittwater’s Western Foreshore. 25 artists. Works illustrated, artist’s statements included
Publishing details: Manly Art Gallery, 2011, 34pp

Multiple Visions view full entry

Reference: Multiple Visions - Charles Arnot, Michael Kempson & Paul Smith (artists and printers)
Publishing details: Manly Art Gallery, 2009, 6-page folding card
Ref: 129

Arnot Charlesview full entry

Reference: Multiple Visions - Charles Arnot, Michael Kempson & Paul Smith (artists and printers)
Publishing details: Manly Art Gallery, 2009, 6-page folding card

Kempson Michaelview full entry

Reference: Multiple Visions - Charles Arnot, Michael Kempson & Paul Smith (artists and printers)
Publishing details: Manly Art Gallery, 2009, 6-page folding card

Smith Paulview full entry

Reference: Multiple Visions - Charles Arnot, Michael Kempson & Paul Smith (artists and printers)
Publishing details: Manly Art Gallery, 2009, 6-page folding card

New Quilt 2010 The view full entry

Reference: The New Quilt 2010, Contemporary Quilt Textiles (about 25 quiltmakers) [to be indexed]
Publishing details: Manly Art Gallery, 2010, 6-page folding card
Ref: 129

Narrative Knot The - Stories in ceramicsview full entry

Reference: The Narrative Knot - Stories in ceramics (26 artists)
Publishing details: Manly Art Gallery, 2012, 16pp
Ref: 129

Celebration - the use of ceramics in commemorationview full entry

Reference: Celebration - the use of ceramics in the commemoration of Important events (16 ceramic artists [to be indexed]
Publishing details: Manly Art Gallery, 2012, 16pp
Ref: 129

Regeneration - contemporary quilt textilesview full entry

Reference: Regeneration - contemporary quilt textiles - 19 artists [to be indexed]
Publishing details: Manly Art Gallery, 2012, 24pp
Ref: 129

State of art - Peace Theview full entry

Reference: The State of Art - Peace. Travelling exhibition organised by the Manly Art Gallery ["The State of Art: Peace, is one of the most significant state-wide exhibitions in the 100 years of regional galleries in New South Wales. It has involved the collaboration of 37 regional and public galleries in an exhibition project that highlights the wealth and diversity of artists and collections throughout NSW. Essentially, it tells the story of a vital network of galleries which plays a key role in both stimulating and reflecting the cultural life of this state" -- p. 5. Catalogue essay by: Katherine Roberts, coordinating curator.] [to be indexed]
Publishing details: Manly Art Gallery, 2004, pb, 32pp
Ref: 129

White Heat - Australia Ceramics Association’s Biennial Exhibition 2009view full entry

Reference: White Heat - Australia Ceramics Association’s Biennial Exhibition 2009 ‘Social Political Cultural Issues’, essay by Dr Julie Bartholomew [to be indexed]
Publishing details: Manly Art Gallery, 2009,
Ref: 129

Art & Soulview full entry

Reference: see Perkins Hetti - Art + Soul by Hetti Perkins (a journey into the world of Aboriginal Art). Includes artist biographies. [’Hetti Perkins takes readers on a captivating journey into the world of Aboriginal art. FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name.

art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley.

The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.

About the author
Hetti Perkins is a member of the Eastern Arrernte and Kalkadoon Aboriginal communities. She is the Senior Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of New South Wales. She has curated major survey exhibitions of Indigenous art, including Australia's representation at the Venice Biennale in 1997, and most recently the Australian Indigenous Art Commission at the Musée du Quai Branly in Paris. She edited One Sun One Moon: Aboriginal Art in Australia. Hetti is the eldest daughter of Charlie Perkins, the esteemed Indigenous activist.
- See more at: https://www.mup.com.au/items/97805’22857634#sthash.7q4g1gOC.dpuf
Publishing details: Melbourne University Press, 2010, 286pp

Barton Del Kathrynview full entry

Reference: ‘Oyster’, issue 43 Dec/Jan 2003 edition
Del Kathrn Barton 'Basic Instinct' by Clare Barker - 6 page full colour essay and images of her early artworks.
Ref: 1000

posters in Australiaview full entry

Reference: see The Australian Poster Album
Publishing details: Sun Books. 1974, spiral bound, large format

ABC of SHOWCARD &
TICKETWRITING The view full entry

Reference: ABC of SHOWCARD & TICKETWRITING The by C Milnes [ 'How-to' book of showcard writing as practised particularly by the big stores in the 1930s. Contains several pages of fine examples of the craft by leading-store writers of the day from Farmers, Sydney, and Beville's, Buckley & Nunn's, Melbourne. Show card writing was one of the early steps in a sign writer’s career (or THE step for many) and the basic tenets of layout and letter formation were taught vocationally throughout the early twentieth century. To get computer-perfect consistency decades before computers were made meant a steady hand, an exacting eye and hours and hours of rote drilling and diligent practice.]
Publishing details: Spiral Bound Soft Cover with 78 pages.

Henderson Edmund (1821-1896)view full entry

Reference: see Dominic Winter Book Auctions (UK)
Sale Date: 06 Feb 2013 11am
07 Feb 2013 11am - Henderson (Edmund, 1821-1896). A collection of eight watercolour landscape studies, including three Australian landscape views, c. 1860s, watercolour on paper, unsigned, 177 x 254mm (7 x 10ins) and similar, loosely contained in later cloth album, one view entitled ‘South of the Medway’ framed and glazed. Includes three photocopies of similar watercolour views of Australia by the same artist which appear to have been formerly part of the same group. A similar view was sold by Sotheby’s Melbourne on 26th August 2008 (lot 129). Edmund Henderson was educated at the Royal Military Academy, Woolwich and became comptroller of convicts in Western Australia, returning to England in 1886. (8)

Silas Ellis 1883-1972view full entry

Reference: see Peter Wilson Fine Art Auctioneers (UK) Ellis Silas (British, 1883-1972), Portrait of the artist`s wife, half length, seated in riding clothes, signed on verso, oil on canvas, 74. 5 x 62cm.; 29. 5 x 24. 5in. * Exhibited at the Royal Academy, Royal Institute of Painters in Watercolours, Royal Institute of Oil Painters. He was a war artist for the Australian Government 1914 - 1918 and spent three years in Papua painting and collecting curios which he described in his book `A Primitive Arcadia`. President of the London Sketch Club 1930. Artists` Resale Right ("droit de suite") may apply to this lot.

Cato Jackview full entry

Reference: I Can Take It (The Autobiography of a photographer)
Publishing details: Georgian House, Melbourne. 1947. First printing., 1947. 8vo, 322pp. With many black and white illustrations. Hardback, dw.

Woodhouse Herbert Jview full entry

Reference: Wattle blossom : an Australian annual : for holiday readers, bush fireside and the home circle / by "Per Se" (Percy F. Sinnett) ; illustrated by Herbert J. Woodhouse
Publishing details: Adelaide : H.J. Woodhouse, [1881]
47 p., [8] leaves of plates : ill. ; 21 cm.
Ref: 1000

Woodhouse Herbert Jview full entry

Reference: Southern sunbeams : an Australian annual for the field, the river and the home circle / by Chas. P. Williams ; profusely illustrated by Herbert J. Woodhouse
Publishing details: (Melbourne? : s.n.), 1879 printing
50 p., (12) leaves of ill. ; 22 cm.
Ref: 1000

Woodhouse Herbert Jview full entry

Reference: Hine-ra ; or, the Maori scout ; a romance of the New Zealand war / by Robt. P. Whitworth ; portrait of author, and five illustrations by Herbert J. Woodhouse
Publishing details: Melbourne : W. H. Williams, 1887.
[6], 132, [10] p. : ill. ; 22 cm.
Ref: 1000

Woodhouse Herbert Jview full entry

Reference: see Melbourne life : numerous beautiful full page illustrations by popular artists
Publishing details: Melbourne : Herbert Woodhouse, [ca. 1896]
[32] p. : ill., ports. ; 14 x 23 m.

Woodhouse Herbert Jview full entry

Reference: To Mount Browne and back, or, Moses and me / by J.C.F. Johnson ; illustrated by H. J. Woodhouse and A. Esam
Publishing details: Adelaide : [s.n.], 1881
32 p., [8] leaves of plates : ill. ; 22 cm.
Ref: 1000

Esam Arthurview full entry

Reference: see Woodhouse H J - To Mount Browne and back, or, Moses and me / by J.C.F. Johnson ; illustrated by H. J. Woodhouse and A. Esam
Publishing details: Adelaide : [s.n.], 1881
32 p., [8] leaves of plates : ill. ; 22 cm.

Woodhouse Herbert Jview full entry

Reference: in State Library of NSW:
In SLNSW:
Woodhouse, Herbert J.
[Collection of drawings by Herbert J. Woodhouse]
ca. 1875
PXE 657
Drawings : 8 wash drawings ; 1 watercolour drawing ; 6 pencil drawings on 13 sheets ; 42.3 x 30 cm largest ; 19.2 x 13.6 cm smallest
Contents
1. Peter Potters' Bull
2. The Blue Boy -- "HJ Woodhouse 1875" lower left [copy of Thomas Gainsborough portrait]
3. Gameseller -- "HJW" lower left
4. Gamesellers
5. [Two hunters and a retriever dog] -- "HJW" lower left
6. [Unidentified landscape]
7. [Unidentified landscape]
7v. [Portrait sketch of a woman]
8. McQuarie Harbor H.J.W./75 Sydney
9. Piermons & Balmain Points ; Head of Woollomooloo Harbour ; Oak walk in the Domain ; Lady Macquarie's chair -- "HJW 1874" at lower right. Four vignettes on single sheet. Titled underneath "Sketches round Sydney"
10. On Ovens River near Wangaratta -- titled on reverse
11. [Bush horseman ; couple in a gig in town]
11v. [Horse]
12. Bush Hawker -- "HJW" lower right
13. The settlers first meeting with Buckley -- "HJ Woodhouse" lower left
Source
Presented under Taxation Incentive for the Arts Scheme, 1993
Signatures / Inscriptions
Seven of the drawings are signed or initialled
General Note
Two drawings are dated 1875, one 1874
For notes about H.J. Woodhouse see Australian Colonial sporting painters : Frederick Woodhouse and sons / Colin Laverty. Sydney : David Ell Press, 1980.

Silas Ellis 1883-1972view full entry

Reference: A Primitive Arcadia by Ellis Silas F.R.G.S., being the impressions of an artist in Papua. With 29 plates anmd numerous black and white illustrations. A map of Papua inside rear cover.
Publishing details: Little, Brown & Company, 1926, hc, no dw, 230pp. Front cover stained.

Grunstein Binemview full entry

Reference: Obituary from Sydney Morning Herald (the artist survived 14 concentration camps in WW2. Became member of Royal Art Society in 1968 and exhibited at the Holdsworth Gallery. Works held by Sydney Opera House).
Publishing details: 5 February, 2013, p14
Ref: 129

Bishop Walter Follen view full entry

Reference: see Mossgreen auction catalogue 19 February, 2013, lot 657 for a large watercolour titled Hawthorn Blossom, Brownhill Creek, 1917. Catalogue includes biographical information.

Fletcher Henry Hview full entry

Reference: Henry S. Fletcher. Born in England in 1829. Fletcher lived in Australia from 1855 until sailing to San Francisco in 1868. While there, he worked as a pattern designer, taught drawing in the public schools, and painted floral still life's in his leisure. See Show translation options
Louis J. Dianni, LLC - 4th Annual Palm Beach Auction - Day 3 of 3
February 18, 2013 for numerous lots by Fletcher

Clarke Mview full entry

Reference: see Hordern House (Sydney) online catalogue for ‘CLARKE, M.
The Wreck of 'The Hereward' Maroubra Bay, circa, 1898. Watercolour, 18.2 x 54 cms. mounted and framed.This watercolour is signed lower left, M Clarke and was painted as the clipper ship Hereward lay on its side wrecked at Maroubra Beach NSW.’

*

The Wreck of 'The Hereward' Maroubra Beach, Sydney.
CLARKE, M.
circa 1898.
Watercolour, 18.2 x 54 cms. mounted and framed.
The Maroubra Beach shipwreck

This watercolour is signed lower left, M Clarke and was painted as the clipper ship Hereward lay on its side wrecked at Maroubra Beach. The Hereward had blown onto soft sand at the northern end of Maroubra Beach, luckily avoiding two rocky reefs. The crew of 25 was brought safely ashore, and a party of seamen made their way to the nearby Maroubra wool scouring works to make known the accident. 'The Hereward was a 1513 ton full rigged iron clipper built in Glasgow in 1877. It had a length of 254 feet, beam of 39 feet, and depth of 23 feet. The Hereward was a trader to the colonies making frequent trips from London to Sydney with general cargo. The fateful trip began in the Dutch East Indies port of Sourabaya, bound for Newcastle to load coal for South America.
On 5 May 1898 the Hereward was battling up the New South Wales coast in appalling weather, with wind velocities recorded up to 47 miles per hour. The Hereward was flung towards the shore by the winds, and with sails torn to shreds the captain, Captain Gore, was helpless to keep the vessel from the shore.
The ship was insured for 6000 pounds, and was sold a few months after being stranded for 550 pounds to a Mr Cowlishaw who bought the wreck for salvage. Despite several enthusiastic attempts to refloat her the Hereward ended up once more stranded on the beach, with the waves finally managing to break her in two on 9 December 1898.
The wreck of the Hereward lay on Maroubra Beach for many years and by 1937 the only visible signs of her was a triangular dorsel fin above the water line. In 1950 Randwick Council feared injury to surfers from the wreck and began blasting the remnants. Further blasting in 1965, and by Navy divers in 1966/7 has removed all trace of the Hereward.
As with other wrecks on this part of the coast, thousands of sightseers made the long trek to the then remote south of Sydney to view the wreck.' (Randwick City Council records).
The inscription on verso reads - This sketch of the Hereward wrecked on Maroubra Beach 1898.

Borstel Reginal Arnold 1875-1922view full entry

Reference: see auction by Louis J. Dianni, LLC
4th Annual Palm Beach Auction - Day 3 of 3
February 18, 2013 | Sunrise, FL, USA View Map, Lot 1512. Artist Biography: Reginald Arnold Borstel was born in Newtown, Sydney, Australia in 1875, the son of a master mariner. In his early years he was himself a sailor, serving for a time as chief mate aboard the full-rigged ship RABOETEL. Later he became one of several artists employed by the Adelaide Photo Company of Sydney to work from photographs of ships and create oil paintings showing them in brisk winds and white capped seas. Borstel worked on his own in later years and is recognized as one of the last Australian marine artists to be commissioned directly by ship captains and owners to document the last days of the great age of sail. He successfully bridged the gap from sail to steam, but most often he painted the last surviving windjammers, the great steel barques and barkentines engaged in the waning pacific trade. From his studio on King Street in Newtown, R.A. Borstel produced numerous ship portraits that became post cards, advertisements and sailing posters. Although little is known of his personal life, he left the world a strong legacy of ship portraiture before his death at age 46 in 1922. Most of Borstel's work resides in private collections throughout the world.
Meta: Painting,Nautical, Maritime,Marine.

Prout John Skinnerview full entry

Reference: Views of Melbourne and Geelong
Publishing details: 6 plates, 1847
Ref: 1000

Go Figureview full entry

Reference: Go Figure
Publishing details: National Portrait Gallery,
Ref: 1000

Mueck Ronview full entry

Reference: Ron Mueck by David Hurlston and Lisa Baldissera, Nicholas Chambers, James Fox, Kelly Gellatly, Ted Gott, Susanah Greeves.Philip Long, Angus Trumble and others [’Using fibreglass resin as his preferred material, Mueck creates what's known as 'hyperrealist' human sculptures, astonishing human-like creations, both gigantic and miniature in scale. His work is now firmly on the international stage where he continues to surprise, shock, delight and inspire of figurative sculpture.’]
Publishing details: NGV, 2010, pb, 190pp, this copy ex AGNSW Library

Mueck Ronview full entry

Reference: Ron Mueck by Heiner Bastian,
Publishing details: Hatje Cantz, 2005. Hardback.
Ref: 1000

Mueck Ronview full entry

Reference: Ron Mueck by Keith Hartley.

[’“Ron Mueck’s sculptures are all of the human figure, some smaller than life-size, some larger. They portray us, members of the human race, as we progress from birth towards death: as babies, children, adolescents, adults, and as old people. He shocks us into reassessing ourselves in our existential nakedness with the uncanny realism of his figures. This short book, written by Keith Hartley, examines the psychological impact that Mueck’s sculptures have on their viewers and illustrates all the new works that Mueck has made over the last couple of years.” – cover
“Published by the Trustees of the National Galleries of Scotland 2006 for the exhibition: Ron Mueck, held at the Royal Scottish Academy Building, Edinburgh from 5 August to 1 October” – colophon.
‘]
Publishing details: National Galleries of Scotland, 2006. Paperback.
Ref: 1000

Gregson Flanagan auctionview full entry

Reference: Summer 2012 Art Auction, Perth
Publishing details: 2012
Ref: 110

Ateier Paris: The Power Studioview full entry

Reference: exhibition curated by Ann Stephen at University Art Gallery, University of Sydney. artists: Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Scwenson. Catalogue provides information about the studio.
Publishing details: University Art Gallery, University of Sydney, 2013, 16pp
Ref: 129

Bartlett Geoffreyview full entry

Reference: Geoff Bartlett by David Hurlston and Kenneth Wach
Publishing details: NGV, 2007, pb, 80pp, his copy ex AGNSW Library

Bartlett Geoffreyview full entry

Reference: Geoffrey Bartlett: Volume & Sensuality by Elena Taylor & John Buckley (texts) [’This exhibition featured the work that Bartlett did after he returned from Europe. They focus on the details and material elements of art’]
Publishing details: Drill Hall Gallery, Canberra 2004, 2004, signed by the artist, his copy ex AGNSW Library

Bartlett Geoffreyview full entry

Reference: Silver Cloud by Caroline Field & Ken Wach (text) Geoffrey Bartlett (sculpture)
Publishing details: Stonington Stables Museum Of Art, Melbourne 2001, 60pp, colour illusts, paperback, his copy ex AGNSW Library

Kelly Johnview full entry

Reference: John Kelly - Australian Cultural Product. Well illustrated, biographical information
Publishing details: Niagara Galleries and Liverpool Street Galleries, 2005,
Ref: 219

Nolan Sidneyview full entry

Reference: Rudy Komon Gallery, 1981, 15 works listed, Introduction by Elwyn Lynn
Publishing details: Rudy Komon, 1981, 4pp
Ref: 106

Nolan Sidneyview full entry

Reference: Rudy Komon Gallery, 1980, 28 works listed,
Publishing details: Rudy Komon, 1980, 4pp
Ref: 106

Laing Rosemaryview full entry

Reference: Unquiet Landcapes of Rosemary Laing - Accompanied the exhibition of the same name; Includes essays by Abigail Solomon-Godeau and Vivienne Webb, as well as biographical information about the artist. Profusely illustrated in colour.
Publishing details: Museum of Contemporary Art, Sydney, 2005
Color illus. wraps; 79 pp.;

Elliott Stuartview full entry

Reference: Fakeology - The Work of Stuart Elliott 1964-2004 by David Bromfield[ Born in Midland, Western Australia, Stuart Elliott studied Fine Art at Claremont School of Art and Curtin University.
Elliott has had 16 solo exhibitions and numerous group shows - including 'Silver' (PICA, 2008), 'Cross Currents' (Museum of Contemporary Art, 2007), 'Perspecta' (S.H. Irvin Gallery, 1997), 'Bravo 469' (Singapore National Museum, 1992), 'First Sculpture Triennial' (National Gallery of Victoria, 1984) and numerous 'Surveys' and related events. His work is represented in most major collections in Western Australia, including the Art Gallery of WA.
Stuart Elliott has lectured at a number of institutions (currently at Swan College), curated, undertaken art residencies, conducted major public and private commissions.
A major monograph about his work written by Dr David Bromfield, was published in 2004 under the title ¨Fakeology: The Work of Stuart Elliott 1964 -2004¨.
While originally known as a sculptor, Elliott has tended to work in more open-ended ways in terms of material and format, experimenting with digital/photographic/collage and text-based works over the last 5 years as a means of investigating the core study of Fakeology].
Publishing details: David Bromfield, Brown Art Consultants, 2004, pb, 184pp, this copy ex AGNSW Library

Kings of the Road - Currency Lads & Flash Covesview full entry

Reference: see Kings of the Road - Currency Lads & Flash Coves by Geoff Hocking [covers bushrangers, sons of convict parents, etc)
Publishing details: Moondrake, 2004,laminated boards, 32pp, his copy ex AGNSW Library

bushrangersview full entry

Reference: see Kings of the Road - Currency Lads & Flash Coves by Geoff Hocking [covers bushrangers, sons of convict parents, etc)
Publishing details: Moondrake, 2004,laminated boards, 32pp, his copy ex AGNSW Library

Marony P W - several major works illustrated, c1890sview full entry

Reference: see Kings of the Road - Currency Lads & Flash Coves by Geoff Hocking [covers bushrangers, sons of convict parents, etc)
Publishing details: Moondrake, 2004,laminated boards, 32pp, his copy ex AGNSW Library

Cubitt F p8 (engraving)view full entry

Reference: see Kings of the Road - Currency Lads & Flash Coves by Geoff Hocking [covers bushrangers, sons of convict parents, etc)
Publishing details: Moondrake, 2004,laminated boards, 32pp, his copy ex AGNSW Library

Marony William - several major works illustrated c1890sview full entry

Reference: see Kings of the Road - Currency Lads & Flash Coves by Geoff Hocking [covers bushrangers, sons of convict parents, etc)
Publishing details: Moondrake, 2004,laminated boards, 32pp, his copy ex AGNSW Library

Adams Tateview full entry

Reference: Tate Adams by Frances Thomson and Jenny Zimmer
Publishing details: Macmillan Mini Art Series, 2010, hc, dw, 144pp

Pavlidis Jimview full entry

Reference: Jim Pavlidis (Macmillan Mini Art)
Megan Backhouse [During a visit to Greece artist Jim Pavlidis and writer Megan Backhouse decided to explore in words and images the ambivalence of Greeks who migrated to Australia between 1954 and 1990, with some deciding to return permanently to their homeland. Interviews reveal that these people returned because they always intended to do so, or because they craved the simplicity of village or island life. However, they always missed the lifestyle of where they were not! These stories succinctly encapsulate the universal human experience of migration. Jim Pavlidis's sensitive portraits of these people, appear alongside their stories.]
Publishing details: Macmillan Mini Art Series,
Ref: 1000

Lister Anthonyview full entry

Reference: Anthony Lister (Macmillan Mini Art)
Ken McGregor and Jenny Zimmer
Publishing details: Macmillan Mini Art Series, 2010, 144pp
Ref: 1000

Cullen Adamview full entry

Reference: Adam Cullen (Macmillan Mini Art)
Ken McGregor
Publishing details: Macmillan Mini Art Series,
Ref: 1000

Jacks Robertview full entry

Reference: Robert Jacks (Macmillan Mini Art)
Ken McGregor

Publishing details: Macmillan Mini Art Series,
Ref: 1000

Quilty Benview full entry

Reference: Ben Quilty (Macmillan Mini Art)
Ken McGregor and Jenny Zimmerr

Publishing details: Macmillan Mini Art Series,
Ref: 1000

Tjapaltjarri Bill Whiskeyview full entry

Reference: Bill Whiskey Tjapaltjarri (Macmillan Mini Art)
Ken McGregor

Publishing details: Macmillan Mini Art Series,
Ref: 1000

Harper Melindaview full entry

Reference: Melinda Harper (Macmillan Mini Art)
Ken McGregor
Publishing details: Macmillan Mini Art Series,
Ref: 1000

Blackman Charlesview full entry

Reference: Charles Blackman (Macmillan Mini Art)
Ken McGregor

Publishing details: Macmillan Mini Art Series,
Ref: 1000

AES + F: The Revolution Starts Nowview full entry

Reference: AES + F: The Revolution Starts Now - University of Queensland Art Museum exhibition catalogue (Russian artist collective)
Publishing details: University of Queensland Art Museum , 2010, card covers, 94pp
Ref: 220

Veranda - Embracing Placeview full entry

Reference: Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.

Wilson W Hardy p71ffview full entry

Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.

Fogg Sarah Ann p123view full entry

Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.

Hinder Frank set for play Te Shifting Heart 1957view full entry

Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.

Salmon William - illustration p167view full entry

Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.

Henry Lucien p200-1view full entry

Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.

Kemp W E stonemason p202-3view full entry

Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.

Griffin Walter Burleigh p206view full entry

Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.

Griffin Marion Mahony p206view full entry

Reference: see Veranda - Embracing Place by Philip Drew [includes about 100 pages on the Australian veranda]
Publishing details: Angus & Robertson, 1992, hc, dw, 246pp with index. This copy ex AGNSW Library.

Nolan Sidneyview full entry

Reference: Exhibition of paintings of the Eureka Stockade. Sidney Nolan ... 8 June until ... 20 June, 1949. NOLAN, Sidney (1917-1992); A scarce catalogue listing sixty-six works from Nolan’s Eureka Stockade series, with printed prices.
Publishing details: Macquarie Galleries, Sydney.
Sydney : Macquarie Galleries, 1949. Single sheet, folded into 6 pp octavo.
Ref: 1000

Barnard Edwardview full entry

Reference: Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panoramic photography in Australiaview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panoramasview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

photographyview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Griffith Pamelaview full entry

Reference: Lord Howe Island Miniature Etchings
Publishing details: boxed set
Ref: 1000

Walters Wesview full entry

Reference: Wes Walters: Art of Realism & Abstraction by David Thomas. [Wes Walters is one of Australia’s most prominent and celebrated portrait artists. However, his image as a strict portrait artist should not preclude his other artistic talents – illustration, abstract landscapes, collage and commercial art. Wes Walters: Art of Realism & Abstraction is successful in illustrating the artistic genius of Wes Walters and highlighting all of his artistic talents – ‘commercial’ and ‘fine’.

David Thomas has provided an informative and fascinating insight into Wes Walters, which is accompanied by beautiful reproductions.] Notes Includes bibliography (p. 170-172) and index
Publishing details: Macmillan Art, c2009.,176 pages hardcover colour illustrations. Ex library copy.

Simpson Alisterview full entry

Reference: A Brush with Horses by Alister Simpson
[’This high-quality, exquisitely produced book is a celebration of the work of acclaimed equine artist Alister Simpson. Presenting a cross-section of his work, from sketches to watercolours and oils, it reveals the depth of his talent and the breadth of his style. Racehorses featured include Phar Lap, Makybe Diva, Brew, Mahogany, Octagonal and Sunline, to name just a few, while all the excitement of race day is also captured in scenes painted trackside. But Alister is not just at home on the racetrack. A Brush with Horses also includes artworks of mares and foals, horses galloping through streams and across fields, and on the polo field. This is a collection that will appeal to all who love this most noble of animals.

About the author

Alister Simpson has been recognised for three decades as the leading equine artist in Australia and is an invited participating member in the prestigious American Academy of Equine Art. His oil and watercolour paintings are keenly sought after and feature in collections throughout the world. He has received royal commissions for Queen Elizabeth II and also painted Sindabele, one of the late Queen Mother’s horses. Other commissions include: the Australian Jockey Club Australian Derby Winners since 1983; the Sydney Turf Club Golden Slipper Winners since 1987; the Victoria Racing Club Australia’s Champion Racehorse for nine years; as well as paintings for Gai Waterhouse, Alan Jones, Sir Patrick Hogan and Sheik Rashid bin Hamdan Al-Nahyan.

Publishing details: Exisle, 285 x 320mm | cased with jacket | 96pp
Ref: 1000

Out of Australiaview full entry

Reference: Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

photographyview full entry

Reference: see Cato Jack - I Can Take It (The Autobiography of a photographer)
Publishing details: Georgian House, Melbourne. 1947. First printing., 1947. 8vo, 322pp. With many black and white illustrations. Hardback, dw in poor condition.

Beattie John p28ffview full entry

Reference: see Cato Jack - I Can Take It (The Autobiography of a photographer)
Publishing details: Georgian House, Melbourne. 1947. First printing., 1947. 8vo, 322pp. With many black and white illustrations. Hardback, dw in poor condition.

Dechaineux Lucien p28ffview full entry

Reference: see Cato Jack - I Can Take It (The Autobiography of a photographer)
Publishing details: Georgian House, Melbourne. 1947. First printing., 1947. 8vo, 322pp. With many black and white illustrations. Hardback, dw in poor condition.

Atelier Paris: The Power Studioview full entry

Reference: Atelier Paris: The Power Studio - Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Schwenson - curated by Ann Stephen. Has list of recipient artists 1967-2013 and details of the studio as well as brief essays on the artists in this exhibition
Publishing details: University Art Gallery, University of Sydney, 2013
Ref: 129

Donaldson A. D. S. view full entry

Reference: see Atelier Paris: The Power Studio - Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Schwenson - curated by Ann Stephen. Has list of recipient artists 1967-2013 and details of the studio as well as brief essays on the artists in this exhibition
Publishing details: University Art Gallery, University of Sydney, 2013

Campbell Barbara view full entry

Reference: see Atelier Paris: The Power Studio - Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Schwenson - curated by Ann Stephen. Has list of recipient artists 1967-2013 and details of the studio as well as brief essays on the artists in this exhibition
Publishing details: University Art Gallery, University of Sydney, 2013

Gawronski Alexview full entry

Reference: see Atelier Paris: The Power Studio - Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Schwenson - curated by Ann Stephen. Has list of recipient artists 1967-2013 and details of the studio as well as brief essays on the artists in this exhibition
Publishing details: University Art Gallery, University of Sydney, 2013

Nikou Michelle view full entry

Reference: see Atelier Paris: The Power Studio - Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Schwenson - curated by Ann Stephen. Has list of recipient artists 1967-2013 and details of the studio as well as brief essays on the artists in this exhibition
Publishing details: University Art Gallery, University of Sydney, 2013

Schwenson Tony view full entry

Reference: see Atelier Paris: The Power Studio - Barbara Campbell, A. D. S. Donaldson, Alex Gawronski, Michelle Nikou, Tony Schwenson - curated by Ann Stephen. Has list of recipient artists 1967-2013 and details of the studio as well as brief essays on the artists in this exhibition
Publishing details: University Art Gallery, University of Sydney, 2013

Tucker Albertview full entry

Reference: Albert Tucker - The Lucky Country, Selling Exhibition, Sotheby’s, Sydney, 11-23 March 2013. 16 exhibits 1956-87
Publishing details: Sotheby’s, Sydney, 11-23 March 2013. Price list inserted.

Australiana exhibition at Josef Lebovic Galleryview full entry

Reference: Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp
Ref: 57

Read Richard Jnr portrait of Miss E Roberts 1830view full entry

Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp

Taylor R A ‘Coursing in Australia’view full entry

Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp

Davis Blanche B hand-painted platesview full entry

Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp

Weekes Ralph painting of HMAS Sydney 1915view full entry

Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp

O’Shea Molly bookplateview full entry

Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp

Gray Alexander colour stencilsview full entry

Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp

Moore May watercolour portraitview full entry

Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp

Kerr William silversmithview full entry

Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp

Jones E A wallpaper designview full entry

Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp

Culley F A folk artistview full entry

Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp

Manners Erna ceramicistview full entry

Reference: see Australiana exhibition at Josef Lebovic Gallery. Collectors’ List n0. 161
Publishing details: Josef Lebovic Gallery, 2013, 28pp

Capturing Time by Barnard Edwardview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Sydney 1820view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Newcastle 1821view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Hobart 1825view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Sydney 1827view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - King George Sound 1832view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Fremantle 1832view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Melbourne 1841view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Challicum 1852view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Melbourne 1863view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Adelaide 1866view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Brisbane 1862view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Sydney 1880view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Perth 1880view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Launceston 1890view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Palmerston, Darwin, 1870-97view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Canberra 1911, 1920s & 1930sview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama - Sydney, Katoomba and Newnes 1920s & 1930sview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

panorama, cycloramas and Dioramas view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Close Lieutenant Edward - Newcastle panoramaview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Taylor James - Sydney panoramaview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Earle Augustus - Hobart and Sydney panoramasview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Earle Augustus - Hobart and Sydney panoramasview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Dale Robert panorama King George Soundview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Currie Jane panorama Fremantleview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Jackson Samuel panorama Melbourneview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Cooper Duncan panorama Challicumview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

DeGruchy and Leigh panorama Melbourneview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Duryea’s Townsend photographer panorama Adelaide view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Maclure & Macdonald colour lithograph panorama Brisbaneview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Rogers Frederick photographer panorama Brisbaneview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

International Exhibition Sydney 1879-80 lithographview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

International Exhibition Sydney 1879-80 lithograph fireview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Rusden Amelia 1834 p122view full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Spurling Stephen panorama Launcestonview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

Griffin Walter Burley Canberra panoramaview full entry

Reference: see Barnard Edward - Capturing Time: Panoramas of Old Australia by Edwin Barnard [’Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia’s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas—to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent’s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia’s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney’s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.]

Publishing details: National Library of Australia, October 2012, 180pp, HB

McGrath Raymond 1903-1977view full entry

Reference: Raymond McGrath, Josef Lebovic Gallery Collector’s List no 162. 49 exhibits, all illustrated with prices
Publishing details: Josef Lebovic Gallery , 2013, pb, 12pp
Ref: 57

Pinkus Luluview full entry

Reference: Transfiguration, invite with 3 illustrations
Publishing details: Arthouse Gallery, 2013
Ref: 219

Captivating & Curiousview full entry

Reference: Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index

Cobb Victor anatomical drawingsview full entry

Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index

MacKenzie Colin collector portrait by W B McInnesview full entry

Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index

Phar Lap’s heartview full entry

Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index

Maroney Patrick Williamview full entry

Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index

Oscar (Aboriginal artist, c1890)view full entry

Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index

Aboriginal breastplatesview full entry

Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index

Trade Union bannersview full entry

Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index

Chalcraft Patricia p66 folk artistview full entry

Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index

children’s drawingsview full entry

Reference: see Captivating & Curious - Celebrating the Collection of the National Museum of Australia. [’This collection gathered together over the last eighty years, tells the story of Australia. There is material representing Indigenous Australia, items associated with major events, specimens recording our relationship with the environment as well as ephemera of our lives’]
Publishing details: National Museum of Australia Press, 2005, card covers, 116pp, with index

Australian Prints and drawingsview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Australian Prints and drawingsview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Allen Mickyview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Amor Rickview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Baldessin Georgeview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Banggala Englandview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Blackman Charlesview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Bot G Wview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Boyd Arthurview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Brack Johnview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Cherel Janangoo Butcherview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Coburn Johnview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Cole Robert Ambroseview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Counihan Noelview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Fabian Erwinview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Friedeberger Klausview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Gleeson Jamesview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Graham Peter Sview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Hanrahan Barbaraview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Harris Brentview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Hester Joyview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Mack Ludwig Hirschfeldview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Mack Ludwig Hirschfeldview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Jacks Robertview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Joseph Jenniferview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Kahan Louisview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Kantilla Kittyview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Kemp Rogerview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Kennedy Lucy Napaljarriview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Klippel Robertview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

McDiarmid Davidview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Lanceley Colinview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

McKenzie Queenieview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Maddock Beaview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Marika Bandukview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Mungatopi Maryanneview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Murray Janiceview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Nadjamerrek Lofty Bardayalview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Namponan Garryview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Napangardi Dorothy (aka Dorothy Napangardi Robinson)view full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Newmarch Annview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Nolan Sidneyview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Parr Mikeview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Petyarre Gloria Tamerreview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Reed Sweenyview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Senbergs Jan view full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Sims Paddy Japaljarriview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Swallow Rickyview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Thake Ericview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Thomas Roverview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Tomescu Aidaview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Tucker Albertview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Tuckson Tonyview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Walker Murrayview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Warlapinni Fredaview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Watkins Dickview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Watson Judyview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Whisson Kenview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Whiteley Brettview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Williams Fredview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Wilson Regina Pilawukview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Wolseley Johnview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Wonaeamirra Pedroview full entry

Reference: see Out of Australia: Prints and Drawings from Sidney Nolan to Rover Thomas (Paperback)
By Stephen Coppel, with a contribution by Wally Caruana on Aboriginal prints. Includes essays and bibliographies on approximately 60 artists. [’Follows the rise of a distinctive school of Australian art that first emerged in the 1940s. This book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the rise of Aboriginal printmaking.’]
Publishing details: British Museum Press, published: 23 May 2011, paperback, 240 pages

Behan Legacy Theview full entry

Reference: The Behan Legacy - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Ashton Julianview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Bell Georgeview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Boyd Penleighview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Bunny Rupertview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Buvelot Louisview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Conder Charlesview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Dargie Williamview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Davies Davidview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Dobell Williamview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Feint Adrianview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Fox E Phillipsview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Frater Williamview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Gibson Bessieview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Gill S Tview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Glover Johnview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Gruner Eliothview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Hampson Catharinaview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Heysen Hansview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Hilder J Jview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Hoff Raynerview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Kmit Michaelview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Lambert George Wview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Lambert Mauriceview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Lawrence Georgeview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Lindsay Lionelview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Long Sydneyview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

McCubbin Frederickview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Longstaff Johnview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

McInnes W Bview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Martens Conradview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Mather Johnview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Meldrum Maxview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Murch Arthurview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Molvig Jonview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Nerli Girolamoview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Newbury A Eview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Parker Haroldview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Pendelbury Scottview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Piguenit W Cview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Power Septimusview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Prout John Skinnerview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Quinn Jamesview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Read Arthur Evanview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Rees Lloydview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Roberts Tomview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Russell John Peterview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Shillam Leonardview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Streeton Arthurview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Wainewright Thomas Griffithsview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Wakelin Rolandview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Withers Walterview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Young Blamireview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

Young Blamireview full entry

Reference: see Behan Legacy The - The Stuartholme-Behan Collection of Australian Art. Exhibition catalogue. Includes 11 essays on Australian art. Incudes brief biographies and bibliographies on artists.
Publishing details: University of Queensland Art Collection, 2010, card covers, 164pp,

To Look Within - Self Portraits in Australia view full entry

Reference: To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Christison Mary self portrait c1870s with brief biography view full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Duterrau Benjamin self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Walker Theresa self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Ironside Adelaide self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Angas George French self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Earle Augustus self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Ramsay Hugh self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Lambert George W self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Preston Margaret self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Streeton Arthur self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Roberts Tom self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Whiteley Brett self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Robinson William self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Dobell William self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Heysen Nora self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Bowan Stella self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Williams Fred self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Nolan Sidney self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Thake Eric self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Bennett Gordon self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Smart Jeffrey self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Parr Mike self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Hope Laurence self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Allen Davida self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Olley Margaret self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Crooke Ray self portraitview full entry

Reference: see To Look Within - Self Portraits in Australia,. exhibition catalogue, James and Mary Emelia Mayne Centre, University of Queensland, Essay on ‘the artist’s self portrait in australia’ by Andrew Sayers. Aproximately 30 artists’ self portraits exhibited and illustrated in catalogue.
Publishing details: University of Queensland, 2004, pb, 40pp

Hilder J Jview full entry

Reference: see Look Magazine March 2013 for essay by Hendrik Kolenberg on purchase of Hilder’s ‘Deviation Work’ c1913 ‘a modern Australian materpiece enters the collection’
Publishing details: AGNSW, 2013

Wakelin Rolandview full entry

Reference: see Look Magazine March 2013 for essay by Paula Dredge on restoration of Down the Hill’s to Berry’s Bay
Publishing details: AGNSW, 2013

Walters Mariilynview full entry

Reference: First Principle. Exhibition invite, 2008, 5 illustrations in colour, artist’s statement about work
Publishing details: Studio 13, Russell Lea, 2008
Ref: 219

Marshall Jenniferview full entry

Reference: Beach Comber, artist Jennifer Marshall and curator Akky Van Ogtrop in conversation
Publishing details: Manly Art Gallery and Museum, 2012, 6-page fold-out card, 9 illustrations
Ref: 129

Kentwell Daleview full entry

Reference: Mum... speaking Latin with a singlet tan
Publishing details: Manly Art Gallery and Museum, 2007, 6-page fold-out card,22 illustrations
Ref: 129

Thalben-Ball Pamelaview full entry

Reference: Pamela Thalben-Ball - a colourful life
Publishing details: Manly Art Gallery and Museum, 2007, 6-page fold-out card,8 illustrations
Ref: 129

McFarlane Robertview full entry

Reference: Robert McFarlane - Received Moments - photography 1961 - 2009 [catalogue for travelling exhibition]
Publishing details: Manly Art Gallery and Museum, 2010, 68p, illustrated
Ref: 129

Ollis Bernardview full entry

Reference: Modern Living - Bernard Ollis, exhibition catalogue, essay by Alex Sutcliffe
Publishing details: Manly Art Gallery and Museum, 2012, 35 pp, well illustrated
Ref: 129

Eustace Alfred William view full entry

Reference: see Australiana Magazine, February 2013, vol 35, no 1 for advertisement by Simpson Antiques showing example of gumleaf painting and framing etc.

Cayley Alice Rochfortview full entry

Reference: see Australiana Magazine February 2013 vol 35, no 1, article on Alice Rochfort Cayley and John Castle Harris, part II

Cayley Nevilleview full entry

Reference: see Australiana Magazine February 2013 vol 35, no 1, article on Alice Rochfort Cayley and John Castle Harris, part II

Cayley Nevilleview full entry

Reference: see Australiana Magazine February 2013 vol 35, no 1, article on Alice Rochfort Cayley and John Castle Harris, part II

Cayley family of bird paintersview full entry

Reference: see Australiana Magazine February 2013 vol 35, no 1, article on Alice Rochfort Cayley and John Castle Harris, part II. See also Australiana Magazine Nov 2012, vol 34, no 4, article on Alice Rochfort Cayley and John Castle Harris - the article is second part, the first part is in previous edition. Covers whole Cayley family, Is 16 pages with illustrations.

Harris John Castleview full entry

Reference: see Australiana Magazine February 2013 vol 35, no 1, article on Alice Rochfort Cayley and John Castle Harris, part II. See also Australiana Magazine Nov 2012, vol 34, no 4, article on Alice Rochfort Cayley and John Castle Harris - the article is second part, the first part is in previous edition. Covers whole Cayley family, Is 16 pages with illustrations.

Somme Louis medalist etcview full entry

Reference: see Australiana Magazine February 2013 vol 35, no 1, article on ‘Louis Somme - an intriguing migrant craftsman’

Qwist Christian Ludwig jewellerview full entry

Reference: see Australiana Magazine February 2013 vol 35, no 1,

Frith Henry Albert photographerview full entry

Reference: see Australiana Magazine February 2013 vol 35, no 1, article by Jane Lennon on three versions of Frith’s photographic portrait ‘The Last of the Tasmanians’

Mourning dress in colonial Australiaview full entry

Reference: see Australiana Magazine February 2013 vol 35, no 1, article by Kellee Uhr

Smith Charles F Hview full entry

Reference: see Australiana Magazine February 2013 vol 35, no 1, for advertisement by Peter Walker Fine Art on a watercolour c 1835 of the Whitsundays

Frith Frederick, artist brother of photographer Henryview full entry

Reference: see Australiana Magazine February 2013 vol 35, no 1, article by Jane Lennon on three versions of Frith’s photographic portrait ‘The Last of the Tasmanians’

Hermans The - Art in the family (of Sali Herman)view full entry

Reference: Hermans The - Art in the family (of Sali Herman). Works by Sali Herman, Nada Herman, Ted Herman, essay by Katherine Roberts, Curator
Publishing details: Manly Art Gallery, 2010, 6-page fold-out card, 7 illustrations
Ref: 129

Herman Saliview full entry

Reference: Hermans The - Art in the family (of Sali Herman). Works by Sali Herman, Nada Herman, Ted Herman, essay by Katherine Roberts, Curator
Publishing details: Manly Art Gallery, 2010, 6-page fold-out card, 7 illustrations

Herman Nadaview full entry

Reference: Hermans The - Art in the family (of Sali Herman). Works by Sali Herman, Nada Herman, Ted Herman, essay by Katherine Roberts, Curator
Publishing details: Manly Art Gallery, 2010, 6-page fold-out card, 7 illustrations

Herman Tedview full entry

Reference: Hermans The - Art in the family (of Sali Herman). Works by Sali Herman, Nada Herman, Ted Herman, essay by Katherine Roberts, Curator
Publishing details: Manly Art Gallery, 2010, 6-page fold-out card, 7 illustrations

Williams Robert Francisview full entry

Reference: Robert Francis Williams - A Survey. Essay by Brian Mahoney, curated by Deborah Good. With artist’s curriculum vitae
Publishing details: Manly Art Gallery, 2008, 6-page fold out card, 8 illustrations
Ref: 129

Fairweather Ianview full entry

Reference: Ian Fairweather - Late Works 1953-74, essay by Angela Goddard, 35 exhibits listed
Publishing details: Queensland Art Gallery, 2012, 108pp, 60 illustrations

Browne Thomas Henry Johnson (aka ‘Satan’)view full entry

Reference: see McKenzie Auctions March 2-13 (Perth) lot 71 - "The Congregational Chapel and Pastors Residence, Bunbury, Western Australia", Watercolour and gouache on paper, Inscribed "Thos. H.J. Browne, Deln November 1868". The building behind is understood to be the Rose Hotel (which still exists – although the back has been extended.) Another depiction of the Rose Hotel was painted by Browne, “Rose Hotel, Bunbury” 1865, and is currently held in the National Gallery of Canberra’s collection. A recent acquisition from a major private collection, Perth. Thomas Henry Johnson Browne was was born in London in 1818 and
trained as an architect and a civil engineer. In 1862 he
was charged with forging money orders (he claimed
years later that he was shielding his wife of the time).
He was sentenced to ten years transportation to
Western Australia and arrived on the Lord Dalhousie
in 1863. For 18 months he worked on the new
Fremantle Lunatic Asylum (now Fremantle Arts Centre) in the Office of Works Department of the Convict Establishment at Fremantle. In 1866 he painted a watercolour of the completed building, "The New Lunatic Asylum, and Invalid Depot , Fremantle, Western Australia," which is currently held in the State Library of New South Wales collection. After receiving his ticket of leave in 1865 he was self-employed and produced a small number of watercolours, a few of which, remain today. One, an attributed view of houses on High Street Fremantle (WA Museum) another, Ravenswood Hall, Murray River (Royal Western
Australian Historical Society). It was during this time that due to the number of Tom Brown(e)s working in the area that he acquired the dubious nickname of 'Satan', a reference to his sallow complexion, black hair and lean body.
His sentence expired in 1872 and as his first wife (who had remained in London) was now deceased he chose to remain in Western Australia where he worked as an
architect and land agent. He remarried in 1875 and had a young child who sadly died of sunstroke at six months of age. His new wife took to heavy drinking and their marriage was strained. Five years later it seemed his luck had turned when he opened a grand hotel around a disused mill in South Perth – the Alta Gardens Hotel. Despite it being Perth's most fashionable social centre the venture was always in debt. In 1882 he was found guilty of criminal activities over a land transaction in connection with the hotel and he was taken into custody. That night as he awaited his sentencing he committed suicide by drinking strychnine rather than face prison again.

Scrivener Nelly view full entry

Reference: see McKenzie Auctions March 2-13 (Perth) lot 92. Verso: Inscribed “Painted by Miss Nelly Scrivener 1899”. Possibly Nelly or Eleanor, as is often the formal version, was a relation to Henry Ambrose Scrivener,
1842 – 1906, who was a British naval officer. Various artworks and sketches of Auckland and Sydney Harbour have been attributed to him.

Walkley Thomasview full entry

Reference: Joels Art auction14.3.2013 lot 123 THOMAS WALKLEY (19TH CENTURY)
Boating on the River Yarra, At Richmond, Near Burnley 1894 - illustrated in catalogue
watercolour , signed and dated 'T. WALKLEY AUG 1894' lower right 38.5 x 64.5cm -Estimate $ 1,000-2,000

Douglas Stewart Fine Booksview full entry

Reference: Ballarat 2013 - items relating to Ballarat, gold mining, photographs, etc
Publishing details: Douglas Stewart Fine Books, 9-11 March 2013
Ref: 142

Ballarat imagesview full entry

Reference: see Douglas Stewart Fine Books - Ballarat 2013 - items relating to Ballarat, gold mining, photographs, etc
Publishing details: Douglas Stewart Fine Books, 9-11 March 2013

Baird Johnview full entry

Reference: Spectacular Behaviour, exhibition invite, 3 illustrations with note on the artist
Publishing details: Arthouse gallery 2013, 4pp
Ref: 219

Bennett Craigview full entry

Reference: Second Time Around, exhibition invite, 3 illustrations with note on the artist
Publishing details: Arthouse gallery 2013, 4pp
Ref: 219

Australian Art in the Sixtiesview full entry

Reference: Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: J. Feldheim, Melbourne, 1915. 8vo (ca 9x11.5in), card wrap-around cover, tied at spine. 26pp + prelims + adverts. Good condition. With print of map of Victoria loose at rear (ca 1873, tinted, drawn by W. Hughes
Ref: 1009

Georgiusview full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim.

Publishing details: J. Feldheim, Melbourne, 1915. 8vo (ca 9x11.5in), card wrap-around cover, tied at spine. 26pp + prelims + adverts. Good condition. With print of map of Victoria loose at rear (ca 1873, tinted, drawn by W. Hughes

Graham Lesview full entry

Reference: Les Graham: Selected Drawings, edited by Lorraine Graham
Publishing details: Tonatiuh Press, New South Wales, 1977. Limited signed edition of 500 copies, of which this is No. 480 (? the '0' has been written over). Small folio (hc, dw, prelims + Introduction + 59 b&w plates.

Keeling Daidview full entry

Reference: David Keeling by David Hansen
A Tasmanian Monograph.
Publishing details:
Quintus, Hobart, 2007. Hardback, 8vo, 64pp. Very good condition, in very good dustwrapper. Light wear only. ISBN: 9780977557240.
Ref: 1000

An Approach to the Landscapeview full entry

Reference: An Approach to the Landscape,
Joanna Kitas, Alexander McKenzie, Idris Murphy, Yaeli Ohana, Maureen O'Shaugnessy, Kim Westcott

Publishing details: Axia Modern Art, Melbourne, 2003 8vo, 8 page folded card (8.25x8.5in).
Ref: 1000

Ingpen Robertview full entry

Reference: INGPEN, ROBERT. - THE UNCHOSEN LAND.INGPEN, ROBERT.
AUSTRALIAN GNOMES.
Rigby, Adelaide, 1979. 110 pp, 22 x 25cm, tinted end-papers, coloured plates

Publishing details: Rigby Opal Books, Adelaide, 1981. 72 pp, quarto, tinted end-papers, coloured and b&w plates, fine copy in like, illustrated d/j.
Third book in the 'Australian Gnomes' trilogy.
Ref: 1000

Ingpen Robertview full entry

Reference: INGPEN, ROBERT. - AUSTRALIAN GNOMES.

Publishing details: Rigby, Adelaide, 1979. 110 pp, 22 x 25cm, tinted end-papers, coloured plates
Ref: 1000

ART IN EDUCATION - A SURVEY OF ART EDUCATION IN AUSTRALIA.view full entry

Reference: MACKRELL, R. J. and M. E. (editors).
ART IN EDUCATION - A SURVEY OF ART EDUCATION IN AUSTRALIA.
Publishing details: Curriculum Development Centre Canberra, 1978. 80 pp, quarto, limp wrappers, black and white plates
Ref: 1000

Australian Art in the Sixtiesview full entry

Reference: Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. Preface by J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

Shepparton Art Galleryview full entry

Reference: City of Shepparton: Catalogue of the Shepparton Art Collection. Includes biographical information on artists. Includes some b&w illustrations, and a catalogue up to number 37. Typewritten list pasted in with additional catalogue numbers 38-80,including some lesser known artists, eg, G. M. Horne, M. Hill, ?F. K. Rowe, C. J Hardy, J. Bleim, John Vinter,  
Publishing details: Shepparton City Council, Victoria, 1949. 12mo, PB, 29pp.

Yibiyungview full entry

Reference: Yibiyung.. The artist was born in 1944 in Gnowangerup WA. The artist is also known under the names Roma Winmar, Roma Woods and Roma Penny. Works for sale eBay 2013

Roma Winmar, Roma Woods and Roma Penny.view full entry

Reference: Yibiyung.. The artist was born in 1944 in Gnowangerup WA. The artist is also known under the names Roma Winmar, Roma Woods and Roma Penny. Works for sale eBay 2013

Georgiusview full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

McLeod W
view full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

Brierly Oswaldview full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

Prout John Skinnerview full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

Calvert Samuelview full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

Armytage J Cview full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

Carr J (J H Carse)view full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

Baines Thomasview full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

Gill S Tview full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

Forrest Captain Hview full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

Chevalier Nicholasview full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

Feldheim Jview full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

Feldheim Jview full entry

Reference: see Australian Art in the Sixties - A Book of Engravings. From the famous paintings by "Georgius", W. McLeod, Sir Oswald Brierly, Skinner Prout, Calvert, Armytage, J. Carr, T.Baines, S.T. Gill, Captain Forrest and Nicholas Chevalier. Selected from the well-known collection of Mr. J. Feldheim. 
Publishing details: [photocopy only] J. Feldheim, Melbourne, 1915. card wrap-around cover, tied at spine. 26pp + prelims + adverts.

Rogers Andrewview full entry

Reference: Rhythms of Life - The Art of Andrew Rogers, essays by Ken Scarlett
Publishing details: Macmillan Art Publishing, South Yarra, VIC, Australia, 2003, hc, dw, 284pp, ex AGNSW library copy

Brierly Oswaldview full entry

Reference: Sir Oswald Walters Brierly - Sailing Ships and Ports of the Seven Seas. Exhibition at Hunter Museum of Ary, Chattanooga, Tennessee, 1982. 75 exhibits listed, 13 works illustrated
Publishing details: Hunter Museum of Art, 1982, pb, 20pp, copy ex AGNSW Library
Ref: 48

Tuckson Tonyview full entry

Reference: Tony Tuckson - Small Figurative Drawings, Watters Gallery Exhibition, January, 2013
Publishing details: Watters Gallery, 2013, pb, 106pp, invite inserted

Fraser Leahview full entry

Reference: Leah Fraser - Valley of the Silver Moon, invite, 3 illustrations
Publishing details: Arthouse Gallery 2013, 4pp
Ref: 219

Ettelson Jamesview full entry

Reference: James Ettelson - Still the Love, invite, 3 illustrations
Publishing details: Arthouse Gallery 2013, 4pp
Ref: 219

Jacks Robertview full entry

Reference: Robert Jacks - on Paper 1958 - 1990 by Simeon Kronenberg [This catalogue celebrates Jacks's commitment to abstraction as well as his works' 'authority and formal quality, suggestive colours and sensitivity'.]
Publishing details: University of Melbourne Melbourne, 1990. Fine Roy 4to, 32pp, b/w & Colour Illusts Fine Soft Cover Exhibition Catalogue

Brown Mikeview full entry

Reference: Lies and Other Fabrications - paintings and computer prints by Mike Brown and Darryl Tilson
Publishing details: Charles Nodrum Gallery, 1996, 4pp with essay.
Ref: 129

Tilson Darrylview full entry

Reference: see Brown Mike Lies and Other Fabrications - paintings and computer prints by Mike Brown and Darryl Tilson
Publishing details: Charles Nodrum Gallery, 1996, 4pp with essay.

Walmerview full entry

Reference: Walmer - exhibition of photographic collages and photo-posterisations by Mike Brown and Bronwyn Silver
Publishing details: Charles Nodrum Gallery, 1989, 4pp with essay.
Ref: 129

Brown Mikeview full entry

Reference: see Walmer - exhibition of photographic collages and photo-posterisations by Mike Brown and Bronwyn Silver
Publishing details: Charles Nodrum Gallery, 1989, 4pp with essay.

Silver Bronwynview full entry

Reference: see Walmer - exhibition of photographic collages and photo-posterisations by Mike Brown and Bronwyn Silver
Publishing details: Charles Nodrum Gallery, 1989, 4pp with essay.

Brown Mikeview full entry

Reference: Collaborators and Conspirators - the view from the bush - Mike Brown’s Gippsland Years. With essay by Richard Haese. About 50 exhibits by Brown and Colin Lanceley and Darryl Tilson, etc
Publishing details: Gippsland Art Gallery, Sale, 2000, 8-page fold out card, 4 illustrations
Ref: 129

Butler Jenview full entry

Reference: Australian Landscape - an installation, 10 illustrations, biographical details.
Publishing details: CRIA Gallery (?) Canberra, 1990 (?) 12pp
Ref: 129

Bush Stephenview full entry

Reference: Stephen Bush - The Lure of Paris, 4 illustrations, essay by Chris McCauliffe, biographical details
Publishing details: Robert Lindsay Gallery, 1994, 4pp,
Ref: 129

Blackman Charlesview full entry

Reference: Bonython Art Gallery exhibition catalogue, 38 exhibits, biographical information, photographic portrait
Publishing details: Bonython Art Gallery , 1970, 8pp
Ref: 36

Blackman Charlesview full entry

Reference: Philip Bacon Gallery exhibition catalogue, 58 exhibits with prices, brief essay
Publishing details: Philip Bacon Gallery, 1980,8pp
Ref: 36

Bishop Tonyview full entry

Reference: Sculpture - Tony Bishop. Adelaide Fesival Centre exhibition catalogue. Introduction by Neville Watson. Biographical details. 12 illustrations in b & w.
Publishing details: Adelaide Festival, 1980, pb, 17pp
Ref: 129

Ford Sueview full entry

Reference: Sue Ford - A Survey 1995, essay by Helen Ennis. Biographical details. Numerous illustrations.
Publishing details: Monash University Gallery, 1995, pb, 28pp
Ref: 129

Scully Seanview full entry

Reference: Sean Scully - paintings 1989 - 90. McKee Gallery catalogue, New York. 9 works all illustrted in colour
Publishing details: McKee Gallery, New York, 1990, ex library copy (AGNSW)

Ball Sydneyview full entry

Reference: Vermeer’s Mirror, Robert Lindsay Gallery exhibition catalogue, essay by Christopher, biographical details Coventry
Publishing details: Robert Lindsay Gallery , 1994,
Ref: 129

Anderson Lisaview full entry

Reference: The archeology of Memory XV; an open journal - Lisa Anderson, essay by McKenzie Wark. Biographical details
Publishing details: Ipswich Regional Gallery, 1995, 8pp
Ref: 129

Stacey - Redgateview full entry

Reference: Robyn Stacey and Jack Redgate exhibition at National Art Gallery, Wellington, NZ. Biographical details on both artists.
Publishing details: National Art Gallery, Wellington, NZ, 1991, pb, 16pp
Ref: 129

Stacey Robynview full entry

Reference: see Stacey - Redgate, Robyn Stacey and Jack Redgate exhibition at National Art Gallery, Wellington, NZ. Biographical details on both artists.
Publishing details: National Art Gallery, Wellington, NZ, 1991, pb, 16pp

Redgate Jackieview full entry

Reference: see Stacey - Redgate, Robyn Stacey and Jack Redgate exhibition at National Art Gallery, Wellington, NZ. Biographical details on both artists. Curated by Robert Leonard
Publishing details: National Art Gallery, Wellington, NZ, 1991, pb, 16pp

Kennedy Peterview full entry

Reference: Light Years 1970-1. Essay ‘Engaging the Avant-garde’ by Stephen Jones. Illustrated in colour
Publishing details: Institute of Modern Art, Brisbane, 2011, 32pp
Ref: 129

Dredge Margaretview full entry

Reference: Margaret Dredge - Retrospective 1960 - 2001. Approximately 120 exhibits all illustrated, some in thumbnails. Essays by Max Dingle and Rhonda Dredge. Biographical details
Publishing details: Shoalhaven City Arts Centre, 2012, pb, 61pp

Out of the Squareview full entry

Reference: Out of the Square - Beach Architecture on the Mornington Peninsula. [To be indexed]
Publishing details: Mornington Peninsula Regional Gallery, 2008
(?) 96pp

Inland - corresponding placesview full entry

Reference: Inland -corresponding places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included, of artists: George Alexander, Suzannah Barta, Terri Bird, Joan Brassil, Paul Carter, Tony Clark, Aleks Danko, Neil Emmerson, Rosalie Gascoigne, Joan D. Grounds, Graeme Hare, Tim Johnson, Penelope Lee, John Lethbridge, Geoff Lowe, Robert MacPherson, John Nixon, Robert Owen, Mike Parr, Stieg Persson, Marie Sierra-Hughes, John de Silentio, Imants Tillers, Jennifer Turpin, Wendy Webb.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp
Ref: 129

Alexander Georgeview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Barta Suzannahview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Bird Terriview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Brassil Joanview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Carter Paulview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Clark Tonyview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Danko Aleksview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Emmerson Neilview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Grounds Joan Dview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Gascoigne Rosalieview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Hare Graemeview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Johnson Timview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Lee Penelopeview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Lethbridge Johnview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

MacPherson Robertview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Nixon Johnview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Owen Robertview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Parr Mikeview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Persson Steig view full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Sierra-Hughes Marieview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

de Silentio Johnview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Tillers Imantsview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Turpin Jenniferview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Webb Wendyview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Webb Wendyview full entry

Reference: see Inland - Corresponding Places, an exhibition selected by Rober Owen, Australian Centre for Contemporary Art, 1990. 25 artists represented. Very brief biographies included.
Publishing details: Australian Centre for Contemporary Art, 1990, 40pp

Baines Thomasview full entry

Reference: Thomas Baines an Artist in the Service of Science in Southern Africa
Publishing details: Christies, 1999. An exhibition catalogue. Illustrated in colour. Large format, pp.211, softcover;
Ref: 1008

Langley Jeanview full entry

Reference: To a blue flower by Jean Langley - - A collection of Australian Wild flower paintings
Publishing details: Flower Press, Australia, 1983. 55 pp, quarto, tinted end-papers, coloured plates, line drawings
Ref: 1000

Bergner Audreyview full entry

Reference: Audrey Bergner: Paintings 1947-1988 Nissim Aloni: The Spell of Distant Deserts
Publishing details: Shva Publishers Ltd., Tel Aviv, 1990. Large 4to, HB, 154pp (incl many colour plates).
Ref: 1000

Basil Sellers art Prizeview full entry

Reference: check the years and details re the holding of this prize (2008, 2010, 2012?)
Publishing details: The Ian Potter Museum of Art, the University of Melbourne
Swanston Street (between Faraday and Elgin streets), Parkville
Ref: 1000

Keeling Davidview full entry

Reference: Niagara Gallery catalogue
Publishing details: Niagara Galleries, Richmond VIC., 2000. Folding 8pp card, coloured illustrations
Ref: 1000

Keeling Davidview full entry

Reference: Niagara Gallery catalogue - David Keeling. 'Nothing But Blue skies'
Publishing details: Niagara Galleries, Richmond VIC., 1992, 20pp
Ref: 1000

Keeling Davidview full entry

Reference: Niagara Gallery catalogue - David Keeling. ‘Spread’
Publishing details: Niagara Galleries, Richmond VIC., 1994, 24pp
Ref: 1000

Keeling Davidview full entry

Reference: David Keeling. 1995 Dick Bett Gallery exhibition
Publishing details: Hobart: Dick Bett Gallery 1995. Oblong Sm. 8vo. Or. wrapper. (16pp.). With num. illusts., most in col.
Ref: 1000

Friend Donald illustrated byview full entry

Reference: Brief Encounters by Ron Saw
Publishing details: Richard Griffin, Cammeray, 1984. Limited to 2,000 copies. Hardback, small 4to, 64pp
Ref: 1000

Illustrators of Australia Book Sevenview full entry

Reference: Illustrators of Australia Book Seven - ‘Includes a large number of Australian Art Illustrators. It has their Names, Addresses, Phone Numbers, and email addresses [to be indexed]
Publishing details: St. Kilda South, Vic. : Illustrators Association of Australia, 1999, 2 vols. : chiefly col. ill. Spiral binding, 153pp (?)

Traill Jessieview full entry

Reference: Stars In The River: The Prints Of Jessie Traill (’...celebrates the artistic career of one of Australia's most important printmakers of the twentieth century, Jessie Traill Embracing the medium of etching in the early 1900s, Jessie Traill forged a radical path for printmaking in Australia through the duality of her vision. Depicting the beauty of the natural environment alongside dynamic images of industry, her lyrical response showed a profound understanding of the dilemma that requires nature to be sacrificed in order for the modern world to progress.’) This book includes short essays by Roger Butler, Sarina Noordhuis-Fairfax, Rebecca Edwards, Macushla Robinson, and Tim Bonyhady. [to be indexed]
Publishing details: NGA, 2013, pb, 208pp, with index

Troedel Charlesview full entry

Reference: Eight selected prints from Charles Troedel's Melbourne Album - 8 seperate colour tipped in plates, enclosed in envelope,
Publishing details: Melbourne University Press, n.d.
Ref: 1006

Troedel Charlesview full entry

Reference: The Melbourne Album.Comprising a series of Elegant, Tinted, Lithographic Views of Melbourne and surrounding Districts Lithographed, Printed and Published by Charles Troedel in 1863. Reproduced and Printed by Troedel & Cooper. Edited by Clive Turnbull. 24 full page colour illustrations;
Publishing details: Georgian House, n.d. Oblong 4to; pp. 90; original cloth, in slipcase, title lettered in gilt on black label on front and spine, Limited edition of 2000 numbered copies. This is number 21.

Edwards Margeryview full entry

Reference: Holdsworth Gallery catalogue, Recent Black Paintings and Works on Paper. Essay by Stephen Westfall, NY, 1988. 4 full page plates
Publishing details: Holdsworth Gallery, 1988, pb, 20pp
Ref: 42

Pittella Feliceview full entry

Reference: Felice Pittella 2003 - curated by Tim M. Hempill and Phe Rawnsley
Publishing details: The Gallery Grand Salon, 44-62 Spencer Street Melbourne, card covers, 2003, 48pp

Lambert Georgeview full entry

Reference: The Art & Life of George W. Lambert by James Macdonald
Publishing details: Alexander McCubbin, Melbourne, no date [1920], 8vo; pp. (vi), 7-30; colour portrait frontispiece; illustratednd
Ref: 1

Shepparton Art Galleryview full entry

Reference: Catalogue of the Shepparton Art Collection
Publishing details: Shepparton City Council, 1949, 29pp. [Includes additional typewritten list of about 40 additional artists but without their biographical details]

Longstaff Sir Johnview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on Longstaff]
Publishing details: Shepparton City Council, 1949

Ragless Maxview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Buckmaster Ernestview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Bernaldo Allan Thomasview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Bell George Henry Frederickview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Herbert Harold Brocklebankview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Rowell John Thomas Nightingaleview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Dargie Williamview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Quinn James Peterview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Shore Arnoldview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Gurdon Norahview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Loxton John Sview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Long Sydneyview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Ramsay Hughview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Pick John 1866-1949view full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist who was Mayor of Shepparton]
Publishing details: Shepparton City Council, 1949

Annois Leonard Lloydview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Johnson Robertview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

McCubbin Frederickview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Paterson Bettyview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Watson James Dview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Young Blamireview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Coleman Alfred 1886-1948view full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Currie Aview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [catalogue states biographical details unknown]
Publishing details: Shepparton City Council, 1949

Moore Alanview full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Hellier Dermont James John view full entry

Reference: see Shepparton Art Gallery - Catalogue of the Shepparton Art Collection [includes biographical details on the artist]
Publishing details: Shepparton City Council, 1949

Majzner Victorview full entry

Reference: Charting a Motley Landscape - Victor Majzner’s Watercolours. Essay by Tim Sowden
Publishing details: New England Regional Art Museum, 1997, pb, 16pp

Women’s Art Register Theview full entry

Reference: The Women’s Art Register - includes ‘A short history of the Women’s Art Register’ by Dr Juliet Peers. Includes 24 small illustrations of the work of women artists from Dorrit Black, Stella Bowen, Clarice Beckett through to Contemporary artists.
Publishing details: Women’s Art Register, 2005, pb, 20pp

Beyond the Picket Fenceview full entry

Reference: Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp
Ref: 1

Paty Dorothy English 1805-36view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

de Mole Fanny Elizabeth 1835-66view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Campbell Marrianne 1827-1903 ‘Waratah’ wcview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Scott Margaret Cochrane 1825-1919view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

McCormish Ida 1885-1922view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Medland Lilian 1880-1955view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Temple-Watts Betty b1900view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Rosser Celia E. b1930view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Dixon Trisha b1953view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Fereday Susan c1810-1878 ‘self portrait’view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Felton Myra 1835-1920view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

O’Shannessy Miss working c1862-98view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Burns Gwen - on staff of Freeman Studiosview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Mills Alice 1870-1929 photographerview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Duryea Thelma photographerview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Fletcher Judith photographerview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Agar Bernice photographerview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Blake Lane Patricia Moyleview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Blake Lane Patricia Moyleview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Campbell Sophia 1777-1833view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Rusden Amelia C working c1834-40view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Dibdin Thomas Coleman lithograoherview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Gibbes Fanny, wc, 1838view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Cannan Jane Dorotheaview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Fogg Sarah Ann 1829-1922view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Higgins Anne, oil painting, 1881view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Farran Katherine Lilianview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Crear Helen Maxwell c1827-60view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Crear Johanna Clyne c1824-84 (Tasmanian work illustrated)view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Drummons Augusta Mview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Cumming Constance Frederica Gordon 1837-1924view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Scarvell Jessie Eview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Bamberger Molly Dview full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Tudor Elsie 1905-75view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Morrison Hedda 1980-91view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Morrison Hedda 1980-91view full entry

Reference: see Beyond the Picket Fence - Australian Women’s Art in the National Library’s Collections. Essay by Sylvia Carr, curator. Checklist of works exhibited. 8 illustrations. No biographical information but many lesser-known artists listed and some of these have works illustrated.
Publishing details: NLA, 1995, 8pp

Swen Cornel & Hiroeview full entry

Reference: Cornel Swen - 7 Years of exhibiting dye paintings on ‘washi’ at Pastoral Gallery. Hiroe Swen - fourteen years of exhibiting handbuilt ceramics at Pastoral Gallery. Illustrated and with essays. Biographica details.
Publishing details: Pastoral Gallery, 1986, pb, 36pp

Federation - Australian Art and Society 1901-2001view full entry

Reference: Federation - Australian Art and Society 1901-2001. Exhibition brochure for the National Gallery of Australia exhibition. Brief essay by John McDonald (who curated the exhibition)
Publishing details: NGA, 2001, 8pp folding card

Ashcroft Pamelaview full entry

Reference: What Price Gold - carving an existence, an exhibition of paintings by Pamela Ashcroft. Essay, 12 illustrations.
Publishing details: Castlemaine Art Gallery and Historical Museum, 2001, 8 page folding card
Ref: 129

Bridget McDonnell Galleryview full entry

Reference: Early Australian Painters. 32 exhibits all illustrated.
Publishing details: Bridget McDonnell Gallery, 1988,
Ref: 64

Brierley Oswaldview full entry

Reference: see Bridget McDonnell Gallery - Early Australian Painters. 32 exhibits all illustrated. Oil painting. Some biographical information and references.
Publishing details: Bridget McDonnell Gallery, 1988,

Carse J Hview full entry

Reference: see Bridget McDonnell Gallery - Early Australian Painters. 32 exhibits all illustrated. ‘Haymaking’. Major oil painting, possibly a British subject. .

Publishing details: Bridget McDonnell Gallery, 1988,

Rolando Charles 1844-1893view full entry

Reference: see Bridget McDonnell Gallery - Early Australian Painters. 32 exhibits all illustrated. ‘Prospectors’ c1891 - another version in Geelong Art Gallery.

Publishing details: Bridget McDonnell Gallery, 1988,

Glover John (1767–1849)view full entry

Reference: Mr. John Glover's exhibition of his oil and water-colour paintings : (with a few by his son Mr. William Glover) at the great rooms, No. 16, Old Bond Street, opposite Stafford Street, 1824.
Publishing details: [London] : Reprinted with additions by J. Rogers, for Sir Thos. Phillipps, 1868. Description: 8, [2], 4, 2, 12 p.
Ref: 1009

Gemmell, Tuckett & Co. Catalogueview full entry

Reference: Gemmell, Tuckett & Co. Catalogue of choice and varied collection of oil paintings of Australian scenery by the renowned artists Signor Rolando and Mr. J. H. Scheltema : to be sold by auction by Gemmell, Tuckett & Co. at their fine art gallery, Tuckett Chambers, Collins Street, on Tuesday, 8th Sept, 1891, at Two o'clock.
Publishing details: [Melbourne, Vic.] : Mason, Firth & McCutcheon, Printers, 1891. Description: 11 p
Ref: 1006

Rolando Charlesview full entry

Reference: see Gemmell, Tuckett & Co. Catalogue of choice and varied collection of oil paintings of Australian scenery by the renowned artists Signor Rolando and Mr. J. H. Scheltema : to be sold by auction by Gemmell, Tuckett & Co. at their fine art gallery, Tuckett Chambers, Collins Street, on Tuesday, 8th Sept, 1891, at Two o'clock.
Publishing details: [Melbourne, Vic.] : Mason, Firth & McCutcheon, Printers, 1891. Description: 11 p

Scheltema J Hview full entry

Reference: see Gemmell, Tuckett & Co. Catalogue of choice and varied collection of oil paintings of Australian scenery by the renowned artists Signor Rolando and Mr. J. H. Scheltema : to be sold by auction by Gemmell, Tuckett & Co. at their fine art gallery, Tuckett Chambers, Collins Street, on Tuesday, 8th Sept, 1891, at Two o'clock.
Publishing details: [Melbourne, Vic.] : Mason, Firth & McCutcheon, Printers, 1891. Description: 11 p

Seehusen Walterview full entry

Reference: see Bridget McDonnell Gallery - Early Australian Painters. 32 exhibits all illustrated. ‘Cattle drinking at the Yarra’ 1887, oil. Brief biography: exh with VAA from 1881-1893, probably a student of Buvelot.

Publishing details: Bridget McDonnell Gallery, 1988,

Strutt Williamview full entry

Reference: see Bridget McDonnell Gallery - Early Australian Painters. 32 exhibits all illustrated. ‘Portrait of William Strutt [artist’s son] as a boy’
Publishing details: Bridget McDonnell Gallery, 1988,

Rae Iso - 3 worksview full entry

Reference: see Bridget McDonnell Gallery - Early Australian Painters. 32 exhibits all illustrated. Some biographical detail.
Publishing details: Bridget McDonnell Gallery, 1988,

Queensland Art Gallery view full entry

Reference: Information brochure, Announcing new gallery. Includes history and plans and several illustrations of major works in the collection.
Publishing details: QAG, 12pp, 1979

Images of Work and Leisureview full entry

Reference: Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp
Ref: 129

Alexandrovics Judithview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Blackman Charlesview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Counihan Noelview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Cruickshank Alanview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Dalgarno Royview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Dupain Maxview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Hilder J Jview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Jamieson Gilview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Kingston Peterview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Marwood Jimview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Moore Davidview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Smart Jeffreyview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Sumner Alanview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Tierney Joseph (Bernard Smith)view full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Varvaressos Vickiview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Waterhouse Phylview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

lWestwood Bryanview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Willebrandt Jamesview full entry

Reference: see Images of Work and Leisure - Parliament House Art Collection, 18 artists included in exhibition. Lists exhibits and biographies of each artist.
Publishing details: Parliament House, Canberra, 1994, 10pp

Australian Decorative Arts 1900 - 1985view full entry

Reference: Australian Decorative Arts 1900 - 1985, essay by John McPhee, checklist of numerous items from the Australian National Gallery (now National Gallery of Australia)
Publishing details: Australian National Gallery, 1988, 28pp

Black Attackview full entry

Reference: Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.
Ref: 129

Booth Peterview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Browne Andrewview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

de Clario Demenicoview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Elliston Judithview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Harris Brentview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Hearman Louiseview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Henson Billview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Hickey Daleview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Johnstone Ruthview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Lincoln Kevinview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Maddock Beaview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Maes Andrewview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Mitelman Allanview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Persson Stiegview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Ramsden Melview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Ramsden Melview full entry

Reference: see Black Attack - exhibition curated by John McPhee [paintings where black is a feature]
Publishing details: National Gallery of Victoria, 1996, pb,.

Inherited Absolute - artists with childrenview full entry

Reference: Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp
Ref: 129

Barberis Ireneview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Breninger Warrenview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Cox Stephenview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Dyson Chrisview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Faulks Philipview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Gabrie Sigiview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Gaha Adrienneview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Gower Elizabethview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Hogg Geoffview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Laming Amandaview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Lowe Geoffview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Neeson John Rview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Nelson Janview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Ryan Siobhanview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Tillers Imantsview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Tillers Imantsview full entry

Reference: see Inherited Absolute - artists with children, essay by Elizabeth Gertsakis. Includes artist’s biographies.
Publishing details: Australian Centre for Contemporary Art, 1992, pb, 28pp

Painting in Victoriaview full entry

Reference: Painting in Victoria - A guide, illustrated from the Collection of the National Gallery of Victoria
Publishing details: NGV, 1973, reprinted from the Victorian Year Book, 6pp and illustrations.

Mornington Peninsula Arts Centreview full entry

Reference: Mornington Peninsula Arts Centre - A History of the Collection and a catalogue of Selected Works to Mark the Opening of the New Centre
Publishing details: Mornington Peninsula Arts Centre, 1990, 24pp

Joel’s catalogue (Ruwolt)view full entry

Reference: The Charles Ruwolt Collection of Australian Paintings
Publishing details: Joel’s 17 November, 1966

Pictorial Collection The - Natiopnal Library of Australia Canberraview full entry

Reference: The Pictorial Collection - National Library of Australia Canberra
Publishing details: NLA, 1975,

Rolland H M 1924 watercolour of Canberraview full entry

Reference: see The Pictorial Collection - National Library of Australia Canberra
Publishing details: NLA, 1975,

Bringing Down the Houseview full entry

Reference: Bringing Down the House - A National Museum of Australia/Old Parliament House Exhibition (entries to the 1999 National Museum of Australia Australian Political Humour Competition). 50 cartoonists represented with brief biographies
Publishing details: National Museum of Australia , 1999, pb, 64pp

Australian cartoonistsview full entry

Reference: see Bringing Down the House - A National Museum of Australia/Old Parliament House Exhibition (entries to the 1999 National Museum of Australia Australian Political Humour Competition). 50 cartoonists represented with brief biographies
Publishing details: National Museum of Australia , 1999, pb, 64pp

Art in City Windowsview full entry

Reference: Art in City Windows - Melbourne 1991 No Vacancy
Publishing details: City of Melbourne, 1991, 23pp.
Ref: 129

Mills Alice (photographer, Broothoorn Studios)view full entry

Reference: see two major works in National Gallery of Victoria - portrait of Hilaire Syme and Joan Margaret Syme. Broothoorn Studios

Montague Arthurview full entry

Reference: see major work in National Gallery of Victoria - ‘Senhor Loureiro’s Studio (west end)’ 1892

Reilly Isaview full entry

Reference: see major work in National Gallery of Victoria -’Waterfall at Mount Macedon, 1880’

ANZ Bicentennial Art Commissionsview full entry

Reference: The ANZ Bicentennial Art Commissions. Catalogue with extensive biographies on the 9 artists. Introduction by Jan Minchin.
Publishing details: NGV, 1987, pb, 26pp
Ref: 129

Booth Peterview full entry

Reference: see The ANZ Bicentennial Art Commissions. Catalogue with extensive biographies on the 9 artists. Introduction by Jan Minchin.
Publishing details: NGV, 1987, pb, 26pp

Brack Johnview full entry

Reference: see The ANZ Bicentennial Art Commissions. Catalogue with extensive biographies on the 9 artists. Introduction by Jan Minchin.
Publishing details: NGV, 1987, pb, 26pp

Cook William Delafieldview full entry

Reference: see The ANZ Bicentennial Art Commissions. Catalogue with extensive biographies on the 9 artists. Introduction by Jan Minchin.
Publishing details: NGV, 1987, pb, 26pp

Lanceley Colinview full entry

Reference: see The ANZ Bicentennial Art Commissions. Catalogue with extensive biographies on the 9 artists. Introduction by Jan Minchin.
Publishing details: NGV, 1987, pb, 26pp

Maddock Beaview full entry

Reference: see The ANZ Bicentennial Art Commissions. Catalogue with extensive biographies on the 9 artists. Introduction by Jan Minchin.
Publishing details: NGV, 1987, pb, 26pp

Robinson Williamview full entry

Reference: see The ANZ Bicentennial Art Commissions. Catalogue with extensive biographies on the 9 artists. Introduction by Jan Minchin.
Publishing details: NGV, 1987, pb, 26pp

Sansom Garethview full entry

Reference: see The ANZ Bicentennial Art Commissions. Catalogue with extensive biographies on the 9 artists. Introduction by Jan Minchin.
Publishing details: NGV, 1987, pb, 26pp

Senbergs Janview full entry

Reference: see The ANZ Bicentennial Art Commissions. Catalogue with extensive biographies on the 9 artists. Introduction by Jan Minchin.
Publishing details: NGV, 1987, pb, 26pp

Wolseley Johnview full entry

Reference: see The ANZ Bicentennial Art Commissions. Catalogue with extensive biographies on the 9 artists. Introduction by Jan Minchin.
Publishing details: NGV, 1987, pb, 26pp

Wolseley Johnview full entry

Reference: see The ANZ Bicentennial Art Commissions. Catalogue with extensive biographies on the 9 artists. Introduction by Jan Minchin.
Publishing details: NGV, 1987, pb, 26pp

City/Artview full entry

Reference: City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Hopkins John ‘Collins Street 1971’ and othersview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Tucker Albert numerous worksview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Nolan Sidney numerous worksview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Blackman Charles numerous worksview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Perceval Johnview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Vassilieff Danilaview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Counihan Noelview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

James Louisview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Smart Jeffreyview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Herman Saliview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Shannon Michaelview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Shannon Michaelview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Olsen Johnview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Reinhard Kenview full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Bow Ian - blind artist’s ‘Urban Cycle’view full entry

Reference: see City/Art - a unit of the social education materials project. Conceived and written by Tony Lenten. Numerous chapters on themes relating to art and the city as expressed by Australian artists. [to be indexed fully]
Publishing details: Heinemann EducationalAustralia, 1978, pb, 112pp

Victorian State Craft Collection - Meat Market Craft Centreview full entry

Reference: Victorian State Craft Collection - Meat Market Craft Centre. History of the Metropolitan Meat Market by Marjorie Johnson. Essays on the Ceramics Collection, Fibre/Textiles Collection, Glass Collection, Leather Collection, Metalwork/Jewellery Collection, Wood Collection. About 300 artists listed with extensive biographies in alphabetical order.
Publishing details: Meat Market Craft Centre, 1988, spiral bound, not paginated, (about 400pp)

Australian Decorative Arts in the Australian National Gallery view full entry

Reference: Australian Decorative Arts in the Australian National Gallery.
Publishing details: The Australian National Gallery, Canberra, 1982. 1st Edition. SOFTCOVER. Large square 4to in colour printed stiff glossy card covers, 125pp, colour plates, etc

Atkinson Ethelview full entry